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                  <text>William Rayburn Collection</text>
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                  <text>Rayburn, William H., 1836-1930</text>
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                  <text>Evangelists</text>
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                  <text>William Rayburn was the founder of a religious sect that traces its beginnings to Williamsville, Illinois. Rayburn was a married minister in the Methodist Church in Williamsville in the 1860s when he abandoned his family and had an open relationship with another woman. After the Methodist Church deposed Rayburn, he began preaching his own doctrine and building a group of followers including Reverend C. A. Obenshain, the man the Methodist Church sent to Williamsville to speak against Rayburn.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Rayburn and Obenshain established their sect's headquarters but were not accepted by the local residents. Raybern and Obenshain promoted their beliefs locally and nationally, receiving attention from the New York Times in 1883 for their ceremonies revolving around promiscuity. &lt;br /&gt;&lt;br /&gt;In 1893 Rayburn built a large memorial to "Mattie S. Rayburn" in Oak Ridge Cemetery in Springfield, Illinois, which has led to confusion over the identity of the woman buried there and whether she was his wife or his companion. Rayburn died in 1930 and is buried in Belfast, Northern Ireland.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include several portraits of William H. Rayburn.</text>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>The gravesite of William Rayburn, "A Divine Messenger," is located in Belfast, Northern Ireland.</text>
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            <description>The topic of the resource</description>
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                <text>Rayburn, William H., 1836-1930</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Herman H. Kohlsaat Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Kohlsaat, Herman H. (Herman Henry), 1853-1924</text>
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              <description>An account of the resource</description>
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                  <text>Herman Henry Kohlsaat was born March 22, 1853 in Albion, Edwards County, Illinois, one of six children of Reimer and Sarah (Hall) Kohlsaat. Reimer and Sarah Kohlsaat were abolitionists whose home was reportedly a station on the Underground Railroad. The Kohlsaat family moved to Galena, Illinois, in 1854 until moving to Chicago in 1865. &lt;br /&gt;&lt;br /&gt;He became a travelling salesman, eventually working for Blake, Shaw and Company, a wholesale bakery owned by R. Nelson Blake, who was to become Kohlsaat&amp;rsquo;s father-in-law. In 1880 Kohlsaat married Mabel E. Blake and became a junior partner of Blake, Shaw and Company in charge of a bakery-lunch establishment in the city. &lt;br /&gt;&lt;br /&gt;In 1883 he brought out Blake, Shaw and Company&amp;rsquo;s interest in the establishment and started H.H. Kohlsaat and Company, which for about thirty years was one of the largest baking establishments in Chicago. He opened several lunch stores which drew a good patronage from the businessmen of the Loop district. &lt;br /&gt;&lt;br /&gt;In 1888 Kohlsaat was an alternate delegate at the Republican national convention held in Chicago. He became an early supporter of William McKinley, then Governor of Ohio, working for his nomination and election to the presidency in 1896. Kohlsaat was a friend, confidant and advisor of five United States Presidents: McKinley, Theodore Roosevelt, Taft, Wilson, and Harding.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1891, Kohlsaat purchased a half-interest in the Chicago newspaper Inter-Ocean. In 1894 Kohlsaat abandoned his interest in the Inter-Ocean, and purchased the Chicago Times-Herald and the Evening Post. He converted the papers from Democratic to independent Republican organs. &lt;br /&gt;&lt;br /&gt;His influence in the Republican Party helped draft the gold-standards plank during the 1896 convention in St. Louis. McKinley&amp;rsquo;s ensuing campaign for the presidency against free silverite William Jennings Bryan was ultimately won on the gold standard issues.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1901 Kohlsaat purchased the Chicago Record from Victor F. Lawson and combined it with the Times-Herald, naming the new paper the Record-Herald. Kohlsaat resigned the editorship of the Record-Herald for a time to devote himself to his real estate interests, but later regained control in 1910. He remained editor of the Record-Herald for two years, and then he returned to edit the Inter-Ocean. Kohlsaat left the Inter-Ocean after a year and became a member of the staff of New York Times. &lt;br /&gt;&lt;br /&gt;Kohlsaat died October 17, 1924, in Washington, D.C., at the home of Herbert Hoover. &lt;br /&gt;&lt;br /&gt;The finding aid for the Herman Henry Kohlsaat Papers, 1892-1924 may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/383.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of several prominent United States politicians and elected officials including Presidents William McKinley and Theodore Roosevelt and First Lady Grace Coolidge.</text>
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      <name>Still Image</name>
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              <text>autographed portrait</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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                <text>Herman H. Kohlsaat Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Marcus Hanna</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Republican National Committee Chairman and United States Senator Marcus Hanna sits for a portrait. Hanna signed the image: "M. A. Hanna To my friend Mrs. Herman Kohlsatt January 26, 1900."</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hanna, Marcus Alonzo, 1837-1904</text>
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                <text>Republican Party (U.S. : 1854- )</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Purdy, J. E.</text>
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            <name>Date</name>
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                <text>ca. 1900</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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              <description>An account of the resource</description>
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                  <text>A selection of photographs from a wide range of collections. Images in the Miscellaneous Collection include broadsides, oversized photographs, cased photographs, and images of persons from individual files in the Audio Visual Collection.</text>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>401508</text>
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                <text>Miscellaneous Collection</text>
