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                    <text>&lt;p&gt;Published also as March and Two-Step.
&lt;/p&gt;&lt;p&gt;Give Us Just Another Lincoln
&lt;/p&gt;&lt;p&gt;[artwork and lithographs of Lincoln, Washington,&amp;#160;??, Jackson, Grant]
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by Paul Dresser   5
&lt;/p&gt;&lt;p&gt;Arranged for Band, Orchestra, Mandolin, Banjo, and Guitar. Composer of "The Blue and the Gray." "The Green Above the Red." "On the Banks of the Wabash." And Many Other Successes
&lt;/p&gt;&lt;p&gt;Howley, Haviland &amp;amp; Co. 1260-1266 Broadway New York Masonic Temple. Chicago. Chas. Jerard &amp;amp; Co. [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CALLING TO HER BOY JUST ONCE AGAIN. This is the name of PAUL DRESSER'S New Ballad, the phenomenal hit of W.H. West's Minstrels, as sung by the great tenor, R.J. Jose. Mrs. Dresser's past successes have been eclipsed by this song, which for beauty of melody and peerless words will make it the greatest success this popular author has ever conceived. 'Tis a song similar to the famous "Wabash" in the style of its music, and the chorus given here will convey just an idea as to its beauty.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;I'd go back to the days of want and sorrow, Contented now and then with just a smile, I'd give up all that I could steal or borrow To nestle at her knee a little while, I'd give up all the future hope of Heaven, Eternally to live in endless pain, To see my mother at the east end window Calling to her boy just once again.
&lt;/p&gt;&lt;p&gt;Ask your dealer to obtain it for you. You will be more than charmed with it. 'Tis a typical Dresser home song, pure sweet and altogether beautiful.
&lt;/p&gt;&lt;p&gt;CHARLES KENT, Leading Baritone of Primrose &amp;amp; Dockstader's Minstrels has scored a pronounced and unprecedented success with I'd Still Believe You True by Paul Dresser.
&lt;/p&gt;&lt;p&gt;A song that echoes the words springing from the hearts of the millions, whose love for those dear to them is priceless, the words of him who holds in his keeping the love of a good and true woman are given below.
&lt;/p&gt;&lt;p&gt;'Twas on a summer's evening, my sweetheart Kate and I Were strolling down a shaded country lane, In anger there I told her she was a faithless and untrue, We parted vowing ne'er to meet again. In tears my sweetheart left me, I felt that I was wrong, I knew that it meant misery to part, I sought her out and begged her to forgive my cruel words, And thus I spoke to her from out my heart:
&lt;/p&gt;&lt;p&gt;The years are slowly drifting, my sweetheart Kate and I, Are strolling down the narrow lane of life, To me she's been an angel, a sort of guiding star, Ever since the day I made her wife. But bless her heart I love her when winter evenings come, We sit down by the fire side by side, I tell her of the quarrel that near made us strangers once, And then these words I sing to her with pride:
&lt;/p&gt;&lt;p&gt;Chorus. If the whole world came and said unkind things of you, If they all deserted Kate and friends were mighty few, If the very angels should turn away from you, I'd take you in my arms and still believe you true.
&lt;/p&gt;&lt;p&gt;The music is beautiful, simple and pathetic. Ask for Dresser's new one. Wherever music is sold. Our guarantee that it is one of Dresser's best songs goes with it. --The Publisher.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;To Mrs. Arthur Brisbane, with my compliments.--Paul Dresser.
&lt;/p&gt;&lt;p&gt;Give Us Just Another Lincoln. By Paul Dresser.
&lt;/p&gt;&lt;p&gt;With war on ev'ry side of us our nation great and grand, To guide the Ship of State aright will
&lt;/p&gt;&lt;p&gt;The mother in her humble home thinks of her boy in blue, Who fights in some far distant land, to his
&lt;/p&gt;&lt;p&gt;Copyright, MCM, by Howley, Haviland &amp;amp; Co. English Copyright Secured.
&lt;/p&gt;&lt;p&gt;The Latest Popular Song. There's Where My Heart is To-Night. Another gem by Paul Dresser, author of "On the Banks of the Wabash, Far Away."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;need a master hand, The cry goes up in this great land of freedom "dearly won," Bring forth some one to bear the flag, a man to lead us on!
&lt;/p&gt;&lt;p&gt;country ever true, She loves the flag, also her boy, from whom she had to part, But war broke up her little home, and also broke her heart!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;Give us just another Lincoln or a Thomas Jefferson, Give to us a Grant or Jackson, whose
&lt;/p&gt;&lt;p&gt;Paul Dresser's New One. "I Wonder Where She Is To-Night." Equally as good as "On the Banks of the Wabash, Far Away," by the same author--thought by many to be better. A song for the home, the heart, and the hearth. For sale everywhere. Price, 50 cents.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;fame lives on and on, One who's loyal to his country, One whose work when done, Shall be beloved by all the nation, As they loved George Washington.
&lt;/p&gt;&lt;p&gt;A New Sentimental Hit. "In the Shadow of the Rockies." By Gene Jefferson &amp;amp; Bob Irving. Entirely different from the rest in thought, verses and melody. By a new team of writers, it savors of true genius. Sold everywhere. Price, 50 cents.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Greatest March and Two-Step Ever Written, THE BLUE AND THE GRAY
&lt;/p&gt;&lt;p&gt;You have heard the Song, and now you will want the March, splendidly arranged, introducing the "Sousa Girl" By Ben. M. Jerome.
&lt;/p&gt;&lt;p&gt;Two capital songs which, when arranged together as they are in this instance, make the greatest, most effective and most thrilling two-step ever composed.
&lt;/p&gt;&lt;p&gt;This is arranged for all instruments, as follows:
&lt;/p&gt;&lt;p&gt;Piano Solo......$.50
&lt;/p&gt;&lt;p&gt;Piano Duett......  .60
&lt;/p&gt;&lt;p&gt;March for Band.....  .50
&lt;/p&gt;&lt;p&gt;Medley March for Orchestra, 10 parts and Piano.....   .75
&lt;/p&gt;&lt;p&gt;"        "                "            " 14 "      "            " .....   .95
&lt;/p&gt;&lt;p&gt;"Overture for Band.....  1.50
&lt;/p&gt;&lt;p&gt;Mandolin and Piano.....    .40
&lt;/p&gt;&lt;p&gt;"               " Guitar.....   .40
&lt;/p&gt;&lt;p&gt;"                    Solo.....   .30
&lt;/p&gt;&lt;p&gt;Two Mandolins and Piano.....   .50
&lt;/p&gt;&lt;p&gt;"         " Guitar and Piano.....   .60
&lt;/p&gt;&lt;p&gt;Mandolin, Guitar and Piano.....    .50
&lt;/p&gt;&lt;p&gt;Two Mandolins.....   .40
&lt;/p&gt;&lt;p&gt;Song for Guitar.....   .50
&lt;/p&gt;&lt;p&gt;Published by Howley, Haviland &amp;amp; Co., "The House of Broadway"
&lt;/p&gt;&lt;p&gt;Masonic Temple, Chicago.  1260-66 Broadway, New York.
&lt;/p&gt;&lt;p&gt;FOR SALE AT ALL MUSIC STORES.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>Give Us Just Another Lincoln</text>
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                <text>Song depicts desire for a Lincoln-like president. Arrangement for band, orchestra, or mandolin, banjo, and guitar. Cover has likenesses of Lincoln, George Washington, Thomas Jefferson, Ulysses Grant, and Andrew Jackson surrounded by laurels, three figures on each side and a bald eagle holding flags above images. A dedication above the song title reads, "To Mr. Arthur Brisbane, with my compliments. - Paul Dresser."</text>
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              <elementText elementTextId="164936">
                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Dresser, Paul, 1858-1906</text>
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                <text>Sheet music</text>
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                <text>Presidents</text>
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                <text>Washington, George, 1732-1799</text>
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                <text>Jefferson, Thomas, 1743-1826</text>
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                <text>Grant, Ulysses S. (Ulysses Simpson), 1822-1885</text>
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                <text>Dresser, Paul</text>
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                <text>Howley, Haviland &amp;amp; Co.</text>
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                <text>New York</text>
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                <text>1900</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                    <text>&lt;p&gt;A gloom is cast o'er all the Land (Song and Chorus.) To the memory of our lamented President. Words and Music by Henry Schroeder.  3
&lt;/p&gt;&lt;p&gt;New York: Published by Horace Waters, 481 Broadway.
&lt;/p&gt;&lt;p&gt;Boston: O. Ditson &amp;amp; Co. Philadelphia: Lee &amp;amp; Walker. Chicago: Root &amp;amp; Cady. Cincinnati: J. Church Jr.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in A.D. 1865 by Horace Waters in the Clerk's office of the U.S. District Court for the Southern District of New York.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper, 43 Centre St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A GLOOM IS CAST O'ER ALL THE LAND!
&lt;/p&gt;&lt;p&gt;HENRY SCHROEDER.
&lt;/p&gt;&lt;p&gt;3. The morn of peace was dawning on, Most joyful was the  4. But he is dead! his spirit gone; Left but his lifeless
&lt;/p&gt;&lt;p&gt;1. A gloom is cast o'er all the land, Our President is  2. His mind was kind and generous, No hatred in his
&lt;/p&gt;&lt;p&gt;[3.] news; Victorious had our armies gone, Through strongholds of our [4.] form; The country lost her noble son, Amid a dang'rous
&lt;/p&gt;&lt;p&gt;[1.] dead! He fell by vile assassins hand, His precious blood they [2.] breast, With love for North and South alike, He labor'd for the
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the Dist. court of the United States for the Southern Dist. of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[3.] foes. But oh! how quick the scene was [4.] storm. Forever will his mem'ry
&lt;/p&gt;&lt;p&gt;[1.] shed! They've slain the an who was their  [2.]best; His mission, by that fatal
&lt;/p&gt;&lt;p&gt;[3.] chang'd, From daylight in to night; For  [4.] live, In ev'ry patriot's breast;
&lt;/p&gt;&lt;p&gt;[1.] friend, Most cowardly and base; We   [2.] deed, Was ended much to soon; When
&lt;/p&gt;&lt;p&gt;[3.] festive play our flags arrang'd, Now mourn, where all was bright.  [4.] Remember! 'twas foul treason's hand, That robb'd our land from rest.
&lt;/p&gt;&lt;p&gt;[1.] all lament the sad event, That brought to close his days.  [2.] most his counsel was of need, On came the dreadful doom.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;1. Oh nation rouse! Oh nation rouse! And let this crime And let this crime,  2.4. Oh nation rouse! Oh nation rouse! Avenge the blow! Avenge the blow! to
&lt;/p&gt;&lt;p&gt;3. Oh nation rouse! Oh nation rouse! And let this crime, And let this crime, A warning be for future time! A warning be for future time!
&lt;/p&gt;&lt;p&gt;2.4. traitors now no mercy show! To traitors now no mercy show! warning be for future time! A  warning be for future time!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1. SELECT CATALOGUE OF NEW MUSIC, No. 1.  Published by Horace Waters, 481 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;1865. Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865.
&lt;/p&gt;&lt;p&gt;And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Pianist in attendance to try new Music. Music mailed free.
&lt;/p&gt;&lt;p&gt;SONGS.
A Dream of my Mother and my Home. S.C. Foster, 30. A Home on the Mountain. Mrs. Parkhurst, 30. Angel Mary. Mrs. Parkhurst, 30. A penny for your thoughts. S.C. Foster, 30. Atlanta's ours and fairly won. A.K. Virgil, 30. Bear this gently to my mother. Russell, 30. Beautiful Annie. J.G. Clark, 30. Better times are coming. S.C. Foster, 30. Bread and Cheese and Kisses (Comic). J.J. Daly, 30. Bury me in the morning, Mother. S.C. Foster, 30. By the lone river side. Sullivan, 30. Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30. Come into the Garden, Maud. Balfe, 50. Come sing with me. Solo and Trio. Hyatt, 30. Come, rally Freemen, rally. Mrs. Parkhurst, 30. Chicago Copperhead. J.G. Clark, 20. Copperhead of 1864...of 1865. J.G. Clark, 30, 20. Dear One, I think of thee. Laurence, 30. Dey said we wouldn't fight. Mrs. Parkhurst, 30. Did you mean what you said? J.S. Cox, 35. Dost Thou ever think of Me, Love? Mrs. Parkhurst, 30. Do they remember me? W.O. Fiske, 30. Do they love me still as ever? Mrs. Parkhurst, 30. Dreams of happier days. Hobson, 30. Dying Soldier Boy. W. Virgil Wallace, 30. Evacuation. Father Reed, 30. Evening Blessing. Solo or Quartette. Keller, 30. Fighting for the Flag, Day and Night. S.C. Foster, 30. Flirtation. H. Tucker, 30. Fiora Lyle. Keller, 30. Friends of the Union. Adapted to "Pirate's Chorus," by Smith, 30. Forget if you can, but forgive. J.R. Thomas, 30. Give this to Mother (Lith.) S.C. Foster, 35. God save our noble Union. Martin, 30. Golden Dreams and Fairy Castles. S.C. Foster, 30. Home is Home. J.R. Thomas, 30. How goes the Money? (Humorous). Hutchinson, 30. How softly on the bruised heart. Parkhurst, 30. I can't forget. Mrs. Parkhurst, 30. If you've only got a Moustache (Comic). S.C. Foster, 30. I'd dream forever more. T.B. Bishop, 30. I heard sweet voices singing. J.R. Thomas, 30. I'll wait at the Gate for Thee. Ho der, 30. I'm returning to thee Annie. Barker, 30. I'm willing to wait. (Old Maid's Song). Mrs. Parkhurst, 30. In Childhood's calm and sinless bloom. Benedict, 30. Irene, the little Queen. Keller, 30. I will be true to thee. S.C. Foster, 30. I will be true to the Stripes and the Stars. S.J. Vail, 35. Jenn's coming o'er the green. S.C. Foster, 30. Johnny is my Darling (Lith.). Adapted by Father Reed, 40. Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30. Kindly Words and Smiling Faces. J.R. Thomas, 30. Leave me with my Mother. S.C. Foster, 30. Let me Die with my Face to the Foe. Clark, 30. Little Jenny Dow. S.C. Foster, 30. Little Joe, the Contraband. Mrs. Parkhurst, 30. Lizzie Dies to-night. S.C. Foster, 30. Lizzie Lee. Keller, 30. Lord's Prayer Anthem. S.K. Whiting, 60. Mary Fay. Mrs. Parkhurst, 30. Maryland's Free! M.A. Fortune. 30. Merry little Birds are we (Lively). S.C. Foster, 30. Me too. Coffin, 30. Moonlight and Starlight. J.G. Clark, 30. Mother is the Battle over? Roefs, 30. Mother's Love is True. Keller, 30. My Country dear, I die for thee (Lith.) Ballard, 40. My Jamie is a Soldier Brave. Wallace, 30. My Jamie's on the Battle Field. Mrs. Parkhurst, 30. My Little Angel. Hutchinson, 30. My Village Home. J.W. Cherry, 30. My Wife is a most Knowing Woman. S.C. Foster, 30. New Emancipation Song. Mrs. Parkhurst, 30. Norah Dearest. Mrs. Parkhurst, 30. No Slave beneath that Starry Flag. Mrs. Parkhurst, 30. Oh! why am I so happy? S.C. Foster, 30. Oh! could I but recall the hours. Swain, 30. Oh! take me to thy heart again. Balfe, 30. Oh! send me one flower from his grave. Mrs. Parkhurst, 30. Oh! there's no such Girl as Mine. S.C. Foster, 30. O, meet me, dear Mother. Mrs. Parkhurst, 30. Only You and I. Mrs. Parkhurst, 30. Our Dear New England Boys. Mrs. Parkhurst, 30. One by one the Stars of Evening. Laurence, 30.  Our Comrade's Grave. J. Dayton, 30. Our Flag. Our Army and Our President. Perry, 30. One by one the Stars of Evening. Laurence, 30. One single Kiss. Keller, 30. Patrick MaCushla. Barker, 30. Picking Berries, or Jenny Davis and I. Perkins, 30. Pleasant words for all. Roberts, 30. Prayer. Selle, 30. Rock me to sleep, Mother. Hyatt, 30. Rock me to sleep, Mother. O'Donnell, 30. Robert, Idol of my heart. Meyerbeer, 40. Rose of Clifton Dale. Laurence, 30.  Sabbath Bells, chime on. Lowry, 30. Shall we know each other there? Lowry, 30. Shall we meet beyond the river? Bates, 30. She was all the world to me. The last Song of the late S.C. Foster, 30. Slumber my Darling, (Cradle Song). S.C. Foster, 30. Song of the Mountain Girl. Perkins, 30. Song of the Sailor Boy. C.H. Rodwell, 30.
