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                  <text>Hermann Paepcke founded the Chicago Mill and Lumber Company in the 1880s. Originally begun as the Paepcke-Wagner Company operating as a small lumber mill, the business grew to include box-making operations. The company eventually became a major lumber distribution company in Chicago. In 1898 a second location in Greenville, Mississippi opened and operated as the Paepcke-Leicht Lumber Company through the 1920s. Additional locations opened in Blytheville and Helena, Arkansas, and Cairo, Illinois.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;After Hermann Paepcke died in 1922, his son, Walter, took over the company. In 1926, Walter Paepcke merged the Container Corporation of America into the company, leading the company to become the largest paper container producer in the United States during the 1940s. &lt;br /&gt;&lt;br /&gt;The Chicago Mill and Lumber Company was purchased in 1965 and continued to operate from its Greenville, Mississippi, facility until 1980.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Chicago Mill and Lumber Company's business operations from cutting trees in the woods through the manufacture and shipment of paper, corrugated paperboard, and boxes.</text>
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                  <text>Hermann Paepcke founded the Chicago Mill and Lumber Company in the 1880s. Originally begun as the Paepcke-Wagner Company operating as a small lumber mill, the business grew to include box-making operations. The company eventually became a major lumber distribution company in Chicago. In 1898 a second location in Greenville, Mississippi opened and operated as the Paepcke-Leicht Lumber Company through the 1920s. Additional locations opened in Blytheville and Helena, Arkansas, and Cairo, Illinois.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;After Hermann Paepcke died in 1922, his son, Walter, took over the company. In 1926, Walter Paepcke merged the Container Corporation of America into the company, leading the company to become the largest paper container producer in the United States during the 1940s. &lt;br /&gt;&lt;br /&gt;The Chicago Mill and Lumber Company was purchased in 1965 and continued to operate from its Greenville, Mississippi, facility until 1980.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Chicago Mill and Lumber Company's business operations from cutting trees in the woods through the manufacture and shipment of paper, corrugated paperboard, and boxes.</text>
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                <text>9. Getting Ready to Load Logs on Cars</text>
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                <text>The Corte-Scope Company</text>
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                <text>A '60 Song</text>
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                <text>Six verse campaign song for Abraham Lincoln and Hannibal Hamlin in the election of 1860.</text>
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            <description>The topic of the resource</description>
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                <text>Song sheet</text>
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                <text>Broadsides</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Hamlin, Hannibal, 1809-1891</text>
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                <text>Campaign songs</text>
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                <text>Presidents--Election--Songs and music</text>
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                    <text>&lt;p&gt;Olney Ills.  Febry 21st 1863
&lt;/p&gt;&lt;p&gt;Gov R Yates
&lt;/p&gt;&lt;p&gt;Dear Sir,
&lt;/p&gt;&lt;p&gt;We have just learned by letter from Capt Joseph M. Robards of Co. D 8 Regt. Ills. Infty. that he is willing to engage in raising and commanding Negro soldiers under the recent arrangements of the War Department.
&lt;/p&gt;&lt;p&gt;Capt Robards is a citizen of our Town, has been in the service for some 18 mos. and has proven himself as we have a good officer and a brave man, and we cheerfully recommend
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;him for a suitable position in the new service which he has signified his willingness to engage in 
&lt;/p&gt;&lt;p&gt;He will accept the Captaincy, if a higher position cannot be given, but we ask for him leave to raise a Regt. with assurances of its command if found as we believe him to be well qualified and worthy.
&lt;/p&gt;&lt;p&gt;We will thank you to procure for this application an early attention, and that you give it the proper direction with your endorsement so far as you can, to insure it attention, yours truly
&lt;/p&gt;&lt;p&gt;A. Kitchell
&lt;/p&gt;&lt;p&gt;C C Collins Asst Surg U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Letter writen Feby 3 63.
&lt;/p&gt;&lt;p&gt;Feb 21st/63.
&lt;/p&gt;&lt;p&gt;Two gentleman from Olney ask that Cap Joseph M Robards of Co D 8th Reg be allowed to raise and command a body of Negro soldiers.
&lt;/p&gt;&lt;p&gt;(Colored)
&lt;/p&gt;
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                <text>A [lfred] Kitchell to Richard Yates</text>
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                <text>&lt;p&gt;Olney Ills.  Febry 21st 1863
&lt;/p&gt;&lt;p&gt;Gov R Yates
&lt;/p&gt;&lt;p&gt;Dear Sir,
&lt;/p&gt;&lt;p&gt;We have just learned by letter from Capt Joseph M. Robards of Co. D 8 Regt. Ills. Infty. that he is willing to engage in raising and commanding Negro soldiers under the recent arrangements of the War Department.
&lt;/p&gt;&lt;p&gt;Capt Robards is a citizen of our Town, has been in the service for some 18 mos. and has proven himself as we have a good officer and a brave man, and we cheerfully recommend
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;him for a suitable position in the new service which he has signified his willingness to engage in 
&lt;/p&gt;&lt;p&gt;He will accept the Captaincy, if a higher position cannot be given, but we ask for him leave to raise a Regt. with assurances of its command if found as we believe him to be well qualified and worthy.
&lt;/p&gt;&lt;p&gt;We will thank you to procure for this application an early attention, and that you give it the proper direction with your endorsement so far as you can, to insure it attention, yours truly
&lt;/p&gt;&lt;p&gt;A. Kitchell
&lt;/p&gt;&lt;p&gt;C C Collins Asst Surg U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Letter writen Feby 3 63.
&lt;/p&gt;&lt;p&gt;Feb 21st/63.
&lt;/p&gt;&lt;p&gt;Two gentleman from Olney ask that Cap Joseph M Robards of Co D 8th Reg be allowed to raise and command a body of Negro soldiers.
&lt;/p&gt;&lt;p&gt;(Colored)
&lt;/p&gt;
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                  <text>Political corruption</text>
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                  <text>Editorial cartoons--Political aspects</text>
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                  <text>Elections</text>
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                  <text>John T. McCutcheon worked as a political cartoonist for Chicago newspapers including the Chicago Record (1889-1903) and the Chicago Tribune (1903-1946). His cartoons focused on several themes including political campaigns, the Phillippines insurrection, and World War I. McCutcheon created a series of cartoons based on Midwestern American life called Bird Town while he worked for the Chicago Record which he continued after moving to the Chicago Tribune. McCutcheon, known as the Dean of American Cartoonists, received the Pulitzer Prize in 1932 for a cartoon dealing with bank failure.&lt;br /&gt;&lt;br /&gt;The cartoons in this collection include images focusing on political corruption, presidential and Illinois elections, and World War I.</text>
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                <text>Magnus, Charles</text>
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                  <text>John T. McCutcheon worked as a political cartoonist for Chicago newspapers including the Chicago Record (1889-1903) and the Chicago Tribune (1903-1946). His cartoons focused on several themes including political campaigns, the Phillippines insurrection, and World War I. McCutcheon created a series of cartoons based on Midwestern American life called Bird Town while he worked for the Chicago Record which he continued after moving to the Chicago Tribune. McCutcheon, known as the Dean of American Cartoonists, received the Pulitzer Prize in 1932 for a cartoon dealing with bank failure.&lt;br /&gt;&lt;br /&gt;The cartoons in this collection include images focusing on political corruption, presidential and Illinois elections, and World War I.</text>
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                <text>A Day in the Life of Mr. Ballinger</text>
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                <text>Six vignettes feature people asking Secretary of the Interior Richard Ballinger if there is truth to rumors of his pending resignation. In the final vignette he responds "Not a word of truth in it."&lt;br /&gt;&lt;br /&gt;On March 11, 1911, the Secretary of the Interior under the Taft Administration (1909-1913), Richard A. Ballinger, resigned over his reversal of land conservation policies implemented under the Roosevelt administration (1901-1909), but broken in the interests of big business and hydroelectric power.</text>
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                <text>Illustrated three verse song and chorus: "As sung nightly, with tremendous applause, by Mrs. W. G. Jones in the drama of 'Fast Women' at the New Bowery Theatre, the music to be had of D. H. Biessenher" &lt;br /&gt;&lt;br /&gt;Lyrics depict the singer's belief in the importance of having money on hand at all times. Cover image depicts border with man and woman on sides with trumpeter at the top.</text>
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                <text>De Marsan, Henry</text>
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                  <text>Elections</text>
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                  <text>Illinois. General Assembly</text>
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                  <text>Governors</text>
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                <elementText elementTextId="284470">
                  <text>Deneen, Charles Samuel, 1863-1940</text>
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                  <text>Heaton, Harold R., -1940</text>
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                <elementText elementTextId="284472">
                  <text>Republican Party (U.S. : 1854-)</text>
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                  <text>Harold R. Heaton worked as a political cartoonist for several Chicago-based newspapers including the Chicago Daily Tribune (1885-1899) and the Inter-Ocean (1908-1914). While working for the Chicago Daily Tribune he created a series of weekly commentaries on the World's Columbian Exhibition held in Chicago in 1893. Heaton's political cartoons featured current events, frequently focusing on Chicago politics. &lt;br /&gt;&lt;br /&gt;Heaton took a break from cartoon work in 1899 to work as an actor and playwright before returning to the newspaper business in 1908. After Inter-Ocean's collapse in 1914, Heaton returned to the stage, acting on Broadway from 1920-1932.</text>
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      <name>Still Image</name>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>political cartoon</text>
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              <text>1</text>
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              <text>44 x 38 cm</text>
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            <name>Identifier</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Family Check</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="280810">
                <text>Political cartoonist Harold R. Heaton captures the strong disagreements surrounding marriage and divorce through the image of a judge declaring&amp;nbsp;"No More SUB ROSA DIVORCES!". The startled couple before him wears a set of shackels with a tag labeled "Bonds of Matrimony" hanging from one of the links while Hymen (Greek god of marriage) and Cupid (Roman god of desire) look on.&lt;br /&gt;&lt;br /&gt; Divorce restrictions in the United States slowly softened during the first half of the twentieth century. Couples could now voluntarily cease a marriage and women could establish an identity outside that of their husband and leave an unsuitable marriage.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Political cartoons</text>
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                <text>Illinois--Chicago</text>
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                <text>Divorce--Law and legislation</text>
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                <text>Judicial process</text>
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              <elementText elementTextId="280816">
                <text>Cupid (Roman deity)</text>
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                <text>Divorce</text>
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                <text>Judges</text>
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                <text>Marriage</text>
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              <elementText elementTextId="284079">
                <text>Marriage law</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Heaton, Harold R.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="280824">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>eng</text>
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        <src>https://chroniclingillinois.org/files/original/53a50c51a00244a3fa379f7ae9d8ce67.pdf</src>
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            <description>Manages transcriptions of items and files</description>
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;In Memory of President Lincoln A Funeral March by John K. Paine.  Pr. 50 Ct. net.
&lt;/p&gt;&lt;p&gt;[Lithograph of Lincoln]--IN Major Knapp, Eng. Lith. Co. 449 Broadway, N.Y.[not all legible]
&lt;/p&gt;&lt;p&gt;New York Published by Beer &amp;amp; Schirmer 701 Broadway
&lt;/p&gt;&lt;p&gt;Entered according to act Congress in the year 1865 by Beer &amp;amp; Schirmer, in the Clerk's Office of the District Court of the Southern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Funeral March. John K. Paine.
