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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>2</text>
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                <text>200 Years of Liberty </text>
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                <text>Patriotic song about America. Written for Bicentennial of United States. </text>
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                <text>Sheet music</text>
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                <text>National songs</text>
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                <text>Patriotic music</text>
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                <text>Taggart, Barbara </text>
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                <text>Barbara Taggert</text>
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                <text>Rockford</text>
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                <text>1975</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>9</text>
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                <text>A Grand Vocal Medley</text>
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                <text>"Arranged from Root &amp;amp; Cady's most popular publications by [P. P. Bliss]." Lyrics are taken from several different songs and strung together to depict singer's support for the Union cause and the Union troops.</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Bliss, P. P. (Philip Paul), 1838-1876</text>
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                <text>Chicago</text>
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                <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>5</text>
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                <text>A Sound Among The Forest Trees</text>
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                <text>A rallying song for the Union cause. Cover has ornamental border. </text>
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                <text>Patriotic music</text>
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                <text>Marches (Voice with piano)</text>
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                <text>Roberts, Florence Grigsby </text>
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                <text>Roberts, Florence Grisby </text>
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                <text>Brave Ulysses is the Man</text>
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                <text>Campaign song for Ulysses S. Grant. Presidential election 1868. U. S. Grant was president from 1869-1877. Cover has ornamental border. </text>
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                <text>Grant, Ulysses S. (Ulysses Simpson) 1822-1885</text>
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                <text>Campaign songs</text>
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                <text>Charles Haynes and J. E. Haynes </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>J. A. Butterfield </text>
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              <text>8</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Brother and the Fallen Dragoon</text>
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            <description>An account of the resource</description>
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                <text>Also known as "Civille Bellum or Brother and the Fallen Dragoon."  A song about a soldier finding, out it was his own brother who he shot during a battle.  Makes point conflict was "brother versus brother." Cover depicts a Union soldier holding a dying Confederate soldier. Horse and water scene in background. </text>
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            <description>The topic of the resource</description>
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                <text>Brothers</text>
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                <text>Soldiers--Songs and music</text>
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                <text>Soldiers--Death</text>
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                <text>American Civil War (1861-1865)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Webster, J. P. </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>H. M. Higgins</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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            <elementText elementTextId="523156">
              <text>5</text>
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                <text>Brother Tell Me Of The Battle</text>
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                <text>A song about a sibling wanting to know of how soldiers fought in battle and letting the brother know she/she will listen.</text>
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                <text>Manahan, Thomas and Root, George Frederick</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;Illinois Song
&lt;/p&gt;&lt;p&gt;By Thy Rivers Gently Flowing by Walter Howe Jones
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Published by U. OF I. SUPPLY STORE CHAMPAIGN, ILL.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;SOLO OR UNISON CHORUS
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;By thy rivers gently flowing, Illinois, Illinois, O'er thy prairies verdant growing, Illinois, Illinois,
Comes an echo on the breeze, Rustling through the leafy trees, And its mellow tones are these, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;When you heard your country calling, Illinois, Illinois, Where the shot and shell were falling, Illinois, Illinois,
When the southern host withdrew, Pitting Grey against the Blue, There were none more brave than you, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;Not without thy wondrous story, Illinois, Illinois, Can be writ the nation's glory, Illinois, Illinois,
On the record of thy years, Abr'am Lincoln's name appears, Grant and Logan, and our tears, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;Copyright 1912 by Walter Howe Jones Copyright 1914 by The UofI Supply Store, Champaign, Ill.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;MIXED VOICES
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;[repeat of the stanzas above]
&lt;/p&gt;&lt;p&gt;copyright 1901 by Walter Howe Jones Copyright 1914 by The U of I Supply Store, Champaign, Ill.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;MALE VOICES
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;[repeat of the first stanzas]
&lt;/p&gt;&lt;p&gt;Copyright 1901 by Walter Howe Jones Copyright 1914 by The U of I Supply Store Champaign, ILL.