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. Mrs. Parkhurst, 30. Sweet Evelina. Arr'd by Mrs Parkhurst, 30. Sweet little Nell (Lively). Mrs. Parkhurst, 30. Sweet Love, Forget me Not. Keller, 30. The Angels are hovering near. Mrs. Parkhurst, 30. The Beautiful Angel Band. Mrs. Parkhurst, 30. The Blind Girl's Lament. C. Kalisch, 30. The Dying Drummer. Mrs. Parkhurst, 30. The Flowers bloom in Lenden Vale. S. Laurence, 30. The Girls are not so green. A. Cull, 30. The Haunted Stream. Barker, 30. The Little Ballad Girl. S.C. Foster, 30. The Love I bear to Thee. S.C. Foster, 30. The Morning is Dawning. H.S. Leland, 30. The Pure, the Bright, the Beautiful. S.C. Foster, 30. The Soldier's Dying Farewell. Mrs. Parkhurst, 30. The Sweetest Flower. M. Keller, 30. The Tear of Love. Mrs. Parkhurst, 30. The Union Medley. Mrs. Parkhurst, 60. The Violet. S. Laurence, 30. The Voice of the Army. J.G. Clark, 30. The Young Volunteer. J.R. Osgood, 30. There are plenty of Fish in the Sea (Comic). S.C. Foster, 30. There are Voices, Spirit Voices. Mrs. Parkhurst, 30. There's a Path by the River. Loder, 35. There's no such Girl as Mine. (Comic). Foster, 30. There's rest for all in Heaven. Mrs. Parkhurst, 30. They tell me I'll forget thee. Mrs. Parkhurst, 30. They worked me all the day. Mrs. Parkhurst, 30. This hand never struck me, Mother. Mrs. Parkhurst, 30. Thou art Dreaming (Serenade). Crilley, 30. Thou art so near and yet so far. Reichardt, 35. Tim Green, or I've a Guinea I can spend. Chamberlin, 30. 'Tis hard to give the hand where the heart can never be. Glover, 30. Valley of Chamouni. Glover, 30. Wait, my Little One, wait. Mrs. Parkhurst, 30. Was my Brother in the Battle? S.C. Foster, 30. Weep no more for Lilly. Mrs. Parkhurst, 30. We'll al go home again. Whitlock, 30. We parted with a cheerful smile. Keller, 30. Were I but his own Wife. Mrs. Parkhurst, 30. What is home without the children? Keller, 30. When Dear Friends are gone. S.C. Foster, 30. When Old Friends were here. One of the last two Songs of the late S.C. Foster, 30. When this dreadful war is ended. S.C. Foster, 30. Why am I so happy? S.C. Foster, 30. Why have my loved ones gone? S.C. Foster, 30. Wilt thou be true? S.C. Foster, 30. Your Fortune is too small for me. Maurice, 30.  PATRIOTIC SONGS. All quiet along the Potomac. J. Dayton, 30. Atlanta's ours and fairly won! A.K. Virgil, 30. Bear this gently to my Mother. Russell, 30. Better times are coming. S.C. Foster, 30. Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40. Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30. Come rally, Freemen, rally. Mrs. Parkhurst, 30. Chicago Copperhead. J.G. Clark, 20. Copperhead of 1864. Copperhead of 1865. J.G. Clark, 30, 20. Dey said we wouldn't fight. Mrs. Parkhurst, 30. Dying Soldier Boy. W. Virgil Wallace, 30. Fighting for the Flag, day and night. Foster, 30. Flag of our Union. Arr'd by A. Cull, 30. For the dear old Flag I die. S.C. Foster, 30. Freedom, Truth and Right. C. Heineman, 35. Freeman's Gathering. Arr'd by A. Cull, 30. Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30.  Give this to Mother (Lith.). S.C. Foster, 40. God save our Land. Arr'd by A. Cull, 30. God save our noble Union. Martin, 30. Hail Columbia, 30. Hark! the Signal. Bomherdt, 30. I will be True to the Stripes and the stars. S. J. Vail, 35. Land of the Brave and Free. G.S. Plumley, 30. Let me Die with my Face to the Foe. Clark, 30. Let me Die with my Face to the Foe, Quartette. J.G. Clark, 35. Little Joe the Contraband. Mrs. Parkhurst, 30. Madmen! spare that Flag. A. Cull, 30. Maryland's Free! M.A. Fortune, 30. Mother is the Battle over? Roefs, 30. My Country dear, I die for thee (Lith.) Ballard, 40. My James is a Soldier Brave. W. Virgil Wallace, 30. My Jamie's on the Battle Field. Parkhurst, 30. My Country 'tis of thee. Arr'd by A. Cull, 30.  New Emancipation Song. Mrs. Parkhurst, 30. No Slave beneath that Starry Flag. Mrs. Parkhurst, 30. Oh! send me one Flower from his Grave, 30. Our Country now and ever. K. Merz, 30. Our Flag, Our Army, and Our President. Perry, 30. Rally 'round the Flag Boys. Fackrell, 30. Stand up for the Flag. S.C. Foster, 30. Star Spangled Banner, 30. The Drummer Boy of the National Greys. A. Cull, 30.  The Dying Drummer. Mrs. Parkhurst, 30. The Dying Volunteer. J. Dayton, 30. The Soldier's Dying Farewell. Mrs. Parkhurst, 30. The Union Medley. Mrs. Parkhurst, 60. The Voice of the Army. J.G. Clark, 30. The Volunteer Yankee Doodle of '61. Selle, 30. Three Cheers for our Banner. Allen, 30. To Arms! To Arms! W.F. Otten, 40. War Song of the 69th Regiment. A. Cull, 30.
&lt;/p&gt;&lt;p&gt;We'll all go Home again. Whitlock, 30. Yankee Doodle, 30. When this dreadful War is ended. S.C. Foster, 30. GUITAR SONGS. Bear this gently to my Mother. G.A. Russell, 30. Christ will care for Mother now. Dost thou ever think of me, Love? I will be true to thee. G.A. Russell, 30, 30, 20. Lizzie Dies to-night. Underhill, 20. Shall we know each other there? Bloomer, 30. Sweet Evelina. E.N., 30. Sweet Little Nell. G.A. Russell, 30. They tell me I'll forget thee. When old Friends were here. Why have my loved ones gone? G.A. Russell, 20, 20, 30.  DUETS AND QUARTETTES. All quiet along the Potomac. Quartette. J. Dayton, 30. Come down by the silvery Brook, Love. Comic Duet. Cull, 30. Evening Blessing. Quartette. Keller, 30. Glowing Star of gentle Evening. Duet. S. Laurence, 35. Hymn of the Nation. Quartette. J.R. Thomas, 30. Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30. Let all the People praise Thee, O! God. Quartette. J.R. Osgood, 35.  Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30. Mr. and Mrs. Brown. Comic Duet. S.C. Foster, 30. Our Comrade's Grave. Quartet. J. Dayton, 30. Rose of Clifton Dale. Duet. Laurence, 30. Skating. Duet. Laurence, 30. The Lord's Prayer. Anthem. S.K. Whiting, 60. Vesperi. Duet. Laurence, 30.  POLKAS, MAZURKAS &amp;amp; REDOWAS. Betrothed. Mazurka. Ruboti, 30. Blondette Polka. Thos. Baker, 30. Chemical Polka. Jos. Raff, 30. Columbia College Polka Redowa. J. Munck, 30. Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum. Thos. Baker, 40. Czarina Mazurka. B. Richards, 50. Fort Preble Polka. Borland, 35. Francis Polka Redowa. J. Munck, 30. Gaetana Mazurka. E. Ketterer, 60. Golden Bow Mazurka. J.D. Kerrison, 40. Golden Cross Polka. Idylwild Polka Caprice. Keller, 30. La Czarina Mazurka. B. Richards, 50. LePari Polka. J.G. Barnard, 30. LIttle Jenny Dow. Polka. Sunny Side Set, No. 1. Bellak, 20. Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20. Minnie Polka. A. Cull, 30. New Sparkling Polka. Cloy, 30. Sanitary Fair Polka. Mrs. Parkhurst, 30. They Worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20. Three Roguish Chaps. Polka. Sunny Side Set, No. 4. Bellak, 20. Volunteer Polka. R. Goldbeck, 30. Volunteer Polka. Sunny Side Set, No. 10. J. Bellak, 20. When this dreadful War is ended. Polka. Sunny Side Set. DANCES. Farmer Stubb's Visit to N.Y. City. Mrs. Parkhurst, 20. The Evacuation. Mrs. Parkhurst, 20. QUADRILLES. Les Lanciers. J. Munck, 35. Review. S. Glover, 50.  SCHOTTISCHES. Christmas Carol. T. Baker, 35. Comet. T. Baker, 30. Humbug. Keller, 30. Lorette. Jos. Raff, 30. Morning Dew. Sunny Side Set, No. 8. Bellak, 20. My loved ones gone. Sunny Side Set, No. 2. Bellak, 20. New Katy-Did. H. Piano, 30. Tender Glance. Mrs. Parkhurst, 30. GALOPS. Cannon. Mrs. Parkhurst, 20. Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60. LaBelle. T.W. Morris, 30. Laughing (un Ballo in Maschera). T. Baker, 30. Music Box. C.E. Hering, 40. On to Richmond. Mrs. Parkhurst, 30. Summer House of Roses. Mrs. Parkhurst, 30. There's no such Girl as mine. S.S.S. Parkhurst, 20. When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20. Whirlwind. Mac Donald, 30.  WALTZES. Faust (Simple). Lanner, 20. Frederica. Barnard, 40. Heart Chimings (Sentimental). Keller, 30. Holiday. Jehl, 30. Il Bacio (The Kiss). Ketterer, 60. Il Bacio (The Kiss). Lanner, 20.
&lt;/p&gt;&lt;p&gt;L'Amitie. Barnard, 40. L'Etoile de la Mer. Spencer, 35. Little Bird. Sunny Side Set, No. 7. Bellak, 20. Livingston Waltzes. J. Munck, 50. Love. T. Baker, 40. Ometepe. Apellas, 35. Right of Line. Morris, 30. Sigh in the Heart (Sentimental). Mrs. Parkhurst, 35. Starlight. Mrs. Parkhurst, 35. Souvenir de Owego. Jos. Raff, 50. Sweet Evelina. Sunny Side Set. Mrs. Parkhurst, 20. Sweet Little Nell. Mrs. Parkhurst, 20. Union. La Grassa, 30. What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20. Young America. 4 Waltzes (Lith.) Weiner, 40.  MARCHES AND QUICKSTEPS. British Volunteers. A. Cull, 40. Continental Guard. Powell, 30. Farewell Quickstep (Air How can I leave thee). Hancox, 30. Faust. Lanner, 30. Freedom, Truth and Right (Lith.). Heineman, 50. Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40. Gen. Grant's (Vig. of Gen. Grant). Jos. Raff, 40. Gen. Scott's Farewell. Mrs. Parkhurst, 30. Gen. Sheridan's Quickstep. Jos. Raff, 30. Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 20. Hillside Polka-Quickstep. Powell, 30. Marching Along and Glory Hallelujah. A. Cull, 30. Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20. Marche Sacre, or Peter the Great's March. B. Richards, 40. Leave me with my Mother. March. Sunny Side Set, Mrs. Parkhurst, 20. My Country's. S. Side Set, No. 3. Bellak, 20. Norah Dearest. March. Sunny Side Set. Mrs. Parkhurst, 20. O. F. March. T. Baker, 30. Our General Quickstep (Lith.). Graffula, 50. President Lincoln's (Vignette of Pres. L.) Helmsmuller, 50. Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40. There's plenty of Fish in the Sea. Quickstep. Sunny Side Set. Mrs. Parkhurst, 20. Was my Brother in the Battle? Mrs. Parkhurst, 20. Weep no more for Lilly. S.S.S. Parkhurst, 20. West Point. Barnard, 30. FOUR HAND PIECES. Faust. March. (Lanner.) Arr'd by Cramer, 30. Idylwild Polka. (Keller). Arr'd by Mrs. Parkhurst. Juanita. (B. Richards) Arr'd by Rimbault, 50. New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40. On to Richmond Galop. Mrs. Parkhurst, 40. Sanitary Fair Polka. Mrs. Parkhurst, 40. Sigh in the heart. Waltz. Mrs. Parkhurst, 40. Tender Glance. Schottische. Mrs. Parkhurst, 40. Vienna March. Czerny, 20. Warblings at Eve. B. Richards, 40. Wedding March. Mendelssohn, 50.  RONDOS, VARIATIONS, &amp;amp;c. Always look on the Sunny Side. Brilliant Variations. Grobe, 50.  Answer to Maiden's Prayer. Badarzewska, 35. Charity Variations. Miszner, 40. Chime Again, Beautiful Bells. B. Richards, 35. Cloud with a Silver Lining. Mrs. Parkhurst, 30. Don Sebastian (Donizetti). Muller, 75. Dream of the Wanderer. B. Richards, 35. Echoes of Killarney. B. Richards, 35. Fall of Richmond. Jos. Raff, 50. Fairy's Dream. B. Richards, 40. Fairy Whispers. Nocturne. Sydney Smith, 50. Faust. Fantasie Brilliant. Ketterer, 60. Faust. Fantasie Eelgant. Leybach, 60. Faust. Transcription. Krug, 40. Faust. Potpourii. Lanner, 60. Floating on the Wind. B. Richards, 30.  Florence. Nocturne. B. Richards, 50. Gazelle, La. Hoffman, 35. Grazioso (Morceau de Danse)., Jos. Raff, 30. Her bright Smile haunts me still. B. Richards, 40. Home, Sweet Home. B. Richards, 50. Il Bacio (The Kiss). Transcript'n. Ketterer, 60. I'm leaving thee in Sorrow, Annie. B. Richards. 30. Juanita (Spanish Melody). B. Richards, 35. Kathleen Mavourneen. B. Richards, 50. Last Rose of Summer. B. Richards, 50. Long, long weary Day. (Opus 130). T. Oesten, 30. Morning Prayer. For an Album (Published together). Muller, 30. Pirates Chorus. B. Richards, 40. Prayer granted. Reply to Maiden's Prayer. Badarzewska, 35. Shadow Air (Dinorah). B. Richards, 50. Shall we know each other there? Var. Grobe, 50. Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20. Sicilian Vespers (Bolero). B. Richards, 60. Soldiers Chorus (Faust). B. Richards, 60. Soldiers Chorus (Simple) (Faust). Rimbault, 30. Star Spangled Banner. Var. A. Cull, 40. St. Patrick's Day. B. Richards, 40. Sunny Side Rondo. S.S. Set, No. 5. Bellak, 20. The Last Rose of Summer. B. Richards, 50. The Voice of the Heart. O. Commetant, 35. Thou art so Near and yet so Far. B. Richards, 50. Warblings at Eve. B. Richards, 35.  Warblings at Morn. B. Richards, 50. We are Coming Father Abraham. Var. Grobe, 50. When the Swallows Homeward Fly. Oesten, 50.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>A Gloom is Cast O'er All the Land</text>
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                <text>Song and chorus about death of Abraham Lincoln: "To the memory of our lamented President." Cover depicts floral border around text.</text>
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                <text>Horace Waters</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>The percentage of pages with Needs Review status.</description>
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                <text>100</text>
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            <description>A 6-digit number used to sort items quickly.</description>
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                    <text>&lt;p&gt;To the Friends of Southern Independence. God and Our Rights. Song &amp;amp; Chorus 
&lt;/p&gt;&lt;p&gt;Words by Wm. M. Johnston  Music by A.E. Blackmar.  Piano Guitar  3 1/2
&lt;/p&gt;&lt;p&gt;Published by A.E. Blackmar &amp;amp; Bro. 74 Camp St. New Orleans.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;God and our Rights.  Words by Wm. M. Johnston  Music by A.E. Blackmar
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1861 by A.E. Blackmar &amp;amp; Bro: in the Clerk's Office of the Dist: Court of the East. Dist. LA.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. God and our Rights! From every glen Come marching ranks of fearless men, Sons of those who fought and died On Chalmette's plain, by Jackson's side, Prompt as their sires to do, to dare Their cry as they come is rending the air,
&lt;/p&gt;&lt;p&gt;2. God and your Rights! On, Brothers on, Leave in your fields the ripening corn, Leave in its furrow the idle plough For other work's before you now, Stand to your arms gird on the blade Cheerily cry out undismayed,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Air. Alto. Tenor. Basse. God and our Rights! God and our Rights God and our Rights!