&lt;/p&gt;&lt;p&gt;Con tenerezza.  Piano.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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                    <text>Complete</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Lincoln Sheet Music Collection</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="165391">
              <text>6</text>
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            <elementText elementTextId="165392">
              <text>36 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="165373">
                <text>301021</text>
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              <elementText elementTextId="165374">
                <text>180911625</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="165375">
                <text>A Funeral March</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="165376">
                <text>Funeral march "In Memory of President Lincoln." Cover depicts portrait of Abraham Lincoln surrounded by border of leaves with wreath of stars over the title.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165377">
                <text>Lincoln, Abraham, 1809-1865</text>
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              <elementText elementTextId="165378">
                <text> Songs and Music</text>
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              <elementText elementTextId="165379">
                <text> Piano Music</text>
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              <elementText elementTextId="165380">
                <text> Instrumental music</text>
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              <elementText elementTextId="165381">
                <text> Sheet music</text>
              </elementText>
              <elementText elementTextId="165382">
                <text> Memorial music</text>
              </elementText>
              <elementText elementTextId="165383">
                <text> Paine, John Knowles, 1839-1906</text>
              </elementText>
              <elementText elementTextId="165384">
                <text> Marches (Piano)</text>
              </elementText>
              <elementText elementTextId="165385">
                <text> Piano music</text>
              </elementText>
              <elementText elementTextId="165386">
                <text> Funeral Music</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165387">
                <text>John K. Paine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="165388">
                <text>Beer &amp;amp; Schirmer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="165389">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165390">
                <text>1865</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165393">
                <text>pdf</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="165394">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165396">
                <text>en</text>
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            </elementTextContainer>
          </element>
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        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="633619">
                <text>&lt;p&gt;In Memory of President Lincoln A Funeral March by John K. Paine.  Pr. 50 Ct. net.
&lt;/p&gt;&lt;p&gt;[Lithograph of Lincoln]--IN Major Knapp, Eng. Lith. Co. 449 Broadway, N.Y.[not all legible]
&lt;/p&gt;&lt;p&gt;New York Published by Beer &amp;amp; Schirmer 701 Broadway
&lt;/p&gt;&lt;p&gt;Entered according to act Congress in the year 1865 by Beer &amp;amp; Schirmer, in the Clerk's Office of the District Court of the Southern District of N.Y.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Funeral March. John K. Paine.
&lt;/p&gt;&lt;p&gt;Con tenerezza.  Piano.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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              <elementText elementTextId="633621">
                <text>Complete</text>
              </elementText>
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          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="633622">
                <text>100</text>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="633623">
                <text>20</text>
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  <item itemId="19432" public="1" featured="0">
    <fileContainer>
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        <src>https://chroniclingillinois.org/files/original/c6d5e87a80bc3fb7dddd5a79969543ef.pdf</src>
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            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="139">
                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="630917">
                    <text>Needs Review</text>
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;A gloom is cast o'er all the Land (Song and Chorus.) To the memory of our lamented President. Words and Music by Henry Schroeder.  3
&lt;/p&gt;&lt;p&gt;New York: Published by Horace Waters, 481 Broadway.
&lt;/p&gt;&lt;p&gt;Boston: O. Ditson &amp;amp; Co. Philadelphia: Lee &amp;amp; Walker. Chicago: Root &amp;amp; Cady. Cincinnati: J. Church Jr.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress in A.D. 1865 by Horace Waters in the Clerk's office of the U.S. District Court for the Southern District of New York.
&lt;/p&gt;&lt;p&gt;Warren, Music Stereotyper, 43 Centre St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A GLOOM IS CAST O'ER ALL THE LAND!
&lt;/p&gt;&lt;p&gt;HENRY SCHROEDER.
&lt;/p&gt;&lt;p&gt;3. The morn of peace was dawning on, Most joyful was the  4. But he is dead! his spirit gone; Left but his lifeless
&lt;/p&gt;&lt;p&gt;1. A gloom is cast o'er all the land, Our President is  2. His mind was kind and generous, No hatred in his
&lt;/p&gt;&lt;p&gt;[3.] news; Victorious had our armies gone, Through strongholds of our [4.] form; The country lost her noble son, Amid a dang'rous
&lt;/p&gt;&lt;p&gt;[1.] dead! He fell by vile assassins hand, His precious blood they [2.] breast, With love for North and South alike, He labor'd for the
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the Dist. court of the United States for the Southern Dist. of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[3.] foes. But oh! how quick the scene was [4.] storm. Forever will his mem'ry
&lt;/p&gt;&lt;p&gt;[1.] shed! They've slain the an who was their  [2.]best; His mission, by that fatal
&lt;/p&gt;&lt;p&gt;[3.] chang'd, From daylight in to night; For  [4.] live, In ev'ry patriot's breast;
&lt;/p&gt;&lt;p&gt;[1.] friend, Most cowardly and base; We   [2.] deed, Was ended much to soon; When
&lt;/p&gt;&lt;p&gt;[3.] festive play our flags arrang'd, Now mourn, where all was bright.  [4.] Remember! 'twas foul treason's hand, That robb'd our land from rest.
&lt;/p&gt;&lt;p&gt;[1.] all lament the sad event, That brought to close his days.  [2.] most his counsel was of need, On came the dreadful doom.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;1. Oh nation rouse! Oh nation rouse! And let this crime And let this crime,  2.4. Oh nation rouse! Oh nation rouse! Avenge the blow! Avenge the blow! to
&lt;/p&gt;&lt;p&gt;3. Oh nation rouse! Oh nation rouse! And let this crime, And let this crime, A warning be for future time! A warning be for future time!
&lt;/p&gt;&lt;p&gt;2.4. traitors now no mercy show! To traitors now no mercy show! warning be for future time! A  warning be for future time!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;No. 1. SELECT CATALOGUE OF NEW MUSIC, No. 1.  Published by Horace Waters, 481 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;1865. Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865.
&lt;/p&gt;&lt;p&gt;And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Pianist in attendance to try new Music. Music mailed free.
&lt;/p&gt;&lt;p&gt;SONGS.
A Dream of my Mother and my Home. S.C. Foster, 30. A Home on the Mountain. Mrs. Parkhurst, 30. Angel Mary. Mrs. Parkhurst, 30. A penny for your thoughts. S.C. Foster, 30. Atlanta's ours and fairly won. A.K. Virgil, 30. Bear this gently to my mother. Russell, 30. Beautiful Annie. J.G. Clark, 30. Better times are coming. S.C. Foster, 30. Bread and Cheese and Kisses (Comic). J.J. Daly, 30. Bury me in the morning, Mother. S.C. Foster, 30. By the lone river side. Sullivan, 30. Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30. Come into the Garden, Maud. Balfe, 50. Come sing with me. Solo and Trio. Hyatt, 30. Come, rally Freemen, rally. Mrs. Parkhurst, 30. Chicago Copperhead. J.G. Clark, 20. Copperhead of 1864...of 1865. J.G. Clark, 30, 20. Dear One, I think of thee. Laurence, 30. Dey said we wouldn't fight. Mrs. Parkhurst, 30. Did you mean what you said? J.S. Cox, 35. Dost Thou ever think of Me, Love? Mrs. Parkhurst, 30. Do they remember me? W.O. Fiske, 30. Do they love me still as ever? Mrs. Parkhurst, 30. Dreams of happier days. Hobson, 30. Dying Soldier Boy. W. Virgil Wallace, 30. Evacuation. Father Reed, 30. Evening Blessing. Solo or Quartette. Keller, 30. Fighting for the Flag, Day and Night. S.C. Foster, 30. Flirtation. H. Tucker, 30. Fiora Lyle. Keller, 30. Friends of the Union. Adapted to "Pirate's Chorus," by Smith, 30. Forget if you can, but forgive. J.R. Thomas, 30. Give this to Mother (Lith.) S.C. Foster, 35. God save our noble Union. Martin, 30. Golden Dreams and Fairy Castles. S.C. Foster, 30. Home is Home. J.R. Thomas, 30. How goes the Money? (Humorous). Hutchinson, 30. How softly on the bruised heart. Parkhurst, 30. I can't forget. Mrs. Parkhurst, 30. If you've only got a Moustache (Comic). S.C. Foster, 30. I'd dream forever more. T.B. Bishop, 30. I heard sweet voices singing. J.R. Thomas, 30. I'll wait at the Gate for Thee. Ho der, 30. I'm returning to thee Annie. Barker, 30. I'm willing to wait. (Old Maid's Song). Mrs. Parkhurst, 30. In Childhood's calm and sinless bloom. Benedict, 30. Irene, the little Queen. Keller, 30. I will be true to thee. S.C. Foster, 30. I will be true to the Stripes and the Stars. S.J. Vail, 35. Jenn's coming o'er the green. S.C. Foster, 30. Johnny is my Darling (Lith.). Adapted by Father Reed, 40. Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30. Kindly Words and Smiling Faces. J.R. Thomas, 30. Leave me with my Mother. S.C. Foster, 30. Let me Die with my Face to the Foe. Clark, 30. Little Jenny Dow. S.C. Foster, 30. Little Joe, the Contraband. Mrs. Parkhurst, 30. Lizzie Dies to-night. S.C. Foster, 30. Lizzie Lee. Keller, 30. Lord's Prayer Anthem. S.K. Whiting, 60. Mary Fay. Mrs. Parkhurst, 30. Maryland's Free! M.A. Fortune. 30. Merry little Birds are we (Lively). S.C. Foster, 30. Me too. Coffin, 30. Moonlight and Starlight. J.G. Clark, 30. Mother is the Battle over? Roefs, 30. Mother's Love is True. Keller, 30. My Country dear, I die for thee (Lith.) Ballard, 40. My Jamie is a Soldier Brave. Wallace, 30. My Jamie's on the Battle Field. Mrs. Parkhurst, 30. My Little Angel. Hutchinson, 30. My Village Home. J.W. Cherry, 30. My Wife is a most Knowing Woman. S.C. Foster, 30. New Emancipation Song. Mrs. Parkhurst, 30. Norah Dearest. Mrs. Parkhurst, 30. No Slave beneath that Starry Flag. Mrs. Parkhurst, 30. Oh! why am I so happy? S.C. Foster, 30. Oh! could I but recall the hours. Swain, 30. Oh! take me to thy heart again. Balfe, 30. Oh! send me one flower from his grave. Mrs. Parkhurst, 30. Oh! there's no such Girl as Mine. S.C. Foster, 30. O, meet me, dear Mother. Mrs. Parkhurst, 30. Only You and I. Mrs. Parkhurst, 30. Our Dear New England Boys. Mrs. Parkhurst, 30. One by one the Stars of Evening. Laurence, 30.  Our Comrade's Grave. J. Dayton, 30. Our Flag. Our Army and Our President. Perry, 30. One by one the Stars of Evening. Laurence, 30. One single Kiss. Keller, 30. Patrick MaCushla. Barker, 30. Picking Berries, or Jenny Davis and I. Perkins, 30. Pleasant words for all. Roberts, 30. Prayer. Selle, 30. Rock me to sleep, Mother. Hyatt, 30. Rock me to sleep, Mother. O'Donnell, 30. Robert, Idol of my heart. Meyerbeer, 40. Rose of Clifton Dale. Laurence, 30.  Sabbath Bells, chime on. Lowry, 30. Shall we know each other there? Lowry, 30. Shall we meet beyond the river? Bates, 30. She was all the world to me. The last Song of the late S.C. Foster, 30. Slumber my Darling, (Cradle Song). S.C. Foster, 30. Song of the Mountain Girl. Perkins, 30. Song of the Sailor Boy. C.H. Rodwell, 30.
