117 25 22278 https://chroniclingillinois.org/files/original/75214b99f2d9f5fb91175b583e630069.pdf 76aa6ca096db5f17958b041bf65e5a5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 24 x 16 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301340 37540000506172 Title A name given to the resource Mountain Wave Description An account of the resource Illustarted four verse song about the joys and challenges of life at sea. Subject The topic of the resource Sheet music Broadsides Sailors--Songs and music Seafaring life Creator An entity primarily responsible for making the resource Rockwell, Henry W. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource ca 1853-1857 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng https://chroniclingillinois.org/files/original/f135b1b2ee4d68299f80fe52e9f180df.jpg 6b98dc7d198524f24fdce4c264a3d926 https://chroniclingillinois.org/files/original/fb6c3172e6a12b8e0aff7c331ff91fb6.jpg bbaa7d65b25c0cc367299567048fc586 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John C. Black Collection Description An account of the resource John Charles Black was a Union Army Lieutenant Colonel and Brevet-Brigadier General during the American Civil War, a U.S. Congressman, and a U.S. District Attorney at Chicago. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Rights Information about rights held in and over the resource The Abraham Lincoln Presidential Library and Museum holds all rights and permissions. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data carte de visite b&w 2 Physical Dimensions The actual physical size of the original image. 11 x 6 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 400236 Format The file format, physical medium, or dimensions of the resource John C. Black Collection jpg Title A name given to the resource John Charles Black and Others Description An account of the resource John Charles Black was a Union Army Lieutenant Colonel and Brevet-Brigadier General during the American Civil War, who later became a U.S. Congressman of Illinois, and a U.S. District Attorney at Chicago. He is pictured on the right along with two other soldiers. Subject The topic of the resource Black, John Charles, 1839-1915 American Civil War (1861-1865) Soldiers United States. Congress United States. District Attorney (Chicago) Creator An entity primarily responsible for making the resource Roeder Bros. Date A point or period of time associated with an event in the lifecycle of the resource n.d. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en https://chroniclingillinois.org/files/original/44d310c25c6b10bf93e6dde81f052d5f.pdf 13b1c633ed6836de0c16ba090e700117 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. FUNERAL MARCH In Honor of Abraham Lincoln, by CHARLES E. ROGERS Published by S. Brainard's Sons, Cleveland. Entered according to Act of Congress AD [1865?] by C. E. Rogers in the Clerk's office of the Dist. Court of Mass. Copyrighted 1893 by C.E. Rogers <hr /> 3 FUNERAL MARCH Chas: E. Rogers. Legato. Dirge. [music] <hr /> 4 [music] <hr /> 5 [music] Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300985 423361879 Title A name given to the resource Funeral March In Honor of Abraham Lincoln Description An account of the resource A march composed to honor Abraham Lincoln. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Rogers, Charles E. Sheet music Funeral music Creator An entity primarily responsible for making the resource Rogers, Charles E. Contributor An entity responsible for making contributions to the resource S. Brainards's Sons Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cleveland Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. FUNERAL MARCH In Honor of Abraham Lincoln, by CHARLES E. ROGERS Published by S. Brainard's Sons, Cleveland. Entered according to Act of Congress AD [1865?] by C. E. Rogers in the Clerk's office of the Dist. Court of Mass. Copyrighted 1893 by C.E. Rogers <hr /> 3 FUNERAL MARCH Chas: E. Rogers. Legato. Dirge. [music] <hr /> 4 [music] <hr /> 5 [music] Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/aa4896d7a40ec666bf66e9bb70ed2b45.jpg bdd10b285777e4e5a1818c508de4aa16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stuart-Hall Family Collection Subject The topic of the resource Stuart, John Todd, 1807-1885 Families Stuart, John Todd, 1842-1905 Stuart, Emily Huntington Webster, 1845-1929 Brown, Elizabeth Jane Stuart, 1838-1865 Brown, Christopher C., 1839-1904 Hall, Mary Virginia Stuart, 1868-1945 Stuart, Robert, 1772-1836 Todd, Hannah, 1781-1834 Description An account of the resource The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.  Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart’s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice. John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart. The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at: http://alplm-cdi.com/chroniclingillinois/items/show/616. Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 19 x 12 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 402395 Stuart-Hall Family Collection Title A name given to the resource George Stuart Hall Description An account of the resource A young George Stuart Hall poses for a portrait wearing overalls. Subject The topic of the resource Hall, George Stuart Overalls Toddlers Creator An entity primarily responsible for making the resource Rojas and Conner Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/c78951cfd380c9de9418a47db5ec92f5.jpg 57f760b49f32dbbd8538b3bcbd268b05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stuart-Hall Family Collection Subject The topic of the resource Stuart, John Todd, 1807-1885 Families Stuart, John Todd, 1842-1905 Stuart, Emily Huntington Webster, 1845-1929 Brown, Elizabeth Jane Stuart, 1838-1865 Brown, Christopher C., 1839-1904 Hall, Mary Virginia Stuart, 1868-1945 Stuart, Robert, 1772-1836 Todd, Hannah, 1781-1834 Description An account of the resource The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.  Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart’s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice. John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart. The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at: http://alplm-cdi.com/chroniclingillinois/items/show/616. Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 19 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 402396 Stuart-Hall Family Collection Title A name given to the resource George Stuart Hall Description An account of the resource George Stuart Hall sits for a portrait wearing a winter jacket, hat, and gloves. Subject The topic of the resource Hall, George Stuart Jackets Hats Gloves Toddlers Creator An entity primarily responsible for making the resource Rojas and Conner Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/34b3beb1413d9684f1167c2c23e5a426.jpg eaa2aa864c4ee47d89b8ce82023866b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stuart-Hall Family Collection Subject The topic of the resource Stuart, John Todd, 1807-1885 Families Stuart, John Todd, 1842-1905 Stuart, Emily Huntington Webster, 1845-1929 Brown, Elizabeth Jane Stuart, 1838-1865 Brown, Christopher C., 1839-1904 Hall, Mary Virginia Stuart, 1868-1945 Stuart, Robert, 1772-1836 Todd, Hannah, 1781-1834 Description An account of the resource The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.  Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart’s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice. John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart. The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at: http://alplm-cdi.com/chroniclingillinois/items/show/616. Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 19 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 402399 Stuart-Hall Family Collection Title A name given to the resource Henry H. Hall Description An account of the resource Young Henry Hall poses for a portrait wearing a fur trimmed jacket and hat. Subject The topic of the resource Hall, Henry H. (Henry Huntington), 1899-1966 Fur garments Toddlers Creator An entity primarily responsible for making the resource Rojas and Conner Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/915a81e76eadc7c8e4f6a80407efde3a.pdf 8feff5f0a9ebb2685f44e8bfca53cead Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE STORY OF THE ROLLS In the spring of 1828, William Roll, his brother, Jacob and the latter's son, Pierson Roll, arrived in Sangamon Town from New Jersey. William Roll became a farmer, his brother, Jacob, was the owner of a store, a grist mill and the Sangamon Town Postmaster, and Pierson Roll became an extensive land owner. Two years later, John Roll, followed his father, William Roll to Sangamon Town with the balance of the Roll family. It was here that the younger Roll met Abraham Lincoln for the first time early in 1831 when he helped the latter build the flat boat that later became lodged on the RutledgeDam at New Salem, Illinois. John made all the wooden pins for the boat, as in those days wodden pins were used in place of nails. After Lincoln departed from Sangamon Town life once more became dull and John Roll, like his friend "Abe" left the village and made his home at Springfield, Illinois. It was at Springfield some years later that Mr. Lincoln made his first political promise, stating that when he became president he would give John Roll an office. This was long before Lincoln was thought of for the Presidency. John Roll was one of the contractors on the Old State House in Springfield, while his brother-in-law, John F. Rague, was it's architect. As a contractor Roll made repairs at the Lincoln home in 1849 and in settlement for the work received "six walnut doors and cash." The doors were made into furniture and souvenirs, which presently are in the author's possession. In 1854 John Roll's son, William Vandyke Roll, was a school mate of Robert Lincoln at the Illinois State University. His two smaller children, Frank P. and John Linden Roll were playmates of Tad and Willie Lincoln. When the Lincolns departed for Washington, they presented their dog 'Fido' to the Roll boys. When Mr. Lincoln made his House Divided Speech in the Old State House he said, [quotation on back] "There is my friend, John Roll, etc. etc...........". This friendship persisted to Lincoln's untimely death, after which John Roll until his death in 1901 lived in reveries of his beloved hero of the 'Flat Boat' building days. The Rolls, with one exception, your author, have followed their friends the Lincoln to the Great Beyond. John Linden Roll is the last of those Rolls that were so intimately associated with the Lincolns. His fondest possessions are the hundreds of souvenirs, pictures, clippings and tokens dealing with Lincoln. I hope this short biographical sketch gives you a small fraction of the pleasure that I derived in compiling it for you. Sincerely, John Linden Roll JOHN LINDEN ROLL 825 Henrietta St. Springfield Ills <hr /> on page 12 VOL 2 Miss Tarbell's Life of Lincoln you will find illustrated an old sofa which my father bought of Lincoln before they left for Washington. On page 184 VOL 1 my father owned the building in Hoffmans Row where Stuart and Lincoln had their first office in Springfield. On 59 to 63 VOL 1 my father's story of the building of the flat-boat wich got lodged on the New Salem dam. When Lincoln made his famous "House divided Speech" in the State House, he said "There is my old friend John Roll," (referring to my father.) He used to be a slave but he made himself free and I used to be a slave and now I am so free they let me practice law." Status The current transcription status of a document or a page. Complete Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 2 p 28 x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300537 T1940s-MISC Title A name given to the resource The Story of the Rolls Creator An entity primarily responsible for making the resource Roll, John Linden Date A point or period of time associated with an event in the lifecycle of the resource 1940s Format The file format, physical medium, or dimensions of the resource pdf Description An account of the resource John Linden Roll signs and adds his own interlineations to a typed manuscript entitled "The Story of the Rolls" that recounts the story of the Roll family and its connection with Abraham Lincoln. John Roll is the last living member of his family to remember Abraham Lincoln. He quotes passages from Ida Tarbell's book regarding Lincoln's mention of John's father in his "House Divided Speech." Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE STORY OF THE ROLLS In the spring of 1828, William Roll, his brother, Jacob and the latter's son, Pierson Roll, arrived in Sangamon Town from New Jersey. William Roll became a farmer, his brother, Jacob, was the owner of a store, a grist mill and the Sangamon Town Postmaster, and Pierson Roll became an extensive land owner. Two years later, John Roll, followed his father, William Roll to Sangamon Town with the balance of the Roll family. It was here that the younger Roll met Abraham Lincoln for the first time early in 1831 when he helped the latter build the flat boat that later became lodged on the RutledgeDam at New Salem, Illinois. John made all the wooden pins for the boat, as in those days wodden pins were used in place of nails. After Lincoln departed from Sangamon Town life once more became dull and John Roll, like his friend "Abe" left the village and made his home at Springfield, Illinois. It was at Springfield some years later that Mr. Lincoln made his first political promise, stating that when he became president he would give John Roll an office. This was long before Lincoln was thought of for the Presidency. John Roll was one of the contractors on the Old State House in Springfield, while his brother-in-law, John F. Rague, was it's architect. As a contractor Roll made repairs at the Lincoln home in 1849 and in settlement for the work received "six walnut doors and cash." The doors were made into furniture and souvenirs, which presently are in the author's possession. In 1854 John Roll's son, William Vandyke Roll, was a school mate of Robert Lincoln at the Illinois State University. His two smaller children, Frank P. and John Linden Roll were playmates of Tad and Willie Lincoln. When the Lincolns departed for Washington, they presented their dog 'Fido' to the Roll boys. When Mr. Lincoln made his House Divided Speech in the Old State House he said, [quotation on back] "There is my friend, John Roll, etc. etc...........". This friendship persisted to Lincoln's untimely death, after which John Roll until his death in 1901 lived in reveries of his beloved hero of the 'Flat Boat' building days. The Rolls, with one exception, your author, have followed their friends the Lincoln to the Great Beyond. John Linden Roll is the last of those Rolls that were so intimately associated with the Lincolns. His fondest possessions are the hundreds of souvenirs, pictures, clippings and tokens dealing with Lincoln. I hope this short biographical sketch gives you a small fraction of the pleasure that I derived in compiling it for you. Sincerely, John Linden Roll JOHN LINDEN ROLL 825 Henrietta St. Springfield Ills <hr /> on page 12 VOL 2 Miss Tarbell's Life of Lincoln you will find illustrated an old sofa which my father bought of Lincoln before they left for Washington. On page 184 VOL 1 my father owned the building in Hoffmans Row where Stuart and Lincoln had their first office in Springfield. On 59 to 63 VOL 1 my father's story of the building of the flat-boat wich got lodged on the New Salem dam. When Lincoln made his famous "House divided Speech" in the State House, he said "There is my old friend John Roll," (referring to my father.) He used to be a slave but he made himself free and I used to be a slave and now I am so free they let me practice law." Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/ae21e55b2cac9c8d564ec8c454962b5a.pdf 301dfae46c79de1749ae3c6ec3f02498 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Willie Lincoln gave Johnny Roll his dag when his Dad took him to Washington. Springfield Ill. 1/5-1943 Mr. J.C. Boos Albany NY. My Dear Mr. Boos: I am mailing herewith a copy of the Grace Bedell story which I thought you might like to add to your Lincoln collection, they are photostats from newspaper clippings. I have many reproductions, many of which are from the originals. The walls and tables in my Den are completely coverd with pictures of or related to Lincoln Lore (my hobby) but it is comming to be quite a burden in caring for it and entertaining the many callers and correspondents. Respectfully John Linden Roll Christmas day marked my 88 1/2 birth. I am thinking of dispossing of my entire collection. Status The current transcription status of a document or a page. Complete Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p 26 x 17 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300536 T1943.01.05-MISC Title A name given to the resource John Linden Roll to John E. Boos Creator An entity primarily responsible for making the resource Roll, John Linden Date A point or period of time associated with an event in the lifecycle of the resource 1943-01-05 Format The file format, physical medium, or dimensions of the resource pdf Description An account of the resource John Linden Roll forwards various Lincoln materials to John E. Boos for his Lincoln collection. Roll's large collection of Lincoln materials is becoming "...quite a burden in caring for it and entertaining the many callers and correspondents." As a result, the elderly gentleman is thinking about disposing of his Lincoln collection. