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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Brave Men, Behold Your Fallen Chief</text>
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                <text>Lyrics depict grief over the death of Colonel Elmer Ellsworth. Cover image depicts portrait of Colonel Elmer Ellsworth with soldiers standing on either side, one waving a flag while standing above a grave. "Tribute to Ellsworth"</text>
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                <text>&amp;nbsp;Webster,&amp;nbsp;J. P. and&amp;nbsp; Ballard, H. C.</text>
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                <text>1862</text>
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                <text>Higgins, H. M.</text>
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                    <text>&lt;p&gt;YOUR MISSION
(As sung by Mr. Phillips at the request of President Lincoln.)
Words by Mrs E H Gates S.M. Grannis
&lt;/p&gt;&lt;p&gt;1. If you cannot on the ocean Sail among the swiftest fleet.
rocking on the highest billows, Laughing at the storms you meet; You can
stand among the sailors, Anchor'd yet within the bay, you can lend a hand to
help them, As they launch their boats away, As they launch their boats away.
&lt;/p&gt;&lt;p&gt;2. If you are too weak to journey Up the mountain, steep and high,
You can stand within the valley, While the multitudes go by; You can
chant in happy measure, As they slowly pass along, tho' they may forget the
singer, they will not forget the song, They will not forget the song.
&lt;/p&gt;&lt;p&gt;3. If you have not gold and silver
Ever ready to command;
If you cannot t'wards the needy
Reach an ever-open hand;
You can visit the afflicted,
O'er the erring you can weep,
You can be a true disciple.
Sitting at the Saviour's feet.
&lt;/p&gt;&lt;p&gt;4. If you cannot in the conflict
Prove yourself a soldier true, 
If, where fire and smoke are thickest,
there's no work for you do do;
When the battlefield is silent,
You can go with a careful tread,
You can bear away the wounded,
You can cover up the dead.
&lt;/p&gt;&lt;p&gt;5. If you cannot in the harvest
Garner up the richest sheaves,
Many a grain both ripe and golden
Will the careless reapers leave;
Go and glean among the briars,
Growing rank against the wall,
For it may be that their shadow
Hides the heaviest wheat of all.
&lt;/p&gt;&lt;p&gt;6. Do not, then, stand idly waiting
For some greater work to do;
Fortune is a lazy goddess,
She will never come to you.
Go, and toil in any vineyard,
Do not fear to do or dare'
If you want a field of labor,
You can find it anywhere.
&lt;/p&gt;&lt;p&gt;AT the final Anniversary of the United States Christian Commission, held in the Hall of Representatives in the year 1865, the following request (facsimile) was handed to the Chairman of the Meeting, the Hon. W. H. Seward:-
&lt;/p&gt;&lt;p&gt;Near the close let us have 
"Your Mission" repeated by Mr Phillips
&lt;/p&gt;&lt;p&gt;Don't say I called for it. A. Lincoln
&lt;/p&gt;&lt;p&gt;The United States Christian  Commission was devoted to the physical and spiritual care of the soldiers and sailors of the Civil War. At the
meeting referred to above Secretary of State Wm. H. Seward presided. In the great audience were President and Mrs. Lincoln, members of the cabinet, of the Supreme Court, prominent officers of the army and navy and noted senators and congressmen and distinguished citizens.  When Mr. Phillips sang "Your Mission" it was noted that Mr. Lincoln was deeply affected, tears ran down his cheeks.  This song, repeated at his request, reflects his real character and sentiment. I am informed from a reliable source that the man who took the message from Abraham Lincoln to Chairman Seward was John V Farwell of Chicago.
&lt;/p&gt;&lt;p&gt;Duncan C. Milner.
&lt;/p&gt;&lt;p&gt;From the Ravenswood Citizen, May 27, 1916.
&lt;/p&gt;&lt;p&gt;Compliments of Chicago Law and Order League and the Hyde Park Protective Association, Room 1305  19 S. La Salle St., Chicago.
Telephone Central 4583
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Illinois State
Historical Library
&lt;/p&gt;
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                <text>"As sung by Mr. Phillips at the request of President Lincoln." Page contains four lines of music with six verses and explanatory text. Fascimile of note by Abraham Lincoln rquesting that this song be sung, followed by a short account of the singing, attributed to Duncan C. Milner , May 27, 1916 from the Ravenswood Citizen.</text>
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                <text>&lt;p&gt;YOUR MISSION
(As sung by Mr. Phillips at the request of President Lincoln.)
Words by Mrs E H Gates S.M. Grannis
&lt;/p&gt;&lt;p&gt;1. If you cannot on the ocean Sail among the swiftest fleet.
rocking on the highest billows, Laughing at the storms you meet; You can
stand among the sailors, Anchor'd yet within the bay, you can lend a hand to
help them, As they launch their boats away, As they launch their boats away.
&lt;/p&gt;&lt;p&gt;2. If you are too weak to journey Up the mountain, steep and high,
You can stand within the valley, While the multitudes go by; You can
chant in happy measure, As they slowly pass along, tho' they may forget the
singer, they will not forget the song, They will not forget the song.
&lt;/p&gt;&lt;p&gt;3. If you have not gold and silver
Ever ready to command;
If you cannot t'wards the needy
Reach an ever-open hand;
You can visit the afflicted,
O'er the erring you can weep,
You can be a true disciple.
Sitting at the Saviour's feet.
&lt;/p&gt;&lt;p&gt;4. If you cannot in the conflict
Prove yourself a soldier true, 
If, where fire and smoke are thickest,
there's no work for you do do;
When the battlefield is silent,
You can go with a careful tread,
You can bear away the wounded,
You can cover up the dead.
&lt;/p&gt;&lt;p&gt;5. If you cannot in the harvest
Garner up the richest sheaves,
Many a grain both ripe and golden
Will the careless reapers leave;
Go and glean among the briars,
Growing rank against the wall,
For it may be that their shadow
Hides the heaviest wheat of all.
&lt;/p&gt;&lt;p&gt;6. Do not, then, stand idly waiting
For some greater work to do;
Fortune is a lazy goddess,
She will never come to you.
Go, and toil in any vineyard,
Do not fear to do or dare'
If you want a field of labor,
You can find it anywhere.
&lt;/p&gt;&lt;p&gt;AT the final Anniversary of the United States Christian Commission, held in the Hall of Representatives in the year 1865, the following request (facsimile) was handed to the Chairman of the Meeting, the Hon. W. H. Seward:-
&lt;/p&gt;&lt;p&gt;Near the close let us have 
"Your Mission" repeated by Mr Phillips
&lt;/p&gt;&lt;p&gt;Don't say I called for it. A. Lincoln
&lt;/p&gt;&lt;p&gt;The United States Christian  Commission was devoted to the physical and spiritual care of the soldiers and sailors of the Civil War. At the
meeting referred to above Secretary of State Wm. H. Seward presided. In the great audience were President and Mrs. Lincoln, members of the cabinet, of the Supreme Court, prominent officers of the army and navy and noted senators and congressmen and distinguished citizens.  When Mr. Phillips sang "Your Mission" it was noted that Mr. Lincoln was deeply affected, tears ran down his cheeks.  This song, repeated at his request, reflects his real character and sentiment. I am informed from a reliable source that the man who took the message from Abraham Lincoln to Chairman Seward was John V Farwell of Chicago.
&lt;/p&gt;&lt;p&gt;Duncan C. Milner.
&lt;/p&gt;&lt;p&gt;From the Ravenswood Citizen, May 27, 1916.
&lt;/p&gt;&lt;p&gt;Compliments of Chicago Law and Order League and the Hyde Park Protective Association, Room 1305  19 S. La Salle St., Chicago.
Telephone Central 4583
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Illinois State
Historical Library
&lt;/p&gt;
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                    <text>&lt;p&gt;THE GREAT SONG!!
REVISED, CORRECTED AND A NEW VERSE ADDED.
&lt;/p&gt;&lt;p&gt;YOUNG EPH'S 
LAMENT:
&lt;/p&gt;&lt;p&gt;OR
&lt;/p&gt;&lt;p&gt;"Oh! whar will I go if dis War breaks de Country up,
And de Darkies hab to scatter around?
Dis dam Babolition, 'Mancipation and Secession,
Are agoing to run de Nigger in de ground!"
&lt;/p&gt;&lt;p&gt;WRITTEN BY
J.B. MURPHY,
AND SUNG BY
S.S. PURDY
&lt;/p&gt;&lt;p&gt;ST. LOUIS:
ENDRES &amp;amp; COMPTON
No. 52 FOURTH STREET
&lt;/p&gt;&lt;p&gt;Philadephia
G. Andre &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Cleveland:
S. Brainard &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago:
Root &amp;amp; Cady
&lt;/p&gt;&lt;p&gt;[illegible] according to Act of Congress in the year 1863 by Jacob Endres in the Clerk's Office of the District Court of the Eastern District of Mo.
&lt;/p&gt;&lt;p&gt;(-----)
&lt;/p&gt;&lt;p&gt;New Songs.
&lt;/p&gt;
&lt;pre&gt;-JUST ISSUED BY-
&lt;/pre&gt;
&lt;p&gt;ENDRES &amp;amp; COMPTON
&lt;/p&gt;&lt;p&gt;52 fourth Street, St. Louis
&lt;/p&gt;
&lt;pre&gt;  BROTHER, WHEN WILL YOU COME BACK.
&lt;/pre&gt;
&lt;p&gt;Song and Chorus, by T.M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Say, Brother, when will you come back,
              To meet the loved who wait at home?
              We're  lonely now without thy smile,
              Say, Brother Dear, when will you come back?
&lt;/pre&gt;
&lt;p&gt;Words by Lt. L. H. FRISBIE. This song is fully up to the peputation of the talented composer, and rapidly becoming popular.
&lt;/p&gt;&lt;p&gt;GIVE THIS BIBLE BACK TO MOTHER.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;                Give this Bible back to Mother,
                Tell her when you see her face,
                That I fought to save our country
                And Its banner from disgrace.
&lt;/pre&gt;
&lt;p&gt;One of the very best productions of this popular young composer, and is destined to take first rank among the really good songs of the day. 
&lt;/p&gt;&lt;p&gt;DEAREST ONE, WHEN THOU ART ABSENT.
Song, by A LADY.............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;             Dearest one, when thou art absent;
             Don't thou think I love thee less;
             Or these lips, which whisper fondly,
             Other passions will confess.
&lt;/pre&gt;
&lt;p&gt;A charming Song, by one of our most accomplished lady amateurs. It is already well known and popular in select musical circles.
&lt;/p&gt;&lt;p&gt;HEAVEN GUARD THEE IN THY REST, DARLING.
Song by LILY LYNDON...............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;              The night is coming o'er us, love,
              Tis time that I depart,
              But midst gayer scenes I move,
              I'll sadest be at heart.
&lt;/pre&gt;
&lt;p&gt;Words by the well known song writer J. B. MURPHY.- A really charming composition, with the compass of any ordinaary voice, and easily executed.
&lt;/p&gt;&lt;p&gt;OPEN THE WINDOW, DARLING.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Open the window, darling,
              And welcome the breath of the spring,
              For the spirit of joy is abroad,
              And gladness each sentient thing!
&lt;/pre&gt;
&lt;p&gt;The songs of T. M. BROWN stand unrivalled for beauty and sentiment in the melodies, and grand harmonies in the choruses. His accompaniments are also smooth and flowing, and easily executed.
&lt;/p&gt;&lt;p&gt;FOREST LEAVES ARE FALLING.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              The forest leaves are falling now,
              Are falling fast around,
              The fairest flowers of summer
              Lie wither'd on the ground.
              And, oh! my heart is sad to-day,
              One fair sweet flower has passed
              Too soon from this bright worls away,
              Before death's chilling blast.
&lt;/pre&gt;
&lt;p&gt;A sweet, pathetic thing, full of equisite melody; will be a great favorite with lovers of really good music.
&lt;/p&gt;&lt;p&gt;OH, MY MOTHER, HASTEN TO ME!     
Song by CARLO BARDITTI...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Oh, my mother, hasten to me,
              I am wounded, mother dear;
              Come, oh come to me, my mother,
              Kneel beside me, mother dear!
&lt;/pre&gt;
&lt;p&gt;Words by GEO. H. CONOVER - A touching song, full of pathos, both in words and music.
&lt;/p&gt;&lt;p&gt;I'M NOT A LOVER NOW.
Song by F. WOOLCOTT...............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;              There was a time when I could feel
              All passions, hopes and fears,
              And tell what tongues can ne'er reveal
              By smiles and sighs and tears.
              The days are gone, no more, no more
              The cruel fates allow,
              And though I'm hardly twenty-four,
              I'm not a lover now!.
&lt;/pre&gt;
&lt;p&gt;A pleasant song, wedded to a cheerful melody, that will go a long way to relieve the disappointment of many a luckless lover.
&lt;/p&gt;&lt;p&gt;SWEET IS THE KISS OF THE SOFT SUMMER AIR.
Song, by LILY LYNDON................Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Oh, sweet is the kiss of the soft summer air,
              As its perfume comes steallingly by.
              And sweet is the fragrance of wild flowers rare,
              In the sheen of green meadows that lie.
              But sweeter, by far, than all this,
              Is that innocent kiss, thrilled with exquisite bliss
              From the lisps of dear Maggie Maggee.
&lt;/pre&gt;
&lt;p&gt;Words by the popular song writer J. B. MURPHY. - This composition fully sustains the high reputation acchieved by Miss Lyndon with her popular song " Heaven guard thee, " as a composer who stands in sympathy with the great public ear, and appreciates its wants and improves its taste by her choice and elegant productions.
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE.
Song by CARLO BARDITTI...............Price 20 Cts.
&lt;/p&gt;
&lt;pre&gt;              How sleep the brave who sink to rest,
              By all their conuntry's wishes blessed,
              When spring with dewy fingers cold
              Returns to deck their hallowed mould.
              She there shall dress a sweeter and
              Than fancy's feet have ever trod.
&lt;/pre&gt;
&lt;p&gt;Words by WILLIAM COLLINS. - Both the words and music of this exquisitely touching song form a gitting tribute to the memory of the brave who have sacrificed  their lives on the altar of their country.
&lt;/p&gt;&lt;p&gt;SENT POST-PAID, ON RECEIPT OF THE MARKED PRICE.        SEND FOR A COMPLETE CATALOGUE.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;
&lt;pre&gt;                                                                 26544
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                      YOUNG EPH'S LAMENT:
&lt;/pre&gt;
&lt;pre&gt;                                                                     OR
&lt;/pre&gt;
&lt;p&gt;OH, WHAR WILL I GO IF DIS WAR BREAKS DE COUNTRY UP.
&lt;/p&gt;&lt;p&gt;Written by J.B. MURPHY
&lt;/p&gt;&lt;p&gt;1.  Oh where will I go if dis war breaks de country up, And de darkeys hab to scatter around,  Dis dam bobolition, mancipation and sesession Am a gwine to run de nigger in de ground!  De bobolitioin here, De secession dare, And neather one nor t'other of 'em's right, But one says dis, de oder says dat, And dey both got de country in a fight, But what can a poor nigger do.
&lt;/p&gt;&lt;p&gt;2.  Now what is de use b dis jangulating fighting? Botheration to de country so forlorn?  Why don't dey tend to bussness, making boats and building railroads? While de niggers raise de cotton and de corn, But Massachusetts dar and South Carolina here, Disturb dis happy Union wid de growl, One says dey shall, de oder says dey shan't, And Uncle Sam has got to stand it all, But what can a poor nigger do.
&lt;/p&gt;&lt;p&gt;3.  Oh I wish dat de white folks ob dis great confederation, Would only quit dar quarrells and dar fight, And stop dar cannonading, marching, shooting, and bombarding, And be willing for to use each oder right.  For it's very plain to see dat de end would be, Dat dey'd know each oder better dan before, And dey'd made up dar minds, dat in all future times, Dey would not go and do it any more, And dat's what I want dem for to do.
&lt;/p&gt;&lt;p&gt;4.  What a deuc'd shame it is dis sesession revolution, Am a useing up de bussness ob de land!  While trade an navigation, merchandising, speculation Hab very nearly come to a stand!  De crops won't be grow'd, De meadows won't be mow'd, 'Kase dar's nobudy left for to tend 'em, Dar's a scarcity it seems, ob cabbaage peas an' beans, Kase dar's nobudy home for to send 'em.  Den what's a hungry nigger gwine to do.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;POPULAR INSTRUMENTAL MUSIC,
&lt;/p&gt;
&lt;pre&gt; - JUST PUBLISHED BY -
&lt;/pre&gt;
&lt;p&gt;ENDRES &amp;amp; COMPTON,
&lt;/p&gt;&lt;p&gt;52 Fourth Streed, St. Louis.
&lt;/p&gt;&lt;p&gt;EVANGELINE WALTZ,
By JOS. POSTLEWAITE. A beautiful flowing waltz, already well known and popular with the musical public...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;DROWSY OR SLUMBER POLKA. 
By T. VAN BERG. A perfectly irresistible composition, is immensely popular with all who know it. Easy to play...............Price 30 Cents.
&lt;/p&gt;&lt;p&gt;LEVIATHAN SCHOTTISCH.