&lt;/p&gt;&lt;p&gt;Rayner [Dalbrim?] &amp;amp; Co., Chicago
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <text>5</text>
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                <text>By Thy Rivers Gently Flowing</text>
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                <text>"Illinois Song" lyrics depict pride in Illinois and highlight the state's contributions to the United States during the Civil War. Color cover depicts portrait of Abraham Lincoln set with a bald eagle, two American flags, and the Illinois state seal with an agricultural and industrial scene in the background.</text>
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                <text>Jones, Walter Howe</text>
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                <text>University of Illinois Supply Store</text>
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            <name>Coverage</name>
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                <text>Champaign, IL</text>
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              <elementText elementTextId="414754">
                <text>1914</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          </element>
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            <name>Language</name>
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                <text>&lt;p&gt;Illinois Song
&lt;/p&gt;&lt;p&gt;By Thy Rivers Gently Flowing by Walter Howe Jones
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Published by U. OF I. SUPPLY STORE CHAMPAIGN, ILL.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;SOLO OR UNISON CHORUS
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;By thy rivers gently flowing, Illinois, Illinois, O'er thy prairies verdant growing, Illinois, Illinois,
Comes an echo on the breeze, Rustling through the leafy trees, And its mellow tones are these, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;When you heard your country calling, Illinois, Illinois, Where the shot and shell were falling, Illinois, Illinois,
When the southern host withdrew, Pitting Grey against the Blue, There were none more brave than you, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;Not without thy wondrous story, Illinois, Illinois, Can be writ the nation's glory, Illinois, Illinois,
On the record of thy years, Abr'am Lincoln's name appears, Grant and Logan, and our tears, Illinois, Illinois.
&lt;/p&gt;&lt;p&gt;Copyright 1912 by Walter Howe Jones Copyright 1914 by The UofI Supply Store, Champaign, Ill.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;MIXED VOICES
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;[repeat of the stanzas above]
&lt;/p&gt;&lt;p&gt;copyright 1901 by Walter Howe Jones Copyright 1914 by The U of I Supply Store, Champaign, Ill.----
&lt;/p&gt;&lt;p&gt;ILLINOIS SONG
&lt;/p&gt;&lt;p&gt;BY THY RIVERS GENTLY FLOWING
&lt;/p&gt;&lt;p&gt;MALE VOICES
&lt;/p&gt;&lt;p&gt;WALTER HOWE JONES
&lt;/p&gt;&lt;p&gt;[repeat of the first stanzas]
&lt;/p&gt;&lt;p&gt;Copyright 1901 by Walter Howe Jones Copyright 1914 by The U of I Supply Store Champaign, ILL.
&lt;/p&gt;&lt;p&gt;Rayner [Dalbrim?] &amp;amp; Co., Chicago
&lt;/p&gt;
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                <text>20</text>
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                    <text>&lt;p&gt;CAN THE SOLDIER FORGET?
&lt;/p&gt;&lt;p&gt;GEO. F. ROOT
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Yes, beloved ones at home remember Ah, how can the soldier forget? 
All the vows that were said when we part-ed Are 
sacred and dear to him yet. When the night throws its mantle a-
round us we dream neath the heav'n's starry dome; Of the
dear ones whose sweet spell has bound us, And whose voices shall welcome home.
&lt;/p&gt;&lt;p&gt;2. Of the deeds that are hallowed in story, We
think as we press on our way; And the pathway that leads on to glo---ry, Gleams
bright-ly be-fore us to--day For the millions that wait on our
ef--forts, And myriads the future shall claim; When the
pe-ans of victory are sound--ing, Shall most joy-ful-ly ech-o each name.
&lt;/p&gt;&lt;p&gt;3. Oh ye hearts that with anguish are swelling, Ye
eyes, that are darkened with fear, For the brave ones ye loved past the tell---ing The
fallen that sleep with us here, They have burst now the fetters that
bound them, And high mid the heav'n's brightest ray, E'en with
glories im-mor-tal a-round them, They are look-ing up-on us to-day.