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Willie Lincoln gave Johnny Roll his dag when his Dad took him to Washington. Springfield Ill. 1/5-1943 Mr. J.C. Boos Albany NY. My Dear Mr. Boos: I am mailing herewith a copy of the Grace Bedell story which I thought you might like to add to your Lincoln collection, they are photostats from newspaper clippings. I have many reproductions, many of which are from the originals. The walls and tables in my Den are completely coverd with pictures of or related to Lincoln Lore (my hobby) but it is comming to be quite a burden in caring for it and entertaining the many callers and correspondents. Respectfully John Linden Roll Christmas day marked my 88 1/2 birth. I am thinking of dispossing of my entire collection. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/ac6702e61b753f6d611fbbe03e773e4c.jpg bfc79ac1da45a25707fb39402a19a247 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles A. Deneen Collection Description An account of the resource Charles Samuel Deneen (Republican) served as a one-term member of the Illinois House of Representatives beginning in 1892. He was born in Edwardsville, Illinois, and grew up in Lebanon, Illinois, where his parents were among the founders of McKendree College. Deneen graduated from McKendree College and then attended Union College of Law (now known as Northwestern University Law School). He served as an attorney for the Chicago Sanitary District from 1895-1896 and State’s Attorney for Cook County from 1896-1904. In 1904, Deneen was elected to the first of two terms as Illinois Governor where he was a strong supporter of education issues and the Illinois Waterway. Deneen served one term as the U. S. Senator from Illinois (1925-1931). Photographs in this collection include images of Charles Deneen attending events, including the Illinois State Fair, the dedication of the Illinois Monument at Andersonville Prison, and the Madison County Centennial. Family photos of his wife, Bina Day Maloney, and four children (Charles A. Deneen, Dorothy Deneen Blow, Frances Deneen Birdsall, and Bina Day Deneen House) and images of McKendree College professors also appear in this collection. Subject The topic of the resource Deneen, Charles S., 1863-1940 Illinois. Governor Governors United States. Congress. Senate Lawyers McKendree College Andersonville Prison Deneen, Bina Day Maloney, 1868-1950 Georgia--Andersonville National Historic Site Illinois State Fair Politicians Illinois--Madison County Illinois. General Assembly. House of Representatives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 19 x 14 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 400592 Charles A. Deneen Title A name given to the resource Charles S. Deneen Description An account of the resource Charles S. Deneen, a U.S. Senator and the twenty-third Governor of Illinois, sits for a portrait. Subject The topic of the resource Governors Deneen, Charles S. (Charles Samuel), 1863-1940 United States. Congress. Senate Illinois. Governor Creator An entity primarily responsible for making the resource Roof Studios Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/b77b6e43a0b6fe9a5aefbdd55e5e5258.jpg c9dd26cc38e0dd58b23d411279aaf812 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jannotta Family Collection Subject The topic of the resource Janotta, Stella Skiff, 1867-1954 Janotta, Alfredo A. (Alfredo Antonio), 1843-1913 Janotta, A. Vernon, 1894-1972 Description An account of the resource The Janotta Family Collection contains photographs relating to conductor/composer Alfredo Jannotta, his wife, activist and author Stella Skiff Jannotta, and their family. Several photographs belonged to their son, Navy Rear Admiral A. Vernon Jannotta. Alfredo Jannotta immigrated from Italy by way of London to Boston in 1865 where he taught voice at the New England Conservatory of Music. He married his first wife, Alice Prudy and they had a son, Edward, before Alfredo moved to Cincinnati in 1868. Alfredo spent 12 years in Cincinnati teaching vocal performance as well as conducting the Cincinnati Choral Society and organizing the first Cincinnati orchestra. He moved back to Boston in 1881 but moved to St. Paul, Minnesota, in 1882 and finally to Chicago in 1888 where he established himself as a vocal teacher. While teaching in Chicago, Jannotta taught vocal lessons to Stella Skiff whom he married in 1893. Skiff was the daughter of Iowa businessman Vernon William Skiff and his wife, Mary Frances Coffin. Her brother, Frank Vernon Skiff founded the Jewel Tea Company which later grew into a national grocery store chain including Jewel, Osco, Eisner, and White Hen. Skiff continued her singing career after marrying Jannotta and briefly taught lessons. Between 1894 and 1898, she gave birth to sons A. Vernon, Francis, and Joseph. Between 1917 and 1918, Stella adopted three foster daughters, Margaret, Marion, and Betty (Elizabeth). In the early 20th century she began taking an active interest in causes including the suffrage movement and socialism. Stella Jannotta joined the Chicago Political Equality League (predecessor to the Chicago League of Women Voters) in 1907. She wrote for the propaganda arm of the organization, including a 1916 article entitled "Public Opinion" which she revisted several times over the following decades. A. Vernon Jannotta, the oldest son on Alfredo and Stella, served in the United States Navy in both World War I and World War II. He rose through the ranks of the Navy and the Naval Reserves, eventually retiring as a Rear Admiral in 1954. Jannotta received several military honors including the Navy Cross, Silver Star, two Bronze Stars, and a Purple Heart.  Jannotta began working at the Jewel Tea Company in 1919 and held several positions at the company for the next 50 years. He also held several executive positions or held stakes in several companies including Lehman Brothers, Motor Institute of America, Tapp, Inc. and Consolidated Trading Corporation. The finding aid for the Janotta Family Papers, 1809-1972 at the Abraham Lincoln Presidential Library and Museum may be found at <a title="Janotta Family Papers, 1809-1972" href="http://alplm-cdi.com/chroniclingillinois/items/show/358" target="_blank">http://alplm-cdi.com/chroniclingillinois/items/show/358</a>. Photographs in this collection include images of Jannotta and Skiff family members as well as students of Alfredo Jannota. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 17 x 11 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 401392 Jannotta Family Collection- Edward Jannotta Photo Album Title A name given to the resource Edward Jannotta, Age Six Description An account of the resource Edward Jannotta sits for a portrait on an artificial rock at the age of six. Subject The topic of the resource Jannotta, Edward, -1888 Children Creator An entity primarily responsible for making the resource Root Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/a754d3e1c8795130d9338cd0ae7b51f0.pdf 1a404b5707ddcaf810c4910f05ebc541 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "I welcome you, my gallant boys, Six hundred thousand more." FATHER ABRAHAM'S REPLY TO THE 600,000! Words by the author of "Sybelle." Music adapted and partly composed by GEORGE F. ROOT. CHICAGO: Published by ROOT & CADY, 95 Clark St., Wm. Hall & Son, Firth, Pond & Co., New York. Henry Tolman & Co., Boston. S. Brainard & Co., Cleveland. H.N. Hemsted, Milwaukee. J. H. Whittemore, Detroit. Entered according to Act of Congress in the year 1862 by Root & Cady, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> 2 FATHER ABRAHAMS REPLY TO THE 600,000. Adapted and partly Composed by GEO. F. ROOT. With energy. 