By  JAMES S HAMBAUGH. Beautifully illustrated title page, representing the mammoth steamer, and easy, fascinating composition, and will be a great favorite...............Price 50 Cents
&lt;/p&gt;&lt;p&gt;MARTHA QUADRILLES.
By PROF ALBERT MAHLER. These beautiful quadrilles are arranged for the populas Opera of Martha, and contain all the best airs. Have been played with great success at Prof. Mahler's soirees this winter.
&lt;/p&gt;&lt;p&gt;LILY OF THE VALLEY WALTZES.
By T. M. BROWN. A splendid set of waltzes by his deservedly popular author, brilliant, melodious and of medium difficulty............Price 50 Cts.
&lt;/p&gt;&lt;p&gt;FAUST MARCH.
Arranged by T. M. BROWN.  This arrangement of the popular "Faust March" is conreded by all to be the very best that is published.  Many thousands have already been sold...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;SOLDIER'S RETURN SCHOTTISCH.
By T. VAN BERG.  An easy and graceful composition by the popular author, embellished with a most beautiful colored title, representing the happy return of the battle-worn veteran to his wife and children, on Christmas Eve...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;SUNNY PLANTATIONS.
Brillian variations on the populsr song "Young Eph's Lament; or Whar will go if this war breaks the country up," A showy and attractive composition that has already had a large sale, and is rapidly be coming a favorite. By RICHARD S. POPPEN...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;EXPECTATION SCHOTTISCH.
By T. VAN BERG.  An easy and pleasing composition, excellent for dancing...............Price 30 Cents.
&lt;/p&gt;&lt;p&gt;MARY IS HER NAME.
Fascinating and easy variations on Emmet's popular song. By RICHARD S. POPPEN...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;TIVOLI QUADRILLES.
By FRERCK. As played by Sauter's Orchestra at the "Tivoli" with great applause................Price 50 Cents.
&lt;/p&gt;&lt;p&gt;GRAND VALSE BRILLIANTE.
By RICHARD S. POPPEN.  A very pleasing and attractice composition of moderate difficulyt, suitable for advanced players.............Price 35 Cents.
&lt;/p&gt;&lt;p&gt;MORNING DEWS.
A collection of arrangements and variations on the followin themes, by JAMES BELLAK, written in the best style of this favorite author; just the thing for pupils who have taken onr or two quarter's lessons..........Price, 25 Cents each.
&lt;/p&gt;&lt;p&gt;"BELOVED STAR WALTZ,"  "DO THEY THINK OF ME AT HOME,"  "TROT SCHOTTISCH,"  "OLD ROSIN THE BOW,"  "GLORY HALLELUJAH MARCH,"
&lt;/p&gt;
&lt;pre&gt;"MARYLAND, MY MARYLAND,"  'BONNY FLAG QUICKSTEP,"
&lt;/pre&gt;
</text>
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                  <elementText elementTextId="374925">
                    <text>Complete</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="172665">
              <text>6</text>
            </elementText>
            <elementText elementTextId="172666">
              <text>34 cm</text>
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        <name>Dublin Core</name>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="172651">
                <text>301145</text>
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              <elementText elementTextId="172652">
                <text>11382104</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="172653">
                <text>Young Eph's Lament</text>
              </elementText>
            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172654">
                <text>Subtitle: "Oh, Whar Will I Go IF Dis War Breaks De Country Up." Minstrel song depicting a slave's anxiety about civil war.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172655">
                <text>Murphy, J. B.</text>
              </elementText>
              <elementText elementTextId="172656">
                <text>Purdy, S. S.</text>
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              <elementText elementTextId="172657">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="172658">
                <text>Minstrel music</text>
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              <elementText elementTextId="172659">
                <text>Slaves--Emancipation</text>
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              <elementText elementTextId="172660">
                <text>American Civil War, (1861-1865)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="172661">
                <text>Murphy, J. B. and S. S. Purdy</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172662">
                <text>Endres &amp;amp; Comption</text>
              </elementText>
            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="172663">
                <text>St. Louis</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172664">
                <text>1863</text>
              </elementText>
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                <text>pdf</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="172668">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
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            <name>Language</name>
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              <elementText elementTextId="172670">
                <text>en</text>
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            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="374924">
                <text>&lt;p&gt;THE GREAT SONG!!
REVISED, CORRECTED AND A NEW VERSE ADDED.
&lt;/p&gt;&lt;p&gt;YOUNG EPH'S 
LAMENT:
&lt;/p&gt;&lt;p&gt;OR
&lt;/p&gt;&lt;p&gt;"Oh! whar will I go if dis War breaks de Country up,
And de Darkies hab to scatter around?
Dis dam Babolition, 'Mancipation and Secession,
Are agoing to run de Nigger in de ground!"
&lt;/p&gt;&lt;p&gt;WRITTEN BY
J.B. MURPHY,
AND SUNG BY
S.S. PURDY
&lt;/p&gt;&lt;p&gt;ST. LOUIS:
ENDRES &amp;amp; COMPTON
No. 52 FOURTH STREET
&lt;/p&gt;&lt;p&gt;Philadephia
G. Andre &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Cleveland:
S. Brainard &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago:
Root &amp;amp; Cady
&lt;/p&gt;&lt;p&gt;[illegible] according to Act of Congress in the year 1863 by Jacob Endres in the Clerk's Office of the District Court of the Eastern District of Mo.
&lt;/p&gt;&lt;p&gt;(-----)
&lt;/p&gt;&lt;p&gt;New Songs.
&lt;/p&gt;
&lt;pre&gt;-JUST ISSUED BY-
&lt;/pre&gt;
&lt;p&gt;ENDRES &amp;amp; COMPTON
&lt;/p&gt;&lt;p&gt;52 fourth Street, St. Louis
&lt;/p&gt;
&lt;pre&gt;  BROTHER, WHEN WILL YOU COME BACK.
&lt;/pre&gt;
&lt;p&gt;Song and Chorus, by T.M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Say, Brother, when will you come back,
              To meet the loved who wait at home?
              We're  lonely now without thy smile,
              Say, Brother Dear, when will you come back?
&lt;/pre&gt;
&lt;p&gt;Words by Lt. L. H. FRISBIE. This song is fully up to the peputation of the talented composer, and rapidly becoming popular.
&lt;/p&gt;&lt;p&gt;GIVE THIS BIBLE BACK TO MOTHER.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;                Give this Bible back to Mother,
                Tell her when you see her face,
                That I fought to save our country
                And Its banner from disgrace.
&lt;/pre&gt;
&lt;p&gt;One of the very best productions of this popular young composer, and is destined to take first rank among the really good songs of the day. 
&lt;/p&gt;&lt;p&gt;DEAREST ONE, WHEN THOU ART ABSENT.
Song, by A LADY.............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;             Dearest one, when thou art absent;
             Don't thou think I love thee less;
             Or these lips, which whisper fondly,
             Other passions will confess.
&lt;/pre&gt;
&lt;p&gt;A charming Song, by one of our most accomplished lady amateurs. It is already well known and popular in select musical circles.
&lt;/p&gt;&lt;p&gt;HEAVEN GUARD THEE IN THY REST, DARLING.
Song by LILY LYNDON...............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;              The night is coming o'er us, love,
              Tis time that I depart,
              But midst gayer scenes I move,
              I'll sadest be at heart.
&lt;/pre&gt;
&lt;p&gt;Words by the well known song writer J. B. MURPHY.- A really charming composition, with the compass of any ordinaary voice, and easily executed.
&lt;/p&gt;&lt;p&gt;OPEN THE WINDOW, DARLING.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Open the window, darling,
              And welcome the breath of the spring,
              For the spirit of joy is abroad,
              And gladness each sentient thing!
&lt;/pre&gt;
&lt;p&gt;The songs of T. M. BROWN stand unrivalled for beauty and sentiment in the melodies, and grand harmonies in the choruses. His accompaniments are also smooth and flowing, and easily executed.
&lt;/p&gt;&lt;p&gt;FOREST LEAVES ARE FALLING.
Song and Chorus, by T. M. BROWN...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              The forest leaves are falling now,
              Are falling fast around,
              The fairest flowers of summer
              Lie wither'd on the ground.
              And, oh! my heart is sad to-day,
              One fair sweet flower has passed
              Too soon from this bright worls away,
              Before death's chilling blast.
&lt;/pre&gt;
&lt;p&gt;A sweet, pathetic thing, full of equisite melody; will be a great favorite with lovers of really good music.
&lt;/p&gt;&lt;p&gt;OH, MY MOTHER, HASTEN TO ME!     
Song by CARLO BARDITTI...............Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Oh, my mother, hasten to me,
              I am wounded, mother dear;
              Come, oh come to me, my mother,
              Kneel beside me, mother dear!
&lt;/pre&gt;
&lt;p&gt;Words by GEO. H. CONOVER - A touching song, full of pathos, both in words and music.
&lt;/p&gt;&lt;p&gt;I'M NOT A LOVER NOW.
Song by F. WOOLCOTT...............Price 30 Cts.
&lt;/p&gt;
&lt;pre&gt;              There was a time when I could feel
              All passions, hopes and fears,
              And tell what tongues can ne'er reveal
              By smiles and sighs and tears.
              The days are gone, no more, no more
              The cruel fates allow,
              And though I'm hardly twenty-four,
              I'm not a lover now!.
&lt;/pre&gt;
&lt;p&gt;A pleasant song, wedded to a cheerful melody, that will go a long way to relieve the disappointment of many a luckless lover.
&lt;/p&gt;&lt;p&gt;SWEET IS THE KISS OF THE SOFT SUMMER AIR.
Song, by LILY LYNDON................Price 35 Cts.
&lt;/p&gt;
&lt;pre&gt;              Oh, sweet is the kiss of the soft summer air,
              As its perfume comes steallingly by.
              And sweet is the fragrance of wild flowers rare,
              In the sheen of green meadows that lie.
              But sweeter, by far, than all this,
              Is that innocent kiss, thrilled with exquisite bliss
              From the lisps of dear Maggie Maggee.
&lt;/pre&gt;
&lt;p&gt;Words by the popular song writer J. B. MURPHY. - This composition fully sustains the high reputation acchieved by Miss Lyndon with her popular song " Heaven guard thee, " as a composer who stands in sympathy with the great public ear, and appreciates its wants and improves its taste by her choice and elegant productions.
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE.
Song by CARLO BARDITTI...............Price 20 Cts.
&lt;/p&gt;
&lt;pre&gt;              How sleep the brave who sink to rest,
              By all their conuntry's wishes blessed,
              When spring with dewy fingers cold
              Returns to deck their hallowed mould.
              She there shall dress a sweeter and
              Than fancy's feet have ever trod.
&lt;/pre&gt;
&lt;p&gt;Words by WILLIAM COLLINS. - Both the words and music of this exquisitely touching song form a gitting tribute to the memory of the brave who have sacrificed  their lives on the altar of their country.
&lt;/p&gt;&lt;p&gt;SENT POST-PAID, ON RECEIPT OF THE MARKED PRICE.        SEND FOR A COMPLETE CATALOGUE.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;
&lt;pre&gt;                                                                 26544
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                      YOUNG EPH'S LAMENT:
&lt;/pre&gt;
&lt;pre&gt;                                                                     OR
&lt;/pre&gt;
&lt;p&gt;OH, WHAR WILL I GO IF DIS WAR BREAKS DE COUNTRY UP.
&lt;/p&gt;&lt;p&gt;Written by J.B. MURPHY
&lt;/p&gt;&lt;p&gt;1.  Oh where will I go if dis war breaks de country up, And de darkeys hab to scatter around,  Dis dam bobolition, mancipation and sesession Am a gwine to run de nigger in de ground!  De bobolitioin here, De secession dare, And neather one nor t'other of 'em's right, But one says dis, de oder says dat, And dey both got de country in a fight, But what can a poor nigger do.
&lt;/p&gt;&lt;p&gt;2.  Now what is de use b dis jangulating fighting? Botheration to de country so forlorn?  Why don't dey tend to bussness, making boats and building railroads? While de niggers raise de cotton and de corn, But Massachusetts dar and South Carolina here, Disturb dis happy Union wid de growl, One says dey shall, de oder says dey shan't, And Uncle Sam has got to stand it all, But what can a poor nigger do.
&lt;/p&gt;&lt;p&gt;3.  Oh I wish dat de white folks ob dis great confederation, Would only quit dar quarrells and dar fight, And stop dar cannonading, marching, shooting, and bombarding, And be willing for to use each oder right.  For it's very plain to see dat de end would be, Dat dey'd know each oder better dan before, And dey'd made up dar minds, dat in all future times, Dey would not go and do it any more, And dat's what I want dem for to do.
&lt;/p&gt;&lt;p&gt;4.  What a deuc'd shame it is dis sesession revolution, Am a useing up de bussness ob de land!  While trade an navigation, merchandising, speculation Hab very nearly come to a stand!  De crops won't be grow'd, De meadows won't be mow'd, 'Kase dar's nobudy left for to tend 'em, Dar's a scarcity it seems, ob cabbaage peas an' beans, Kase dar's nobudy home for to send 'em.  Den what's a hungry nigger gwine to do.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;POPULAR INSTRUMENTAL MUSIC,
&lt;/p&gt;
&lt;pre&gt; - JUST PUBLISHED BY -
&lt;/pre&gt;
&lt;p&gt;ENDRES &amp;amp; COMPTON,
&lt;/p&gt;&lt;p&gt;52 Fourth Streed, St. Louis.
&lt;/p&gt;&lt;p&gt;EVANGELINE WALTZ,
By JOS. POSTLEWAITE. A beautiful flowing waltz, already well known and popular with the musical public...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;DROWSY OR SLUMBER POLKA. 
By T. VAN BERG. A perfectly irresistible composition, is immensely popular with all who know it. Easy to play...............Price 30 Cents.
&lt;/p&gt;&lt;p&gt;LEVIATHAN SCHOTTISCH.
By  JAMES S HAMBAUGH. Beautifully illustrated title page, representing the mammoth steamer, and easy, fascinating composition, and will be a great favorite...............Price 50 Cents
&lt;/p&gt;&lt;p&gt;MARTHA QUADRILLES.
By PROF ALBERT MAHLER. These beautiful quadrilles are arranged for the populas Opera of Martha, and contain all the best airs. Have been played with great success at Prof. Mahler's soirees this winter.
&lt;/p&gt;&lt;p&gt;LILY OF THE VALLEY WALTZES.
By T. M. BROWN. A splendid set of waltzes by his deservedly popular author, brilliant, melodious and of medium difficulty............Price 50 Cts.
&lt;/p&gt;&lt;p&gt;FAUST MARCH.
Arranged by T. M. BROWN.  This arrangement of the popular "Faust March" is conreded by all to be the very best that is published.  Many thousands have already been sold...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;SOLDIER'S RETURN SCHOTTISCH.
By T. VAN BERG.  An easy and graceful composition by the popular author, embellished with a most beautiful colored title, representing the happy return of the battle-worn veteran to his wife and children, on Christmas Eve...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;SUNNY PLANTATIONS.
Brillian variations on the populsr song "Young Eph's Lament; or Whar will go if this war breaks the country up," A showy and attractive composition that has already had a large sale, and is rapidly be coming a favorite. By RICHARD S. POPPEN...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;EXPECTATION SCHOTTISCH.
By T. VAN BERG.  An easy and pleasing composition, excellent for dancing...............Price 30 Cents.
&lt;/p&gt;&lt;p&gt;MARY IS HER NAME.
Fascinating and easy variations on Emmet's popular song. By RICHARD S. POPPEN...............Price 50 Cents.
&lt;/p&gt;&lt;p&gt;TIVOLI QUADRILLES.
By FRERCK. As played by Sauter's Orchestra at the "Tivoli" with great applause................Price 50 Cents.
&lt;/p&gt;&lt;p&gt;GRAND VALSE BRILLIANTE.
By RICHARD S. POPPEN.  A very pleasing and attractice composition of moderate difficulyt, suitable for advanced players.............Price 35 Cents.
&lt;/p&gt;&lt;p&gt;MORNING DEWS.
A collection of arrangements and variations on the followin themes, by JAMES BELLAK, written in the best style of this favorite author; just the thing for pupils who have taken onr or two quarter's lessons..........Price, 25 Cents each.
&lt;/p&gt;&lt;p&gt;"BELOVED STAR WALTZ,"  "DO THEY THINK OF ME AT HOME,"  "TROT SCHOTTISCH,"  "OLD ROSIN THE BOW,"  "GLORY HALLELUJAH MARCH,"
&lt;/p&gt;
&lt;pre&gt;"MARYLAND, MY MARYLAND,"  'BONNY FLAG QUICKSTEP,"
&lt;/pre&gt;
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                    <text>&lt;p&gt;Young Eph's Jubilee
&lt;/p&gt;&lt;p&gt;(Answer to Young Eph's Lament)
&lt;/p&gt;&lt;p&gt;Song and Dance as Performed by Thomas Gethings of Kelly &amp;amp; Leon's Minstrels
&lt;/p&gt;&lt;p&gt;Words by J.B. Murphy Esq.