&lt;/p&gt;&lt;p&gt;Stand up for the Flag. Mrs. Parkhurst, 30. Sweet Evelina. Arr'd by Mrs Parkhurst, 30. Sweet little Nell (Lively). Mrs. Parkhurst, 30. Sweet Love, Forget me Not. Keller, 30. The Angels are hovering near. Mrs. Parkhurst, 30. The Beautiful Angel Band. Mrs. Parkhurst, 30. The Blind Girl's Lament. C. Kalisch, 30. The Dying Drummer. Mrs. Parkhurst, 30. The Flowers bloom in Lenden Vale. S. Laurence, 30. The Girls are not so green. A. Cull, 30. The Haunted Stream. Barker, 30. The Little Ballad Girl. S.C. Foster, 30. The Love I bear to Thee. S.C. Foster, 30. The Morning is Dawning. H.S. Leland, 30. The Pure, the Bright, the Beautiful. S.C. Foster, 30. The Soldier's Dying Farewell. Mrs. Parkhurst, 30. The Sweetest Flower. M. Keller, 30. The Tear of Love. Mrs. Parkhurst, 30. The Union Medley. Mrs. Parkhurst, 60. The Violet. S. Laurence, 30. The Voice of the Army. J.G. Clark, 30. The Young Volunteer. J.R. Osgood, 30. There are plenty of Fish in the Sea (Comic). S.C. Foster, 30. There are Voices, Spirit Voices. Mrs. Parkhurst, 30. There's a Path by the River. Loder, 35. There's no such Girl as Mine. (Comic). Foster, 30. There's rest for all in Heaven. Mrs. Parkhurst, 30. They tell me I'll forget thee. Mrs. Parkhurst, 30. They worked me all the day. Mrs. Parkhurst, 30. This hand never struck me, Mother. Mrs. Parkhurst, 30. Thou art Dreaming (Serenade). Crilley, 30. Thou art so near and yet so far. Reichardt, 35. Tim Green, or I've a Guinea I can spend. Chamberlin, 30. 'Tis hard to give the hand where the heart can never be. Glover, 30. Valley of Chamouni. Glover, 30. Wait, my Little One, wait. Mrs. Parkhurst, 30. Was my Brother in the Battle? S.C. Foster, 30. Weep no more for Lilly. Mrs. Parkhurst, 30. We'll al go home again. Whitlock, 30. We parted with a cheerful smile. Keller, 30. Were I but his own Wife. Mrs. Parkhurst, 30. What is home without the children? Keller, 30. When Dear Friends are gone. S.C. Foster, 30. When Old Friends were here. One of the last two Songs of the late S.C. Foster, 30. When this dreadful war is ended. S.C. Foster, 30. Why am I so happy? S.C. Foster, 30. Why have my loved ones gone? S.C. Foster, 30. Wilt thou be true? S.C. Foster, 30. Your Fortune is too small for me. Maurice, 30.  PATRIOTIC SONGS. All quiet along the Potomac. J. Dayton, 30. Atlanta's ours and fairly won! A.K. Virgil, 30. Bear this gently to my Mother. Russell, 30. Better times are coming. S.C. Foster, 30. Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40. Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30. Come rally, Freemen, rally. Mrs. Parkhurst, 30. Chicago Copperhead. J.G. Clark, 20. Copperhead of 1864. Copperhead of 1865. J.G. Clark, 30, 20. Dey said we wouldn't fight. Mrs. Parkhurst, 30. Dying Soldier Boy. W. Virgil Wallace, 30. Fighting for the Flag, day and night. Foster, 30. Flag of our Union. Arr'd by A. Cull, 30. For the dear old Flag I die. S.C. Foster, 30. Freedom, Truth and Right. C. Heineman, 35. Freeman's Gathering. Arr'd by A. Cull, 30. Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30.  Give this to Mother (Lith.). S.C. Foster, 40. God save our Land. Arr'd by A. Cull, 30. God save our noble Union. Martin, 30. Hail Columbia, 30. Hark! the Signal. Bomherdt, 30. I will be True to the Stripes and the stars. S. J. Vail, 35. Land of the Brave and Free. G.S. Plumley, 30. Let me Die with my Face to the Foe. Clark, 30. Let me Die with my Face to the Foe, Quartette. J.G. Clark, 35. Little Joe the Contraband. Mrs. Parkhurst, 30. Madmen! spare that Flag. A. Cull, 30. Maryland's Free! M.A. Fortune, 30. Mother is the Battle over? Roefs, 30. My Country dear, I die for thee (Lith.) Ballard, 40. My James is a Soldier Brave. W. Virgil Wallace, 30. My Jamie's on the Battle Field. Parkhurst, 30. My Country 'tis of thee. Arr'd by A. Cull, 30.  New Emancipation Song. Mrs. Parkhurst, 30. No Slave beneath that Starry Flag. Mrs. Parkhurst, 30. Oh! send me one Flower from his Grave, 30. Our Country now and ever. K. Merz, 30. Our Flag, Our Army, and Our President. Perry, 30. Rally 'round the Flag Boys. Fackrell, 30. Stand up for the Flag. S.C. Foster, 30. Star Spangled Banner, 30. The Drummer Boy of the National Greys. A. Cull, 30.  The Dying Drummer. Mrs. Parkhurst, 30. The Dying Volunteer. J. Dayton, 30. The Soldier's Dying Farewell. Mrs. Parkhurst, 30. The Union Medley. Mrs. Parkhurst, 60. The Voice of the Army. J.G. Clark, 30. The Volunteer Yankee Doodle of '61. Selle, 30. Three Cheers for our Banner. Allen, 30. To Arms! To Arms! W.F. Otten, 40. War Song of the 69th Regiment. A. Cull, 30.
&lt;/p&gt;&lt;p&gt;We'll all go Home again. Whitlock, 30. Yankee Doodle, 30. When this dreadful War is ended. S.C. Foster, 30. GUITAR SONGS. Bear this gently to my Mother. G.A. Russell, 30. Christ will care for Mother now. Dost thou ever think of me, Love? I will be true to thee. G.A. Russell, 30, 30, 20. Lizzie Dies to-night. Underhill, 20. Shall we know each other there? Bloomer, 30. Sweet Evelina. E.N., 30. Sweet Little Nell. G.A. Russell, 30. They tell me I'll forget thee. When old Friends were here. Why have my loved ones gone? G.A. Russell, 20, 20, 30.  DUETS AND QUARTETTES. All quiet along the Potomac. Quartette. J. Dayton, 30. Come down by the silvery Brook, Love. Comic Duet. Cull, 30. Evening Blessing. Quartette. Keller, 30. Glowing Star of gentle Evening. Duet. S. Laurence, 35. Hymn of the Nation. Quartette. J.R. Thomas, 30. Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30. Let all the People praise Thee, O! God. Quartette. J.R. Osgood, 35.  Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30. Mr. and Mrs. Brown. Comic Duet. S.C. Foster, 30. Our Comrade's Grave. Quartet. J. Dayton, 30. Rose of Clifton Dale. Duet. Laurence, 30. Skating. Duet. Laurence, 30. The Lord's Prayer. Anthem. S.K. Whiting, 60. Vesperi. Duet. Laurence, 30.  POLKAS, MAZURKAS &amp;amp; REDOWAS. Betrothed. Mazurka. Ruboti, 30. Blondette Polka. Thos. Baker, 30. Chemical Polka. Jos. Raff, 30. Columbia College Polka Redowa. J. Munck, 30. Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum. Thos. Baker, 40. Czarina Mazurka. B. Richards, 50. Fort Preble Polka. Borland, 35. Francis Polka Redowa. J. Munck, 30. Gaetana Mazurka. E. Ketterer, 60. Golden Bow Mazurka. J.D. Kerrison, 40. Golden Cross Polka. Idylwild Polka Caprice. Keller, 30. La Czarina Mazurka. B. Richards, 50. LePari Polka. J.G. Barnard, 30. LIttle Jenny Dow. Polka. Sunny Side Set, No. 1. Bellak, 20. Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20. Minnie Polka. A. Cull, 30. New Sparkling Polka. Cloy, 30. Sanitary Fair Polka. Mrs. Parkhurst, 30. They Worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20. Three Roguish Chaps. Polka. Sunny Side Set, No. 4. Bellak, 20. Volunteer Polka. R. Goldbeck, 30. Volunteer Polka. Sunny Side Set, No. 10. J. Bellak, 20. When this dreadful War is ended. Polka. Sunny Side Set. DANCES. Farmer Stubb's Visit to N.Y. City. Mrs. Parkhurst, 20. The Evacuation. Mrs. Parkhurst, 20. QUADRILLES. Les Lanciers. J. Munck, 35. Review. S. Glover, 50.  SCHOTTISCHES. Christmas Carol. T. Baker, 35. Comet. T. Baker, 30. Humbug. Keller, 30. Lorette. Jos. Raff, 30. Morning Dew. Sunny Side Set, No. 8. Bellak, 20. My loved ones gone. Sunny Side Set, No. 2. Bellak, 20. New Katy-Did. H. Piano, 30. Tender Glance. Mrs. Parkhurst, 30. GALOPS. Cannon. Mrs. Parkhurst, 20. Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60. LaBelle. T.W. Morris, 30. Laughing (un Ballo in Maschera). T. Baker, 30. Music Box. C.E. Hering, 40. On to Richmond. Mrs. Parkhurst, 30. Summer House of Roses. Mrs. Parkhurst, 30. There's no such Girl as mine. S.S.S. Parkhurst, 20. When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20. Whirlwind. Mac Donald, 30.  WALTZES. Faust (Simple). Lanner, 20. Frederica. Barnard, 40. Heart Chimings (Sentimental). Keller, 30. Holiday. Jehl, 30. Il Bacio (The Kiss). Ketterer, 60. Il Bacio (The Kiss). Lanner, 20.