4. I see adown our Western vales your legions pour, my boys; 1. I welcome you, my gallant boys, from Maine's resounding shore, From 2. I see from all her boundaries the glorious Empire State A 3. And Pennsylvania, keystone of this glorious Union arch Is Ohio, Indiana, and my own lov'd Illinois, And far New Hampshire's granite hills I see your legions pour; From countless host is sending forth with freemen's hopes elate, From sounding thro' her thousand caves the thrilling order march! I --- 3 Iowa, and Michigan, and Minnesota, too, And Massachusetts fertile vales, from old Vermont they come; Delaware there comes a gleam of white and crimson bars, Where see her dusky sons come forth from every darken'd mine, And, far Wisconsin's prairies send their heroes tried and true, Come Connecticut wheels into line at rolling of the drum, And faithful hands are holding up the banner of the stars; New like the clouds along her hills swift forming in to line; Their on, Oh! living avalanche! break into floods of light, And little Rhody springs to arms, like David in his might, Upon Jersey answers to the call, as if along her shore, Each eyes have such a fiery gleam from flowing forges caught, Their <hr /> 4 roll your waves of truth along Secessions shores of night, Drown rebellion's giant front to strike one blow for right, One grain of sand had said, we come, six hundred thousand more, We arms such strength as if they were of iron sinews wrought; I out rebellion, as of old and then with Uncle Sam, Safe blow for right, my hero boys, for right and Uncle Sam, Strike, come to strike for liberty for right and Uncle Sam, Who think, when on Secession's head they strike for Uncle Same, Each in the Ark of State, we'll praise the God of Abraham. and receive the blessings of the God of Abraham. gives us all the blessings of the God of Abraham. blow will fall like vengeance from the God of Abraham. <hr /> 5 CHORUS after each verse Air Alto. 'Tis glorious, 'tis glorious, to see you legions Tenor Base. 'Tis glorious, 'tis glorious, to see your legions pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE. pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE. <hr /> ROOT & CADY'S NEW PUBLICATIONS. ROOT & CADY, 95 Clark St. opposite Court House Chicago, Ill. Dealers in every description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinway's Piano Fortes, Mason & Hamlin's Melodeons, Mason Bros.' Church and other Music Books. PIANO FORTES TO LET. Music sent to any part of the United States, Free of Postage, upon receipt of the marked price. Beautiful Rose. Henry C. Work 25 cts. The Girls at Home. Henry C. Work 25 cts. Happy Days of Yore. Francis Wolcott 25 cts. The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root 25 cts. The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie 25 cts. Stand up for Uncle Sam, My Boys. Song and Chorus. Geo. F. Root 25 cts. Negro Boatman's Song. Port Royal, 1861, H.T. Merrrill 25 cts. The Dear Ones All at Home. Song and Chorus. W.B. Bradbury 25 cts. Now the Swallows are Returning. Song. Abt 25 cts. In the style of "When the Swallows homeward fly." Kitty Ryder. Song. Geo. F. Root 25 cts. Sprightly. Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work 25 cts. Our Captain's Last Words. H.C. Work 25 cts. The Vacant Chair. Song and Chorus. Geo. F. Root 25 cts. Take Your Gun and Go, John! Song and Chorus. H.T. Merrill 25 cts. Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts. Mine Own. Song. J.M. Hubbard 25 cts. Answer to "Call me Pet Names." Home Far Away. Song. Flotow. 25 cts. An adaptation of one of the most beautiful Melodies in a new Opera by the author of Martha. Dream on, Lillie. Song and Quartette. G.F. Root 25 cts. Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root 25 cts. I Never Kiss and Tell. Song. Hubbard 25 cts. The Secret. Song. Schubert 25 cts Evening. Song. [Cloepius?] 25 cts. Song for Contralto or Baritone--Classic and Beautiful. O! Are Ye Sleeping, Maggie. Scotch Song 25 cts. Forest Requiem. Song and Chorus. G.C. W 25 cts. My Heart is like a Silent Lute. Root 25 cts. Death of the Robin. J.M. Hubbard 25 cts Soldier's Dream. Song. R.S. Taylor 25 cts. Wrap the Flag Around Me, " " 25 cts. Uncle Joe's Hail Columbia. H.C. Work 25 cts. Kingdom Coming. H.C. Work 25 cts. The First Love Dream. H.C. Work 25 cts. Sleep, Baby Sleep. 25 cts. Mother, Blame Me Not for Loving. 25 cts. New Skedaddle. R.D. Scott 25 cts. Song of the Egyptian Girl. Hubbard 25 cts. Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie 25 cts. The Battle Cry of Freedom. G.F. Root 25 cts. Wurzel's Liberty Song. 25 cts. The six following pieces simplified by A.W. Berg. Gouttes D'Eau. (Tremolo.) 25 cts. Chant National des Croates. 25 cts. March de la Reine. 25 cts. Les Deux Anges. (Varied.) 25 cts. L'Heure de la Priere. (Varied.) 25 cts. Venzano Valse. 25 cts. Spring Style Schottische. Freund. 15 cts. North-Western Rifle March. By C.G.L. Arranged by Vaas 25 cts. Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult. Gen. Grant's March. R. Zelner 25 cts. Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.) 40 cts. Major Anderson's March. A.J. Vaas 40 cts. (With Portrait.) Highly effective. Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful. Grand March from Tannhauser. Wagner 30 cts. Very fine, but difficult. The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title. Pet Polka. Geo. A. Florence 25 cts. Lafner Waltz. F.R. Otto 25 cts. Skating Quadrille. (Lithograph.) Vaas 50 cts. Enchantress Schottisch. (Lithograph) 50 cts. Forest Birds' Waltz. R. Zellner 30 cts. Ellsworth's Requiem March. Vaas 35 cts. Rock me to Sleep. Transcription de Concert, by F. Staab 75 cts. Kingdom Coming. Variations by Grobe 50 cts. Coquette Mazurka. F. Staab 35 cts. All the above vocal and Instrumental Music can be relied upon as being good and attractive. S.P. Rounds, Printer, 46 State Street, Chicago, Illinois. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300982 22865387 Title A name given to the resource Father Abraham's Reply to the 600,000! Description An account of the resource "I welcome you, my gallant boys, Six hundred Thousand more". "Words by the author of 'Sybelle'. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Root, George, Frederic, 1820-1895 Sheet music Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. "I welcome you, my gallant boys, Six hundred thousand more." FATHER ABRAHAM'S REPLY TO THE 600,000! Words by the author of "Sybelle." Music adapted and partly composed by GEORGE F. ROOT. CHICAGO: Published by ROOT & CADY, 95 Clark St., Wm. Hall & Son, Firth, Pond & Co., New York. Henry Tolman & Co., Boston. S. Brainard & Co., Cleveland. H.N. Hemsted, Milwaukee. J. H. Whittemore, Detroit. Entered according to Act of Congress in the year 1862 by Root & Cady, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> 2 FATHER ABRAHAMS REPLY TO THE 600,000. Adapted and partly Composed by GEO. F. ROOT. With energy. 4. I see adown our Western vales your legions pour, my boys; 1. I welcome you, my gallant boys, from Maine's resounding shore, From 2. I see from all her boundaries the glorious Empire State A 3. And Pennsylvania, keystone of this glorious Union arch Is Ohio, Indiana, and my own lov'd Illinois, And far New Hampshire's granite hills I see your legions pour; From countless host is sending forth with freemen's hopes elate, From sounding thro' her thousand caves the thrilling order march! I --- 3 Iowa, and Michigan, and Minnesota, too, And Massachusetts fertile vales, from old Vermont they come; Delaware there comes a gleam of white and crimson bars, Where see her dusky sons come forth from every darken'd mine, And, far Wisconsin's prairies send their heroes tried and true, Come Connecticut wheels into line at rolling of the drum, And faithful hands are holding up the banner of the stars; New like the clouds along her hills swift forming in to line; Their on, Oh! living avalanche! break into floods of light, And little Rhody springs to arms, like David in his might, Upon Jersey answers to the call, as if along her shore, Each eyes have such a fiery gleam from flowing forges caught, Their <hr /> 4 roll your waves of truth along Secessions shores of night, Drown rebellion's giant front to strike one blow for right, One grain of sand had said, we come, six hundred thousand more, We arms such strength as if they were of iron sinews wrought; I out rebellion, as of old and then with Uncle Sam, Safe blow for right, my hero boys, for right and Uncle Sam, Strike, come to strike for liberty for right and Uncle Sam, Who think, when on Secession's head they strike for Uncle Same, Each in the Ark of State, we'll praise the God of Abraham. and receive the blessings of the God of Abraham. gives us all the blessings of the God of Abraham. blow will fall like vengeance from the God of Abraham. <hr /> 5 CHORUS after each verse Air Alto. 