&lt;/p&gt;&lt;p&gt;Oh de mighty deed am done and de Union Battles Won
&lt;/p&gt;&lt;p&gt;Music composed by W.H. Brockway
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY 67 Washington St, Chicago
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1866 by Root &amp;amp; Cady in the Clerks Office of the District Court of the U. S. for the Northern District of Illinois.
&lt;/p&gt;&lt;p&gt;Lith. by Chas. Shober, Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;YOUNG EPH'S JUBILEE.
&lt;/p&gt;&lt;p&gt;WM. H. BROCKWAY
&lt;/p&gt;&lt;p&gt;1.  Oh! de mighty deed am done and de Union battles won, And de darky gins to find just whar to go:  Massa Lincum's Proclamation saved dis great and glorious nation:  While it hustled old secession down below.  In Charl'ston ober dar In Richmond ober here:  De Chivalry dey chuck'ld in dar sleebe.  But Grant he put em thro' And so did Sherman too, While dey told de darkies all to cut and leebe.  And dats just want dey wanted for to do.
&lt;/p&gt;&lt;p&gt;2.  Oh! I've got de recollection bout de Alabama section, When I used to pick de cotton whar it grow'd, When old massa lick'd dis nigger 'case de picks wasn't bigger Tho' I always work'd de berry best I know'd.  But when de sojers come: Oh! den I cut and run:  And jine de Union ranks ob Uncle Sam:  Tho' I couldn't read or white:  I soon learn'd how to fight And I help to gain my freedom in de land.  And dats just what I wanted for to do.
&lt;/p&gt;&lt;p&gt;3.  Oh! dars room enough for all ... white and black and great and small.  In dis great and happy land ob Liberty:  I can work as well as fight:  and I'll do whate'er is right:  If you'll only try and do the same by me.  We soon will understand Our places in de land:  And couldn't hurt de country if we would.  And its plain enough to see:  Dat now we all are free We wouldn't hurt de country if we could.  Dats what we neber wanted for to do.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Young Eph's Jubilee</text>
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                <text>Subtitle "Answer to Young Eph's Lament." A minstrel song celebrating emancipation and Union victory over the South. Edwin Kelly and Francis Leon led one of the most successful and popular minstrel troupes in the United States during the 1860s and 1870s.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>&lt;p&gt;Young Eph's Jubilee
&lt;/p&gt;&lt;p&gt;(Answer to Young Eph's Lament)
&lt;/p&gt;&lt;p&gt;Song and Dance as Performed by Thomas Gethings of Kelly &amp;amp; Leon's Minstrels
&lt;/p&gt;&lt;p&gt;Words by J.B. Murphy Esq.
&lt;/p&gt;&lt;p&gt;Oh de mighty deed am done and de Union Battles Won
&lt;/p&gt;&lt;p&gt;Music composed by W.H. Brockway
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY 67 Washington St, Chicago
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1866 by Root &amp;amp; Cady in the Clerks Office of the District Court of the U. S. for the Northern District of Illinois.
&lt;/p&gt;&lt;p&gt;Lith. by Chas. Shober, Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;YOUNG EPH'S JUBILEE.
&lt;/p&gt;&lt;p&gt;WM. H. BROCKWAY
&lt;/p&gt;&lt;p&gt;1.  Oh! de mighty deed am done and de Union battles won, And de darky gins to find just whar to go:  Massa Lincum's Proclamation saved dis great and glorious nation:  While it hustled old secession down below.  In Charl'ston ober dar In Richmond ober here:  De Chivalry dey chuck'ld in dar sleebe.  But Grant he put em thro' And so did Sherman too, While dey told de darkies all to cut and leebe.  And dats just want dey wanted for to do.
&lt;/p&gt;&lt;p&gt;2.  Oh! I've got de recollection bout de Alabama section, When I used to pick de cotton whar it grow'd, When old massa lick'd dis nigger 'case de picks wasn't bigger Tho' I always work'd de berry best I know'd.  But when de sojers come: Oh! den I cut and run:  And jine de Union ranks ob Uncle Sam:  Tho' I couldn't read or white:  I soon learn'd how to fight And I help to gain my freedom in de land.  And dats just what I wanted for to do.
&lt;/p&gt;&lt;p&gt;3.  Oh! dars room enough for all ... white and black and great and small.  In dis great and happy land ob Liberty:  I can work as well as fight:  and I'll do whate'er is right:  If you'll only try and do the same by me.  We soon will understand Our places in de land:  And couldn't hurt de country if we would.  And its plain enough to see:  Dat now we all are free We wouldn't hurt de country if we could.  Dats what we neber wanted for to do.
&lt;/p&gt;
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                    <text>&lt;p&gt;Year of Jubilee
or
Kingdom has come
by
"Sambo"
&lt;/p&gt;&lt;p&gt;Chicago
Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Year of Jubilee
or
KINGDOM HAS COME!
&lt;/p&gt;&lt;p&gt;by "SAMBO"
&lt;/p&gt;&lt;p&gt;1.  I come up Norf, on a little bender, Left Missus at home wid no one to tend her, Ole Massa's gone, I dunno whar to; Sambo pretty sure he don't much care to.
2.  Met Genral Bloaregard on my way here, He told me dat I had better stay dere; He said, up Norf, dey would skin and eat me, Dat was a yarn dat a little beat me.
3.  He said he had just whipp'd Genral Buel, Grant and Wallace, all three in a duel, I axed him den, why he was running away? Sambo, says he, dat question aint fair play.
&lt;/p&gt;&lt;p&gt;CHORUS
Den sound de horn, beat de drum, Sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
&lt;/p&gt;&lt;p&gt;4.  Oh, times down South am getting quite rotten,
Ile's so berry scarce, they have to burn cotton,
I left dat land ob oppression and gas,
And roam de free Norf without nary pass.
Chorus
&lt;/p&gt;&lt;p&gt;5.  Molasses Junction was a big scarecrow,
Nigh its wooden guns nobody didn't dare go,
But when McClellan got a good ready,
De Southern Gentry seemed quite unsteady.
Chorus
&lt;/p&gt;&lt;p&gt;6.  Abraham Lincoln and Emancipation,
De two tallest tings in dis tall nation,
Hurrah den boys, let us still be merry,
Kingdom has come, boys, we've good times berry.
Chorus
&lt;/p&gt;&lt;p&gt;Year of Jubilee
Pearson
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="172623">
              <text>4</text>
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              <text>34 cm</text>
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            <name>Identifier</name>
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                <text>301143</text>
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                <text>50784248</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Year of Jubilee</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Or "Kingdom has come" by 'Sambo'." The song celebrates a former slave's newly found freedom under the Union. &lt;br /&gt;&lt;br /&gt;Sambo was a commonly used English langauage term for a person of mixed African and European descent. By the early twentieth century, however, the word became a degoratory term for male African Americans.</text>
              </elementText>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
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                <text>Sambo (Fictitious character)</text>
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                <text>Sheet music</text>
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                <text>Minstrel music</text>
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                <text>Slaves--Emancipation</text>
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                <text>American Civil War ( 1861-1865)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sambo (Fictitious character)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172620">
                <text>H. M. Higgins</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="172621">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172622">
                <text>1862</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172625">
                <text>pdf</text>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <description>A written representation of a document or a page.</description>
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              <elementText elementTextId="555841">
                <text>&lt;p&gt;Year of Jubilee
or
Kingdom has come
by
"Sambo"
&lt;/p&gt;&lt;p&gt;Chicago
Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Year of Jubilee
or
KINGDOM HAS COME!
&lt;/p&gt;&lt;p&gt;by "SAMBO"
&lt;/p&gt;&lt;p&gt;1.  I come up Norf, on a little bender, Left Missus at home wid no one to tend her, Ole Massa's gone, I dunno whar to; Sambo pretty sure he don't much care to.
2.  Met Genral Bloaregard on my way here, He told me dat I had better stay dere; He said, up Norf, dey would skin and eat me, Dat was a yarn dat a little beat me.
3.  He said he had just whipp'd Genral Buel, Grant and Wallace, all three in a duel, I axed him den, why he was running away? Sambo, says he, dat question aint fair play.
&lt;/p&gt;&lt;p&gt;CHORUS
Den sound de horn, beat de drum, Sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
&lt;/p&gt;&lt;p&gt;4.  Oh, times down South am getting quite rotten,
Ile's so berry scarce, they have to burn cotton,
I left dat land ob oppression and gas,
And roam de free Norf without nary pass.
Chorus
&lt;/p&gt;&lt;p&gt;5.  Molasses Junction was a big scarecrow,
Nigh its wooden guns nobody didn't dare go,
But when McClellan got a good ready,
De Southern Gentry seemed quite unsteady.
Chorus
&lt;/p&gt;&lt;p&gt;6.  Abraham Lincoln and Emancipation,
De two tallest tings in dis tall nation,
Hurrah den boys, let us still be merry,
Kingdom has come, boys, we've good times berry.
Chorus
&lt;/p&gt;&lt;p&gt;Year of Jubilee
Pearson
&lt;/p&gt;
</text>
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            <description>The current transcription status of a document or a page.</description>
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              <elementText elementTextId="555843">
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="555845">
                <text>20</text>
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  <item itemId="20097" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/234f44f3352aac7a56afe9cd821a9224.pdf</src>
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              <element elementId="138">
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                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="393149">
                    <text>&lt;p&gt;THE "WIGWAM" GRAND MARCH
Dedicated to the
Republican Presidential Candidate
Hon. Abrm. Lincoln.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;C.C. Clapp &amp;amp; Co
Boston
&lt;/p&gt;&lt;p&gt;Beck &amp;amp; Lawton
Philad.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co.
N. York
&lt;/p&gt;&lt;p&gt;John Church Jr.
Cinn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WIGWAM GRAND MARCH
(no words, just music follows)
&lt;/p&gt;
</text>
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                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
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              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="172603">
              <text>4</text>
            </elementText>
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              <text>32 cm</text>
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                <text>301142</text>
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                <text>24638963</text>
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            <name>Title</name>
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                <text>The "Wigwam" Grand March</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Dedicated to the Republican Presidential Canidate. Hon. Abrm. Lincoln." Cover depicts Abraham Lincoln in a frame that includes the words "Washington" and "Illinois" as well as dipictions of Lincoln as "The Railsplitter" and as a circuit riding attorney. &lt;br /&gt;&lt;br /&gt;The Wigwam in Chicago was the meeting hall that held the 1860 Republican National Convention which nominated Lincoln for president.</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172595">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
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                <text>Sheet music</text>
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                <text>Marches (Piano)</text>
              </elementText>
              <elementText elementTextId="172598">
                <text>Presidents--Election--Songs and music</text>
              </elementText>
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                <text>Republican Party (U.S. : 1854- )</text>
              </elementText>
              <elementText elementTextId="172697">
                <text>Presidential candidates</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172599">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Oliver Ditson &amp;amp; Company</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="172601">
                <text>Boston</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="172602">
                <text>1860</text>
              </elementText>
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            <name>Format</name>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
              </elementText>
            </elementTextContainer>
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        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="393150">
                <text>&lt;p&gt;THE "WIGWAM" GRAND MARCH
Dedicated to the
Republican Presidential Candidate
Hon. Abrm. Lincoln.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;C.C. Clapp &amp;amp; Co
Boston
&lt;/p&gt;&lt;p&gt;Beck &amp;amp; Lawton
Philad.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co.
N. York
&lt;/p&gt;&lt;p&gt;John Church Jr.
Cinn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WIGWAM GRAND MARCH
(no words, just music follows)
&lt;/p&gt;
</text>
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          <element elementId="139">
            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="393152">
                <text>Complete</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="393153">
                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="393154">
                <text>20</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="20096" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/072b7815ab6afc50737bd6177ad82cd6.pdf</src>
        <authentication>3dc862bd8a6bdf339c864c34d7a584f8</authentication>
        <elementSetContainer>
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            <description>Manages transcriptions of items and files</description>
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              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="375484">
                    <text>&lt;p&gt;To perpetuate
the glory of the brave men of the 
19th Illinois
and their companions in arms who fell at
Murfreesboro
&lt;/p&gt;
&lt;pre&gt;                                                                   "Who'll save the left,"
&lt;/pre&gt;
&lt;pre&gt;                                                                       A Battle Scene.
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                                            Words 
                                                                         R. Tompkins,
&lt;/pre&gt;
&lt;pre&gt;                                                                              Music by
                                                                           Geo. F. Root.
&lt;/pre&gt;
&lt;pre&gt;                                                                              Chicago
                                                              Published by Root &amp;amp; Cady 95 Clark St.
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;&lt;p&gt;2
&lt;/p&gt;
&lt;pre&gt;                                                                    "WHO'LL SAVE THE LEFT&amp;#160;!"
&lt;/pre&gt;
&lt;pre&gt;                                                                                                                                                                                 R.T. &amp;amp; G.F.R.
&lt;/pre&gt;
&lt;p&gt;Thro' two long days the battle raged In front of Mur-frees-bo-ro and can-non balls tore up the earth As plow turn up the furrow Brave soldiers by the hundre fell In fierce assault and sally While bursting shell hiss'd scream'd and fell Like demons in the val-ley. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                       3
&lt;/pre&gt;
&lt;p&gt;The Northman, and the Southron met, In bold de-fi-ant  man-ner, Now vict'ry perch'd on Un-ion flag, And now on rebel banner; But see! upon the Un-ion's left, Bear down in countless numbers, With shouts that seem to wake the hills From their e-ter-nal slum-bers, The reb-el hosts, whose iron rain Beats down our weaker forces, And cov-ers all the battle plain With torn and mangled corses; Still 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4
&lt;/p&gt;&lt;p&gt;onward press the rebel hordes More boldly, fiercer, faster,   But Neg-ley's practiced eye discerns The swift and dread disaster, "Who'll save the left," his voice rang out A-bove the roar of battle. "The Nineteenth" shouted Colonel Scott, Amid the muskets rattle "The Nineteenth be it, Make the charge!" Quick as the word was given, The Nineteenth fell up on the foe, As lightning falls from heaven.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                          5
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
O - ver the stream they went, in - to the fight, Cut-ting their way on the left and the right, Un - heed - ing the storm of the
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;
&lt;pre&gt;shot and shell, Un - heed - ing the fate of their com-rades who fell, On-ward they sped like the fierce lightnings flash,   On - ward they sped with a tor-na - do's crash    On-ward they sped like the bolts of the thun-der Re-sist - lessl-y crush - ing the reb - el hosts un - der  'Till wild in their ter - ror they
&lt;/pre&gt;
&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                          7
&lt;/pre&gt;
&lt;p&gt;scat-ter'd and fled, Leaving heaps up-on heaps, of their dy - ing and dead; And the shout that went up with the set of the sun, Told the charge was tri - um - phant, the great bat-tle won; Told the charge was tri - um - phant the great bat - tle won.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>7</text>
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                <text>Who'll Save the Left</text>
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                <text>Subtitled "A Battle Scene," a song sung in honor of the men of the Nineteenth Illinois Infantry regiment and Union soldiers who died at the Second Battle of Murfreesboro or the Battle of Stones River from December 31, 1862 to January 2, 1863.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Root, Geroge Frederick, 1820-1895</text>
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                <text>Root, George F. (Frederick) and Tompkins, R. T.</text>
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                <text>&lt;p&gt;To perpetuate
the glory of the brave men of the 
19th Illinois
and their companions in arms who fell at
Murfreesboro
&lt;/p&gt;
&lt;pre&gt;                                                                   "Who'll save the left,"
&lt;/pre&gt;
&lt;pre&gt;                                                                       A Battle Scene.
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                                            Words 
                                                                         R. Tompkins,
&lt;/pre&gt;
&lt;pre&gt;                                                                              Music by
                                                                           Geo. F. Root.
&lt;/pre&gt;
&lt;pre&gt;                                                                              Chicago
                                                              Published by Root &amp;amp; Cady 95 Clark St.
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;&lt;p&gt;2
&lt;/p&gt;
&lt;pre&gt;                                                                    "WHO'LL SAVE THE LEFT&amp;#160;!"
&lt;/pre&gt;
&lt;pre&gt;                                                                                                                                                                                 R.T. &amp;amp; G.F.R.
&lt;/pre&gt;
&lt;p&gt;Thro' two long days the battle raged In front of Mur-frees-bo-ro and can-non balls tore up the earth As plow turn up the furrow Brave soldiers by the hundre fell In fierce assault and sally While bursting shell hiss'd scream'd and fell Like demons in the val-ley. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                       3
&lt;/pre&gt;
&lt;p&gt;The Northman, and the Southron met, In bold de-fi-ant  man-ner, Now vict'ry perch'd on Un-ion flag, And now on rebel banner; But see! upon the Un-ion's left, Bear down in countless numbers, With shouts that seem to wake the hills From their e-ter-nal slum-bers, The reb-el hosts, whose iron rain Beats down our weaker forces, And cov-ers all the battle plain With torn and mangled corses; Still 
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
(----)
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
4
&lt;/p&gt;&lt;p&gt;onward press the rebel hordes More boldly, fiercer, faster,   But Neg-ley's practiced eye discerns The swift and dread disaster, "Who'll save the left," his voice rang out A-bove the roar of battle. "The Nineteenth" shouted Colonel Scott, Amid the muskets rattle "The Nineteenth be it, Make the charge!" Quick as the word was given, The Nineteenth fell up on the foe, As lightning falls from heaven.
