2 25 194 https://chroniclingillinois.org/files/original/f1c6c3bc55b9f724ed1c01c8db2e4fae.pdf 2ca539be0fd558ac652b6b2b6498f6c8 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Union War Galop composed by William Dressler [illegible - possibly related to publisher?] Cleveland Published by S. Brainard & Co. 203 Superior Str. Entered according to act of Congress in the year 1861 by S. Brainard & Co. in the Clerks office of the District Court of the Northern District of Ohio <hr /> UNION WAR GALOP INTRODUCING THE LIBERTY DUETT FROM I PURITANI Wm. DRESSLER. Op. 91 ALLO VIVACE INTRODUCTION GALOP Enteried according to act of Congress AD1861, by S. Brainard & Co. in the Clerks Office of the Dis Ct. of the Northern District of O. 622-6 180479 [accession number?] <hr /> [Sheet music follows on pages 3 - 6, with 622-6 appearing at the bottom of each page] <hr /> CODA 622-6 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 7 32 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301122 80097531 Title A name given to the resource Union War Galop Description An account of the resource Cover depicts Columbia, sword in hand, riding a war chariot pulled by four white horses. Subject The topic of the resource Dressler, William Sheet music American Civil War, 1861-1865 Piano music Columbia (Symbolic character) Creator An entity primarily responsible for making the resource Dressler, William Contributor An entity responsible for making contributions to the resource S. Brainard & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cleveland Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Union War Galop composed by William Dressler [illegible - possibly related to publisher?] Cleveland Published by S. Brainard & Co. 203 Superior Str. Entered according to act of Congress in the year 1861 by S. Brainard & Co. in the Clerks office of the District Court of the Northern District of Ohio <hr /> UNION WAR GALOP INTRODUCING THE LIBERTY DUETT FROM I PURITANI Wm. DRESSLER. Op. 91 ALLO VIVACE INTRODUCTION GALOP Enteried according to act of Congress AD1861, by S. Brainard & Co. in the Clerks Office of the Dis Ct. of the Northern District of O. 622-6 180479 [accession number?] <hr /> [Sheet music follows on pages 3 - 6, with 622-6 appearing at the bottom of each page] <hr /> CODA 622-6 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/4744fdaaacaf674065f8455a729200ac.pdf 4b17ed47e199761dc1095c476d5bcfbd Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To the Memory of Abraham Lincoln. THE UNION RESTORED Composed for the PIANO by Wm. WILLING. BOSTON: Published by Oliver Ditson & Co. 227 Washington St. Cinn. J. Church Jr. N. York W. H. Pond & Co. Chicago Lyon & Healy. Boston, J.C. Haynes & Co. Phila J. E. Gould. Entered according to [unintelligible] <hr /> THE UNION RESTORED. WM. WILLING. [music] <hr /> [music] <hr /> [music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301121 426057406 Title A name given to the resource The Union Restored Description An account of the resource Piano music dedicated "To the memory of Abraham Lincoln." Subject The topic of the resource Lincoln, Abraham, 1809-1865 Willing, William Sheet music Death--Songs and music Piano music Creator An entity primarily responsible for making the resource Willing, William Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. To the Memory of Abraham Lincoln. THE UNION RESTORED Composed for the PIANO by Wm. WILLING. BOSTON: Published by Oliver Ditson & Co. 227 Washington St. Cinn. J. Church Jr. N. York W. H. Pond & Co. Chicago Lyon & Healy. Boston, J.C. Haynes & Co. Phila J. E. Gould. Entered according to [unintelligible] <hr /> THE UNION RESTORED. WM. WILLING. [music] <hr /> [music] <hr /> [music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/e44d959a5d3511ebc85d49f04097c511.pdf b44128d22fc4480feb2f7c8adf952ba6 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Union Wagon Music by Judson and ASA as sung by the Hutchinson Family. Tribe of ASA. 3 Boston. Published by Oliver Ditson & Co. 277 Washington St. Cinn. J. Church Jr. N York W.A Fond's Chicago Lyon & Healy Boston J.C. Haynes & Co. Phil. G.W.A. Trumpher <hr /> THE UNION WAGON. SONG & CHORUS. In Uncle Sam's dominions in eighteen sixty-one, The fight between secession and the Union was begun, The South declared they'd have the rights that Uncle Sam denied, Or in secession's wagon they'd all take a ride. <hr /> CHORUS. All take a ride, All take a ride, Or All take a ride, all take a ride, Or in secession's wagon they'd all take a ride. in secession's wagon they'd all take a ride. <hr /> 2 The makers of our wagon were men of solid wit, They made it out of Charter Oak that wouldent rot or split, Its wheels were of materials the strongest and the best, And two were named the North and South and two the East and West. CHORUS. And two the East and West, &c. 3 Now the Old Union wagon the Nations all admired, Her wheels had run for four-score years, and never once been tired, Her passengers were happy as long the way she whirled, And the Old Union wagon was the glory of the world. CHORUS. The glory of the world, &c. 4 But when our Abraham took command the south wheel got displaced, Because the "public fat" was gone that kept its axle greased, And when he gathered up the reins and started on his route She plunged into secession and knocked some "fellers" out. CHORUS. And knocked some "fellers" out, &c. 5 Now while in this secession mine the wheel was sticking tightly, Some tory passengers got mad and cursed the driver slightly But Abram "couldent see it" so he didn't heed their clatter, There's too much black mud on the wheels "That what's the matter." CHORUS. "That's what's the matter," & c. 6 Around our Union wagon with strong arms to the wheel A million soldiers rally with hearts as true as steel; And of all the generals high or low, that helped them save the nation, There's none like general U.S. Grant and general Emancipation. CHORUS. And general Emancipation, &c. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301120 276172230 Title A name given to the resource The Union Wagon Description An account of the resource The Hutchinson Family was one of the most popular American singing groups of the nineteeth century. By the 1860s, the singers split into separate groups or "tribes" headed by two of the original four brothers. This song praises the victory of the Union from secession to the war's end. It honors Lincoln, Union soliders, Ulysses S. Grant, and Emanciptation. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Grant, Ulysses S. (Ulysses Simpson) 1822-1885 Slaves --Emancipation Hutchinson, J. J. (Judson, Joseph) 1817-1865 Sheet music American Civil War ( 1861-1865) Hutchinson family Hutchinson, Asa B. (Asa Burnham), 1823-1884 Creator An entity primarily responsible for making the resource Hutchinson, J. J. (Judson Joseph) and Hutchinson, Asa Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1866 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Union Wagon Music by Judson and ASA as sung by the Hutchinson Family. Tribe of ASA. 3 Boston. Published by Oliver Ditson & Co. 277 Washington St. Cinn. J. Church Jr. N York W.A Fond's Chicago Lyon & Healy Boston J.C. Haynes & Co. Phil. G.W.A. Trumpher <hr /> THE UNION WAGON. SONG & CHORUS. In Uncle Sam's dominions in eighteen sixty-one, The fight between secession and the Union was begun, The South declared they'd have the rights that Uncle Sam denied, Or in secession's wagon they'd all take a ride. <hr /> CHORUS. All take a ride, All take a ride, Or All take a ride, all take a ride, Or in secession's wagon they'd all take a ride. in secession's wagon they'd all take a ride. <hr /> 2 The makers of our wagon were men of solid wit, They made it out of Charter Oak that wouldent rot or split, Its wheels were of materials the strongest and the best, And two were named the North and South and two the East and West. CHORUS. And two the East and West, &c. 3 Now the Old Union wagon the Nations all admired, Her wheels had run for four-score years, and never once been tired, Her passengers were happy as long the way she whirled, And the Old Union wagon was the glory of the world. CHORUS. The glory of the world, &c. 4 But when our Abraham took command the south wheel got displaced, Because the "public fat" was gone that kept its axle greased, And when he gathered up the reins and started on his route She plunged into secession and knocked some "fellers" out. CHORUS. And knocked some "fellers" out, &c. 5 Now while in this secession mine the wheel was sticking tightly, Some tory passengers got mad and cursed the driver slightly But Abram "couldent see it" so he didn't heed their clatter, There's too much black mud on the wheels "That what's the matter." CHORUS. "That's what's the matter," & c. 6 Around our Union wagon with strong arms to the wheel A million soldiers rally with hearts as true as steel; And of all the generals high or low, that helped them save the nation, There's none like general U.S. Grant and general Emancipation. CHORUS. And general Emancipation, &c. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/a0c3c32b479429c6de3da01ce1115ea9.pdf b2597eacb26326dd0d5874539bc6ba4d Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNION MARCH As performed by the U.S. Marine Band at the Inauguration of President Lincoln March 4, 1861 Composed and respectfully dedicated to Mrs. President Lincoln by F. Scala. Band Master. Boston Published by Oliver Ditson & Co 277 Washington St. Firth, Pond & Co. N York. J. Church, Jr. Cinn. Beck and Lawton Philada. W. G. Metzerott. Washington <hr /> 3 UNION MARCH. F. Scala Tempo di Marcia [sheet music] <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301119 467313170 Title A name given to the resource Union March Description An account of the resource "As performed by the U. S. Marine Band at the inauguration of President Lincoln, March 4, 1861 Composed and dedicated to Mrs. Lincoln" Subject The topic of the resource Lincoln, Abraham, 1809-1865 Lincoln, Mary Todd, 1818-1882 Scala, F. (Francis, Maria) Sheet music Presidents--Inauguration Marches (Band) United States Marine Band Creator An entity primarily responsible for making the resource Scala, F. (Francis Maria ) Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNION MARCH As performed by the U.S. Marine Band at the Inauguration of President Lincoln March 4, 1861 Composed and respectfully dedicated to Mrs. President Lincoln by F. Scala. Band Master. Boston Published by Oliver Ditson & Co 277 Washington St. Firth, Pond & Co. N York. J. Church, Jr. Cinn. Beck and Lawton Philada. W. G. Metzerott. Washington <hr /> 3 UNION MARCH. F. Scala Tempo di Marcia [sheet music] <hr /> 4 [sheet music] <hr /> 5 [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/3ef9eaaa784775d5232c2c5b72b53aa2.pdf d3b6be190315fba36c53522eb24f5d1b Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNCLE ABRAM, BULLY FOR YOU! SONG AND CHORUS BY G.R. LAMPARD CHICAGO: Published by H. M. Higgins, 117 Randolph St. Entered according to Act of Congress, A. D., 1862, by H. M. Higgins, in the Clerks office of the District Court for the Northern District of Illinois <hr /> UNCLE ABRAM, BULLY FOR YOU! Words by J. SMITH JR. Music by G. R. LAMPARD. PIANO FORTE. [lyrics follow] 1. Ho! the glo - rious Proc - la - ma - tion, Sound - ing grand - ly o'er the land; Speak - ing to a joy - ful na - tion Of her Ju - bi - lee at hand! Sound - ing to the nig - ger driv - ers, Like the Judg - ment tem - pest's blast, For our Un - cle A - bra'm's "dander" is com - plete - ly "ris" at last. 2. How the reb - el hordes ske - dad - dle From Mc - Clel - Lan's le - gions brave! Swift their pi - rate craft will pad - dle Up Salt Riv -er's wind - ing wave. Wo'nt the cloud of wrath grow big - ger, Wo'nt they miss the pork and corn, When the ev - er - last - ing nigger From their wood - pile shall be torn? 3. Tex - as calls to Car - o -li - na, Pale with rage and faint with fear; Beat the ban - jo, Pomp and Di - nah, King - dom Come is al - most here. Now, be - fore our grow - ing vig - or, Blood - y Trea - son cow'rs and quails, Three times three, and add a "tiger," for the Split -ter of the Rails! Entered according to Act of Congress, A. D., 1862, by H. M. Higgins, in the Clerk's Office of the District Court for the Northern District of Illinois <hr /> <hr /> CHORUS. AIR. Give 'em Jes - ie, Un - cle A-bra'm, Put the reb - el scoun - drels through! ALTO. TENOR. Give 'em Jes - ie, Un - cle A-bra'm, Put the reb - el scoun - drels through! BASE. PIANO. Hear the na - tion shout the cho - rus--"Un - cle A - bra'm, bully for you!" First time. "Bully for you!" Second time. [AIR] Hear the na - tion shout the cho - rus--"Un - cle A - bra'm, bully for you!" First time. "Bully for you!" Second time. [TENOR] <hr /> THE BEST SONG-BOOK PUBLISHED. THE FESTIVAL CHIMES. A Collection of Secular and Sacred Music, consisting of Part I.---The Practical Singing Class. Part II.---Glees, Opera Choruses, and Quartettes. Part III.---Anthems, Hymn Tunes, and Chants. Designed especially for Elemental and Advanced Classes, and Musical Festivals. BY S. WESLEY MARTIN. The rudimental part of this work differs from all others by its completeness of details, and by the judicious blending of the practice of the voice with beautiful melody and harmony. The vocal collections embrace only copy-righted pieces, which no one but the Publisher of this work has a right to issue. Nearly all the song and hymn books published are filled with music that no one ever sings, and are put in simply to fill the book, in order that it may appear as large as possible for the price. We can confidently state that there is not one page in the book but what is useful, instructive, and beautiful in harmony and melody. We want it to become the book for all classes, and have spared neither time nor expense in the compilation of this work. Price, $1,00 per Copy.---$9,00 a Dozen. 1 sample copy will be sent post-paid to any teacher of vocal music, on receipt of fifty cents. The Publisher hereby would add, that, being the oldest Music House in Chicago, and owning by far the largest number of copy-righted pieces, (some of which have had immense sales,) his facilities are so great as to enable him to fill all orders for any publication in the United States. Mr. J. P. Webster, the unrivaled song writer, is engaged by the publisher to compose for him exclusively for a number of years. The name of the celebrated Composer is always a guarantee of the intrinsic beauty and excellence of a song. We shall hereafter import our STRINGS direct from Europe, And can offer greater inducements in that article, as regards price and quality, than any other importing house. OUR STOCK OF PIANOS, MELODEONS, INSTRUMENTS, AND MUSICAL MERCHANDISE, Will be found very complete. All orders by mail punctually attended to. Address, H. M. HIGGINS, 117 Randolph Street, CHICAGO. No matter where you see a piece of Music advertised, by writing to us, enclosing the marked price, we will mail it postage free to any address. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301118 180875130 Title A name given to the resource Uncle Abram, Bully for You! Description An account of the resource Song depicts slaves singing in praise of the Union, Lincoln, and ultimate emancipation. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Lampard, G. R. Smith, J. Jr. Sheet music" American Civil War Creator An entity primarily responsible for making the resource Lampard, G. R. and Smith, J. Jr. Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. UNCLE ABRAM, BULLY FOR YOU! SONG AND CHORUS BY G.R. LAMPARD CHICAGO: Published by H. M. Higgins, 117 Randolph St. Entered according to Act of Congress, A. D., 1862, by H. M. Higgins, in the Clerks office of the District Court for the Northern District of Illinois <hr /> UNCLE ABRAM, BULLY FOR YOU! Words by J. SMITH JR. Music by G. R. LAMPARD. PIANO FORTE. [lyrics follow] 1. Ho! the glo - rious Proc - la - ma - tion, Sound - ing grand - ly o'er the land; Speak - ing to a joy - ful na - tion Of her Ju - bi - lee at hand! Sound - ing to the nig - ger driv - ers, Like the Judg - ment tem - pest's blast, For our Un - cle A - bra'm's "dander" is com - plete - ly "ris" at last. 2. How the reb - el hordes ske - dad - dle From Mc - Clel - Lan's le - gions brave! Swift their pi - rate craft will pad - dle Up Salt Riv -er's wind - ing wave. Wo'nt the cloud of wrath grow big - ger, Wo'nt they miss the pork and corn, When the ev - er - last - ing nigger From their wood - pile shall be torn? 3. Tex - as calls to Car - o -li - na, Pale with rage and faint with fear; Beat the ban - jo, Pomp and Di - nah, King - dom Come is al - most here. Now, be - fore our grow - ing vig - or, Blood - y Trea - son cow'rs and quails, Three times three, and add a "tiger," for the Split -ter of the Rails! Entered according to Act of Congress, A. D., 1862, by H. M. Higgins, in the Clerk's Office of the District Court for the Northern District of Illinois <hr /> <hr /> CHORUS. AIR. Give 'em Jes - ie, Un - cle A-bra'm, Put the reb - el scoun - drels through! ALTO. TENOR. Give 'em Jes - ie, Un - cle A-bra'm, Put the reb - el scoun - drels through! BASE. PIANO. Hear the na - tion shout the cho - rus--"Un - cle A - bra'm, bully for you!" First time. "Bully for you!" Second time. [AIR] Hear the na - tion shout the cho - rus--"Un - cle A - bra'm, bully for you!" First time. "Bully for you!" Second time. [TENOR] <hr /> THE BEST SONG-BOOK PUBLISHED. THE FESTIVAL CHIMES. A Collection of Secular and Sacred Music, consisting of Part I.---The Practical Singing Class. Part II.---Glees, Opera Choruses, and Quartettes. Part III.