&lt;/p&gt;&lt;p&gt;3rd. God and our Rights! It was their cry, When your fathers of old went forth to die, Right was with them, and God their trust When the hirelings of tyranny bit the dust, They conquered in death and so shall we, Men of the South, ne'er bend the knee!  God and our Rights!
&lt;/p&gt;&lt;p&gt;4th. Hearts of the South, though peace no more May visit again your sunny shore, Yield no inch of your dear bought right, Yield if you yield, a life in the fight, And as with your feet to the foe you lie, Let the red field echo your last, deep cry. God and our Rights!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <name>Percent Needs Review</name>
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              <elementText elementTextId="630600">
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                    <text>&lt;p&gt;Rest, Spirit, Rest. Grand Requiem March To the Memory of Abraham Lincoln. by E. Hoffman, Author of Mocking Bird.- Trinity Chimes, &amp;amp;c, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;New York. Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.    5
&lt;/p&gt;&lt;p&gt;Lith. of Major &amp;amp; Knapp, 449 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co., Cincinnati. C.Y. Fonda. Chicago Root &amp;amp; Cady. Milwaukee. H.N. Hempstead.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress in the year 1886 by Wm. A. Pond &amp;amp; Co. in the Clerk's Office of the Dist. Court of Northern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GRAND FUNERAL MARCH. E. Hoffman.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Lith. of Major and Knapp, 440 Broadway N.Y.
&lt;/p&gt;
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                <text>Instrumental song for Abraham Lincoln. Alternative Title: Rest Spirit Rest Grand Requiem March. "To the Memory of Abraham Lincoln." Cover depicts image of Lincoln with his signature to lower right.</text>
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                <text>William A. Pond &amp;amp; Co.</text>
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                <text>&lt;p&gt;Rest, Spirit, Rest. Grand Requiem March To the Memory of Abraham Lincoln. by E. Hoffman, Author of Mocking Bird.- Trinity Chimes, &amp;amp;c, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;New York. Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.    5
&lt;/p&gt;&lt;p&gt;Lith. of Major &amp;amp; Knapp, 449 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co., Cincinnati. C.Y. Fonda. Chicago Root &amp;amp; Cady. Milwaukee. H.N. Hempstead.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress in the year 1886 by Wm. A. Pond &amp;amp; Co. in the Clerk's Office of the Dist. Court of Northern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GRAND FUNERAL MARCH. E. Hoffman.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Lith. of Major and Knapp, 440 Broadway N.Y.
&lt;/p&gt;
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                    <text>&lt;p&gt;Grand Funeral March To the Memory of Abraham Lincoln. Born Feby. 12. 1809. Died Apr. 15. 1865. Composed by Henry Mayer. 
&lt;/p&gt;&lt;p&gt;New York.  5
&lt;/p&gt;&lt;p&gt;Lith. of Major &amp;amp; Knapp, 449 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Published by Wm. A. Pond &amp;amp; Co. No. 547 Broadway.  Boston. O. Ditson &amp;amp; Co. Cincinnati. C.Y. Fonda. Chicago. Root &amp;amp; Cady. Milwaukee. H.N. Hampstead.
&lt;/p&gt;&lt;p&gt;Ent. accord to Act of Congress in the year 1865 by Wm. A. Pond &amp;amp; Co. in the Clerk's Office of the Dist. Court of Northern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.  Henry Mayer.
&lt;/p&gt;&lt;p&gt;Lento.
[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
Major.
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>William A. Pond &amp;amp; Co.</text>
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                <text>Henry Mayer</text>
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                <text>&lt;p&gt;Grand Funeral March To the Memory of Abraham Lincoln. Born Feby. 12. 1809. Died Apr. 15. 1865. Composed by Henry Mayer. 
&lt;/p&gt;&lt;p&gt;New York.  5
&lt;/p&gt;&lt;p&gt;Lith. of Major &amp;amp; Knapp, 449 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Published by Wm. A. Pond &amp;amp; Co. No. 547 Broadway.  Boston. O. Ditson &amp;amp; Co. Cincinnati. C.Y. Fonda. Chicago. Root &amp;amp; Cady. Milwaukee. H.N. Hampstead.
&lt;/p&gt;&lt;p&gt;Ent. accord to Act of Congress in the year 1865 by Wm. A. Pond &amp;amp; Co. in the Clerk's Office of the Dist. Court of Northern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.  Henry Mayer.
&lt;/p&gt;&lt;p&gt;Lento.
[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
Major.
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[instrumental sheet music]
6111
&lt;/p&gt;
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                <text>20</text>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;GRAND INAUGURAL POLONAISE
&lt;/p&gt;&lt;p&gt;PERFORMED BY THE ORCHESTRA OF THE MILWAUKEE MUSICAL SOCIETY AND THE INAUGURATION BALL NEW MUSIC HALL.
&lt;/p&gt;&lt;p&gt;Composed by CH. H. BACH.  Eng'. at Clayton's.  3 1/2
&lt;/p&gt;&lt;p&gt;Published by Ziegfeld &amp;amp; Willson at Reed's Temple of Music. 69 Dearborn &amp;amp; 88 &amp;amp; 90 Randolph Streets. Chicago.
&lt;/p&gt;&lt;p&gt;Entd. according to Act of Congress AD 1865 by Ziegfeld &amp;amp; Willson in the Clerk's Office of the Dist.' Court of the North'. Dist. of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;INAUGURAL POLONAISE.
&lt;/p&gt;&lt;p&gt;CH. H. BACH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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              <name>Title</name>
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                <elementText elementTextId="164930">
                  <text>Lincoln Sheet Music Collection</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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            <name>Identifier</name>
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                <text>301006</text>
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                <text>467317453</text>
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            <description>A name given to the resource</description>
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                <text>Grand Inaugural Polonaise</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Instrumental song for Lincoln's second presidential inauguration. "Performed by the Orchestra of the Milwaukee Musical Society at the Inauguration Ball."</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Inauguration</text>
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                <text>Bach, Charles H.</text>
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                <text>Polonaise</text>
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                <text>Instrumental music</text>
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                <text>Charles H. Bach</text>
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                <text>Ziegfeld &amp;amp; Willson at Reed's Temple of Music</text>
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            </elementTextContainer>
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              <elementText elementTextId="165052">
                <text>Chicago</text>
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            <name>Date</name>
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                <text>1865</text>
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              <elementText elementTextId="165056">
                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="630567">
                <text>200</text>
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;Young America Grand March
&lt;/p&gt;&lt;p&gt;[lithograph]
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; most respectfully dedicated to Col. J.C. Fremont by Adolph Baumbach.  3
&lt;/p&gt;&lt;p&gt;Boston. Geo. P. Reed &amp;amp; Co., 13 Tremont Street.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress, in the year 1886, by George P. Reed in the clerk's office of the district court of Massachusetts.
&lt;/p&gt;&lt;p&gt;[J.M. Bradford &amp;amp; Co. Lith. Memphis?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;GRAND MARCH.  ADOLPH BAUMBACH
&lt;/p&gt;&lt;p&gt;Piano. Marziale.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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              <text>34 cm</text>
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                <text>Young America Grand March</text>
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            <description>An account of the resource</description>
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                <text>Instrumental music. "Composed &amp;amp; most respectfully dedicated to Col. J. C. Fremont" Cover depicts image of Fremont, who was the first Republican nominee for president. He was defeated by James Buchanan in the presidential election of 1856.&lt;br /&gt;&lt;br /&gt;</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Adolph Baumbach</text>
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                <text>George P. Reed &amp;amp; Co.</text>
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            <name>Coverage</name>
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                <text>Boston</text>
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                <text>1856</text>
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            <name>Format</name>
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              <elementText elementTextId="165075">
                <text>pdf</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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              <elementText elementTextId="630457">
                <text>Needs Review</text>
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              <elementText elementTextId="630458">
                <text>100</text>
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              <elementText elementTextId="630459">
                <text>200</text>
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                    <text>&lt;p&gt;GRAND TRIUMPHAL QUICK STEP, PARTLY COMPOSED &amp;amp; DEDEDICATED TO Gen. Zachary Taylor by Edward L White.  25 cts net.
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson, 115 Washington St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1847 by O. Ditson in the Clerk's office of the District Court of Mass.
&lt;/p&gt;&lt;p&gt;Bafford &amp;amp; Co. lith  [lithograph of Taylor]
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GRAND TRIUMPHAL QUICK STEP COMPOSED AND DEDICATED TO GEN ZACHARY TAYLOR BY E. L. WHITE.
&lt;/p&gt;&lt;p&gt;BOSTON: Published by Oliver Ditson 115 Washington St.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD. 1847 by Oliver Ditson in the Clerk's Office of the District Court of Mass:
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="165093">
              <text>4</text>
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              <text>34 cm</text>
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                <text>301008</text>
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                <text>18512103</text>
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                <text>Grand Triumphal Quick Step</text>
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            <description>An account of the resource</description>
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                <text>Instrumental music. "Partly Composed and Dededicated to Gen. Zachary Taylor." Cover depicts Zachary Taylor, who commanded one of two principal American armies in the War with Mexico and later served as president from 1849 to 1850. He died in office on July 9, 1850.</text>
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                <text>Taylor, Zachary, 1784-1850</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="165085">
                <text>White, Edward L. (Edward Litte), 1809-1851</text>
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              <elementText elementTextId="165086">
                <text>Dance music</text>
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              <elementText elementTextId="165087">
                <text>Foxtrots</text>
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              <elementText elementTextId="165088">
                <text>Instrumental music</text>
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                <text>Edward L. White</text>
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                <text>Oliver Ditson &amp;amp; Co.</text>
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                <text>Boston</text>
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                <text>1847</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <elementTextContainer>
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                <text>Needs Review</text>
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            <name>Percent Needs Review</name>
            <description>The percentage of pages with Needs Review status.</description>
            <elementTextContainer>
              <elementText elementTextId="630545">
                <text>100</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="630546">
                <text>200</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="19439" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/60d11b5cff72546222e697431cc69e7f.pdf</src>
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            <elementContainer>
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                <name>Status</name>
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                <elementTextContainer>
                  <elementText elementTextId="630442">
                    <text>Needs Review</text>
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                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="630446">
                    <text>&lt;p&gt;Respectfully Dedicated to E.F. Dixey, Esq.
&lt;/p&gt;&lt;p&gt;HE'S GONE TO THE ARMS OF ABRAHAM.  COMIC WAR BALLAD.
&lt;/p&gt;&lt;p&gt;My true love is a soldier, Upon the battle ground, And if he ever should be lost, I hope he may be found.
&lt;/p&gt;&lt;p&gt;The draft it was that took him, And it was a heavy blow, It took him for a Conscript, But he didn't want to go.
&lt;/p&gt;&lt;p&gt;Chorus: He's gone--he's gone--As meek as any lamb, They took him, yes, they took him To the Arms of Abraham.
&lt;/p&gt;&lt;p&gt;by Sep. Winner.  30 cents.
&lt;/p&gt;&lt;p&gt;Published by Sep. Winner, 933 Spring Garden Street.
&lt;/p&gt;&lt;p&gt;Cincinnati, J. Church, Jr. New York, Wm. A. Pond &amp;amp; Co. Boston, J.C. Haynes &amp;amp; Co. Philadelphia, J.E. Gould.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HE'S GONE TO THE ARMS OF ABRAHAM. COMIC BALLAD. BY SEP. WINNER.
&lt;/p&gt;&lt;p&gt;1. My true love is a soldier In the army now today, It was the cruel war that made him Have to go away; The "draft" it was that took him, And it was a "heavy blow," It took him for a Conscript, But he didn't want to go.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1863, by Sep. Winner, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;He's gone--he's gone--As meek as any lamb, They took him, yes, they took him, to the Arms of Abraham. He's gone--he's gone--As meek as ny lamb, They took him, yes, they took him, to the Arms of Abraham.
&lt;/p&gt;&lt;p&gt;2. He's gone to be a soldier, With a knapsack on his back, A fightin' for the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Union, And a livin' on "hard tack." Oh, how he look'd like Christian, In the Pilgrim's Progress shown, With a bundle on his shoulders, But with nothin' of his own.  Chorus.
&lt;/p&gt;&lt;p&gt;3. Oh, should he meet a rebel, A pointin' with his gun, I hope he may have courage To "take care of number one." If I were him, I'd offer The fellow but a dram; For what's the use of dying Just for Jeff or Abraham? Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. Indeed to be a soldier, It is so very hard, For when a fellow has his fun They poke him on the guard: One day he shot a rooster, The captain thought it wrong; And so to punish him they made Him picket all night long. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;5. I haven't got a lover now, I haven't got a beau; They took him as a raw recruit, But mustered him, I know: He's nothing but a private, And not for war inclined, Although a hard old nut to crack A colonel you might find. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. My true love is a soldier, Upon the battle-ground, And if he ever should be lost I hope he may be found; If he should fall a fightin' Upon the battle-plain, I hope some other chap may come And pick him up again. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Something New.
&lt;/p&gt;&lt;p&gt;Winner's patent self-instructing key-board scale, for the piano or Melodeon; Price one Dollar, (sent by mail for $1.25.) This valuable invention consists of selections which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when being struck. It is highly recommended by all Professors of high standing. It enables the Learner at once to strike the notes required, without the assistance of any Book, or explanation from a Teacher. They are made to fit any Instrument, and can be set upon the keys in one minute.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS.