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                          5
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
O - ver the stream they went, in - to the fight, Cut-ting their way on the left and the right, Un - heed - ing the storm of the
&lt;/p&gt;&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;6
&lt;/p&gt;
&lt;pre&gt;shot and shell, Un - heed - ing the fate of their com-rades who fell, On-ward they sped like the fierce lightnings flash,   On - ward they sped with a tor-na - do's crash    On-ward they sped like the bolts of the thun-der Re-sist - lessl-y crush - ing the reb - el hosts un - der  'Till wild in their ter - ror they
&lt;/pre&gt;
&lt;p&gt;(----)
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;pre&gt;                                                                                                                                                                                                          7
&lt;/pre&gt;
&lt;p&gt;scat-ter'd and fled, Leaving heaps up-on heaps, of their dy - ing and dead; And the shout that went up with the set of the sun, Told the charge was tri - um - phant, the great bat-tle won; Told the charge was tri - um - phant the great bat - tle won.
&lt;/p&gt;
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        <src>https://chroniclingillinois.org/files/original/c1acfe828b050b9e7ee5a32ece28a3d8.pdf</src>
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                    <text>&lt;p&gt;To D. B. Hopkins Esq.
&lt;/p&gt;&lt;p&gt;When will dis cruel war be ober and gib us darkies a rest
&lt;/p&gt;&lt;p&gt;Song &amp;amp; Chorus 
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by
&lt;/p&gt;&lt;p&gt;Frank Howard
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Published by H. M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WHEN WILL DIS CRUEL WAR BE OBER AND GIB US DARKIES REST?
&lt;/p&gt;&lt;p&gt;Song and Chorus
&lt;/p&gt;&lt;p&gt;1. Oh de time for de'mancipation's come, I'm told, We're all gwine for sul-gers soon; We will leab our old massa's way out in de cold, For to mow and to hue all a-lone. Let de darkies place de O-ber-seer now fill, While we shoul-der up de gun; And go gib our rebel massa's some of Fa-der A'brams pills, For de dark's 'mancipation time has come.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2. We was once all as happy as poor nig's could be Down Southin our good ole home; As we work'd in de cottonfields so mer-ri-ly, Or when play'n en de ole jaw bone. But our massa's dey went crazy mad one day,'Twas down at Montgom-er-ee; Day all de-clar'd de was Se-sessions, den de debil was to pay, -Says ole Jeff, "now de President I'll be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout,  shout,make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3. Oh I wish dat dis bery cruel war would end And gib us poor dark's a rest; But dere's one ting dats bery sure,you may depend, Dat de nig's will go in for de best. But to get us back again de neb-er can, For to hue de su-gar cane, Til our massa's can behave demselves and mind ole Un-cle Sam, Den we'll go'n work de cottonfielda a-gain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>When Will Dis Cruel War Be Ober and Gib Us Darkies Rest.</text>
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                <text>Dedicated to "To D.B. Hopkins Esq." Song depicts slaves denouncing secession and celebrating emancipation.</text>
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                <text>Howard, Frank</text>
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                <text>Minstrel music</text>
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                <text>Slaves--Emancipation</text>
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                <text>H. M. Higgins</text>
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                <text>1863</text>
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                <text>&lt;p&gt;To D. B. Hopkins Esq.
&lt;/p&gt;&lt;p&gt;When will dis cruel war be ober and gib us darkies a rest
&lt;/p&gt;&lt;p&gt;Song &amp;amp; Chorus 
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by
&lt;/p&gt;&lt;p&gt;Frank Howard
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Published by H. M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WHEN WILL DIS CRUEL WAR BE OBER AND GIB US DARKIES REST?
&lt;/p&gt;&lt;p&gt;Song and Chorus
&lt;/p&gt;&lt;p&gt;1. Oh de time for de'mancipation's come, I'm told, We're all gwine for sul-gers soon; We will leab our old massa's way out in de cold, For to mow and to hue all a-lone. Let de darkies place de O-ber-seer now fill, While we shoul-der up de gun; And go gib our rebel massa's some of Fa-der A'brams pills, For de dark's 'mancipation time has come.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2. We was once all as happy as poor nig's could be Down Southin our good ole home; As we work'd in de cottonfields so mer-ri-ly, Or when play'n en de ole jaw bone. But our massa's dey went crazy mad one day,'Twas down at Montgom-er-ee; Day all de-clar'd de was Se-sessions, den de debil was to pay, -Says ole Jeff, "now de President I'll be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout,  shout,make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3. Oh I wish dat dis bery cruel war would end And gib us poor dark's a rest; But dere's one ting dats bery sure,you may depend, Dat de nig's will go in for de best. But to get us back again de neb-er can, For to hue de su-gar cane, Til our massa's can behave demselves and mind ole Un-cle Sam, Den we'll go'n work de cottonfielda a-gain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;&lt;p&gt;Den let's shout, shout, shout, make men cussed traitors run, Let 'em know what Union men are we; We will make our ole massa's wish dis war had ne'er began, Kaze we'll 'mancipated be.
&lt;/p&gt;
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                    <text>&lt;p&gt;We'll fight for Uncle Abe
Plantation Song and Chorus
Sung with great success by
C. Pettengill
at the concerts of the 
Buckley Serenaders
Melody by
J.K. Campbell,
Arranged by
Fred. Buckley.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WE'LL FIGHT FOR UNCLE ABE
Words by C.E. Pratt
&lt;/p&gt;&lt;p&gt;1. Way down in old Varginni, I suppose you all do know, They have tried to bust the Union But they find it is no go, The yankee boys are starting out de Union for to sabe, And we're going down to Washington, To fight for Uncle Abe. Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe. Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;2.  There is General Grant at Vicksburg, Just see what he has done. He has taken sixty cannon And made the Rebels run, And next he will take Richmond I'll bet you half a dollar And if he catches Gen'ral Johnson Oh wont he make him holler.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;3.  The season now is coming, When the roads begin to dry, Soon the army of the Potomac Will make the rebels fly, For General McClellan he's the man The Union for to sabe, O! Hail Columbia's right side up, And so's your Uncle Abe.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;4.  You may talk of Southern chivalry And cotton being king, But I guess before the war is done You'll think another thing, They say that recognition Will the rebel country sabe, But Johnny Bull and Mister France Are 'fraid of Uncle Abe.   Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
Arranged by F. Buckley
&lt;/p&gt;
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                <text>We'll Fight for Uncle Abe</text>
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                <text>&lt;p&gt;We'll fight for Uncle Abe
Plantation Song and Chorus
Sung with great success by
C. Pettengill
at the concerts of the 
Buckley Serenaders
Melody by
J.K. Campbell,
Arranged by
Fred. Buckley.
&lt;/p&gt;&lt;p&gt;Boston
Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WE'LL FIGHT FOR UNCLE ABE
Words by C.E. Pratt
&lt;/p&gt;&lt;p&gt;1. Way down in old Varginni, I suppose you all do know, They have tried to bust the Union But they find it is no go, The yankee boys are starting out de Union for to sabe, And we're going down to Washington, To fight for Uncle Abe. Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe. Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;2.  There is General Grant at Vicksburg, Just see what he has done. He has taken sixty cannon And made the Rebels run, And next he will take Richmond I'll bet you half a dollar And if he catches Gen'ral Johnson Oh wont he make him holler.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;3.  The season now is coming, When the roads begin to dry, Soon the army of the Potomac Will make the rebels fly, For General McClellan he's the man The Union for to sabe, O! Hail Columbia's right side up, And so's your Uncle Abe.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.  Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
&lt;/p&gt;&lt;p&gt;4.  You may talk of Southern chivalry And cotton being king, But I guess before the war is done You'll think another thing, They say that recognition Will the rebel country sabe, But Johnny Bull and Mister France Are 'fraid of Uncle Abe.   Rip, Rap, Flip, Flap, Strap your knapsacks on your back For we're a gwine to Washington To fight for Uncle Abe.
Arranged by F. Buckley
&lt;/p&gt;
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                    <text>&lt;p&gt;Saule Pleureur (French language=Weeping Willow)
&lt;/p&gt;&lt;p&gt;Weeping Willow
&lt;/p&gt;&lt;p&gt;image of book with illegible letters or symbols and Masonic Square and Compass
&lt;/p&gt;&lt;p&gt;Marche Fun`ebre de President Lincoln 
&lt;/p&gt;&lt;p&gt;Sketch of Lincoln in wreath with words IL ETAIT (French language = he was) inscribed on the ribbons of the wreath 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD1865 by Blelock &amp;amp; Co. in the Clerk's Office of the District Court of the United States for the Southern Dist. of N.Y.
&lt;/p&gt;&lt;p&gt;Compose' par B. A. Whaples (French language= Composed by B.A. Whaples)
&lt;/p&gt;&lt;p&gt;New York
&lt;/p&gt;&lt;p&gt;Lith. of H,C, Eno, 37 Park Row N.Y  New York,
Published by BLELOCK &amp;amp; Co. 119 Beekman St.
&lt;/p&gt;&lt;p&gt;Philda.                Chicago                 New Orleans         St. Louis                  Rochester
&lt;/p&gt;&lt;p&gt;Lee &amp;amp; Walker       Root &amp;amp; Cady         Blackman &amp;amp;Co.      Endres &amp;amp; Compton   Joseph Shaw.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
26518
&lt;/p&gt;&lt;p&gt;SAULE . PLEUREUR
&lt;/p&gt;&lt;p&gt;(WEEPING . WILLOW.)
&lt;/p&gt;&lt;p&gt;MARCHE FUN`EBRE 
&lt;/p&gt;&lt;p&gt;du
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN
&lt;/p&gt;&lt;p&gt;B.A. WHAPLES
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by BLELOCK and Co, in he Clerk's Office of the District Court for the Southern District of N.Y.
&lt;/p&gt;&lt;p&gt;[Eng.] at Clayton's,
&lt;/p&gt;
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                <text>In French, "Saule-Pleureur, March fun`ebre du President Lincoln" (Funeral march for President Abraham Lincoln). Cover depicts two figures (angels?) at top of cover with a picture of Abraham Lincoln in a circle of flowers with American Flags. "Il Etait" (He Was?) is written in ribbons below picture of Lincoln</text>
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                <text>New York</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Saule Pleureur (French language=Weeping Willow)
&lt;/p&gt;&lt;p&gt;Weeping Willow
&lt;/p&gt;&lt;p&gt;image of book with illegible letters or symbols and Masonic Square and Compass
&lt;/p&gt;&lt;p&gt;Marche Fun`ebre de President Lincoln 
&lt;/p&gt;&lt;p&gt;Sketch of Lincoln in wreath with words IL ETAIT (French language = he was) inscribed on the ribbons of the wreath 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD1865 by Blelock &amp;amp; Co. in the Clerk's Office of the District Court of the United States for the Southern Dist. of N.Y.
&lt;/p&gt;&lt;p&gt;Compose' par B. A. Whaples (French language= Composed by B.A. Whaples)
&lt;/p&gt;&lt;p&gt;New York
&lt;/p&gt;&lt;p&gt;Lith. of H,C, Eno, 37 Park Row N.Y  New York,
Published by BLELOCK &amp;amp; Co. 119 Beekman St.
&lt;/p&gt;&lt;p&gt;Philda.                Chicago                 New Orleans         St. Louis                  Rochester
&lt;/p&gt;&lt;p&gt;Lee &amp;amp; Walker       Root &amp;amp; Cady         Blackman &amp;amp;Co.      Endres &amp;amp; Compton   Joseph Shaw.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
26518
&lt;/p&gt;&lt;p&gt;SAULE . PLEUREUR
&lt;/p&gt;&lt;p&gt;(WEEPING . WILLOW.)
&lt;/p&gt;&lt;p&gt;MARCHE FUN`EBRE 
&lt;/p&gt;&lt;p&gt;du
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN
&lt;/p&gt;&lt;p&gt;B.A. WHAPLES
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by BLELOCK and Co, in he Clerk's Office of the District Court for the Southern District of N.Y.
&lt;/p&gt;&lt;p&gt;[Eng.] at Clayton's,
&lt;/p&gt;
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                    <text>&lt;p&gt;Inscribed to
SORROWING HEARTS AT HOME.
&lt;/p&gt;&lt;p&gt;"Weeping, Sad and lonely"
or
"WHEN THIS CRUEL WAR IS OVER."
&lt;/p&gt;&lt;p&gt;Song, with Chorus,
&lt;/p&gt;&lt;p&gt;"Weeping, sad and lonely,
Hopes and fears, how vain,
When this cruel war is over,
Praying that we meet again."
&lt;/p&gt;&lt;p&gt;WORDS BY
CHAS. CARROLL SAWYER
&lt;/p&gt;&lt;p&gt;Music Composed and Arranged by
HENRY TUCKER.
&lt;/p&gt;&lt;p&gt;Stackpole, SC            BROOKLYN               Pr. 25 {cent] nett.
&lt;/p&gt;&lt;p&gt;Published by SAWYER &amp;amp; THOMPSON, 59 Fulton Ave.
&lt;/p&gt;&lt;p&gt;New York.                  Phila.                         Cleaveland O.
S. T. GORDON.           LEE &amp;amp; WALKER.           S. BRAINARD &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress [illegible] by Henry Tucker in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"WEEPING, SAD AND LONELY."
or
'WHEN THIS CRUEL WAR IS OVER."
&lt;/p&gt;&lt;p&gt;Words by CHAS. C. SAWYER.                              Music by HENRY TUCKER.
&lt;/p&gt;&lt;p&gt;Moderato e cantabile.
&lt;/p&gt;&lt;p&gt;Dear-est love, do you re-mem-ber When we last did meet,
How you told me that your loved me, Kneel-ing at my feet?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Oh! how proud you stood be-fore me, In your suit of blue,
When you vow'd to me and country, Ev-er to be true.
&lt;/p&gt;&lt;p&gt;CHORUS.
2d time pp
Air.
Weeping, sad and lone-ly, Hopes and fears, how vain.
Alto.
Weeping, sad and lone-ly, Hopes and fears, how vain.Yet praying
Tenor
Weeping, sad and lone-ly, Hopes and fears, how vain. Yet praying
Bass
2nd time pp
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;When this cruel war is ov-er, Praying! that we meet a-gain.
When this cruel war is ov-er, Praying! that we meet a-gain.
When this cruel war is ov-er, Praying! that we meet a-gain.
&lt;/p&gt;&lt;p&gt;2.
&lt;/p&gt;&lt;p&gt;When the summer breeze is sighing,
Mournfully, along!
Or when autumn leaves are falling,
Sadly breathes the song.
Oft in dreams I see thee lying
On the battle plain,
Lonely, wounded, even dying;
Calling, but in vain.
CHORUS.  Weeping, sad &amp;amp;-c.
&lt;/p&gt;&lt;p&gt;3.
If amid the din of battle, 
Nobly you should fall,
Far away from those who love you,
None to hear you call.
Who would whisper words of comfort,
Who would soothe your pain?
Ah! the many cruel fancies
Ever in my brain.
CHORUS.  Weeping, sad, &amp;amp;-c.
&lt;/p&gt;&lt;p&gt;4.
But our country called you, darling,
Angels cheer your way.
While our nation's sons are fighting,
We can only pray.
Nobly strike for God and liberty,
Let all nations see
How we love our starry banner,
Emblem of the free.