&lt;/p&gt;&lt;p&gt;L'Amitie. Barnard, 40. L'Etoile de la Mer. Spencer, 35. Little Bird. Sunny Side Set, No. 7. Bellak, 20. Livingston Waltzes. J. Munck, 50. Love. T. Baker, 40. Ometepe. Apellas, 35. Right of Line. Morris, 30. Sigh in the Heart (Sentimental). Mrs. Parkhurst, 35. Starlight. Mrs. Parkhurst, 35. Souvenir de Owego. Jos. Raff, 50. Sweet Evelina. Sunny Side Set. Mrs. Parkhurst, 20. Sweet Little Nell. Mrs. Parkhurst, 20. Union. La Grassa, 30. What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20. Young America. 4 Waltzes (Lith.) Weiner, 40.  MARCHES AND QUICKSTEPS. British Volunteers. A. Cull, 40. Continental Guard. Powell, 30. Farewell Quickstep (Air How can I leave thee). Hancox, 30. Faust. Lanner, 30. Freedom, Truth and Right (Lith.). Heineman, 50. Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40. Gen. Grant's (Vig. of Gen. Grant). Jos. Raff, 40. Gen. Scott's Farewell. Mrs. Parkhurst, 30. Gen. Sheridan's Quickstep. Jos. Raff, 30. Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 20. Hillside Polka-Quickstep. Powell, 30. Marching Along and Glory Hallelujah. A. Cull, 30. Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20. Marche Sacre, or Peter the Great's March. B. Richards, 40. Leave me with my Mother. March. Sunny Side Set, Mrs. Parkhurst, 20. My Country's. S. Side Set, No. 3. Bellak, 20. Norah Dearest. March. Sunny Side Set. Mrs. Parkhurst, 20. O. F. March. T. Baker, 30. Our General Quickstep (Lith.). Graffula, 50. President Lincoln's (Vignette of Pres. L.) Helmsmuller, 50. Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40. There's plenty of Fish in the Sea. Quickstep. Sunny Side Set. Mrs. Parkhurst, 20. Was my Brother in the Battle? Mrs. Parkhurst, 20. Weep no more for Lilly. S.S.S. Parkhurst, 20. West Point. Barnard, 30. FOUR HAND PIECES. Faust. March. (Lanner.) Arr'd by Cramer, 30. Idylwild Polka. (Keller). Arr'd by Mrs. Parkhurst. Juanita. (B. Richards) Arr'd by Rimbault, 50. New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40. On to Richmond Galop. Mrs. Parkhurst, 40. Sanitary Fair Polka. Mrs. Parkhurst, 40. Sigh in the heart. Waltz. Mrs. Parkhurst, 40. Tender Glance. Schottische. Mrs. Parkhurst, 40. Vienna March. Czerny, 20. Warblings at Eve. B. Richards, 40. Wedding March. Mendelssohn, 50.  RONDOS, VARIATIONS, &amp;amp;c. Always look on the Sunny Side. Brilliant Variations. Grobe, 50.  Answer to Maiden's Prayer. Badarzewska, 35. Charity Variations. Miszner, 40. Chime Again, Beautiful Bells. B. Richards, 35. Cloud with a Silver Lining. Mrs. Parkhurst, 30. Don Sebastian (Donizetti). Muller, 75. Dream of the Wanderer. B. Richards, 35. Echoes of Killarney. B. Richards, 35. Fall of Richmond. Jos. Raff, 50. Fairy's Dream. B. Richards, 40. Fairy Whispers. Nocturne. Sydney Smith, 50. Faust. Fantasie Brilliant. Ketterer, 60. Faust. Fantasie Eelgant. Leybach, 60. Faust. Transcription. Krug, 40. Faust. Potpourii. Lanner, 60. Floating on the Wind. B. Richards, 30.  Florence. Nocturne. B. Richards, 50. Gazelle, La. Hoffman, 35. Grazioso (Morceau de Danse)., Jos. Raff, 30. Her bright Smile haunts me still. B. Richards, 40. Home, Sweet Home. B. Richards, 50. Il Bacio (The Kiss). Transcript'n. Ketterer, 60. I'm leaving thee in Sorrow, Annie. B. Richards. 30. Juanita (Spanish Melody). B. Richards, 35. Kathleen Mavourneen. B. Richards, 50. Last Rose of Summer. B. Richards, 50. Long, long weary Day. (Opus 130). T. Oesten, 30. Morning Prayer. For an Album (Published together). Muller, 30. Pirates Chorus. B. Richards, 40. Prayer granted. Reply to Maiden's Prayer. Badarzewska, 35. Shadow Air (Dinorah). B. Richards, 50. Shall we know each other there? Var. Grobe, 50. Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20. Sicilian Vespers (Bolero). B. Richards, 60. Soldiers Chorus (Faust). B. Richards, 60. Soldiers Chorus (Simple) (Faust). Rimbault, 30. Star Spangled Banner. Var. A. Cull, 40. St. Patrick's Day. B. Richards, 40. Sunny Side Rondo. S.S. Set, No. 5. Bellak, 20. The Last Rose of Summer. B. Richards, 50. The Voice of the Heart. O. Commetant, 35. Thou art so Near and yet so Far. B. Richards, 50. Warblings at Eve. B. Richards, 35.  Warblings at Morn. B. Richards, 50. We are Coming Father Abraham. Var. Grobe, 50. When the Swallows Homeward Fly. Oesten, 50.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>A Gloom is Cast O'er All the Land</text>
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                <text>Song and chorus about death of Abraham Lincoln: "To the memory of our lamented President." Cover depicts floral border around text.</text>
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                <text>Horace Waters</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>The percentage of pages with Needs Review status.</description>
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                <text>100</text>
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            <description>A 6-digit number used to sort items quickly.</description>
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                <text>200</text>
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              <description>A name given to the resource</description>
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                  <text>John T. McCutcheon Collection</text>
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                  <text>McCutcheon, John T. (John Tinney), 1870-1949</text>
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                  <text>Political cartoon</text>
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                  <text>Political corruption</text>
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                  <text>Editorial cartoons--Political aspects</text>
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                  <text>Elections</text>
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                  <text>Presidents</text>
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                  <text>World War (1914-1918)</text>
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                  <text>Chicago tribune</text>
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                  <text>Newspapers</text>
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                  <text>Chicago record</text>
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              <description>An account of the resource</description>
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                  <text>John T. McCutcheon worked as a political cartoonist for Chicago newspapers including the Chicago Record (1889-1903) and the Chicago Tribune (1903-1946). His cartoons focused on several themes including political campaigns, the Phillippines insurrection, and World War I. McCutcheon created a series of cartoons based on Midwestern American life called Bird Town while he worked for the Chicago Record which he continued after moving to the Chicago Tribune. McCutcheon, known as the Dean of American Cartoonists, received the Pulitzer Prize in 1932 for a cartoon dealing with bank failure.&lt;br /&gt;&lt;br /&gt;The cartoons in this collection include images focusing on political corruption, presidential and Illinois elections, and World War I.</text>
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      <name>Still Image</name>
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              <text>political cartoon</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
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              <text>52 x 37 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>403036</text>
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                <text>John T. McCutcheon Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A Good Strong Plank Should be Ready for Him</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;The Republican elephant walks across the 1928 Republican Convention floor on a plank labeled "Platform plank opposing debt cancellation" while holding a newspaper declaring "$535,000,000 in Gold has left the U.S. for foreign shores in the last eight months; Pound sterling now at premium in U. S.- Dollar at discount in London." A lone supporter of debt cancellation stands on one side of the floor while a large vocal group of tax payers and small liberty bond holders stands on the other.&lt;/p&gt;</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>McCutcheon, John T. (John Tinney), 1870-1949</text>
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              <elementText elementTextId="274702">
                <text>Political cartoons</text>
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                <text>Republican National Convention</text>
              </elementText>
              <elementText elementTextId="274704">
                <text>Presidents--Election</text>
              </elementText>
              <elementText elementTextId="274705">
                <text>Political parties--Platforms</text>
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              <elementText elementTextId="274706">
                <text>Republican elephant (Symbolic character)</text>
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              <elementText elementTextId="274707">
                <text>Political conventions</text>
              </elementText>
              <elementText elementTextId="274708">
                <text>Republican Party (U.S. : 1854- )</text>
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              <elementText elementTextId="274709">
                <text>Hoover, Herbert, 1874-1964</text>
              </elementText>
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                <text>Political candidates</text>
              </elementText>
              <elementText elementTextId="284508">
                <text>Political campaigns</text>
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              <elementText elementTextId="284509">
                <text>Presidential candidates</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="274710">
                <text>McCutcheon, John T.</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="274711">
                <text>1928-XX-XX</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="274716">
                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="274717">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="274719">
                <text>eng</text>
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                    <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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                <description>The current transcription status of a document or a page.</description>
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                    <text>Complete</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249726">
                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414374">
              <text>9</text>
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            <elementText elementTextId="414375">
              <text>33 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="414357">
                <text>200128</text>
              </elementText>
              <elementText elementTextId="414358">
                <text>Illinois Sheet Music Collection</text>
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              <elementText elementTextId="414359">
                <text>G</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414360">
                <text>A Grand Vocal Medley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414361">
                <text>"Arranged from Root &amp;amp; Cady's most popular publications by [P. P. Bliss]." Lyrics are taken from several different songs and strung together to depict singer's support for the Union cause and the Union troops.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414362">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="414363">
                <text>Songs and music</text>
              </elementText>
              <elementText elementTextId="414364">
                <text>American Civil War (1861-1865)</text>
              </elementText>
              <elementText elementTextId="414365">
                <text>Patriotic music</text>
              </elementText>
              <elementText elementTextId="414366">
                <text>United States. Army</text>
              </elementText>
              <elementText elementTextId="414367">
                <text>War songs</text>
              </elementText>
              <elementText elementTextId="414368">
                <text>War--Songs and Music</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Bliss, P. P. (Philip Paul), 1838-1876</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Root &amp;amp; Cady</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414372">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414373">
                <text>1865</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414376">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414377">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414379">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="561510">
                <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>Complete</text>
              </elementText>
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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  <item itemId="28513" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="330574">
                  <text>David Felts Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="378532">
                  <text>Felts, David V. (David Virgil), 1900-1984</text>
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                <elementText elementTextId="378533">
                  <text>Journalist</text>
                </elementText>
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                  <text>Newspaper editors</text>
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                  <text>Newspapers</text>
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                  <text>Editorials--Authorship</text>
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                  <text>Editorials</text>
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                  <text>Illinois--Decatur</text>
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                  <text>David Virgil Felts, a Decatur, Illinois, journalist, was born on January 31, 1900, in Marion, Illinois. Following high school graduation, Felts entered the University of Illinois at Champaign. In college Felts became the &amp;ldquo;Campus Scout,&amp;rdquo; the author of a humorous column about college happenings. This position at the university was also held by Gene Shalit, Allen Sherman, and others who later pursed careers in broadcasting and journalism. &lt;br /&gt;&lt;br /&gt;After receiving an A.B. from the University of Illinois in 1923, Felts became a reporter for the Louisville (Kentucky) Courier Journal. From 1923 until 1926, he worked as a sports editor for the Illinois State Register in Springfield, Illinois, and then served briefly as a United Press reporter. Following a year of post-graduate study at Harvard University, Felts returned to Springfield in 1928 and became an editorial writer and columnist. &lt;br /&gt;&lt;br /&gt;In December 1935, Felts joined the Lindsay-Schaub chain of newspapers as an editorial writer and moved to Decatur, Illinois. He became editorial page editor for the Decatur Herald and Review in 1958 and two years later, he was editorial page editor for the entire Lindsay-Schaub chain. Felts also wrote his own column, called &amp;ldquo;Second Thoughts.&amp;rdquo; The column contained folksy reminiscences about past events and observations on current affairs. &lt;br /&gt;&lt;br /&gt;Felts officially retired in 1967, but he continued to write his column three times a week for the Lindsay-Schaub newspapers. The column ran until Felts&amp;rsquo; real retirement at the age of seventy-five. In 1975, Felts moved to Ft. Pierce, Florida, with his wife. Felts died in March of 1985. &lt;br /&gt;&lt;br /&gt;Felts, who was interested in local and state history, was a long time member of the Illinois State Historical Society. He served as Society director from 1980 to 1983 and was elected vice-president in 1983. In July 1958, Felts was appointed by Governor William G. Stratton to the Illinois Lincoln Sesquicentennial Commission. Felts was also active in the Friends of the Decatur Public Library, serving as a trustee for the Library from 1951 to 1960 and as president of the board of directors from 1953 until 1955.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The finding aid for the David V. Felts Papers, 1908-1978 at the Abraham Lincoln Presidential Library and Museum may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/215.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include several images of David Felts at his desk and with newspaper colleagues, group photos of Decatur civic organizations Felts was a member of, and aerial photographs of Springfield, Illinois.</text>
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      <name>Still Image</name>
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              <text>greeting card</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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          <description>The actual physical size of the original image.</description>
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              <text>15 x 10 cm</text>
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            <name>Identifier</name>
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                <text>403915</text>
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                <text>David Felts Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A Joyous Christmas to Felts!</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A silhouette decorates a Christmas greeting card from Sam Tucker, editorial writer and columnist for the Decatur Herald, a Lindsay-Schaub Newspaper.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tucker, Sam, 1895-1947</text>
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                <text>Christmas cards</text>
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                <text>Silhouettes</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Civil War Song Sheets Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="246185">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1</text>
