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                    <text>&lt;p&gt;'63 IS THE JUBILEE. Words by J.L. Greene. Music by D.A. French.  2 1/2
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY  95 Clark St. CHICAGO.
&lt;/p&gt;&lt;p&gt;S. Brainard &amp;amp; Co.--Cleveland. H. Tolman &amp;amp; Co.--Boston.  H.N. Hempsted--Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court for the Northn. Dist. of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;SIXTY-THREE IS THE JUBILEE.  Words by J.L. Greene. Music by D.A. French.
&lt;/p&gt;&lt;p&gt;Allegretto. INTRODUCTION
&lt;/p&gt;&lt;p&gt;1. Oh darkeys hab ye
&lt;/p&gt;&lt;p&gt;2. Old Massa, he hab
&lt;/p&gt;&lt;p&gt;3. No more we'll work for
&lt;/p&gt;&lt;p&gt;4. Dar'll be a big skedaddle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heerd it, hab ye heerd de joyful news; Uncle
&lt;/p&gt;&lt;p&gt;heerd it, dont it make him awful blue. Wont Ole
&lt;/p&gt;&lt;p&gt;nuffin, but we'll own a little farm, And no
&lt;/p&gt;&lt;p&gt;now old sixty-three hab come, And de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abra'm's gwine to free us and he'll send us where we chuse; For de
&lt;/p&gt;&lt;p&gt;Missus be a ravin when she finds it comin true; Specs dar'll
&lt;/p&gt;&lt;p&gt;more dey'll sell our children, but we'll keep 'em all from harm; And no
&lt;/p&gt;&lt;p&gt;darkeys now, will holler, 'till dey make de country hum. Oh we
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Jubilee is comin, dont ye sniff it in de air; And
&lt;/p&gt;&lt;p&gt;be a dreffle shakin, such as Jeffy cannot stand, Cause
&lt;/p&gt;&lt;p&gt;more we'll pick de cotton, and no more we'll feel de lash, We'll
&lt;/p&gt;&lt;p&gt;tanks Ole Uncle Abra'm, yes, we brees him day and night, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty-three is de Jubilee, for de darkeys ebrywhere.
&lt;/p&gt;&lt;p&gt;kingdom kum is a movin now, and a clawin tro' de land.
&lt;/p&gt;&lt;p&gt;shout, and drum on de ole banjo, 'till we break it all to smash.
&lt;/p&gt;&lt;p&gt;pray de Lord bress de Union folks, and de battle for de right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;&lt;p&gt;sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>63 is the Jubilee</text>
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                <text>Lyrics written in stereotypical 19th century African American dialect. Lyrics discuss the emancipation of slaves in 1863. Cover depicts a flag draped around a pole.</text>
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                <text> Sheet music</text>
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                <text> Greene, Jacob Lyman, 1837-1905</text>
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                <text> French, D. A.</text>
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                <text> Slavery</text>
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                <text> Slaves--Emancipation</text>
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                <text> Emancipation Proclamation (United States. President (1861-1865 : Lincoln))</text>
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                <text> Lincoln, Abraham, 1809-1865</text>
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                <text>Jacob Lyman Greene and D. A. French</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>1863</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;'63 IS THE JUBILEE. Words by J.L. Greene. Music by D.A. French.  2 1/2
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY  95 Clark St. CHICAGO.
&lt;/p&gt;&lt;p&gt;S. Brainard &amp;amp; Co.--Cleveland. H. Tolman &amp;amp; Co.--Boston.  H.N. Hempsted--Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court for the Northn. Dist. of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;SIXTY-THREE IS THE JUBILEE.  Words by J.L. Greene. Music by D.A. French.
&lt;/p&gt;&lt;p&gt;Allegretto. INTRODUCTION
&lt;/p&gt;&lt;p&gt;1. Oh darkeys hab ye
&lt;/p&gt;&lt;p&gt;2. Old Massa, he hab
&lt;/p&gt;&lt;p&gt;3. No more we'll work for
&lt;/p&gt;&lt;p&gt;4. Dar'll be a big skedaddle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heerd it, hab ye heerd de joyful news; Uncle
&lt;/p&gt;&lt;p&gt;heerd it, dont it make him awful blue. Wont Ole
&lt;/p&gt;&lt;p&gt;nuffin, but we'll own a little farm, And no
&lt;/p&gt;&lt;p&gt;now old sixty-three hab come, And de
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Abra'm's gwine to free us and he'll send us where we chuse; For de
&lt;/p&gt;&lt;p&gt;Missus be a ravin when she finds it comin true; Specs dar'll
&lt;/p&gt;&lt;p&gt;more dey'll sell our children, but we'll keep 'em all from harm; And no
&lt;/p&gt;&lt;p&gt;darkeys now, will holler, 'till dey make de country hum. Oh we
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Jubilee is comin, dont ye sniff it in de air; And
&lt;/p&gt;&lt;p&gt;be a dreffle shakin, such as Jeffy cannot stand, Cause
&lt;/p&gt;&lt;p&gt;more we'll pick de cotton, and no more we'll feel de lash, We'll
&lt;/p&gt;&lt;p&gt;tanks Ole Uncle Abra'm, yes, we brees him day and night, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty-three is de Jubilee, for de darkeys ebrywhere.
&lt;/p&gt;&lt;p&gt;kingdom kum is a movin now, and a clawin tro' de land.
&lt;/p&gt;&lt;p&gt;shout, and drum on de ole banjo, 'till we break it all to smash.
&lt;/p&gt;&lt;p&gt;pray de Lord bress de Union folks, and de battle for de right.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;Oh de Jubilee is comin, Dont you sniff it in de air; And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;&lt;p&gt;sixty three is de Jubilee, For de darkeys ebry where.
&lt;/p&gt;
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                <text>100</text>
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        <src>https://chroniclingillinois.org/files/original/2cbff1a26d5fb31195ee7a4779adbfdb.pdf</src>
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                    <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>600,000 More, We are Coming Father Abram!</text>
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                <text>Lyrics depict 600,000 men leaving their daily lives to join United States military during the Civil War.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> War songs</text>
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                <text> Popular music</text>
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                <text>&lt;p&gt;600,000
&lt;/p&gt;&lt;p&gt;MORE
&lt;/p&gt;&lt;p&gt;We Are Coming Father Abram!
&lt;/p&gt;&lt;p&gt;SONG &amp;amp; CHORUS BY
&lt;/p&gt;&lt;p&gt;A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;PRICE 25 CENTS.
&lt;/p&gt;&lt;p&gt;CLEVELAND:
&lt;/p&gt;&lt;p&gt;PUBLISHED BY S. BRAINARD &amp;amp; CO.,
&lt;/p&gt;&lt;p&gt;Cincinnati; A. C. PETERS &amp;amp; BRO.    New York; POND &amp;amp; CO.    Philadelphia; LEE &amp;amp; WALKER.    Chicago;    H. M. HIGGINS.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A. D. 1862 by S. Brainard &amp;amp; Co., in the Clerk's office of the Dist. Court of Ohio.
&lt;/p&gt;&lt;p&gt;E. COWLES &amp;amp; CO., PRINTERS.
&lt;/p&gt;&lt;p&gt;SIX HUNDRED THOUSAND MORE.
&lt;/p&gt;&lt;p&gt;BY A VOLUNTEER.
&lt;/p&gt;&lt;p&gt;MARCATO,
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, six hundred thousand more, From Mississipi's winding stream and from New England's shore; We leave our plows and workshops our wives and children dear, With hearts too full for ut-terance with but a silent tear; Oh we dare not look behind us, but steadfastly before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;2. If you look across the hilltops that meet the northern sky, Long moving lines of rising dust your vis-ion may de-cry, And now the wind an instant, tears the cloudy veil a-side, And floats aloft our spangled flag in glory and in pride; And bayonets in the sunlight gleam, and bands brave music play- We are coming, Father Abr'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may see our sturdy farmer boys fast forming in to line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow a gainst their country's needs; And a farewell group stand weeping at every  cottage door- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmonds bloody tide, To lay us down for freedom's sake, our brothers bones be side; Or from foul treason's savage groups to wrench the murderous blade, And in the face of foreign foes its fragments to parade; Six hundred thousand loyal men and true have gone before- We are coming, Father Abra'am Six hundred thousand more!
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;SOP; We are coming, we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;ALTO; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;&lt;p&gt;TENOR/BASS; we are coming, Our Union to re-store; We are com-ing Fa-ther Abra'am With Six hundred thous-and more.
&lt;/p&gt;
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                    <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>2</text>
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                <text>The Ship of State: Wide-Awake Song</text>
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                <text>Lyrics depict United States as a battleship damaged over previous 4 years under James Buchanan and expresses hope for the election of Abraham Lincoln.&lt;br /&gt;&lt;br /&gt;The Wide Awakes were organized, uniformed chapters of young men who campaigned and marched for a Republican victory in the presidential election of 1860.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Campaign songs</text>
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                <text>E. W. Locke</text>
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                <text>Chicago</text>
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                <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;FEATURED BY PIERCE AND ROSLYN
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard.  "Big Bill" went to Yale.