CHORUS.  Weeping, sad, &amp;amp;-c.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="172506">
              <text>5</text>
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                <text>Weeping, Sad and Lonely</text>
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                <text>Or "When this Cruel War is Over," a patriotic Union song about a sweetheart fighting in the war.</text>
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                <text>When this cruel war is over (Tucker, Henry)</text>
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                <text>Brooklyn</text>
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                <text>1863</text>
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                <text>&lt;p&gt;Inscribed to SORROWING HEARTS AT HOME.&lt;/p&gt;&#13;
&lt;p&gt;"Weeping, Sad and lonely" or "WHEN THIS CRUEL WAR IS OVER."&lt;/p&gt;&#13;
&lt;p&gt;Song, with Chorus,&lt;/p&gt;&#13;
&lt;p&gt;"Weeping, sad and lonely, Hopes and fears, how vain, When this cruel war is over, Praying that we meet again."&lt;/p&gt;&#13;
&lt;p&gt;WORDS BY CHAS. CARROLL SAWYER&lt;/p&gt;&#13;
&lt;p&gt;Music Composed and Arranged by HENRY TUCKER.&lt;/p&gt;&#13;
&lt;p&gt;Stackpole, SC BROOKLYN Pr. 25 {cent] nett.&lt;/p&gt;&#13;
&lt;p&gt;Published by SAWYER &amp;amp; THOMPSON, 59 Fulton Ave.&lt;/p&gt;&#13;
&lt;p&gt;New York. Phila. Cleaveland O. S. T. GORDON. LEE &amp;amp; WALKER. S. BRAINARD &amp;amp; Co.&lt;/p&gt;&#13;
&lt;p&gt;Entered according to Act of Congress [illegible] by Henry Tucker in the Clerk's Office of the District Court of the Southern District of New York.&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;"WEEPING, SAD AND LONELY." or 'WHEN THIS CRUEL WAR IS OVER."&lt;/p&gt;&#13;
&lt;p&gt;Words by CHAS. C. SAWYER. Music by HENRY TUCKER.&lt;/p&gt;&#13;
&lt;p&gt;Moderato e cantabile.&lt;/p&gt;&#13;
&lt;p&gt;Dear-est love, do you re-mem-ber When we last did meet, How you told me that your loved me, Kneel-ing at my feet?&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;4&lt;/p&gt;&#13;
&lt;p&gt;Oh! how proud you stood be-fore me, In your suit of blue, When you vow'd to me and country, Ev-er to be true.&lt;/p&gt;&#13;
&lt;p&gt;CHORUS. 2d time pp Air. Weeping, sad and lone-ly, Hopes and fears, how vain. Alto. Weeping, sad and lone-ly, Hopes and fears, how vain.Yet praying Tenor Weeping, sad and lone-ly, Hopes and fears, how vain. Yet praying Bass 2nd time pp&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;5&lt;/p&gt;&#13;
&lt;p&gt;When this cruel war is ov-er, Praying! that we meet a-gain. When this cruel war is ov-er, Praying! that we meet a-gain. When this cruel war is ov-er, Praying! that we meet a-gain.&lt;/p&gt;&#13;
&lt;p&gt;2.&lt;/p&gt;&#13;
&lt;p&gt;When the summer breeze is sighing, Mournfully, along! Or when autumn leaves are falling, Sadly breathes the song. Oft in dreams I see thee lying On the battle plain, Lonely, wounded, even dying; Calling, but in vain. CHORUS. Weeping, sad &amp;amp;-c.&lt;/p&gt;&#13;
&lt;p&gt;3. If amid the din of battle, Nobly you should fall, Far away from those who love you, None to hear you call. Who would whisper words of comfort, Who would soothe your pain? Ah! the many cruel fancies Ever in my brain. CHORUS. Weeping, sad, &amp;amp;-c.&lt;/p&gt;&#13;
&lt;p&gt;4. But our country called you, darling, Angels cheer your way. While our nation's sons are fighting, We can only pray. Nobly strike for God and liberty, Let all nations see How we love our starry banner, Emblem of the free. CHORUS. Weeping, sad, &amp;amp;-c.&lt;/p&gt;</text>
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  <item itemId="20091" public="1" featured="0">
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                    <text>&lt;p&gt;LOYAL LYRICS
BY
MRS. O. N. HASKINS.
&lt;/p&gt;&lt;p&gt;Weep Not for the Slain, O Columbia.
SONG AND CHORUS.
&lt;/p&gt;&lt;p&gt;They Sleep in the far Sunny Southland.
SONG AND CHORUS
&lt;/p&gt;&lt;p&gt;CHICAGO:
Published by H. M. Higgins, 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H. M. Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Weep Not for the Slain, O Columbia."
&lt;/p&gt;&lt;p&gt;Mrs. O. N. Haskins.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;1. Weep not for the slain, O Columbia  Mourn not for thy glorified son--Our 
2. He's gone, but his deeds are immortal. The great and the good never die; In
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A. D. 1865, by H. M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Lincoln, dear Liberty's saviour, The crown of the victor has won. 
millions of hearts he'll be living, When wrong shall have vanish'd away.
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's 
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As he
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of he blest.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep not for the Slain,O Columbia
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Soprano.
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As
&lt;/p&gt;&lt;p&gt;Tenor
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As he
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of the blest.
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of the blest.
&lt;/p&gt;&lt;p&gt;Weep not for the Slain, O Columbia
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;&lt;p&gt;MELODICA;
&lt;/p&gt;&lt;p&gt;or, The Art of Playing the Pianoforte Made Easy! The above is the title of a work containing a new method of instruction for the pianoforte or melodeon written by the celebrated author and teacher, Adolph Baumbach, who, for more than a quarter of a century, has been engaged in imparting instruction on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach. His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "Melodica," without the assistance of a teacher.
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PIANOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves. On page 4 is a full and complete DICTIONARY OF MUSIC TERMS. On page 13, 14, 15 and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes and Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17 are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35 and 36, will be found the MAJOR SCALES carefully marked and fingered, in all the different keys. On pages 37, 38, 39, and 40 will be found MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils. Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail price--75 cents. Sent post paid to any address on receipt of market price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H. M. HIGGINS, 117 Randolph St., Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;LOYAL LYRICS
BY
MRS. O. N. HASKINS.
&lt;/p&gt;&lt;p&gt;Weep Not for the Slain, O Columbia.
SONG AND CHORUS.
&lt;/p&gt;&lt;p&gt;They Sleep in the far Sunny Southland.
SONG AND CHORUS
&lt;/p&gt;&lt;p&gt;CHICAGO:
Published by H. M. Higgins, 117 Randolph St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H. M. Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"Weep Not for the Slain, O Columbia."
&lt;/p&gt;&lt;p&gt;Mrs. O. N. Haskins.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;1. Weep not for the slain, O Columbia  Mourn not for thy glorified son--Our 
2. He's gone, but his deeds are immortal. The great and the good never die; In
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A. D. 1865, by H. M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Lincoln, dear Liberty's saviour, The crown of the victor has won. 
millions of hearts he'll be living, When wrong shall have vanish'd away.
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's 
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As he
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of he blest.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep not for the Slain,O Columbia
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Soprano.
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As
&lt;/p&gt;&lt;p&gt;Tenor
&lt;/p&gt;&lt;p&gt;He's gone to the "beautiful city," That lies o'er the river, cold; He's
He's gone where are pleasures undying, Where his toil-weary spirit may rest, As he
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of the blest.
&lt;/p&gt;&lt;p&gt;singing the songs of the angels, And walking the streets of gold.
roams thro' the gardens Elysian, In the beautiful home of the blest.
&lt;/p&gt;&lt;p&gt;Weep not for the Slain, O Columbia
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;&lt;p&gt;MELODICA;
&lt;/p&gt;&lt;p&gt;or, The Art of Playing the Pianoforte Made Easy! The above is the title of a work containing a new method of instruction for the pianoforte or melodeon written by the celebrated author and teacher, Adolph Baumbach, who, for more than a quarter of a century, has been engaged in imparting instruction on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach. His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "Melodica," without the assistance of a teacher.
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PIANOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves. On page 4 is a full and complete DICTIONARY OF MUSIC TERMS. On page 13, 14, 15 and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes and Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17 are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35 and 36, will be found the MAJOR SCALES carefully marked and fingered, in all the different keys. On pages 37, 38, 39, and 40 will be found MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils. Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail price--75 cents. Sent post paid to any address on receipt of market price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H. M. HIGGINS, 117 Randolph St., Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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                <text>We Will Vote for Old Abe Lincoln</text>
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                <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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                    <text>&lt;p&gt;The Campaign
&lt;/p&gt;&lt;p&gt;2 Lincoln Republican songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1 We see the break of day.
&lt;/p&gt;&lt;p&gt;No. 2 Freedom's call
&lt;/p&gt;&lt;p&gt;Set to music by 
&lt;/p&gt;&lt;p&gt;Karl Cora.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman 291 Washington St. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress [1860] by Russell &amp;amp; Telman in the [illegible] Office of the Dis. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;WE SEE THE BREAK OF DAY.
&lt;/p&gt;&lt;p&gt;1.  The robber o'er the prairie stalks, and calls the land his own; and they who talk as slav'ry talks are free to talk alone.
&lt;/p&gt;&lt;p&gt;2.  Oh, watcher on the outer wall, how wears the night away? "I hear the birds of morning call, I see the break of day!"
&lt;/p&gt;&lt;p&gt;3. The hands that hold the Sword and Purse ere long shall lose their prey; And they who, blindly wrought the curse, The curse shall sweep away.
&lt;/p&gt;&lt;p&gt;4.  The land again in peace shall rest, with blood no longer stained; The virgin beauty of the West shall be no more profaned.
&lt;/p&gt;&lt;p&gt;5.  Then let the idlers stand apart, and cowards shun the fight; We'll band together, heart to heart, forget, forgive, unite!
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;1.  But tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;2.  Rise, tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;3.  Then tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;4.  We'll teach the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;5.  And tell the knaves, etc.
&lt;/p&gt;
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                <text>We See the Break of Day</text>
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                <text>The cover presents "2 Lincoln Republican Songs": "We see the break of day" and "Freedom's Call"; however, only the first song is contained in this copy of sheet music.</text>
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                <text>&lt;p&gt;The Campaign
&lt;/p&gt;&lt;p&gt;2 Lincoln Republican songs
&lt;/p&gt;&lt;p&gt;Words written expressly for the times
&lt;/p&gt;&lt;p&gt;No. 1 We see the break of day.
&lt;/p&gt;&lt;p&gt;No. 2 Freedom's call
&lt;/p&gt;&lt;p&gt;Set to music by 
&lt;/p&gt;&lt;p&gt;Karl Cora.
&lt;/p&gt;&lt;p&gt;Published by Russell &amp;amp; Tolman 291 Washington St. Boston
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress [1860] by Russell &amp;amp; Telman in the [illegible] Office of the Dis. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;WE SEE THE BREAK OF DAY.
&lt;/p&gt;&lt;p&gt;1.  The robber o'er the prairie stalks, and calls the land his own; and they who talk as slav'ry talks are free to talk alone.
&lt;/p&gt;&lt;p&gt;2.  Oh, watcher on the outer wall, how wears the night away? "I hear the birds of morning call, I see the break of day!"
&lt;/p&gt;&lt;p&gt;3. The hands that hold the Sword and Purse ere long shall lose their prey; And they who, blindly wrought the curse, The curse shall sweep away.
&lt;/p&gt;&lt;p&gt;4.  The land again in peace shall rest, with blood no longer stained; The virgin beauty of the West shall be no more profaned.
&lt;/p&gt;&lt;p&gt;5.  Then let the idlers stand apart, and cowards shun the fight; We'll band together, heart to heart, forget, forgive, unite!
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;1.  But tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;2.  Rise, tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;3.  Then tell the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;4.  We'll teach the knaves we are not slaves, and slaves we ne'er will be; Come weal or woe, the world shall know we're free, we're free, we're free!
&lt;/p&gt;&lt;p&gt;5.  And tell the knaves, etc.
&lt;/p&gt;
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                    <text>&lt;p&gt;We mourn our country's loss.
&lt;/p&gt;&lt;p&gt;National Funeral March.
&lt;/p&gt;&lt;p&gt;New York,
&lt;/p&gt;&lt;p&gt;P.A. Wundermann.
&lt;/p&gt;&lt;p&gt;1013 3d Av.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We mourn our country's loss.
&lt;/p&gt;&lt;p&gt;National funeral march.
&lt;/p&gt;&lt;p&gt;Composed by
&lt;/p&gt;&lt;p&gt;Aug. Buechel. Plain. (3) Lith. (4)
&lt;/p&gt;&lt;p&gt;New York:
&lt;/p&gt;&lt;p&gt;Published by P.A. WUNDERMANN, 1013, Third Ave.
&lt;/p&gt;&lt;p&gt;Copyright, MDCCCLX P.A. Wundermann.
&lt;/p&gt;&lt;p&gt;Copies for Brass or string Bands can be had by addressing the Publisher.
&lt;/p&gt;&lt;p&gt;MARCIA. Maestoso.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;ARMY AND NAVY COMPLAINING
&lt;/p&gt;&lt;p&gt;COLUMBIA WEEPING. Cornet and Flute Solo
&lt;/p&gt;&lt;p&gt;We Mourn our Country's Loss March - 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
YANKEE DOODLE.  (in minor.) Quartette Solo.
&lt;/p&gt;&lt;p&gt;We Mourn our Country's Loss March. -3
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BULLETIN
&lt;/p&gt;&lt;p&gt;Of the Latest Fashionable and Most Elegant
&lt;/p&gt;&lt;p&gt;SHEET MUSIC,
&lt;/p&gt;&lt;p&gt;Published by P.A. WUNDERMANN, New York.
&lt;/p&gt;&lt;p&gt;In admitting to my customers the following List of my latest Publications, I beg to state expressly that they are all first-class, and that nobody will regret having purchased any one of them. Extra Large Discount to Dealers on all pieces marked *.
&lt;/p&gt;
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                <text>A "National Funeral March," composed in mourning of the loss of President James A. Garfield, who was shot on July 2, 1881, and died on September 19, 1881. He was the second president to be assassinated. &lt;br /&gt;&lt;br /&gt;The cover depicts Columbia mourning the fallen president and presents Garfield and Lincoln among the angels.</text>
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                <text>&lt;p&gt;We mourn our country's loss.
&lt;/p&gt;&lt;p&gt;National Funeral March.
&lt;/p&gt;&lt;p&gt;New York,
&lt;/p&gt;&lt;p&gt;P.A. Wundermann.
&lt;/p&gt;&lt;p&gt;1013 3d Av.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We mourn our country's loss.
&lt;/p&gt;&lt;p&gt;National funeral march.
&lt;/p&gt;&lt;p&gt;Composed by
&lt;/p&gt;&lt;p&gt;Aug. Buechel. Plain. (3) Lith. (4)
&lt;/p&gt;&lt;p&gt;New York:
&lt;/p&gt;&lt;p&gt;Published by P.A. WUNDERMANN, 1013, Third Ave.
&lt;/p&gt;&lt;p&gt;Copyright, MDCCCLX P.A. Wundermann.
&lt;/p&gt;&lt;p&gt;Copies for Brass or string Bands can be had by addressing the Publisher.
&lt;/p&gt;&lt;p&gt;MARCIA. Maestoso.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;ARMY AND NAVY COMPLAINING
&lt;/p&gt;&lt;p&gt;COLUMBIA WEEPING. Cornet and Flute Solo
&lt;/p&gt;&lt;p&gt;We Mourn our Country's Loss March - 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
YANKEE DOODLE.  (in minor.) Quartette Solo.
&lt;/p&gt;&lt;p&gt;We Mourn our Country's Loss March. -3
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BULLETIN
&lt;/p&gt;&lt;p&gt;Of the Latest Fashionable and Most Elegant
&lt;/p&gt;&lt;p&gt;SHEET MUSIC,
&lt;/p&gt;&lt;p&gt;Published by P.A. WUNDERMANN, New York.
&lt;/p&gt;&lt;p&gt;In admitting to my customers the following List of my latest Publications, I beg to state expressly that they are all first-class, and that nobody will regret having purchased any one of them. Extra Large Discount to Dealers on all pieces marked *.
&lt;/p&gt;
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                    <text>&lt;p&gt;We mourn our country's loss
Marcia funerale
In memory of our late president Abraham Lincoln
composed and respectfully dedicated to Mrs. Abraham Lincoln by Augustus Buechel.
New York Published by P. A. Wundermann 824 Broadway
Entered according to Act of Congress 1865 by P. A. Wundermann in the Clerk's Office of the Dist. Court of the South Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Marcia Funerale.
In memory of the late President of the United States, Abraham Lincoln.
Aug. Buechel. op. 37.
Maetoso.
Piano.
marcato il basso.
con express.
Trio.
Oakes, Eng.
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                <text>&lt;p&gt;We mourn our country's loss
Marcia funerale
In memory of our late president Abraham Lincoln
composed and respectfully dedicated to Mrs. Abraham Lincoln by Augustus Buechel.
New York Published by P. A. Wundermann 824 Broadway
Entered according to Act of Congress 1865 by P. A. Wundermann in the Clerk's Office of the Dist. Court of the South Dist. of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Marcia Funerale.
In memory of the late President of the United States, Abraham Lincoln.
Aug. Buechel. op. 37.
Maetoso.
Piano.
marcato il basso.
con express.
Trio.
Oakes, Eng.
&lt;/p&gt;
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                    <text>&lt;p&gt;WE ARE COMING, FATHER ABRAHAM
300,000
MORE.
&lt;/p&gt;&lt;p&gt;QUICKSTEP.
&lt;/p&gt;&lt;p&gt;MUSIC ARRANGED
BY
J.A. GETZE
&lt;/p&gt;&lt;p&gt;PHILADELPHIA:
LEE &amp;amp; WALKER, 722 CHESTNUT STREET
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"THREE HUNDRED THOUSAND MORE"
QUICK STEP
"WE ARE COMING FATHER ABRAHAM."
ARRANGED BY  J.A. GETZE
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
Air.      1.  But tell the knaves we are not slaves, And slav'ry talks Are free to talk alone.
Alto.    2. Rise, tell the knaves we are not slaves, And morning call, I see the break of day!"
Tenor   3.  Then tell the knaves we are not slaves, And wrought the curse, The cure shall sweep away.
Bass.    4.  We'll teach the knaves we are not slaves, And of the West Shall be no more profaned.
&lt;/p&gt;
&lt;pre&gt;          5.  And tell the knaves, we are not slaves, And heart to heart, Forget, forgive, unite!
&lt;/pre&gt;
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                <text>&lt;p&gt;WE ARE COMING, FATHER ABRAHAM
300,000
MORE.
&lt;/p&gt;&lt;p&gt;QUICKSTEP.
&lt;/p&gt;&lt;p&gt;MUSIC ARRANGED
BY
J.A. GETZE
&lt;/p&gt;&lt;p&gt;PHILADELPHIA:
LEE &amp;amp; WALKER, 722 CHESTNUT STREET
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"THREE HUNDRED THOUSAND MORE"
QUICK STEP
"WE ARE COMING FATHER ABRAHAM."