---Anthems, Hymn Tunes, and Chants. Designed especially for Elemental and Advanced Classes, and Musical Festivals. BY S. WESLEY MARTIN. The rudimental part of this work differs from all others by its completeness of details, and by the judicious blending of the practice of the voice with beautiful melody and harmony. The vocal collections embrace only copy-righted pieces, which no one but the Publisher of this work has a right to issue. Nearly all the song and hymn books published are filled with music that no one ever sings, and are put in simply to fill the book, in order that it may appear as large as possible for the price. We can confidently state that there is not one page in the book but what is useful, instructive, and beautiful in harmony and melody. We want it to become the book for all classes, and have spared neither time nor expense in the compilation of this work. Price, $1,00 per Copy.---$9,00 a Dozen. 1 sample copy will be sent post-paid to any teacher of vocal music, on receipt of fifty cents. The Publisher hereby would add, that, being the oldest Music House in Chicago, and owning by far the largest number of copy-righted pieces, (some of which have had immense sales,) his facilities are so great as to enable him to fill all orders for any publication in the United States. Mr. J. P. Webster, the unrivaled song writer, is engaged by the publisher to compose for him exclusively for a number of years. The name of the celebrated Composer is always a guarantee of the intrinsic beauty and excellence of a song. We shall hereafter import our STRINGS direct from Europe, And can offer greater inducements in that article, as regards price and quality, than any other importing house. OUR STOCK OF PIANOS, MELODEONS, INSTRUMENTS, AND MUSICAL MERCHANDISE, Will be found very complete. All orders by mail punctually attended to. Address, H. M. HIGGINS, 117 Randolph Street, CHICAGO. No matter where you see a piece of Music advertised, by writing to us, enclosing the marked price, we will mail it postage free to any address. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/6fd62e870fdd4f27b21c2cbbf0976aa8.pdf 5c5a774d2c2aa48e38093bc5fa5ad5ed Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Compliments of The Authors [handwritten] 25 Prize Songs Thou art so near and yet so far 3 1/2 Lo, Offer Thee this hand 2 1/2 Where are the Friends of my Youth... Origin of the Harp... Uncle Abe's Rebellious Boys... Do they think of me at home 2 1/2 John Anderson My Jo... Oh Charming May... Bonnie Dun Dee... Chicago. Published by H.M. Higgins 117 Randolph St. <hr /> Most cordially dedicated to Dr. E.G. Leach, of Boston, Mass. 3 "Uncle Abe" and the Rebellious Boys. A humorous Chant. Poetry (?) and Music by T.M. Watson. of the Continental Vocalists. Tenor. When "Uncle Abe" took a four years lease of "Uncle Sam's Farm", he found a host of rebellious boys on the trees stealing apples, Alto. Air. When "Uncle Abe" took a four years lease of "Uncle Sam's Farm", he found a host of rebellious boys on the trees stealing apples, Bass. Seeing the injury they were doing, he most respectfully requested them to come down; Seeing the injury they were doing, he most respectfully requested them to come down; Entered according to Act of Congress A.D. 1863 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. <hr /> 4 Upon hearing his solicitation, the saucy blockheads told him plainly they would not. Upon hearing his solicitation, the saucy blockheads told him plainly they would not. So without taking off his white kid gloves, he commenced throwing at them a quantity of turf and grass; (Spoken. Woht you, said "Uncle Abe?" then I'll make you come down.) So without taking off his white kid gloves he commenced throwing at them a quantity of turf and grass; This only made the rebels laugh, to that that "Uncle Abe" should pretend to frighten them down with grass only. This only made the rebels laugh, to think that "Uncle Abe" should pretend to frighten them down with grass only. "Uncle Abe" and the rebellious boys. <hr /> 5 I must try what virtue there is in stones. (Spoken. Well! Well! confound you, said "Uncle Abe," if neither words nor grass will do;) I must try what virtue there is in stones. so he has taken off his white kid gloves, and is going to pelt them hertily with tones, until the rascals hasten down from the trees and beg the old man's pardon. If mild words, and gentle means, fail to reclaim So he has taken off his white kid gloves, and is going to pelt them hertily with stones, until the rascals hasten down from the trees and beg the old man's pardon. If mild words, and gentle means, fail to reclaim the wicked, They must be dealt with in a more severe manner. the wicked, They must be dealt with in a more severe manner. "Uncle Abe" and the rebellious boys. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301117 426058633 Title A name given to the resource "Uncle Abe" and the Rebellious Boys Description An account of the resource Although only one song is presented here, the sheet music cover advertises "25 Prize Songs," including what it lists as "Uncle Abe's Rebellious Boys." The song makes fun of the secessionist states, comparing them to naughty little boys. Subject The topic of the resource Lincoln, Abraham,1809-1865 Watson T. M. (Thomas Maclachlan) Sheet music American Civil War, (1861-1865) Humorus songs Creator An entity primarily responsible for making the resource T. M. ( Thomas Maclachlan) Watson Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1863 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Compliments of The Authors [handwritten] 25 Prize Songs Thou art so near and yet so far 3 1/2 Lo, Offer Thee this hand 2 1/2 Where are the Friends of my Youth... Origin of the Harp... Uncle Abe's Rebellious Boys... Do they think of me at home 2 1/2 John Anderson My Jo... Oh Charming May... Bonnie Dun Dee... Chicago. Published by H.M. Higgins 117 Randolph St. <hr /> Most cordially dedicated to Dr. E.G. Leach, of Boston, Mass. 3 "Uncle Abe" and the Rebellious Boys. A humorous Chant. Poetry (?) and Music by T.M. Watson. of the Continental Vocalists. Tenor. When "Uncle Abe" took a four years lease of "Uncle Sam's Farm", he found a host of rebellious boys on the trees stealing apples, Alto. Air. When "Uncle Abe" took a four years lease of "Uncle Sam's Farm", he found a host of rebellious boys on the trees stealing apples, Bass. Seeing the injury they were doing, he most respectfully requested them to come down; Seeing the injury they were doing, he most respectfully requested them to come down; Entered according to Act of Congress A.D. 1863 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. <hr /> 4 Upon hearing his solicitation, the saucy blockheads told him plainly they would not. Upon hearing his solicitation, the saucy blockheads told him plainly they would not. So without taking off his white kid gloves, he commenced throwing at them a quantity of turf and grass; (Spoken. Woht you, said "Uncle Abe?" then I'll make you come down.) So without taking off his white kid gloves he commenced throwing at them a quantity of turf and grass; This only made the rebels laugh, to that that "Uncle Abe" should pretend to frighten them down with grass only. This only made the rebels laugh, to think that "Uncle Abe" should pretend to frighten them down with grass only. "Uncle Abe" and the rebellious boys. <hr /> 5 I must try what virtue there is in stones. (Spoken. Well! Well! confound you, said "Uncle Abe," if neither words nor grass will do;) I must try what virtue there is in stones. so he has taken off his white kid gloves, and is going to pelt them hertily with tones, until the rascals hasten down from the trees and beg the old man's pardon. If mild words, and gentle means, fail to reclaim So he has taken off his white kid gloves, and is going to pelt them hertily with stones, until the rascals hasten down from the trees and beg the old man's pardon. If mild words, and gentle means, fail to reclaim the wicked, They must be dealt with in a more severe manner. the wicked, They must be dealt with in a more severe manner. "Uncle Abe" and the rebellious boys. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/79291bbb978b4e193a77621b75606647.pdf 263db9a89684a48875ab9f8d96fc47ad Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE. AS SUNG BY EDWIN KELLEY, OF ARLINGTON KELLEY & LEON'S MINSTRELS. Song and Chorus. BY GEO. F. ROOT. Published by Root & Cady, 67 Washington St. CHICAGO. Entered according to Act of Congress, A. D. 1851 by Ross & Cady, in the Clerk's Office of the District Courtfor the Northern District of Illinois <hr /> ROOT & CADY. CABINET ORGANS. CONGRATULATE you on the introduction of a new mu- sical instrument, long wanted, and sure to find its way into every household of taste and refinement. L. M. GETTINCHAIN. A very efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. NEW YORK EXAMINER. BEST of their class of which we have any knowledge. MORE THAN TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior in everything of kind I have seen, whether in Europe or America. Gen. Wa???quine Morgan. NEVER have seen anything of the kind which interested me so much. GEORGE F. ROOT. EXCEEDS in my estimation every other instrument of this general class. THOMAS HART???N. THE favorable testimony of nearly every organist or pia- nist of note in this country, together with that of cer- tain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER . REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. IRENACS. AS compared with Melodeona, Harmoniums, ?c, the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. WILLIAM MASON. NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American. JOHN ZUNDEL. Made only by MASON & HAMLIN, Boston. In Plain or elegant Cases, with one to twelve Stops. LATE INSTRUMENTAL MUSIC. SOPHIA POLKA......................Wimmerstedt. 23 WARBLING OF THE BIRDS,........ " 50 LONGING FOR THE SHORE,........ " 50 EVENING BELLS,..................... " 60 SHARP-SHOOTERS' MARCH,...... " 25 SHABONA SCHOTTISCH,...........Minkler. 25 DESMOINES CITY WALTZ,.........Lehman. 50 ST. PAUL WALTZ,....................Vaas. 30 GRAND MARCH,......................Faust. 30 LITTLE DRUMMER BOY'S MARCH, <pre> .................................Merz. 25 </pre> CZAAR & ZIMMERMAN,...........Baumbach 75 POT POURRI,........................Faust 75 COQUETTE POLKA,................D'Albert. 25 Published by ROOT and CADY, 95 Clark St. <pre> CHICAGO. </pre> GENERAL AGENTS FOR THE NORTH--WEST. <hr /> <pre> TRAMP! TRAMP! TRAMP! </pre> (THE PRISONER'S HOPE.) Tempo di Marcia Words and Music By GEO. F. ROOT. PIANO. (two lines of music) 1. In the pris-on cell I sit, Thinking Moth-er dear, of you, And our 2. In the bat-tle front we stood When their fierc-est charge they made, And they 3. So with-in the pris-on cell, We are wait-ing for the day That shall (music) bright and hap-py home so far a-way, And the tears they fill my eyes Spite of swept us off a hun-dred men or more, But be-fore we reach'd their lines They were come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the (music) <hr /> 4. all that I can do, Tho' I try to cheer my com-rades and be gay. beat-en back dismayed, And we heard the cry of vict-'ry o'er and o'er. poor heart almost gay, As we think of see-ing home and friends once more. (2 lines music) When the Chorus is sung, this may be omitted after the first verse. Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, (2 lines of music) When the Chorus is not sung, end here. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. (2 lines of music) <hr /> CHORUS. Air Tramp, tramp, tramp the boys are march-ing, Cheer up comrades they will come. Alto Tramp, tramp, tramp, the boys are march-ing on, O cheer up comrades they will come, And be- Tenor Tramp, tramp, tramp, the boys are marchi-ing, on, O cheer up com-rades they will come, And be- (2 lines of music) neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. (2 lines of music) <hr /> A NEW METHOD FOR THE PIANO-FORTE. 240 pp. Royal Quarto THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied wit it, viz; the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well as the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that those things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> the whole book may be divided into </pre> tow kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and with which are imparted a knowledge of time, tone and expression, (Rhythmics, Melod- ies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, peices, songs, etudes, solfeggios, etc., while those which are simply for the de- velopment nd strengthening of the mus- cles of the fingers, hands, and vocal or- gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution, for their popularity. These lessons are called TECHNICS, and embrace five fin- ger exercises, scales, arpeggios, and miscel- laneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: <pre>Instrumental exercises of reading music, the acquire- </pre> <pre> ment of musical knowledge, and the culturation of </pre> <pre> the tastes, numbered, but bearing no other names than the topics they illustrate and teach ..............224 </pre> Vocal exercises and solfeggios for similar purposes......48 TECHNICS..........................................................419 <pre> Divided as follows--Five Finger Exercises................ 78 </pre> <pre> Scales, Major and Minor.................115 </pre> <pre> Arpeggios, Major and Minor.............146 Vocal...........................................45 </pre> <pre> Miscellaneous................................35 </pre> Piano lessons that may be played as duets and trios...44 Chromatic exercises..............................................21 Songs.................................................................39 Exercises in Thorough Base.....................................24 Pieces for the Piano...............................................43 Of the foregoing numbers, are used for the study of <pre> transposition......................................................120 </pre> These, when played according to direction, increase <pre> the lessons in the book to...................................1485 </pre> PRICE $4.50. Sent, postpaid, on receipt of the marked price. <pre> To those who would like to have an oppor- </pre> tunity of examing this book before pur- chasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give n idea of its gen- eral appearance, as well as some description of its plan and contents. ROOT & CADY CHICAGO. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301116 9677643 Title A name given to the resource Tramp! Tramp! Tramp! Description An account of the resource Also known as "The Prisoner's Hope," a song from the perspective of a Union soldier in a Confederate prisoner of war camp. Cover depicts a small picture entitled "The Vacant Chair," showing a family seated around a dinner table with one empty chair. The imagery of the vacant chair was an important symbol of a soldier's absence from his family, in both the North and South. Composer George F. Root wrote music to accompany the song, "The Vacant Chair," which became one of the most popular songs of the Civil War. Subject The topic of the resource Root, George F. (George Frederick), 1820-1895 Sheet music American Civil War, 1861-1865 War--Songs and music Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE. AS SUNG BY EDWIN KELLEY, OF ARLINGTON KELLEY & LEON'S MINSTRELS. Song and Chorus. BY GEO. F. ROOT. Published by Root & Cady, 67 Washington St. CHICAGO. Entered according to Act of Congress, A. D. 1851 by Ross & Cady, in the Clerk's Office of the District Courtfor the Northern District of Illinois <hr /> ROOT & CADY. CABINET ORGANS. CONGRATULATE you on the introduction of a new mu- sical instrument, long wanted, and sure to find its way into every household of taste and refinement. L. M. GETTINCHAIN. A very efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. NEW YORK EXAMINER. BEST of their class of which we have any knowledge. MORE THAN TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior in everything of kind I have seen, whether in Europe or America. Gen. Wa???quine Morgan. NEVER have seen anything of the kind which interested me so much. GEORGE F. ROOT. EXCEEDS in my estimation every other instrument of this general class. THOMAS HART???N. THE favorable testimony of nearly every organist or pia- nist of note in this country, together with that of cer- tain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER . REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. IRENACS. AS compared with Melodeona, Harmoniums, ?c, the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. WILLIAM MASON. NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American. JOHN ZUNDEL. Made only by MASON & HAMLIN, Boston. In Plain or elegant Cases, with one to twelve Stops. LATE INSTRUMENTAL MUSIC. SOPHIA POLKA......................Wimmerstedt. 23 WARBLING OF THE BIRDS,........ " 50 LONGING FOR THE SHORE,........ " 50 EVENING BELLS,..................... " 60 SHARP-SHOOTERS' MARCH,...... " 25 SHABONA SCHOTTISCH,...........Minkler. 25 DESMOINES CITY WALTZ,.........Lehman. 50 ST. PAUL WALTZ,....................Vaas. 30 GRAND MARCH,......................Faust. 30 LITTLE DRUMMER BOY'S MARCH, <pre> .................................Merz. 25 </pre> CZAAR & ZIMMERMAN,...........Baumbach 75 POT POURRI,........................Faust 75 COQUETTE POLKA,................D'Albert. 