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY WILL HARDY
&lt;/p&gt;&lt;p&gt;181 Tremont St. Bostonia Publishing Co. Boston, Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;Moderato. Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sounds of mirth and music mingled
&lt;/p&gt;&lt;p&gt;Cheer your football heroes boys and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in a "swell" café, College boys were celebrating there;
&lt;/p&gt;&lt;p&gt;tell of how they won, Boys who wore the crimson or the blue;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Drinking to the heroes of the game they played that day,
&lt;/p&gt;&lt;p&gt;Don't forget those other heroes back in Sixty One,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1910, by Will S. Hardy
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Cheers for Yale and Harvard filled the air; Suddenly a
&lt;/p&gt;&lt;p&gt;Boys who fought to make a chance for you; Cheer for Taft and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
vet'ran who by chance was sitting near, Rose and said "Boys, here's a toast before I
&lt;/p&gt;&lt;p&gt;Teddy drink to Yale and Harvard too, May their names be loved and honored ev'ry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
go While you sing a song of praise to your happy college
&lt;/p&gt;&lt;p&gt;where; But fill your glasses fill them full to the little old red
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
days don't forget the old red school I used to know. Now
&lt;/p&gt;&lt;p&gt;school don't forget that Lincoln graduated there. Now
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus--not too fast
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard, "Big Bill" went to Yale; Here's to them! Long years to them! and hearts that never fail; But ere your feast is ended Before the night is spent, Won't you drink to the old red school-house boys? For that's where Lincoln went.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRY THIS OVER ON YOUR PIANO THAT'S "SOME" HONEYMOON.
&lt;/p&gt;&lt;p&gt;CHORUS (not fast)  Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;Out on the sea, with the wind blowing free, You can sit way back by the old smoke-stack, Oh, you hug and Oh, you smack! Let the breezes of June play a tune while you spoon There are only two, she and you; That's "some" honeymoon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1911, by Bostonia Publishing Co. 181 Tremont St., Boston, Mass. International Copyright Secured
&lt;/p&gt;&lt;p&gt;This song for sale at all music stores or will be mailed past paid by the publishers on receipt of 20 cts (Two Dimes)
&lt;/p&gt;&lt;p&gt;COMPLETE COPIES AT ALL MUSIC STORES
&lt;/p&gt;
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                <text>Lyrics depict attending college with emphasis on Theodore Roosevelt attending Harvard and William Taft attending Yale with reference to Lincoln's schooling. Color illustrated cover; eagle resting on wreath that surrounds log cabin. Back cover includes music for "That's some honeymoon" by Will Hardy.</text>
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                <text>&lt;p&gt;FEATURED BY PIERCE AND ROSLYN
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard.  "Big Bill" went to Yale.
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY WILL HARDY
&lt;/p&gt;&lt;p&gt;181 Tremont St. Bostonia Publishing Co. Boston, Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE SCHOOL WHERE LINCOLN WENT
&lt;/p&gt;&lt;p&gt;Moderato. Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Sounds of mirth and music mingled
&lt;/p&gt;&lt;p&gt;Cheer your football heroes boys and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
in a "swell" café, College boys were celebrating there;
&lt;/p&gt;&lt;p&gt;tell of how they won, Boys who wore the crimson or the blue;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Drinking to the heroes of the game they played that day,
&lt;/p&gt;&lt;p&gt;Don't forget those other heroes back in Sixty One,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1910, by Will S. Hardy
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Cheers for Yale and Harvard filled the air; Suddenly a
&lt;/p&gt;&lt;p&gt;Boys who fought to make a chance for you; Cheer for Taft and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
vet'ran who by chance was sitting near, Rose and said "Boys, here's a toast before I
&lt;/p&gt;&lt;p&gt;Teddy drink to Yale and Harvard too, May their names be loved and honored ev'ry
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
go While you sing a song of praise to your happy college
&lt;/p&gt;&lt;p&gt;where; But fill your glasses fill them full to the little old red
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
days don't forget the old red school I used to know. Now
&lt;/p&gt;&lt;p&gt;school don't forget that Lincoln graduated there. Now
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Chorus--not too fast
&lt;/p&gt;&lt;p&gt;"Teddy" went to Harvard, "Big Bill" went to Yale; Here's to them! Long years to them! and hearts that never fail; But ere your feast is ended Before the night is spent, Won't you drink to the old red school-house boys? For that's where Lincoln went.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRY THIS OVER ON YOUR PIANO THAT'S "SOME" HONEYMOON.
&lt;/p&gt;&lt;p&gt;CHORUS (not fast)  Words and Music by Will Hardy
&lt;/p&gt;&lt;p&gt;Out on the sea, with the wind blowing free, You can sit way back by the old smoke-stack, Oh, you hug and Oh, you smack! Let the breezes of June play a tune while you spoon There are only two, she and you; That's "some" honeymoon
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright, 1911, by Bostonia Publishing Co. 181 Tremont St., Boston, Mass. International Copyright Secured
&lt;/p&gt;&lt;p&gt;This song for sale at all music stores or will be mailed past paid by the publishers on receipt of 20 cts (Two Dimes)
&lt;/p&gt;&lt;p&gt;COMPLETE COPIES AT ALL MUSIC STORES
&lt;/p&gt;
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                    <text>&lt;p&gt;THE SAVIOR OF OUR COUNTRY Dedicated to Little Willie by O. Wheelock. Published by John Marsh Philadelphia.  I.N. Rosenthal Lith. 327 Walnut St. Philada.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;To Little Willie Lincoln. THE SAVIOR OF OUR COUNTRY.
&lt;/p&gt;&lt;p&gt;Com: by James W. Porter.
&lt;/p&gt;&lt;p&gt;Alla Capella. Op: 479
&lt;/p&gt;&lt;p&gt;2. God is Father! God is dear! May I have two Fathers here?
&lt;/p&gt;&lt;p&gt;1. Father! when on earth you fell Father! was my Mother well?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Father! on our Golden pave, Gingles something from your grave!
&lt;/p&gt;&lt;p&gt;When I fell your Mother cried! Then unconiously I died.
&lt;/p&gt;&lt;p&gt;Etd. acc. to Act of Con. A.D. 1865 by J. Marsh in the Clks. Office of the Dt. Ct. of the Eastern Dt. of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Willie! yes, Four Million Chains, Bring I here where Justice Reigns,
&lt;/p&gt;&lt;p&gt;Glory forms our sunlight here! Astral Lamps our Chandelier!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
From the Land your Father saves! Chains that bound Four Million Slaves!
&lt;/p&gt;&lt;p&gt;Rode your here among the stars, In a train of silver cars!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Chorus.
&lt;/p&gt;&lt;p&gt;Air. 2nd Treb. Willie! on the earth look back! Father! tis a speck of black!
&lt;/p&gt;&lt;p&gt;Tenor. Bass. Willie! on the earth look back! Father! tis a speck of black!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Robed in Mourning as you see! Mourns the Earth for you and me!
&lt;/p&gt;&lt;p&gt;Robed in Mourning as you see! Mourns the Earth for you and me!
&lt;/p&gt;&lt;p&gt;3. I have conquered all the Land!  I have made the South my friend! Who four years my power defied! In my Glory's zenith died! Willie! on the earth look back! Father! 'tis a speck of black? Robed in Mourning as you see! Mourns the Earth for you and me!  Chorus.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MARSH'S MUSIC STORE, No. 1029 Chestnut Street, Philadelphia. CONSTANTLY PUBLISHING AND RECEIVING NEW MUSIC FROM ALL PARTS OF THE U.S. Dealers, Schools and Professors supplied on reasonable terms. MUSICAL INSTRUMENTS AND MUSICAL MERCHANDISE OF EVERY DESCRIPTION, WHOLESALE AND RETAIL.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Annie Worthington, Little, 30 A Song which we can heartily recommend.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Flag, 35. With Lithograph. Too well known to need comment.
&lt;/p&gt;&lt;p&gt;Clara Day, Frank, 30 A ballad which bids fair to become one of the most popular of the times.
&lt;/p&gt;&lt;p&gt;Dawn of Freedom, Ladd, 30  Song and Chorus, beautifully harmonized.
&lt;/p&gt;&lt;p&gt;Drummer Boy of Vicksburg, DeGeer, 30. A very touching Song and Chorus.
&lt;/p&gt;&lt;p&gt;Grant's the Man, Darling, 30 A sprightly melody, fast growing into favor as an admirable army song.
&lt;/p&gt;&lt;p&gt;I can't love again, Hervey, 30. Graceful melody and excellent words.
&lt;/p&gt;&lt;p&gt;Little Mac! you're the very Man, Foster. 35 Campaign Song for the times.
&lt;/p&gt;&lt;p&gt;Last of the Alabama, Eastburn, 35  Song and Chorus. Always greeted with unbounded applause. Same with Lithograph Title, 50
&lt;/p&gt;&lt;p&gt;Romping Bessie, Porter, 30  A merry ballad, with a sweet flowing melody, which never fails to please.
&lt;/p&gt;&lt;p&gt;Think not I'll forget Thee, Smith, 30 Very fine and classical melody.