ARRANGED BY  J.A. GETZE
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
Air.      1.  But tell the knaves we are not slaves, And slav'ry talks Are free to talk alone.
Alto.    2. Rise, tell the knaves we are not slaves, And morning call, I see the break of day!"
Tenor   3.  Then tell the knaves we are not slaves, And wrought the curse, The cure shall sweep away.
Bass.    4.  We'll teach the knaves we are not slaves, And of the West Shall be no more profaned.
&lt;/p&gt;
&lt;pre&gt;          5.  And tell the knaves, we are not slaves, And heart to heart, Forget, forgive, unite!
&lt;/pre&gt;
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                    <text>&lt;p&gt;We are coming Father Abraam,
THREE HUNDRED THOUSAND MORE.
SET TO MUSIC
BY
P. S. GILMORE.
Price 25 Cents.
BOSTON:
PUBLISHED BY RUSSELL &amp;amp; PATEE,
108 Tremont Street.
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's office of the Dist. Ct. of the Dict. of Mass.
WILL A BILLINGHAM, PRINTERS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26512
WE ARE COMING, FATHER ABRAAM.
THREE HUNDRED THOUSAND MORE
VOICE.
INTRODUCTION.
MODERATO.
PIANO.}
1. We  are com - ing, Fa - ther  A - braam,  three hun - dred thou-sand more,  From Mis - sis - sip - pi's
2. If  you look a - cross the  hill - tops  that meet the north-ern sky,  Long mov - ing lines of
3. If  you look all up our val - leys,  where the grow-ing harvests shine,  You may see our  stur-
4. You  have called us, and we're com - ing,  by Rich-mond's blood - y tide,  To lay us down for
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's Office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;wind - ing stream and from New Eng-land's shore;  We leave our plows and work-shops,  our wives and chil - dren
ris - ing dust your vi - sion may de - scry;  And now the wind, an in - stant,  tears the cloud - y veil
dy farm - er - boys fast forming into line;  And children from their mother's knees  are pull - ing at the
free-dom's sake, our brother's bones be - side;  Or from foul trea-son's sav - age group  to wrench the murderous
dear,  With hearts too full for ut - ter - ance, with but a si - lent tear;  We dare not look be -
aside,  And floats a - loft our spangled flag in glo - ry and in pride;  And bayonets in the
weeds,  And learn - ing how to reap and sow,  a-gainst their coun-try's needs;  And a fare - well group
blade,  And in the face of for - eign foes its fragments to par - ade;  Six hun - dred thous-and
hind us,  but  stead-fast-ly be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
sunlight gleam, and bands grave music pour,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
stands weeping at  every cot - tage  door,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
loy - al men and  true have gone be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
SOP.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
ALTO.
TEN.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
BASS.
PIANO.}
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
Repeat Chorus nd. lib.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>We Are Coming Father Abraham, Three Hundred Thousand More</text>
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                <text>Song honoring Abraham Lincoln's call for more Union soldiers. Poetry credit is at times given to William Cullen Bryant; however, the poem was originally published in the &lt;em&gt;New York Evening Post&lt;/em&gt; July, 16, 1862 by James Sloan Gibbons.</text>
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                <text>&lt;p&gt;We are coming Father Abraam,
THREE HUNDRED THOUSAND MORE.
SET TO MUSIC
BY
P. S. GILMORE.
Price 25 Cents.
BOSTON:
PUBLISHED BY RUSSELL &amp;amp; PATEE,
108 Tremont Street.
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's office of the Dist. Ct. of the Dict. of Mass.
WILL A BILLINGHAM, PRINTERS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26512
WE ARE COMING, FATHER ABRAAM.
THREE HUNDRED THOUSAND MORE
VOICE.
INTRODUCTION.
MODERATO.
PIANO.}
1. We  are com - ing, Fa - ther  A - braam,  three hun - dred thou-sand more,  From Mis - sis - sip - pi's
2. If  you look a - cross the  hill - tops  that meet the north-ern sky,  Long mov - ing lines of
3. If  you look all up our val - leys,  where the grow-ing harvests shine,  You may see our  stur-
4. You  have called us, and we're com - ing,  by Rich-mond's blood - y tide,  To lay us down for
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's Office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;wind - ing stream and from New Eng-land's shore;  We leave our plows and work-shops,  our wives and chil - dren
ris - ing dust your vi - sion may de - scry;  And now the wind, an in - stant,  tears the cloud - y veil
dy farm - er - boys fast forming into line;  And children from their mother's knees  are pull - ing at the
free-dom's sake, our brother's bones be - side;  Or from foul trea-son's sav - age group  to wrench the murderous
dear,  With hearts too full for ut - ter - ance, with but a si - lent tear;  We dare not look be -
aside,  And floats a - loft our spangled flag in glo - ry and in pride;  And bayonets in the
weeds,  And learn - ing how to reap and sow,  a-gainst their coun-try's needs;  And a fare - well group
blade,  And in the face of for - eign foes its fragments to par - ade;  Six hun - dred thous-and
hind us,  but  stead-fast-ly be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
sunlight gleam, and bands grave music pour,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
stands weeping at  every cot - tage  door,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
loy - al men and  true have gone be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
SOP.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
ALTO.
TEN.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
BASS.
PIANO.}
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
Repeat Chorus nd. lib.
&lt;/p&gt;
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                    <text>&lt;ol&gt;
&lt;li&gt;137
&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;We are coming father Abraham
OR
Three hundred Thousand more.
Inscribed to our
VOLUNTEERS.
BY
A. B. IRVING.
CHICAGO
PUBLISHED BY H. M. HIGGINS 117 RANDOLPH STREET.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
WE ARE COMING FATHER ABRAHAM.
or
THREE HUNDRED THOUSAND MORE.
Words from N. Y. EVENING POST.         Music by I. B. IRVING.
3. If you look all up our val_ley's, where the grow_ing harvests shine,   You may
2. If you look across the hill tops that now meet the northern sky,   Long
1. We are coming Father A _ braham, three hundred thousand more,  From
4 You have call'd us, and we're com_ing, by   Richmond's bloody tide,   To
Entered according to Act of Congress A.D. 1862 by H.M.Higgins,in the Clerks Office of the District Court of the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
see our sturdy far_mer_boys fast form_ing in _ to line;   And children at their mother's knees are
moving lines of ri _ sing dust your vis _ ion may descry;   And now the wind,an in_stant tears the
Mississippi's winding stream, &amp;amp; from New England's shore; We leave our ploughs &amp;amp; workshops, our
lay us down for freedom's sake, our  brother's bones be_side;   Or from foul treason's savage grasp to
pulling at the weeds,   And learning how to reap andsow, a _ gainst their country's needs;  And a
cloud_y veil  a_side,   And floats a_loft our spangled flag in glo_ry and in pride;   And
wives and children dear,  With hearts too full for utterance,  with but a silent tear;   We
wrench the murd'rous blade,  And in the face of foreign foes  its   fragments to  pa_rade.   Six
We are coming Father Abraham.                 180481
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
farewell group stands weeping  at  ev'_ry cottage door_  We are  coming, Father A_braham, three
bayonets in the sunlight gleam, and bands brave music pour_  We are  coming, Father A_braham, three
dare not look behind us,  but steadfastly  before_ We are  coming,Father A_braham, three
hundred thousand loy_al men and true have gone before_ We are  coming, Father A _ braham, three
Chorus.
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
We are coming Father Abraham.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
hundred thousand more.
hundred thousand more.
hundred thousand more.
hundred thousand more.
We are coming Father Abraham.                        Pearson.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>"Inscribed to our volunteers." Song honors Abraham Lincoln's call for for more Union soldiers. Poetry credit is often attributed to William Cullen Bryant; however, the poem was originally published in the &lt;em&gt;New York Evening Post&lt;/em&gt; July, 16, 1862 by James Sloan Gibbons.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Irving, A. B. and &lt;em&gt;New York Evening Post&lt;/em&gt; (Gibbons, James Sloan)</text>
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                <text>H. M. Higgins</text>
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                <text>&lt;ol&gt;
&lt;li&gt;137
&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;We are coming father Abraham
OR
Three hundred Thousand more.
Inscribed to our
VOLUNTEERS.
BY
A. B. IRVING.
CHICAGO
PUBLISHED BY H. M. HIGGINS 117 RANDOLPH STREET.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
WE ARE COMING FATHER ABRAHAM.
or
THREE HUNDRED THOUSAND MORE.
Words from N. Y. EVENING POST.         Music by I. B. IRVING.
3. If you look all up our val_ley's, where the grow_ing harvests shine,   You may
2. If you look across the hill tops that now meet the northern sky,   Long
1. We are coming Father A _ braham, three hundred thousand more,  From
4 You have call'd us, and we're com_ing, by   Richmond's bloody tide,   To
Entered according to Act of Congress A.D. 1862 by H.M.Higgins,in the Clerks Office of the District Court of the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
see our sturdy far_mer_boys fast form_ing in _ to line;   And children at their mother's knees are
moving lines of ri _ sing dust your vis _ ion may descry;   And now the wind,an in_stant tears the
Mississippi's winding stream, &amp;amp; from New England's shore; We leave our ploughs &amp;amp; workshops, our
lay us down for freedom's sake, our  brother's bones be_side;   Or from foul treason's savage grasp to
pulling at the weeds,   And learning how to reap andsow, a _ gainst their country's needs;  And a
cloud_y veil  a_side,   And floats a_loft our spangled flag in glo_ry and in pride;   And
wives and children dear,  With hearts too full for utterance,  with but a silent tear;   We
wrench the murd'rous blade,  And in the face of foreign foes  its   fragments to  pa_rade.   Six
We are coming Father Abraham.                 180481
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
farewell group stands weeping  at  ev'_ry cottage door_  We are  coming, Father A_braham, three
bayonets in the sunlight gleam, and bands brave music pour_  We are  coming, Father A_braham, three
dare not look behind us,  but steadfastly  before_ We are  coming,Father A_braham, three
hundred thousand loy_al men and true have gone before_ We are  coming, Father A _ braham, three
Chorus.
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
hun_dred thousand more!   We are coming,  coming,  coming,   We are
We are coming Father Abraham.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
com_ing,   coming,   com_ing,  We are   coming  Fath _ er  A _ braham,  three
hundred thousand more.
hundred thousand more.
hundred thousand more.
hundred thousand more.
We are coming Father Abraham.                        Pearson.
&lt;/p&gt;
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                    <text>&lt;p&gt;Lincolnian
&lt;/p&gt;&lt;p&gt;We are coming Father Abra'am
&lt;/p&gt;&lt;p&gt;300.000 more
&lt;/p&gt;&lt;p&gt;Poetry by 
&lt;/p&gt;&lt;p&gt;Wm. Cullen Bryant,
&lt;/p&gt;&lt;p&gt;Music by
&lt;/p&gt;&lt;p&gt;L.O. Emerson.
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditsau &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co. 
&lt;/p&gt;&lt;p&gt;J. Church Jr. Ed.
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co [illegible]
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;Philad
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;&lt;p&gt;1862
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING FATHER ABRA'AM.
&lt;/p&gt;&lt;p&gt;L.O. Emerson.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, three hundred thousand more, From 
&lt;/p&gt;&lt;p&gt;2. If you look a cross the hill tops that meet the northern sky, Long
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, to
&lt;/p&gt;&lt;p&gt;Mississippi's winding stream and from New England's shore; We leave our plows and 
&lt;/p&gt;&lt;p&gt;moving lines of rising dust your vision may descry; And now the wind, an
&lt;/p&gt;&lt;p&gt;see our sturdy farmer boys fast forming into line; And tchildren from their
&lt;/p&gt;&lt;p&gt;lay us down for freedom's sake, our brothers' bones beside; Or from foul treason's
&lt;/p&gt;&lt;p&gt;21655
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;workshops our wives and children dear, With hearts too full for utterance, with 
&lt;/p&gt;&lt;p&gt;instant, tears the cloudy veil aside, And floats aloft our spangled flag in
&lt;/p&gt;&lt;p&gt;mother's knees are pulling at the weeds, And learning how to reap and sow, 
&lt;/p&gt;&lt;p&gt;savage group, to wrench the murderous blade, And in the face of foreign foes Its
&lt;/p&gt;&lt;p&gt;but a silent tear; We dare not look behind us, but steadfastly before_ 
&lt;/p&gt;&lt;p&gt;glory and in pride; And bayonets in the sunlight gleam, and bands brave music pour_
&lt;/p&gt;&lt;p&gt;against their country's needs; And a farewell group stands weeping at every cottage door_
&lt;/p&gt;&lt;p&gt;fragments to parade; Six hundred thousand loyal men and true have gone before_ We are coming, Father Abra'am - three hundred thousand more!
&lt;/p&gt;&lt;p&gt;21555
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Soprano.  We are coming, we are coming, Our Union to restore; We are coming, Father
&lt;/p&gt;&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Tenor.  We are coming, we are coming, Our Union to restore; We are coming, Father
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Abra'am with three hundred thousand more, We are coming Father Abra'am With three hundred thousand more.
&lt;/p&gt;&lt;p&gt;Abra'am with three hundred thousand more, We are coming Father Abra'am With three hundred thousand more.
&lt;/p&gt;&lt;p&gt;21554
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
We are coming, Father Abra-am _ three hundred thousand more!