&lt;/p&gt;&lt;p&gt;AIR.
Yes, be-loved ones at home we, re-mem-ber. Ah, how can the soldier for-
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.
&lt;/p&gt;&lt;p&gt;Yes, be-loved one at home we, re-mem-ber. Ah, how can the soldier for-
get, All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
BASE.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;398
&lt;/p&gt;&lt;p&gt;183417
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="413810">
              <text>4</text>
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              <elementText elementTextId="413795">
                <text>200101</text>
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              <elementText elementTextId="413796">
                <text>Illinois Sheet Music Collection</text>
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              <elementText elementTextId="413797">
                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Can the Soldier Forget!</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lyrics describe memory and longing for loved ones. Music torn from songbook without notation of the book information.</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="413800">
                <text>Songs with piano</text>
              </elementText>
              <elementText elementTextId="413801">
                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Memorial music</text>
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            <name>Creator</name>
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              <elementText elementTextId="413806">
                <text>Root, George F. (George Frederick), 1820-1895</text>
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                <text>Boynton, Charles Brandon, 1806-1883</text>
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              <elementText elementTextId="413809">
                <text>ca. 1864</text>
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                <text>&lt;p&gt;CAN THE SOLDIER FORGET?
&lt;/p&gt;&lt;p&gt;GEO. F. ROOT
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Yes, beloved ones at home remember Ah, how can the soldier forget? 
All the vows that were said when we part-ed Are 
sacred and dear to him yet. When the night throws its mantle a-
round us we dream neath the heav'n's starry dome; Of the
dear ones whose sweet spell has bound us, And whose voices shall welcome home.
&lt;/p&gt;&lt;p&gt;2. Of the deeds that are hallowed in story, We
think as we press on our way; And the pathway that leads on to glo---ry, Gleams
bright-ly be-fore us to--day For the millions that wait on our
ef--forts, And myriads the future shall claim; When the
pe-ans of victory are sound--ing, Shall most joy-ful-ly ech-o each name.
&lt;/p&gt;&lt;p&gt;3. Oh ye hearts that with anguish are swelling, Ye
eyes, that are darkened with fear, For the brave ones ye loved past the tell---ing The
fallen that sleep with us here, They have burst now the fetters that
bound them, And high mid the heav'n's brightest ray, E'en with
glories im-mor-tal a-round them, They are look-ing up-on us to-day.
&lt;/p&gt;&lt;p&gt;AIR.
Yes, be-loved ones at home we, re-mem-ber. Ah, how can the soldier for-
&lt;/p&gt;&lt;p&gt;ALTO.
&lt;/p&gt;&lt;p&gt;TENOR.
&lt;/p&gt;&lt;p&gt;Yes, be-loved one at home we, re-mem-ber. Ah, how can the soldier for-
get, All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
BASE.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;All the vows that were said when we part-ed, Are sacred and dear to us yet.
&lt;/p&gt;&lt;p&gt;can the soldier for-get that the vows when we parted.