&lt;/p&gt;&lt;p&gt;The Soldier Boy, Everly, 30 To hear is to admire it.
&lt;/p&gt;&lt;p&gt;"Oil on the Brain," Eastburn, 35 Song and Chorus. Immensely popular.
&lt;/p&gt;&lt;p&gt;Home of my Youth, Winner, 30 Song. Easy and pretty.
&lt;/p&gt;&lt;p&gt;On to Richmond, Frank, 30  Song and chorus. Stirring melody.
&lt;/p&gt;&lt;p&gt;Mother, how thy Love hath blest me, Ladd, 30 Song and Chorus. Beautiful and affecting.
&lt;/p&gt;&lt;p&gt;Sleep, Sweetly Sleep, Ladd, 30  Song and Chorus. Plaintive melody and fine words.
&lt;/p&gt;&lt;p&gt;"Struck Ile," (Comic) Angelo, 35 Song and Chorus. Very amusing, and good melody.
&lt;/p&gt;&lt;p&gt;Sherman's Bonnie Boys in Blue, Angelo, 35  Song and Chorus. Soul-stirring melody, and appropriate words.
&lt;/p&gt;&lt;p&gt;Gal with her Hair cut Curly, Angelo, 35  Song and Chorus. Irresistibly funny.
&lt;/p&gt;&lt;p&gt;Wild Gazelle, Beckel, 30 Ballad. One of the author's happiest efforts.
&lt;/p&gt;&lt;p&gt;Fond thoughts of Thee, Rynder, 30 Song and Chorus. One of the finest songs issued, and destined to become very popular.
&lt;/p&gt;&lt;p&gt;Don't Strike a Man when he's Down, Song and Chorus, Cunnington 30  Music as fine as the sentiment of the song.
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Bonnie Blue Schottische, Porter, 30  Introducing the popular melody of Bonnie Blue Flag. Simple, yet pleasing.
&lt;/p&gt;&lt;p&gt;Chirping Bird Schottische, Orth, 30 An entirely original and novel style. Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Loyal Schottische, Abbey, 30  Brilliant and beautiful.
&lt;/p&gt;&lt;p&gt;Schottische de Concert, Spencer, 35  A Grand Composition, one of which we never tire.
&lt;/p&gt;&lt;p&gt;Token Schottische, Rynder, 35   A brilliant and effective Composition, with a beautiful cross-hand movement. Destined to become very popular.
&lt;/p&gt;&lt;p&gt;Washing Day Schottische, Winner, 30  Introducing the celebrated Melody of Washing Day, and is one of the best Dancing Schottisches ever issued.
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Eva Polka, Cockerille, 30  Very Sweet and Musical.
&lt;/p&gt;&lt;p&gt;Little Family Polka, Mack, 35  With beautiful Lithograph. A Melody which is destined to become as familiar as household words.
&lt;/p&gt;&lt;p&gt;Sleigh Bell Polka, Withers, 30  Cheerful and immensely popular.
&lt;/p&gt;&lt;p&gt;Wicomisco Polka, Bassler, 30 Sparkling and very showy, without being difficult; in fact, a decided success.
&lt;/p&gt;&lt;p&gt;Campaign Polka, Walsh, 35 Sparkling Melody.
&lt;/p&gt;&lt;p&gt;WALTZES.
&lt;/p&gt;&lt;p&gt;American Fleet Waltz, Smith, 50  A piece which reflects great credit upon the author.
&lt;/p&gt;&lt;p&gt;Black Hawk Waltz, Walsh, 35  A fine melody in the popular style, and one which we at times find ourselves unconsciously humming. Not difficult.
&lt;/p&gt;&lt;p&gt;Faust Waltz, DeBubna, 35  Finest arrangement published.
&lt;/p&gt;&lt;p&gt;Matinee Waltz, Orth, 35 Neat and pretty Melody, not difficult.
&lt;/p&gt;&lt;p&gt;Sanitary Waltz, Rynder, 30  Brilliant and easy, good for dancing purposes.
&lt;/p&gt;&lt;p&gt;MARCHES &amp;amp; QUICKSTEPS.
&lt;/p&gt;&lt;p&gt;Butler Quickstep, Mack, 30 Suitable for ordinary performers.
&lt;/p&gt;&lt;p&gt;Com. Winslow's Grand Victory March, with beautiful Lithograph, DeBubna, 50 Very showy and fascinating melody.
&lt;/p&gt;&lt;p&gt;Flanker Quickstep, withers, 35  Written is true Military style.
&lt;/p&gt;&lt;p&gt;Grand March and Soldiers' Chorus, DeBubna, 35  From the Opera of Faust. A musical gem.
&lt;/p&gt;&lt;p&gt;Johnny's Return March, Mack, 30 Simple, pleasing, and designed for beginners.
&lt;/p&gt;&lt;p&gt;Sensation March, Orth, 30  A general favorite.
&lt;/p&gt;&lt;p&gt;RONDOS, &amp;amp;C.
&lt;/p&gt;&lt;p&gt;Captain with his Whiskers, Mack, 50 Brilliant variations. The melody of the Captain being so familiar to the American public, needs no comment.
&lt;/p&gt;&lt;p&gt;Faust--Complete, DeBubna, $1.00 Being a fine arrangement of the March, Gallop, Waltz and Soldiers' Chorus, from this beautiful Opera, blended in a masterly manner.
&lt;/p&gt;&lt;p&gt;Musican Volcano, DeBubna, 50 A Tremolo Etude, on a beautiful Air from Der Feen Reigen.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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              <text>36 cm</text>
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                <text>The Savior of Our Country</text>
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                <text>Lyrics depict mourning for Willie Lincoln and Abraham Lincoln at the point of Abraham Lincoln's death. Lyrics reference health of Abraham and Mary Lincoln at Willie's death. Although the song is dedicated to the memory of Willie, the cover image is taken from a Mathew Brady photograph of Lincoln looking through a photo album with his youngest son Tad.</text>
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                <text>Lincoln, William Wallace, 1850-1862</text>
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                <text>James W. Porter and O. Wheelock</text>
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                <text>John Marsh</text>
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                <text>Philadelphia</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;SALLY, COME UP!  A POPLAR SONG. SUNG BY "BUCKLEYS' SERENADERS." ARRANGED BY FRANK WILDER. ALLEGRETTO. Price 10cts.
1. Massa's gone to town to de news to hear. And he has left de o-ver-seer, To look to all de Niggers here, WHile I make lub to Sally. She's such a belle, A real dark swell, She dress so slick and look so well, Dar's not a gal like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;2. Last Monday night I gave a ball, And I in-vite the Niggers all, The thick, the thin, the short, the tall, But non came up to Sally! And at the ball, She did lick'em all, Black Sal was de fairest gal of all My lub-ly, charming Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;3. De fiddle was played by Pompey Jones, Un-cle Ned he shook de bones Jow play'd on de pine-stick stones; But dey couldn't play to Sally! Old Dan Roe, Play'd on the ole banjo, Ginger Blue de big drum blew; But he couldn't blow like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;4. Dar was dat lub-ly gal, Miss Fan, Wid a face as broad as a frying-pan; But Sally's is as broad again, Dar's not a face like Sally's! She's got a foot To full out de beet, So broad, so long, as a gum-tree root, Such a foot has Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;FIFTH VERSE.
Sally can dance, Sally can sing. 
De cat chocker reel, and break down fling;
Dar's  not a gal like Sally:
Tom, Sam, and Ned,
Dey often wish me dead;
To dem both all ree I said, 
Don't you wish you may get my Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SIXTH VERSE.
Sally has got a lubly nose,
Flat across her face it grown;
It sounds like tunder when it blows,
Such a lubly nose has Sally!
She can smell a rat,
So mind what you're at;
Its rader sharp although its flat, 
Is the lubly now ob Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SEVENTH VERSE.
De oder night I said to she,
'I'll hav you if you'll hab me,'
'All right,' says she, 'I do agree;'
So I smash up wid Sally:
She's rader dark,
But quiet up to de mark;
Neber was such a gal for a lark,
Such a clipper girl was Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;
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                <text>&lt;p&gt;SALLY, COME UP!  A POPLAR SONG. SUNG BY "BUCKLEYS' SERENADERS." ARRANGED BY FRANK WILDER. ALLEGRETTO. Price 10cts.
1. Massa's gone to town to de news to hear. And he has left de o-ver-seer, To look to all de Niggers here, WHile I make lub to Sally. She's such a belle, A real dark swell, She dress so slick and look so well, Dar's not a gal like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;2. Last Monday night I gave a ball, And I in-vite the Niggers all, The thick, the thin, the short, the tall, But non came up to Sally! And at the ball, She did lick'em all, Black Sal was de fairest gal of all My lub-ly, charming Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;3. De fiddle was played by Pompey Jones, Un-cle Ned he shook de bones Jow play'd on de pine-stick stones; But dey couldn't play to Sally! Old Dan Roe, Play'd on the ole banjo, Ginger Blue de big drum blew; But he couldn't blow like Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;4. Dar was dat lub-ly gal, Miss Fan, Wid a face as broad as a frying-pan; But Sally's is as broad again, Dar's not a face like Sally's! She's got a foot To full out de beet, So broad, so long, as a gum-tree root, Such a foot has Sally! Sally, come up! oh, Sally go down! Sally, come twist your heel around; De old man he's gone down to town, Oh, Sally, come down the middle!