25 Published by ROOT and CADY, 95 Clark St. <pre> CHICAGO. </pre> GENERAL AGENTS FOR THE NORTH--WEST. <hr /> <pre> TRAMP! TRAMP! TRAMP! </pre> (THE PRISONER'S HOPE.) Tempo di Marcia Words and Music By GEO. F. ROOT. PIANO. (two lines of music) 1. In the pris-on cell I sit, Thinking Moth-er dear, of you, And our 2. In the bat-tle front we stood When their fierc-est charge they made, And they 3. So with-in the pris-on cell, We are wait-ing for the day That shall (music) bright and hap-py home so far a-way, And the tears they fill my eyes Spite of swept us off a hun-dred men or more, But be-fore we reach'd their lines They were come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the (music) <hr /> 4. all that I can do, Tho' I try to cheer my com-rades and be gay. beat-en back dismayed, And we heard the cry of vict-'ry o'er and o'er. poor heart almost gay, As we think of see-ing home and friends once more. (2 lines music) When the Chorus is sung, this may be omitted after the first verse. Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, (2 lines of music) When the Chorus is not sung, end here. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. (2 lines of music) <hr /> CHORUS. Air Tramp, tramp, tramp the boys are march-ing, Cheer up comrades they will come. Alto Tramp, tramp, tramp, the boys are march-ing on, O cheer up comrades they will come, And be- Tenor Tramp, tramp, tramp, the boys are marchi-ing, on, O cheer up com-rades they will come, And be- (2 lines of music) neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. (2 lines of music) <hr /> A NEW METHOD FOR THE PIANO-FORTE. 240 pp. Royal Quarto THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied wit it, viz; the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well as the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that those things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> the whole book may be divided into </pre> tow kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and with which are imparted a knowledge of time, tone and expression, (Rhythmics, Melod- ies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, peices, songs, etudes, solfeggios, etc., while those which are simply for the de- velopment nd strengthening of the mus- cles of the fingers, hands, and vocal or- gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution, for their popularity. These lessons are called TECHNICS, and embrace five fin- ger exercises, scales, arpeggios, and miscel- laneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: <pre>Instrumental exercises of reading music, the acquire- </pre> <pre> ment of musical knowledge, and the culturation of </pre> <pre> the tastes, numbered, but bearing no other names than the topics they illustrate and teach ..............224 </pre> Vocal exercises and solfeggios for similar purposes......48 TECHNICS..........................................................419 <pre> Divided as follows--Five Finger Exercises................ 78 </pre> <pre> Scales, Major and Minor.................115 </pre> <pre> Arpeggios, Major and Minor.............146 Vocal...........................................45 </pre> <pre> Miscellaneous................................35 </pre> Piano lessons that may be played as duets and trios...44 Chromatic exercises..............................................21 Songs.................................................................39 Exercises in Thorough Base.....................................24 Pieces for the Piano...............................................43 Of the foregoing numbers, are used for the study of <pre> transposition......................................................120 </pre> These, when played according to direction, increase <pre> the lessons in the book to...................................1485 </pre> PRICE $4.50. Sent, postpaid, on receipt of the marked price. <pre> To those who would like to have an oppor- </pre> tunity of examing this book before pur- chasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give n idea of its gen- eral appearance, as well as some description of its plan and contents. ROOT & CADY CHICAGO. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/81e30de3330701e097eb3655a4bc40ff.pdf 828d24e1c263265d0743c00dcb69dedc Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TOLL THE BELL MOURNFULLY. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, toll the bell low, The Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace then place in his hand. Toll the bell mournfully, &c. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN, BY C. EVEREST. PHILADELPHIA: Published by Lee & Walker, 722 Chestnut St. <hr /> 3 TOLL THE BELL MOURNFULLY. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN. BY C. EVEREST. Andante. voice. piano. Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn. <hr /> 4 1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. " 4. " Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace Then Place on his breast a wreath of sweet flowers, Gather'd with care Take him with care away to his rest, Where naught shall disturb the High on his tomb the Banner unfold, Sculpture his name in <hr /> 4 1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. " 4. " Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace Then Place on his breast a wreath of sweet flowers, Gather'd with care Take him with care away to his rest, Where naught shall disturb the High on his tomb the Banner unfold, Sculpture his name in <hr /> NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE & WALKER. ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I died for my country." Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar. NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad is my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief: it has reached one hundredth thousand, and the demand is in no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys, -- viz.: B flat, A flat, and G,--and also for Guitar. THE MOTHER'S REPLY To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child will 'rock thee to sleep.' " A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar. NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. Everest. Price, 30 cents. "Never despond! Joys are for thee; Time will reveal them, though hidden they be: Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment. BEAUTIFUL DAISIES, BRIGHT GEMS OF THE EARTH! Song with chorus. Words and Music composed by J. S. C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar. THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music by B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!" "Oh, would there were some kind one Who, on the Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one To grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this one worthy of his reputation. TREAD LIGHTLY WHERE THE HERO SLEEPS. Words and Music composed by D.W. Belisle. Price, 30 cents. "Tread lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on." A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song. SHALL WE MEET AGAIN! Song and chorus. Written and composed by C. Everest. Price, 30 cents. "Ever since form me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing, Shall we meet again?" Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business special attention is given. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301115 51965100 Title A name given to the resource Toll The Bell Mournfully Description An account of the resource Cover depicts a picture of Abraham Lincoln, with words of the song printed on front. Description under title, "Written and Composed on the death of President Abraham Lincoln." Subject The topic of the resource Lincoln, Abraham, 1809-1865 Everest, C. Sheet music Death--Songs and music Creator An entity primarily responsible for making the resource Everest, C. Contributor An entity responsible for making contributions to the resource Lee & Walker Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TOLL THE BELL MOURNFULLY. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, toll the bell low, The Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace then place in his hand. Toll the bell mournfully, &c. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN, BY C. EVEREST. PHILADELPHIA: Published by Lee & Walker, 722 Chestnut St. <hr /> 3 TOLL THE BELL MOURNFULLY. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN. BY C. EVEREST. Andante. voice. piano. Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn. <hr /> 4 1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. " 4. " Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace Then Place on his breast a wreath of sweet flowers, Gather'd with care Take him with care away to his rest, Where naught shall disturb the High on his tomb the Banner unfold, Sculpture his name in <hr /> 4 1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. " 4. " Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace Then Place on his breast a wreath of sweet flowers, Gather'd with care Take him with care away to his rest, Where naught shall disturb the High on his tomb the Banner unfold, Sculpture his name in <hr /> NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE & WALKER. ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I died for my country." Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar. NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad is my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief: it has reached one hundredth thousand, and the demand is in no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys, -- viz.: B flat, A flat, and G,--and also for Guitar. THE MOTHER'S REPLY To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child will 'rock thee to sleep.' " A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar. NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. Everest. Price, 30 cents. "Never despond! Joys are for thee; Time will reveal them, though hidden they be: Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment. BEAUTIFUL DAISIES, BRIGHT GEMS OF THE EARTH! Song with chorus. Words and Music composed by J. S. C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar. THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music by B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!" "Oh, would there were some kind one Who, on the Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one To grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this one worthy of his reputation. TREAD LIGHTLY WHERE THE HERO SLEEPS. Words and Music composed by D.W. Belisle. Price, 30 cents. "Tread lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on." A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song. SHALL WE MEET AGAIN! Song and chorus. Written and composed by C. Everest. Price, 30 cents. "Ever since form me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing, Shall we meet again?" Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business special attention is given. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/1a2babf3de0062afe87fad16511c89c2.pdf d9e5bf6704909d3624cc0af8949bb449 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Dedicated to His Excellency, Abraham Lincoln, President of the United States TO ARMS! Freemen to Arms! Patriotic Song. Words by Dr. J. H. Sullivan, Jr. Music by Giovanni Sconcia. Price 25 Cts. Boston: Published by Russell & Patee, No. 106 Tremont Street. Entered according to Act of Congress, in the year 1862, by White Bros., in the Clerk's office of the District Court of the District of Massachusetts. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301114 276172278 Title A name given to the resource To Arms, Freeman To Arms Description An account of the resource Cover reads, "Dedicated to his excellency Abraham Lincoln, President of the United States. A Patriotic song." The song calls on all free men to rally to the Union cause. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Sconcia, Giovanni Sullivan, J. H. Jr. Sheet music American Civil War (1861-1865) Patriotic music Creator An entity primarily responsible for making the resource Sconcia, Giovanni and Sullivan, J. H. jr. Contributor An entity responsible for making contributions to the resource Russell & Patee Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Dedicated to His Excellency, Abraham Lincoln, President of the United States TO ARMS! Freemen to Arms! Patriotic Song. Words by Dr. J. H. Sullivan, Jr. Music by Giovanni Sconcia. Price 25 Cts. Boston: Published by Russell & Patee, No. 106 Tremont Street. Entered according to Act of Congress, in the year 1862, by White Bros., in the Clerk's office of the District Court of the District of Massachusetts. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/3e481cb802989c222a93131940c096e7.pdf 12bc2fbce1aaac2fcf160b981f873a29 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. 'TIS FINISHED! OR SING HALLELUJAH. SONG AND CHORUS. Words and Music by HENRY C. WORK. CHICAGO: Published by ROOT & CADY, 67 Washington Street. Eastern Agency--Wm. B. Bradbury, 425 Broome St., New York. Entered, according to Act of Congress, in the year 1865, by Root & Cady, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> ROOT & CADY. CABINET ORGANS. Congratulate you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement. L.M. Gottschalk. A Very efficient church organ, brought within a small [compass?], not easy to get out of order, and sold at a low price. New York Examiner. Best of their class of which we have knowledge. More than Two Hundred Expert Organists In every respect far superior to everything of the kind I have seen, whether in Europe or America. Gen. Washington Morgan. Never have seen anything of the kind which interested me as much. George F. Root. Exceeds in my estimation every other instrument of this general class. [Thomas Hasters?] [Their?] favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World. Once hearing them will satisfy the most skeptical that they are just what the church has been waiting for. New York Observer. Really very effective and beautiful instruments. [Lowell Martin?] Grand accompaniment when the congregation sing. [Lancaster?] As compared with Melodeons, [Harpsichords?], &c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William [Manor?] Next to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. New York Musical Review. Surpasses everything in this line I have seen, whether French or American. John [unintelligible] Made only MASON & HAMLIN, Boston In plain or elegant cases, with one to twelve stops. Prices $ To$ LATE INSTRUMENTAL MUSIC. Sophia Polka, Wimmerstedt. 25 Warbling of the Birds, " 50 Longing for the Shore, " 50 Evening Bells, " 60 Sharp-Shooters' March, " 25 Shabona Schottisch, Minkler. 25 DesMoines City Waltz, Lehman. 50 St. Paul Waltz, Vaas. 30 Grand March, Faust. 30 Little Drummer Boy's March, Merz. 25 Czaar & Zimmermann, Baumbach. 75 Pot Pourri, Faust. 75 Coquette Polka, D'Albert. 25 Published by Root & Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST. <hr /> 'TIS FINISHED! or SING HALLELUJAH. Words and music by Henry C. Work. Moderato. Introduction 1. 'Tis finished! 'tis ended! The dread and awful task is done; Tho' 2. Ye joybells! ye peacebells! Oh never, never music rang, So 3. Come patriots! come freemen! Come join your every heart and voice; We've <hr /> 4 wounded and bleeding, 'tis ours to sing the vict'ry won, Our sweetly, so grandly, since angels in the advent sang, Your wept with the weeping--now let us with the blest rejoice, With nation is ransom'd--our enemies are overthrown And message is gladness to myriads of waiting souls, As armies of victors who round about the white throne stand--With now, now commences, the brightest era ever known. onward and worldward the happy, happy echo rolls. Lincoln, the Martyr and Liberator of his land. <hr /> 5 CHORUS Then sing hallelujah! sing hallelujah! Glory be to God on Then sing hallelujah! sing hallelujah! Glory be to God on Then sing hallelujah! sing hallelujah! Glory be to God on high! For the old flag with the white flag is hanging in the azure sky. high! For the old flag with the white flag is hanging in the azure sky. high! For the old flag with the white flag is hanging in the azure sky. <hr /> A NEW METHOD FOR THE PIANO-FORTE. THE MUSICAL CURRICULUM BY GEO. R. ROOT. This is emphatically a new book in a new field. It provides instruction and music, not only for the Piano-Forte, but also for the things that should be studied with it, viz: the Voice and Harmony--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapting the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progressive order. The whole book may be divided into two kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the muscles in the former, nor exercise for the musical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and which are imparted a knowledge of time, [tone?], and expression. (Rhythmics, Melodies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, [pieces?], [songs?] etudes and solfeggios, etc., while those which are simply for the development and strengthening of the muscles of the fingers, hands, and vocal organs, do not pretend to be pleasant or tuneful, but depend upon the benefits they confer in the way of flexibility and execution, for their popularity. These lessons are called Technics, and embrace five finger exercises, scales, arpeggios, and miscellaneous exercises of many kinds and forms. The contents of the book may be summed up as follows: Instrumental exercises for reading [unintelligible], the acquirement of musical knowledge and the cultivation of the taste; numbered but bearing no other names than the topics they illustrate and teach. 224 Vocal exercises and solfeggios for similar purposes 48 Technics 419 Divided as follows--Five Finger Exercises 78 Scales, Major and Minor 115 Arpeggios, Major and Minor 146 Vocal 45 Miscellaneous 35 Piano [unintelligible] that may be played as duets and trios 44 Chromatic exercises 21 Songs 39 Exercises in Thorough Base 21 Pieces for the Piano 43 Of the foregoing numbers, are used for the study of transposition 120 These when played according to directions, increase the lessons in the book to 1485 Price $4.50. Sent, postpaid, on receipt of the marked price. To those who would like to have an opportunity of examining this book before purchasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents. ROOT & CADY, CHICAGO. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301113 74490225 Title A name given to the resource Tis Finished Description An account of the resource Also entitled, "Sing Hallelujah," the song celebrates Union victory over the South and proclaims the martyrdom of Abraham Lincoln. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Work, Henry C. (Clay) 1832-1884 Sheet music American Civil War, (1861-1865) Creator An entity primarily responsible for making the resource Work, Hency C. (Clay) Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. 'TIS FINISHED! OR SING HALLELUJAH. SONG AND CHORUS. Words and Music by HENRY C. WORK. CHICAGO: Published by ROOT & CADY, 67 Washington Street. Eastern Agency--Wm. B. Bradbury, 425 Broome St., New York. Entered, according to Act of Congress, in the year 1865, by Root & Cady, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> ROOT & CADY. CABINET ORGANS. Congratulate you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement. L.M. Gottschalk. A Very efficient church organ, brought within a small [compass?], not easy to get out of order, and sold at a low price. New York Examiner. Best of their class of which we have knowledge. More than Two Hundred Expert Organists In every respect far superior to everything of the kind I have seen, whether in Europe or America. Gen. Washington Morgan. Never have seen anything of the kind which interested me as much. George F. Root. Exceeds in my estimation every other instrument of this general class. [Thomas Hasters?] [Their?] favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World. Once hearing them will satisfy the most skeptical that they are just what the church has been waiting for. New York Observer. Really very effective and beautiful instruments. [Lowell Martin?] Grand accompaniment when the congregation sing. [Lancaster?] As compared with Melodeons, [Harpsichords?], &c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William [Manor?] Next to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. New York Musical Review. Surpasses everything in this line I have seen, whether French or American. John [unintelligible] Made only MASON & HAMLIN, Boston In plain or elegant cases, with one to twelve stops. Prices $ To$ LATE INSTRUMENTAL MUSIC. Sophia Polka, Wimmerstedt. 25 Warbling of the Birds, " 50 Longing for the Shore, " 50 Evening Bells, " 60 Sharp-Shooters' March, " 25 Shabona Schottisch, Minkler. 25 DesMoines City Waltz, Lehman. 50 St. Paul Waltz, Vaas. 30 Grand March, Faust. 30 Little Drummer Boy's March, Merz. 25 Czaar & Zimmermann, Baumbach. 75 Pot Pourri, Faust. 75 Coquette Polka, D'Albert. 25 Published by Root & Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST. <hr /> 'TIS FINISHED! or SING HALLELUJAH. Words and music by Henry C. Work. Moderato. Introduction 1. 'Tis finished! 'tis ended! The dread and awful task is done; Tho' 2. Ye joybells! ye peacebells! Oh never, never music rang, So 3. Come patriots! come freemen! Come join your every heart and voice; We've <hr /> 4 wounded and bleeding, 'tis ours to sing the vict'ry won, Our sweetly, so grandly, since angels in the advent sang, Your wept with the weeping--now let us with the blest rejoice, With nation is ransom'd--our enemies are overthrown And message is gladness to myriads of waiting souls, As armies of victors who round about the white throne stand--With now, now commences, the brightest era ever known. onward and worldward the happy, happy echo rolls. Lincoln, the Martyr and Liberator of his land. <hr /> 5 CHORUS Then sing hallelujah! sing hallelujah! Glory be to God on Then sing hallelujah! sing hallelujah! Glory be to God on Then sing hallelujah! sing hallelujah! Glory be to God on high! For the old flag with the white flag is hanging in the azure sky. high! For the old flag with the white flag is hanging in the azure sky. high! For the old flag with the white flag is hanging in the azure sky. <hr /> A NEW METHOD FOR THE PIANO-FORTE. THE MUSICAL CURRICULUM BY GEO. R. ROOT. This is emphatically a new book in a new field. It provides instruction and music, not only for the Piano-Forte, but also for the things that should be studied with it, viz: the Voice and Harmony--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapting the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progressive order. The whole book may be divided into two kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the muscles in the former, nor exercise for the musical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and which are imparted a knowledge of time, [tone?], and expression. (Rhythmics, Melodies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, [pieces?], [songs?] etudes and solfeggios, etc., while those which are simply for the development and strengthening of the muscles of the fingers, hands, and vocal organs, do not pretend to be pleasant or tuneful, but depend upon the benefits they confer in the way of flexibility and execution, for their popularity. These lessons are called Technics, and embrace five finger exercises, scales, arpeggios, and miscellaneous exercises of many kinds and forms. The contents of the book may be summed up as follows: Instrumental exercises for reading [unintelligible], the acquirement of musical knowledge and the cultivation of the taste; numbered but bearing no other names than the topics they illustrate and teach. 224 Vocal exercises and solfeggios for similar purposes 48 Technics 419 Divided as follows--Five Finger Exercises 78 Scales, Major and Minor 115 Arpeggios, Major and Minor 146 Vocal 45 Miscellaneous 35 Piano [unintelligible] that may be played as duets and trios 44 Chromatic exercises 21 Songs 39 Exercises in Thorough Base 21 Pieces for the Piano 43 Of the foregoing numbers, are used for the study of transposition 120 These when played according to directions, increase the lessons in the book to 1485 Price $4.50. Sent, postpaid, on receipt of the marked price. To those who would like to have an opportunity of examining this book before purchasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents. ROOT & CADY, CHICAGO. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/4b34a787bc8ebdde98327124166e0bf4.pdf 0f80bb0efe4bbd2e9ace8a08b5c072f2 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Our Noble Chief has passed away Elegy on the death of Abraham Lincoln. Words by Geo. Cooper. Music By J.R. Thomas. New York Published by Wm. A. Pond & Co. 547 Broadway Boston Buffalo Chicago Rochester VT Milwaukee D. Ditson and Co. J.R. [Blosgett?] Root & Cady Jos. P. Shad H.N. Hempshed (Illegible) <hr /> 26505 ...3... Our Noble Chief Has Passed Away. Elegy on the death of Abraham Lincoln Words by Geo. Cooper. Music by J.R. Thomas. 1. Our noble chief has passed away. His <hr /> ...4... form is lying still and cold, and hearts that bore the bloom of May Dark sorrow's wings in gloom enfold. A great and mighty Nation mourns! We bless his lov'd and honor'd name, O <hr /> ...5... brighter than a million dawns Forever more shall be his fame! CHORUS. We weep for him, we weep for him! But far along the years to be, Shall 2. Now calmly moulder in the dust the Entered according to Act of Congress 18GE by Wm. A. Pond and Co. in the Clerk's Office of the Court for Northern District of New York. <hr /> ...4... gentle heart the kindly hand, And purpose ever true and just. That Freedom gave to all our land! Our Father hear a Nation's pray'r, And shield his loving ones who mourn! O <hr /> ...5... heal the bruised hearts they bear, And from the darkness wake the dawn! CHORUS We weep for him, we weep for him! But far along the years to be, Shall Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301112 22786855 Title A name given to the resource Our Noble Chief Has Passed Away Description An account of the resource Subtitled "Elegy on the death of Abraham Lincoln," the song mourns the loss of Lincoln. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Copper, George, 1840-1927 Thomas, J. R. (John Rogers), 1830-1896 Sheet music Death--Songs and music. Creator An entity primarily responsible for making the resource Cooper, George and Thomas, J. R. (John Rogers) Contributor An entity responsible for making contributions to the resource Wm. A. Pond & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Our Noble Chief has passed away Elegy on the death of Abraham Lincoln. Words by Geo. Cooper. Music By J.R. Thomas. New York Published by Wm. A. Pond & Co. 547 Broadway Boston Buffalo Chicago Rochester VT Milwaukee D. Ditson and Co. J.R. [Blosgett?] Root & Cady Jos. P. Shad H.N. Hempshed (Illegible) <hr /> 26505 ...3... Our Noble Chief Has Passed Away. Elegy on the death of Abraham Lincoln Words by Geo. Cooper. Music by J.R. Thomas. 1. Our noble chief has passed away. His <hr /> ...4... form is lying still and cold, and hearts that bore the bloom of May Dark sorrow's wings in gloom enfold. A great and mighty Nation mourns! We bless his lov'd and honor'd name, O <hr /> ...5... brighter than a million dawns Forever more shall be his fame! CHORUS. We weep for him, we weep for him! But far along the years to be, Shall 2. Now calmly moulder in the dust the Entered according to Act of Congress 18GE by Wm. A. Pond and Co. in the Clerk's Office of the Court for Northern District of New York. <hr /> ...4... gentle heart the kindly hand, And purpose ever true and just. That Freedom gave to all our land! Our Father hear a Nation's pray'r, And shield his loving ones who mourn! O <hr /> ...5... heal the bruised hearts they bear, And from the darkness wake the dawn! CHORUS We weep for him, we weep for him! But far along the years to be, Shall Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/d4313ebfd77c732cdf6367344745a9bd.pdf 4b0af17ca62e68758ed84957e7490e6b Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "OUR NATIONAL UNION MARCH" E PLURIBUS UNUM PEACE WAR MOST RESPECTFULLY INSCRIBED FOR ABRAHAM LINCOLN, PRESIDENT OF THE UNITED STATES. BY THE COMPOSER CHARLES REHM Price 50 cents. PUBLISHED BY THE AUTHOR. FOR SALE BY J. F. LOVELL 80 NASSAU ST. & AT ALL THE PRINCIPAL MUSIC STORE . . IT IS ALSO ARRANGED FOR FULL BRASS & REED BANDS. NEW YORK 83 FULTON ST. NEW YORK. <hr /> Executive Mansion. Washington. February 3, 1862 My Dear Sir It gives me great pleasure to acknowledge the receipt of your favour of the 29th January, accompanying copies of your "National Union March." Permit me to thank you cordially for the honor done me, and the kind feeling evinced by you. I am very truly Your Obt Servt A. Lincoln Chas. Rehm Esq Govr. H. W. A. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301111 317733063 Title A name given to the resource Our National Union March Description An account of the resource Cover depicts Abraham Lincoln in a gold frame surrounded by an American Flag and mythological figures symbolizing peace and war. Below Lincoln is an image of the United States Capitol and an inscription: "Most respectfully inscribed to Abraham Lincoln, President of the United States." Inside cover contains a note dated February 3, 1862, from Lincoln to the composer, thanking him for the composition. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Rehm, Charles Sheet music Marches (Piano) American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Rehm, Charles Contributor An entity responsible for making contributions to the resource Rehm, Charles (publisher) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "OUR NATIONAL UNION MARCH" E PLURIBUS UNUM PEACE WAR MOST RESPECTFULLY INSCRIBED FOR ABRAHAM LINCOLN, PRESIDENT OF THE UNITED STATES. BY THE COMPOSER CHARLES REHM Price 50 cents. PUBLISHED BY THE AUTHOR. FOR SALE BY J. F. LOVELL 80 NASSAU ST. & AT ALL THE PRINCIPAL MUSIC STORE . . IT IS ALSO ARRANGED FOR FULL BRASS & REED BANDS. NEW YORK 83 FULTON ST. NEW YORK. <hr /> Executive Mansion. Washington. February 3, 1862 My Dear Sir It gives me great pleasure to acknowledge the receipt of your favour of the 29th January, accompanying copies of your "National Union March." Permit me to thank you cordially for the honor done me, and the kind feeling evinced by you. I am very truly Your Obt Servt A. Lincoln Chas. Rehm Esq Govrs. Id. N.Y. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/287ef8e242c02118d45cde2ae5109185.pdf e294f317e8396045255855f92d398725 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Our Nation's Captain Song & Chorus Chas. Haynes Edward Haynes. Chicago. Published by Root & Cady 95 Clark St. Eastern Agency. W.B. Bradbury 425 Broome St. New York Entered according to act of Congress AD 1864 by Root & Cody in the Dist Office of the District Court for the Northern Dist of Illinois <hr /> 3 OUR NATION'S CAPTAIN Words by Chas. Haynes Music by Edward Haynes. VOICE. With energy 1. We 2. What 3. Come bless the noble Captain. Who steered our ship aright! We ho there! call the Captain Is no one near to save! Yes, rally round the standard. And for your country fight; Now <hr /> 4 bless our brave commander. Who took her through the fight. When shout a million voices, Of freemen true and brave; Then rally noble heroes! And battle for the right: The storms did rage around her. And wreck was near at hand. This in the glorious New Year. Our leader spoke again; Laid men come thick around him. And forth to battle go: The noble hearted patriot, Stood firm to take command. low the proud oppressor. And broke the captives chain. nation reigns triumphant. O'er her rebellious foe. <hr /> 5 CHORUS. AIR. All honor to the Captain, Who steers our ship a ALTO. TENOR. All honor to the Captain, Who steers our ship a BASE. PIANO. right! All honor to the Soldiers, Who neath our banner fight! right! All honor to the Soldiers, Who neath our banner fight! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301110 428688400 Title A name given to the resource Our Nation's Captain Description An account of the resource Honors Abraham Lincoln as "Captain" of the nation, steering the Union to victory. Song and Chorus. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Haynes, J. E. (James Edward) Haynes, Charles Sheet music Campaign songs Creator An entity primarily responsible for making the resource Haynes, J. E. (James Edward) and Haynes, Charles Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Our Nation's Captain Song & Chorus Chas. Haynes Edward Haynes. Chicago. Published by Root & Cady 95 Clark St. Eastern Agency. W.B. Bradbury 425 Broome St. New York Entered according to act of Congress AD 1864 by Root & Cody in the Dist Office of the District Court for the Northern Dist of Illinois <hr /> 3 OUR NATION'S CAPTAIN Words by Chas. Haynes Music by Edward Haynes. VOICE. With energy 1. We 2. What 3. Come bless the noble Captain. Who steered our ship aright! We ho there! call the Captain Is no one near to save! Yes, rally round the standard. And for your country fight; Now <hr /> 4 bless our brave commander. Who took her through the fight. When shout a million voices, Of freemen true and brave; Then rally noble heroes! And battle for the right: The storms did rage around her. And wreck was near at hand. This in the glorious New Year. Our leader spoke again; Laid men come thick around him. And forth to battle go: The noble hearted patriot, Stood firm to take command. low the proud oppressor. And broke the captives chain. nation reigns triumphant. O'er her rebellious foe. <hr /> 5 CHORUS. AIR. All honor to the Captain, Who steers our ship a ALTO. TENOR. All honor to the Captain, Who steers our ship a BASE. PIANO. right! All honor to the Soldiers, Who neath our banner fight! right! All honor to the Soldiers, Who neath our banner fight! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/8e8bc543047b8444f804646b53043a70.pdf f3bded0903762d7e162c616754a5827e Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Transcription A written representation of a document or a page. Our Nation Needs To-Day, A Man Like You [prints of Congress, flag, Lincoln, log cabin] Words by Lydia C. Legato Music by Fred W. Strad Published by Strad & Legato 159 W. Van Buren St., Chicago, ILL. <hr /> 2 "Our Nation Needs Today A Man Like You!" Words by Lydia C. Legato Music by Fred W. Strad Voice There's a state that's known to fame, As the home of one who's name, Is heard in ev'ry country on this earth; A martyr brave was he, For his nation's liberty; A Lincoln said that right was might, And he urged a gallant fight, To keep our land, the country of the free; Illinois he made his home, And no matter where he'd roam, His Copyright MCMXXIV by Strad and Legato 159 W. Van Buren, St. Chicago, Ill. <hr /> 3 President, who rose from humble birth. His mem'ry cast a charm, From the white-house to the farm, A friend he was to all who asked his aid; His spirit hovers near, To guide us mortals here; And tells us to be true and unafraid: home-state lingered in his memory. As he fought his battles through, For his flag and me and you, He was honest he was patient, he was kind; A patriot was he, Honest Abe loved liberty; A man like him, today, is hard to find: Our Nation Needs, etc. 4 <hr /> 4 CHORUS Illinois, the home of Lincoln, Illinois, Our hearts are true; Illinois we've been thinkin' our country owes a lot to "Abe" and you: Illinois we'll always rally, Our Nation Needs, etc. 4 <hr /> 5 'round our own Red White and Blue; Old "Honest Abe," we'll ne'er forget you were a hero brave and true, Our nation needs today, a man like you. Our Nation Needs, etc. 4 Raynem, Dalhkim & Co. Music Printers Chicago Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 31 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301109 428688409 Title A name given to the resource Our Nation Needs Today, A Man Like You Description An account of the resource Published in 1924, a presidential election year, the song proclaims the United States needs the leadership of a man like Lincoln. Cover depicts the dome of the U.S. Capitol, the Washington Monument, a log cabin, the American flag, and Abraham Lincoln. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Legato, Lydia C. Strad, Fred W. Sheet music Patriotic music Creator An entity primarily responsible for making the resource Legati, Lydia, C. and Strad, Fred W. Contributor An entity responsible for making contributions to the resource Strad & Legato Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1924 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Percent Needs Review The percentage of pages with Needs Review status. 100 Weight A 6-digit number used to sort items quickly. 200 https://chroniclingillinois.org/files/original/5a62c0b3e80a2b2807d52158267d363e.pdf e43a47067f864e44b4a42ec24d8ac199 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OUR MARTYR PRESIDENT Poetry by W. Dexter Smith Jr. Music by Oscar Linden. Boston. G. D. Russell & Company 126 Trement, Opp.Park St. Entered according to act of Congress in the year 1863 by G. D. Russell & Company in the Clerk's office of the Dist. Court of Massachusetts <hr /> 3 OUR MARTYR PRESIDENT. Words by W. Dexter Smith, Jr. Music by Oscar Linden. VOICE. 1. The air is dark with 2. When bondmen's chains were 3. Our hearts are sad with shadows, Dense clouds hang in the sky, Our land is draped in mourning, Death's clanking He heard the sad, sad, sigh, He heard the pris'ner's murmur The mourning For one who lived and died. That peace and freedom ever Might angel has passed by: Our faithful, fearless pilot, Our nations honored widow's plaintive cry; He broke the slaves strong fetters He set the pris'ner flourish side by side; And while there lives a freeman Upon Columbia's <hr /> 4 head, Our good and honest ruler Is numbered with the free, With good will to all creatures He died for Liberty shore, His name will be remembered, And treasured ever SOP. Our faithful, fearless pilot Our nation's honored ALTO. Our faithful, fearless pilot Our nation's honored TENOR. dead. more. Our faithful, fearless pilot, Our nation's honored BASS. PIANO. <hr /> head our good and honest ruler is numbered with the dead. head our good and honest ruler is numbered with the dead. head our good and honest ruler is numbered with the dead. (After last verse.) Is numbered with the dead is numbered with the dead. Is numbered with the dead is numbered with dead. Is numbered with the dead is numbered with the dead., is numbered with the dead. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301108 180916547 Title A name given to the resource Our Martyr President Description An account of the resource Song mourning the death of Lincoln. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Linden, Oscar Smith, Dexter, Jr., 1842?-1909 Sheet music Funeral music Creator An entity primarily responsible for making the resource Linden, Oscar and Smith, Dexter Jr. Contributor An entity responsible for making contributions to the resource G. D. Russell & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OUR MARTYR PRESIDENT Poetry by W. Dexter Smith Jr. Music by Oscar Linden. Boston. G. D. Russell & Company 126 Trement, Opp.Park St. Entered according to act of Congress in the year 1863 by G. D. Russell & Company in the Clerk's office of the Dist. Court of Massachusetts <hr /> 3 OUR MARTYR PRESIDENT. Words by W. Dexter Smith, Jr. Music by Oscar Linden. VOICE. 1. The air is dark with 2. When bondmen's chains were 3. Our hearts are sad with shadows, Dense clouds hang in the sky, Our land is draped in mourning, Death's clanking He heard the sad, sad, sigh, He heard the pris'ner's murmur The mourning For one who lived and died. That peace and freedom ever Might angel has passed by: Our faithful, fearless pilot, Our nations honored widow's plaintive cry; He broke the slaves strong fetters He set the pris'ner flourish side by side; And while there lives a freeman Upon Columbia's <hr /> 4 head, Our good and honest ruler Is numbered with the free, With good will to all creatures He died for Liberty shore, His name will be remembered, And treasured ever SOP. Our faithful, fearless pilot Our nation's honored ALTO. Our faithful, fearless pilot Our nation's honored TENOR. dead. more. Our faithful, fearless pilot, Our nation's honored BASS. PIANO. <hr /> head our good and honest ruler is numbered with the dead. head our good and honest ruler is numbered with the dead. head our good and honest ruler is numbered with the dead. (After last verse.) Is numbered with the dead is numbered with the dead. Is numbered with the dead is numbered with dead. Is numbered with the dead is numbered with the dead., is numbered with the dead. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/f90aa896f79e2bd675a6a3fb21ccd629.pdf 43febf9196a0c825bb8c66d082088375 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO MRS. MAY WEAVER "Our Laddie's dead Jem" Uttered by one of Colonel Ellsworth's Zouaves Ballad written by Miss L. Both Hendriksen. Music by Otto F. Jacobsen, Professor of Music at the Rockland Female Institute, Nyack, N.Y. Published by Wm. Hall & Son, 543 Broadway, N.Y. <hr /> "OUR LADDIE'S DEAD, JEM." Uttered by one of Col. Ellsworth's Zouaves. Written by L. Both Hendriksen. Dolente. Andante I. Sae braw we marched along, By our laddie Captain led; Sae V. And there's anither ane, Oh the young, young bride afar; Lang, Entered according to Act of Congress AD. 1861 by Wm. Hall & Son, in the Clerk's Office of the District Court for South'n Dis't of New York. <hr /> 4 drear we sit and mourn, For, aweel, our laddie's dead. For, aweel, our laddie's dead. lang she'll wait to hail Her lover frae the war. Her lover frae the war. II. We VI. We lo'ed his winsome face, And his bonnie hair o'brown; We willna only dool For our laddie wha has died; We needna blush for shame, That our tears are rinning down. That our maun ha'bluid for bluid, E'er we cast our swords aside. E'er we <hr /> tears are rinnin down. III. Sic east our swords aside. VII. The pride we felt to say That he battled at our truest o' the true, Ye ha' slaughtered on this head; For bravest among a' Was our laddie wha is day; We follow on your track As the bandogs after dead. Was our laddie wha is dead. Prey. As the bandogs after prey. <hr /> IV. O Jem, his faither'll VIII. And by the God groan, And his mither, sair will greet; When aboon, When to battle we are led, Revenge at the auld door stane, Their murder'd bairn they'll we ilk shall seek, For our laddie wha is meet. Their murder'd bairn they'll meet. dead. For our laddie wha is dead. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301107 57672669 Title A name given to the resource Our Laddie's Dead, Jem Description An account of the resource Song dedicated to "To Mrs. May Weaver." The cover describes the words, "Our Laddie's Dead, Jem" as "uttered by one of Colonel Ellsworth's Zouaves." The first Union martyr of the Civil War, Colonel Elmer Ellsworth accompanied Lincoln on his inaugural train trip to Washington, D.C.. After the war began, he organized the 11th New York Infantry, a regiment which Ellsworth outfitted in the distinctive outfit of the French North African Zouaves. Ellsworth was killed on May 24, 1861, during the Union's occupation of Alexandria, Virginia, where James W. Jackson, a diehard secessionist, shot Ellsworth as the later had just removed a Confederate from the top of Jackson's inn. President and Mrs. Lincoln grieved over Ellsworth, whose body lay in state at the White House. Ellsworth's death became a rallying symbol for the Union.  Several songs and poems were written in his memory. Subject The topic of the resource Ellsworth, E. E. (Elmer Ephraim), 1837-1861 Jacobsen, Otto, F. Henriksen, L. Both Sheet music American Civil War, 1861-1865 United States. Army. New York Infantry Regiment, 11th (1861-1862) Creator An entity primarily responsible for making the resource Jacobse, Otto F. and Hendriksen, L. Both, Miss Contributor An entity responsible for making contributions to the resource Wlm. Hall & Son Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO MRS. MAY WEAVER "Our Laddie's dead Jem" Uttered by one of Colonel Ellsworth's Zouaves Ballad written by Miss L. Both Hendriksen. Music by Otto F. Jacobsen, Professor of Music at the Rockland Female Institute, Nyack, N.Y. Published by Wm. Hall & Son, 543 Broadway, N.Y. <hr /> "OUR LADDIE'S DEAD, JEM." Uttered by one of Col. Ellsworth's Zouaves. Written by L. Both Hendriksen. Dolente. Andante I. Sae braw we marched along, By our laddie Captain led; Sae V. And there's anither ane, Oh the young, young bride afar; Lang, Entered according to Act of Congress AD. 1861 by Wm. Hall & Son, in the Clerk's Office of the District Court for South'n Dis't of New York. <hr /> 4 drear we sit and mourn, For, aweel, our laddie's dead. For, aweel, our laddie's dead. lang she'll wait to hail Her lover frae the war. Her lover frae the war. II. We VI. We lo'ed his winsome face, And his bonnie hair o'brown; We willna only dool For our laddie wha has died; We needna blush for shame, That our tears are rinning down. That our maun ha'bluid for bluid, E'er we cast our swords aside. E'er we <hr /> tears are rinnin down. III. Sic east our swords aside. VII. The pride we felt to say That he battled at our truest o' the true, Ye ha' slaughtered on this head; For bravest among a' Was our laddie wha is day; We follow on your track As the bandogs after dead. Was our laddie wha is dead. Prey. As the bandogs after prey. <hr /> IV. O Jem, his faither'll VIII. And by the God groan, And his mither, sair will greet; When aboon, When to battle we are led, Revenge at the auld door stane, Their murder'd bairn they'll we ilk shall seek, For our laddie wha is meet. Their murder'd bairn they'll meet. dead. For our laddie wha is dead. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/3dff2956e1596eb90d17754ff8e3fecf.pdf bbcd825553658c78d813442c854530bc Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OUR FLAG OUR ARMY AND OUR PRESIDENT, QUARTETTE Words by JAMES T. DUDLEY. Music by WILLIAM H. PERRY. New York. Published by HORACE WATERS, 481 Broadway. Boston O. Ditson & Co. Phila LEE & WALKER. Chicago. ROOT & CADY. Elmira, N.Y. PRESWICK & DUDLEY Entered according to Act of Congress AD 1864 by Horace Waters in the Clerk's Office of the District Court of the Southern District of New York. <hr /> 2 OUR FLAG, OUR ARMY, AND OUR PRESIDENT! QUARTETTE. Words by J.T. DUDLEY. Music by W.H. PERRY. Sop'o. 1. Hither we come to stand beneath the flag, Alto. 2. Hither we come to give our fondest thanks Ten. 3. Hither we come to pledge anew our vows Bass. 4. We hail thee then, thou glorious stars and stripes! Whose stars are brightest of all stars tonight. To those brave ones, who fearless stand tonight To him who through the darkness of the night, Thy folds shall wave forever proud and free! <hr /> 3 Hither we come to vow again our love, Between our homes and treason's blasting hate, The nation's head, the saddest weight has borne, We hail thee brave ones standing by the flag! For those proud colors, red and blue and white; Writing in blood their love for truth and right; With honest heart and living faith in right; Thy feet shall find the path to victory; And while upon its radiance we shall gaze, Hither we come brave brothers in the front Hither we come to pledge anew our vows We hail thee noble one whose name we raise <hr /> 4 The pray'r upon the lips of all shall be! To give anew our hearts and hands to thee! And hope for peace with treason stricken dumb Again upon our shouts with glad consent! God bless the flag our fathers gave to us! God bless our Grant and all his noble band! Standing by him when first the sun went down, Tonight with Loyal hearts our cry shall be, God bless the glorious ensign of the free! God bless the dauntless armies of the free; We'll stand by him until the morn shall come. Our flag, our Army, and our President! <hr /> 5 CHORUS. God bless the Flag our fathers gave to us! God bless our Grant and all his noble band! Standing by him when first the sun went down, Tonight with loyal hearts our cry shall be, God bless the glorious ensign of the free! God bless the dauntless Armies of the free! We'll stand by him until the morn shall come. Our Flag, our Army, and our President! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301106 180868610 Title A name given to the resource Our Flag, Our Army, Our President Description An account of the resource Published in the year Lincoln sought reelection, the song calls on loyal citzens to support the president. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Perry, William H. Dudley, James T. Sheet music Flags American Civil War, 1861-1865 United States. Army Campaign songs Creator An entity primarily responsible for making the resource Perry, William H. and Dudley, James T. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OUR FLAG OUR ARMY AND OUR PRESIDENT, QUARTETTE Words by JAMES T. DUDLEY. Music by WILLIAM H. PERRY. New York. Published by HORACE WATERS, 481 Broadway. Boston O. Ditson & Co. Phila LEE & WALKER. Chicago. ROOT & CADY. Elmira, N.Y. PRESWICK & DUDLEY Entered according to Act of Congress AD 1864 by Horace Waters in the Clerk's Office of the District Court of the Southern District of New York. <hr /> 2 OUR FLAG, OUR ARMY, AND OUR PRESIDENT! QUARTETTE. Words by J.T. DUDLEY. Music by W.H. PERRY. Sop'o. 1. Hither we come to stand beneath the flag, Alto. 2. Hither we come to give our fondest thanks Ten. 3. Hither we come to pledge anew our vows Bass. 4. We hail thee then, thou glorious stars and stripes! Whose stars are brightest of all stars tonight. To those brave ones, who fearless stand tonight To him who through the darkness of the night, Thy folds shall wave forever proud and free! <hr /> 3 Hither we come to vow again our love, Between our homes and treason's blasting hate, The nation's head, the saddest weight has borne, We hail thee brave ones standing by the flag! For those proud colors, red and blue and white; Writing in blood their love for truth and right; With honest heart and living faith in right; Thy feet shall find the path to victory; And while upon its radiance we shall gaze, Hither we come brave brothers in the front Hither we come to pledge anew our vows We hail thee noble one whose name we raise <hr /> 4 The pray'r upon the lips of all shall be! To give anew our hearts and hands to thee! And hope for peace with treason stricken dumb Again upon our shouts with glad consent! God bless the flag our fathers gave to us! God bless our Grant and all his noble band! Standing by him when first the sun went down, Tonight with Loyal hearts our cry shall be, God bless the glorious ensign of the free! God bless the dauntless armies of the free; We'll stand by him until the morn shall come. Our flag, our Army, and our President! <hr /> 5 CHORUS. God bless the Flag our fathers gave to us! God bless our Grant and all his noble band! Standing by him when first the sun went down, Tonight with loyal hearts our cry shall be, God bless the glorious ensign of the free! God bless the dauntless Armies of the free! We'll stand by him until the morn shall come. Our Flag, our Army, and our President! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/a385358532c421cd19df506451130844.pdf 227647bd431c578c06bdf4f0d85f9e02 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. In Memory of Abraham Lincoln, Assassinated April 14, 1865. OUR FLAG IS HALF-MAST HIGH! Song and Chorus.----Words and Music by H. W. LUTHER. San Francisco. M. GRAY, 613 CLAY STREET. <hr /> 3 OUR FLAG IS HALF MAST HIGH Words and Music by H. W. Luther. See our flag is half-mast high, And our na---tion's bow'd in grief. Eve--ry heart re-peats the sigh, We have <hr /> 4 retard lost a No-ble chief. Eve-ry loy-al heart is sad, Man-tled in the deep-est gloom; Earth in mourn-ing is clad, All seems si-lent as the tomb. CHORUS SOPRANO, ALTO, TENOR, BASS Our Flag is half mast high, But we need no warn-ing, <hr /> 5 now, Lin-colns name will Nev-er die, It is written on each brow. 2 Every Nation, every Clime__ _Speak of him in terms of praise; Every act was so Sublime,. And so friendly were his ways; Always striving good to do, Never wearied of Command, He was Firm, Faithful and True, God sent him to save our land. CHORUS Our flag is half mast high, But we need no warning now, Lincoln's name will Never die, It is written on each brow. 3 While we moan the sad, sad hour, That our Noble Chieftain fell, We must bow to God's high power, He who doeth all things well; Vain are wreaths to bind his brow, Vain are songs to sing his praise, Better that we all should now, Strive to imitate his ways. CHORUS Our flag is half mast high, But we need no warning now, Lincoln's name will Never die, It is written on each brow. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301105 146588562 Title A name given to the resource Our Flag Is Half-Mast High Description An account of the resource "In memory of Abraham Lincoln , Assassinated April 14, 1865" Subject The topic of the resource Lincoln, Abraham, 1809-1865 Luther, H. W. Sheet music Presidents--Assassination Creator An entity primarily responsible for making the resource Luther, H. W. Contributor An entity responsible for making contributions to the resource M. Gray Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. In Memory of Abraham Lincoln, Assassinated April 14, 1865. OUR FLAG IS HALF-MAST HIGH! Song and Chorus.