&lt;/p&gt;&lt;p&gt;Yes! I would the War were Over.  25 cts. Song and Chorus, by Alice Hawthorne. The immense sale of this answer to the popular song "When this Cruel War is Over" is enough to recommend it without further notice. It has been sung nightly at the Eureka Theatre, in San Francisco, by the popular vocalist Sig. Abecco, amid unbounded applause. The sentiment is good, and the melody beautiful. Chorus.--Yes! I would the war were over, Would the cruel work were done, With our country reunited, And the many States in one.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. 25 [cts] With Union words. Arranged in an easy and effective manner by Sep. Winner. The sixtieth thousand of this pleasing song just issued. This edition is by far the best published, being arranged in a very showy style, and not difficult. Ten hundred thousand, brave and free, Maryland, my Maryland, Are ready now to strike with thee, Maryland, my Maryland. A million more still yet agree To help thee hold thy liberty; For thou shalt ever, ever be Maryland, our Maryland.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! 30 [cts] Or, the new "Remember Me." Sentimental Ballad, by Sep. Winner. The subject of this charming song is from the world-renowned story of East Lynne. The melody is very sweet and musical, of a classic order, intended for a good singer. My thoughts still follow after thee, And wander here and there, Like thistle-down in autumn days Upon the chilly air. Since thou art gone, fair Isabel, Whate'er thy dreams may be, Are there not hours in which again Thou must remember me, Isabel, lost Isabel?
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. 25 [cts] New edition; one sharp; easy arrangement. By Sep. Winner. This beautiful song in the original key of Ab (four flats) being rather high in pitch for an ordinary voice, and quite difficult to execute, finds a much more extensive sale in the present form.
&lt;/p&gt;&lt;p&gt;He's gone to the Arms of Abraham. 25 [cts] Comic war ballad, with chorus, by Sep. Winner. A pretty tune, with machine poetry. The melody is stolen from "Secesh," being a version of the "Bonnie Blue Flag." My true love is a soldier Upon the battle-ground, And if he ever should be lost, I hope he may be found. The draft it was that took him, and it was a heavy blow; It took him for a Conscript, But he didn't want to go. Chorus.--He's gone--he's gone--As meek as any lamb; They took him, yes, they took him To the arms of Abraham.
&lt;/p&gt;&lt;p&gt;Parting Whispers. (vocal Duett.)  30 [cts] This beautiful song is by Alice Hawthorne. The melody is very sweet and pathetic, and has a touching effect when sung by well-blending voices. Farewell, farewell, farewell, farewell! 'Tis sad, 'tis sad to sever: My parting whisper is to thee, My heart is with thee ever.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. 50 [cts] By J.C. Beckel. A descriptive production of the best class, introducing many new and original effects; moderately difficult. The advance of the armies, followed by the tremendous firing of the rebels, answered by the Union forces, is faithfully portrayed; and the grand combined attack of the whole army under General Meade is very effective; the whole concluding with the cry of "Victory!" mingled with the strains of the ever-glorious Star-Spangled Banner, producing a brilliant and happy termination.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. 30 [cts] Song and chorus, by Sep. Winner. A pleasing and cheerful ballad, in the popular vein. A song for the family circle. The melody is lively, and arranged in an easy and flowing style. Chorus. Our sweethearts at home, be we ever so far, Live still in our hearts, wherever we are; Away, far away, though wildly we roam, We dream, ever dream, of our sweethearts at home.
&lt;/p&gt;&lt;p&gt;Banner March. 25 [cts] This March, by Sep. Winner, introduces the popular melody of "The Captain with his Whiskers:" it is very pretty, quite easy, and immensely popular.
&lt;/p&gt;&lt;p&gt;Danish Dance. 25 [cts] By Sep. Winner. New arrangement of this renowned polka-waltz, as used by the Philadelphia and New York bands.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. 30 [cts] By Mrs. Mary Morrison. A sprightly and cheerful piece, amusing as well as instructive; altogether, a good parlor pastime.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. 15 [cts] By Jos. H. Porter. Easy teaching piece, suitable for a pupil in second quarter: pretty melody, in three-four time.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. 25 [cts] By Mrs. Mary Morrison. A brilliant and effective composition, of the popular cast, with a beautiful cross-hand movement and very attractive melody.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. 25 [cts] By Prof. J.E. Kochersperger. A good and graceful melody, in a sound and correct style, with an easy bass. Recommended for ordinary performers.
&lt;/p&gt;&lt;p&gt;Comet Waltz. 30 [cts] A first-class composition, by Sep. Winner, in the composer's own familiar style,--one of those peculiar melodies that make a permanent impression upon the mind and which we sing at times unconsciously.
&lt;/p&gt;&lt;p&gt;Flash Schottische. 30 [cts] By Sep. Winner. A brilliant composition, light and showy, not very difficult, but excellent for practice, to attain a fearless and graceful execution.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. 30 [cts] By Wm. Coleman. A pretty collection of melodies, introducing "Sweet Home" as the grand finale. Each figure of 
this celebrated dance is given in full with the music.
&lt;/p&gt;&lt;p&gt;Copies of the above pieces sent by mail (postpaid). Address Sep. Winner, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>He's Gone to the Arms of Abraham</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Septimus Winner</text>
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                <text>1863</text>
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              <elementText elementTextId="630445">
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                    <text>&lt;p&gt;To the President of the United States "Hold on Abraham" Song and Chorus. Being a response of Uncle Sam's Boys to the call for "Three Hundred Thousand More," ("Uncle Sam's Boys are Coming Right Along.") Sung with immense success by Wood's Minstrels, by Wm. B. Bradbury. Author of Marching Along, The Dear-Old Flag, Flag of our Union, &amp;amp;c, &amp;amp;c.  3
&lt;/p&gt;&lt;p&gt;New York. Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;New York. Wm. B. Bradbury, Braeme St.  Boston. O. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1862 by W.B. Bradbury in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;HOLD ON ABRAHAM, Uncle Sam's Boys are coming right along. BY WILLIAM B. BRADBURY.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entd. according to Act of Congress, AD 1862, by W.B. Bradbury in the Clerk's Office of the D.'C.' of Sn.' D.' of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;We're going down to Dixie, to Dixie, to Dixie, We're going down to Dixie, To fight for the dear old Flag; And should we fall in Dixie, in Dixie, in Dixie, And should we fall in Dixie, We'll die for the dear old Flag.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Tenor. Alto. Soprano. Bass. Hold on Abraham, Never say die to your Uncle Sam;
&lt;/p&gt;&lt;p&gt;Tenor. Alto. Soprano. Bass. Uncle Sam's boys are coming right along, Six hundred thousand strong.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. Our Flag shall float o'er Dixie, o'er Dixie, o'er Dixie, Our Flag shall float o'er Dixie, the Red The White and Blue: We'll ne'er give up 'till Dixie, 'till Dixie, 'till Dixie, We'll ne'er give up 'till Dixie, sings Yankee Doodle Doo.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Our Halleck's bound for Dixie, for Dixie, for Dixie, Our Halleck's bound for Dixie, with a million boys or two: He'll never give up Dixie, old Dixie, old Dixie, He'll never give up Dixie, 'till she's back in the Union true.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. McClellan he's in Dixie, in Dixie, in Dixie, McClellan he's in Dixie, and ready for the foe; Do you think he'll give up Dixie, old Dixie, old Dixie, Do you think he'll give up Dixie, oh, no no no no no no. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;5. Bold Kearney fell in Dixie, in Dixie, in Dixie, Bold Kearney fell in Dixie, While fighting for us all: And there is Gen'ral Burnside, our Burnside, old Burnside, And there is Gen'ral Burnside, he will avenge his fall.  Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. And where is Gen'ral Butler, our Butler, old Butler, And where is "Piacayune Butler," he's gone to Dixie town: And there he keeps a stir'ing, a stir'ing, a stir'ing, And there he keeps a stir'ing, the Secesh up and down. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;7. Brave Corcoran's come from Dixie, from Dixie, from Dixie, Brave Corcoran's come from Dixie, to speed the cause along: He's going back to Dixie, to Dixie, to Dixie, He's going back to Dixie, with a Brigade full and strong. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;&lt;p&gt;8. Our friends have gone to Dixie, to Dixie, to Dixie, Our friends have gone to Dixie, to fight for the dear old Flag: And we're all going to Dixie, to Dixie, to Dixie, And we're all going to Dixie, to stand by the dear old Flag. Chorus. Hold on Abraham &amp;amp;c.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Hold On Abraham, Uncle Sam's Boys are Coming Right Along</text>
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                <text>Song depicts 600,000 Union soldiers going to fight for the army. Extended title information: "Song and Chorus: Being a response of Uncle Sam's boys to the call for 'Three Hundred Thousand More,' ("Uncle Sam's Boys Are Coming Right Along.")" and  "Sung with Immense Success by Wood's Minstrel's."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Halleck, H. W. (Henry Wager), 1815-1872</text>
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                <text> McClellan, George Brinton, 1826-1885</text>
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                <text> Kearney, Philip</text>
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                <text> Butler, Benjamin F. (Benjamin Franklin), 1818-1893</text>
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                <text> Corcoran, Michael, 1827-1863</text>
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                <text> War--Songs and music</text>
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                <text>  Recruitment and enlistment</text>
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                <text>William B. Bradbury</text>
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                <text>William A. Pond &amp;amp; Co.</text>
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                <text>New York</text>
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                    <text>&lt;p&gt;To The Hon. A. Lincoln.
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP FOR THE PIANO
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHEER, BOYS, CHEER.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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              <text>35 cm</text>
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                <text>Honest Old Abe's Quick Step</text>
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                <text>An instrumental song "For the Piano" and dedicated "To the Hon. A. Lincoln"</text>
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            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sheet music</text>
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                <text>Dance music</text>
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                <text>Foxtrots</text>
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                <text>Instrumental Music</text>
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            <name>Creator</name>
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              <elementText elementTextId="165162">
                <text>No information on composer or songwriter available.</text>
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          <element elementId="37">
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                <text>Oliver Ditson &amp;amp; Co.</text>
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            <name>Coverage</name>
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                <text>Boston</text>
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                <text>1860</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;To The Hon. A. Lincoln.
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP FOR THE PIANO
&lt;/p&gt;&lt;p&gt;2 1/2
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Firth Pond &amp;amp; Co. N. York. J. Church Jr. Cincinnati. Beck &amp;amp; Lawton. Philada. C.C. Clapp &amp;amp; Co. Boston.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1860 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist. Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HONEST OLD ABE'S QUICK STEP.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHEER, BOYS, CHEER.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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                <text>100</text>
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            <name>Weight</name>
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                <text>20</text>
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                    <text>&lt;p&gt;DAN BRYANT'S Popular comic Song HOW ARE YOU GREEN-BACKS! AS SUNG BY HIM with immense Success at
&lt;/p&gt;&lt;p&gt;[lithograph of paper money]
&lt;/p&gt;&lt;p&gt;BRYANT'S MINSTRELS, ALSO BY MRS. JOHN WOOD, in the grand Fairy Extravaganza "Fair One with the Golden Locks."
&lt;/p&gt;&lt;p&gt;[illegible. Broadway, N.Y.]
&lt;/p&gt;&lt;p&gt;Words by E. Bowers, Esq. Arranged by Chas. Glover.
&lt;/p&gt;&lt;p&gt;NEW YORK. PUBLISHED BY WM. A. POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;BOSTON. O. Ditson &amp;amp; Co., ALBANY. J.H. Hidley. BUFFALO. Blodgett &amp;amp; Bradford. MILWAUKEE. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1863 in the Clerk's Office of the District Court of the No. District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HOW ARE YOU GREEN-BACKS.  Words by E. Bowers. Arr. by Charles Glover.
&lt;/p&gt;&lt;p&gt;1. We're coming, Father Abram, One hundred thousand more, Five hundred presses printing us from morn till night is o'er; Like
&lt;/p&gt;&lt;p&gt;2. We're coming, Father Abram, One hundred thousand more, And cash was ne'er so easily evok'd from rags before; To
&lt;/p&gt;&lt;p&gt;magic, you will see us start and scatter thro' the land To
&lt;/p&gt;&lt;p&gt;line the fat contractors purse, or purchase transport craft Whose
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;pay the soldiers or release the border contraband, With our promise to pay. "How are you Secretary Chase"?
&lt;/p&gt;&lt;p&gt;rotten hulks shall sink before the winds begin to waft, With our promises to pay, "How are you Gideon Welles, Esquire"?
&lt;/p&gt;&lt;p&gt;Promise to pay, Oh! dat's what's de matter.
&lt;/p&gt;&lt;p&gt;Promise to pay, Oh! can't you fix the date?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. We're coming, Father Abram, one hundred thousand more, I hope a present blessing, though perhaps a future foe; The simple terms on which we come, are hardly worth a fuss, Now, Abe, as we may father you, I hope you'll Father us,
&lt;/p&gt;&lt;p&gt;Chorus. With your promise to pay, How are you "Cousin Postage Stamps" Promise to pay--No more Rappahannock's.
&lt;/p&gt;&lt;p&gt;4. We're willing, Father Abram, one hundred thousand more Should help our Uncle Samuel to prosecute the war, But then we want a chieftain true, one who can lead the van, Geo. B. Mc Clellan, you all know, he is the very man.
&lt;/p&gt;&lt;p&gt;Chorus. With his Potomac Army Grand, Peace once more will smile on us, His Potomac Army Grand, Three cheers for little Mac.
&lt;/p&gt;&lt;p&gt;"Additional Verses by G.W.H. Griffin"
&lt;/p&gt;&lt;p&gt;5. We're coming, Father Abram, one hundred thousand more, To march with gleaming bayonets upon the traitor's shore, But you must give us Generals on whom we can depend, And not let paper Generals, drive off our faithful men,
&lt;/p&gt;&lt;p&gt;Chorus. With our promise to pay, How are you "Bull Run Russell" Promise to pay--"Pop goes the weasel."
&lt;/p&gt;&lt;p&gt;6. We're coming, Father Abram, nine hundred thousand strong, With nine hundred thousand darkies, sure the traitors can't last long With Corporal Cuff and Sergeant Pomp, To lead us in the melee, And at their head, without a red, Our Brigadier General Greely,
&lt;/p&gt;&lt;p&gt;Chorus. With our promise to pay, How are you "Greely's subscription list" Promise to  pay--"Nip up de dooden doo."
&lt;/p&gt;&lt;p&gt;7. We're coming, Father Abram, nine hundred thousand more, With the greatest fighting hero, that lives upon our shore; He fought in all the battles won, and shed his blood most freely, But he's fought them with the Tribune, and his name is Gen'l Greely.
&lt;/p&gt;&lt;p&gt;Chorus.  With our promise to pay, How are you "Black Brigade" Promise to pay--Three cheers for Father Abe!