&lt;/p&gt;&lt;p&gt;FIFTH VERSE.
Sally can dance, Sally can sing. 
De cat chocker reel, and break down fling;
Dar's  not a gal like Sally:
Tom, Sam, and Ned,
Dey often wish me dead;
To dem both all ree I said, 
Don't you wish you may get my Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SIXTH VERSE.
Sally has got a lubly nose,
Flat across her face it grown;
It sounds like tunder when it blows,
Such a lubly nose has Sally!
She can smell a rat,
So mind what you're at;
Its rader sharp although its flat, 
Is the lubly now ob Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;SEVENTH VERSE.
De oder night I said to she,
'I'll hav you if you'll hab me,'
'All right,' says she, 'I do agree;'
So I smash up wid Sally:
She's rader dark,
But quiet up to de mark;
Neber was such a gal for a lark,
Such a clipper girl was Sally!
Sally, come up, &amp;amp;c.
&lt;/p&gt;
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                    <text>&lt;p&gt;Rest, Noble Chieftain  song on the death of PRESIDENT LINCOLN BY C. ARCHER.  
&lt;/p&gt;&lt;p&gt;Geo. F. Swain  3 
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;REST, NOBLE CHIEFTAIN. SONG ON THE DEATH OF PRESIDENT LINCOLN. WRITTEN AND COMPOSED BY C. ARCHER.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Rest, noble Chieftain, sweet be thy sleep And over thy grave a
&lt;/p&gt;&lt;p&gt;2. Rest noble Chieftain, mighty and brave! Peaceful they sleep and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Nation shall weep; Thy voice may be mute and palsied thy hand, But thy
&lt;/p&gt;&lt;p&gt;hallow'd thy grave; No sound shall disturb thy quiet repose, While
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spirit still lives in the heart of the land. The fair tree of Freedom shall
&lt;/p&gt;&lt;p&gt;o'er thee shall grow the myrtle and rose. Thy mission was ended; Heav'n
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;flourish and bloom When long thou hast slept enshrin'd in the tomb, And the
&lt;/p&gt;&lt;p&gt;call'd thee away When over the land peace shed its sweet ray; May
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
songs of the free shall brighten thy name When monarchs are dead and
&lt;/p&gt;&lt;p&gt;joy e'er be thine in glory above, when naught reigns but freedom,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
perish'd their fame. When monarchs are dead and perish'd their fame.
&lt;/p&gt;&lt;p&gt;mercy and love, Where naught reigns but freedom, mercy and love.
&lt;/p&gt;
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                <text>&lt;p&gt;Rest, Noble Chieftain  song on the death of PRESIDENT LINCOLN BY C. ARCHER.  
&lt;/p&gt;&lt;p&gt;Geo. F. Swain  3 
&lt;/p&gt;&lt;p&gt;Philadelphia LEE &amp;amp; WALKER 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;REST, NOBLE CHIEFTAIN. SONG ON THE DEATH OF PRESIDENT LINCOLN. WRITTEN AND COMPOSED BY C. ARCHER.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Rest, noble Chieftain, sweet be thy sleep And over thy grave a
&lt;/p&gt;&lt;p&gt;2. Rest noble Chieftain, mighty and brave! Peaceful they sleep and
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Nation shall weep; Thy voice may be mute and palsied thy hand, But thy
&lt;/p&gt;&lt;p&gt;hallow'd thy grave; No sound shall disturb thy quiet repose, While
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
spirit still lives in the heart of the land. The fair tree of Freedom shall
&lt;/p&gt;&lt;p&gt;o'er thee shall grow the myrtle and rose. Thy mission was ended; Heav'n
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;flourish and bloom When long thou hast slept enshrin'd in the tomb, And the
&lt;/p&gt;&lt;p&gt;call'd thee away When over the land peace shed its sweet ray; May
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
songs of the free shall brighten thy name When monarchs are dead and
&lt;/p&gt;&lt;p&gt;joy e'er be thine in glory above, when naught reigns but freedom,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
perish'd their fame. When monarchs are dead and perish'd their fame.
&lt;/p&gt;&lt;p&gt;mercy and love, Where naught reigns but freedom, mercy and love.
&lt;/p&gt;
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                    <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Rest, Martyr, Rest</text>
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                <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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        <src>https://chroniclingillinois.org/files/original/299613631ae6469ffd6884805d28e823.pdf</src>
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                    <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="170140">
              <text>8</text>
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              <text>36 cm</text>
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                <text>Requiem</text>
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                <text>Instrumental music. Brown cover sheet reads "REQUIEM WARREN" on front and has advertisements on back. Engraved title page; logo incorporating laurel wreath and the initials "A. L." above title.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Songs and music</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="170130">
                <text>Memorial music</text>
              </elementText>
              <elementText elementTextId="170131">
                <text>Funeral music</text>
              </elementText>
              <elementText elementTextId="170132">
                <text>Instrumental music</text>
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              <elementText elementTextId="170133">
                <text>Warren, George William</text>
              </elementText>
              <elementText elementTextId="170134">
                <text>Piano music</text>
              </elementText>
              <elementText elementTextId="170135">
                <text>Requiems</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170136">
                <text>George William Warren</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170137">
                <text>William A. Pond &amp;amp; Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="170138">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="170139">
                <text>1865</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="170142">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="170143">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170145">
                <text>en</text>
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        </elementContainer>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="624512">
                <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                    <text>&lt;p&gt;Requiem
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; inscribed To the memory of ABRAHAM LINCOLN, THE CHAMPION OF UNIVERSAL LIBERTY BY M. KELLER.
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by Henry Tolman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Root &amp;amp; Cady, Chicago.  W.A. Pond, N. York. E.W. Billings, Providence, R.I.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;REQUIEM. Music by M. KELLER.
&lt;/p&gt;&lt;p&gt;Andante lamentoso.
&lt;/p&gt;&lt;p&gt;SOP. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;ALTO. Toll he bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave. Fairest ensign of the free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Wide unfold you scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
N.B. The lower notes in the Alto and Tenor are to be left out in a single Quartette.
&lt;/p&gt;
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                <text>&lt;p&gt;Requiem
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; inscribed To the memory of ABRAHAM LINCOLN, THE CHAMPION OF UNIVERSAL LIBERTY BY M. KELLER.
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Published by Henry Tolman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Root &amp;amp; Cady, Chicago.  W.A. Pond, N. York. E.W. Billings, Providence, R.I.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;REQUIEM. Music by M. KELLER.
&lt;/p&gt;&lt;p&gt;Andante lamentoso.
&lt;/p&gt;&lt;p&gt;SOP. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;ALTO. Toll he bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Toll ye bells a solemn dirge, Earth shall join the sad refrain;
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;&lt;p&gt;And the sea's remotest surge, Moan for Freedom's champion slain.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone,
&lt;/p&gt;&lt;p&gt;Veil thy radiance glowing sun; Moon and stars go out in gloom; Weep ye skies for hopes undone.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave Fairest ensign of the free,
&lt;/p&gt;&lt;p&gt;Weep a kingly patriot's doom. Banner worshiped by the brave. Fairest ensign of the free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;With thy sable emblems wave, Drooping low and mournfully.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;&lt;p&gt;Oh, ye vales and verdant isles! How can beauty gild ye so? Why should ye be dress'd in smiles,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;When our human hearts o'erflow? Is it some celestial beam From the gates of Paradise?
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;&lt;p&gt;Is it Heaven's refulgent gleam, Half revealed to mortal eyes?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Wide unfold you scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;Wide unfold your scenes of light, Glorious realm, no pen can paint. Welcome him ye
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;throngs in white, Crown him Hero, Martyr, Saint. Crown him Hero, Martyr, Saint.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
N.B. The lower notes in the Alto and Tenor are to be left out in a single Quartette.
&lt;/p&gt;
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                    <text>&lt;p&gt;Red Rover Polka. Composed and dedicated to Fleet Surgeon Ninian Pinkney, And to the officers &amp;amp; gentlemen of the U.S.N. Hospital Red Rover, by C.H. Bixby. Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;RED ROVER POLKA. C.H. BIXBY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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              <text>6</text>
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                <text>Instrumental music "Composed and dedicated to fleet surgeon Ninian Pinkney and to the officers and gentlemen of the U. S. N. Hospital Red Rover"</text>
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                <text>Bixby, C. H.</text>
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                <text>Oliver Ditson &amp;amp; Company</text>
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                <text>&lt;p&gt;Red Rover Polka. Composed and dedicated to Fleet Surgeon Ninian Pinkney, And to the officers &amp;amp; gentlemen of the U.S.N. Hospital Red Rover, by C.H. Bixby. Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;RED ROVER POLKA. C.H. BIXBY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/ae267513964ff582ff2effbbf3280008.pdf</src>
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                    <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Rebellion's Weak Back</text>
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                <text>Lyrics depict United States Army fighting victoriously against the Confederate States of America Army.  "As sung by Billy Morris at Morris Bros. Pell and Trowbridge"</text>
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                <text>American Civil War (1861-1865)</text>
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                <text> Lincoln, Abraham, 1809-1865</text>
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                <text> Confederate State of America</text>
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                <text> United States. Army</text>
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                <text> Sheet music</text>
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                <text> War songs</text>
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                <text> Wilmarth, F.</text>
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                <text>F. Wilmarth</text>
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                <text>Russell &amp;amp; Patee</text>
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                <text>Boston</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Rebellion's Weak Back as sung by BILLY MORRIS at Morris Bros. Pell and Trowbridge Written by F. Wilmarth.