'Tis glorious, 'tis glorious, to see you legions Tenor Base. 'Tis glorious, 'tis glorious, to see your legions pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE. pour, I welcome you my gallant boys, SIX HUNDRED THOUSAND MORE. <hr /> ROOT & CADY'S NEW PUBLICATIONS. ROOT & CADY, 95 Clark St. opposite Court House Chicago, Ill. Dealers in every description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinway's Piano Fortes, Mason & Hamlin's Melodeons, Mason Bros.' Church and other Music Books. PIANO FORTES TO LET. Music sent to any part of the United States, Free of Postage, upon receipt of the marked price. Beautiful Rose. Henry C. Work 25 cts. The Girls at Home. Henry C. Work 25 cts. Happy Days of Yore. Francis Wolcott 25 cts. The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root 25 cts. The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie 25 cts. Stand up for Uncle Sam, My Boys. Song and Chorus. Geo. F. Root 25 cts. Negro Boatman's Song. Port Royal, 1861, H.T. Merrrill 25 cts. The Dear Ones All at Home. Song and Chorus. W.B. Bradbury 25 cts. Now the Swallows are Returning. Song. Abt 25 cts. In the style of "When the Swallows homeward fly." Kitty Ryder. Song. Geo. F. Root 25 cts. Sprightly. Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work 25 cts. Our Captain's Last Words. H.C. Work 25 cts. The Vacant Chair. Song and Chorus. Geo. F. Root 25 cts. Take Your Gun and Go, John! Song and Chorus. H.T. Merrill 25 cts. Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts. Mine Own. Song. J.M. Hubbard 25 cts. Answer to "Call me Pet Names." Home Far Away. Song. Flotow. 25 cts. An adaptation of one of the most beautiful Melodies in a new Opera by the author of Martha. Dream on, Lillie. Song and Quartette. G.F. Root 25 cts. Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root 25 cts. I Never Kiss and Tell. Song. Hubbard 25 cts. The Secret. Song. Schubert 25 cts Evening. Song. [Cloepius?] 25 cts. Song for Contralto or Baritone--Classic and Beautiful. O! Are Ye Sleeping, Maggie. Scotch Song 25 cts. Forest Requiem. Song and Chorus. G.C. W 25 cts. My Heart is like a Silent Lute. Root 25 cts. Death of the Robin. J.M. Hubbard 25 cts Soldier's Dream. Song. R.S. Taylor 25 cts. Wrap the Flag Around Me, " " 25 cts. Uncle Joe's Hail Columbia. H.C. Work 25 cts. Kingdom Coming. H.C. Work 25 cts. The First Love Dream. H.C. Work 25 cts. Sleep, Baby Sleep. 25 cts. Mother, Blame Me Not for Loving. 25 cts. New Skedaddle. R.D. Scott 25 cts. Song of the Egyptian Girl. Hubbard 25 cts. Thou Wilt Come Nevermore to the Stream, Kitty. H.L. Frisbie 25 cts. The Battle Cry of Freedom. G.F. Root 25 cts. Wurzel's Liberty Song. 25 cts. The six following pieces simplified by A.W. Berg. Gouttes D'Eau. (Tremolo.) 25 cts. Chant National des Croates. 25 cts. March de la Reine. 25 cts. Les Deux Anges. (Varied.) 25 cts. L'Heure de la Priere. (Varied.) 25 cts. Venzano Valse. 25 cts. Spring Style Schottische. Freund. 15 cts. North-Western Rifle March. By C.G.L. Arranged by Vaas 25 cts. Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult. Gen. Grant's March. R. Zelner 25 cts. Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.) 40 cts. Major Anderson's March. A.J. Vaas 40 cts. (With Portrait.) Highly effective. Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful. Grand March from Tannhauser. Wagner 30 cts. Very fine, but difficult. The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title. Pet Polka. Geo. A. Florence 25 cts. Lafner Waltz. F.R. Otto 25 cts. Skating Quadrille. (Lithograph.) Vaas 50 cts. Enchantress Schottisch. (Lithograph) 50 cts. Forest Birds' Waltz. R. Zellner 30 cts. Ellsworth's Requiem March. Vaas 35 cts. Rock me to Sleep. Transcription de Concert, by F. Staab 75 cts. Kingdom Coming. Variations by Grobe 50 cts. Coquette Mazurka. F. Staab 35 cts. All the above vocal and Instrumental Music can be relied upon as being good and attractive. S.P. Rounds, Printer, 46 State Street, Chicago, Illinois. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/8e86527cd76879e6817b309907ba4d41.pdf 34a8dd1e5504c331fab74a8cbc422e7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301373 37540000516023 Title A name given to the resource On, On, On, The Boys Came Marching! Description An account of the resource Illustrated three verse song subtitled "The Prisoner Free," and a sequel to "Tramp, 'Tramp' Tramp." Subject The topic of the resource Song sheet Broadsides Patriotic music American Civil War (1861-1865) Marching songs Soldiers--Songs and music Creator An entity primarily responsible for making the resource Root, George F. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magnus, Charles https://chroniclingillinois.org/files/original/fb281f8b618f90bafd6b3bb7fde3b559.pdf 9dd7b51c6b5edf95fd611ae4464eac00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301402 37540000506388 Title A name given to the resource The Rally Cry Of Freedom Description An account of the resource Illustrated six verse song and chorus sung to the tune of the "Battle Cry of Freedom." Subject The topic of the resource Song sheet Broadsheets Soldiers--Songs and music War--Songs and music Patriotic music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magee, James https://chroniclingillinois.org/files/original/76dce3d4062ac467d01b5a8180d2effb.pdf e43f16959ee1fcb31bf07bc4060dc1d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301284 37540000517666 Title A name given to the resource Just After the Battle, Mother Description An account of the resource Illustrated three verse song and chorus. Lyrics depict wounded soldier telling his mother of the victorious battle he fought in and how he was shot. Color cover image depicts soldier pointing with his sword while holding a wounded soldier in front of marching troops. Subject The topic of the resource Broadsides Songs and music Mothers and sons Soldiers American Civil War (1861-1865) War songs Creator An entity primarily responsible for making the resource Root, George F. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource ca. 1861-1865 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magnus, Charles https://chroniclingillinois.org/files/original/a7b5655fdd6f89697a27b36a6f701382.pdf 5b96359518c3338a511fff34898d339a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301286 37540000517708 Title A name given to the resource Just Before the Battle, Mother Description An account of the resource Three verse song and chorus. Lyrics depict soldier's final thoughts and goodbyes to mother before going into a battle he may not survive. Color cover image depicts Union and Confederate lines during battle with the Confederate troops in the foreground. Subject The topic of the resource Broadsides Songs and music War songs Soldiers Death Mothers and Sons Farewells American Civil War (1861-1865) United States--Confederate States of America United States. Army Confederate States of America. Army Creator An entity primarily responsible for making the resource Root, George F. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource ca. 1863-1864 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Root & Cady https://chroniclingillinois.org/files/original/3d742c6cba35650ac00a51f20b018c75.pdf 3fd514b9395b382cfbd74bf46335e345 Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Needs Review Transcription A written representation of a document or a page. THE TRIUMPH! BY Geo. F. Root. Chicago: Root & Cady. <hr /> [blank page] <hr /> FOR CONGREGATIONAL SINGING. 5 the voices at the same sound or pitch, but the natural tendency will be to get together in this respect, and it will be pleasanter to do so. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, might Lord. We have been so accustomed to hear tunes with these hymns, that the monotony of this mode of utterance, although emotional will prevent its being useful. We will, therefore, vary the sound or pitch of the fifth and sixth syllables in each line. We will make them a little higher than the others. This may be presented thus:- 1. Thou, who are enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, mighty Lord! [The teacher will probably understand that this higher pitch is but one step above the others.] We will now give another form for the utterance of the first hymn, but it will be easier to tell where these large dots are that note the sounds, if we have a line, on, or above, or below which, we can place them. And now it will not be necessary to print the words higher or lower with the tune, for the dots or notes will show the changes of the words. It should here be said that notes help even those who do not understand music at all, for they are a picture of the tune, and go up or down, or skip around, just as the tune does. Let us all now join in the next tune, being guided by the notes. NORTHWEST. 