----Words and Music by H. W. LUTHER. San Francisco. M. GRAY, 613 CLAY STREET. <hr /> 3 OUR FLAG IS HALF MAST HIGH Words and Music by H. W. Luther. See our flag is half-mast high, And our na---tion's bow'd in grief. Eve--ry heart re-peats the sigh, We have <hr /> 4 retard lost a No-ble chief. Eve-ry loy-al heart is sad, Man-tled in the deep-est gloom; Earth in mourn-ing is clad, All seems si-lent as the tomb. CHORUS SOPRANO, ALTO, TENOR, BASS Our Flag is half mast high, But we need no warn-ing, <hr /> 5 now, Lin-colns name will Nev-er die, It is written on each brow. 2 Every Nation, every Clime__ _Speak of him in terms of praise; Every act was so Sublime,. And so friendly were his ways; Always striving good to do, Never wearied of Command, He was Firm, Faithful and True, God sent him to save our land. CHORUS Our flag is half mast high, But we need no warning now, Lincoln's name will Never die, It is written on each brow. 3 While we moan the sad, sad hour, That our Noble Chieftain fell, We must bow to God's high power, He who doeth all things well; Vain are wreaths to bind his brow, Vain are songs to sing his praise, Better that we all should now, Strive to imitate his ways. CHORUS Our flag is half mast high, But we need no warning now, Lincoln's name will Never die, It is written on each brow. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/04f6c8db69149702ae00b98279687321.pdf b75cb05e7da278176f036cee24364a3d Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. 10th EDITION OUR COUNTRY'S PLACE. J. Queen Del & Lith. P.S. Duval & Son Lith. Philada. SONG COMPOSED & DEDICATED TO HIS EXCELLENCY ABRAHAM LINCOLN President of the United States by G. Gumpert. G. Andre & Co. 1104 Chestnut St. Philada. Tenor or Soprano, Alto or Baritone <hr /> OUR COUNTRY'S FLAG. The poetry and Music by G.Gumpert. Arranged for the Piano by F. Losse. Marciale e con spirit. 1. Die Stern und Streifen zittern night Wenn der Verraether droht; 2. Der Wahlsprunchheiszt Sieg oder Tod! Das Recht fuehrt uns zur schlacht. 3. Fuerdich glorreicher Union Flieszt unswer Blut sogern! 1. Beneath the Stars and Stripes there stand Our sons so nobly brave, 2. Let traitors boast but for a while, We'll meet them on the field; helitig Band vereint dis Schar Sie furrebtet nicht den Tod. Pluribus. Unum", unser Ruf Der Herrict uns'r Macht. Erbthit unsrer Vaeter ist Der Feiheit goldner Stern. United by a holy band, Their courage fears no grave. Our The Stars and Stripes know naught of guile, For freedom is our shield. Our Entered according to Act of Congress A.D. 1861 by G. Andrea & Co. in the Clerk's Office of the District Court of the Eastern district of Penna. <hr /> 4 1. fuerhtet der Nerrathers Spiel Wenn es der Wehrlieit glit? Die 2. Heldwen folgt dem Schlachtenruf, Legt Schwert und Panzer an! Der country's flag let proudly wave, For freedom is our shield; the 3. Fluchtrifft des Verraethers Haupt, sein spillist trug and sebein Wie Stern' und streifen zittern niebt, Dis Freiheit ist ibr Schild. Vater Bild begeist' reuns Wir straiten Mano fuer mann. Union must and shall be save, We'll never never yield. kaempfen fuer der Wahrheit Recht, Der Sieg wird unser sein! Chorus. Tenor 1. Tenor 2. Our Country's flag let proudly wave, For freedom is our shield The Basso 1. Basso 2. Die Freiheit und die Einheit ruft, Laszt stolz die Fahnen wehn! So G.A & Co. 608 <hr /> 5 Union must and shall be saved, We'll never never yield. lang ein Arm das Banner haelt, Wird sein Symbol bestehn. 3. We'll fight to conquer or to die, Our cause is just and right; "E Pluribus Unum" is our cry--The Lord with us is might. Chorus. 4. Rally, ye sons, ye noble men! Buckle the armor on; Follow your father's footsteps, then The battle will be won. Chorus. 5. O glorious Union, happy land, We'll shed our blood for thee; Thou sacred gift of father's hand Thou land of liberty. Chorus. 6. We'll soon disperse our country's gloom, We are and will be free; The curse of God, the traitor's doom Awaits our enemy. Chorus. G.A. & Co. 608 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301104 37735519 Title A name given to the resource Our Country's Flag Description An account of the resource The cover states this is the "10th edition"  of a "Song Composed and Dedicated to his Excellency Abraham Lincoln President of the United States." Cover art depicts a Union camp and two soldiers. One soldier holds an American flag while the other stands guard. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Gumpert, C. Sheet music American Civil War, 1861-1865 Flags Creator An entity primarily responsible for making the resource Gumpert. G. Contributor An entity responsible for making contributions to the resource C. Andre & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. 10th EDITION OUR COUNTRY'S PLACE. J. Queen Del & Lith. P.S. Duval & Son Lith. Philada. SONG COMPOSED & DEDICATED TO HIS EXCELLENCY ABRAHAM LINCOLN President of the United States by G. Gumpert. G. Andre & Co. 1104 Chestnut St. Philada. Tenor or Soprano, Alto or Baritone <hr /> OUR COUNTRY'S FLAG. The poetry and Music by G.Gumpert. Arranged for the Piano by F. Losse. Marciale e con spirit. 1. Die Stern und Streifen zittern night Wenn der Verraether droht; 2. Der Wahlsprunchheiszt Sieg oder Tod! Das Recht fuehrt uns zur schlacht. 3. Fuerdich glorreicher Union Flieszt unswer Blut sogern! 1. Beneath the Stars and Stripes there stand Our sons so nobly brave, 2. Let traitors boast but for a while, We'll meet them on the field; helitig Band vereint dis Schar Sie furrebtet nicht den Tod. Pluribus. Unum", unser Ruf Der Herrict uns'r Macht. Erbthit unsrer Vaeter ist Der Feiheit goldner Stern. United by a holy band, Their courage fears no grave. Our The Stars and Stripes know naught of guile, For freedom is our shield. Our Entered according to Act of Congress A.D. 1861 by G. Andrea & Co. in the Clerk's Office of the District Court of the Eastern district of Penna. <hr /> 4 1. fuerhtet der Nerrathers Spiel Wenn es der Wehrlieit glit? Die 2. Heldwen folgt dem Schlachtenruf, Legt Schwert und Panzer an! Der country's flag let proudly wave, For freedom is our shield; the 3. Fluchtrifft des Verraethers Haupt, sein spillist trug and sebein Wie Stern' und streifen zittern niebt, Dis Freiheit ist ibr Schild. Vater Bild begeist' reuns Wir straiten Mano fuer mann. Union must and shall be save, We'll never never yield. kaempfen fuer der Wahrheit Recht, Der Sieg wird unser sein! Chorus. Tenor 1. Tenor 2. Our Country's flag let proudly wave, For freedom is our shield The Basso 1. Basso 2. Die Freiheit und die Einheit ruft, Laszt stolz die Fahnen wehn! So G.A & Co. 608 <hr /> 5 Union must and shall be saved, We'll never never yield. lang ein Arm das Banner haelt, Wird sein Symbol bestehn. 3. We'll fight to conquer or to die, Our cause is just and right; "E Pluribus Unum" is our cry--The Lord with us is might. Chorus. 4. Rally, ye sons, ye noble men! Buckle the armor on; Follow your father's footsteps, then The battle will be won. Chorus. 5. O glorious Union, happy land, We'll shed our blood for thee; Thou sacred gift of father's hand Thou land of liberty. Chorus. 6. We'll soon disperse our country's gloom, We are and will be free; The curse of God, the traitor's doom Awaits our enemy. Chorus. G.A. & Co. 608 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/b7aed941913ff17ce29a98bbbe9ae9d3.pdf 475d4d54c7b31779a40e289e5e59109c Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. On, on, on, the Boys came Marching! OR THE PRISONER FREE. (Sequel to "Tramp, Tramp, Tramp.") Words and Music by GEO. F .ROOT 1. O! the day it came at last, When the glo-rious tramp was heard, And the boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we ut-tered not a word, As the boom-ing of our can-non rolled a-long! 2. O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no longer-should en-dure, When the hosts of free-dom reached our pris-on cell! 3. O! the war is ov-er now, And we're safe at home a-gain, And the cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on! On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301103 37735994 Title A name given to the resource On, On, On, the Boys Came Marching! Description An account of the resource Also known as "The Prisoner Free and a sequel to "Tramp, Tramp, Tramp," the song takes the perspective of Union prisoners of war waiting in expectation for their liberation. Subject The topic of the resource Root, George Frederick, 1820-1895 Sheet music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. On, on, on, the Boys came Marching! OR THE PRISONER FREE. (Sequel to "Tramp, Tramp, Tramp.") Words and Music by GEO. F .ROOT 1. O! the day it came at last, When the glo-rious tramp was heard, And the boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we ut-tered not a word, As the boom-ing of our can-non rolled a-long! 2. O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no longer-should en-dure, When the hosts of free-dom reached our pris-on cell! 3. O! the war is ov-er now, And we're safe at home a-gain, And the cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on! On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/815dc78f3d24915d0479f7658d748faa.pdf 8b02b7bc0a60a958e68d7fdee2f3c3e0 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY. 3 BOSTON: Published by Oliver Ditson & Co., 277 Washington St. Wm. A. Pond & Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes & Co., Boston. Entered according to Act of Congress A.D. 1861, by O. Ditson & Co., in the Clerk's office of the District Court of Mass. Warren, Music Stereotyper 43 Centre St. <hr /> OLE SHADY. THE SONG OF THE CONTRABAND. Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day. <hr /> 3 2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby, 3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins, "Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho. 'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day." 4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat 5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,* white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho. Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day." <hr /> 5 2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby, 3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins, "Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho. 'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. " 4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat 5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,* white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho. Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. " <hr /> NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson & Co., 277 Washington Street, Boston. Songs of the War. "*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular. A Hero Has Fallen. J.P. King. 30 "His saddle is empty, and sheathed is his sword." American Marseilllaise. H.Von Elmer. 30 "Under our flag beat the long call once more, Call up the north as you called her before." Away Goes Cuffee. Humorous. L.B. Starkweather. 30 Banner of the Sea. Bernard Covert. 30 Close his Eyes, His Work is Done. Song & Chorus. Hutchinson. 30 Cuffee's War Song. Starkweather. 30 Cumberland (The). F. Boott. 30 "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war." Emancipation. Song & Chorus. 30 "In this land of the free, not a slave shall there be, As a cause for rebellion or treason." From the Red Battle Field. Quartette. N. Baker. 30 High Times, Good Times. Humorous. H.S. Thompson. 30 "O, de Yanks hab come and gone and went, And done it down in Dixie." How Do you Like It, Jefferson, D.? Amos Patton. 30 "O, how do you like it as far as you've got? Jefferson D? Jefferson D?" If I Sleep, Will Mother Come? C.A. Shaw. 30 The last words of a dying soldier boy. Is That Mother Bending O'er Me? J.C. Johnson. 30 Keep This Bible Near Your Heart. Song & Chorus. H.S. Thompson. 30 Mother, When the War is Over. J.W. Turner. 30 Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come." Ole Shady, or the Song of the Contraband. Hanby. 30 "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!" Only One Man Killed To-Day. Solo & Quartet. G.F. North. 30 Our Beautiful Flag. Song & Chorus. J.C. Johnson. 30 Our Volunteers. Song & Chorus. A. Baumbach. 30 "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!" O, Weep No More for Brave Boys Gone. Song & Chorus. R.Z. Salem. 30 Picket Guard. Song & Quartet. W. H. Goodwin. 30 Rally Round the Flag, Boys. W.B. Bradbury. 30 Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear." Soldier's Return, or, Marching Home. Song & Chorus. R.R. Trench. 30 Tenting on the old Camp Ground. W. Kittredge. 35 The Sword That My Brave Boy Wore. James G. Clark. 30 The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best. Unknown Heroes. Song & chorus. W.J. Schofield. 30 We'll Fight for Uncle Abe. Plantation Song & Chorus. Buckley. 30 "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe." New Songs of Home. "*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers. Angel of the Storm. Scared. A. Bendelari. 35 Angels Listen When She Speaks. E.L. Hine. 30 "Low her voice is, soft and kind." Ave Maria. Gounod. 35 Birds That in Yon Pine Trees Sing. Franz Abt. 35 Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30 Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me." The Day-Star of my Life has Set. J.C. Meininger. 30 "Ah me! my heart is sad to-night." Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30 Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride." For Thee, and Only Thee. F. Buckley. 30 Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee." Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears." Gentle Bessie. Scotch Ballad. Ed. Land. 30 Good Morrow, Love, Good Morrow. Blumenthal. 30 Home Delights. Song & Chorus. Ordway. 30 I'm Sitting Alone in the Moonlight. Meininger. 30 I Live for Those Who Love Me. J.G. Clark. 30 I'm Coming Home to Die. O.E. Dodge. 30 I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30 I Would Not Win a Heart to Share. L.P. Whitney. 30 Kathleen Aroon. Franz Abt. 30 Katie Lee & Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls." L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30 "Kiss me once more, for the death damp is stealing." Language of the Eye. C.J. Dorr. 30 Last Tear. F. Hoffman. 30 Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright." Little Nell. Chas. Packer. 30 "They told him gently she was gone." Maggie's Secret. Claribel. 30 Marietta, Mine. Fred Buckley. 30 Minnie Bell. Song and Chorus. F. Nava. 30 Minnie Dill. Song & Chorus. J.P. Ordway. 30 Minnie Grey. G.C. Whittredge. 30 Mother, Dear, I'm Thinking of You. Song and Chorus. J.P. Ordway. 30 Music of her Voice. W.T. Wrighton. 30 My Bonny, Bonny Mary, O. H. Hyatt. 30 O Lay Me in the Valley. Lt. J. P. King. 30 On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30 O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30 Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy." Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30 Silver Moonlight Winds are Blowing. J.P. Ordway. 30 Silvery Midnight Moon. song and chorus. J. P. Ordway. 30 Sing, Birdie, Sing. Wilhelm Ganz. 30 Singing Through the Rain. H. Smart. 30 Sing, O Sing me to Rest. B. Covert. 30 "Mother, O sing me to rest, As in my bright days departed." Soft Winds are Breathing. H.S. Thompson. 30 Sorrow. "The Beatitudes." No. 1. Glover. 35 "In this world abideth sorrow." Sweet be thy Dreams. F.W. Smith. 30 Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow." There is Light Beyond the River. B. Covert. 30 Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother." 'Tis Sweet to be Remembered. H.M. Rogers. 30 Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35 Vesta Moore. Song & Chorus. Thompson. 30 We Shall Be Known Above. Song and Chorus. J.G. Clark. 30 World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame." You've Forgot the Cottage Door. A. Bendelari. 35 New Songs by Eminent Composers. Beauties of Gounod's Opera, "Faust." Chanson du Roi de Thule. (The King of Thule.) 30 Gloire Immortelle. (Glory Immortal.) 35 Le Parlate d'Amor. (In the Language of Love.) 35 Salut O mon dernier Matin. (All hail, welcome to thee.) 30 Tardi si fa addio. (The hour is late, adieu.) 50 Hopes and Fears. Mendelssohn. 50 Il Bacio. (The Kiss.) Arditi. 60 Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring." Reaper and the Flowers. Balfe. 60 Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60 Slumber song. Taubert. 35 "Sleep, and do not fear." Tarry Not Long. Mendelssohn. 35 With Thanks, Kind Friends. "Sicilian Vespers." 50 New Comic Songs. Benny Havens, O. A West Point Song. 30 Cousin Jedediah. Song and Chorus. H.S. Thompson. 30 "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah." Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson." Down by the River Lived A Maiden. Song & Chorus. H.S. Thompson. 30 I'd Choose to be a Baby. F. Buckley. 30 I'm a Young Man from the Country. H. Clifton. 30 Isabella, With the Gingham Umbrella. H. Clifton. 30 Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35 Music Store Window. Medley, Song and Chorus. F. Wilder. 30 Over the Wall. J.R.W. Harding. 30 Puss in Boots. C.H.R. Marriott. 30 Song of all Songs. A Medley. S.C. Foster. 30 Tony Pastor's Combination Song. Medley. 35 Tony Pastor's Medley of Cottage by the Sea. 35. Tragedy in Tenth Avenue. S.W. Hunt. 30 "I was promenading out one lovely morn, In the middle of July." Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30 Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?" Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301102 18063326 Title A name given to the resource Ole Shady Description An account of the resource Song sung from the perspective of former slave or "Contraband" who has recently found security and freedom behind Union lines. The song is dedicated to Union general Benjamin F. Butler, who was the first Union commander to allow escaped slaves to stay within Union lines. Claiming the former slaves were "contraband of war," Butler used the Confederates' insistance that slaves were property against them. He claimed that as property they could be legally "confiscated" under the rules of war. Butler's policy allowed thousands of slaves to find safety behind Union lines and influenced Lincoln's later decision to issue the Emancipation Proclamation." Subject The topic of the resource Butler, Benjamin Franklin (1818-1893) Sheet music Fugitive slaves Creator An entity primarily responsible for making the resource Publisher information not available. Contributor An entity responsible for making contributions to the resource Oliver Ditson & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boston Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TO COLUMBIA'S NOBLE SON, MAJ. GEN. BENJ. F. BUTLER. OLE SHADY, OR THE Song of the Contraband BY THE AUTHOR OF DARLING NELLY GRAY. 3 BOSTON: Published by Oliver Ditson & Co., 277 Washington St. Wm. A. Pond & Co., New York. John Church, Jr., Cincinnati. J.E. Gould, Philadelphia. J.C. Haynes & Co., Boston. Entered according to Act of Congress A.D. 1861, by O. Ditson & Co., in the Clerk's office of the District Court of Mass. Warren, Music Stereotyper 43 Centre St. <hr /> OLE SHADY. THE SONG OF THE CONTRABAND. Oh! yah! yah! darkies laugh wid me, For de white folks say Ole Shady's free, So don't you see dat de jubilee Is a coming, coming, Hail mighty day. <hr /> 3 2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby, 3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins, "Open de gates out here's Ole Shady a coming, coming," Hail mighty day, Cho. 'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day." 4. Good bye hard work wid never any pay Ise a gwine up North where the good folks say, Dat 5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,* white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho. Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day." <hr /> 5 2. Oh, Mass' got scared and so did his lady, Dis chile breaks for Ole Uncle Aby, 3. Good bye Mass' Jeff, good bye Mis'r Stephens, 'Scuse dis niggah for takin his leavins, "Open de gates out here's Ole Shady a coming, coming," Hail mighty day. Cho. 'Spect pretty soon you'll hear Uncle Abram's coming, coming, Hail mighty day. " 4. Good bye hard work wid never any pay, Ise a gwine up North where the good folks say, Dat 5. Oh, I've got a wife, and I've got a baby, Living up yonder in Lower Canady,* white wheat bread and a dollar a day Are coming, coming, Hail mighty day. Cho. Wont dey laugh when dey see Ole Shady A coming, coming, Hail mighty day. " <hr /> NEW SONGS, WAR SONGS, HOME SONGS, Published by Oliver Ditson & Co., 277 Washington Street, Boston. Songs of the War. "*" The following Songs, suggested by the stirring events of our times, comprising every variety, and illustrating the various phases and incidents of the War, have become and continue to be, very popular. A Hero Has Fallen. J.P. King. 30 "His saddle is empty, and sheathed is his sword." American Marseilllaise. H.Von Elmer. 30 "Under our flag beat the long call once more, Call up the north as you called her before." Away Goes Cuffee. Humorous. L.B. Starkweather. 30 Banner of the Sea. Bernard Covert. 30 Close his Eyes, His Work is Done. Song & Chorus. Hutchinson. 30 Cuffee's War Song. Starkweather. 30 Cumberland (The). F. Boott. 30 "At anchor in Hampton Roads we lay, On board of the Cumberland sloop of war." Emancipation. Song & Chorus. 30 "In this land of the free, not a slave shall there be, As a cause for rebellion or treason." From the Red Battle Field. Quartette. N. Baker. 30 High Times, Good Times. Humorous. H.S. Thompson. 30 "O, de Yanks hab come and gone and went, And done it down in Dixie." How Do you Like It, Jefferson, D.? Amos Patton. 30 "O, how do you like it as far as you've got? Jefferson D? Jefferson D?" If I Sleep, Will Mother Come? C.A. Shaw. 30 The last words of a dying soldier boy. Is That Mother Bending O'er Me? J.C. Johnson. 30 Keep This Bible Near Your Heart. Song & Chorus. H.S. Thompson. 30 Mother, When the War is Over. J.W. Turner. 30 Mount, Boys, Mount! Cavalry Song. "Then mount, boys, mount! drive the rowels in the side. Let your sabres be flashing in the sun, For we'll charge the Rebel crew, with our Yankee Doodle-Doo, And we'll drive them into kingdom come." Ole Shady, or the Song of the Contraband. Hanby. 30 "O, yah, yah, darkies, laugh wid me, For de white folks say Ole Shady's free!" Only One Man Killed To-Day. Solo & Quartet. G.F. North. 30 Our Beautiful Flag. Song & Chorus. J.C. Johnson. 30 Our Volunteers. Song & Chorus. A. Baumbach. 30 "Sudden and loud the war-cry rang; It thrilled our startled ears, And to the ranks with ardor sprang Our gallant volunteers!" O, Weep No More for Brave Boys Gone. Song & Chorus. R.Z. Salem. 30 Picket Guard. Song & Quartet. W. H. Goodwin. 30 Rally Round the Flag, Boys. W.B. Bradbury. 30 Softly Now, Tenderly, Lift Him With Care. Prof. C.S. Harrington. 30 "Softly now, tenderly, lift him with care; This is a hero whose pale form ye bear." Soldier's Return, or, Marching Home. Song & Chorus. R.R. Trench. 30 Tenting on the old Camp Ground. W. Kittredge. 35 The Sword That My Brave Boy Wore. James G. Clark. 30 The Two Pickets. Ossian E. Dodge. 30 A laughable dialogue between a Yankee and a Seccesh Picket, in which, as usual, the former comes out best. Unknown Heroes. Song & chorus. W.J. Schofield. 30 We'll Fight for Uncle Abe. Plantation Song & Chorus. Buckley. 30 "Way down in Old Varginni, I suppose you all do know, They have tried to bust the Union, but they find it is no go; The Yankee boys are starting out, de Union for to sabe, And we're going down to Washington to fight for Uncle Abe." New Songs of Home. "*" The following Songs comprise the most popular pieces, and may be sung and played by the generality of performers. Angel of the Storm. Scared. A. Bendelari. 35 Angels Listen When She Speaks. E.L. Hine. 30 "Low her voice is, soft and kind." Ave Maria. Gounod. 35 Birds That in Yon Pine Trees Sing. Franz Abt. 35 Bury Me in the Sunshine. Last Words of Archbishop Hughes. J.W. Turner. 30 Danza D'Amore. Dance of Love. G. Lucantoni. 35 "Tread lightly, tread lightly, the love dance with me." The Day-Star of my Life has Set. J.C. Meininger. 30 "Ah me! my heart is sad to-night." Do They Pray for Me at Home? Song and Chorus. W.O. Fiske. 30 Dublin Bay. Geo. Barker. 30 "They sailed away in a gallant bark. Roy Neal and his fair young bride." For Thee, and Only Thee. F. Buckley. 30 Garden of Roses. F. Boott. 30 "I walked in the garden of roses with thee." Gentle Annie Ray. Song and Chorus. Fred Buckley. 30 "I'm sitting by thy grave to-night, I'm weeping bitter tears." Gentle Bessie. Scotch Ballad. Ed. Land. 30 Good Morrow, Love, Good Morrow. Blumenthal. 30 Home Delights. Song & Chorus. Ordway. 30 I'm Sitting Alone in the Moonlight. Meininger. 30 I Live for Those Who Love Me. J.G. Clark. 30 I'm Coming Home to Die. O.E. Dodge. 30 I'm Lonely Since my Mother Died. Song and Chorus. H.S. Thompson. 30 I Would Not Win a Heart to Share. L.P. Whitney. 30 Kathleen Aroon. Franz Abt. 30 Katie Lee & Willie Gray. J.H. Pixley. 30 "Two brown heads with tossing curls, Red lips shutting over pearls." L'Angelo D'Amor. Angel of Love. H.S. Thompson. 30 "Kiss me once more, for the death damp is stealing." Language of the Eye. C.J. Dorr. 30 Last Tear. F. Hoffman. 30 Little Blue-Eyed Boy. Fred Buckley. 30 "Like a sunbeam warm and bright." Little Nell. Chas. Packer. 30 "They told him gently she was gone." Maggie's Secret. Claribel. 30 Marietta, Mine. Fred Buckley. 30 Minnie Bell. Song and Chorus. F. Nava. 30 Minnie Dill. Song & Chorus. J.P. Ordway. 30 Minnie Grey. G.C. Whittredge. 30 Mother, Dear, I'm Thinking of You. Song and Chorus. J.P. Ordway. 30 Music of her Voice. W.T. Wrighton. 30 My Bonny, Bonny Mary, O. H. Hyatt. 30 O Lay Me in the Valley. Lt. J. P. King. 30 On the Banks of a Beautif'l Riv'r. W.T. Wrighton. 30 O Sing to me Those Dear Old Songs. Song and Chorus. Fred Buckley. 30 Peggy, Dear. Song and Chorus. H. Paul. 30 "Peggy, dear, the sleigh is waiting, Get your bonnet, don't be shy." Press the Sweet Lips Together. Song and Chorus. C.A. Vorce. 30 Silver Moonlight Winds are Blowing. J.P. Ordway. 30 Silvery Midnight Moon. song and chorus. J. P. Ordway. 30 Sing, Birdie, Sing. Wilhelm Ganz. 30 Singing Through the Rain. H. Smart. 30 Sing, O Sing me to Rest. B. Covert. 30 "Mother, O sing me to rest, As in my bright days departed." Soft Winds are Breathing. H.S. Thompson. 30 Sorrow. "The Beatitudes." No. 1. Glover. 35 "In this world abideth sorrow." Sweet be thy Dreams. F.W. Smith. 30 Sweet Little Cottage Maid. Song and Chorus. J.L. Gilbert. 30 "My native hills I roam along, I have no care or sorrow." There is Light Beyond the River. B. Covert. 30 Thy Mother Will Rock Thee to Sleep. Lesta Vese. 30 Reply to "Rock me to sleep, mother." 'Tis Sweet to be Remembered. H.M. Rogers. 30 Twinkling Stars are Laughing, Love. Song and Chorus. J.P. Ordway. 35 Vesta Moore. Song & Chorus. Thompson. 30 We Shall Be Known Above. Song and Chorus. J.G. Clark. 30 World Would be the Better for it. B. Covert. 30 "If men cared less for wealth and fame." You've Forgot the Cottage Door. A. Bendelari. 35 New Songs by Eminent Composers. Beauties of Gounod's Opera, "Faust." Chanson du Roi de Thule. (The King of Thule.) 30 Gloire Immortelle. (Glory Immortal.) 35 Le Parlate d'Amor. (In the Language of Love.) 35 Salut O mon dernier Matin. (All hail, welcome to thee.) 30 Tardi si fa addio. (The hour is late, adieu.) 50 Hopes and Fears. Mendelssohn. 50 Il Bacio. (The Kiss.) Arditi. 60 Pretty Birds. Gumbert. 35 "In greenwoods where soft breezes spring." Reaper and the Flowers. Balfe. 60 Sing, Smile, Sleep. (Chantes, Riez, Dormez.) Celebrated Serenade, by Gounod. 60 Slumber song. Taubert. 35 "Sleep, and do not fear." Tarry Not Long. Mendelssohn. 35 With Thanks, Kind Friends. "Sicilian Vespers." 50 New Comic Songs. Benny Havens, O. A West Point Song. 30 Cousin Jedediah. Song and Chorus. H.S. Thompson. 30 "O, Jacob get the cows home, and put them in the pen, For the cousins are coming to see us all again; The dowdy's in the pan, and the turkey's on the fire, And we all must get ready for cousin Jedediah." Dark Girl, Dressed in Blue. H. Clifton. 30 "From a village up the Hudson." Down by the River Lived A Maiden. Song & Chorus. H.S. Thompson. 30 I'd Choose to be a Baby. F. Buckley. 30 I'm a Young Man from the Country. H. Clifton. 30 Isabella, With the Gingham Umbrella. H. Clifton. 30 Joe Fillet: Or, Beef, Pork, and Mutton. J. Williams. 35 Music Store Window. Medley, Song and Chorus. F. Wilder. 30 Over the Wall. J.R.W. Harding. 30 Puss in Boots. C.H.R. Marriott. 30 Song of all Songs. A Medley. S.C. Foster. 30 Tony Pastor's Combination Song. Medley. 35 Tony Pastor's Medley of Cottage by the Sea. 35. Tragedy in Tenth Avenue. S.W. Hunt. 30 "I was promenading out one lovely morn, In the middle of July." Uncle Sam's Hotel. Song and Chorus. F. Wilder. 30 Wouldn't You Like to Know? R. Hall. 30 "The maiden sighed, and, blushing replied, Well, wouldn't you like to know?" Sheet Music and Music Books sent by Mail, Post-paid, on receipt of the price. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/2e8dde0806c3285083506c07c60f8be8.pdf bd03468d262e6792558b1b509bccd546 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Lincolniana To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S. NEW YORK Published by FIRTH, POND & CO 547 Broadway Boston. O.DITSON & CO. Cincinnati. C.Y. FONDA. Pittsburgh. H. KLEBER & BRO. Entered according to Act of Congress in the Year 1860 by Firth Pond & Co in the Clerks Office of the District Court of the Southn District of N.Y. <hr /> 3 <pre>"OLD HONEST ABE FOR ME" SONG AND CHORUS ARRANGED BY G.D.S. </pre> 4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will 1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the 2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of 3. VER. The Dem-o-crats are fall-ing back They know their time has Ent'd according to Act of Congress AD1850 by Firth, Pond & Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y. 4949 <hr /> <pre>4 </pre> fly Our chief will split them up like rails And fight, Fling out your ban-ners to the breeze, The Maine With these for lea-ders in the fight, The come, Then at them with un-bro-ken fronts, And leave them out to dry, Far up salt ri-ver's foe is now in sight. Your voi-ces raise in vic-try we shall gain And in the con-flict for the right strike home For we are free-men gloo-my banks And then from sea to sea A- notes of joy And spread from sea to sea The loud and clear, Our bat-tle cry shall be Re- and would keep Our land for-ev-er free, Then gain the shout shall long ring out Old hon-est Abe for me. gal-lant shout of free-men bold, Old hon-est Abe for me. soun-ding far o'er hill and dale, Old hon-est Abe for me. ring the shout in thun-der tones Old hon-est Abe for me. 4949 <hr /> <pre>5 </pre> CHORUS Old hon-est Abe for me my boys, Old hon-est Abe for me, The Old hon-est Abe for me my boys, Old hon-est Abe for me, The gal-lant shout of free-men bold Old hon-est Abe for me. gal-lant shout of free-men bold Old hon-est Abe for me. 4949 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301101 180868825 Title A name given to the resource Old Honest Abe For Me Description An account of the resource "Dedication on cover: "To the Young Men's Republican Club of Rockland, Me. And Republicans Everywhere." Republican campaign song urging the election of Abraham Linocoln and his vice presidential running mate, Hannibal Hamlin. Subject The topic of the resource Lincoln, Abraham, 1809-1865 C. D. S. Republican Party (U.S. : 1854-) Sheet music Campaign songs Creator An entity primarily responsible for making the resource G. D. S. Contributor An entity responsible for making contributions to the resource Firth, Pond & Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1860 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Lincolniana To THE YOUNG MEN'S REPUBLICAN CLUB of Rockland Me AND REPUBLICANS EVERYWHERE Old honest Abe for me SONG AND CHORUS ARRANGE FOR THE PIANO FORTE BY G.D.S. NEW YORK Published by FIRTH, POND & CO 547 Broadway Boston. O.DITSON & CO. Cincinnati. C.Y. FONDA. Pittsburgh. H. KLEBER & BRO. Entered according to Act of Congress in the Year 1860 by Firth Pond & Co in the Clerks Office of the District Court of the Southn District of N.Y. <hr /> 3 <pre>"OLD HONEST ABE FOR ME" SONG AND CHORUS ARRANGED BY G.D.S. </pre> 4. VER. Be-fore our no-ble ar-my's charge The Dem-o-crats will 1. VER. Come sons of free-dom 'rouse ye, all, Move on-ward to the 2. VER. Old hon-est Abe for me, my boys, And Ham-lin son of 3. VER. The Dem-o-crats are fall-ing back They know their time has Ent'd according to Act of Congress AD1850 by Firth, Pond & Co in the Clerk's Office of the Dis't Court of the South'n Dis't of N.Y. 4949 <hr /> <pre>4 </pre> fly Our chief will split them up like rails And fight, Fling out your ban-ners to the breeze, The Maine With these for lea-ders in the fight, The come, Then at them with un-bro-ken fronts, And leave them out to dry, Far up salt ri-ver's foe is now in sight. Your voi-ces raise in vic-try we shall gain And in the con-flict for the right strike home For we are free-men gloo-my banks And then from sea to sea A- notes of joy And spread from sea to sea The loud and clear, Our bat-tle cry shall be Re- and would keep Our land for-ev-er free, Then gain the shout shall long ring out Old hon-est Abe for me. gal-lant shout of free-men bold, Old hon-est Abe for me. soun-ding far o'er hill and dale, Old hon-est Abe for me. ring the shout in thun-der tones Old hon-est Abe for me. 4949 <hr /> <pre>5 </pre> CHORUS Old hon-est Abe for me my boys, Old hon-est Abe for me, The Old hon-est Abe for me my boys, Old hon-est Abe for me, The gal-lant shout of free-men bold Old hon-est Abe for me. gal-lant shout of free-men bold Old hon-est Abe for me. 4949 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/6883194056e485d92f25f95318c55a5d.pdf 0d054a6f623c63edfcc9dcb41e34d80f Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Continue Transcribing Transcription A written representation of a document or a page. The OLD CHIEFTAIN. Song and Chorus. Old Abe Lincoln is the man for me, However long or lean he may be, He's honest and bold, he never fails, He knows how to fight, and split oak-rails. Old Abe Lincoln is the man for me, Old Abe Lincoln is the man for thee, Old Abe Lincoln is the man for all, He can whip old Jeff and old Stonewall. Words and Music by Edwin Henry. 1862. Philadelphia: Published by Lee & Walker, No. 722 Chestnut Street. Lincoln <hr /> 3 "The Old Chieftain." Song & Chorus. Words and Music By Edwin Henry. Spirited. Piano. 1. Old Abe Lincoln is the man for me, However long or lean he may be, He's 2. When old Abe puts his foot to the ground, It sticks right fast and never turns round, He 3. He cracks his jokes and he makes us smile, But he's in earnest all the while, They Chorus after each verse. honest and bold, he never fails, He knows how to fight and split oak rails. hears what the others have to say And then goes on in his good old way. say that he has a narrow soul, But it can take in the Union Whole. 8755.4. Enterere according to Act of Congress A.D. 1862 at the Clerk's Office of the Dt. Ct. of the En. Dt. of Pa. by Lee & Walker. 180462 <hr /> 4 Chorus. Treble. Old Abe Lincoln is the man for me, Old Abe Lincoln is the man for thee: Alto. Tenor. Old Abe Lincoln is the man for me, Old Abe Lincoln is the man for thee: Bass. Piano. Old Abe Lincoln is the man for all, He can whip old Jeff and old Stonewall. Old Abe Lincoln is the man for all, He can whip old Jeff and old Stonewall. 