&lt;/p&gt;&lt;p&gt;Boston. Published by Russell &amp;amp; Patee 108 Tremont St.    3
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by Russell &amp;amp; Patee in the Clerks Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REBELLION'S WEAK BACK. By F. Wilmarth.
&lt;/p&gt;&lt;p&gt;1. Rebellion's weak back Has received a hard whack From the
&lt;/p&gt;&lt;p&gt;2. Or as if all the stitches In their coats vests and pantaloons, Head been
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;hands of our noble defenders; And we venture to say All the
&lt;/p&gt;&lt;p&gt;sewn with the weakest spool cotton, As some garments are made By the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
rebel array Feel like fellows with broken suspenders,
&lt;/p&gt;&lt;p&gt;long credit trade Most wretchedly worthless and rotten
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
3. Yes, the traitors must be in the highest degree Disconcerted and sick of their treason; And Jeff Davis may try With Old Abraham vie, But he'll find himself cleaned out this season.
&lt;/p&gt;&lt;p&gt;4. And there's old Johnny Bull, He's confoundedly dull Or he'll mind his own bus'ness just now sirs, For we Yankees can lick, Old England right quick, And the rest of creation, I vow sirs.
&lt;/p&gt;&lt;p&gt;5. But the patriot band Feel each bosom expand With delight when we view our proud banner, Then we'll shout for our flag, While the traitors we'll bag, And Jeff Davis'es Government scatter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Sop. Then Hurrah for little Mac, Banks, Hooker and the like They will
&lt;/p&gt;&lt;p&gt;Alto.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Ten.  Then Hurrah for little Mac, Banks, Hooker anb the like They will
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Clean out this rebellion instantater While brave Buel and Rosecrans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;Clean out this rebellion in stan ta ter While brave Buel and Rose crans, In the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;&lt;p&gt;West will make them dance And the land will soon be cleared of every traitor
&lt;/p&gt;
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            <description>The percentage of pages with Completed status.</description>
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            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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  <item itemId="19964" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/c0f68858f992c094856fe8fd405c0649.pdf</src>
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                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="620627">
                    <text>&lt;p&gt;The Presidents Hymn Give thanks all ye people as sung by the CHOIR OF HOPE CHURCH. Yonkers, N.Y. Words by Rev. Dr. Wm. A. Muhlenberg, Music by EDWARD S. CUMMINGS.   3
&lt;/p&gt;&lt;p&gt;New York. Published for the Author by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1864 by E.S. Cummings in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE. 
&lt;/p&gt;&lt;p&gt;Words by Rev. Dr. Muhlenberg. Music by Edward S. Cummings.
&lt;/p&gt;&lt;p&gt;1st Verse in Unison.
&lt;/p&gt;&lt;p&gt;8. In the dome of Messiah, ye worshipping throngs, Solemn litanies mingle with
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, O'er-flowingly spread, Where the many have feasted and
&lt;/p&gt;&lt;p&gt;5 Of commerce and traffic, ye princes behold Your riches from Him Whose the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;joyful accord: Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;all have been fed; With no bondage their God given
&lt;/p&gt;&lt;p&gt;silver and gold; Happier children of Labor, true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
to spare, And our Empire still keep th' Elect of His care.
&lt;/p&gt;&lt;p&gt;South roll along, Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthrall, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the Great master workman, who blesseth your toil.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Soprano. Alto. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;&lt;p&gt;Tenor. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord. 
&lt;/p&gt;&lt;p&gt;6th verse in unison. Brave men of our forces Lifeguard of our coasts To your Leader be loyal, Jehovah of Hosts;
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall enriching again, Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the mines and the fields to Him gratefully bow;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Glow the Stripes and the Stars, aye, with victory bright, Reflecting His glory, He crowneth the Right.
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, For the Skies beaming vigor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hillsides and vales, On his ocean domains chant his name with the gales.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;
&lt;pre&gt;Solo. Sop'o or Tenor.  9. Our guilt and transgressions remember no more; Peace, Lord! righteous
&lt;/pre&gt;
&lt;p&gt;Solo. Sop'o.  7. Nor shall ye thro' our borders, ye stricken of heart, Only wailing your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Peace, of Thy gift we implore; Our guilt and transgressions
&lt;/p&gt;&lt;p&gt;dead, in the joy have no part: God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
remember no more; Peace, Lord! righteous Peace, of Thy gift we implore.
&lt;/p&gt;&lt;p&gt;you there shall flow, All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Chant. after 7th Verse only.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto.  Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Finale. Chorus.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto. And the Banner of Union restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;Tenor. And the Banner of Union, restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all in the land: And the Banner of Union, 
&lt;/p&gt;&lt;p&gt;all in the land: And the Banner of Union
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
restor'd by Thy Hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;restor'd by Thy hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;Chorus. Give thanks, &amp;amp;c.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>The President's Hymn: Give Thanks, All Ye People</text>
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                <text>Lyrics depict thanks to God for the United States including military and natural resources.  "As sung by the choir of Hope Church, Yonkers, NY." Mixed voice arrangement.</text>
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                <text> Thanksgiving Day</text>
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                <text>William A. Pond &amp;amp; Company</text>
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                <text>&lt;p&gt;The Presidents Hymn Give thanks all ye people as sung by the CHOIR OF HOPE CHURCH. Yonkers, N.Y. Words by Rev. Dr. Wm. A. Muhlenberg, Music by EDWARD S. CUMMINGS.   3
&lt;/p&gt;&lt;p&gt;New York. Published for the Author by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1864 by E.S. Cummings in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE. 
&lt;/p&gt;&lt;p&gt;Words by Rev. Dr. Muhlenberg. Music by Edward S. Cummings.
&lt;/p&gt;&lt;p&gt;1st Verse in Unison.
&lt;/p&gt;&lt;p&gt;8. In the dome of Messiah, ye worshipping throngs, Solemn litanies mingle with
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, O'er-flowingly spread, Where the many have feasted and
&lt;/p&gt;&lt;p&gt;5 Of commerce and traffic, ye princes behold Your riches from Him Whose the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;joyful accord: Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;all have been fed; With no bondage their God given
&lt;/p&gt;&lt;p&gt;silver and gold; Happier children of Labor, true
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
to spare, And our Empire still keep th' Elect of His care.
&lt;/p&gt;&lt;p&gt;South roll along, Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthrall, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the Great master workman, who blesseth your toil.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Soprano. Alto. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;&lt;p&gt;Tenor. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord. 
&lt;/p&gt;&lt;p&gt;6th verse in unison. Brave men of our forces Lifeguard of our coasts To your Leader be loyal, Jehovah of Hosts;
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall enriching again, Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the mines and the fields to Him gratefully bow;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Glow the Stripes and the Stars, aye, with victory bright, Reflecting His glory, He crowneth the Right.
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, For the Skies beaming vigor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hillsides and vales, On his ocean domains chant his name with the gales.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;
&lt;pre&gt;Solo. Sop'o or Tenor.  9. Our guilt and transgressions remember no more; Peace, Lord! righteous
&lt;/pre&gt;
&lt;p&gt;Solo. Sop'o.  7. Nor shall ye thro' our borders, ye stricken of heart, Only wailing your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Peace, of Thy gift we implore; Our guilt and transgressions
&lt;/p&gt;&lt;p&gt;dead, in the joy have no part: God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
remember no more; Peace, Lord! righteous Peace, of Thy gift we implore.
&lt;/p&gt;&lt;p&gt;you there shall flow, All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Chant. after 7th Verse only.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto.  Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Finale. Chorus.
&lt;/p&gt;&lt;p&gt;Sop'o. Alto. And the Banner of Union restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;Tenor. And the Banner of Union, restor'd by Thy hand, Be the Banner of Freedom o'er
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all in the land: And the Banner of Union, 
&lt;/p&gt;&lt;p&gt;all in the land: And the Banner of Union
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
restor'd by Thy Hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;restor'd by Thy hand, Be the Banner of Freedom o'er all in the land.
&lt;/p&gt;&lt;p&gt;Chorus. Give thanks, &amp;amp;c.
&lt;/p&gt;
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                    <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;52422
&lt;/p&gt;&lt;p&gt;The President's hymn:
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people,
&lt;/p&gt;&lt;p&gt;in response to the proclamation
&lt;/p&gt;&lt;p&gt;of the 
&lt;/p&gt;&lt;p&gt;President of the United States
&lt;/p&gt;&lt;p&gt;Recommending a general thanksgiving,
&lt;/p&gt;&lt;p&gt;on November 26th, 1863.