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="165188">
              <text>4</text>
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              <text>35 cm</text>
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                <text>301012</text>
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              <elementText elementTextId="165173">
                <text>82786003</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="165174">
                <text>How are You Green-Backs!</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="165175">
                <text>Song depicts money arriving to fund United States Army during Civil War. "Dan Bryant's Popular Comic Song" "As sung by him with immense success at Bryant's Minstrels also by Mrs John Wood, in the grand Fairy Extravaganza 'Fair One with the Golden Locks'. Cover depicts three United States currency notes.</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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              <elementText elementTextId="165177">
                <text> Bryant, Dan, 1833-1875</text>
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                <text> Money</text>
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                <text> Glover, Charles</text>
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                <text> American Civil War (1861-1865)</text>
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                <text> War--Songs and music</text>
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                <text> War songs</text>
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              <elementText elementTextId="165183">
                <text> sheet music</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="165184">
                <text>Charles Glover and E. Bowers, Esq.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="165185">
                <text>William A. Pond &amp;amp; Co.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="165186">
                <text>New York</text>
              </elementText>
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            <name>Date</name>
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                <text>1863</text>
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                <text>pdf</text>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="165193">
                <text>en</text>
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                <text>&lt;p&gt;DAN BRYANT'S Popular comic Song HOW ARE YOU GREEN-BACKS! AS SUNG BY HIM with immense Success at
&lt;/p&gt;&lt;p&gt;[lithograph of paper money]
&lt;/p&gt;&lt;p&gt;BRYANT'S MINSTRELS, ALSO BY MRS. JOHN WOOD, in the grand Fairy Extravaganza "Fair One with the Golden Locks."
&lt;/p&gt;&lt;p&gt;[illegible. Broadway, N.Y.]
&lt;/p&gt;&lt;p&gt;Words by E. Bowers, Esq. Arranged by Chas. Glover.
&lt;/p&gt;&lt;p&gt;NEW YORK. PUBLISHED BY WM. A. POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;BOSTON. O. Ditson &amp;amp; Co., ALBANY. J.H. Hidley. BUFFALO. Blodgett &amp;amp; Bradford. MILWAUKEE. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1863 in the Clerk's Office of the District Court of the No. District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HOW ARE YOU GREEN-BACKS.  Words by E. Bowers. Arr. by Charles Glover.
&lt;/p&gt;&lt;p&gt;1. We're coming, Father Abram, One hundred thousand more, Five hundred presses printing us from morn till night is o'er; Like
&lt;/p&gt;&lt;p&gt;2. We're coming, Father Abram, One hundred thousand more, And cash was ne'er so easily evok'd from rags before; To
&lt;/p&gt;&lt;p&gt;magic, you will see us start and scatter thro' the land To
&lt;/p&gt;&lt;p&gt;line the fat contractors purse, or purchase transport craft Whose
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;pay the soldiers or release the border contraband, With our promise to pay. "How are you Secretary Chase"?
&lt;/p&gt;&lt;p&gt;rotten hulks shall sink before the winds begin to waft, With our promises to pay, "How are you Gideon Welles, Esquire"?
&lt;/p&gt;&lt;p&gt;Promise to pay, Oh! dat's what's de matter.
&lt;/p&gt;&lt;p&gt;Promise to pay, Oh! can't you fix the date?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;3. We're coming, Father Abram, one hundred thousand more, I hope a present blessing, though perhaps a future foe; The simple terms on which we come, are hardly worth a fuss, Now, Abe, as we may father you, I hope you'll Father us,
&lt;/p&gt;&lt;p&gt;Chorus. With your promise to pay, How are you "Cousin Postage Stamps" Promise to pay--No more Rappahannock's.
&lt;/p&gt;&lt;p&gt;4. We're willing, Father Abram, one hundred thousand more Should help our Uncle Samuel to prosecute the war, But then we want a chieftain true, one who can lead the van, Geo. B. Mc Clellan, you all know, he is the very man.
&lt;/p&gt;&lt;p&gt;Chorus. With his Potomac Army Grand, Peace once more will smile on us, His Potomac Army Grand, Three cheers for little Mac.
&lt;/p&gt;&lt;p&gt;"Additional Verses by G.W.H. Griffin"
&lt;/p&gt;&lt;p&gt;5. We're coming, Father Abram, one hundred thousand more, To march with gleaming bayonets upon the traitor's shore, But you must give us Generals on whom we can depend, And not let paper Generals, drive off our faithful men,
&lt;/p&gt;&lt;p&gt;Chorus. With our promise to pay, How are you "Bull Run Russell" Promise to pay--"Pop goes the weasel."
&lt;/p&gt;&lt;p&gt;6. We're coming, Father Abram, nine hundred thousand strong, With nine hundred thousand darkies, sure the traitors can't last long With Corporal Cuff and Sergeant Pomp, To lead us in the melee, And at their head, without a red, Our Brigadier General Greely,
&lt;/p&gt;&lt;p&gt;Chorus. With our promise to pay, How are you "Greely's subscription list" Promise to  pay--"Nip up de dooden doo."
&lt;/p&gt;&lt;p&gt;7. We're coming, Father Abram, nine hundred thousand more, With the greatest fighting hero, that lives upon our shore; He fought in all the battles won, and shed his blood most freely, But he's fought them with the Tribune, and his name is Gen'l Greely.
&lt;/p&gt;&lt;p&gt;Chorus.  With our promise to pay, How are you "Black Brigade" Promise to pay--Three cheers for Father Abe!
&lt;/p&gt;
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                    <text>&lt;p&gt;TO THE MEMORY OF THE ILLUSTRIOUS PATRIOT ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM COLLINS. MUSIC BY CARLO BARDETTI.    3
&lt;/p&gt;&lt;p&gt;SAINT LOUIS. Published by Endres &amp;amp; Compton 52 Fourth St.  Philadelphia Louis Meyer. Cincinnati John Church Jr.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3O
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE. WORDS BY WM. COLLINS. MUSIC BY CARLO BARDETTI.
&lt;/p&gt;&lt;p&gt;How sleeps the brave, who sinks to rest, By all his country's wishes bless'd; When Spring with dewy fingers cold, 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by Endres &amp;amp; Compton, in the Clerk's office of the District Court of the Eastern District of Mo.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Redirge is sung; There Honour comes as pilgrim gray, To bless the turf that wraps his clay And Freedom shall a while repair To dwell a weeping hermit there.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>&lt;p&gt;TO THE MEMORY OF THE ILLUSTRIOUS PATRIOT ABRAHAM LINCOLN.
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM COLLINS. MUSIC BY CARLO BARDETTI.    3
&lt;/p&gt;&lt;p&gt;SAINT LOUIS. Published by Endres &amp;amp; Compton 52 Fourth St.  Philadelphia Louis Meyer. Cincinnati John Church Jr.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3O
&lt;/p&gt;&lt;p&gt;HOW SLEEP THE BRAVE. WORDS BY WM. COLLINS. MUSIC BY CARLO BARDETTI.
&lt;/p&gt;&lt;p&gt;How sleeps the brave, who sinks to rest, By all his country's wishes bless'd; When Spring with dewy fingers cold, 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by Endres &amp;amp; Compton, in the Clerk's office of the District Court of the Eastern District of Mo.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Redirge is sung; There Honour comes as pilgrim gray, To bless the turf that wraps his clay And Freedom shall a while repair To dwell a weeping hermit there.
&lt;/p&gt;
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                    <text>&lt;p&gt;I LOVE YOU LIKE LINCOLN LOVED THE OLD RED-WHITE &amp;amp; BLUE
&lt;/p&gt;&lt;p&gt;Words by Wm. Jerome and Joe Young. Music by Jean Schwartz
&lt;/p&gt;&lt;p&gt;[drawing of Lincoln surrounded by soldiers and a young couple holding hands]
&lt;/p&gt;&lt;p&gt;Maddy Williams Music Co. 154 West 46th Street New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Try This On Your Piano. 
&lt;/p&gt;&lt;p&gt;Sit Down. You're Rocking The Boat.
&lt;/p&gt;&lt;p&gt;Words by Wm. Jerome and Grant Clarke. Music by Jean Schwartz.
&lt;/p&gt;&lt;p&gt;Johnny was a sailor Mary was a cook Johnny took her sailing on a briney brook; Johnny tried to kiss her on the angry sea
&lt;/p&gt;&lt;p&gt;Mary married Johnny shortly after that They lived in a houseboat furnished like a flat. Lots of little sailors rolling on the floor
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Harry Williams Music Co. 154 West 46th St. New York
&lt;/p&gt;&lt;p&gt;For Sale By All Dealers.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;I Love You Just Like Lincoln Loved The Old Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Lyric by William Jerome and Joe Young. Music by Jean Schwartz.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;Down on an old-time battle field at Gettysburg P.A. A lad and lassie standing there 'twas Decoration day, While placing flowers on each mound where
&lt;/p&gt;&lt;p&gt;My daddy fought with little Phil. the laddie said with pride. But my dear daddy fought with Lee, the lassie proudly sighed, My father wore a suit of blue and your
&lt;/p&gt;&lt;p&gt;Copyright 1914 by Harry Williams Music Co. Inc. N.Y.  Copyright Canada 1914 by Harry Williams.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;honored heroes lie, The song-birds mating in the trees, They heard the laddie sigh.
&lt;/p&gt;&lt;p&gt;dad a suit of gray, That's why we both bring roses here, On Decoration Day.  I
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;love you just like Lincoln loved the old Red, White and Blue, He gave his life for the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;dear old flag, And I'd give my life for you; My Star Spangled Banner love, Shall never be untrue; I love you just like dear old Lincoln loved the old Red, White and Blue.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Try This on Your Piano. 
&lt;/p&gt;&lt;p&gt;Don't Blame It All On Broadway
&lt;/p&gt;&lt;p&gt;Words by Harry Williams &amp;amp; Joe Young. Music by Bert Grant.
&lt;/p&gt;&lt;p&gt;Chorus. Moderato con moto.
&lt;/p&gt;&lt;p&gt;Don't blame it all on Broadway, you have yourself to blame Don't shame the name of dear, old Broadway for in any other Town it's just the same Your life is what you make it.
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Harry Williams. Music Company, Inc., New York. Copyright Canada MCMXIII by Harry Williams. Music Company, Inc., New York. Performing Rights Secured. International Copyright Secured.
&lt;/p&gt;&lt;p&gt;FOR SALE BY ALL DEALERS
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>I Love You Just Like Lincoln Loved the Old Red, White, and Blue</text>
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                <text>Song depicts story of man describing his love for a departed lover by comparing it with Abraham Lincoln's devotion to the United States. Cover depicts color images of young couple in foreground with Abraham Lincoln, soldiers, and flags in the background with red, white, and blue border. Signature of J. Blom in pencil across front. Page 2 is first page of song "Sit Down You're Rocking the Boat."</text>
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                <text>Harry Williams Music Co., Inc.</text>
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                <text>&lt;p&gt;I LOVE YOU LIKE LINCOLN LOVED THE OLD RED-WHITE &amp;amp; BLUE
&lt;/p&gt;&lt;p&gt;Words by Wm. Jerome and Joe Young. Music by Jean Schwartz
&lt;/p&gt;&lt;p&gt;[drawing of Lincoln surrounded by soldiers and a young couple holding hands]
&lt;/p&gt;&lt;p&gt;Maddy Williams Music Co. 154 West 46th Street New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Try This On Your Piano. 
&lt;/p&gt;&lt;p&gt;Sit Down. You're Rocking The Boat.
&lt;/p&gt;&lt;p&gt;Words by Wm. Jerome and Grant Clarke. Music by Jean Schwartz.
&lt;/p&gt;&lt;p&gt;Johnny was a sailor Mary was a cook Johnny took her sailing on a briney brook; Johnny tried to kiss her on the angry sea
&lt;/p&gt;&lt;p&gt;Mary married Johnny shortly after that They lived in a houseboat furnished like a flat. Lots of little sailors rolling on the floor
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Harry Williams Music Co. 154 West 46th St. New York
&lt;/p&gt;&lt;p&gt;For Sale By All Dealers.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;I Love You Just Like Lincoln Loved The Old Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Lyric by William Jerome and Joe Young. Music by Jean Schwartz.
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;&lt;p&gt;Down on an old-time battle field at Gettysburg P.A. A lad and lassie standing there 'twas Decoration day, While placing flowers on each mound where
&lt;/p&gt;&lt;p&gt;My daddy fought with little Phil. the laddie said with pride. But my dear daddy fought with Lee, the lassie proudly sighed, My father wore a suit of blue and your
&lt;/p&gt;&lt;p&gt;Copyright 1914 by Harry Williams Music Co. Inc. N.Y.  Copyright Canada 1914 by Harry Williams.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;honored heroes lie, The song-birds mating in the trees, They heard the laddie sigh.
&lt;/p&gt;&lt;p&gt;dad a suit of gray, That's why we both bring roses here, On Decoration Day.  I
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;love you just like Lincoln loved the old Red, White and Blue, He gave his life for the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;dear old flag, And I'd give my life for you; My Star Spangled Banner love, Shall never be untrue; I love you just like dear old Lincoln loved the old Red, White and Blue.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Try This on Your Piano. 
&lt;/p&gt;&lt;p&gt;Don't Blame It All On Broadway
&lt;/p&gt;&lt;p&gt;Words by Harry Williams &amp;amp; Joe Young. Music by Bert Grant.
&lt;/p&gt;&lt;p&gt;Chorus. Moderato con moto.
&lt;/p&gt;&lt;p&gt;Don't blame it all on Broadway, you have yourself to blame Don't shame the name of dear, old Broadway for in any other Town it's just the same Your life is what you make it.
&lt;/p&gt;&lt;p&gt;Copyright MCMXIII by Harry Williams. Music Company, Inc., New York. Copyright Canada MCMXIII by Harry Williams. Music Company, Inc., New York. Performing Rights Secured. International Copyright Secured.
&lt;/p&gt;&lt;p&gt;FOR SALE BY ALL DEALERS
&lt;/p&gt;
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                <text>20</text>
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                    <text>&lt;p&gt;Oct. 12th 1870 In Memoriam
&lt;/p&gt;&lt;p&gt;Gen.' Rob.' E. Lee [portrait] Funeral March.
&lt;/p&gt;&lt;p&gt;Published by Chas. B. Bayly, 221 W. Baltimore St. Baltimore, MD.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the year 1870 by Chas. B. Bayly in the office of the Librarian of Congress in Washington, D.C.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;In Memoriam Gen. Robert E. Lee.
&lt;/p&gt;&lt;p&gt;Paul Helen.  
&lt;/p&gt;&lt;p&gt;Piano. Con dolore.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD by Cha: B. Bayly, in the office of the Librarian of Congress at Washington D.C.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>General Robert E. Lee Funeral March</text>
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            <description>An account of the resource</description>
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                <text>Instrumental music in honor of the memory of Confederate general Robert E. Lee, who died on October 12, 1870.</text>
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                <text>Lee, Robert E. (Robert Edward), 1807-1870</text>
              </elementText>
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                <text>Memorial Music</text>
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                <text>Sheet music</text>
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                <text>Helen, Paul</text>
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                <text>United States--Confederate States of America</text>
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            <name>Creator</name>
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                <text>Helen, Paul</text>
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            <name>Contributor</name>
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                <text>Chas. B. Bayly</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Baltimore</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
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                <text>&lt;p&gt;Oct. 12th 1870 In Memoriam
&lt;/p&gt;&lt;p&gt;Gen.' Rob.' E. Lee [portrait] Funeral March.
&lt;/p&gt;&lt;p&gt;Published by Chas. B. Bayly, 221 W. Baltimore St. Baltimore, MD.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in the year 1870 by Chas. B. Bayly in the office of the Librarian of Congress in Washington, D.C.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;In Memoriam Gen. Robert E. Lee.
&lt;/p&gt;&lt;p&gt;Paul Helen.  
&lt;/p&gt;&lt;p&gt;Piano. Con dolore.  