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                <text>Vertical File Stereograph Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St. Paul's Universalist Church, Chicago</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The exterior stone walls of St. Paul's Universalist Church are all that remain after the church building was destroyed by the Great Chicago Fire of 1871.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Illinois--Chicago</text>
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                <text>Universalist churches</text>
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                <text>Great Fire (Chicago, Illinois : 1871)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Purviance, W. T.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1871-XX-XX</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                  <text>Leland H. Rayson served in the Illinois House of Representatives from 1964-1977 as a representative from the 9th district. During his time in office he advocated issues including legalized abortion, lower voting ages, periodic political campaign finance reporting, and violent crime victim compensation using state funds. The liberal Democrat won the title of best legislator from the Independent Voters of Illinois after each term in office.&lt;br /&gt;&lt;br /&gt;After leaving the Illinois House of Representatives in 1977, Rayson returned to practicing law until his retirement in 1988.&lt;br /&gt;&lt;br /&gt;The finding aid for the Leland H. Rayson Papers, 1967-1972 at the Abraham Lincoln Presidential Library may be found at&amp;nbsp;&lt;a title="Leland H. Rayson Papers, 1967-1972" href="http://alplm-cdi.com/chroniclingillinois/items/show/530" target="_self"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/530&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Rayson on the campaign trail, campaigning, and speaking with constituents and fellow law makers.</text>
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                <text>Leland Rayson and Ralph Tyler Smith</text>
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                <text>State Representative Leland Rayson (left) shakes hands with politician Ralph Tyler Smith</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Wide-Awakes</text>
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            <description>An account of the resource</description>
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                <text>Illustrated six verse satirical song sung to the tune of "Washing Day." The song derides Abraham Lincoln and the Republicans as abolitionists and supporters of racial equality for blacks.</text>
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                <text>Slavery</text>
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                <text>Minstrel music</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Q. P. Q.</text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>New York</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1860</text>
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            <description>A language of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>De Marsan, H.</text>
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              <description>A name given to the resource</description>
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                  <text>John A. Logan Collection</text>
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      <name>Still Image</name>
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              <text>carte de visite</text>
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                <text>J. G. Fox</text>
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                <text>In this portrait, J. G. Fox is wearing a suit jacket and a shirt without a tie. Fox fought in the American Civil War and was enlisted in Company F of the 114th Illinois Infantry.</text>
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                <text>R. H. Mann</text>
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            <description>A language of the resource</description>
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                  <text>Francis Arnold Hoffmann was born in Hereford, Westphalia, Prussia, and came to the United States to escape conscription. Hoffmann settled in Chicago in 1839 where he studied for the ministry and was put in charge of the Lutherans in northeastern Illinois serving as pastor in Dunklee's Grove until 1847. In 1847 Hoffmann was named pastor of St. Peter Lutheran Church in Schaumberg. &lt;br /&gt;&lt;br /&gt;Four years later, he quit the ministry and moved into Chicago where he studied law and engaged in real estate and the insurance business. He was named to the Chicago City Council in 1852, serving through 1860. Hoffmann established a bank in 1854 which failed during the Civil War. Hoffmann was appointed consul for several German states and he was the first editor of the German newspaper, Illinois Staats Zeitung. &lt;br /&gt;&lt;br /&gt;He was one of the organizers of the Republican Party in Illinois and in 1860 was elected Lieutenant Governor of the state. Hoffmann established the International Bank at Chicago in 1866 and was active in restoring banks and businesses after the Chicago fire in 1871. When he retired in 1875 he became editor of a German farm paper in Milwaukee called Der Haus und Bauernfreund; Die Deutsche Warte of Chicago and the Deutsches Wolksblatt of Buffalo.&lt;br /&gt;&lt;br /&gt;The finding aid for the Francis Arnold Hoffmann Papers, 1840-1900 at the Abraham Lincoln Presidential Library and Museum may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/289.&lt;br /&gt;&lt;br /&gt;Images in this collection include family photographs of Francis Hoffmann and his family including his wife, Cynthia, and sons Francis, Julius Carl, and Adolf Gustavus.</text>
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                    <text>&lt;p&gt;Madam Ranke wife of German Historian [Lincoln]
&lt;/p&gt;&lt;p&gt;On hearing from Mr Marsh of President Lincoln's Proclamation.
&lt;/p&gt;&lt;p&gt;Jan. 1863.
&lt;/p&gt;&lt;p&gt;My heart leapt up, aye! higher than the skies, 
&lt;/p&gt;&lt;p&gt;Up to the throne of God, with grateful joy,
&lt;/p&gt;&lt;p&gt;When to mine ears were brought (tho' with alloy
&lt;/p&gt;&lt;p&gt;Of pending cares, political and wise)
&lt;/p&gt;&lt;p&gt;The glorious news, that Slavery now lies
&lt;/p&gt;&lt;p&gt;Even as a Snake, that stricken would annoy
&lt;/p&gt;&lt;p&gt;Yea in its rage of Death would fain Destroy
&lt;/p&gt;&lt;p&gt;The Avenger of unnumbered agonies.
&lt;/p&gt;&lt;p&gt;Oh ever blessed be that Funeral Band
&lt;/p&gt;&lt;p&gt;That suffering stands Determined to lay low
&lt;/p&gt;&lt;p&gt;Earth's most malignant and oppressive foe
&lt;/p&gt;&lt;p&gt;Oh! task Divine! For God with His own hand
&lt;/p&gt;&lt;p&gt;Once led His people to their promised land
&lt;/p&gt;&lt;p&gt;Out of the house of bondage and of woe.
&lt;/p&gt;&lt;p&gt;C. Ranke.