&lt;/p&gt;&lt;p&gt;398
&lt;/p&gt;&lt;p&gt;183417
&lt;/p&gt;
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                    <text>&lt;p&gt;CHICAGO DAY WALTZ.  By G. Valisi
&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;Tempo di Valse  No. 1 Waltz
&lt;/p&gt;&lt;p&gt;Copyright, 1893, by Valisi Bros.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2  [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
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&lt;hr /&gt;

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            <description>A name given to the resource</description>
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                <text>Chicago Day Waltz, October 9th, 1893</text>
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            <description>An account of the resource</description>
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                <text>Instrumental music played for the World's Columbian Exposition.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Piano Music</text>
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                <text>World's Columbian Exposition</text>
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                <text>Instrumental Music</text>
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                <text>Valisi, Giuseppe</text>
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                <text>Valisi Bros.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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&lt;/p&gt;&lt;p&gt;Introduction
&lt;/p&gt;&lt;p&gt;Tempo di Valse  No. 1 Waltz
&lt;/p&gt;&lt;p&gt;Copyright, 1893, by Valisi Bros.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2  [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;

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          <element elementId="142">
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              <description>An account of the resource</description>
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              <text>371</text>
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            <name>Identifier</name>
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                <text>Song book</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Christian Hymn and Tune Book</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="524091">
                <text>Hymns. "For use in churches, and for social and family devotions." Cover is dark brown.</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="524092">
                <text>Church music</text>
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              <elementText elementTextId="524093">
                <text>Hymns, English</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="524094">
                <text>Hayden, A. S. (Amos Sutton)</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="524095">
                <text>Root and Cady</text>
              </elementText>
              <elementText elementTextId="524101">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="524096">
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="524097">
                <text>1870</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="524100">
                <text>pdf</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="524103">
                <text>eng</text>
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                    <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
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              <text>8</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Col Ellsworth Requiem March</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Instrumental music. "To the memory of Col E. E. Ellsworth who fell at Alexandria, VA. May 24, 1861." Cover depicts portrait of Col. Ellsworth with images of him in battle and crowds at grave surrounded by flags and vines. Name Emily M. Bristol (Robinson) written in pencil in upper right corner on front cover.</text>
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                <text>Ellsworth, C. E. (Elmer Ephraim), 1837-1861</text>
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                <text>Songs and music</text>
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                <text>Sheet Music</text>
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              <elementText elementTextId="414085">
                <text>Marches (Piano)</text>
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              <elementText elementTextId="414086">
                <text>Funeral Music</text>
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              <elementText elementTextId="414087">
                <text>War songs</text>
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              <elementText elementTextId="414088">
                <text>War--Songs and Music</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Vass, A. J.</text>
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          <element elementId="37">
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                <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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                <text>Lyrics depict hope for Union victory in battle. Cover depicts border of images depicting memories surrounding title.</text>
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                <text>Songs with Piano</text>
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                <text>American Civil War (1861-1865)</text>
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              <elementText elementTextId="413864">
                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>Root &amp;amp; Cady</text>
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              <elementText elementTextId="413866">
                <text>Chicago</text>
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              <elementText elementTextId="413867">
                <text>1863</text>
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          <element elementId="45">
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            <elementTextContainer>
              <elementText elementTextId="413870">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
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          <element elementId="44">
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                <text>eng</text>
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                <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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                    <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>4</text>
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                <text>Come Home, Father</text>
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                <text>Children's song about father's absence</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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              <text>7</text>
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              <text>34 cm</text>
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                <text>Could I = Vorrei</text>
              </elementText>
            </elementTextContainer>
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                <text>Love song about singer wanting to comfort loved one in loneliness.</text>
              </elementText>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Songs (Low voice) with piano</text>
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                <text>Sheet music</text>
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                <text>Love songs</text>
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            <name>Creator</name>
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                <text>Tosti, F. Paolo (Francesco Paolo), 1846-1916</text>
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                <text>Marzials, Theophilus, 1850-1920</text>
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                <text>McKinley Music Company</text>
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                <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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                    <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <text>8</text>
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                <text>Lyrics describe memory of life in Illinois. Sheet includes letter from Senator Charles Percy</text>
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                <text>Songs with Piano</text>
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                <text>McCartan, Grace</text>
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                <text>St. Louis</text>
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                <text>1953</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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                    <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>5</text>
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                <text>Dinna Fret</text>
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                <text>Lyrics describe worry for loved one</text>