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="172336">
              <text>4</text>
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              <text>35 cm</text>
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                <text>We Are Coming Father Abra'am 300, 000 More</text>
              </elementText>
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                <text>Often attributed to a poem by William Cullen Bryant, the song honors Abraham Lincoln in support of his call for more Union soldiers. The poem was originally published in the &lt;em&gt;New York Evening Post&lt;/em&gt; on July, 16, 1862 by James Sloan Gibbons.</text>
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                <text>Emerson, L. O. (Luther Orlando) and Bryant, William, Cullen and Gibbons, James Sloan</text>
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            <name>Coverage</name>
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                    <text>&lt;p&gt;Our National War Songs
&lt;/p&gt;&lt;p&gt;[All Pieces marked with a Star have Choruses]
&lt;/p&gt;&lt;p&gt;A Tear for the Comrade that's Gone. (Quartet)  Murray   40
&lt;/p&gt;&lt;p&gt;America. (Solo and Quartet, Newly Arranged)  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Babylon is Fallen   Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Battle Cry of Freedom  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Brave Battery Boys  (Quartet)   Bliss  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Brother Tell Me of the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Bury the Brave Where They Fall Frisbee  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Can the Soldier Forget  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Charge Bayonets  Dressler  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Columbia, the Gem of the Ocean  Coe  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Columbia's Call  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Columbia's Guardian Angels  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Coming Home from the Old Camp Ground   Rogers  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Come You from the Battle-Field (Duet &amp;amp; Chorus)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Comrades, Hasten to the Battle  Root  35 
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Corporal Schnapps  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Cover them Over  (Decoration Quartet)    Ormsby  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;De Day ob Liberty's Comin'  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Ensign of Glory,   (Quartet and Chorus)  Heyer  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Farewell Father, Friend and Guardian  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Father Abraham's Reply to the 600,000  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;First Gun is Fired  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Flag of the Bold and Free,  (Male Quartet)  Rogers  40
&lt;/p&gt;&lt;p&gt;Foes and Friends  Root  35
&lt;/p&gt;&lt;p&gt;Follow the Drum  Covert  35
&lt;/p&gt;&lt;p&gt;Forward, Boys, Forward,  (Male Quartet)  Root  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Glory, Glory, Hallelujah  Coe  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;God Bless Our Brave Young Volunteers  Root  35
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers, (Q't)  Root  25
&lt;/p&gt;&lt;p&gt;God Save the Nation,  (Quartet)  Work  25
&lt;/p&gt;&lt;p&gt;God Save the Nation,  (Mixed Quartet)  Work  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Grant a Nation's Hero  Rogers  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Good-Bye Old Glory  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Grandly the Loyal Hosts are Marching  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Grafted into the Army  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Grand Union Medley  Bruen  60
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Haste on the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Hail Columbia  Bruen  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Have Ye Sharpened Your Swords? (Quartet) Root  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Hero of the Wilderness  Kimball  85
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Hold the Fort  Bliss  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Honor to Sheridan  Root  5
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Ho!  Rally, Ye Braves  Baldwin  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;How it Marches, the Flag of Our Union (Quartet)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;John Brown Song  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Just After the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Just Before the Battle, Mother  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Kingdom Coming  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Lay Me Down and Save the Flag  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lay His Sword by His Side  Kieffer  35
&lt;/p&gt;&lt;p&gt;Liberty Bird,  (Quartet)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Little Major  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Low in the Dust of the Valley He Sleeps  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Marching Through Georgia, (500,000 sold)  Work  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Mother, is the Battle Over?  A.C.M  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;North and South,  (Duet)  Root  60
&lt;/p&gt;&lt;p&gt;Our Heroes,  (Quartet)  Harker  25
&lt;/p&gt;&lt;p&gt;On, Boys, On  Root  35
&lt;/p&gt;&lt;p&gt;On Guard  Burnap  50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Oh, Wrap the Flag Around Me, Boys   Taylor  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;On, On, On the Boys Came Marching  Root  85
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Flag  (Male Quartet)  Coe  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Our Flag and the Union Forever  Ickes  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Captain's Last Words  Work  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Our Comrade Has Fallen  Brewster  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Our Last Grand Camping Ground  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Company's Starry Flag  Comer  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Rally, Boys, Rally  Blackman  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Red, White and Blue  Coe  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Requiem for a Hero  Capen  35
&lt;/p&gt;&lt;p&gt;Rest, Comrades, Rest  Ormsby  25
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, Spirit, Rest,  (Male Quartet)  Rooke  40
&lt;/p&gt;&lt;p&gt;Rock of Liberty,  (Mixed Quartet)  Clark  40
&lt;/p&gt;&lt;p&gt;Sleep, Sacred Dust of the Noble Dead (D'c'n Q't)  Murray  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sleeping for the Flag  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Sleeping in the Battle-Field  Redin  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Stars and Stripes of Old  Mayer  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Soldiers' Chief the Nation's Chief  Rogers  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Soldiers' Grave  Crouch  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Soldiers' Pride  Merrill  40 
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Soldiers' Return  Knake  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of a Thousand Years  Work  30
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Washington's Men,  (Quartet)  Clark  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Songs We Sang Upon the Old Camp Ground  Frisbie  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Stand Up for Uncle Sam, My Boys  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Starved in Prison  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Star Spangled Banner,  (Duet and Chorus)  Bruen  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Stars and Stripes of Old   Mayer  40 
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Stripes and Stars,  (Duet and Chorus)  Dressler  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sunlight on the Flag  Barringer  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Sword of Bunker Hill  Covert  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Take Your Gun and Go, John    Merrill  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;They Have Broken Up Their Camps  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;They Rest in Peace    Coe  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;'Tis Finished    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;To Canaan    Brainard  35
&lt;/p&gt;&lt;p&gt;To-Day this Hallowed Place We Seek, (Dec. Q't)   Murray  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Tramp, Tramp, Tramp    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Tread Lightly, Ye Comrades  Bowen   35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Uncle Joe's Hail Columbia    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Vacant Chair    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Washington and Lincoln    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We Come, Silent Heroes (Decoration)    Macy  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Weep for the Heroes as They Fall    Turner  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We are Coming, Father Abraham     Baker  35 
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We are Tenting on the Old Camp Ground    Turner  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We were Comrades Together in the Days of the War    Coe  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Go Down Ourselves    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Move on the Enemy's Works Again    St. Denis  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Fight it Out Here on the Old Union Line    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We've Left Them 'Neath the Roses    Johnson  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;When Johnny Comes Marching Home    Lambert  35
&lt;/p&gt;&lt;p&gt;When Sherman Marched Down to the Sea    Warren  30
&lt;/p&gt;&lt;p&gt;Who'll Save the Left?    Root  50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Who Shall Rule this American Nation    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Within the Sound of the Enemy's Guns    Root  50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Yankee Doodle    Bruen  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING, FATHER ABRAHAM.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;Maestoso.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;1. We're coming, Father  A _ braham, six  hundred thousand more,      From
2. Then look a_cross the hill - - tops that meet the northern sky,          Long
3. Then look all up our val_leys, where the growing harvests shine,      You'll
4. You've call'd us,  and we're com _ _ ing, by Richmond's bloody tide,  To
5. We're coming,  Father  A _ braham, strong hearts and ready hands;  From
&lt;/p&gt;&lt;p&gt;Mis_sis_sip_pi's  winding stream and from New England's shore;    We  leave our plows and
mov_ing lines of  ris_ing dust your vi_sion may de_scry;               And now the wind can
see our sturdy   farmer boys fast forming in_to line;                     And children from their
lay us down for   freedom's sake our brother's bones beside;        Or from foul treason's
river,   lake and mountain we are  muster_ing our bands,        From   boundless western
&lt;/p&gt;&lt;p&gt;Copyright MDCCCLXII by H. Tolman &amp;amp; Co.  2933
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;work - shops, our wives and children dear,        With hearts too full for    ut_terance, with
instant tears, the cloudy veil a_side                   And floats a_loft our     spangled flag in
mother's knee are pulling at the weeds,            And learning how to reap and sow, a_
sav_age grasp to wrench the murderous blade   And in the face of for_eign foes  its
prairie   to the old  At lantic shore                    We're coming    Fa_ther  A_braham six
&lt;/p&gt;&lt;p&gt;but one si_lent tear;    We dare not look be_hind   us,  but steadfast_ly be_
glo_ry and in pride;     And bay'nets in the sunlight gleam, and bands brave music
_gainst their country's needs;     And farewell groups stand weep_ing, at every cottage
fragments to par_ade;    Six hundred thousand loy_al men and true have gone be_
hundred thousand more;   From  boundless western prairie to the old At_lantic
&lt;/p&gt;
&lt;pre&gt;      stringendo
&lt;/pre&gt;
&lt;p&gt;_ fore,  We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
pour,    We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
door,    We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
_fore,   We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
shore,   We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
____
&lt;/p&gt;&lt;p&gt;SOP. 
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
ALTO.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
TENOR.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
BASS.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
&lt;/p&gt;&lt;p&gt;6.
Our vanguard now is marching on
In answer to your call
Around the nation's capitol
To place a living wall;
And if more more men are wanting then
The Union to restore,
We are coming, Father Abraham,
Nine hundred thousand more
&lt;/p&gt;&lt;p&gt;7.
And when the welcome call is heard
To every patriot hand
To strike the blow for liberty,
For freedom through the land;
The answer will be sounding
As it never did before,
We are coming, Father Abraham,
Ten hundred thousand more.
&lt;/p&gt;&lt;p&gt;2933 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Thoroughness!      Simplicity!
Brainard's New Method for Piano.
New and Improved Course of Instruction
Progressive Arrangement!    
Superior to all other Instructors!
&lt;/p&gt;&lt;p&gt;IT IS CLAIMED
For this work that it contains nothing
useless or unnecessary, and nothing
beyond the powers of pupils possess-
ing the usual ability, who will give
proper care and attention to the 
exercises and studies as presented in
the book.
&lt;/p&gt;&lt;p&gt;THE TECHNICAL EXERCISES
Are the very best from Plaidy,
Czerny, Bertini, Duvernoy, Kohler,
Beyer, Krause, and other standard
authors.
&lt;/p&gt;&lt;p&gt;THE DIVERSIONS
Are selected from the works of the
best masters and most popular com-
posers, and will be found of sufficient
variety of style and difficulty for all
practical purposes, and to contain
much that will be found in no other 
book published.
&lt;/p&gt;&lt;p&gt;BRAINARD'S 
NEW
METHOD
FOR THE
PIANO-FORTE
&lt;/p&gt;&lt;p&gt;By GEO. W. BRAINARD
&lt;/p&gt;&lt;p&gt;In Addition
To the thorough Course of Piano
Instruction, the
Musical Hints for the Million,
BY KARL MERZ, and
ELEMENTS OF HARMONY
AND
THOROUGH BASS.
Will be found in this superb Instructor.
THE TEACHER Will find this
Method to be 
the most helpful and satisfactory yet
published, and
THE PUPIL Will take pleasure
in studying the lessons
and learning
The Beautiful Exercises.
&lt;/p&gt;&lt;p&gt;BRAINARD'S NEW METHOD
Is offered to the public in the confident belief that it will be found the
most PRACTICALLY USEFUL and PROGRESSIVE Instruction Book
for the Piano that has yet been issued.
&lt;/p&gt;&lt;p&gt;TESTIMONIALS FROM THOUSANDS who have used 
the Book, and from Progressive Music Teachers everywhere,
guarantee the excellence of the Method, its popularity
and usefulness.
&lt;/p&gt;&lt;p&gt;A THOROUGH, complete and finished Course of Instruction
in Piano Playing, which, if pursued earnestly
makes a competent musician and fine pianist!
&lt;/p&gt;&lt;p&gt;Price, $3.00.  Sold by all Music and Book Sellers.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Song honoring Abraham Lincoln's call for more Union soldiers. The cover, which depicts Union cavalry, is entitled "Our National War Songs" and contains an index of American martial music.</text>
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                <text>S. Brainard's Sons</text>
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                <text>&lt;p&gt;Our National War Songs
&lt;/p&gt;&lt;p&gt;[All Pieces marked with a Star have Choruses]
&lt;/p&gt;&lt;p&gt;A Tear for the Comrade that's Gone. (Quartet)  Murray   40
&lt;/p&gt;&lt;p&gt;America. (Solo and Quartet, Newly Arranged)  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Babylon is Fallen   Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Battle Cry of Freedom  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Brave Battery Boys  (Quartet)   Bliss  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Brother Tell Me of the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Bury the Brave Where They Fall Frisbee  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Can the Soldier Forget  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Charge Bayonets  Dressler  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Columbia, the Gem of the Ocean  Coe  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Columbia's Call  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Columbia's Guardian Angels  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Coming Home from the Old Camp Ground   Rogers  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Come You from the Battle-Field (Duet &amp;amp; Chorus)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Comrades, Hasten to the Battle  Root  35 
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Corporal Schnapps  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Cover them Over  (Decoration Quartet)    Ormsby  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;De Day ob Liberty's Comin'  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Ensign of Glory,   (Quartet and Chorus)  Heyer  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Farewell Father, Friend and Guardian  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Father Abraham's Reply to the 600,000  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;First Gun is Fired  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Flag of the Bold and Free,  (Male Quartet)  Rogers  40
&lt;/p&gt;&lt;p&gt;Foes and Friends  Root  35
&lt;/p&gt;&lt;p&gt;Follow the Drum  Covert  35
&lt;/p&gt;&lt;p&gt;Forward, Boys, Forward,  (Male Quartet)  Root  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Glory, Glory, Hallelujah  Coe  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;God Bless Our Brave Young Volunteers  Root  35
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers, (Q't)  Root  25
&lt;/p&gt;&lt;p&gt;God Save the Nation,  (Quartet)  Work  25
&lt;/p&gt;&lt;p&gt;God Save the Nation,  (Mixed Quartet)  Work  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Grant a Nation's Hero  Rogers  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Good-Bye Old Glory  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Grandly the Loyal Hosts are Marching  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Grafted into the Army  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Grand Union Medley  Bruen  60
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Haste on the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Hail Columbia  Bruen  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Have Ye Sharpened Your Swords? (Quartet) Root  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Hero of the Wilderness  Kimball  85
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Hold the Fort  Bliss  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Honor to Sheridan  Root  5
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Ho!  Rally, Ye Braves  Baldwin  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;How it Marches, the Flag of Our Union (Quartet)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;John Brown Song  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Just After the Battle  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Just Before the Battle, Mother  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Kingdom Coming  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Lay Me Down and Save the Flag  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lay His Sword by His Side  Kieffer  35
&lt;/p&gt;&lt;p&gt;Liberty Bird,  (Quartet)  Root  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Little Major  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Low in the Dust of the Valley He Sleeps  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Marching Through Georgia, (500,000 sold)  Work  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Mother, is the Battle Over?  A.C.M  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;North and South,  (Duet)  Root  60
&lt;/p&gt;&lt;p&gt;Our Heroes,  (Quartet)  Harker  25
&lt;/p&gt;&lt;p&gt;On, Boys, On  Root  35
&lt;/p&gt;&lt;p&gt;On Guard  Burnap  50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Oh, Wrap the Flag Around Me, Boys   Taylor  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;On, On, On the Boys Came Marching  Root  85
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Flag  (Male Quartet)  Coe  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Our Flag and the Union Forever  Ickes  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Captain's Last Words  Work  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Our Comrade Has Fallen  Brewster  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Our Last Grand Camping Ground  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Our Company's Starry Flag  Comer  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Rally, Boys, Rally  Blackman  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Red, White and Blue  Coe  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Requiem for a Hero  Capen  35
&lt;/p&gt;&lt;p&gt;Rest, Comrades, Rest  Ormsby  25
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, Spirit, Rest,  (Male Quartet)  Rooke  40
&lt;/p&gt;&lt;p&gt;Rock of Liberty,  (Mixed Quartet)  Clark  40
&lt;/p&gt;&lt;p&gt;Sleep, Sacred Dust of the Noble Dead (D'c'n Q't)  Murray  25
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sleeping for the Flag  Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Sleeping in the Battle-Field  Redin  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Stars and Stripes of Old  Mayer  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Soldiers' Chief the Nation's Chief  Rogers  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Soldiers' Grave  Crouch  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Soldiers' Pride  Merrill  40 
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Soldiers' Return  Knake  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of a Thousand Years  Work  30
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Washington's Men,  (Quartet)  Clark  40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Songs We Sang Upon the Old Camp Ground  Frisbie  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Stand Up for Uncle Sam, My Boys  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Starved in Prison  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Star Spangled Banner,  (Duet and Chorus)  Bruen  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Stars and Stripes of Old   Mayer  40 
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Stripes and Stars,  (Duet and Chorus)  Dressler  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Sunlight on the Flag  Barringer  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Sword of Bunker Hill  Covert  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Take Your Gun and Go, John    Merrill  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;They Have Broken Up Their Camps  Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;They Rest in Peace    Coe  25
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;'Tis Finished    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;To Canaan    Brainard  35
&lt;/p&gt;&lt;p&gt;To-Day this Hallowed Place We Seek, (Dec. Q't)   Murray  35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Tramp, Tramp, Tramp    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Tread Lightly, Ye Comrades  Bowen   35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Uncle Joe's Hail Columbia    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Vacant Chair    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Washington and Lincoln    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We Come, Silent Heroes (Decoration)    Macy  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Weep for the Heroes as They Fall    Turner  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We are Coming, Father Abraham     Baker  35 
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We are Tenting on the Old Camp Ground    Turner  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We were Comrades Together in the Days of the War    Coe  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Go Down Ourselves    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Move on the Enemy's Works Again    St. Denis  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We'll Fight it Out Here on the Old Union Line    Root  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;We've Left Them 'Neath the Roses    Johnson  40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;When Johnny Comes Marching Home    Lambert  35
&lt;/p&gt;&lt;p&gt;When Sherman Marched Down to the Sea    Warren  30
&lt;/p&gt;&lt;p&gt;Who'll Save the Left?    Root  50
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Who Shall Rule this American Nation    Work  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Within the Sound of the Enemy's Guns    Root  50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Yankee Doodle    Bruen  35
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING, FATHER ABRAHAM.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;Maestoso.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;1. We're coming, Father  A _ braham, six  hundred thousand more,      From
2. Then look a_cross the hill - - tops that meet the northern sky,          Long
3. Then look all up our val_leys, where the growing harvests shine,      You'll
4. You've call'd us,  and we're com _ _ ing, by Richmond's bloody tide,  To
5. We're coming,  Father  A _ braham, strong hearts and ready hands;  From
&lt;/p&gt;&lt;p&gt;Mis_sis_sip_pi's  winding stream and from New England's shore;    We  leave our plows and
mov_ing lines of  ris_ing dust your vi_sion may de_scry;               And now the wind can
see our sturdy   farmer boys fast forming in_to line;                     And children from their
lay us down for   freedom's sake our brother's bones beside;        Or from foul treason's
river,   lake and mountain we are  muster_ing our bands,        From   boundless western
&lt;/p&gt;&lt;p&gt;Copyright MDCCCLXII by H. Tolman &amp;amp; Co.  2933
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;work - shops, our wives and children dear,        With hearts too full for    ut_terance, with
instant tears, the cloudy veil a_side                   And floats a_loft our     spangled flag in
mother's knee are pulling at the weeds,            And learning how to reap and sow, a_
sav_age grasp to wrench the murderous blade   And in the face of for_eign foes  its
prairie   to the old  At lantic shore                    We're coming    Fa_ther  A_braham six
&lt;/p&gt;&lt;p&gt;but one si_lent tear;    We dare not look be_hind   us,  but steadfast_ly be_
glo_ry and in pride;     And bay'nets in the sunlight gleam, and bands brave music
_gainst their country's needs;     And farewell groups stand weep_ing, at every cottage
fragments to par_ade;    Six hundred thousand loy_al men and true have gone be_
hundred thousand more;   From  boundless western prairie to the old At_lantic
&lt;/p&gt;
&lt;pre&gt;      stringendo
&lt;/pre&gt;
&lt;p&gt;_ fore,  We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
pour,    We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
door,    We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
_fore,   We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
shore,   We   are   com_ing  Fa_ther  A_bra_ham, six   hundred   thousand more.
____
&lt;/p&gt;&lt;p&gt;SOP. 
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
ALTO.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
TENOR.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
BASS.
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
We're com_ing, Fa_ther A_bra_hame, our U_nion to re_store; We're
&lt;/p&gt;&lt;p&gt;6.
Our vanguard now is marching on
In answer to your call
Around the nation's capitol
To place a living wall;
And if more more men are wanting then
The Union to restore,
We are coming, Father Abraham,
Nine hundred thousand more
&lt;/p&gt;&lt;p&gt;7.
And when the welcome call is heard
To every patriot hand
To strike the blow for liberty,
For freedom through the land;
The answer will be sounding
As it never did before,
We are coming, Father Abraham,
Ten hundred thousand more.
&lt;/p&gt;&lt;p&gt;2933 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Thoroughness!      Simplicity!
Brainard's New Method for Piano.