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD by Cha: B. Bayly, in the office of the Librarian of Congress at Washington D.C.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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                    <text>&lt;p&gt;IN MEMORIAM. In honor of President Lincoln by Dr. F. Haase.     3
&lt;/p&gt;&lt;p&gt;BOSTON  Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.  N. York. W.A. Pond &amp;amp; Co.  Chicago. Lyon &amp;amp;  Healy  Boston. J.C. Haynes &amp;amp; Co.  Phil. J.E. Gould.
&lt;/p&gt;&lt;p&gt;Entered according to [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Doloroso il canto ben marcato.  F. Haase.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>In Memoriam In Honor of President Lincoln</text>
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                <text>Instrumental music. "Funeral March"</text>
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                <text> Songs and music</text>
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                <text> Funeral music</text>
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                <text> Haase, Friedrich, 1825-1911</text>
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                <text>Oliver Ditson &amp;amp; Co.</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;IN MEMORIAM. In honor of President Lincoln by Dr. F. Haase.     3
&lt;/p&gt;&lt;p&gt;BOSTON  Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.  N. York. W.A. Pond &amp;amp; Co.  Chicago. Lyon &amp;amp;  Healy  Boston. J.C. Haynes &amp;amp; Co.  Phil. J.E. Gould.
&lt;/p&gt;&lt;p&gt;Entered according to [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Doloroso il canto ben marcato.  F. Haase.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                    <text>&lt;p&gt;IN MEMORIAM QUARTETTE, ON THE DEATH OF ABRAHAM LINCOLN THE SIXTEENTH PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;WORDS BY Mrs. E.J. Bugbee Music by H.T. Merrill.  3 1/2
&lt;/p&gt;&lt;p&gt;CHICAGO Published by Merrill &amp;amp; Brennan 91 Washington St.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1865 by Merrill &amp;amp; Brennan in the Clerk's Off. of Dist. Court for Nrthn. Dt. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;IN MEMORIAM. WORDS BY MRS. E.J. BUGBEE. MUSIC BY H.T. MERRILL.
&lt;/p&gt;&lt;p&gt;Tenderly.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1st. Verse. There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;2nd. Verse. A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falsehood or wrong, But
&lt;/p&gt;&lt;p&gt;bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falshood or wrong, But
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;&lt;p&gt;tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3rd. Verse. Away on the mountain, our Leader must die, The
&lt;/p&gt;&lt;p&gt;4th Verse. The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;Away on the mountain our Leader must die, The
&lt;/p&gt;&lt;p&gt;The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;&lt;p&gt;what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;&lt;p&gt;brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="165295">
              <text>5</text>
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                <text>In Memoriam: Quartette on the Death of Abraham Lincoln, the Sixteenth President of the United States</text>
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            <name>Description</name>
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                <text>Memorial song expressing grief over the death of Abraham Lincoln. Four part harmony for mixed group.</text>
              </elementText>
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            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Songs and Music</text>
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                <text> Vocal quartets</text>
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                <text> Merrill, H. T.</text>
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                <text> Bugbee, E. J.</text>
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                <text> Memorial music</text>
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                <text> Choral music</text>
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            <name>Creator</name>
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              <elementText elementTextId="165291">
                <text>E. J. Bugbee and H. T. Merrill</text>
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                <text>Chicago</text>
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                <text>&lt;p&gt;IN MEMORIAM QUARTETTE, ON THE DEATH OF ABRAHAM LINCOLN THE SIXTEENTH PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;WORDS BY Mrs. E.J. Bugbee Music by H.T. Merrill.  3 1/2
&lt;/p&gt;&lt;p&gt;CHICAGO Published by Merrill &amp;amp; Brennan 91 Washington St.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1865 by Merrill &amp;amp; Brennan in the Clerk's Off. of Dist. Court for Nrthn. Dt. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;IN MEMORIAM. WORDS BY MRS. E.J. BUGBEE. MUSIC BY H.T. MERRILL.
&lt;/p&gt;&lt;p&gt;Tenderly.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1st. Verse. There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;2nd. Verse. A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falsehood or wrong, But
&lt;/p&gt;&lt;p&gt;bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falshood or wrong, But
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;&lt;p&gt;tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3rd. Verse. Away on the mountain, our Leader must die, The
&lt;/p&gt;&lt;p&gt;4th Verse. The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;Away on the mountain our Leader must die, The
&lt;/p&gt;&lt;p&gt;The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;&lt;p&gt;what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;&lt;p&gt;brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;
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                    <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To a Mourning World
&lt;/p&gt;&lt;p&gt;W. Dexter Smith's exquisite and popular poem "In Memoriam Abraham Lincoln" Music by H. Keller. To whom sole permission was given by the author and publisher of the poem.
&lt;/p&gt;&lt;p&gt;Messrs J &amp;amp; E Hoch, Boston
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;New York, Published by Wm. Hall &amp;amp; Son, 54 S. Broadway. 
&lt;/p&gt;&lt;p&gt;R. Burnton 296 Bowery
&lt;/p&gt;&lt;p&gt;New Haven Conn. Skinner &amp;amp; Sperry.
Boston. H. Tolman &amp;amp; Co.
Chicago. Root &amp;amp; Cady.
Savannah. J.R. Schpiener &amp;amp; Sons.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress D. 1866 by Wm. Hall in the Clerks Office of the District Court of the Southern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"In Memoriam Abraham Lincoln" * National Chant. (*The Soprano, containing the melody, may be sung as a Solo throughout the whole of the Chant.)
&lt;/p&gt;&lt;p&gt;Words by W. Dexter Smith, Jr. 
&lt;/p&gt;&lt;p&gt;Music by M. Keller.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Columbia weeps! Columbia weeps! Her cherished son, Who struck her fetters to the ground, Who saved the land of Washington, Has passed from earth's most distant bound; Has passed from earth's most distant bound; 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Soprano Solo.
&lt;/p&gt;&lt;p&gt;His spirit went to realms on high, His dust, alone, the earth could claim, His memory will never die While freemen live to bless his name, His memory will never die While freemen live to bless his name. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Solo Quartett.
&lt;/p&gt;&lt;p&gt;Columbia swears, anew, her vow To guard the birthright of the free; Unsheathed her sword of Justice, now Since Mercy, since Mercy, since Mercy fell by Tyranny.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Solo.
&lt;/p&gt;&lt;p&gt;Our nations hopes and fears alike Are with the land our fathers trod, And while for Freedom, now, we strike, Our future is alone with God! And while for Freedom, now, we strike, Our future is alone with God! alone with God!
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Our nations hopes and fears alike Are with the land our fathers trod, And while we now, for Freedom strike, Our future is alone with God! And while we, now, for Freedom strike, Our future is alone with God! alone with God!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>7</text>
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                <text>Song subtitled "A National Chant" depicts mourning of death of Abraham Lincoln and future of the United States. "To a Mourning World" "To whom sale permission was given by the author and publisher of the poem Messrs J &amp;amp; E Hoch, Boston" Four part harmony for mixed group with soprano solo.</text>
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                <text> Memorial music</text>
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                <text>W. Dexter Smith, Jr. and M. Keller</text>
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                <text>William Hall &amp;amp; Son</text>
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                <text>New York</text>
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                <text>1866</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Lincolniana
&lt;/p&gt;&lt;p&gt;To a Mourning World
&lt;/p&gt;&lt;p&gt;W. Dexter Smith's exquisite and popular poem "In Memoriam Abraham Lincoln" Music by H. Keller. To whom sole permission was given by the author and publisher of the poem.
&lt;/p&gt;&lt;p&gt;Messrs J &amp;amp; E Hoch, Boston
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;New York, Published by Wm. Hall &amp;amp; Son, 54 S. Broadway. 
&lt;/p&gt;&lt;p&gt;R. Burnton 296 Bowery
&lt;/p&gt;&lt;p&gt;New Haven Conn. Skinner &amp;amp; Sperry.
Boston. H. Tolman &amp;amp; Co.
Chicago. Root &amp;amp; Cady.
Savannah. J.R. Schpiener &amp;amp; Sons.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress D. 1866 by Wm. Hall in the Clerks Office of the District Court of the Southern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"In Memoriam Abraham Lincoln" * National Chant. (*The Soprano, containing the melody, may be sung as a Solo throughout the whole of the Chant.)
&lt;/p&gt;&lt;p&gt;Words by W. Dexter Smith, Jr. 
&lt;/p&gt;&lt;p&gt;Music by M. Keller.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Columbia weeps! Columbia weeps! Her cherished son, Who struck her fetters to the ground, Who saved the land of Washington, Has passed from earth's most distant bound; Has passed from earth's most distant bound; 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Soprano Solo.
&lt;/p&gt;&lt;p&gt;His spirit went to realms on high, His dust, alone, the earth could claim, His memory will never die While freemen live to bless his name, His memory will never die While freemen live to bless his name. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Solo Quartett.
&lt;/p&gt;&lt;p&gt;Columbia swears, anew, her vow To guard the birthright of the free; Unsheathed her sword of Justice, now Since Mercy, since Mercy, since Mercy fell by Tyranny.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Solo.
&lt;/p&gt;&lt;p&gt;Our nations hopes and fears alike Are with the land our fathers trod, And while for Freedom, now, we strike, Our future is alone with God! And while for Freedom, now, we strike, Our future is alone with God! alone with God!
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Our nations hopes and fears alike Are with the land our fathers trod, And while we now, for Freedom strike, Our future is alone with God! And while we, now, for Freedom strike, Our future is alone with God! alone with God!
&lt;/p&gt;
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                    <text>&lt;p&gt;In Memorium
&lt;/p&gt;&lt;p&gt;LINCOLN
&lt;/p&gt;&lt;p&gt;The words written and dedicated to Col. Theo. S. Case. Qr. M. Genl. of Mo. by Wm. P. Fox.  Music by Francis Woolcott.  3
&lt;/p&gt;&lt;p&gt;Cinncinnati. Published by JOHN CHURCH, Jr. 66 West 4th St.
&lt;/p&gt;&lt;p&gt;N. York W.A. Pond &amp;amp; Co. Boston O. Ditson &amp;amp; Co. Phila. C.W.A. Trumpler. Chicago. Lyon &amp;amp; Healy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LINCOLN. IN MEMORIUM. Words by W.P. Fox. Music by F. Woolcott. 
&lt;/p&gt;&lt;p&gt;Tempo di Marche Funebre.
&lt;/p&gt;&lt;p&gt;1. Rest chieftain rest, now Columbia is free, Rest for thy labors are o'er; Rest in the silence freemen hath made thee, Rest on thy own native shore.
&lt;/p&gt;&lt;p&gt;2. Rest noble chieftain, our nation is free, Rest on Columbia's proud shore. Rest while freemen will ever deplore thee Rest with the brave now no more.
&lt;/p&gt;&lt;p&gt;Ent. acc. to act of Congress AD 1865 by J. Church jr. in the clks. office of the Southn. Dist. Ct. of O.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Rest as thy glory floats over the sea, Rest for thy work is well done; Rest where arch-angels wait to receive thee, Rest on the soil that thou hast won.
&lt;/p&gt;&lt;p&gt;Rest chieftain rest, soon heaven will wake thee, Rest where our banner shall wave Rest where in grace thy shadow reveals thee, Rest in the land of the brave.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Breathe a sad requiem ye millions now free Breathe a sad requiem ye millions now free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Saviour of Freedom is waiting for thee. Breathe a sad requiem ye Saviour of Freedom is waiting for thee. Breathe a sad requiem ye millions now free, Saviour of Freedom is waiting for thee. millions now free, Saviour of Freedom is waiting for thee.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Song subtitled "In Memoriem" expressing national mourning for Abraham Lincoln. "The words written and dedicated to Col. Theo. S. Case Qr. M. Genl. Of Mo."</text>
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                <text>John Church, Jr.</text>
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                <text>&lt;p&gt;In Memorium
&lt;/p&gt;&lt;p&gt;LINCOLN
&lt;/p&gt;&lt;p&gt;The words written and dedicated to Col. Theo. S. Case. Qr. M. Genl. of Mo. by Wm. P. Fox.  Music by Francis Woolcott.  3
&lt;/p&gt;&lt;p&gt;Cinncinnati. Published by JOHN CHURCH, Jr. 66 West 4th St.
&lt;/p&gt;&lt;p&gt;N. York W.A. Pond &amp;amp; Co. Boston O. Ditson &amp;amp; Co. Phila. C.W.A. Trumpler. Chicago. Lyon &amp;amp; Healy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LINCOLN. IN MEMORIUM. Words by W.P. Fox. Music by F. Woolcott. 
&lt;/p&gt;&lt;p&gt;Tempo di Marche Funebre.
&lt;/p&gt;&lt;p&gt;1. Rest chieftain rest, now Columbia is free, Rest for thy labors are o'er; Rest in the silence freemen hath made thee, Rest on thy own native shore.
&lt;/p&gt;&lt;p&gt;2. Rest noble chieftain, our nation is free, Rest on Columbia's proud shore. Rest while freemen will ever deplore thee Rest with the brave now no more.
&lt;/p&gt;&lt;p&gt;Ent. acc. to act of Congress AD 1865 by J. Church jr. in the clks. office of the Southn. Dist. Ct. of O.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Rest as thy glory floats over the sea, Rest for thy work is well done; Rest where arch-angels wait to receive thee, Rest on the soil that thou hast won.
&lt;/p&gt;&lt;p&gt;Rest chieftain rest, soon heaven will wake thee, Rest where our banner shall wave Rest where in grace thy shadow reveals thee, Rest in the land of the brave.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Breathe a sad requiem ye millions now free Breathe a sad requiem ye millions now free,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Saviour of Freedom is waiting for thee. Breathe a sad requiem ye Saviour of Freedom is waiting for thee. Breathe a sad requiem ye millions now free, Saviour of Freedom is waiting for thee. millions now free, Saviour of Freedom is waiting for thee.
&lt;/p&gt;
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                    <text>&lt;p&gt;Three Songs WITHOUT WORDS, by Karl Formes.
&lt;/p&gt;&lt;p&gt;No. 1. In Mmory of Abraham Lincoln, 3. No. 2. Adgio Madrid 1861  2 1/2. No. 3 The Polish Refugee  2 1/2
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY 67 Washington St. Chicago
&lt;/p&gt;&lt;p&gt;Eastern Agency W.B. Bradbury 425 Graeme St. N.Y.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by ROOT &amp;amp; CADY in the Clerk's Office of the District Court for Northern District of Illinois.
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&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;IN MEMORY OF ABRHAM LINCOLN. No. 1. Karl Formes.
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
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&lt;hr /&gt;
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                <text>&lt;p&gt;Three Songs WITHOUT WORDS, by Karl Formes.
&lt;/p&gt;&lt;p&gt;No. 1. In Mmory of Abraham Lincoln, 3. No. 2. Adgio Madrid 1861  2 1/2. No. 3 The Polish Refugee  2 1/2
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY 67 Washington St. Chicago
&lt;/p&gt;&lt;p&gt;Eastern Agency W.B. Bradbury 425 Graeme St. N.Y.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by ROOT &amp;amp; CADY in the Clerk's Office of the District Court for Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;IN MEMORY OF ABRHAM LINCOLN. No. 1. Karl Formes.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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                    <text>&lt;p&gt;In Memory of President Lincoln A Funeral March by John K. Paine.  Pr. 50 Ct. net.
&lt;/p&gt;&lt;p&gt;[Lithograph of Lincoln]--IN Major Knapp, Eng. Lith. Co. 449 Broadway, N.Y.[not all legible]
&lt;/p&gt;&lt;p&gt;New York Published by Beer &amp;amp; Schirmer 701 Broadway
&lt;/p&gt;&lt;p&gt;Entered according to act Congress in the year 1865 by Beer &amp;amp; Schirmer, in the Clerk's Office of the District Court of the Southern District of N.Y.