&lt;/p&gt;&lt;p&gt;Published by
&lt;/p&gt;&lt;p&gt;A. D. F. Randolph, 683 Broadway, New-York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People. 
&lt;/p&gt;&lt;p&gt;With spirit. 
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus,
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give, thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again
&lt;/p&gt;&lt;p&gt;Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, 
&lt;/p&gt;&lt;p&gt;For the Skies beaming vigor, the Winds breathing health:
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide table, o'erflowingly spread,
&lt;/p&gt;&lt;p&gt;Where the many have feasted, and all have been fed,
&lt;/p&gt;&lt;p&gt;With no bondage, their God-given rights to enthral,
&lt;/p&gt;&lt;p&gt;But Liberty guarded by Justice for all:
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom, and the Plow,
&lt;/p&gt;&lt;p&gt;Whose the mines and the fields, to Him gratefully bow:
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hill-sides and vales;
&lt;/p&gt;&lt;p&gt;On His Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold
&lt;/p&gt;&lt;p&gt;Your riches from Him Whose the silver and gold.
&lt;/p&gt;&lt;p&gt;Happier children of Labor, true lords of the soil,
&lt;/p&gt;&lt;p&gt;Bless the Great Master-Workman, who blesseth your toil.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;6. Brave men of the forces, Life-guard of our coasts,
&lt;/p&gt;&lt;p&gt;To your Leader be loyal, Jehovah of Hosts:
&lt;/p&gt;&lt;p&gt;Glow the Stripes and the Stars aye with victory bright, 
&lt;/p&gt;&lt;p&gt;Reflecting His glory, - He crowneth the Right.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart,
&lt;/p&gt;&lt;p&gt;Only wailing your dead, in the joy have no part:
&lt;/p&gt;&lt;p&gt;God's solace be yours, and for you there shall flow
&lt;/p&gt;&lt;p&gt;All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs,
&lt;/p&gt;&lt;p&gt;Solemn litanies mingle with jubilant songs;
&lt;/p&gt;&lt;p&gt;The Ruler of Nations beseeching to spare,
&lt;/p&gt;&lt;p&gt;And our Empire still keep the Elect of His care.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more;
&lt;/p&gt;&lt;p&gt;Peace, Lord! righteous Peace, of Thy gift we implore;
&lt;/p&gt;&lt;p&gt;And the Banner of Union, restored by Thy Hand,
&lt;/p&gt;&lt;p&gt;Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;&lt;p&gt;And the Banner of Union, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;For Peace, righteous Peace, thy blest name we adore
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>3</text>
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              <text>27 cm</text>
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          <element elementId="50">
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                <text>The President's Hymn </text>
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              <elementText elementTextId="170020">
                <text>Lyrics depict thanks to God for the United States including military and natural resources. "In response to the proclamation of the President of the United States recommending a general thanksgiving on November 26, 1863"</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Songs and Music</text>
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                <text> Thanksgiving Day</text>
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                <text> Hymns</text>
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                <text> Muhlenberg, William Augustus, 1796-1877</text>
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                <text> United States</text>
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                <text> Sheet music</text>
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                <text> </text>
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                <text>William Augustus Muhlenberg</text>
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                <text>A. D. F. Randolph</text>
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                <text>New York</text>
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                <text>1863</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;52422
&lt;/p&gt;&lt;p&gt;The President's hymn:
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people,
&lt;/p&gt;&lt;p&gt;in response to the proclamation
&lt;/p&gt;&lt;p&gt;of the 
&lt;/p&gt;&lt;p&gt;President of the United States
&lt;/p&gt;&lt;p&gt;Recommending a general thanksgiving,
&lt;/p&gt;&lt;p&gt;on November 26th, 1863.
&lt;/p&gt;&lt;p&gt;Published by
&lt;/p&gt;&lt;p&gt;A. D. F. Randolph, 683 Broadway, New-York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People. 
&lt;/p&gt;&lt;p&gt;With spirit. 
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus,
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Give Thanks, all ye People.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord:
&lt;/p&gt;&lt;p&gt;Let the East and the West, North and South roll Along,
&lt;/p&gt;&lt;p&gt;Sea, mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;Chorus after each verse.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give, thanks to the Lord,
&lt;/p&gt;&lt;p&gt;Alleluias of freedom, with joyful accord.
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again
&lt;/p&gt;&lt;p&gt;Our acres in myriads, with treasures of grain;
&lt;/p&gt;&lt;p&gt;For the Earth still unloading her manifold wealth, 
&lt;/p&gt;&lt;p&gt;For the Skies beaming vigor, the Winds breathing health:
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide table, o'erflowingly spread,
&lt;/p&gt;&lt;p&gt;Where the many have feasted, and all have been fed,
&lt;/p&gt;&lt;p&gt;With no bondage, their God-given rights to enthral,
&lt;/p&gt;&lt;p&gt;But Liberty guarded by Justice for all:
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom, and the Plow,
&lt;/p&gt;&lt;p&gt;Whose the mines and the fields, to Him gratefully bow:
&lt;/p&gt;&lt;p&gt;His the flocks and the herds, sing ye hill-sides and vales;
&lt;/p&gt;&lt;p&gt;On His Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold
&lt;/p&gt;&lt;p&gt;Your riches from Him Whose the silver and gold.
&lt;/p&gt;&lt;p&gt;Happier children of Labor, true lords of the soil,
&lt;/p&gt;&lt;p&gt;Bless the Great Master-Workman, who blesseth your toil.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;6. Brave men of the forces, Life-guard of our coasts,
&lt;/p&gt;&lt;p&gt;To your Leader be loyal, Jehovah of Hosts:
&lt;/p&gt;&lt;p&gt;Glow the Stripes and the Stars aye with victory bright, 
&lt;/p&gt;&lt;p&gt;Reflecting His glory, - He crowneth the Right.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart,
&lt;/p&gt;&lt;p&gt;Only wailing your dead, in the joy have no part:
&lt;/p&gt;&lt;p&gt;God's solace be yours, and for you there shall flow
&lt;/p&gt;&lt;p&gt;All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs,
&lt;/p&gt;&lt;p&gt;Solemn litanies mingle with jubilant songs;
&lt;/p&gt;&lt;p&gt;The Ruler of Nations beseeching to spare,
&lt;/p&gt;&lt;p&gt;And our Empire still keep the Elect of His care.
&lt;/p&gt;&lt;p&gt;Give thanks -- 
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more;
&lt;/p&gt;&lt;p&gt;Peace, Lord! righteous Peace, of Thy gift we implore;
&lt;/p&gt;&lt;p&gt;And the Banner of Union, restored by Thy Hand,
&lt;/p&gt;&lt;p&gt;Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;&lt;p&gt;And the Banner of Union, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;Give thanks --
&lt;/p&gt;&lt;p&gt;For Peace, righteous Peace, thy blest name we adore
&lt;/p&gt;
&lt;hr /&gt;

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            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="624571">
                <text>100</text>
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/90f104e44b5d1f13db4e4441a1b116f1.pdf</src>
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                    <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="170011">
              <text>5</text>
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            <elementText elementTextId="170012">
              <text>34 cm.</text>
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            <name>Identifier</name>
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                <text>301054</text>
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              <elementText elementTextId="169990">
                <text>17698429</text>
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            <name>Title</name>
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                <text>Raw Recruits and Abraham's Daughter</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Raw Recruits" lyrics depict Union Army recruits volunteering to fight. "Abraham's Daughter" depicts possible English role in supporting the Confederate States of America. "As sung with great applause by Bryant's Minstrels of New York," Cover depicts five stereotypical depictions of African Americans in military dress standing in front of tents. Two songs included in sheet music:&amp;nbsp; "Raw Recruits" and "Abraham's Daughter."</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Popular music</text>
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                <text>War songs - United States</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Slavery</text>
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                <text>African American</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>United States--Confederate States of America</text>
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              <elementText elementTextId="170001">
                <text>Confederate States of America. Army</text>
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                <text>United States. Army</text>
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                <text>England</text>
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              <elementText elementTextId="170004">
                <text>Recruiting and Enlistment</text>
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              <elementText elementTextId="170005">
                <text>Winner, Septimus, 1827-1902</text>
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                <text>Sheet music</text>
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                <text>Septimus Winner</text>
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            <name>Contributor</name>
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                <text>Firth, Pond &amp;amp; Company</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>New York</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="170010">
                <text>1862</text>
              </elementText>
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                <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                    <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Instrumental music. "To the Republican Presidential Candidate Hon. A. Lincoln."</text>
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                <text>&lt;p&gt;To The Republican Presidential Candidate Hon. A. Lincoln. The RAIL SPLITTER'S POLKA FOR THE PIANO FORTE.
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE RAIL SPLITTER'S POLKA. A. NEUMAN.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
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&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;75 cents
&lt;/p&gt;&lt;p&gt;26525
&lt;/p&gt;&lt;p&gt;~PRESIDENT'S HYMN.~
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE.