&lt;/p&gt;
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&lt;p&gt;On hearing from Mr Marsh of President Lincoln's Proclamation.&lt;/p&gt;&#13;
&lt;p&gt;Jan. 1863.&lt;/p&gt;&#13;
&lt;p&gt;My heart leapt up, aye! higher than the skies,&lt;/p&gt;&#13;
&lt;p&gt;Up to the throne of God, with grateful joy,&lt;/p&gt;&#13;
&lt;p&gt;When to mine ears were brought (tho' with alloy&lt;/p&gt;&#13;
&lt;p&gt;Of pending cares, political and wise)&lt;/p&gt;&#13;
&lt;p&gt;The glorious news, that Slavery now lies&lt;/p&gt;&#13;
&lt;p&gt;Even as a Snake, that stricken would annoy&lt;/p&gt;&#13;
&lt;p&gt;Yea in its rage of Death would fain Destroy&lt;/p&gt;&#13;
&lt;p&gt;The Avenger of unnumbered agonies.&lt;/p&gt;&#13;
&lt;p&gt;Oh ever blessed be that Funeral Band&lt;/p&gt;&#13;
&lt;p&gt;That suffering stands Determined to lay low&lt;/p&gt;&#13;
&lt;p&gt;Earth's most malignant and oppressive foe&lt;/p&gt;&#13;
&lt;p&gt;Oh! task Divine! For God with His own hand&lt;/p&gt;&#13;
&lt;p&gt;Once led His people to their promised land&lt;/p&gt;&#13;
&lt;p&gt;Out of the house of bondage and of woe.&lt;/p&gt;&#13;
&lt;p&gt;C. Ranke.&lt;/p&gt;</text>
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                <text>Oh, Take Me To Thy Heart Again</text>
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                <text>Magnus, Charles</text>
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                    <text>&lt;p&gt;What became of John Wilkes Boothes' wardrobe? The Answer by McKee Rankin.I first met John "Wilkes Boothe" in Detroit Mich during the season 1862. - and again in Indiana in early fall of 1863. We became a little intimate in our friendship for each other. We didnt meet again, until about four weeks before the assassination of Abraham Lincoln, in front of the Fremont Hotel on that day. It was some where near ten oclock in the morning -and I - in company with two ladies of the company, that I was playing with, at the old Howard Athenaewn on Howard Street, Boston. And John Wilkes Boothe was standing in front of the Fremont Hotel, talking to Mr Wm Pitcher.- I think still alive - who was connected with the Hotel- and whom I knew. John and I had a hurried deal - in which I explained to him, that I was hurrying to a rehearsal - and he made us me promise that I would call on him, as soon as I was free, he gave me the number of his room at the Parker House and asked me to come right up. and not wait to be convinced for that was long before telephones - when my rehearsal was over - late in the afternoon - I hurried to my friends room - I knocked and walked in, without an answer as I did so - my friend was sitting at a table in the center of the room, in a deep study of a revolver on the table before him - he started up and said - 'Hello! Mack- I've been waiting for you " - he then picked the revolver up, and put it into one of the [small bureaus drawers?] - We then chatted about our mutual friends, and what had happened 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;(this letter was written on the back side of a blank sheet of stationery stamped)
&lt;/p&gt;&lt;p&gt;Kearny 4550 - Bothphones C 1673   Absolutely Fireproof Cable Address "SHAN-FURN"
&lt;/p&gt;&lt;p&gt;Note the Location
&lt;/p&gt;&lt;p&gt;1/2 Block from Validating Ticket Office
1/2 Block from Flood Building
1 " " Market Street
1 " " The Emporium
1 " " Orpheum Theatre
1 " " New Alcazar Theatre
1 " " Empress Theatre
1 " " New Wm. Morris Theatre
1" " New Columbia Theatre
2 " " American Theatre
2 " " Savoy Theatre
2 " " The St. Francis
3 " " U. S. Mint
4 " " U.S. Postoffice
&lt;/p&gt;&lt;p&gt;The Continental Hotel
&lt;/p&gt;&lt;p&gt;on Ellis St., near Powell St.
&lt;/p&gt;&lt;p&gt;Shanley-Furness Co.
&lt;/p&gt;&lt;p&gt;Proprietors
&lt;/p&gt;&lt;p&gt;F. P. Shanley
&lt;/p&gt;&lt;p&gt;Mgr.
&lt;/p&gt;&lt;p&gt;San Francisco, Cal.
&lt;/p&gt;
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                <text>Manuscript of 'What became of John Wilkes Booth's wardrobe?'</text>
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                <text>The first page of this undated manuscript entitled "What became of John Wilkes Booth's wardrobe? The answer by McKee Rankin" is written on the back of a piece of stationery from Continental Hotel in San Francisco. The paper describes Rankin's relationship with Booth. According to the San Francisco Public Library, first mention of the Contintntal Hotel is found in the 1909 San Francisco city directory. McKee Rankin died in 1914.</text>
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                <text>&lt;p&gt;What became of John Wilkes Boothes' wardrobe? The Answer by McKee Rankin.I first met John "Wilkes Boothe" in Detroit Mich during the season 1862. - and again in Indiana in early fall of 1863. We became a little intimate in our friendship for each other. We didnt meet again, until about four weeks before the assassination of Abraham Lincoln, in front of the Fremont Hotel on that day. It was some where near ten oclock in the morning -and I - in company with two ladies of the company, that I was playing with, at the old Howard Athenaewn on Howard Street, Boston. And John Wilkes Boothe was standing in front of the Fremont Hotel, talking to Mr Wm Pitcher.- I think still alive - who was connected with the Hotel- and whom I knew. John and I had a hurried deal - in which I explained to him, that I was hurrying to a rehearsal - and he made us me promise that I would call on him, as soon as I was free, he gave me the number of his room at the Parker House and asked me to come right up. and not wait to be convinced for that was long before telephones - when my rehearsal was over - late in the afternoon - I hurried to my friends room - I knocked and walked in, without an answer as I did so - my friend was sitting at a table in the center of the room, in a deep study of a revolver on the table before him - he started up and said - 'Hello! Mack- I've been waiting for you " - he then picked the revolver up, and put it into one of the [small bureaus drawers?] - We then chatted about our mutual friends, and what had happened 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;(this letter was written on the back side of a blank sheet of stationery stamped)
&lt;/p&gt;&lt;p&gt;Kearny 4550 - Bothphones C 1673   Absolutely Fireproof Cable Address "SHAN-FURN"
&lt;/p&gt;&lt;p&gt;Note the Location
&lt;/p&gt;&lt;p&gt;1/2 Block from Validating Ticket Office
1/2 Block from Flood Building
1 " " Market Street
1 " " The Emporium
1 " " Orpheum Theatre
1 " " New Alcazar Theatre
1 " " Empress Theatre
1 " " New Wm. Morris Theatre
1" " New Columbia Theatre
2 " " American Theatre
2 " " Savoy Theatre
2 " " The St. Francis
3 " " U. S. Mint
4 " " U.S. Postoffice
&lt;/p&gt;&lt;p&gt;The Continental Hotel
&lt;/p&gt;&lt;p&gt;on Ellis St., near Powell St.
&lt;/p&gt;&lt;p&gt;Shanley-Furness Co.
&lt;/p&gt;&lt;p&gt;Proprietors
&lt;/p&gt;&lt;p&gt;F. P. Shanley
&lt;/p&gt;&lt;p&gt;Mgr.
&lt;/p&gt;&lt;p&gt;San Francisco, Cal.
&lt;/p&gt;
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                    <text>&lt;p&gt;[illegible] G. Ransom
&lt;/p&gt;&lt;p&gt;1864
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;March 25th 1880
&lt;/p&gt;&lt;p&gt;(Written expressly for the Young Men of America
&lt;/p&gt;&lt;p&gt;God Save Our Land.