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                <text>Love song</text>
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                <text>Estabrook, G.</text>
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                <text>The Chicago Music Company</text>
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                <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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                <text>Illinois Sheet Music Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dirge for a Soldier</text>
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            <name>Description</name>
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                <text>Funerary song for soldier</text>
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                <text>Funeral music</text>
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                <text>Sheet music</text>
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                <text>Gutterson, A. C.</text>
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            <name>Creator</name>
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                <text>Gutterson, &amp;nbsp;A. C.</text>
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                <text>Higgins, H. M.</text>
              </elementText>
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            <name>Coverage</name>
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              <elementText elementTextId="413982">
                <text>Chicago</text>
              </elementText>
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            <name>Date</name>
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              <elementText elementTextId="413983">
                <text>1864</text>
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                <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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                    <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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              <text>6</text>
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                <text>Dixie Doodle: Rag-cake walk, march two-step</text>
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                <text>Buchanan, C. N.</text>
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                <text>Ragtime</text>
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                <text>&amp;nbsp;Buchanan, C. N.</text>
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                <text>&amp;nbsp;Buchanan, C. N.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>5</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Douglas' Funeral March</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414037">
                <text>Instrumental music in honor of Stephen A. Douglas.</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Instrumental music</text>
              </elementText>
              <elementText elementTextId="414039">
                <text>Funeral music</text>
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                <text>Douglas, Stephen A. (Stephen Arnold), 1813-1861</text>
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                <text>Songs and Music</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="414043">
                <text>Funeral Music</text>
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              <elementText elementTextId="414044">
                <text>Piano music</text>
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                <text>Marches (Piano)</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>&amp;nbsp;Grante, H.</text>
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          <element elementId="37">
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                <text>&amp;nbsp;Higgins, A. Judson</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Chicago</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1861</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <name>Description</name>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="414071">
              <text>3</text>
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              <text>34 cm</text>
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                <text>200114</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>Down by the Embarras</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414061">
                <text>Lyrics refer to rivers in Illinois.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="414062">
                <text>Folk music</text>
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              <elementText elementTextId="414063">
                <text>Illinois</text>
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              <elementText elementTextId="414064">
                <text>Songs with Piano</text>
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              <elementText elementTextId="414065">
                <text>Rivers</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="414067">
                <text>Stracke, Win</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="414069">
                <text>Chicago</text>
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            <name>Date</name>
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                <text>1963</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="414073">
                <text>pdf</text>
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            <name>Publisher</name>
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              <elementText elementTextId="414074">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414076">
                <text>eng</text>
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        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
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              <elementText elementTextId="546347">
                <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/503e1ace09bf74b15b523d70231532d0.pdf</src>
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                    <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5 [music]
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414027">
              <text>6</text>
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              <text>32 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="414011">
                <text>200112</text>
              </elementText>
              <elementText elementTextId="414012">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414013">
                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="414014">
                <text>Dr. Keeley's Triumphal March</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414015">
                <text>The Keeley Institute was founded in Dwight in 1879 by Leslie Keeley, and, until it closed its doors in 1965, offered treatment to cure alcoholism. At the peak of the institute's popularity, there were more than 200 locations across the U.S. and in Europe.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="414016">
                <text>Instrumental music</text>
              </elementText>
              <elementText elementTextId="414017">
                <text>Marches (Piano)</text>
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              <elementText elementTextId="414018">
                <text>Keeley, Leslie E., 1842-1900</text>
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                <text>Keeley Institute (Dwight, Ill.)</text>
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                <text>Piano music</text>
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              <elementText elementTextId="414021">
                <text>Sheet music</text>
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                <text>Alcoholism--Treatment</text>
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            <name>Creator</name>
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              <elementText elementTextId="414023">
                <text>Cole, Amos O.</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="414025">
                <text>Kankakee</text>
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            <name>Date</name>
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              <elementText elementTextId="414026">
                <text>1891</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="414030">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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              <elementText elementTextId="414032">
                <text>eng</text>
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                <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5 [music]
&lt;/p&gt;
&lt;hr /&gt;

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              <elementText elementTextId="599587">
                <text>100</text>
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          <element elementId="142">
            <name>Weight</name>
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                <text>20</text>
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