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              <text>26 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>301302</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="245584">
                <text>A Life on the Ocean Wave</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Three verse song. Lyrics depict singer's love of living and working on a ship. Cover image depicts border with woman and man on either side with angel blowing horn at the top.</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Broadsides</text>
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                <text>Songs and music</text>
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                <text>Sailors</text>
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                <text>Sailing</text>
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                <text>Ships</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&amp;nbsp;Sargent, Epes</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="245593">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>New York</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="245595">
                <text>ca. 1861-1863</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="245598">
                <text>pdf</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>De Marsan, Henry</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104720">
                  <text>World War I Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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              </elementTextContainer>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Abraham Lincoln Presidential Library and Museum</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104724">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
                </elementText>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="123867">
              <text>studio print</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>44 x 33 cm</text>
            </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="123859">
                <text>400327</text>
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                <text>Subject Vertical File Oversized</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A Living Flag</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Navy recruits form to create a live version of the American flag at the Great Lakes Naval Training Station, Chicago.</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>United States. Navy</text>
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                <text>Illinois--Great Lakes--Great Lakes Naval Training Center</text>
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                <text>Flags</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="123865">
                <text>Mayhart Studio</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1917-XX-XX</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sadorus Family Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Illinois--Sadorus</text>
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                  <text>Sadorus, Henry, 1783-1878</text>
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                  <text>Sadorus, William, 1812-1899</text>
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                  <text>Sadorus, Henry Washington, 1840-1927</text>
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                  <text>Sadorus, George Wade Bacon, 1838-1911</text>
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              <description>An account of the resource</description>
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                  <text>Henry Sadorus (1783-1878) and his family arrived in Champaign County, Illinois, in 1824, settling along the Kaskaskia River in what is today the town of Sadorus. Henry's son, William, platted out the town and made land donations for churches, a school, and a city jail.&lt;br /&gt;&lt;br /&gt;William (1812-1899) and his wife, Mary Ann, had five children live to adulthood including George Wade Bacon Sadorus (1838-1911) and Henry Washington Sadorus (1840-1927). George served in the 125th Volunteers during the Civil War and then returned to work the family farm. George's son Frank was a photographer whose collection is now held by the Illinois State Museum. The link to the Frank Sadorus Collection at the Illinois State Museum may be found at&amp;nbsp;&lt;a title="Frank Sadorus Collection " href="http://www.museum.state.il.us/ismdepts/art/sadorus/" target="_blank"&gt;http://www.museum.state.il.us/ismdepts/art/sadorus/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Several images in this collection feature the family of Henry Washington Sadorus including his wife Marvilla; children Addie Sadorus Brumley, William Burt Sadorus, Ernest Sadorus, Nettie Mae Sadorus Apple, Charles Walter Sadorus, and Sarilda Gertrude Sadorus Renfrew; and grandchildren.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="349298">
              <text>postcard</text>
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              <text>color</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <elementText elementTextId="349301">
              <text>14 x 9 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>404959</text>
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                <text>Sadorus Family Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Merry Christmas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A Christmas greeting card features a young girl in a white dress holding a bough of holly. &lt;br /&gt;&lt;br /&gt;On verso: "Edna Brumley."</text>
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                <text>Christmas</text>
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                  <text>Political corruption</text>
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                  <text>John T. McCutcheon worked as a political cartoonist for Chicago newspapers including the Chicago Record (1889-1903) and the Chicago Tribune (1903-1946). His cartoons focused on several themes including political campaigns, the Phillippines insurrection, and World War I. McCutcheon created a series of cartoons based on Midwestern American life called Bird Town while he worked for the Chicago Record which he continued after moving to the Chicago Tribune. McCutcheon, known as the Dean of American Cartoonists, received the Pulitzer Prize in 1932 for a cartoon dealing with bank failure.&lt;br /&gt;&lt;br /&gt;The cartoons in this collection include images focusing on political corruption, presidential and Illinois elections, and World War I.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Momentary Diversion at the National Circus</text>
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            <description>An account of the resource</description>
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                <text>The crowd at the 1908 Democratic Convention gathers at the top of the viewing stands to watch the 300th anniversary celebrations in Quebec City taking place outside and ignoring the convention activities. Uncle Sam serves as ring leader of the five-ring "circus" on the floor of the convention where William Jennings Bryan and William Howard Taft sit at desks in the center of the ring writing acceptance speeches, Theodore Roosevelt stands over two men in uniform fighting next to a sign reading "Naval Row," a baseball batter prepares to swing, and a man sits on a bench trying to understand new election legislation.</text>
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                <text>Uncle Sam (Symbolic character)</text>
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                <text>Primaries--Law and legislation</text>
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                <text>Political conventions</text>
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                <text>Québec--Québec</text>
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                <text>Anniversaries</text>
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                <text>Democratic Party (U.S.)</text>
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                <text>Voting--Law and legislation</text>
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                <text>Presidents--Elections</text>
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                <text>McCutcheon, John T.</text>
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                <text>1908-07-22</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1</text>
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                <text>A Mother's Hymn In Time Of War</text>
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                <text>Illustrated three verse song about a mother hoping for her son's safe return from war but willing to accept his death as a sacrifice for the Union.</text>
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                <text>Broadsides</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>War--Songs and music</text>
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                <text>Mothers and sons</text>
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                <text>Soldiers--Songs and music</text>
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                <text>Wallace, William Ross</text>
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                <text>New York</text>
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                <text>ca 1861-1865</text>
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                <text>Magnus, Charles</text>
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                    <text>&lt;p&gt;250  B.B.F.'s handwriting
&lt;/p&gt;&lt;p&gt;Death of Lincoln  
&lt;/p&gt;&lt;p&gt;My account published in the Republican
&lt;/p&gt;&lt;p&gt;A NARRATIVE OF THE PRESIDENT'S MURDER.
&lt;/p&gt;&lt;p&gt;Commissioner FRENCH, who was in attendance upon the President and his household during the trying scenes of the great national calamity, has kindly furnished us with the following connected narrative of the terrible event:
&lt;/p&gt;&lt;p&gt;WASHINGTON, April 23, 1865.
&lt;/p&gt;&lt;p&gt;On Friday morning last, at 7 o'clock, all that was mortal of Abraham Lincoln, the sixteenth President of these United States, was borne from the Capitol, taking their departure for his home in Illinois, where they are to rest until the final resurrection.
&lt;/p&gt;&lt;p&gt;The past week has been a sad one to the whole nation.  It has been particularly sad for Washington; for here the unparalleled atrocity that deprived a people of a President whom they dearly loved and almost worshipped, and came near snatching from them a Secretary of State, particularly eminent for a head and a heart that gave him an exalted place in the affections of all who knew him, was committed; and as the awful news spread abroad on the wings of the lightning it carried with it sadness to every heart that beat responsive to the great principles of humanity which were so strongly implanted in the bosom of our beloved Chief Magistrate.
&lt;/p&gt;&lt;p&gt;At half-past ten o'clock on Friday evening, the 14th instant, the bullet of the assassin sped through the brain of his illustrious victim, and from that instant he was as if he were dead, although he continued to breathe until the next morning at 22 minutes past 7.  
&lt;/p&gt;&lt;p&gt;That Friday night was an awful one for Washington.  The theatre, where the horrid event occurred, was filled with people, and the appalling news spread, as it were, in a moment to all parts of the city, There was no sleep that night.  The [rest of line illegible]
&lt;/p&gt;&lt;p&gt;startling call to all military men, and to all civilians who understand it __ was beat in the various camps within and about the city, and the troops were speedily under arms.
&lt;/p&gt;&lt;p&gt;"Ah! then and there was hurrying to and fro, 
&lt;/p&gt;&lt;p&gt;And gathering tears, and tremblings of distress, 
&lt;/p&gt;&lt;p&gt;And cheeks all pale, which, but an hour ago 
&lt;/p&gt;&lt;p&gt;Blushed at the praise of their own loveliness. 
&lt;/p&gt;&lt;p&gt;"And there was mounting in hot haste; the steed, 
&lt;/p&gt;&lt;p&gt;The mastering squadron, and the clattering car 
&lt;/p&gt;&lt;p&gt;Went pouring forward with impetuous speed, 
&lt;/p&gt;&lt;p&gt;And swiftly forming in the ranks of war."
&lt;/p&gt;&lt;p&gt;Many knew not, for a time, what it all meant, but every one knew that some terrible calamity was upon us; and ere long the dread reality that our President had been assassinated, and our Secretary of State stricken down by the dagger of some fiend in human shape, came to be known and a cordon of troops was soon posted all around the city to prevent, if possible, any egress from it, and be prepared for any emergency that an extended conspiracy might render necessary.
&lt;/p&gt;&lt;p&gt;There was a general rush of our citizens to Tenth streeth, where in a dwelling opposite the theatre, lay the dying form of Abraham Lincoln, surrounded by his almost distracted wife, his weeping son, his Cabinet Ministers, generals, eminent physicians, and many others, whose positions gained them ready admittance to the side of the dying President.
&lt;/p&gt;&lt;p&gt;I stood at his bedside in the early hours of the morning, and there witnessed such a scene of solemnity and grief as I never saw before, and hope never to see again.
&lt;/p&gt;&lt;p&gt;"There was silence deep as death, 
&lt;/p&gt;&lt;p&gt;And the boldest held his breath."
&lt;/p&gt;&lt;p&gt;as if it were almost sacrilege to interrupt the solemn stillness about that dying couch. 
&lt;/p&gt;&lt;p&gt;The stern Secretary of War sat with his head bowed down in grief; the good and kind Secretary of the Navy stood as if transfixed with sorrow; the ever mild and sunny countenances of the Secretary of the Treasury, the Secretary of the Interior, the Postmaster General and Attorney General were now overspread with the clouds of distress and mourning; Major General Halleck, who had naturally assumed the direction of affairs, was quietly moving about, fixing his large and most expressive eyes on everything that seemed to require attention, and directing, in whispered tones of sadness, what should be done.  The noble form of Sumner, seated near the head of the bed, was bowed low, and tears were flowing from many, many eyes unused to weep.
&lt;/p&gt;&lt;p&gt;Not long after sunrise, I should think, (time could not well be counted, and the heavens were weeping in a gentle rain,) at the request of some of the personal friends of Mrs. Lincoln, I went, in the President's carriage, after Mrs. Secretary Welles, and ere I could return the noble martyr had ceased breathing.  I witnessed the bearing of the remains to the Presidential Mansion; saw them removed from the temporary coffin in which they were borne there, and from that time, until they were placed in the car a the railroad depot, for transportation to Illinois, I was much of the time with them.  My official duties made me almost one of the President's household, and, on all public occasions I stood at his side or near him and I felt as if, even had duty not demanded my presence, I could not leave the inanimate form of him whom I had seen so much, and who I loved so well in life.
&lt;/p&gt;&lt;p&gt;The days of preparation passed by; the lying in state in the East Room, where thousands stood at the side of their beloved and martyred chief and paid to his memory the tribute of respect, with streaming eyes; the funeral services, attended by the noble assemblage of all who aided the Executive in the performance of his arduous duties in Washington __ hundreds of the most noble civilians of the country; the full Diplomatic corps, whose rich dresses were in marked contrast to their sad, sad countenances, for they all loved Abraham Lincoln __ the mourners, not only of the family, but from his native and adopted States; the reverend clergy in full numbers.  I witnessed it all.
&lt;/p&gt;&lt;p&gt;I listened with a most melancholy but proud satisfaction to the religious services, full of submissive piety, but also full of exalted patriotism.  I saw the immense concourse of people, civil and military, who crowded Pennsylvania avenue from Georgetown to the Capitol, as the funeral cortege passed along, marking by their bowed forms, and their sighs and tears, their deep grief at the loss of one whom they had looked upon as their father.  I saw the sacred remains deposited on the catafalque, in the centre of the rotunda of the Capitol, with the semblages of grief all around it, and heard the pious and eloquent divine who had been
&lt;/p&gt;&lt;p&gt;from the first at the side of the departed and his mourning family, (Dr. Gurley,) repeat with great impressiveness, earnestness, and devotion so much of the burial service as was appropriate, ending with a prayer.
&lt;/p&gt;&lt;p&gt;The crowd then departed.  The guard of honor, which had been ever present since the sad catastrophe, consisting of at least one major general and his staff, and often of two, were left in charge of the body.
&lt;/p&gt;&lt;p&gt;At eight o'clock on Thursday morning the coffin was opened and the crowd admitted, and between that time and ten o'clock in the evening, nearly forty thousand people looked, in sorrow and in tears, upon that beloved face.
&lt;/p&gt;&lt;p&gt;At six o'clock a.m., on Friday, there were assembled in the rotunda all the Cabinet ministers, the Committee who were to accompany the remains, the Rev. Dr. Gurley, Lieut. General Grant and many other high officers of the army, the Police of the Capitol, and a few prominent citizens.  Dr. Gurley addressed, with deep fervor and great impressiveness, the Throne of Grace, and his prayer found a solemn response, I doubt not, in every bosom.
&lt;/p&gt;&lt;p&gt;The coffin was then closed, and was borne by twelve sergeants to the hearse, and being escorted by a battalion of the Veteran Reserve Corps, was followed by Lieut, Gen. Grant and Brig. Gen. Hardee, arm in arm, and many other officers of the army; the Commissioner of Public Buildings and Captain of the Capitol Police, all on foot; and by the President and heads of the Departments, and the committee, in carriages, to the Baltimore depot, where it was placed in a car deeply and most appropriately draped in mourning and prepared for the occasion, where the reverend clergyman again offered up a prayer to the Father of us all; and at eight o'clock the train moved off, and he whom we all loved so well and for whom we would have willingly given our own lives, was borne in solemnity and gloom toward his final resting place in the bosom of the State who gave him to us.