&lt;/p&gt;&lt;p&gt;By Jas. Barrett.
&lt;/p&gt;&lt;p&gt;O'Er one hundred years ago
&lt;/p&gt;&lt;p&gt;When George Washington, you know, 
&lt;/p&gt;&lt;p&gt;Fought so bravely, for to free our glorious land;
&lt;/p&gt;&lt;p&gt;Let our country be free
&lt;/p&gt;&lt;p&gt;From all British tyranny,
&lt;/p&gt;&lt;p&gt;Was the watchword by that heroic little band.
&lt;/p&gt;&lt;p&gt;With the enemy hard by
&lt;/p&gt;&lt;p&gt;they prayed to God on high,
&lt;/p&gt;&lt;p&gt;Mighty was the odds against that patriot band.
&lt;/p&gt;&lt;p&gt;But beneath the starry sky
&lt;/p&gt;&lt;p&gt;They waved their flag on high,
&lt;/p&gt;&lt;p&gt;And the prayer they utter'd was: God save our land.
&lt;/p&gt;&lt;p&gt;Forward; Washington did cry,
&lt;/p&gt;&lt;p&gt;We'll gain victory, or die,
&lt;/p&gt;&lt;p&gt;With the help of God, we'll conquer [illegible] this
&lt;/p&gt;&lt;p&gt;Liberty! responds the cry.
&lt;/p&gt;&lt;p&gt;Raise our starry flag on high.
&lt;/p&gt;&lt;p&gt;British power shall never rule America.
&lt;/p&gt;&lt;p&gt;Then the mighty clash of war
&lt;/p&gt;&lt;p&gt;Was heard both near and far.
&lt;/p&gt;&lt;p&gt;The stars and stripes waved gloriously and grand
&lt;/p&gt;&lt;p&gt;General Washington did say:
&lt;/p&gt;&lt;p&gt;Freedom for America,
&lt;/p&gt;&lt;p&gt;The Cry Responded then: God Save our land. 
&lt;/p&gt;&lt;p&gt;Onward, men, never despair,
&lt;/p&gt;&lt;p&gt;The good Lord will hear our prayer.
&lt;/p&gt;&lt;p&gt;manly meet each foeman bravely on the field.
&lt;/p&gt;&lt;p&gt;Ay! we'll battle day and night
&lt;/p&gt;&lt;p&gt;For to gain our nation's right,
&lt;/p&gt;&lt;p&gt;To the British enemy we'll never yield,
&lt;/p&gt;&lt;p&gt;On! brave comrades, came the cry,
&lt;/p&gt;&lt;p&gt;On! for the victory or die,
&lt;/p&gt;&lt;p&gt;Was the war-cry by that little patriot band.
&lt;/p&gt;&lt;p&gt;We'll pull down the rebel rag
&lt;/p&gt;&lt;p&gt;And hoist up our starry flag,
&lt;/p&gt;&lt;p&gt;The cry resounded then: God save our land.
&lt;/p&gt;&lt;p&gt;Raise the stars and stripes on high 
&lt;/p&gt;&lt;p&gt;For that good old flag we'll die,
&lt;/p&gt;&lt;p&gt;We fear not the odds, or dread the battle's [illegible]
&lt;/p&gt;&lt;p&gt;On! for liberty or die!
&lt;/p&gt;&lt;p&gt;we surrender! came the cry,
&lt;/p&gt;&lt;p&gt;Wave our starry flag, the Lord has heard our [illegible]
&lt;/p&gt;&lt;p&gt;The stars and stripes doth wave
&lt;/p&gt;&lt;p&gt;O'er ev'ry hero's grave,
&lt;/p&gt;&lt;p&gt;Fame and glory to that chief who took comm [illegible]
&lt;/p&gt;&lt;p&gt;General George Washington,
&lt;/p&gt;&lt;p&gt;Brave Columbia's honor'd son,
&lt;/p&gt;&lt;p&gt;He fought nobly, and gained freedom for ou [illegible]
&lt;/p&gt;&lt;p&gt;Major General Meade  The Hero of Gettysburg July 1863
&lt;/p&gt;&lt;p&gt;Philadelphia, Pa. Die Reiterstatue des General Meade.  (Nach einer Photographic von 21.  Calder.)
&lt;/p&gt;&lt;p&gt;J. B Hickock- Wild Bill.
&lt;/p&gt;&lt;p&gt;Brooks Seminary [illegible] [illegible] Ladies Poughkeepsie, N.Y.   Superior advantages, moderate charges and No Extras, except Art 
Studies and Greek. Preparation of students for Vassar College a specialty. Next Session Begins September 17 Record Sent on application.
&lt;/p&gt;&lt;p&gt;The Sergeant at West Point 1871
&lt;/p&gt;&lt;p&gt;GEN. GEO. A. CUSTER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;27
Thomas Edwin Greenfield Ransom.
Brigadier General Commanding 17th U.S. Army Corps in Georgia  October 1864
&lt;/p&gt;&lt;p&gt;Head Quarters U. S. Forces, Brazos de Santiago, Nov. 8th 1863
&lt;/p&gt;&lt;p&gt;[illegible] with [Genl?] [Orders?] [illegible] dated Hdad Quarters 3d Illinois 15th [Cavalry?] Corps Nov. 7th 1865, the undersigned [illegible] [illegible] [illegible]
[illegible] [illegible] U.S. Forces do [illegible] [illegible] and an-
nounces the following officers and staff:
Capt. C.E. [Nietz?] [Apt?] [illegible] [illegible]
[Charles?] [B.?] [Sirfoth?] 13th [illegible] [illegible]
[PE?][illegible]
[Brig?] [illegible] [illegible]
&lt;/p&gt;&lt;p&gt;General Order
No. 2
The [following?] [illegible]
[confering?] its [illegible] [illegible]
at [illegible] on [tonight?] [illegible]
[illegible] [illegible]
20th [illegible]
34 [illegible]
[illegible [illegible]
[8 lines illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;28
II [illegible] J. L [Lilton?] R. A. M 15th [illegible]
Inf is hereby appointed A.C.S. for the [Expedition?]