7s. 1. Let us with a joyful mind, Praise the Lord for He is kind; 2. He, with all commandment might, Filled the new made world with light; 3. All things living doth he feed; His full hand supplies their need; 4. Let us with a joyful mind, Praise the Lord for He is kind; For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. In the following hymn we will use a still higher sound; so in the representation we must have another line: -- BLONDEL. 7s. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, 3. Decks the spring with flowers the field, Harvest rich doth autumn yield? 4.Sovereign Ruler mighty Lord, We thy praises will record: Sweet it is with joyful tongue, To resound thy praise in song. We thy praises will record, Sovereign Ruler, mighty Lord! Giver of all good below, Lord, from Thee those blessings flow. Giver of these blessings, we Pour the grateful song to Thee. As soon as a form or tune is acquired so that we can use it without effort; we may commence the work of self-improvement; but if we are not accustomed to fix our minds on the words sung, but are more inclined to listen to the tune, we shall find it difficult to concentrate our thoughts as we ought. We shall be like untrained children at school, who are disturbed and distracted by every unusual sight or sound, and must try many times before we can take the sentiments contained in the words fully into our hearts, and bear them upon our song unobstructed and unhindered, up to the great object of all worship. <hr /> 6 INTRODUCTORY COURSE The following hymns and selections are designed to be sung by all the people of an congregation. Not one need be silent, who has the power of speech. That some may not get the sound exactly with the others should not prevent them from joining, for in these simple forms a few times trying will remedy that difficulty in almost every case; and if it does not, the worship is so much more important, that the form is of but little consequence in comparison. ELVIRA. 7s. 1. All ye nations praise the Lord! All ye lands your voices raise; 2. For his truth and mercy stand, Past, and present, and to be, Heaven and earth, with loud accord, Praise the Lord--for ever praise! Like the years of His right hand, Like His own eternity. BROOKWELL. 8s. & us. 1. Hark! what mean those holy voices, Sweetly sounding through the skies! 2. Hear them tell the wondrous story, Hear them chant by hymns of joy: 3. "Christ is born, the great Anointed, Heaven and earth His praises sing! Lo! th' angelic host rejoices; Heavenly hallelujahs rise. "Glory in the highest glory! Glory be to God most high! Oh receive whom God appointed For your Prophet, Priest and King! ST. GEORGE. L. M. 1. From all that dwell below the skies, Let the Creator's praise arise; 2. Eternal are Thy mercies Lord, Eternal truth attends Thy word: Let the Redeemer's name be sung, Thro' every land, by every tongue. Thy praise shall sound from shore to shore, Till suns shall rise and set no more. WHITEWATER. S. M. 1. Oh, bless the Lord, my soul! Let all within me join, 2. Oh, bless the Lord my soul! Nor let His mercies lie 3. 'T is He that heals thy sicknesses, And makes thee young again. And aid my tongue to bless His name, Whose favors are divine. Forgotten in unthankfulness, And without praises die. 'T is He that heals thy sicknesses, And makes thee young again. GRETRY. 8s. & 7s. 1. Savior, breathe an evening blessing, Ere repose our spirits seal: 2. Tho' destruction walk around us, Tho' the arrow near us fly, 3. Tho' the night be dark and dreary, Darkness can not hide from Thee, 4. Should swift death this night o'ertake us, And our couch become our tomb, Sin and want we come confessing; Thou canst save, and thou canst heal. Angel guards from thee surround us; We are safe, if thou art nigh. Thou art He who, ever weary, Watcheth where Thy people be. May the morn in heaven awake us, Clad in light and deathless bloom HALCYON. S. M. 1. How gentle God's commands! How kind His precepts are! 2. Beneath His watchful eye His saints securely dwell; 3. Why should this anxious load Press down your weary mind? 4.His goodness stands approved, Unchanged from day to day; Come, cast your burden on the Lord, And trust His constant care. That hand which bears all nature up, Shall guard His children well. Haste to your heavenly Father's throne, And sweet refreshment find. I"ll drop my burden at His feet, and Bear a song away. <hr /> FOR CONGREGATIONAL SINGING. 7 MYRTLE WILL. S. M. 1. While my Redeemer's near, My shepherd and my guide, 2. To ever fragrant meads, Where rich abundance grows, 3. Dear Shepherd, if I stray, My wandering feet restore: I bid farewell to anxious fear; My wants are all supplied. His gracious hand indulgent leads, And guards my sweet respose. To Thy fair pastures guide my way, And let me rove no more. LAUREL WOOD. C. M. 1. Our Father, God, who are in heaven, All hallowed be Thy name! 2. Give us this day, our daily bread, And as we those forgive 3. Into temptation lead us not; From evil set us free; Thy kingdom come; Thy will be done, In earth and heaven the same! Who sin against us, so may we Forgiving grace receive. And thine the kingdom, thine the power And glory, ever be. We have here a higher sound, and in the representation will use another line. ODA. C. M. 1. Oh, that the Lord would guide my ways, To keep His statues still! 2.Oh, send Thy Spirit down, to write Thy law upon my heart; 3. Order my footsteps by Thy word, And make my heart sincere; 4. Make me to walk in Thy commands, 'T is a delightful road; Oh that my God would give me grace To know and do His will. Nor let my tongue indulge deceit, Nor act the liar's part. Let sin have no dominion, Lord, But keep my conscience clear, Nor let my head, nor heart, nor hands, Offend against my God. Where two words are sung to one note, they are uttered quicker. ORVIS. L. M. 1. Sweet is the work, my God, my King, To praise Thy name, give thanks and sing, 2. Sweet is the day of sacred rest; No mortal cares shall seize my breast; To show Thy love by morning light, And talk of all Thy truth at night. Oh, may my heart in tune be found, Like David's harp of solemn sound. LEAVITT. S. M. 1. The Lord my Shepherd is; I shall be well supplied; 2. He leads me to the place Where heavenly pasture grows; 3. If e'er I go astray, He doth my soul reclaim; 4. While He affords His aid, I cannot yield to fear; Since He is mine and I am His, What can I want beside. Where living waters gently pass, And full salvation flows. And guides me in His own right way, For His most holy name. Tho' I should walk thro' death's dark shade, My Shepherd's with me there. PALMTREE. S. M. 1. We life our hearts to Thee, Thou Day star from on high; 2. Oh, let Thy rising beams Dispel the shades of night; 3. How beauteous nature now! How dark and sad before! 4. May we this life improve, To mourn errors past; The sun itself is but Thy shade, Yet cheers both earth and sky. And let the glories of Thy love, Come like the morning light! With joy we view the pleasing change, And nature's God adore. And live this short, revolving day As if it were our last. <hr /> 8 INTRODUCTORY COURSE Rowena. L. M. 1. Soon may the last glad song arise, Thro' all the millions of the skies. 2. Let thrones and powers and kingdoms be Obedient, mighty God, to Thee! 3. Oh, let that glorious anthem swell, Let host to host the triumph tell, That song of triumph which records That all the earth is now the Lord's! And over land and stream and main, Wave Thou the scepter of Thy reign! That not one rebel heart remains, But over all the Savior reigns! SABERTON. 7s. 1. Songs of praise the angels sang, Heaven with hallelujahs rang, 2. Songs of praise awoke the morn, When the Prince of Peace was born: 3. Heaven and earth shall pass away; Songs of praise shall crown the day: 4. Saints below, with heart and voice, Still in songs of praise rejoice; When Jehovah's work begun, When He spake, and it was done. Songs of praise arose when He Captive led captivity. God will make new heavens and earth; Songs of praise shall hail their birth. Learning here by faith and love, Songs of praise to sing above. PINE GROVE. C.M. 1. How sweet, how heavenly is the sight, When those who love the Lord 2. When each can feel his brother's sign, And with him bear apart! 