&lt;/p&gt;&lt;p&gt;"Unveil they bosom, sacred tomb, 
&lt;/p&gt;&lt;p&gt;Take this new treasure to they trust, 
&lt;/p&gt;&lt;p&gt;And give these sacred relics room 
&lt;/p&gt;&lt;p&gt;To slumber in the silent dust."
&lt;/p&gt;&lt;p&gt;Abraham Lincoln's funeral is the sixth that I have attended in the East Room of the Presidential Mansion, and I pray it may be the last:
&lt;/p&gt;&lt;p&gt;1st. That of President William Henry Harrison. 
&lt;/p&gt;&lt;p&gt;2d That of Mrs. John Tyler. 
&lt;/p&gt;&lt;p&gt;3d. That of Secretaries Abel P. Upshur, Thomas W. Gilmer, Attorney General Virgil Maxey, and Col. Gardner. 
&lt;/p&gt;&lt;p&gt;4th. That of President Zachary Taylor. 
&lt;/p&gt;&lt;p&gt;5th. That of Willie Lincoln.  
&lt;/p&gt;&lt;p&gt;6th. That of President Abraham Lincoln.
&lt;/p&gt;&lt;p&gt;All the ceremonies of these funerals were most imposing and well conducted, especially that of those so suddenly borne into eternity by the bursting of the large gun on board the Princeton.  The ceremonies of the last surpassed any other in solemnity, and the arrangements within the East Room were perfect, and for that perfection Hon. George Harrington, Assistant Secretary of the Treasury, is entitled to all the credit.
&lt;/p&gt;&lt;p&gt;Respectfully yours, 
&lt;/p&gt;&lt;p&gt;B. B. FRENCH, 
&lt;/p&gt;&lt;p&gt;Commissioner of Public Buildings. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;249
&lt;/p&gt;&lt;p&gt;[Picture of house]
&lt;/p&gt;&lt;p&gt;B. B. French's house 37 East Capitol St. Washington, D. C. 
&lt;/p&gt;&lt;p&gt;bought by U. S. in 1880 as Site for 
&lt;/p&gt;&lt;p&gt;Congressional Library.  Built by him in 1842.
&lt;/p&gt;&lt;p&gt;Chas. S. Cudlip, Publisher, 159 Penna. Ave., Washington, D. C.
&lt;/p&gt;
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                <text>A narrative of the president's murder</text>
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                <text>Commissioner of Public Buildings B.B. French wrote an account of Abraham Lincoln's death soon after the event. His account later appears in The Republican as "A narrative of the president's murder."  On page 249 of his scrapbook French pastes a photograph of his residence at 37 E. Capitol Street in Washington, D.C., followed on page 250 by three columns of the newspaper article. In a purple square in upper left corner of page 250 French writes: "Death of Lincoln my account published in the Republican."</text>
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                <text>&lt;p&gt;250  B.B.F.'s handwriting
&lt;/p&gt;&lt;p&gt;Death of Lincoln  
&lt;/p&gt;&lt;p&gt;My account published in the Republican
&lt;/p&gt;&lt;p&gt;A NARRATIVE OF THE PRESIDENT'S MURDER.
&lt;/p&gt;&lt;p&gt;Commissioner FRENCH, who was in attendance upon the President and his household during the trying scenes of the great national calamity, has kindly furnished us with the following connected narrative of the terrible event:
&lt;/p&gt;&lt;p&gt;WASHINGTON, April 23, 1865.
&lt;/p&gt;&lt;p&gt;On Friday morning last, at 7 o'clock, all that was mortal of Abraham Lincoln, the sixteenth President of these United States, was borne from the Capitol, taking their departure for his home in Illinois, where they are to rest until the final resurrection.
&lt;/p&gt;&lt;p&gt;The past week has been a sad one to the whole nation.  It has been particularly sad for Washington; for here the unparalleled atrocity that deprived a people of a President whom they dearly loved and almost worshipped, and came near snatching from them a Secretary of State, particularly eminent for a head and a heart that gave him an exalted place in the affections of all who knew him, was committed; and as the awful news spread abroad on the wings of the lightning it carried with it sadness to every heart that beat responsive to the great principles of humanity which were so strongly implanted in the bosom of our beloved Chief Magistrate.
&lt;/p&gt;&lt;p&gt;At half-past ten o'clock on Friday evening, the 14th instant, the bullet of the assassin sped through the brain of his illustrious victim, and from that instant he was as if he were dead, although he continued to breathe until the next morning at 22 minutes past 7.  
&lt;/p&gt;&lt;p&gt;That Friday night was an awful one for Washington.  The theatre, where the horrid event occurred, was filled with people, and the appalling news spread, as it were, in a moment to all parts of the city, There was no sleep that night.  The [rest of line illegible]
&lt;/p&gt;&lt;p&gt;startling call to all military men, and to all civilians who understand it __ was beat in the various camps within and about the city, and the troops were speedily under arms.
&lt;/p&gt;&lt;p&gt;"Ah! then and there was hurrying to and fro, 
&lt;/p&gt;&lt;p&gt;And gathering tears, and tremblings of distress, 
&lt;/p&gt;&lt;p&gt;And cheeks all pale, which, but an hour ago 
&lt;/p&gt;&lt;p&gt;Blushed at the praise of their own loveliness. 
&lt;/p&gt;&lt;p&gt;"And there was mounting in hot haste; the steed, 
&lt;/p&gt;&lt;p&gt;The mastering squadron, and the clattering car 
&lt;/p&gt;&lt;p&gt;Went pouring forward with impetuous speed, 
&lt;/p&gt;&lt;p&gt;And swiftly forming in the ranks of war."
&lt;/p&gt;&lt;p&gt;Many knew not, for a time, what it all meant, but every one knew that some terrible calamity was upon us; and ere long the dread reality that our President had been assassinated, and our Secretary of State stricken down by the dagger of some fiend in human shape, came to be known and a cordon of troops was soon posted all around the city to prevent, if possible, any egress from it, and be prepared for any emergency that an extended conspiracy might render necessary.
&lt;/p&gt;&lt;p&gt;There was a general rush of our citizens to Tenth streeth, where in a dwelling opposite the theatre, lay the dying form of Abraham Lincoln, surrounded by his almost distracted wife, his weeping son, his Cabinet Ministers, generals, eminent physicians, and many others, whose positions gained them ready admittance to the side of the dying President.
&lt;/p&gt;&lt;p&gt;I stood at his bedside in the early hours of the morning, and there witnessed such a scene of solemnity and grief as I never saw before, and hope never to see again.
&lt;/p&gt;&lt;p&gt;"There was silence deep as death, 
&lt;/p&gt;&lt;p&gt;And the boldest held his breath."
&lt;/p&gt;&lt;p&gt;as if it were almost sacrilege to interrupt the solemn stillness about that dying couch. 
&lt;/p&gt;&lt;p&gt;The stern Secretary of War sat with his head bowed down in grief; the good and kind Secretary of the Navy stood as if transfixed with sorrow; the ever mild and sunny countenances of the Secretary of the Treasury, the Secretary of the Interior, the Postmaster General and Attorney General were now overspread with the clouds of distress and mourning; Major General Halleck, who had naturally assumed the direction of affairs, was quietly moving about, fixing his large and most expressive eyes on everything that seemed to require attention, and directing, in whispered tones of sadness, what should be done.  The noble form of Sumner, seated near the head of the bed, was bowed low, and tears were flowing from many, many eyes unused to weep.
&lt;/p&gt;&lt;p&gt;Not long after sunrise, I should think, (time could not well be counted, and the heavens were weeping in a gentle rain,) at the request of some of the personal friends of Mrs. Lincoln, I went, in the President's carriage, after Mrs. Secretary Welles, and ere I could return the noble martyr had ceased breathing.  I witnessed the bearing of the remains to the Presidential Mansion; saw them removed from the temporary coffin in which they were borne there, and from that time, until they were placed in the car a the railroad depot, for transportation to Illinois, I was much of the time with them.  My official duties made me almost one of the President's household, and, on all public occasions I stood at his side or near him and I felt as if, even had duty not demanded my presence, I could not leave the inanimate form of him whom I had seen so much, and who I loved so well in life.
&lt;/p&gt;&lt;p&gt;The days of preparation passed by; the lying in state in the East Room, where thousands stood at the side of their beloved and martyred chief and paid to his memory the tribute of respect, with streaming eyes; the funeral services, attended by the noble assemblage of all who aided the Executive in the performance of his arduous duties in Washington __ hundreds of the most noble civilians of the country; the full Diplomatic corps, whose rich dresses were in marked contrast to their sad, sad countenances, for they all loved Abraham Lincoln __ the mourners, not only of the family, but from his native and adopted States; the reverend clergy in full numbers.  I witnessed it all.
&lt;/p&gt;&lt;p&gt;I listened with a most melancholy but proud satisfaction to the religious services, full of submissive piety, but also full of exalted patriotism.  I saw the immense concourse of people, civil and military, who crowded Pennsylvania avenue from Georgetown to the Capitol, as the funeral cortege passed along, marking by their bowed forms, and their sighs and tears, their deep grief at the loss of one whom they had looked upon as their father.  I saw the sacred remains deposited on the catafalque, in the centre of the rotunda of the Capitol, with the semblages of grief all around it, and heard the pious and eloquent divine who had been
&lt;/p&gt;&lt;p&gt;from the first at the side of the departed and his mourning family, (Dr. Gurley,) repeat with great impressiveness, earnestness, and devotion so much of the burial service as was appropriate, ending with a prayer.
&lt;/p&gt;&lt;p&gt;The crowd then departed.  The guard of honor, which had been ever present since the sad catastrophe, consisting of at least one major general and his staff, and often of two, were left in charge of the body.
&lt;/p&gt;&lt;p&gt;At eight o'clock on Thursday morning the coffin was opened and the crowd admitted, and between that time and ten o'clock in the evening, nearly forty thousand people looked, in sorrow and in tears, upon that beloved face.
&lt;/p&gt;&lt;p&gt;At six o'clock a.m., on Friday, there were assembled in the rotunda all the Cabinet ministers, the Committee who were to accompany the remains, the Rev. Dr. Gurley, Lieut. General Grant and many other high officers of the army, the Police of the Capitol, and a few prominent citizens.  Dr. Gurley addressed, with deep fervor and great impressiveness, the Throne of Grace, and his prayer found a solemn response, I doubt not, in every bosom.
&lt;/p&gt;&lt;p&gt;The coffin was then closed, and was borne by twelve sergeants to the hearse, and being escorted by a battalion of the Veteran Reserve Corps, was followed by Lieut, Gen. Grant and Brig. Gen. Hardee, arm in arm, and many other officers of the army; the Commissioner of Public Buildings and Captain of the Capitol Police, all on foot; and by the President and heads of the Departments, and the committee, in carriages, to the Baltimore depot, where it was placed in a car deeply and most appropriately draped in mourning and prepared for the occasion, where the reverend clergyman again offered up a prayer to the Father of us all; and at eight o'clock the train moved off, and he whom we all loved so well and for whom we would have willingly given our own lives, was borne in solemnity and gloom toward his final resting place in the bosom of the State who gave him to us.
&lt;/p&gt;&lt;p&gt;"Unveil they bosom, sacred tomb, 
&lt;/p&gt;&lt;p&gt;Take this new treasure to they trust, 
&lt;/p&gt;&lt;p&gt;And give these sacred relics room 
&lt;/p&gt;&lt;p&gt;To slumber in the silent dust."
&lt;/p&gt;&lt;p&gt;Abraham Lincoln's funeral is the sixth that I have attended in the East Room of the Presidential Mansion, and I pray it may be the last:
&lt;/p&gt;&lt;p&gt;1st. That of President William Henry Harrison. 
&lt;/p&gt;&lt;p&gt;2d That of Mrs. John Tyler. 