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&lt;hr /&gt;
&lt;p&gt;3
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&lt;/p&gt;&lt;p&gt;Con tenerezza.  Piano.
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
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&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
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&lt;/p&gt;&lt;p&gt;[Lithograph of Lincoln]--IN Major Knapp, Eng. Lith. Co. 449 Broadway, N.Y.[not all legible]
&lt;/p&gt;&lt;p&gt;New York Published by Beer &amp;amp; Schirmer 701 Broadway
&lt;/p&gt;&lt;p&gt;Entered according to act Congress in the year 1865 by Beer &amp;amp; Schirmer, in the Clerk's Office of the District Court of the Southern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Funeral March. John K. Paine.
&lt;/p&gt;&lt;p&gt;Con tenerezza.  Piano.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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              <elementText elementTextId="633622">
                <text>100</text>
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              <elementText elementTextId="633623">
                <text>20</text>
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                    <text>&lt;p&gt;The Iron Brigade Quickstep
&lt;/p&gt;&lt;p&gt;Lithographs by [illegible] Lake Milw. [portraits: Col. E.S. Bragg, 6th Wis., Col. Williams, 19th Ind., Gen. "Sol" Meredith., Col. Robinson, 7th Wis., Col. L. Fairchild, 2nd Wis.]
&lt;/p&gt;&lt;p&gt;COMPOSED BY H.N. HEMPSTED AND Respectfully dedicated to the Western Troops of the Army of the Potomac.    5
&lt;/p&gt;&lt;p&gt;New York Wm. A. Pond &amp;amp; Co.; Milwaukee Published by H.N. Hempsted 266 Main Street. Chicago Root &amp;amp; Cady.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1863 by H.N. Hempsted, in the Clerk's Office of the District Court of the U.S. [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;IRON BRIGADE QUICKSTEP
&lt;/p&gt;&lt;p&gt;H.N. HEMPSTED
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered acc. to Act of Congress AD 1863 by H.N. Hempsted in the Clerk's office of the Dt. Ct. of Wisc.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>7</text>
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            <name>Identifier</name>
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                <text>Iron Brigade Quickstep</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
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                <text>Instrumental music. Cover depicts portraits of Colonel E. S. Bragg, Colonel Williams, General Sol. Meredith, Colonel Robinson, and Colonel L. Fairchild surrounded by flags, cannons, and a bald eagle. "Respectfully dedicated to the Western Troops of the Army of the Potomac."&lt;br /&gt;&lt;br /&gt;The Iron Brigade consisted of Midwestern regiments. It was the only Midwestern unit to fight with the Army of the Potomac.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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              <elementText elementTextId="165402">
                <text>Songs and Music</text>
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              <elementText elementTextId="165403">
                <text>Piano Music, Marches (Piano)</text>
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              <elementText elementTextId="165404">
                <text>United States. Army. Iron Brigade (1861-1865)</text>
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              <elementText elementTextId="165405">
                <text>Hempsted, H. N. (Henry N.), 1830-1898</text>
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              <elementText elementTextId="165406">
                <text>Meredith, Solomon, 1810-1875</text>
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              <elementText elementTextId="165407">
                <text>Bragg, Edward S. (Edward Stuyvesant), 1827-1912</text>
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              <elementText elementTextId="165408">
                <text>Williams, Samuel J.</text>
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              <elementText elementTextId="165409">
                <text>Fairchild, Lucius, 1831-1896</text>
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              <elementText elementTextId="165410">
                <text>Robinson, William W.</text>
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              <elementText elementTextId="165411">
                <text>Sheet music</text>
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              <elementText elementTextId="165412">
                <text>American Civil War (1861-1865)</text>
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                <text>Dance music</text>
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              <elementText elementTextId="165414">
                <text>Foxtrots</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="165415">
                <text>Henry N. Hempsted</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>William A. Pond &amp;amp; Co.</text>
              </elementText>
            </elementTextContainer>
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            <name>Coverage</name>
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            <elementTextContainer>
              <elementText elementTextId="165417">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165418">
                <text>1863</text>
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            <name>Format</name>
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                <text>pdf</text>
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              <elementText elementTextId="165422">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="165424">
                <text>en</text>
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                <text>&lt;p&gt;The Iron Brigade Quickstep
&lt;/p&gt;&lt;p&gt;Lithographs by [illegible] Lake Milw. [portraits: Col. E.S. Bragg, 6th Wis., Col. Williams, 19th Ind., Gen. "Sol" Meredith., Col. Robinson, 7th Wis., Col. L. Fairchild, 2nd Wis.]
&lt;/p&gt;&lt;p&gt;COMPOSED BY H.N. HEMPSTED AND Respectfully dedicated to the Western Troops of the Army of the Potomac.    5
&lt;/p&gt;&lt;p&gt;New York Wm. A. Pond &amp;amp; Co.; Milwaukee Published by H.N. Hempsted 266 Main Street. Chicago Root &amp;amp; Cady.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1863 by H.N. Hempsted, in the Clerk's Office of the District Court of the U.S. [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;IRON BRIGADE QUICKSTEP
&lt;/p&gt;&lt;p&gt;H.N. HEMPSTED
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered acc. to Act of Congress AD 1863 by H.N. Hempsted in the Clerk's office of the Dt. Ct. of Wisc.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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            <elementTextContainer>
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        <src>https://chroniclingillinois.org/files/original/65c0cb0289dac906a17abf74e2cdd87b.pdf</src>
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="629181">
                    <text>&lt;p&gt;I'se on de way. Choruses &amp;amp; Solo  Arranged &amp;amp; Composed by Wurzel.
&lt;/p&gt;&lt;p&gt;CHICAGO. Published by ROOT &amp;amp; CADY 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1864 by Root &amp;amp; Cady in the Clerk's Office of the Dist. Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;I'SE ON DE WAY
&lt;/p&gt;&lt;p&gt;Freedman's Song. 
&lt;/p&gt;&lt;p&gt;Piano. Moderato Arranged and Composed by Wurzel
&lt;/p&gt;&lt;p&gt;CHORUS before each verse
&lt;/p&gt;&lt;p&gt;Air, Alto.  Hail! all hail! I'se a gwine to de Union ah my, Hail! all hail! I'se on de way.
&lt;/p&gt;&lt;p&gt;Tenor, Bass. Hail! all hail! I'se a gwine to de Union ah my, Hail! all hail! I'se on de way.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Solo
&lt;/p&gt;&lt;p&gt;1. Oh now we'se men for de Pres'dent's pen Done made us free in de proclamashun,
&lt;/p&gt;&lt;p&gt;2. Mass' in de war he dunno what for, But sees he'll lick all de Yankee nashun,
&lt;/p&gt;&lt;p&gt;Guess dey'se right if dey tink we'll fight, Oh I'se on de way.  How he swar wen he find us dar, O I'se on de way. chorus
&lt;/p&gt;&lt;p&gt;3. Ole Ben so grand ses we contraband, And fust we  work on de fortycashun,
&lt;/p&gt;&lt;p&gt;4. No more hard blows in de cotton rows, We bid fahwell to de ole plantashun.
&lt;/p&gt;&lt;p&gt;Now we come for to should'de gun, Oh I'se on de way. Chorus
&lt;/p&gt;&lt;p&gt;Bye Mass' Jeff. for we'se done gone leff, And I'se on de way.  Chorus
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Air. Alto.  Come, boys come, We must work our own salbashun, Come boys come, I'se on de way.
&lt;/p&gt;&lt;p&gt;Tenor. Bass.  Come, boys come, We must work our own salbashun, Come boys come, I'se on de way.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <elementContainer>
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            <elementText elementTextId="165442">
              <text>5</text>
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            <elementText elementTextId="165443">
              <text>36 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="165425">
                <text>301023</text>
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              <elementText elementTextId="165426">
                <text>55108368</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>I'se on de Way: Freedman's Song</text>
              </elementText>
            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165428">
                <text>Mixed-chorus song written in stereotypical African American dialect depicting emancipation from a freedman's view.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165429">
                <text>Root, Feorge F. (George Frederick), 1820-1895</text>
              </elementText>
              <elementText elementTextId="165430">
                <text>Songs with piano</text>
              </elementText>
              <elementText elementTextId="165431">
                <text>African Americans--Music</text>
              </elementText>
              <elementText elementTextId="165432">
                <text>Freedmen--Songs and Music</text>
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              <elementText elementTextId="165433">
                <text>Emancipation Proclamation (United States. President (1861-1865 : Lincoln))</text>
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              <elementText elementTextId="165434">
                <text>slavery</text>
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              <elementText elementTextId="165435">
                <text>Slaves--Emancipation</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="165437">
                <text>Choral music</text>
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                <text>George F. Root</text>
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                <text>Chicago</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;I'se on de way. Choruses &amp;amp; Solo  Arranged &amp;amp; Composed by Wurzel.
&lt;/p&gt;&lt;p&gt;CHICAGO. Published by ROOT &amp;amp; CADY 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1864 by Root &amp;amp; Cady in the Clerk's Office of the Dist. Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;I'SE ON DE WAY
&lt;/p&gt;&lt;p&gt;Freedman's Song. 
&lt;/p&gt;&lt;p&gt;Piano. Moderato Arranged and Composed by Wurzel
&lt;/p&gt;&lt;p&gt;CHORUS before each verse
&lt;/p&gt;&lt;p&gt;Air, Alto.  Hail! all hail! I'se a gwine to de Union ah my, Hail! all hail! I'se on de way.
&lt;/p&gt;&lt;p&gt;Tenor, Bass. Hail! all hail! I'se a gwine to de Union ah my, Hail! all hail! I'se on de way.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Solo
&lt;/p&gt;&lt;p&gt;1. Oh now we'se men for de Pres'dent's pen Done made us free in de proclamashun,
&lt;/p&gt;&lt;p&gt;2. Mass' in de war he dunno what for, But sees he'll lick all de Yankee nashun,
&lt;/p&gt;&lt;p&gt;Guess dey'se right if dey tink we'll fight, Oh I'se on de way.  How he swar wen he find us dar, O I'se on de way. chorus
&lt;/p&gt;&lt;p&gt;3. Ole Ben so grand ses we contraband, And fust we  work on de fortycashun,
&lt;/p&gt;&lt;p&gt;4. No more hard blows in de cotton rows, We bid fahwell to de ole plantashun.
&lt;/p&gt;&lt;p&gt;Now we come for to should'de gun, Oh I'se on de way. Chorus
&lt;/p&gt;&lt;p&gt;Bye Mass' Jeff. for we'se done gone leff, And I'se on de way.  Chorus
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Air. Alto.  Come, boys come, We must work our own salbashun, Come boys come, I'se on de way.
&lt;/p&gt;&lt;p&gt;Tenor. Bass.  Come, boys come, We must work our own salbashun, Come boys come, I'se on de way.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
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                    <text>&lt;p&gt;COPY 1               15
&lt;/p&gt;&lt;p&gt;JUBILEE ANTHEM
&lt;/p&gt;&lt;p&gt;OUR LINCOLN'S ACT
&lt;/p&gt;&lt;p&gt;IMMORTAL QUARTETTE
&lt;/p&gt;&lt;p&gt;MUSIC COMPOSED BY 
&lt;/p&gt;&lt;p&gt;REUBEN M. PRICE
&lt;/p&gt;&lt;p&gt;LINCOLN COLLECTION
&lt;/p&gt;&lt;p&gt;M1549
p933
&lt;/p&gt;&lt;p&gt;Copyright by Reuben M. Price.
&lt;/p&gt;&lt;p&gt;St. Procopius College Library
&lt;/p&gt;&lt;p&gt;Lisle, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OUR LINCOLN'S ACT
&lt;/p&gt;&lt;p&gt;Immortal.
&lt;/p&gt;&lt;p&gt;Words by R.M. BENJAMIN   Music by REUBEN M. PRICE
&lt;/p&gt;&lt;p&gt;Sop. Alto.
&lt;/p&gt;&lt;p&gt;Tenor Bass.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Our Lincoln's act im_mortal! In ev'_ry land and tongue, Where
&lt;/p&gt;&lt;p&gt;For cen_tu_ries of bond_age And un_re_quit_ed toil, The
&lt;/p&gt;&lt;p&gt;Dusk mothers, clasp your chil_dren, And husbands claim your wives, The
&lt;/p&gt;&lt;p&gt;No longer scoffs the Old World At free_dom in the New, This
&lt;/p&gt;&lt;p&gt;Vivaceff
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ev_er man loves fel_ low man, His prais_es will be sung. All
&lt;/p&gt;&lt;p&gt;judgments of the Lord are true, Our blood has drenched the soil. But
&lt;/p&gt;&lt;p&gt;auc_tion block has power no more To sep_a_rate your lives. No
&lt;/p&gt;&lt;p&gt;New Year's morn rounds out the truth The fa_thers had in view; Our
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
power and pelf that end in self Are naughtbut van_i_ty; They
&lt;/p&gt;&lt;p&gt;now suc_cess our arms will bless,The cap_tive shall go free, And
&lt;/p&gt;&lt;p&gt;more you'll tread the wine press red Of E_gypt's cruel_ty; The
&lt;/p&gt;&lt;p&gt;stand-ard sheet is em_blem meet Of hu_man lib_er_ty, For
&lt;/p&gt;&lt;p&gt;ff
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
crown, themselves with im_mor_tellesWho serve hu_man_i_ty.
&lt;/p&gt;&lt;p&gt;slav'_ry's host, with all its boast Go down in war's red sea.
&lt;/p&gt;&lt;p&gt;oth_er side of Jor_dan's tide Your her_i_tage shall be.
&lt;/p&gt;&lt;p&gt;all the souls be _ neath its folds With free_men shall be free.
&lt;/p&gt;&lt;p&gt;p  cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright by Reuben M. Price
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sf
&lt;/p&gt;&lt;p&gt;How glo_ri_ous the sight The a_ges all can see He
&lt;/p&gt;&lt;p&gt;Let Lib_er_ty's old bell A_wake the morning breeze To
&lt;/p&gt;&lt;p&gt;Sing prais_es un_to God, A song of ju_bi_lee Led
&lt;/p&gt;&lt;p&gt;All hail the vi_sion bright  A peo_ple tru_ly free Where
&lt;/p&gt;&lt;p&gt;con spirito ff
&lt;/p&gt;&lt;p&gt;sf
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ris_es to the height Of God's e_ter_nal right, He
&lt;/p&gt;&lt;p&gt;all the good news tell That not a slave shall dwell To
&lt;/p&gt;&lt;p&gt;thro' the sea dry shod, The wil_der_ness all trod, Led
&lt;/p&gt;&lt;p&gt;none can take by might From oth_ers a_ny right Where
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ri_ses to the height Of God's e_ter_nal right And
&lt;/p&gt;&lt;p&gt;all the good news tell That not a slave shall dwell Be_
&lt;/p&gt;&lt;p&gt;thro' the sea dry shod The wil_der_ness all trod, The
&lt;/p&gt;&lt;p&gt;none can take by might From oth_ers a_ny right They
&lt;/p&gt;
&lt;pre&gt;ff
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
sets four mil_lion sets four mil_lion free. __________
&lt;/p&gt;&lt;p&gt;sets four, mil_lion sets four mi_lion free.