8755.4. <hr /> 5 4th. 5th. & 6th Verses. Voice 4. He means to do what he always said, He 5. The proclamation the last and the best, Is 6. God bless the old man and all his folks, Piano. sticks to the notions in his head, The good old Union must liked first rate both east and west, But Richmond gets quite red recesh will find out that he's not a hoax, He's soft in words but he's Chorus. stay just so, For it wont do to break it in two. in the face, To learn of the Nigger's day of grace. hard in blows, He can whip whoever may oppose. 8755.4 <hr /> A list of Songs, Waltzes, Polkas, Marches, &c. embellished with handsome lithographs, Published and for sale by Lee & Walker, No. 722 Chestnut Street, Philadelphia. SONGS. <ul> <li>American Flag. Words by Drake,Music by Bellini 40 </li> </ul> A Little more Grape, Captain Bragg. W.J. Lemon, 25 Age (The) of Gold, California, Pearce, 25 Alma Mater, F.F. Hagen, 25 <ul> <li>America. Words by Lewis Dels, Cunnington, 25 </li> </ul> Banner of the Sea, Gen. W. Hewitt, 50 Beautiful is the Sea, J.W. Cherry, 35 Benny Jenny Dean. Words by Lewis Dels, C. Clifford, 25 Beautiful Venice, J.P. Knight, 25 Benny Flora May, O.P. Perry, 25 Child of the Regiment, Donivetti, 25 Come when you will, I've a welcome for you. Likeness of A. Patti, W. Lansdon, 30 Cavalier, C.W. Glover, 25 Cow and the Ass, S. Glover, 25 Columbia, the Gem of the Ocean, D.T. Shaw, 25 Dream (The), (Jenny Lind,) Dearest, I am ever Thine, E.L. Walker, 50 <ul> <li>Dog and Cat, (Comic,) H. Walker, 40 </li> </ul> Dreams of Home, A.B. Durand, 35 Day of Parting; or, I must leave Thee, Dearest, E. Luckman, 25 Dear Mary, Smile, G. Anton, 25 Dear Summer Morn, S. Glover, 25 Farewell, my Fatherland, (Jenny Lind,) 25 Fall of Mischief, F. Drayton, 25 Flower-Girl (The), (La Florja,) Arr. by C. Everest, P. [Citantti?,] 40 Folks that Put on Airs, (Comic,) W.H. Carlson, 25 For you I Live, J.C. Meininger, 25 First of April, (Comic,) C. Minard, 40 Golden Moon, A. Hawthorne, 25 Gentle Maiden, W.J. Lemon, 35 Gentle Warning, (plain,) J.J. Haman, 25 <ul> <li>Gentle Warning, " 35 </li> </ul> <ul> <li>Gideon's Band, C.R. Dodworth, 30 </li> </ul> "Guardian Angel," J. Blockley, 25 <ul> <li>Hail, Columbia, 25 </li> </ul> <ul> <li>Hail, Columbia, (as sung by Parodi,) 25 </li> </ul> He sleeps, but not amid the Arctic Snows, J.C. Beckel, 25 Happy as a Queen, F. Drayton, 25 Hopity Kickety -- High and Low. A Regular Cure. (As sung by Frank Drew,) 30 Hope on, and yet Rejoice, W.C. Glover, 25 Home, Sweet Home, H.R. Bishop, 25 <ul> <li>How Sweet are the Roses, A. Hawthorne, 50 </li> </ul> I've left my Snow-Clad Hills, (Jenny Lind,) G. Linley, 25 I am not the Wild Creature I seem, J. Daly, 50 Ida May, N. Morton, 25 Isolitan, (English, German, and Italian words,) Sigelli, 40 I would I were a Bird, Dearest, T.A. Burke, 25 <ul> <li>Juaran Colm's fair Isle, S. Winner, 25 </li> </ul> Keepsake, (a sequel to The Cavalier,) C.W. Glover, 25 Kissing thro' the Bars, S. Winner, 25 Kitty Tyrrell, " 25 <ul> <li>Love's Perfect Cure, (sung by Frank Drew,) 30 </li> </ul> <ul> <li>Ladies' Opportunity (The), Minazi, 40 </li> </ul> Lord's Prayer, (Sacred,) S. Glover, 50 <ul> <li>Lord's Prayer, (Sacred,) " 60 </li> </ul> Laurie's Cottage, S. Markstein, 25 Lowland Sallie, C. Clifford, 25 Like the Song of Birds in Summer, J.W. Cherry, 25 My New England Home, L. Wade, 25 My Southern Home, J.T.S. Sullivan, 25 My Cottage Home, A. Hawthorne, 25 My Home, my Happy Home, (Jenny Lind,) G.A. Hodsom, 25 My Good Old Darkey Home, J.A. Janke, 25 My Old Thatched Cot, F. Drayton, 25 Mother (The) and her Child, (sung by Gazzanigs,) English, French, and German words, C. Donizetti, 40 <ul> <li>Marseillaise (La) Hymn, 25 </li> </ul> <ul> <li>Marseillaise Hymn, (sung by Parodi,) 25 </li> </ul> <ul> <li>Maid in the Moon, H. Walker, 40 </li> </ul> Maiden of the Sunny Clime, F. Romer, 35 National Union, C. Collins, 25 Nothing to Wear, (Comic,) S. Winner, 25 Nobody's Boy, f. Drayton, 25 Octoroon, A. Steele, 50 Our Good Old Friends, A. Hawthorne, 25 Oh, Woo me not from my Cottage Home, J.C. Beckel, 25 <ul> <li>Only a Child, A. Hawthorne, 50 </li> </ul> <ul> <li>Old Ironsides, C.T. Frey, 40 </li> </ul> Officer's Funeral, (Song or Quartette.) Mrs. Norton, 35 Only Waiting, (Sung by Miss C. Richings,) Geo. Kunkel, 40 Old Maid, E. Winner, 25 <ul> <li>Pin-Money, H. Walker, 40 </li> </ul> <ul> <li>Pet of the Cradle, A. Hawthorne, 50 </li> </ul> Resting-Place of Washington, D.T. Shaw, 25 <ul> <li>Red, White, and Blue of '61, A. Bachman, 25 </li> </ul> Robin (The), S. Glover, 35 Rock beside the Sea, C. Converse, Rataplan, (Jenny Lind,) 25 <ul> <li>Stir the Fire, Composer of "Old Chimney Corner," 50 </li> </ul> <ul> <li>Shells of Ocean, J.W. Cherry, 25 </li> </ul> <ul> <li>Soldier's Vision, C. Everest, 40 </li> </ul> Sporting of the Village Green, E. Glover, 25 <ul> <li>Sweet Women, J.L. Emerson, 25 </li> </ul> <ul> <li>Stars and Stripes, L. Benkert, 25 </li> </ul> <ul> <li> Stars and Stripes Forever, W.J. Lemon, 40 </li> </ul> <ul> <li>Star-Spangled Banner, 25 </li> </ul> <ul> <li>Star-Spangled Banner, (as sung by Paroll,) 25 </li> </ul> Song of the Farmer, A. Hawthorne, 25 Saucy Kate, W.P. Cunnington, 25 Sea-King's Bride, (Jenny Lind,) Ahlstroun, 25 Stars of Heaven are gleaming, (Jenny Lind,) Ahlstroun, 25 Search Thro' the Wide World, (Jenny Lind,) 25 Secret Flowers, F. Drayton, 25 Silver Spring, Haas, 25 Sleep, my child! (La Jeune Mere), Schubert, 25 <ul> <li>Tribute to the memory of Col. Ellsworth, W.J. Lemon, 50 </li> </ul> Twinkle, twinkle, Little Star, S. Glover, 25 Uncle Sam, H. Paul, 35 We do think of thee at Home, C. Everest, 30 "We praise thee, O God," (Sacred,) 25 Welcome to Florence, A. Neumayer, 25 <ul> <li>Washington's Tomb, C. Clifford, 35 </li> </ul> Who'll come and play with me? S. Glover, 25 Wife's dream, M.H. Cross, 25 Would I were with thee, Bosetti, 25 Won't you come along? F. Drayton, 25 <ul> <li>Waves of Ocean, F. Shrival, 50 </li> </ul> <ul> <li>Yankee Doodle, 25 </li> </ul> <ul> <li>Yankee Doodle, (as sung by Parodi,) 25 </li> </ul> WALTZES & REDOWAS. Beautiful is the Sea, De Bubna, 25 Ballet, (Parlor Music,) C. Grobe, 25 Corinne, L. Wallis, 35 <ul> <li>Clorinda, Gaston de Lille, 50 </li> </ul> <ul> <li>Emma, (likeness of Miss Emma Taylor,) Candidus, 50 </li> </ul> <ul> <li>Florentine (La), F. Burgmuller, 35 </li> </ul> <ul> <li>Flower of the Field, Chaz. V Albert, 50 </li> </ul> Fontaine (La) aux Perles, F. Burgmuller, 25 Grandfather, W. Fisher, 25 Grandmother, W. Fisher, 25 Galante (La), C. Marcailhou, 15 Hero and Leander Waltzes, C.V. Albert 75 <ul> <li>Moselle, Gaston de Lille, 50 </li> </ul> Modeste (La), C. Marcailhou, 15 Malvina, G. Blessner, 25 Prude (La), C. Marcailhou, 15 Princess of Belgium, Musard, 50 Remembrance Waltzes, R.F. Hunt, 50 Romarin (La), or Rosemary, Trou, 25 <ul> <li>Shells of Ocean Redowa Waltz, C. Grube, 25 </li> </ul> Three Sisters, (three waltzes,) A. Le Carpentier, No. 1 Antonia, 25 No. 2 Aurelie, 25 No. 3. Clara, 25 Thalberg Waltzes, C.D. Albert, 50 United States Grand, C. Grobe, 25 Verona, W. Smallwood, 50 <ul> <li>Vert Vert Redowa, C. Marcailhou, 25 </li> </ul> Wyoming, S.W., 25 Wedding, C. Sahm, 35 GALOPS. Chao Kang, (Galop Chinois,) G. Blezzner, 25 Departure, (Parlor Music,) C. Grobe, 25 <ul> <li>Emperor's C.D. Albert, 50 </li> </ul> <ul> <li>Fast Line, J.N. Beck, 35 </li> </ul> Japanese, E.M. Porter, 30 <ul> <li>Sunny South, (La Halans,) Wm. S. Ewing, Jr., 50 </li> </ul> <ul> <li>Snow-Drift, Gaston de Lille, 50 </li> </ul> <ul> <li>Tamberlik, (good likeness of Tamberlik,) Musard, 50 </li> </ul> POLKAS AND MAZURKAS. <ul> <li>April Shower Mazurka, E. Mack, 50 </li> </ul> Banjo, (Parlor Music,) C. Grobe, 25 Bath Springs, L.O. Tombler, 35 Bloomer, M. Keller, 25 <ul> <li>Camille, (good likeness of Mrs. Bowers,) C. Grobe, 50 </li> </ul> City Museum, A. Scherzer, 25 Carte Blanche Mazurka, (Parlor Music,) C. Grobe, 25 <ul> <li>Cygnet, J.N. Beck, 25 </li> </ul> <ul> <li>Danse des Roses, C. Marcailhou, 25 </li> </ul> Diana, Musard, 40 Dilettanti Polka Mazurka, H.D. Hewitt, 25 Girard House, C.F. Stein, 25 Gazzaniga Polka Redowa, L. Albiters, 30 Graziella, C. Sahm, 30 <ul> <li>Homage, A. Raffelin, 25 </li> </ul> <ul> <li>Identical, J.A. Darling, 25 </li> </ul> <ul> <li>Japanese, (correct view of Jeddo,) Gaston de Lille, 50 </li> </ul> <ul> <li>Jessamine, N. Goodman, 35 </li> </ul> Leon Polka, M. Malcomb, 25 <ul> <li>Mnieteer, L. Williams, 50 </li> </ul> Old North State, M.M. Warner, 35 Our American Cousin Polka, C. Jarvis, 35 Pierre (La) Polka, H.C. Harris, 25 <ul> <li>Prairie Flower, F.F. Meroeron, 35 </li> </ul> <ul> <li>Plough Boy, J. Parry, 35 </li> </ul> Photographie, M.H. Cross, 25 <ul> <li>Patriotic, H. Prince, 50 </li> </ul> Pierre de Medicis Polka Mazurka, Musard, 40 Prince Royal, C. Grobe, 40 <ul> <li>Prince Royal, " 50 </li> </ul> Printanieres (Les), three Polkas, F. Burgmuller, No. 1. Eglantine, 15 No. 2. Brunette, 15 No. 3 Benedetta, 15 Riense (La), C. Sahm, 25 Rosa's, (Parlor Music,) C. Grobe, 25 Rustic, F. Drayton, 25 Sea-Beach Polka, G.L. Walker, 50 <ul> <li>Syren, M. Schneider, 40 </li> </ul> Sontag, (2 or 4 hands,) D. Albert, 25 <ul> <li>Scotch. " 50 </li> </ul> <ul> <li>St. Lawrence Tubular Bridge Polka Mazurka, W.H., 35 </li> </ul> Tommy, C. Grobe, 40 <ul> <li>Tommy, " 50 </li> </ul> Vaillance, J. Ascher, 25 Wissahickon, (2 or 4 hands,) F. Drayton, 25 <ul> <li>Winter's Night, Gaston de Lille, 50 </li> </ul> Woodburn, Gen. L. Walker, 20 White Violet, (Parlor Music,) C. Grobe, 25 SCHOTTISCHES. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301100 180865877 Title A name given to the resource The Old Chieftain Description An account of the resource Song calling for continued support for Lincoln's leadership of the Union war effort. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Henry, Edwin Sheet music Creator An entity primarily responsible for making the resource Henry, Edwin Contributor An entity responsible for making contributions to the resource Lee & Walker Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Continue Transcribing Weight A 6-digit number used to sort items quickly. 2000 https://chroniclingillinois.org/files/original/92c8b3bba8585eb0c08375ebe6e62238.pdf c803a81cc9a18207a1452ad536fd0ed1 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OLD ABE POLKA Composed for Piano for B. Leidersdorf & Co. Manufacturers of Old Abe Tobaccos We extend our compliments to all friends of Honest 'Old Abe' who is the patron of the 'Old Abe' Chewing & Smoking Tobaccos so popular all over the country. We bespeak your friendship for it and remain Yours very truly B. Leidersdorf & Co. Sole proprietors and Manufacturers. <hr /> OLD ABE POLKA Introduction [sheet music] <hr /> [sheet music] <hr /> [sheet music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301099 711255035 Title A name given to the resource Old Abe Polka Description An account of the resource Cover depicts pictures of Abraham Lincoln and uses his image for advirtisements for tobacco products. The cover also depicts pictures of African American slaves. B. Leidersdorf manufactures of Old Abe Tobaccos. "We extend our compliments to all friends of Honest Old Abe who is the patron of the Old Abe chewing and smoking tobaccos so popular all over the country. We bespeak your friendship and remain.." Subject The topic of the resource Lincoln, Abraham, 1809-1865 Leidersdorf B. and co Sheet music Polka (Dance) Creator An entity primarily responsible for making the resource No information avaiable on the composer. Contributor An entity responsible for making contributions to the resource Litho. & Engr. Company Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Milwaukee Date A point or period of time associated with an event in the lifecycle of the resource 1880 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. OLD ABE POLKA Composed for Piano for B. Leidersdorf & Co. Manufacturers of Old Abe Tobaccos We extend our compliments to all friends of Honest 'Old Abe' who is the patron of the 'Old Abe' Chewing & Smoking Tobaccos so popular all over the country. We bespeak your friendship for it and remain Yours very truly B. Leidersdorf & Co. Sole proprietors and Manufacturers. <hr /> OLD ABE POLKA Introduction [sheet music] <hr /> [sheet music] <hr /> [sheet music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/5d29c46477bb608b0be9eef414a7d552.pdf 0fea977046cc9d357b131d26279c0c29 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Old Abe has gone & did it, boys. Song & Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2 Chicago. Published by H.M. Higgins 117 Randolph St. Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois <hr /> 2 OLD ABE HAS GONE AND DID IT, BOYS. Song & Chorus. Words by S. Fillmore Bennett. Music by J.P. Webster. Calore. 1. O, ye niggers, come along For I's 2. Now I tell you, by de way, Massa 3. Massa Burnside take de view, Dat de 4. But McClellan tho't de way, Was to gwine to sing a song, An' I warn you dat you keep it mighty still; But dis Fremont first did say, In Missouri, where de bellien was so strong, Dat de nigger am as true As de white folks, or as any oder man; So he hab de niggers stay, Diggin' trenches for de rebels in de sun, While de <hr /> darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill. nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong. nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan. Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun. Chorus. Air. 1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole 2. But now he's gone &c. Alto. 3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole 9. For Ole Abe has gone an' did it, boys, Tenor. 1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole Bass. Piano Ole Abe has gone an' did it, boys. <hr /> 4 Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Glory, Glory Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Ole Abe has gone an' did it, boys. <hr /> 5 Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &c. 6 I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But Ole Abe &c. 7 O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &c. 8 O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &c. 9 Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &c. Ole Abe has gone an' did it boys. Pearson Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301098 180866034 Title A name given to the resource Old Abe Has Gone & Did It, Boys Description An account of the resource Satirical song about Union policies towards slaves. Subject The topic of the resource Bennett, Sanford Fillmore, 1836-1898 Webster, Joseph Phillbrick, 1819-1875 Sheet music Slaves--Emancipation Creator An entity primarily responsible for making the resource Bennett, S. Fillmore and Webster, J. P. Contributor An entity responsible for making contributions to the resource H. M. Higgins Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Old Abe has gone & did it, boys. Song & Chorus Words by S. Fillmore Bennett. Music by J.P. Webster. 2 1/2 Chicago. Published by H.M. Higgins 117 Randolph St. Entered according to Act of Congress 1862 by H.M. Higgins in the District Office of the District Court of the Northern District of Illinois <hr /> 2 OLD ABE HAS GONE AND DID IT, BOYS. Song & Chorus. Words by S. Fillmore Bennett. Music by J.P. Webster. Calore. 1. O, ye niggers, come along For I's 2. Now I tell you, by de way, Massa 3. Massa Burnside take de view, Dat de 4. But McClellan tho't de way, Was to gwine to sing a song, An' I warn you dat you keep it mighty still; But dis Fremont first did say, In Missouri, where de bellien was so strong, Dat de nigger am as true As de white folks, or as any oder man; So he hab de niggers stay, Diggin' trenches for de rebels in de sun, While de <hr /> darkey heard em say, His own self dis berry day, Dat Ole Abe had went, an' gone and sign'd de bill. nigger mus' be free, But Abe didn't jes agree, So he "modify," an' dat we tink was wrong. nebber dribe us back, When de hound was on our track, An' de Lord stan' by him ebry time he plan. Yankee sojers work, With de shovel and de dirt, When dey ought to use de saber an' de gun. Chorus. Air. 1. Yes, Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole 2. But now he's gone &c. Alto. 3,4,5,6,7,8. But Ole Abe has gone an' did it, boys, Glory, hallelujerum! Ole 9. For Ole Abe has gone an' did it, boys, Tenor. 1. Yes, Ole Abe has gone an' did it, boys, Glory, Hallelujerum! Ole Bass. Piano Ole Abe has gone an' did it, boys. <hr /> 4 Abe has gone an' did it, boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Abe has gone an' did it boys, Oh! Glory! Ole Abe has gone an' did it, boys, he's Glory, Glory Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Signed de confiscation laws, Liberty an' freedom ours, Oh! Glory! Ole Abe has gone an' did it, boys. <hr /> 5 Massa Hunter did contend Dat de Gober'ment depend On de nigger with his pick-axe an' his spade; Dat de Yankee boys could fight, But dey nebber tink it right, For to take up diggin' ditches as a trade. But Ole Abe &c. 6 I spose de white folks know Dat ole massa Colyer go, For to teach de niggers how to write an' read; But dat Stanley, Linkum send, To de people did contend, Dat ob such a ting we niggers hab no need. But Ole Abe &c. 7 O, de niggers like to tell, Massa Halleck, mighty well, When de rebels dere at Corinth run away, But ob course, dat couldn't be, When his "order number tree," Dribe de niggers out beyon' de lines to stay. But Ole Abe &c. 8 O, ye niggers, let us sing Hallelujah to de King, Dat de Lord may bress de Yankee sogers brave! O, I tink I hear dey'r song, As dey proudly march along, To redeem de poor an' broken-hearted slave. But Ole Abe &c. 9 Bress de Lord foreber more, For we almos' see de shore Ob de happy land ob Canaan in sight! An' our eyes, dat look in tears Through de long an' bitter years, Catch de gleamin' ob de comin' ob de light! For Ole Abe &c. Ole Abe has gone an' did it boys. Pearson Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20