&lt;/p&gt;&lt;p&gt;3d. That of Secretaries Abel P. Upshur, Thomas W. Gilmer, Attorney General Virgil Maxey, and Col. Gardner. 
&lt;/p&gt;&lt;p&gt;4th. That of President Zachary Taylor. 
&lt;/p&gt;&lt;p&gt;5th. That of Willie Lincoln.  
&lt;/p&gt;&lt;p&gt;6th. That of President Abraham Lincoln.
&lt;/p&gt;&lt;p&gt;All the ceremonies of these funerals were most imposing and well conducted, especially that of those so suddenly borne into eternity by the bursting of the large gun on board the Princeton.  The ceremonies of the last surpassed any other in solemnity, and the arrangements within the East Room were perfect, and for that perfection Hon. George Harrington, Assistant Secretary of the Treasury, is entitled to all the credit.
&lt;/p&gt;&lt;p&gt;Respectfully yours, 
&lt;/p&gt;&lt;p&gt;B. B. FRENCH, 
&lt;/p&gt;&lt;p&gt;Commissioner of Public Buildings. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;249
&lt;/p&gt;&lt;p&gt;[Picture of house]
&lt;/p&gt;&lt;p&gt;B. B. French's house 37 East Capitol St. Washington, D. C. 
&lt;/p&gt;&lt;p&gt;bought by U. S. in 1880 as Site for 
&lt;/p&gt;&lt;p&gt;Congressional Library.  Built by him in 1842.
&lt;/p&gt;&lt;p&gt;Chas. S. Cudlip, Publisher, 159 Penna. Ave., Washington, D. C.
&lt;/p&gt;
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                    <text>&lt;p&gt;A nation mourns her chief
&lt;/p&gt;&lt;p&gt;Twine our flag with deaths dark emblem. Mingle crape and laurel leaf. Weep true heart and pay  thy homage. See a nation mourn her chief.
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC
&lt;/p&gt;&lt;p&gt;H.S. Thompson.
&lt;/p&gt;&lt;p&gt;AUTHOR OF LILLY DALE, ANNIE LISLE, MARION LEE, I AM LONELY SINCE MY MOTHER DIED, etc.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;St. LOUIS
&lt;/p&gt;&lt;p&gt;Published by BALMER &amp;amp; WEBER 56th Foorth St.
&lt;/p&gt;&lt;p&gt;26549
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER CHIEF
&lt;/p&gt;&lt;p&gt;Words and Music by H. S. Thompson
&lt;/p&gt;&lt;p&gt;1V. While a country's heart was throbbing, Full of Joy, for victories won, While the stars and stripes were waving, O'er each cottage, ship and dome; Come upon the winged lightning, Words that turned each joy to dread, Froze with horror, a we listen, Our loved Chiftain Lincoln's dead.
&lt;/p&gt;&lt;p&gt;2V. War's dark cloud, that long hung o'er us, Rolled their gloomy folds away, All the  world seemed anxious waiting, For the promised, peaceful day, But the fearful blow impending, Fell on his de- -vo- - ted head, And from every town and hamlet, Comes the wail Our Chiftain's dead.
&lt;/p&gt;&lt;p&gt;3V. Weep, oh weep poor bleeding nation, For the patriot spir-it fled, All un-told our coun-try's fu-ture, Bur- - - ied whith the silent dead, God of nations, God of bat-tles, To our Coun- - try send re- - lief, Turn be-  reavement to a blessing, While we mourn our murder'd Chief.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865 by H.S. Thompson in the Clerks Office of the US Court for the East Dist of Mo.
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Twine our flag with death's dark Emblem, twine it,      Mingle crape and Laurel-leaf, twine it,      Twine our flag with death's dark Emblem, twine it,    Mingle crape and laurel-leaf,  Weep true heart and pay homage,  For a nation mourns her Chief, Weep true heart and pay  thy homage, For a nation mourns her Chief, her Chief.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;A nation mourns her chief
&lt;/p&gt;&lt;p&gt;Twine our flag with deaths dark emblem. Mingle crape and laurel leaf. Weep true heart and pay  thy homage. See a nation mourn her chief.
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC
&lt;/p&gt;&lt;p&gt;H.S. Thompson.
&lt;/p&gt;&lt;p&gt;AUTHOR OF LILLY DALE, ANNIE LISLE, MARION LEE, I AM LONELY SINCE MY MOTHER DIED, etc.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;St. LOUIS
&lt;/p&gt;&lt;p&gt;Published by BALMER &amp;amp; WEBER 56th Foorth St.
&lt;/p&gt;&lt;p&gt;26549
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER CHIEF
&lt;/p&gt;&lt;p&gt;Words and Music by H. S. Thompson
&lt;/p&gt;&lt;p&gt;1V. While a country's heart was throbbing, Full of Joy, for victories won, While the stars and stripes were waving, O'er each cottage, ship and dome; Come upon the winged lightning, Words that turned each joy to dread, Froze with horror, a we listen, Our loved Chiftain Lincoln's dead.
&lt;/p&gt;&lt;p&gt;2V. War's dark cloud, that long hung o'er us, Rolled their gloomy folds away, All the  world seemed anxious waiting, For the promised, peaceful day, But the fearful blow impending, Fell on his de- -vo- - ted head, And from every town and hamlet, Comes the wail Our Chiftain's dead.
&lt;/p&gt;&lt;p&gt;3V. Weep, oh weep poor bleeding nation, For the patriot spir-it fled, All un-told our coun-try's fu-ture, Bur- - - ied whith the silent dead, God of nations, God of bat-tles, To our Coun- - try send re- - lief, Turn be-  reavement to a blessing, While we mourn our murder'd Chief.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress A.D. 1865 by H.S. Thompson in the Clerks Office of the US Court for the East Dist of Mo.
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Twine our flag with death's dark Emblem, twine it,      Mingle crape and Laurel-leaf, twine it,      Twine our flag with death's dark Emblem, twine it,    Mingle crape and laurel-leaf,  Weep true heart and pay homage,  For a nation mourns her Chief, Weep true heart and pay  thy homage, For a nation mourns her Chief, her Chief.
&lt;/p&gt;
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                    <text>&lt;p&gt;IN MEMORY OF ABRAHAM LINCOLN Sixteenth President of the United States.
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER MARTYR'D SON ("An Honest Man's the noblest work of God") words by Alice Hawthorne music by Sep. Winner.
&lt;/p&gt;&lt;p&gt;Philadelphia. Published by Sep. Winner 933 Sp. Garden St.
&lt;/p&gt;&lt;p&gt;Ent according to Act of Congress A.D. 1865 by Sep. Winner in the Clerk's Office of the Dist Court for En Dist of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OUR NATION MOURNS HER MARTYR'D SON. Words by Alice Hawthorne. Music by Sep. Winner.
.
Moderato. VOICE. PIANO
&lt;/p&gt;&lt;p&gt;A Nation mourns her martyr'd Son. From many hearts there comes a sigh; For him whose days on earth are done Whose name and deeds can never die. Oh
&lt;/p&gt;&lt;p&gt;Entd. according to act of Congress A.D. 1865 by Sep. Winner in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;weep for him whose patient heart, Gave pardon to a fallen foe; Who acted well a manly part, Tow'rds those who plann'd the fatal blow.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. TENOR. BASS. PIANO.
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;2. His weary work on earth is done, His toil and trials now are o'er. Yet in the hearts of many a one His deeds shall live for ever more! Toll on ye melancholy bells, Tho' sad your mournful tones may be; The heart with sorrow sadly swells, To hear thy mournful melody.
&lt;/p&gt;&lt;p&gt;3. Oh why, my Country must thou bleed, For deeds that rebels madly plan? The time shall come when they may need Just such a heart, just such a man! Roll on ye muffled drums, roll on, While hearts still mourn this sad event Our land shall never own a son As better man or President.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SOMETHNG NEW; WINNER'S PATENT SELF-INSTRUCTING KEY-BOARD SCALE FOR THE PIANO AND MELODEON. PRICE $1.00 SENT BY MAIL FOR $1.25.
&lt;/p&gt;&lt;p&gt;This valuable invention consists of sections, which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when struck. It is highly recommended by all professors of high standing, enabling the learner at once to find the notes required, without the assistance of any book or explanation from a teacher. Too much cannot be said in favor of this "new idea." It saves the learner the necessity of constantly referring to an instruction-book; for, at a single glance, every note required can be found, with the proper key immediately underneath for executing it. It insures the pupil a rapid and easy progress without the vexation of a long and tedious study.
&lt;/p&gt;&lt;p&gt;Persons wishing "to play a little" merely for amusement or pastime can readily perform the ordinary tunes of the day, by placing the Scale upon the keys and following the music with the corresponding notes upon the board. It does not interfere in any way with the execution of the performer. It is made to fit any instrument, being a light and ornamental addition, easily placed or removed in the shortest possible time. In fact, it is quite a curiosity, and should be attached to every piano, for the accommodation of all learners and amateurs. For sale at the principal music-stores in the United States. Sent by mail to any address, postpaid, on receipt of one dollar and twenty-five cents ($1.25). Address SEP. WINNER, 933 Spring Garden Street, Philadelphia, Pa.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS. POPULAR BALLADS.
&lt;/p&gt;&lt;p&gt;Look with thy Fond Eyes upon me. A sweet and charming song. 30 cts.
&lt;/p&gt;&lt;p&gt;Pretty to Me. Graceful melody, with cheerful chorus. 35 cts.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. Song and chorus for the family circle. 30 cts.
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. New edition, one sharp, easy arrangement. 30 cts.
&lt;/p&gt;&lt;p&gt;My Barque is on the Deep Deep Sea. Fairy-song, with an effective accompaniment. 30 cts.
&lt;/p&gt;&lt;p&gt;Parting Whispers. vocal duet; very sweet and pathetic. 35 cts.
&lt;/p&gt;&lt;p&gt;Good-Night, Sweet Love. Quartette, for serenading. 30 cts.
&lt;/p&gt;&lt;p&gt;Love's Farewell. Companion-song to "Love's Chidings." 30 cts.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! Subject from the story of "East Lynne." 30 cts.
&lt;/p&gt;&lt;p&gt;Song of Jokes. New comic medley, full of fun. 40 cts.
&lt;/p&gt;&lt;p&gt;Gone to the Arms of Abraham. Comic war-ballad, with chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Der Deitcher's Dog. Comic song and chorus. the laugh comes in. 30 cts.
&lt;/p&gt;&lt;p&gt;The World is Topsy-Turvy. Comic song: tune of "Polly Perkins." 30 cts
&lt;/p&gt;&lt;p&gt;Give me a Noble Fellow. "With a bucktail in his hat." 30 cts.
&lt;/p&gt;&lt;p&gt;Pray Tell me the Wish of thy Heart. Charming vocal duet: uncommonly good. 40 cts.
&lt;/p&gt;&lt;p&gt;Song of Enoch Arden. Very popular sentimental ballad. 35 cts.
&lt;/p&gt;&lt;p&gt;Thou art so Near, and yet so Far. Music of a classical order. 40 cts.
&lt;/p&gt;&lt;p&gt;The Good-Bye at the Door. A favorite song in all quarters. 30 cts.
&lt;/p&gt;&lt;p&gt;Over my Heart. A splendid song, admired by all. 30 cts.
&lt;/p&gt;&lt;p&gt;Yes, I would the War were Over. Beautiful patriotic song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Flag o'er Georgia waves again. Inspiriting words; glorious melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. With Union words; popular edition. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Nation calls for Peace again. "Blessed are the peacemakers." 30 cts.
&lt;/p&gt;&lt;p&gt;Down with the Stars and Bars!  Spirited song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Eyes will Watch for thee. Words and music very good. "Ah! wherefore art thou absent? Come back, come back to me! The heart will count the moments, And eyes will watch for thee."
&lt;/p&gt;&lt;p&gt;SELECT PIECES.