New and Improved Course of Instruction
Progressive Arrangement!    
Superior to all other Instructors!
&lt;/p&gt;&lt;p&gt;IT IS CLAIMED
For this work that it contains nothing
useless or unnecessary, and nothing
beyond the powers of pupils possess-
ing the usual ability, who will give
proper care and attention to the 
exercises and studies as presented in
the book.
&lt;/p&gt;&lt;p&gt;THE TECHNICAL EXERCISES
Are the very best from Plaidy,
Czerny, Bertini, Duvernoy, Kohler,
Beyer, Krause, and other standard
authors.
&lt;/p&gt;&lt;p&gt;THE DIVERSIONS
Are selected from the works of the
best masters and most popular com-
posers, and will be found of sufficient
variety of style and difficulty for all
practical purposes, and to contain
much that will be found in no other 
book published.
&lt;/p&gt;&lt;p&gt;BRAINARD'S 
NEW
METHOD
FOR THE
PIANO-FORTE
&lt;/p&gt;&lt;p&gt;By GEO. W. BRAINARD
&lt;/p&gt;&lt;p&gt;In Addition
To the thorough Course of Piano
Instruction, the
Musical Hints for the Million,
BY KARL MERZ, and
ELEMENTS OF HARMONY
AND
THOROUGH BASS.
Will be found in this superb Instructor.
THE TEACHER Will find this
Method to be 
the most helpful and satisfactory yet
published, and
THE PUPIL Will take pleasure
in studying the lessons
and learning
The Beautiful Exercises.
&lt;/p&gt;&lt;p&gt;BRAINARD'S NEW METHOD
Is offered to the public in the confident belief that it will be found the
most PRACTICALLY USEFUL and PROGRESSIVE Instruction Book
for the Piano that has yet been issued.
&lt;/p&gt;&lt;p&gt;TESTIMONIALS FROM THOUSANDS who have used 
the Book, and from Progressive Music Teachers everywhere,
guarantee the excellence of the Method, its popularity
and usefulness.
&lt;/p&gt;&lt;p&gt;A THOROUGH, complete and finished Course of Instruction
in Piano Playing, which, if pursued earnestly
makes a competent musician and fine pianist!
&lt;/p&gt;&lt;p&gt;Price, $3.00.  Sold by all Music and Book Sellers.
&lt;/p&gt;
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                    <text>&lt;p&gt;53416
WE ARE COMING
FATHER ABRA'AM
SIX HUNDRED THOUSAND MORE.
Composed and arranged by
PROFESSOR A. CULL,
2 1 2
NEW-YORK:
Published by HORACE WATERS, No. 481 Broadway.
Boston: OLIVER DITSON, 277 Washington Street.
Entered according to act of Congress in the year 1862, by E. A. Daggett, in the Clerk's office of the U.S. Dist, Court for the Southern Dist. of N York.
WARREN, Music thermotyper.
&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;3 Centre Pl, New York.
&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING, FATHER ABRA-AM.
SIX HUNDRED THOUSAND MORE.
Poetry from the N. Y. EVENING POST.
Composed and arranged by Prof. A. CULL.
INTRODUCTION.   Allegretto.
1. We are com - ing Fa - ther A - bra am, six hun - dred thou - sand more, From
Mis - sis - sip - pi's wand'ring stream and from New Eng - land's shore; We leave our plow and
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;work - shops, our wives and chil - dren dear, With hearts too full of ut - ter - ance with
but a si - lent tear. Oh we dare not look be - hind us, but
stead-fast - ly be - fore, We are com - ing Fa - ther A- bra'am, Six  Hun - dred Thousand more.
2 If you look across the hill tops that meet the northern sky,
Long moving lines of rising dust your vision may descry;
And now the wind an instant, tears the cloudy veil aside,
And floats aloft our spangled flag in glory and in pride;
And bayonets in the sunlight gleam, and bands brave music pour
We are coming Father Abra'am, &amp;amp;c.
3 If you look all up our valleys, where the growing harvests shine,
You may see our sturdy farmer boys fast forming into line;
And children from their mother's knees are pulling at weeds,
And learning how to reap and sow against their country's needs;
And a farewell group stand weeping at every cottage door
We are coming Father Abra'am, &amp;amp;c.
4 You have call'd us, and we're coming, by Richmond's bloody tide,
To lay us down for Freedom's sake, our brothers bones beside;
Or from foul treason's savage grasp to wrench the murderous blade,
And in the face of foreign foes its fragments to parade;
Six hundred thousand loyal men and true have gone before
We are coming, Father Abra'am &amp;amp; c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
We are com - ing we are com - ing, Our U - nion to re - store, We are com - ing Fa - ther
We are com - ing we are com - ing, Our U - nion to re - store, We are com - ing Fa - ther
A - bra'am with Six Hun-dred Thou - sand more.
A - bra'am with Six Hun-dred Thou - sand more.
&lt;/p&gt;
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                <text>&lt;p&gt;53416
WE ARE COMING
FATHER ABRA'AM
SIX HUNDRED THOUSAND MORE.
Composed and arranged by
PROFESSOR A. CULL,
2 1 2
NEW-YORK:
Published by HORACE WATERS, No. 481 Broadway.
Boston: OLIVER DITSON, 277 Washington Street.
Entered according to act of Congress in the year 1862, by E. A. Daggett, in the Clerk's office of the U.S. Dist, Court for the Southern Dist. of N York.
WARREN, Music thermotyper.
&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;3 Centre Pl, New York.
&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING, FATHER ABRA-AM.
SIX HUNDRED THOUSAND MORE.
Poetry from the N. Y. EVENING POST.
Composed and arranged by Prof. A. CULL.
INTRODUCTION.   Allegretto.
1. We are com - ing Fa - ther A - bra am, six hun - dred thou - sand more, From
Mis - sis - sip - pi's wand'ring stream and from New Eng - land's shore; We leave our plow and
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;work - shops, our wives and chil - dren dear, With hearts too full of ut - ter - ance with
but a si - lent tear. Oh we dare not look be - hind us, but
stead-fast - ly be - fore, We are com - ing Fa - ther A- bra'am, Six  Hun - dred Thousand more.
2 If you look across the hill tops that meet the northern sky,
Long moving lines of rising dust your vision may descry;
And now the wind an instant, tears the cloudy veil aside,
And floats aloft our spangled flag in glory and in pride;
And bayonets in the sunlight gleam, and bands brave music pour
We are coming Father Abra'am, &amp;amp;c.
3 If you look all up our valleys, where the growing harvests shine,
You may see our sturdy farmer boys fast forming into line;
And children from their mother's knees are pulling at weeds,
And learning how to reap and sow against their country's needs;
And a farewell group stand weeping at every cottage door
We are coming Father Abra'am, &amp;amp;c.
4 You have call'd us, and we're coming, by Richmond's bloody tide,
To lay us down for Freedom's sake, our brothers bones beside;
Or from foul treason's savage grasp to wrench the murderous blade,
And in the face of foreign foes its fragments to parade;
Six hundred thousand loyal men and true have gone before
We are coming, Father Abra'am &amp;amp; c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
We are com - ing we are com - ing, Our U - nion to re - store, We are com - ing Fa - ther
We are com - ing we are com - ing, Our U - nion to re - store, We are com - ing Fa - ther
A - bra'am with Six Hun-dred Thou - sand more.
A - bra'am with Six Hun-dred Thou - sand more.
&lt;/p&gt;
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                    <text>&lt;p&gt;ei  Lincolniana
&lt;/p&gt;&lt;p&gt;WASHINGTON AND LINCOLN 
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS:
&lt;/p&gt;&lt;p&gt;Words and Music by
&lt;/p&gt;&lt;p&gt;HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO       "[3]" "[2 1/2]"
&lt;/p&gt;&lt;p&gt;Published by ROOT and CADY, 95 Clark St
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A. D., 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;For schools, academies, and juvenile classes. Silver Lute By Geo. F. Root. Price 35 cents.
&lt;/p&gt;&lt;p&gt;Patriotic Songs Quartettes &amp;amp; C. The Bugle Call By Geo. F. Root. Price $3 per dozen
&lt;/p&gt;&lt;p&gt;(In Circle, inner, center)
Circular List of Circulating Publications
ROOT &amp;amp; CADY, Publishers. Chicago, 95 Clark Street.
&lt;/p&gt;&lt;p&gt;(Outer circle)
HOW TO GET OUR PUBLICATIONS. -- If not foundat the nearest Music Store, write directly to us -- it is no more trouble to send one thousand miles by mail, than on hundred. The postage on Sheet Music is but one cent on each piece, which, on the receipt of the marked price we are happy to pay. TEACHERS, who wish to keep up the interest of their pupils with occasional good pieces, will profit by sending to us. 
&lt;/p&gt;&lt;p&gt;(Song list and prices, inner circle)
Vacant Chair. Root .............................25cts.
The Old House far away. Merrill.............25cts.
Vesper Song for our Volunteers' Sisters...25cts.
Who'll save the Left? Root....................50cts. 
Little Major, the Drummer Boy. Work........25cts.
Song of a Thousand Years. Work............25cts.
Polka Gracieuse. Wm. Mason.................60cts.
The Days when We were Young. Work.....25cts.
Sixty-Three is the Jubilee. French..........25cts.
Stand Up for Uncle Sam. Root...............25cts.
Singular Dreams-comic. Dodge..............25cts.
Take your Gun and Go, John. Merrill........25cts.
Tread Lightly ye Comrades. Crane..........25cts.
Oh, Haste on the Battle. Root...............25cts.
Rock me to Sleep, Mother. Root.............25cts.
Marie Polka Mazurka. Wollenhaupt..........50cts.
The Dear Ones all at Home. Bradbury......25cts.
First Love Dream. Work........................25cts.
Day of Liberty's Coming. Wurzel.............25cts.
Kingdom Coming. Work.........................25cts.
Battle-Cry of Freedom. Root.................25cts.
Rock me to Sleep Transcript'n. Staub.....75cts.
President's Emancipation March.............30cts.
Gen. McClernand's Grand March.............35cts.
Battle-Cry of Freedom Var. Rein.............50cts.
Kingdom Coming Variations. Grobe..........50cts.
Mine is the Morning Heart. Foster...........25cts.
Grafted into the Army. Work..................25cts.
He's Comin' Again. Arr. by Root...............25cts.
Jenny Brown and I. Taylor......................25cts.
Johnny Schmoker. Arr. by Rix..................25cts.
O wrap the Flag around me. Taylor..........25cts.
&lt;/p&gt;&lt;p&gt;(Circle, bottom left)
A Monthly Musical Paper
The Song Messenger
Edited by Henry C. Work
Price 60cts a year
&lt;/p&gt;&lt;p&gt;(Circle, bottom right)
A New Parlor Game
Musical Celebrities
96 cards of the greatest musicians with sketches
Price $1.00
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26552
&lt;/p&gt;&lt;p&gt;WASHINGTON AND LINCOLN.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;Piano part. 
&lt;/p&gt;&lt;p&gt;1. Come, happy peo-ple! Oh come, let us tell the story of Washington and Lincoln!
2. Parents to children shall tell with de-light
&lt;/p&gt;
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                    <text>&lt;p&gt;To all true lovers of our common country.
&lt;/p&gt;&lt;p&gt;Vote for Abraham
&lt;/p&gt;&lt;p&gt;Campaign song of '64
by UNION.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3
&lt;/p&gt;&lt;p&gt;BURLINGTON, Vt
Published by H. L. STORY.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1864 by H. L. Story in the Clerk's office of the Dist Court of Vt.
&lt;/p&gt;&lt;p&gt;H.F. [Greene?] [illegible] [Eng?] [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26538
&lt;/p&gt;&lt;p&gt;VOTE FOR ABRAHAM.
&lt;/p&gt;&lt;p&gt;Allegretto.   By Union.
&lt;/p&gt;&lt;p&gt;VOICE.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1.  We 
&lt;/p&gt;&lt;p&gt;2.  The
&lt;/p&gt;&lt;p&gt;all will vote for Abraham, For President-for President; He 
&lt;/p&gt;&lt;p&gt;reb-els now be-gin to show That Abraham, that Abraham Is
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;is a tried and honest man, Then vote for Abraham, And An-dy, too, of 
&lt;/p&gt;&lt;p&gt;dealing them there last death-blow;Then vote for A-bra-ham; And Copperheads may hiss and groan,May hiss and groan,may hiss and groan, Yet one will still lean on the van, "Tis honest A-bra-ham.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Tennessee, Of Tennessee, of Tennessee, Brave An-dy, too, is just the man, To go with A-bra-ham.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;3.  With Grant and Sherman in the field, 
with Abraham, with Abraham; 
We soon will make the traitors yield;
Then vote for Abraham.
Your time is short, ye copperheads, 
Ye copperheads, ye copperheads,
For in November Uncle Sam
Will go for Abraham.
&lt;/p&gt;&lt;p&gt;4.  The Union ever will remain,
For Abraham, for Abraham
Has blotted out that vilest stain
Of human slavery;
As blest and honered shall go down
As Washington's,as Washington's,
To unborn millions through the land
The name of Abraham.
&lt;/p&gt;&lt;p&gt;CHORUS.   5
&lt;/p&gt;&lt;p&gt;Air.  We'll vote for Abraham, my boys,For Abraham; He
Alto. 
Tenor.  We'll vote for Abraham, my boys,For Abraham; for Abraham, He
Bass.
Piano.
&lt;/p&gt;&lt;p&gt;is both tried and true, my boys; Then vote for A-bra-ham.
is both tried and true, my boys; Then vote for A-bra-ham.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Union</text>
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                <text>H. L. Story</text>
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                <text>Burlington</text>
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                <text>1864</text>
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                <text>&lt;p&gt;To all true lovers of our common country.
&lt;/p&gt;&lt;p&gt;Vote for Abraham
&lt;/p&gt;&lt;p&gt;Campaign song of '64
by UNION.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3
&lt;/p&gt;&lt;p&gt;BURLINGTON, Vt
Published by H. L. STORY.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1864 by H. L. Story in the Clerk's office of the Dist Court of Vt.
&lt;/p&gt;&lt;p&gt;H.F. [Greene?] [illegible] [Eng?] [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26538
&lt;/p&gt;&lt;p&gt;VOTE FOR ABRAHAM.
&lt;/p&gt;&lt;p&gt;Allegretto.   By Union.
&lt;/p&gt;&lt;p&gt;VOICE.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1.  We 
&lt;/p&gt;&lt;p&gt;2.  The
&lt;/p&gt;&lt;p&gt;all will vote for Abraham, For President-for President; He 
&lt;/p&gt;&lt;p&gt;reb-els now be-gin to show That Abraham, that Abraham Is
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;is a tried and honest man, Then vote for Abraham, And An-dy, too, of 
&lt;/p&gt;&lt;p&gt;dealing them there last death-blow;Then vote for A-bra-ham; And Copperheads may hiss and groan,May hiss and groan,may hiss and groan, Yet one will still lean on the van, "Tis honest A-bra-ham.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Tennessee, Of Tennessee, of Tennessee, Brave An-dy, too, is just the man, To go with A-bra-ham.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;3.  With Grant and Sherman in the field, 
with Abraham, with Abraham; 
We soon will make the traitors yield;
Then vote for Abraham.
Your time is short, ye copperheads, 
Ye copperheads, ye copperheads,
For in November Uncle Sam
Will go for Abraham.
&lt;/p&gt;&lt;p&gt;4.  The Union ever will remain,
For Abraham, for Abraham
Has blotted out that vilest stain
Of human slavery;
As blest and honered shall go down
As Washington's,as Washington's,
To unborn millions through the land
The name of Abraham.
&lt;/p&gt;&lt;p&gt;CHORUS.   5
&lt;/p&gt;&lt;p&gt;Air.  We'll vote for Abraham, my boys,For Abraham; He
Alto. 
Tenor.  We'll vote for Abraham, my boys,For Abraham; for Abraham, He
Bass.
Piano.
&lt;/p&gt;&lt;p&gt;is both tried and true, my boys; Then vote for A-bra-ham.
is both tried and true, my boys; Then vote for A-bra-ham.
&lt;/p&gt;
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                    <text>&lt;p&gt;Vice President Andrew Johnson's Grand March.
&lt;/p&gt;&lt;p&gt;Cincinnati, Published by J. Church Jr. No. 66 West Fourth St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Vice President Johnson's March. by L.W. Eastman.
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. Piano
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1864 by John Church Jr. in the Clerks Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>March to honor Andrew Johnson, Vice President of the United States, March 4, 1865-April 15, 1865. Cover depicts picture of Vice President Johnson</text>
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                <text>Johnson, Andrew, 1808-1875</text>
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                <text>Eastman, L. W.</text>
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                <text>Marches (Piano)</text>
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            <name>Creator</name>
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                <text>Eastman, L. W.</text>
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                <text>J. Church , Jr.</text>
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                <text>Cincinnati</text>
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                <text>&lt;p&gt;Vice President Andrew Johnson's Grand March.
&lt;/p&gt;&lt;p&gt;Cincinnati, Published by J. Church Jr. No. 66 West Fourth St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Vice President Johnson's March. by L.W. Eastman.
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. Piano
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1864 by John Church Jr. in the Clerks Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
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