&lt;/p&gt;&lt;p&gt;Words by Dr. MUHLENBERC.
&lt;/p&gt;&lt;p&gt;Music by A. C. CUTTERSON.
&lt;/p&gt;&lt;p&gt;Published bu J. L. PETERS, New York.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye   pe_ple, give thanks to the Lord, Al_le_lu_ias   of   free_dom, with   joy_ful ac_cord: Let the East    and the West, North and South roll a_long. Sea mountain and prai_re, one thanksgiv_ing song.
&lt;/p&gt;&lt;p&gt;2. For the sun_shine and rain_fall, en_rich_ing a_gain Our a_cres in my_riads, with treasures of grain: For the earth still un_load_ing her ma_ni_fold wealth. For the skies beam_ing vi_gor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide ta_ble, o'er_flow_ing_ly spread, Where the ma_ny have feast_ed and all have been fed, With no bon_dage, their God_given rights to en_thrall, But Li_ber_ty guarded by Jus_tice for all.
&lt;/p&gt;&lt;p&gt;4. In the realms of the An_vil, the Loom, and the Plow, Whose the mines and the fields, to Hi, grate_ful_ly bow; His the flocks and the herds, sing ye hill_sides and the vales: On His o_cean do_mains chant His name with the gales.
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold Your rich_es from Him Whose the sil_ver and gold, Happier  children of La_bor, true lords of the soil, Bless the Great Mas_ter-Workman, who blesseth your soil.
&lt;/p&gt;&lt;p&gt;6. Brave men of our for_ces, Life_guard of our coasts, To  your lea_der be loy_al, Je_ho_vah of Hosts: Glow the Stripes and the Stars aye with vic_to_ry bright, Reflecting His glo_ry,_He crown_eth the right.
&lt;/p&gt;&lt;p&gt;7.  Nor shall ye thro' our borders, ye stricken of heart, On_ly wail_ing your dead, in the joy have no part; God's sol_ace be yours, and for you there shall flow All that ho_nor and sym_pathy's gifts can be_stow.
&lt;/p&gt;&lt;p&gt;8. In the Domes of Mes_si_ah_ ye wor_shipping throngs, Solemn li_ta_nies Min-gle with ju_bilant songs; The Ruler of na_tions be_seeching to spare, And our em_pire still keep the E_ject of his care.
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions re_member no more; Peace, Lord! righteous peace, of Thy gifts we implore; And the ban_ner of U_nion, restored by Thy hand, Be the ban_ner of Free_dom o'er all in the land.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord. Give thanks, all ye peo_ple, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. 3787-1
&lt;/p&gt;
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                <text>&lt;p&gt;75 cents
&lt;/p&gt;&lt;p&gt;26525
&lt;/p&gt;&lt;p&gt;~PRESIDENT'S HYMN.~
&lt;/p&gt;&lt;p&gt;GIVE THANKS, ALL YE PEOPLE.
&lt;/p&gt;&lt;p&gt;Words by Dr. MUHLENBERC.
&lt;/p&gt;&lt;p&gt;Music by A. C. CUTTERSON.
&lt;/p&gt;&lt;p&gt;Published bu J. L. PETERS, New York.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye   pe_ple, give thanks to the Lord, Al_le_lu_ias   of   free_dom, with   joy_ful ac_cord: Let the East    and the West, North and South roll a_long. Sea mountain and prai_re, one thanksgiv_ing song.
&lt;/p&gt;&lt;p&gt;2. For the sun_shine and rain_fall, en_rich_ing a_gain Our a_cres in my_riads, with treasures of grain: For the earth still un_load_ing her ma_ni_fold wealth. For the skies beam_ing vi_gor, the winds breathing health.
&lt;/p&gt;&lt;p&gt;3. For the Nation's wide ta_ble, o'er_flow_ing_ly spread, Where the ma_ny have feast_ed and all have been fed, With no bon_dage, their God_given rights to en_thrall, But Li_ber_ty guarded by Jus_tice for all.
&lt;/p&gt;&lt;p&gt;4. In the realms of the An_vil, the Loom, and the Plow, Whose the mines and the fields, to Hi, grate_ful_ly bow; His the flocks and the herds, sing ye hill_sides and the vales: On His o_cean do_mains chant His name with the gales.
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes, behold Your rich_es from Him Whose the sil_ver and gold, Happier  children of La_bor, true lords of the soil, Bless the Great Mas_ter-Workman, who blesseth your soil.
&lt;/p&gt;&lt;p&gt;6. Brave men of our for_ces, Life_guard of our coasts, To  your lea_der be loy_al, Je_ho_vah of Hosts: Glow the Stripes and the Stars aye with vic_to_ry bright, Reflecting His glo_ry,_He crown_eth the right.
&lt;/p&gt;&lt;p&gt;7.  Nor shall ye thro' our borders, ye stricken of heart, On_ly wail_ing your dead, in the joy have no part; God's sol_ace be yours, and for you there shall flow All that ho_nor and sym_pathy's gifts can be_stow.
&lt;/p&gt;&lt;p&gt;8. In the Domes of Mes_si_ah_ ye wor_shipping throngs, Solemn li_ta_nies Min-gle with ju_bilant songs; The Ruler of na_tions be_seeching to spare, And our em_pire still keep the E_ject of his care.
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions re_member no more; Peace, Lord! righteous peace, of Thy gifts we implore; And the ban_ner of U_nion, restored by Thy hand, Be the ban_ner of Free_dom o'er all in the land.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Give thanks, all ye people, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord. Give thanks, all ye peo_ple, give thanks to the Lord, Al_le_lu_ias of free_dom with joy_ful ac_cord.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to the Act of Congress A.D. 1864 by H.M. Higgins, in the Clerks Office of the District Court of the Northern District of Illinois. 3787-1
&lt;/p&gt;
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                    <text>&lt;p&gt;The President's Hymn Song &amp;amp; Chorus. Words by Dr. Muhlenburg. Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cin. J. Church Jr. N. York. W.A. Pond &amp;amp; Co. Boston. J.C. Haynes &amp;amp; Co. Philada. J.E. gould.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by O. Ditson &amp;amp; Co. in the clerk's office of the Dist' court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S HYMN. Words by Dr. Muhlenburg. Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Maestoso.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, o'erflowingly spread, Where the
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes behold Your
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart, Only
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
of freedom, with joyful accord; Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;many have feasted, and all have been fed, With no bondage, their God-given
&lt;/p&gt;&lt;p&gt;riches from Him whose the silver and gold; Happier children of labor, true
&lt;/p&gt;&lt;p&gt;wailing your dead, in the joy have no part; God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
South, roll along, Sea mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthral, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the great Master Workman, who blesseth our toil.
&lt;/p&gt;&lt;p&gt;you there shall flow All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Note. This piece may be sung entirely as a chorus by the different voices singing the accompaniment.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom, with
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom, with
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
joyful accord.
&lt;/p&gt;&lt;p&gt;joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again Our
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the
&lt;/p&gt;&lt;p&gt;6. Brave men of our forces, Lifeguard of our coasts, To your
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs, Solemn
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more; Peace,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
acres of myriads, with treasures of grain; For the earth still unloading her
&lt;/p&gt;&lt;p&gt;mines and the fields to Him gratefully bow; His the flocks and the herds, sing ye
&lt;/p&gt;&lt;p&gt;Leader be loyal, Jehovah of Hosts; Glow the Stripes and the Stars aye with
&lt;/p&gt;&lt;p&gt;litanies mingle with jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;Lord! righteous Peace, of Thy gift we implore; And the Banner of Union, restored
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
manifold wealth, For the Skies beaming vigor, the Winds breathing health!
&lt;/p&gt;&lt;p&gt;hillsides and vales. On his Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;victory bright, Reflecting His glory; He crowneth the right.
&lt;/p&gt;&lt;p&gt;to spare, And our Empire still keep the Elect of his care.
&lt;/p&gt;&lt;p&gt;by Thy Hand, Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;The President's Hymn Song &amp;amp; Chorus. Words by Dr. Muhlenburg. Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cin. J. Church Jr. N. York. W.A. Pond &amp;amp; Co. Boston. J.C. Haynes &amp;amp; Co. Philada. J.E. gould.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by O. Ditson &amp;amp; Co. in the clerk's office of the Dist' court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S HYMN. Words by Dr. Muhlenburg. Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Maestoso.
&lt;/p&gt;&lt;p&gt;1. Give thanks, all ye people, give thanks to the Lord, Alleluias
&lt;/p&gt;&lt;p&gt;3. For the nation's wide table, o'erflowingly spread, Where the
&lt;/p&gt;&lt;p&gt;5. Of commerce and traffic, ye princes behold Your
&lt;/p&gt;&lt;p&gt;7. Nor shall ye through our borders, ye stricken of heart, Only
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
of freedom, with joyful accord; Let the East and the West, North and
&lt;/p&gt;&lt;p&gt;many have feasted, and all have been fed, With no bondage, their God-given
&lt;/p&gt;&lt;p&gt;riches from Him whose the silver and gold; Happier children of labor, true
&lt;/p&gt;&lt;p&gt;wailing your dead, in the joy have no part; God's solace be yours, and for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
South, roll along, Sea mountain and prairie, One thanksgiving song.