3. When, free from envy, scorn and pride, Our wishes all above, In one another's peace delight, And so fulfill His word! When sorrow flows from eye to eye, And joy from heart to heart. Each can his brother's failings hide, And show a brother's love. EVERHART. 7s. 1. Sons of Zion, raise your songs! Praise to Zion's King belongs; 2. Sore the strife, but rich the prize, Precious in the Victor's eyes; 3. Sing we then the Victor's praise; Go ye forth and strew the ways; 4. Place the crown upon His brow; Every knee to Him shall bow; His the Victor's crown and fame: Glory to the Savior's name! Glorious is the work achieved, Satan vanquished man relieved! Bid Him welcome to His throne; He is worthy, He alone! Him the brightest seraph sings; Heaven proclaims Him "King of kings!" TRUCE. C.M. 1. O God, my heart is fully bent To magnify Thy name; 2. To all the listening tribes, O Lord, Thy wonders I will tell; 3. Because Thy mercy's boundless height The highest heaven transcends. 4. Be thou, O God, exalted high Above the starry frame; My tongue, with cheerful songs of praise, Shall celebrate Thy fame. And to those nations sing Thy praise That round about us dwell. And far beyond th' aspiring clouds Thy faithful truth extends. And let the world with one consent, Confess Thy glorious name. GUEST. C. M. 1. O happy land! O happy land! Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh, hear us when we pray! We long to join that glorious band, And all their anthems dwell. No lips untaught can join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. <hr /> FOR CONGREGATIONALL SINGING 9 When two syllables are printed under one note, they are to be sung quicker. They are to take as much time only as one syllable in the other places. BERRINGTON. 11s & 10s. 1. Brightest and best of the sons of the morning! 2. Cold on his cradle the dewdrops are shining, 3. Say, shall we yield him, in costly devotion, 4. Vainly we offer each ample oblation, 5. Brightest and best of the sons of the morning! Down on our darkness and lend us thine aid; Low lies his Head with the boasts of the stall; Odors of Edom and offerings divine? Vainly with gold would His favors secure; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Angels adore Him in slumber reclining, Gems of the mountain, and pearls of the ocean Richer, by far, is the heart's adoration, Star of the East, the horizon adorning. Guide where our infant Redeemer is laid. Maker, and Monarch, and Savior of all! Dearer to God are the prayers of the poor. Guide where our infant Redeemer is laid. OLOFF. S. M. 1.Is this the kind return? Are these the thanks we owe? 2. To what a stubborn frame Hath sin reduced our mind? 3. Turn, turn us, mighty God, And mold our souls afresh; 4. Let past ingratitude, Provoke our weeping eyes, Thus to abuse eternal Love, Whence all our blessings flow! What strange, rebellious wretches we! And God as strangely kind; Break Sovereign Grace! hearts of stone, And give us hearts of flesh. And hourly, as new mercies fall, Let hourly thanks arise. CAPULET. 8s & 7s, Double. 1. Glorious things of thee are spoken, Zion, city of our God; 2. On the Rock of Ages founded, What can shake her own repose? He whose word can ne'er be broken, Chose thee for his own abode. With salvation's wall surrounded, She can smile at all her foes. Lord, Thy church is still Thy dwelling, Still is precious in Thy sight; Glorious things of Thee are spoken, Zion, city of our God; Judah's temple far excelling, Beaming with the gospel's light. He whose word can ne'er be broken, Choose thee for His own abode. TELFORD. 8s & 5. 1. Sing of Jesus, sing forever, Of the love that changes 2. Thro' the dessert drear He leads them, With the bread of heaven He 3. There they see the Lord who bought them, Him who came from heaven, and 4. Sing of Jesus, sing forever, Sing the love that changes never; Who or what can from Him sever, Those He makes His own? feeds them. And thro' all the way He speeds them, Him they serve and love. never: Who or what can from Him sever, Those He makes His own? <hr /> INTRODUCTORY COURSE 10 KINSIE, 7s & 5s. 1. Onward speed thy conquering flight, Angel, onward speed! 2. Onward speed thy conquering flight, Angel, onward fly! 3. Onward speed thy conquering flight, Angel, onward speed! Cast abroad thy radiant light, Bid the shakes recede; Long has been the reign of night, Bring the morning nigh; Morning bursts upon our sight. Lo! Let the time decreed: Tread the idols in the dust, Heathen fanes destroy; Unto thee earth's sufferers lift Their imploring wall; Now the Lord His kingdom takes, Thrones and empires fall; Spread the gospel's love and trust, Spread the gospel's joy. Bear them heaven's holy gift, Ere their courage fall. Now the joyous song awakes, "God is All in All!" FARWELL. 8s, 7s & 4. 1. Every human tie may perish; Friend to friend unfaithful 2. In the furnace God may prove thee, Thence to bring thee forth more prove; Mothers cease their own to cherish; Heaven and earth at least bright; But can never cease to love thee; Thou art precious in remove; But no changes Can avert a Father's love. His sight; God is with thee; God, thine everlasting light. RECTOR. 7s & 6s. 1. In heavenly love abiding, No change my heart shall fear, 2. Wherever He may guide me, No want shall turn me back: 3. Green pastures are before me, Which yet I have not seen; And safe is such confiding, For nothing changes here. My Shepherd is beside me, And nothing can I lack. Bright skies will soon be o'er me, Where darkest clouds have been: The storm may roar about me, My heart may low be laid, His wisdom ever waketh, His sight is never dim: My hope I cannot measure; My path to life is free; But God is round about me, And can I be dismayed? He knows the way He taketh, And I will walk with Him. My Savior has my treasure, And He will walk with me. AURANIA. C. M. 1.O happy land, O happy land, Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh hear us when we pray! 4. Be all our fresh, our youthful days To Thy blest service given: We long to join that glorious hand, And all their anthems swell. No lips untaught may join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. Then we shall meet to sing Thy praises, A ransomed band in heaven. <hr /> FOR CONGREGATIONAL SINGING 11 WITHINGTON. 8s & 7s, Peculiar. 1. God is our refuge ever near, Our help in tribulation; 2. The stream that flows from Zion's hill, Shall yet, serenely gliding Therefore His people shall not fear Amid a wreck'd creation; With the holy city fill, His presence there abiding; Tho' mountains from their base be hurled, And ocean shake the solid The Lord, her glory and defense, Will guard his chosen residence world. The Lord is our salvation, The Lord is our salvation. His aid providing, His timely aid providing. CLEAR LAKE. 6s & 4s. 1. God bless our native land, Firm may she ever stand, 2. For her our prayer shall rise, To God, above the skies. Thro' storm and night; When wild the tempests rave, Ruler of On Him we wait: Thou who are ever nigh, Guarding with Wind and wave, Do Thou our country save, By Thy great might. watchful eye, To Thee aloud we cry, God save the State! WINONA. 8s. & 6 s. 1. Let every heart rejoice and sing; Let choral anthems 2. He bids the sun to rise and set; In heaven His power is rise; Ye reverend men and children, bring To God your sacrifice: known. And earth subdued to Him, shall yet Bow low before For He is good, the Lord is good, and kind are His throne: For He is good, the Lord is good, and kind are all His ways: With songs and honors sounding loud, The Lord all His ways: With songs and honors sounding loud, The Lord Jehovah praise; While the rocks and the rills, While the vales Jehovah praise; While the rocks and the rills, While the vales and the hills, A glorious anthem raise, Let each prolong and the hills, A glorious anthem raise, Let each prolong the grateful song, And the God of our fathers praise. the grateful song, And the God of our fathers praise. <hr /> INTRODUCTORY COURSE 12 CHANT NO. 1 1. Have mercy upon me, O God, according to Thy loving kindness 2. Wash me thoroughly from my iniquity, and cleanse me from my sin. 3. Against Thee, Thee only have I sinned, and done this evil in thy sight. 