&lt;/p&gt;&lt;p&gt;Rosine Waltzes. Airs of more than ordinary beauty. 40 cts.
&lt;/p&gt;&lt;p&gt;Rebus Polka. Easy air, expressly for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Gymnasium Schottische. Neat and pretty; sure to please. 30 cts.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. With a beautiful cross-hand movement. 30 cts.
&lt;/p&gt;&lt;p&gt;Flash Schottische. Brilliant composition; light and showy. 30 cts.
&lt;/p&gt;&lt;p&gt;Comet Waltz. Beautiful melody; free and flowing. 30 cts.
&lt;/p&gt;&lt;p&gt;Alpha-Delta Schottische. Delicate, and very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. First-class descriptive piece. 60 cts.
&lt;/p&gt;&lt;p&gt;Race-Horse Galop. Lively, sprightly; remarkable good. 30 cts.
&lt;/p&gt;&lt;p&gt;White Star Schottische. Plain and easy for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Fair Oaks Grand March. A good composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth Cadets' Polka. Dashy, flashy, and full of life.  35 cts.
&lt;/p&gt;&lt;p&gt;French Polka. A good dancing-piece. 30 cts.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. Pretty melody, with easy bass. 30 cts.
&lt;/p&gt;&lt;p&gt;Passaic Waltz. Flowing melody; very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Winona Polka. Tip-top composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Morrie Schottische. Brilliant air; good for practice.  30 cts.
&lt;/p&gt;&lt;p&gt;Banner March. Introducing "The Captain with his Whiskers." 30 cts.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. Dashing, cheerful composition. 30 cts.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. Easy piece for pupils.  20 cts.
&lt;/p&gt;&lt;p&gt;Danish Dance. New arrangement, in 2 sharps. 30 cts.
&lt;/p&gt;&lt;p&gt;Winner's Guitar Gems. Pretty airs, arranged progressively. 50 cts.
&lt;/p&gt;&lt;p&gt;Faust March. Easy arrangement; full melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. A pretty collection of melodies. 35 cts.
&lt;/p&gt;&lt;p&gt;Nine-Pin Cotillions. With Lanigan's Ball, Hopity Kickity," &amp;amp;c. 35 cts.
&lt;/p&gt;&lt;p&gt;Scottish Marsh. An old tune, but excellent. 20 cts.
&lt;/p&gt;&lt;p&gt;Faust Galop. Best arrangement ever issued. 30 cts.
&lt;/p&gt;&lt;p&gt;Rochester Schottische. Correct and desirable edition. 30 cts.
&lt;/p&gt;&lt;p&gt;First Love Redowa. Sweet and flowing melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Bacio or Kiss Waltz. A great favorite with all. 30 cts.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copies of the above pieces sent by mail, postpaid. Address SEP. WINNER, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;IN MEMORY OF ABRAHAM LINCOLN Sixteenth President of the United States.
&lt;/p&gt;&lt;p&gt;A NATION MOURNS HER MARTYR'D SON ("An Honest Man's the noblest work of God") words by Alice Hawthorne music by Sep. Winner.
&lt;/p&gt;&lt;p&gt;Philadelphia. Published by Sep. Winner 933 Sp. Garden St.
&lt;/p&gt;&lt;p&gt;Ent according to Act of Congress A.D. 1865 by Sep. Winner in the Clerk's Office of the Dist Court for En Dist of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OUR NATION MOURNS HER MARTYR'D SON. Words by Alice Hawthorne. Music by Sep. Winner.
.
Moderato. VOICE. PIANO
&lt;/p&gt;&lt;p&gt;A Nation mourns her martyr'd Son. From many hearts there comes a sigh; For him whose days on earth are done Whose name and deeds can never die. Oh
&lt;/p&gt;&lt;p&gt;Entd. according to act of Congress A.D. 1865 by Sep. Winner in the Clerk's office of the District Court of the Eastern District of Pa.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;weep for him whose patient heart, Gave pardon to a fallen foe; Who acted well a manly part, Tow'rds those who plann'd the fatal blow.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;AIR. ALTO. TENOR. BASS. PIANO.
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;&lt;p&gt;Oh weep for him, weep for the loss, A people now must all abide, And
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;let the shrouded Banner toss, For him who was a nations pride.
&lt;/p&gt;&lt;p&gt;2. His weary work on earth is done, His toil and trials now are o'er. Yet in the hearts of many a one His deeds shall live for ever more! Toll on ye melancholy bells, Tho' sad your mournful tones may be; The heart with sorrow sadly swells, To hear thy mournful melody.
&lt;/p&gt;&lt;p&gt;3. Oh why, my Country must thou bleed, For deeds that rebels madly plan? The time shall come when they may need Just such a heart, just such a man! Roll on ye muffled drums, roll on, While hearts still mourn this sad event Our land shall never own a son As better man or President.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SOMETHNG NEW; WINNER'S PATENT SELF-INSTRUCTING KEY-BOARD SCALE FOR THE PIANO AND MELODEON. PRICE $1.00 SENT BY MAIL FOR $1.25.
&lt;/p&gt;&lt;p&gt;This valuable invention consists of sections, which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when struck. It is highly recommended by all professors of high standing, enabling the learner at once to find the notes required, without the assistance of any book or explanation from a teacher. Too much cannot be said in favor of this "new idea." It saves the learner the necessity of constantly referring to an instruction-book; for, at a single glance, every note required can be found, with the proper key immediately underneath for executing it. It insures the pupil a rapid and easy progress without the vexation of a long and tedious study.
&lt;/p&gt;&lt;p&gt;Persons wishing "to play a little" merely for amusement or pastime can readily perform the ordinary tunes of the day, by placing the Scale upon the keys and following the music with the corresponding notes upon the board. It does not interfere in any way with the execution of the performer. It is made to fit any instrument, being a light and ornamental addition, easily placed or removed in the shortest possible time. In fact, it is quite a curiosity, and should be attached to every piano, for the accommodation of all learners and amateurs. For sale at the principal music-stores in the United States. Sent by mail to any address, postpaid, on receipt of one dollar and twenty-five cents ($1.25). Address SEP. WINNER, 933 Spring Garden Street, Philadelphia, Pa.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS. POPULAR BALLADS.
&lt;/p&gt;&lt;p&gt;Look with thy Fond Eyes upon me. A sweet and charming song. 30 cts.
&lt;/p&gt;&lt;p&gt;Pretty to Me. Graceful melody, with cheerful chorus. 35 cts.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. Song and chorus for the family circle. 30 cts.
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. New edition, one sharp, easy arrangement. 30 cts.
&lt;/p&gt;&lt;p&gt;My Barque is on the Deep Deep Sea. Fairy-song, with an effective accompaniment. 30 cts.
&lt;/p&gt;&lt;p&gt;Parting Whispers. vocal duet; very sweet and pathetic. 35 cts.
&lt;/p&gt;&lt;p&gt;Good-Night, Sweet Love. Quartette, for serenading. 30 cts.
&lt;/p&gt;&lt;p&gt;Love's Farewell. Companion-song to "Love's Chidings." 30 cts.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! Subject from the story of "East Lynne." 30 cts.
&lt;/p&gt;&lt;p&gt;Song of Jokes. New comic medley, full of fun. 40 cts.
&lt;/p&gt;&lt;p&gt;Gone to the Arms of Abraham. Comic war-ballad, with chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Der Deitcher's Dog. Comic song and chorus. the laugh comes in. 30 cts.
&lt;/p&gt;&lt;p&gt;The World is Topsy-Turvy. Comic song: tune of "Polly Perkins." 30 cts
&lt;/p&gt;&lt;p&gt;Give me a Noble Fellow. "With a bucktail in his hat." 30 cts.
&lt;/p&gt;&lt;p&gt;Pray Tell me the Wish of thy Heart. Charming vocal duet: uncommonly good. 40 cts.
&lt;/p&gt;&lt;p&gt;Song of Enoch Arden. Very popular sentimental ballad. 35 cts.
&lt;/p&gt;&lt;p&gt;Thou art so Near, and yet so Far. Music of a classical order. 40 cts.
&lt;/p&gt;&lt;p&gt;The Good-Bye at the Door. A favorite song in all quarters. 30 cts.
&lt;/p&gt;&lt;p&gt;Over my Heart. A splendid song, admired by all. 30 cts.
&lt;/p&gt;&lt;p&gt;Yes, I would the War were Over. Beautiful patriotic song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Flag o'er Georgia waves again. Inspiriting words; glorious melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. With Union words; popular edition. 30 cts.
&lt;/p&gt;&lt;p&gt;Our Nation calls for Peace again. "Blessed are the peacemakers." 30 cts.
&lt;/p&gt;&lt;p&gt;Down with the Stars and Bars!  Spirited song and chorus. 30 cts.
&lt;/p&gt;&lt;p&gt;Eyes will Watch for thee. Words and music very good. "Ah! wherefore art thou absent? Come back, come back to me! The heart will count the moments, And eyes will watch for thee."
&lt;/p&gt;&lt;p&gt;SELECT PIECES.
&lt;/p&gt;&lt;p&gt;Rosine Waltzes. Airs of more than ordinary beauty. 40 cts.
&lt;/p&gt;&lt;p&gt;Rebus Polka. Easy air, expressly for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Gymnasium Schottische. Neat and pretty; sure to please. 30 cts.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. With a beautiful cross-hand movement. 30 cts.
&lt;/p&gt;&lt;p&gt;Flash Schottische. Brilliant composition; light and showy. 30 cts.
&lt;/p&gt;&lt;p&gt;Comet Waltz. Beautiful melody; free and flowing. 30 cts.
&lt;/p&gt;&lt;p&gt;Alpha-Delta Schottische. Delicate, and very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. First-class descriptive piece. 60 cts.
&lt;/p&gt;&lt;p&gt;Race-Horse Galop. Lively, sprightly; remarkable good. 30 cts.
&lt;/p&gt;&lt;p&gt;White Star Schottische. Plain and easy for learners. 30 cts.
&lt;/p&gt;&lt;p&gt;Fair Oaks Grand March. A good composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth Cadets' Polka. Dashy, flashy, and full of life.  35 cts.
&lt;/p&gt;&lt;p&gt;French Polka. A good dancing-piece. 30 cts.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. Pretty melody, with easy bass. 30 cts.
&lt;/p&gt;&lt;p&gt;Passaic Waltz. Flowing melody; very musical. 30 cts.
&lt;/p&gt;&lt;p&gt;Winona Polka. Tip-top composition; not difficult. 30 cts.
&lt;/p&gt;&lt;p&gt;Morrie Schottische. Brilliant air; good for practice.  30 cts.
&lt;/p&gt;&lt;p&gt;Banner March. Introducing "The Captain with his Whiskers." 30 cts.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. Dashing, cheerful composition. 30 cts.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. Easy piece for pupils.  20 cts.
&lt;/p&gt;&lt;p&gt;Danish Dance. New arrangement, in 2 sharps. 30 cts.
&lt;/p&gt;&lt;p&gt;Winner's Guitar Gems. Pretty airs, arranged progressively. 50 cts.
&lt;/p&gt;&lt;p&gt;Faust March. Easy arrangement; full melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. A pretty collection of melodies. 35 cts.
&lt;/p&gt;&lt;p&gt;Nine-Pin Cotillions. With Lanigan's Ball, Hopity Kickity," &amp;amp;c. 35 cts.
&lt;/p&gt;&lt;p&gt;Scottish Marsh. An old tune, but excellent. 20 cts.
&lt;/p&gt;&lt;p&gt;Faust Galop. Best arrangement ever issued. 30 cts.
&lt;/p&gt;&lt;p&gt;Rochester Schottische. Correct and desirable edition. 30 cts.
&lt;/p&gt;&lt;p&gt;First Love Redowa. Sweet and flowing melody. 30 cts.
&lt;/p&gt;&lt;p&gt;Bacio or Kiss Waltz. A great favorite with all. 30 cts.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copies of the above pieces sent by mail, postpaid. Address SEP. WINNER, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                    <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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