By order of
Brdg Gen T.E. G. Ransom
C. E. [illegible]
A. A. [G?]
Head [illegible] 3rd Brig 2nd Div
Fort Esperanza Texas
General Orders  [Oct?] 2nd 1863
No 3
II The staff of the Brigade will
consist of the following [illegible] officers, Capt
C. E. [Delkey?] Asst. Off. [Ge?] [illegible] [James?] [illegible]
15th [illegible] A. A. [illegible] M. Capt. [Charles?] S. [illegible]
15th [illegible] [Arch?] [Inspector?] [General?]
II [illegible] the present and
the future [illegible] the following orders will
be strictly [decreed?]:
A camp guard for the Brigade will be
[illegible] and will perform its duties as
prescribed in the Army. Regulations. All officers
with non [illegible] officers when in charge
of detail on duty and enlisted men with
papers from Regimental or [Bat?] [illegible]
will be permitted to [help?] the line.
2nd The Brigade guard will be [illegible] daily
at [illegible] Hd Qtrs. under the directions of a [Regstd?]
[illegible] detailed for that purpose, at 8-30 A [Ne?]
3 All loaded guns will be discharged daily
under the directions of the [Brg?] off of the [illegible]
directly after guard [illegible] and at no other times.
4 [illegible] roll call will be had daily as [illegible]
orders from [Div.?] Hd. Qrs.
5 Detach for wood and water [illegible] be [illegible]
in charge of a [illegible] [illegible] off. and details for [illegible]
must be approved by the Brig. Commander.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;29
&lt;/p&gt;&lt;p&gt;6. Company commander will [illegible] [illegible]
each morning to [guard?] and company drill, and
will make daily inspection of arms and ammunition.
&lt;/p&gt;&lt;p&gt;7. Regimental Commanders will hold [battalion?]
drills daily (Sundays excepted) at 2 P.M. and will
require all officers and men not on duty [unexcused?]
by the [Surgeon?] to attend all drills, [illegible]
parades and inspections and will promptly [illegible]
any officer to these Hd. Qrs. who is negligent in the matter.
&lt;/p&gt;&lt;p&gt;8 Reveille will be best at 6 1/2 A.M.
Sick call at    7 1/2 " "
Breakfast at  7 1/2 " "
Regit Guard [illegible] 8 " "
Dinner at 12  M
Prep Parade at 4 P.M.
Retreat at  5 " "
Fall in  at  [8?] " "
Taps at  8 1/2 " "
9. The men will be required to wash their
clothes and persons frequently and keep [illegible]
personal appearance as [creditable?] as [illegible]
and its Regt [Camps?] and [illegible] [illegible]
[policed?] daily.
By order of 
Brig. Gen. T. E. G. Ransom
[illegible] [illegible] [illegible]
"There is no such word as fail."
General Ransom's motto in life.
&lt;/p&gt;&lt;p&gt;Thomas Edwin Greenfield Ransom was born at Norwich
Windsor County Vermont Nov. 29th 1834. and died at Rome Ga.
October 29th 1864 and was in discharge of his duty com-
-manding the famous Seventeenth Army Corps in Sherman's
March to the Sea. Young and brave, and liked [illegible]
was beloved by all his comrades-in-arms.
Professor [Becthers?] [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;30
&lt;/p&gt;&lt;p&gt;Head Quarters 13th Maine Reg. Infty
Fort Esperanza Texas Jany 1st 1864
General
I have the honor to report that in accordance
with the instructions received through you from the 
Major General Commanding [illegible] Expedition I [illegible]
on the evening of the 28th last with one hundred men
of my Regiment on the Good Boat "Granite City"
and [forwarded?] that night outside of [Matagorda?] [Pe?]
[illegible] to a point seven miles from the head of
it. In the morning we landed in small boats [through?]
the surf on a reconnaissance in landing to restore onboard
when our object was obtained, but shortly after our [illegible]
the surf was so increased by a strong southerly wind
as to cut off all communication with the [illegible] boat.
A detachment under Lt. [illegible] having returned from
a [illegible] up the Peninsula, I deployed a load of [illegible]
[illegible] across and moved down [illegible] convoy of the
"Granite City" driving back the Rebel forces to cut off by
land. Our [illegible] was in [illegible] on the night
[illegible] from the [illegible] that by 2 o'clock P.M. we had advanced
[illegible] or eight miles and was obliged to shorten our
[illegible] of [skirmishes?]. At this time I was warned by the
[illegible] of our Convoy, and [illegible] [skill?] from the 30 persons
[illegible] of an [illegible] in the rear. [Soon?] by aid of my
&lt;/p&gt;
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                  <text>Frederick E. Ransom Sketchbooks</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/show/21615"&gt;Frederick E. Ransom Sketchbook&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;</text>
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              <text>pen and ink</text>
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                <text>Ransom, Frederick Eugene</text>
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                <text>United States. Army. Illinois Infantry Regiment, 11th (1861-1865)</text>
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                <text>Fort Donelson, Battle of (Tennessee : 1862)</text>
              </elementText>
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                <text>Atlanta Campaign (1864)</text>
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                <text>This sketchbook, prepared after the war, contains approximately 100 pen and ink sketches depicting Civil War army life, battles, prison conditions, equipment and military dress. It also includes miscellaneous poems, quotations and civil and military facts including an essay titled "Army Life of Regulars," a brief history of the 11th Illinois Infantry, and copies of general orders and letters of Brigadier General T. E. Ransom.</text>
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                <text>Ransom, Frederick E.</text>
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              <elementText elementTextId="225419">
                <text>SC 1236</text>
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                <text>1874-1882</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="225422">
                <text>eng</text>
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            <name>Publisher</name>
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            <name>Status</name>
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              <elementText elementTextId="640740">
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>2000</text>
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                  <text>Wilson Family Collection</text>
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                  <text>Wilson, Harry Boone, 1871-1950</text>
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                  <text>Wilson, Melville M. (Melville Medley), 1896-</text>
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                  <text>Families--portraits</text>
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                  <text>Portraits</text>
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                <elementText elementTextId="283373">
                  <text>Harry Boone Wilson, a teacher and postal service worker, and his son, chemical engineer Melville Medley Wilson, collected genealogical information on the Wilson, Filson, and Boone families of Illinois. Harry Boone Wilson and his wife, Ada Pearl Filson had three children, Melville Medley Wilson, Lois Virginia Wilson, and Ada Pearl Wilson Condelos. Harry was the son of Francis Wilson and Nancy Eliza Boone and the grandson of John Boone and Mary Clark McCabe.&amp;nbsp;John Boone and Mary Clark McCabe were the parents of several children including Burdette Boone, James Thomas Boone, and John Samuel Boone whose photographs appear here.&lt;br /&gt;&lt;br /&gt;Photographs in this collection contain individual and group portraits of members of the Wilson, Filson, and Boone families.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="283071">
              <text>cabinet card</text>
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                <text>400922</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ada Pearl Filson and Unidentified Young Adults</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="283066">
                <text>Ada Pearl Filson (seated in carriage with sailor hat) poses for a group picture with several other young adults in front of two carriages.</text>
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            <description>The topic of the resource</description>
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                <text>Wilson, Ada Pearl Filson, 1875-1950</text>
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                <text>Young adults</text>
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                <text>Carriages and carts</text>
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                <text>Horses</text>
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            <name>Creator</name>
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                <text>Rasmus, P. A.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;Jackson Mich June 10th 1892
E.K. May
&lt;/p&gt;&lt;p&gt;Dear Sir
&lt;/p&gt;&lt;p&gt;In answer to your enquiry about the exicution of the Lincoln Conspirators I will say
&lt;/p&gt;&lt;p&gt;I build the Gallows and conducted the exicution of Mrs Surratt Payne, Herold &amp;amp; Azerott. in person
All were hanged on the same Gallows and at the same time. Genl Hartranft stood on the Gallows platform and read their death sentence. No person can or will dispute this statement.