&lt;/p&gt;&lt;p&gt;rights to enthral, But Liberty guarded by Justice for all.
&lt;/p&gt;&lt;p&gt;lords of the soil, Bless the great Master Workman, who blesseth our toil.
&lt;/p&gt;&lt;p&gt;you there shall flow All that honor and sympathy's gifts can bestow.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Note. This piece may be sung entirely as a chorus by the different voices singing the accompaniment.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom, with
&lt;/p&gt;&lt;p&gt;TENOR. BASS. Give thanks, all ye people, give thanks to the Lord, Alleluias of freedom, with
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
joyful accord.
&lt;/p&gt;&lt;p&gt;joyful accord.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. For the sunshine and rainfall, enriching again Our
&lt;/p&gt;&lt;p&gt;4. In the realms of the Anvil, the Loom and the Plow, Whose the
&lt;/p&gt;&lt;p&gt;6. Brave men of our forces, Lifeguard of our coasts, To your
&lt;/p&gt;&lt;p&gt;8. In the Domes of Messiah, ye worshipping throngs, Solemn
&lt;/p&gt;&lt;p&gt;9. Our guilt and transgressions remember no more; Peace,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
acres of myriads, with treasures of grain; For the earth still unloading her
&lt;/p&gt;&lt;p&gt;mines and the fields to Him gratefully bow; His the flocks and the herds, sing ye
&lt;/p&gt;&lt;p&gt;Leader be loyal, Jehovah of Hosts; Glow the Stripes and the Stars aye with
&lt;/p&gt;&lt;p&gt;litanies mingle with jubilant songs; The Ruler of Nations beseeching
&lt;/p&gt;&lt;p&gt;Lord! righteous Peace, of Thy gift we implore; And the Banner of Union, restored
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
manifold wealth, For the Skies beaming vigor, the Winds breathing health!
&lt;/p&gt;&lt;p&gt;hillsides and vales. On his Ocean domains chant His Name with the gales.
&lt;/p&gt;&lt;p&gt;victory bright, Reflecting His glory; He crowneth the right.
&lt;/p&gt;&lt;p&gt;to spare, And our Empire still keep the Elect of his care.
&lt;/p&gt;&lt;p&gt;by Thy Hand, Be the Banner of Freedom o'er All in the Land.
&lt;/p&gt;
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                    <text>&lt;p&gt;THE PRESIDENT'S GRAVE.
Words by EDWIN S. BABBITT.
Music by L. B. Miller.
Piano.
Be silent? there cometh on spirit wings sped, The A deep brooding sorrow comes over the heart A Be silent! our father hath laid him to rest, A Wail of nation in grief for the dead; The moan like the tempest, when summerside part A hero of battles hath yielded his crest, A strong and the mighty, from glory and light, hath gushing of anguish, unbroken and still, As stateman hath fallen his counsels are oe'r, His waned in his brightness and left us in night; The toileth the requiem oe'r valley and hill; The firmness and wisdom shall guide us no more: Let proud eagle banners all droopinly wave, And the sun that rose bright oe'r the free and the brave Now is cannon boom forth and the banners all wave, While we wild winds are hushed round the President's grave. And the setting in gloom oe'r the President's grave. Now is mingle our tears oe'r the President's grave. While we wild winds hushed round the President's grave. setting in gloom oe'r the President's grave. mingle our tears oe'r the President's grave.
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                <text>&lt;p&gt;THE PRESIDENT'S GRAVE.&lt;/p&gt;&#13;
&lt;p&gt;QUARTETTE.&lt;/p&gt;&#13;
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&lt;p&gt;CHICAGO.&lt;/p&gt;&#13;
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&lt;p&gt;Eastern Agency W. B. BRADBURY 427 Broman St. New York.&lt;/p&gt;&#13;
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&lt;hr /&gt;&#13;
&lt;p&gt;THE PRESIDENT'S GRAVE.&lt;/p&gt;&#13;
&lt;p&gt;Words by EDWIN S. BABBITT. Music by L. B. MILLER.&lt;/p&gt;&#13;
&lt;p&gt;PIANO.&lt;/p&gt;&#13;
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&lt;hr /&gt;&#13;
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&lt;p&gt;cannon boom forth and the banners all wave, While we&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
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                    <text>&lt;p&gt;Go ring the bells and fire the guns, And fling the starry banner out; Shout "Freedom" till your lisping ones Give back their cradle shout.  Whittier.
&lt;/p&gt;&lt;p&gt;Dedicated to ABRAHAM LINCOLN  A foe to Tyrants and my country's Friend.
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH. composed for the Piano by Geo.  E. Fawcett.
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&lt;p&gt;2
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                <text>&lt;p&gt;Go ring the bells and fire the guns, And fling the starry banner out; Shout "Freedom" till your lisping ones Give back their cradle shout.  Whittier.
&lt;/p&gt;&lt;p&gt;Dedicated to ABRAHAM LINCOLN  A foe to Tyrants and my country's Friend.
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH. composed for the Piano by Geo.  E. Fawcett.
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY 95 Clark St. Chicago
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;THE PRESIDENT'S EMANCIPATION MARCH.
&lt;/p&gt;&lt;p&gt;GEO. E. FAWCETT.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                <text>A dedication reads,  "Respectfully dedicated to the Union Army." Cover depicts color image of peace and war surrounding flag-draped portrait of Abraham Lincoln. </text>
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                <text>Horace Waters</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;President Lincoln's FUNERAL MARCH as played by Shepard's Cornet Band, of Providence, R.I. at the Funeral Obsequies of Abraham Lincoln, Composed by W.E.M. PETTEE. 
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PROVIDENCE, R.I.  Published by J.R. Cory.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by J.R. Cory in the Clerk's office of the Dist. Court of R.I.
&lt;/p&gt;&lt;p&gt;W.F. Greene, [Eng?] Boston.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;W.E.M. PETTEE.
&lt;/p&gt;&lt;p&gt;Con Solennita.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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                <text>Instrumental music. Cover reads "as played by Shepard's Cornet Band, of Providence, R. I., at the funeral obsequies of Abraham Lincoln,."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Funeral music</text>
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                <text> Pettee, W. E. M.</text>
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                <text>&lt;p&gt;President Lincoln's FUNERAL MARCH as played by Shepard's Cornet Band, of Providence, R.I. at the Funeral Obsequies of Abraham Lincoln, Composed by W.E.M. PETTEE. 
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PROVIDENCE, R.I.  Published by J.R. Cory.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by J.R. Cory in the Clerk's office of the Dist. Court of R.I.
&lt;/p&gt;&lt;p&gt;W.F. Greene, [Eng?] Boston.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;W.E.M. PETTEE.
&lt;/p&gt;&lt;p&gt;Con Solennita.
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;MUELLER'S CELEBRATED COPY.
&lt;/p&gt;&lt;p&gt;President Lincoln's Funeral March. Composed &amp;amp; Respectfully Dedicated to Mrs. Lincoln.  FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;Published. Cincinnati. A.C. PETERS &amp;amp; BRO: __ J.L. PETERS &amp;amp; BRO: St. Louis.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN'S FUNERAL MARCH. Composed by FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;Tenuto.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865, by A.C. Peters &amp;amp; Bros: in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
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&lt;hr /&gt;
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                <text>&lt;p&gt;MUELLER'S CELEBRATED COPY.
&lt;/p&gt;&lt;p&gt;President Lincoln's Funeral March. Composed &amp;amp; Respectfully Dedicated to Mrs. Lincoln.  FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;Published. Cincinnati. A.C. PETERS &amp;amp; BRO: __ J.L. PETERS &amp;amp; BRO: St. Louis.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN'S FUNERAL MARCH. Composed by FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;Tenuto.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865, by A.C. Peters &amp;amp; Bros: in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S funeral MARCH.
&lt;/p&gt;&lt;p&gt;Cincinnati. Published by JOHN CHURCH Jr. 66 West 4th St.
&lt;/p&gt;&lt;p&gt;N.YORK. W.A. Pond &amp;amp; Co.  BOSTON. O. Ditson &amp;amp; Co. PHILA. Lee &amp;amp; Walker CHICAGO. Lyon &amp;amp; Healy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.  Karl Merz.
&lt;/p&gt;&lt;p&gt;Lento.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Ent. acc. to act of Congress AD 1865 by J. Church jr. in the Clks. office of the Southn. Dist. Ct. of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Largo
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
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&lt;/p&gt;&lt;p&gt;N.YORK. W.A. Pond &amp;amp; Co.  BOSTON. O. Ditson &amp;amp; Co. PHILA. Lee &amp;amp; Walker CHICAGO. Lyon &amp;amp; Healy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.  Karl Merz.
&lt;/p&gt;&lt;p&gt;Lento.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Ent. acc. to act of Congress AD 1865 by J. Church jr. in the Clks. office of the Southn. Dist. Ct. of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Largo
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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