&lt;/p&gt;&lt;p&gt;tween our o_cean 'tween our o_cean, seas._________
&lt;/p&gt;&lt;p&gt;'tween our o_cean 'tween our  o_cean seas.
&lt;/p&gt;&lt;p&gt;prom_ised land the prom_ised land you see._________
&lt;/p&gt;&lt;p&gt;prom_ised land the prom_ised land you see.
&lt;/p&gt;&lt;p&gt;for themselves they for themselves de_cree.________
&lt;/p&gt;&lt;p&gt;for them_selves they for themselves de_cree.
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
172860
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Abraham Lincoln Presidential Library
112 NORTH SIXTH STREET
SPRINGFIELD, ILLINOIS 62701
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Mixed-chorus song depicts the death of Abraham Lincoln and the emancipation of slaves. Cover depicts title on a shield surrounded by bald eagle, sun, flags, and swords.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Reuben M. Price and R. M. Benjamin</text>
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                <text>Reuben M. Price</text>
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                <text>&lt;p&gt;COPY 1               15
&lt;/p&gt;&lt;p&gt;JUBILEE ANTHEM
&lt;/p&gt;&lt;p&gt;OUR LINCOLN'S ACT
&lt;/p&gt;&lt;p&gt;IMMORTAL QUARTETTE
&lt;/p&gt;&lt;p&gt;MUSIC COMPOSED BY 
&lt;/p&gt;&lt;p&gt;REUBEN M. PRICE
&lt;/p&gt;&lt;p&gt;LINCOLN COLLECTION
&lt;/p&gt;&lt;p&gt;M1549
p933
&lt;/p&gt;&lt;p&gt;Copyright by Reuben M. Price.
&lt;/p&gt;&lt;p&gt;St. Procopius College Library
&lt;/p&gt;&lt;p&gt;Lisle, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;OUR LINCOLN'S ACT
&lt;/p&gt;&lt;p&gt;Immortal.
&lt;/p&gt;&lt;p&gt;Words by R.M. BENJAMIN   Music by REUBEN M. PRICE
&lt;/p&gt;&lt;p&gt;Sop. Alto.
&lt;/p&gt;&lt;p&gt;Tenor Bass.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Our Lincoln's act im_mortal! In ev'_ry land and tongue, Where
&lt;/p&gt;&lt;p&gt;For cen_tu_ries of bond_age And un_re_quit_ed toil, The
&lt;/p&gt;&lt;p&gt;Dusk mothers, clasp your chil_dren, And husbands claim your wives, The
&lt;/p&gt;&lt;p&gt;No longer scoffs the Old World At free_dom in the New, This
&lt;/p&gt;&lt;p&gt;Vivaceff
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ev_er man loves fel_ low man, His prais_es will be sung. All
&lt;/p&gt;&lt;p&gt;judgments of the Lord are true, Our blood has drenched the soil. But
&lt;/p&gt;&lt;p&gt;auc_tion block has power no more To sep_a_rate your lives. No
&lt;/p&gt;&lt;p&gt;New Year's morn rounds out the truth The fa_thers had in view; Our
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
power and pelf that end in self Are naughtbut van_i_ty; They
&lt;/p&gt;&lt;p&gt;now suc_cess our arms will bless,The cap_tive shall go free, And
&lt;/p&gt;&lt;p&gt;more you'll tread the wine press red Of E_gypt's cruel_ty; The
&lt;/p&gt;&lt;p&gt;stand-ard sheet is em_blem meet Of hu_man lib_er_ty, For
&lt;/p&gt;&lt;p&gt;ff
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
crown, themselves with im_mor_tellesWho serve hu_man_i_ty.
&lt;/p&gt;&lt;p&gt;slav'_ry's host, with all its boast Go down in war's red sea.
&lt;/p&gt;&lt;p&gt;oth_er side of Jor_dan's tide Your her_i_tage shall be.
&lt;/p&gt;&lt;p&gt;all the souls be _ neath its folds With free_men shall be free.
&lt;/p&gt;&lt;p&gt;p  cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright by Reuben M. Price
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
sf
&lt;/p&gt;&lt;p&gt;How glo_ri_ous the sight The a_ges all can see He
&lt;/p&gt;&lt;p&gt;Let Lib_er_ty's old bell A_wake the morning breeze To
&lt;/p&gt;&lt;p&gt;Sing prais_es un_to God, A song of ju_bi_lee Led
&lt;/p&gt;&lt;p&gt;All hail the vi_sion bright  A peo_ple tru_ly free Where
&lt;/p&gt;&lt;p&gt;con spirito ff
&lt;/p&gt;&lt;p&gt;sf
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ris_es to the height Of God's e_ter_nal right, He
&lt;/p&gt;&lt;p&gt;all the good news tell That not a slave shall dwell To
&lt;/p&gt;&lt;p&gt;thro' the sea dry shod, The wil_der_ness all trod, Led
&lt;/p&gt;&lt;p&gt;none can take by might From oth_ers a_ny right Where
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ri_ses to the height Of God's e_ter_nal right And
&lt;/p&gt;&lt;p&gt;all the good news tell That not a slave shall dwell Be_
&lt;/p&gt;&lt;p&gt;thro' the sea dry shod The wil_der_ness all trod, The
&lt;/p&gt;&lt;p&gt;none can take by might From oth_ers a_ny right They
&lt;/p&gt;
&lt;pre&gt;ff
&lt;/pre&gt;
&lt;p&gt;&lt;br /&gt;
sets four mil_lion sets four mil_lion free. __________
&lt;/p&gt;&lt;p&gt;sets four, mil_lion sets four mi_lion free.
&lt;/p&gt;&lt;p&gt;tween our o_cean 'tween our o_cean, seas._________
&lt;/p&gt;&lt;p&gt;'tween our o_cean 'tween our  o_cean seas.
&lt;/p&gt;&lt;p&gt;prom_ised land the prom_ised land you see._________
&lt;/p&gt;&lt;p&gt;prom_ised land the prom_ised land you see.
&lt;/p&gt;&lt;p&gt;for themselves they for themselves de_cree.________
&lt;/p&gt;&lt;p&gt;for them_selves they for themselves de_cree.
&lt;/p&gt;&lt;p&gt;p cresc.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
172860
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Abraham Lincoln Presidential Library
112 NORTH SIXTH STREET
SPRINGFIELD, ILLINOIS 62701
&lt;/p&gt;
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                    <text>&lt;p&gt;KINGDOM COMING!  SONG AND CHORUS, BY HENRY C. WORK, Author of "Nellie Lost and Found;" "Our Captain's Last Words;" "Beautitul Rose," Etc.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY 95 Clark Street.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hempsted, Milwaukee. J.H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"KINGDOM COMING"  Words &amp;amp; Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;1. Say, darkeys, hab you seen de massa, Wid de muffstash on his face, Go long de road some time dis mornin', Like he gwine to leab de place; He seen a smoke, way up de ribber, Whar de Linkum gumboats lay; He took is hat, an'
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;lef bery sudden, An' I spec he's run away.  De massa run? ha ha! De darkey stay? ho ho! It mus' be now de kingdom comin,' An' de yearob Jubilo! De massa run? ha ha!  De darkey stay? ho ho! It mus' be now de kingdom comin', An' de yearob Jubilo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. He six foot one way, two foot tudder, An' he weigh tree hundred pound, His coat so big, he could'nt pay de tailor, An' it wont go halfway round. He drill so much, dey call him Cap'an, An' he get so drefful tann'd, I spec he try an' fool dem Yankees For to tink he's contraband.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;3. De darkeys feel so lonesome libing In de loghouse on de lawn, Dey move dar tings to massa's parlor For to keep it while he's gone. Dar's wine an' cider in de kitchen, An' de darkeys dey'll hab some; I spose dey'll all be cornfiscated When de Linkum sojers come.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;4.  De oberseer he make us trouble, An' he dribe us round a spell; We lock him up in de smoke-house cellar, Wid de key trown in de well.  De whip is lost, de han'cuff broken, But de massa'll hab his pay; He's ole enough, big enough, ought to known better Dan to went an' run away.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW PUBLICATIONS
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., Opposite Court House, Chicago, Illinois; Dealers in every description of MUSIC BOOKS, INSTRUMENTS, SHEET MUSIC AND MUSICAL MERCHANDISE GENERALLY.
&lt;/p&gt;&lt;p&gt;Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Brothers' Church and other Music Books. PIANO FORTES TO LET.  Music sent to any part of the United States, Free of Postage on receipt of marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Folcott, 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers? G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Forward Boys, Forward! Quartette and Chorus, for men's voices, 15 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Ensign of Glory. National Anthem. Rev. R. Park, D.D., 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatmen's Song. Port Royal, 1861. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury, 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallow are Returning. Song. Abt, 25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder.  Song. G.F. Root, 25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching Ballad, with Chorus. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. Henry C. Work. 25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus.  G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard, 25 cts. Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow, 25 cts. An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to me of Heaven. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert, 25 cts. For Tenor or Soprano. Exquisite but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Claepius, 25 cts. Song for Contralto or Baritone--Classic and beautiful.
&lt;/p&gt;&lt;p&gt;Welcome to Spring. S.W. Martin, 25 cts.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping Maggie. Scotch Song, 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.C.W., 25 cts.
&lt;/p&gt;&lt;p&gt;My Cottage Home, Dear Mother. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Jimmy's Wooing. G.F. Root, 15 cts.
&lt;/p&gt;&lt;p&gt;O Come You from the Indies, or Robert's Return from the War. Wurzel, 50 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo), 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates, 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine, 25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.), 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied), 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse, 25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottisch. Freund, 15 cts.
&lt;/p&gt;&lt;p&gt;North Western Rifle March. By C.G.L. Arranged by Vaas, 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Sherman House Polka Redowa. Vaas, 35 cts.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. H.A. Wollenhaupt, 40 cts. One of the finest compositions of this Author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March, from Tannhauser. Wagner, 30 cts. Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets Quickstep. Vaas. 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. George A. Florence, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto, 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) A.J. Vaas, 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph.), 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner, 30 cts.
&lt;/p&gt;&lt;p&gt;Brigg's House Polka. A.J. Vaas, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Gen. Lyon's Battle March. Eichburg, 30 cts.
&lt;/p&gt;&lt;p&gt;Delusion Mazurka. Klingemann, 30 cts. 
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;A.A. Cowdery, Printer, No. 154 South Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
John R. Bennett
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Kingdom Coming!</text>
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                <text>Mixed-chorus song depicts slave recounting life on plantation in anticipation of freedom while his master flees from approching Union troops.</text>
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                <text>Songs (Medium voice) with piano</text>
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                <text>Slavery</text>
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                <text>Henry C. Work</text>
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                <text>Chicago</text>
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                <text>1862</text>
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                <text>&lt;p&gt;KINGDOM COMING!  SONG AND CHORUS, BY HENRY C. WORK, Author of "Nellie Lost and Found;" "Our Captain's Last Words;" "Beautitul Rose," Etc.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY 95 Clark Street.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, Firth Pond &amp;amp; Co., New York. Henry Tolman &amp;amp; Co., Boston. S. Brainard &amp;amp; Co., Cleveland. H.N. Hempsted, Milwaukee. J.H. Whittemore, Detroit.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"KINGDOM COMING"  Words &amp;amp; Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;1. Say, darkeys, hab you seen de massa, Wid de muffstash on his face, Go long de road some time dis mornin', Like he gwine to leab de place; He seen a smoke, way up de ribber, Whar de Linkum gumboats lay; He took is hat, an'
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;lef bery sudden, An' I spec he's run away.  De massa run? ha ha! De darkey stay? ho ho! It mus' be now de kingdom comin,' An' de yearob Jubilo! De massa run? ha ha!  De darkey stay? ho ho! It mus' be now de kingdom comin', An' de yearob Jubilo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2. He six foot one way, two foot tudder, An' he weigh tree hundred pound, His coat so big, he could'nt pay de tailor, An' it wont go halfway round. He drill so much, dey call him Cap'an, An' he get so drefful tann'd, I spec he try an' fool dem Yankees For to tink he's contraband.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;3. De darkeys feel so lonesome libing In de loghouse on de lawn, Dey move dar tings to massa's parlor For to keep it while he's gone. Dar's wine an' cider in de kitchen, An' de darkeys dey'll hab some; I spose dey'll all be cornfiscated When de Linkum sojers come.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;4.  De oberseer he make us trouble, An' he dribe us round a spell; We lock him up in de smoke-house cellar, Wid de key trown in de well.  De whip is lost, de han'cuff broken, But de massa'll hab his pay; He's ole enough, big enough, ought to known better Dan to went an' run away.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW PUBLICATIONS
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., Opposite Court House, Chicago, Illinois; Dealers in every description of MUSIC BOOKS, INSTRUMENTS, SHEET MUSIC AND MUSICAL MERCHANDISE GENERALLY.
&lt;/p&gt;&lt;p&gt;Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Brothers' Church and other Music Books. PIANO FORTES TO LET.  Music sent to any part of the United States, Free of Postage on receipt of marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Folcott, 25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;God Bless Our Brave Young Volunteers? G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Forward Boys, Forward! Quartette and Chorus, for men's voices, 15 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Ensign of Glory. National Anthem. Rev. R. Park, D.D., 25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatmen's Song. Port Royal, 1861. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury, 25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallow are Returning. Song. Abt, 25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder.  Song. G.F. Root, 25 cts.  Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching Ballad, with Chorus. Henry C. Work, 25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. Henry C. Work. 25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus.  G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Take Your Gun and Go, John! Song and Chorus. H.T. Merrill, 25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard, 25 cts. Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow, 25 cts. An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to me of Heaven. Song and Quartette. G.F. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert, 25 cts. For Tenor or Soprano. Exquisite but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Claepius, 25 cts. Song for Contralto or Baritone--Classic and beautiful.
&lt;/p&gt;&lt;p&gt;Welcome to Spring. S.W. Martin, 25 cts.
&lt;/p&gt;&lt;p&gt;O! Are Ye Sleeping Maggie. Scotch Song, 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.C.W., 25 cts.
&lt;/p&gt;&lt;p&gt;My Cottage Home, Dear Mother. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root, 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard, 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie, 25 cts.
&lt;/p&gt;&lt;p&gt;Jimmy's Wooing. G.F. Root, 15 cts.
&lt;/p&gt;&lt;p&gt;O Come You from the Indies, or Robert's Return from the War. Wurzel, 50 cts. 
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'Eau. (Tremolo), 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National des Croates, 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine, 25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.), 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied), 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse, 25 cts.
&lt;/p&gt;&lt;p&gt;Spring Style Schottisch. Freund, 15 cts.
&lt;/p&gt;&lt;p&gt;North Western Rifle March. By C.G.L. Arranged by Vaas, 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Sherman House Polka Redowa. Vaas, 35 cts.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. H.A. Wollenhaupt, 40 cts. One of the finest compositions of this Author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March, from Tannhauser. Wagner, 30 cts. Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets Quickstep. Vaas. 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. George A. Florence, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto, 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) A.J. Vaas, 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph.), 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner, 30 cts.
&lt;/p&gt;&lt;p&gt;Brigg's House Polka. A.J. Vaas, 25 cts. Not difficult.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas, 40 cts.
&lt;/p&gt;&lt;p&gt;Gen. Lyon's Battle March. Eichburg, 30 cts.
&lt;/p&gt;&lt;p&gt;Delusion Mazurka. Klingemann, 30 cts. 
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;&lt;p&gt;A.A. Cowdery, Printer, No. 154 South Clark Street, Chicago.
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John R. Bennett
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