&lt;/p&gt;&lt;p&gt;Respectfully Yours,
Capt Chris Rath.
Jackson Mich
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="71846">
              <text>paper and ink</text>
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              <text>1 p</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>300484</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Christian Rath to E.K. May</text>
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                <text>Christian Rath responds to E.K. May's inquiry about the execution of the Lincoln conspirators. Rath states that: "I build the gallows and conducted the execution of Mrs. Surratt, Payne, Herold &amp;amp; Azerott in person.  All were hanged on the same gallows and at the same time"</text>
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                <text>&lt;p&gt;Jackson Mich June 10th 1892
E.K. May
&lt;/p&gt;&lt;p&gt;Dear Sir
&lt;/p&gt;&lt;p&gt;In answer to your enquiry about the exicution of the Lincoln Conspirators I will say
&lt;/p&gt;&lt;p&gt;I build the Gallows and conducted the exicution of Mrs Surratt Payne, Herold &amp;amp; Azerott. in person
All were hanged on the same Gallows and at the same time. Genl Hartranft stood on the Gallows platform and read their death sentence. No person can or will dispute this statement.
&lt;/p&gt;&lt;p&gt;Respectfully Yours,
Capt Chris Rath.
Jackson Mich
&lt;/p&gt;
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                <text>A religious song about going to heaven. Cover depicts an angel with wings and holding a banner that reads "Sacred Ballad."</text>
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            <name>Subject</name>
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                <text>Heaven--Christianity</text>
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                <text>Raymond A. Browne and Leo Friedman</text>
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                <text>Sol Bloom </text>
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            <name>Coverage</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                  <text>Civil War Song Sheets Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="240258">
              <text>1</text>
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                <text>Sheridan's Ride</text>
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            <description>An account of the resource</description>
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                <text>Illustrated reproduction of the famous Thomas Buchanan Read poem celebarting the victories of Union general Philip H. Sheridan in the Shenandoah Valley campaign of 1864.</text>
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                <text>Read, Thomas Buchanan</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>1864</text>
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                <text>Magee, J.</text>
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                  <text>Lindsay, Vachel, 1879-1931</text>
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                  <text>Lindsay, Nick, 1922-</text>
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                  <text>Graham, Elizabeth</text>
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                  <text>Lindsay, Vachel Thomas, 1843-1918</text>
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                  <text>Nicholas Vachel Lindsay, a major American poet, was born in 1879 at 603 South Fifth Street in Springfield, Illinois to Dr. Vachel Thomas Lindsay and Catherine Frazee Lindsay. He graduated from Springfield High School and studied at Hiram College in Ohio, the Chicago Art Institute and the New York School of Art.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay made three famous walking tours of the United States in 1906, 1908 and 1912, covering more than 2,800 miles. On these treks, Lindsay traded poems for food and shelter, earning him the title &amp;ldquo;The Prairie Troubadour.&amp;rdquo;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay first earned fame with the publication of his poem &amp;ldquo;General William Booth Enters into Heaven&amp;rdquo; in 1913. Two years later his poem, &amp;ldquo;The Wedding of the Rose and the Lotus&amp;rdquo;, calling for tolerance between Eastern and Western cultures was printed by the United States Secretary of the Interior and sent to both houses of Congress in connection with the opening of the Panama Canal.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Much of Lindsay&amp;rsquo;s poetry was written to be read aloud, and he performed extensively across the country and in Europe. He often created drawings to go with his poems. He was a leading voice in the American &amp;ldquo;New Poetry&amp;rdquo; movement and published a total of 20 volumes of poetry and prose. He and other artists of his day championed a new language to express new subjects, such as civil liberties, civic excellence and humanitarian and aesthetic values. He also wrote poems of protest against spiritual and environmental blight. Lindsay&amp;rsquo;s Springfield home was his creative center, and he returned there many times during his career.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1925 he married Elizabeth Conner of Spokane, Washington. He returned to Springfield with his wife and two children in 1929, where he committed suicide on December 5, 1931.&lt;br /&gt;&lt;br /&gt;The Vachel Lindsay Association, a not-for-profit private corporation, was founded in 1946 in Springfield, Illinois &amp;ldquo;to perpetuate the spiritual and material estate of Nicholas Vachel Lindsay, the Poet&amp;rdquo;. The organization proposed to finance the collection and publication of various Lindsayana and to maintain and preserve the Lindsay Home as a site for perpetuating interest in Lindsay and his poetry and ideals. In 1990 the Lindsay Home was transferred to the state of Illinois and became a historic site open to the public. The Association continues to promote interest in Lindsay through various public programming and publishing endeavors. Elizabeth Graham, friend of Lindsay, was a founding member and curator of the Lindsay Home from 1958 to 1978.&lt;br /&gt;&lt;br /&gt;The finding aid for the Vachel Lindsay Association Records, 1881-1994 at the Abraham Lincoln Presidential Library may be found at&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/650.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Vachel Lindsay and his extended family as well as Vachel Lindsay Association members and activities.</text>
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              <text>studio print</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Vachel Lindsay and his wife, Elizabeth Conner Lindsay, along with their two children, Susan and Nicholas, pose for a picture in front of the family home in Springfield.</text>
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                <text>Automobiles</text>
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                <text>Redmon Studio</text>
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                <text>ca. 1930</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                <text>eng</text>
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                  <text>Vachel Lindsay Collection</text>
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                  <text>Lindsay, Vachel, 1879-1931</text>
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                  <text>Lindsay, Elizabeth Conner, 1901-1954</text>
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                  <text>Lindsay, Nick, 1922-</text>
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                  <text>Nicholas Vachel Lindsay, a major American poet, was born in 1879 at 603 South Fifth Street in Springfield, Illinois to Dr. Vachel Thomas Lindsay and Catherine Frazee Lindsay. He graduated from Springfield High School and studied at Hiram College in Ohio, the Chicago Art Institute and the New York School of Art.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay made three famous walking tours of the United States in 1906, 1908 and 1912, covering more than 2,800 miles. On these treks, Lindsay traded poems for food and shelter, earning him the title &amp;ldquo;The Prairie Troubadour.&amp;rdquo;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Lindsay first earned fame with the publication of his poem &amp;ldquo;General William Booth Enters into Heaven&amp;rdquo; in 1913. Two years later his poem, &amp;ldquo;The Wedding of the Rose and the Lotus&amp;rdquo;, calling for tolerance between Eastern and Western cultures was printed by the United States Secretary of the Interior and sent to both houses of Congress in connection with the opening of the Panama Canal.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Much of Lindsay&amp;rsquo;s poetry was written to be read aloud, and he performed extensively across the country and in Europe. He often created drawings to go with his poems. He was a leading voice in the American &amp;ldquo;New Poetry&amp;rdquo; movement and published a total of 20 volumes of poetry and prose. He and other artists of his day championed a new language to express new subjects, such as civil liberties, civic excellence and humanitarian and aesthetic values. He also wrote poems of protest against spiritual and environmental blight. Lindsay&amp;rsquo;s Springfield home was his creative center, and he returned there many times during his career.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1925 he married Elizabeth Conner of Spokane, Washington. He returned to Springfield with his wife and two children in 1929, where he committed suicide on December 5, 1931.&lt;br /&gt;&lt;br /&gt;The Vachel Lindsay Association, a not-for-profit private corporation, was founded in 1946 in Springfield, Illinois &amp;ldquo;to perpetuate the spiritual and material estate of Nicholas Vachel Lindsay, the Poet&amp;rdquo;. The organization proposed to finance the collection and publication of various Lindsayana and to maintain and preserve the Lindsay Home as a site for perpetuating interest in Lindsay and his poetry and ideals. In 1990 the Lindsay Home was transferred to the state of Illinois and became a historic site open to the public. The Association continues to promote interest in Lindsay through various public programming and publishing endeavors. Elizabeth Graham, friend of Lindsay, was a founding member and curator of the Lindsay Home from 1958 to 1978.&lt;br /&gt;&lt;br /&gt;The finding aid for the Vachel Lindsay Association Records, 1881-1994 at the Abraham Lincoln Presidential Library may be found at&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/650.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Vachel Lindsay and his extended family as well as Vachel Lindsay Association members and activities.</text>
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                <text>Lindsay Family On Steps</text>
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                <text>Vachel Lindsay and his wife, Elizabeth Conner Lindsay, pose for a picture with their children, Susan and Nicholas, on the steps in front of their home.</text>
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                <text>Redmon Studio</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>Stuart-Hall Family Collection</text>
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                  <text>Stuart, John Todd, 1807-1885</text>
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                  <text>Stuart, John Todd, 1842-1905</text>
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                  <text>Stuart, Emily Huntington Webster, 1845-1929</text>
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                  <text>Brown, Elizabeth Jane Stuart, 1838-1865</text>
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                  <text>Brown, Christopher C., 1839-1904</text>
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                  <text>Hall, Mary Virginia Stuart, 1868-1945</text>
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                  <text>The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart&amp;rsquo;s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice.&lt;br /&gt;&lt;br /&gt;John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart.&lt;br /&gt;&lt;br /&gt;The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/616.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart.</text>
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              <text>studio portrait</text>
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              <text>1</text>
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          <description>The actual physical size of the original image.</description>
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              <text>18 x 13 cm</text>
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            <name>Identifier</name>
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                <text>402401</text>
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                <text>Stuart-Hall Family Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Virginia Hall</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Virginia Hall poses for a portrait wearing an Air WACS (Women's Army Corps) military uniform.</text>
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                <text>Hall, Virginia</text>
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                <text>Military uniforms</text>
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                <text>World War (1939-1945)</text>
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                <text>United States. Army. Women's Army Corps</text>
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            <name>Creator</name>
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                <text>Register and Tribune Studios</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                    <text>&lt;p&gt;"OUR NATIONAL UNION MARCH"
&lt;/p&gt;&lt;p&gt;E PLURIBUS UNUM
&lt;/p&gt;&lt;p&gt;PEACE      WAR
&lt;/p&gt;&lt;p&gt;MOST RESPECTFULLY INSCRIBED FOR
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN, PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;BY THE COMPOSER
&lt;/p&gt;&lt;p&gt;CHARLES REHM
&lt;/p&gt;&lt;p&gt;Price 50 cents.
&lt;/p&gt;&lt;p&gt;PUBLISHED BY THE AUTHOR.
&lt;/p&gt;&lt;p&gt;FOR SALE BY J. F. LOVELL 80 NASSAU ST. &amp;amp; AT ALL THE PRINCIPAL MUSIC STORE . . IT IS ALSO ARRANGED FOR FULL BRASS &amp;amp; REED BANDS.
&lt;/p&gt;&lt;p&gt;NEW YORK
&lt;/p&gt;&lt;p&gt;83 FULTON ST. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Executive Mansion.
&lt;/p&gt;&lt;p&gt;Washington.  February 3, 1862
&lt;/p&gt;&lt;p&gt;My Dear Sir
&lt;/p&gt;&lt;p&gt;It gives me great pleasure to acknowledge the receipt of your favour of the 29th January, accompanying copies of your "National Union March."  
&lt;/p&gt;&lt;p&gt;Permit me to thank you cordially for the honor done me, and the kind feeling evinced by you.
&lt;/p&gt;&lt;p&gt;I am very truly
&lt;/p&gt;&lt;p&gt;Your Obt Servt
&lt;/p&gt;&lt;p&gt;A. Lincoln
&lt;/p&gt;&lt;p&gt;Chas. Rehm Esq
&lt;/p&gt;&lt;p&gt;Govr. H. W. A.
&lt;/p&gt;
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                    <text>Complete</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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            <description>An account of the resource</description>
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                <text>Cover depicts Abraham Lincoln in a gold frame surrounded by an American Flag and mythological figures symbolizing peace and war. Below Lincoln is an image of the United States Capitol and an inscription: "Most respectfully inscribed to Abraham Lincoln, President of the United States." &lt;br /&gt;&lt;br /&gt;Inside cover contains a note dated February 3, 1862, from Lincoln to the composer, thanking him for the composition.</text>
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                <text>&lt;p&gt;"OUR NATIONAL UNION MARCH"&lt;/p&gt;&#13;
&lt;p&gt;E PLURIBUS UNUM&lt;/p&gt;&#13;
&lt;p&gt;PEACE WAR&lt;/p&gt;&#13;
&lt;p&gt;MOST RESPECTFULLY INSCRIBED FOR&lt;/p&gt;&#13;
&lt;p&gt;ABRAHAM LINCOLN, PRESIDENT OF THE UNITED STATES.&lt;/p&gt;&#13;
&lt;p&gt;BY THE COMPOSER&lt;/p&gt;&#13;
&lt;p&gt;CHARLES REHM&lt;/p&gt;&#13;
&lt;p&gt;Price 50 cents.&lt;/p&gt;&#13;
&lt;p&gt;PUBLISHED BY THE AUTHOR.&lt;/p&gt;&#13;
&lt;p&gt;FOR SALE BY J. F. LOVELL 80 NASSAU ST. &amp;amp; AT ALL THE PRINCIPAL MUSIC STORE . . IT IS ALSO ARRANGED FOR FULL BRASS &amp;amp; REED BANDS.&lt;/p&gt;&#13;
&lt;p&gt;NEW YORK&lt;/p&gt;&#13;
&lt;p&gt;83 FULTON ST. NEW YORK.&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Executive Mansion.&lt;/p&gt;&#13;
&lt;p&gt;Washington. February 3, 1862&lt;/p&gt;&#13;
&lt;p&gt;My Dear Sir&lt;/p&gt;&#13;
&lt;p&gt;It gives me great pleasure to acknowledge the receipt of your favour of the 29th January, accompanying copies of your "National Union March."&lt;/p&gt;&#13;
&lt;p&gt;Permit me to thank you cordially for the honor done me, and the kind feeling evinced by you.&lt;/p&gt;&#13;
&lt;p&gt;I am very truly&lt;/p&gt;&#13;
&lt;p&gt;Your Obt Servt&lt;/p&gt;&#13;
&lt;p&gt;A. Lincoln&lt;/p&gt;&#13;
&lt;p&gt;Chas. Rehm Esq&lt;/p&gt;&#13;
&lt;p&gt;Govrs. Id. N.Y.&lt;/p&gt;</text>
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                  <text>The Rutledge Family Graves Collection contains several photographs of headstones for several Rutledge family members including Ann Rutledge, David Rutledge, and Mary Ann Rutledge. The collection includes photographs of the original and current burial sites for Ann Rutledge.</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>The Ann Rutledge monument, erected in January 1921 at Oakland Cemetery in Petersburg, features a poem written by Edgar Lee Masters.</text>
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            <description>The topic of the resource</description>
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                <text>Illinois--Petersburg</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jacksonville Centennial Hymn</text>
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            <description>An account of the resource</description>
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                <text>"Sung in the chorus at the Jacksonville Historical Pageant; Greek Theatre-1925" Here Puritan and Cavalier met in convergent streams; Together planned, together wrought the city of their dreams." Lyrics depict pride in the city of Jacksonville, IL over the previous century.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Sheet music</text>
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                <text>Songs and music</text>
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                <text>Centennial celebrations, etc.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Reid, Caroline Humphrey</text>
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                <text>Jackson, Anne Wakely</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Caroline Humphrey Reid</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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              <text>broadside</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107490">
                <text>A World War I poster depicts a soldier leaving to fulfill his duty to his country.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="107491">
                <text>World War (1914-1918)</text>
              </elementText>
              <elementText elementTextId="107492">
                <text> Soldiers</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107493">
                <text>Renesch, E. G.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="107494">
                <text>ca. 1917</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107499">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="107500">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107502">
                <text>en</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="13362" public="1" featured="0">
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      <file fileId="12768">
        <src>https://chroniclingillinois.org/files/original/684e05e7a55e64ba69e03b05eb5aa587.jpg</src>
        <authentication>b4229722e65c38fce8a4f1f3b2834800</authentication>
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    </fileContainer>
    <collection collectionId="170">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104720">
                  <text>World War I Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104722">
                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="104723">
                  <text>Abraham Lincoln Presidential Library and Museum</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104724">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="107513">
              <text>broadside</text>
            </elementText>
            <elementText elementTextId="107514">
              <text>color</text>
            </elementText>
            <elementText elementTextId="107515">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="107516">
              <text>40 x 30 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="107503">
                <text>400267</text>
              </elementText>
              <elementText elementTextId="107504">
                <text>World War I Broadsides</text>
              </elementText>
              <elementText elementTextId="107505">
                <text>5001</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107506">
                <text>Colored Man is No Slacker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107507">
                <text>A World War I poster extols the dedication of African American soldiers.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107508">
                <text>World War (1914-1918)</text>
              </elementText>
              <elementText elementTextId="107509">
                <text> Soldiers</text>
              </elementText>
              <elementText elementTextId="107510">
                <text> African Americans</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107511">
                <text>Renesch, E. G.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107512">
                <text>ca. 1918</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107517">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="107518">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107520">
                <text>en</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