4. Create in me a clean heart, O God: and renew a right spirit within me. 5. Restore unto me Thy salvation, and uphold me with Thy free Spirit. According to the multitude of Thy tender mercies, Blot out my transgressions. For I acknowledge my transgressions; and my sin is ever before me. That Though mayest be justified when Thou speakest, and be clear when Thou judgest. Cast me not away from Thy presence, and take not Thy Holy Spirit from me. Then will I teach transgressors Thy ways, and sinners shall be converted unto Thee. When two notes are printed over one syllable, it indicates that two sounds are to be sung to it. CHANT NO. 2. 1. The Lord is my shepherd, I shall not want. 2. He restoreth my soul: 3. Yes, though I walk through the valley of the shadow of death, I will fear no evil: 4. Thou prepares a table for me in the presence of mine enemies. 5. Surely goodness and mercy shall follow me all the days of my life Me maketh me to lie down in green pastures; He leadeth me beside the still waters. He leadeth me in the paths of righteousness for His name's sake. For Thou art with me; Thy rod and Thy staff they comfort me. Thou anointest my head with oil: my cup runneth over. And I will dwell in the house of the Lord forever. CHANT NO. 3. 1. God be merciful until us and bless us; 2. That Thy way may be known upon earth, 3. Let the people praise Thee, O God, 4. Oh let the nations be glad and sing for joy; 5. Let the people praise Thee, O God, 6. Then shall the earth yield her increase; 7. God shall bless us; And cause His face to shine upon us. Thy saving health among all nations. Let all the people praise Thee. For Thou shalt judge the people righteously and govern the nations upon earth. Let all the people praise Thee. And God, even our own God shall bless us. And all the ends of the earth shall fear Him. CHANT NO. 4. 1. Praise ye the Lord: O give thanks unto the Lord for He is good: 2. Who can utter the mighty acts of the Lord? 3. Blessed are they that keep judgment. 4. Remember me, O Lord: 5. O visit me with Thy salvation. 6. That I may rejoice in the gladness of Thy nation: For His mercy is forever. Who can show forth all His praise? And He that doeth righteousness at all times. With the favor that Thou bearest unto Thy people. That I may see the good of Thy chosen. That I may glory with Thine inheritance. <hr /> AND TEACHER'S MANUAL 17 <hr /> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 400 16 x 25 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200207 Illinois Print Collection VZV R782t Title A name given to the resource The Triumph! Description An account of the resource "A Collection of music containing an introductory course for congregational singing, theory of music and teacher's manual, elementary, intermediate and advanced courses, for singing schools and musical conventions, and tunes, hymns, anthems and chants for choirs." Subject The topic of the resource Tune-books Songs and music Anthems Chants School songbooks Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1868 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Scripto Manages transcriptions of items and files Status The current transcription status of a document or a page. Continue Transcrbing Weight A 6-digit number used to sort items quickly. 2000 Transcription A written representation of a document or a page. THE TRIUMPH! BY Geo. F. Root. Chicago: Root & Cady. ---- [blank page] ---- FOR CONGREGATIONAL SINGING. 5 the voices at the same sound or pitch, but the natural tendency will be to get together in this respect, and it will be pleasanter to do so. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, might Lord. We have been so accustomed to hear tunes with these hymns, that the monotony of this mode of utterance, although emotional will prevent its being useful. We will, therefore, vary the sound or pitch of the fifth and sixth syllables in each line. We will make them a little higher than the others. This may be presented thus:- 1. Thou, who are enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, Sweet it is with joyful tongue, To resound Thy praise in song. We Thy praises will record, Sovereign Ruler, mighty Lord! [The teacher will probably understand that this higher pitch is but one step above the others.] We will now give another form for the utterance of the first hymn, but it will be easier to tell where these large dots are that note the sounds, if we have a line, on, or above, or below which, we can place them. And now it will not be necessary to print the words higher or lower with the tune, for the dots or notes will show the changes of the words. It should here be said that notes help even those who do not understand music at all, for they are a picture of the tune, and go up or down, or skip around, just as the tune does. Let us all now join in the next tune, being guided by the notes. NORTHWEST. 7s. 1. Let us with a joyful mind, Praise the Lord for He is kind; 2. He, with all commandment might, Filled the new made world with light; 3. All things living doth he feed; His full hand supplies their need; 4. Let us with a joyful mind, Praise the Lord for He is kind; For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. For His mercies shall endure, Ever faithful, ever sure. In the following hymn we will use a still higher sound; so in the representation we must have another line: -- BLONDEL. 7s. 1. Thou, who art enthroned above, Thou, in whom we live and move; 2. When the morning paints the skies, When the stars of evening rise, 3. Decks the spring with flowers the field, Harvest rich doth autumn yield? 4.Sovereign Ruler mighty Lord, We thy praises will record: Sweet it is with joyful tongue, To resound thy praise in song. We thy praises will record, Sovereign Ruler, mighty Lord! Giver of all good below, Lord, from Thee those blessings flow. Giver of these blessings, we Pour the grateful song to Thee. As soon as a form or tune is acquired so that we can use it without effort; we may commence the work of self-improvement; but if we are not accustomed to fix our minds on the words sung, but are more inclined to listen to the tune, we shall find it difficult to concentrate our thoughts as we ought. We shall be like untrained children at school, who are disturbed and distracted by every unusual sight or sound, and must try many times before we can take the sentiments contained in the words fully into our hearts, and bear them upon our song unobstructed and unhindered, up to the great object of all worship. ---- 6 INTRODUCTORY COURSE The following hymns and selections are designed to be sung by all the people of an congregation. Not one need be silent, who has the power of speech. That some may not get the sound exactly with the others should not prevent them from joining, for in these simple forms a few times trying will remedy that difficulty in almost every case; and if it does not, the worship is so much more important, that the form is of but little consequence in comparison. ELVIRA. 7s. 1. All ye nations praise the Lord! All ye lands your voices raise; 2. For his truth and mercy stand, Past, and present, and to be, Heaven and earth, with loud accord, Praise the Lord--for ever praise! Like the years of His right hand, Like His own eternity. BROOKWELL. 8s. & us. 1. Hark! what mean those holy voices, Sweetly sounding through the skies! 2. Hear them tell the wondrous story, Hear them chant by hymns of joy: 3. "Christ is born, the great Anointed, Heaven and earth His praises sing! Lo! th' angelic host rejoices; Heavenly hallelujahs rise. "Glory in the highest glory! Glory be to God most high! Oh receive whom God appointed For your Prophet, Priest and King! ST. GEORGE. L. M. 1. From all that dwell below the skies, Let the Creator's praise arise; 2. Eternal are Thy mercies Lord, Eternal truth attends Thy word: Let the Redeemer's name be sung, Thro' every land, by every tongue. Thy praise shall sound from shore to shore, Till suns shall rise and set no more. WHITEWATER. S. M. 1. Oh, bless the Lord, my soul! Let all within me join, 2. Oh, bless the Lord my soul! Nor let His mercies lie 3. 'T is He that heals thy sicknesses, And makes thee young again. And aid my tongue to bless His name, Whose favors are divine. Forgotten in unthankfulness, And without praises die. 'T is He that heals thy sicknesses, And makes thee young again. GRETRY. 8s. & 7s. 1. Savior, breathe an evening blessing, Ere repose our spirits seal: 2. Tho' destruction walk around us, Tho' the arrow near us fly, 3. Tho' the night be dark and dreary, Darkness can not hide from Thee, 4. Should swift death this night o'ertake us, And our couch become our tomb, Sin and want we come confessing; Thou canst save, and thou canst heal. Angel guards from thee surround us; We are safe, if thou art nigh. Thou art He who, ever weary, Watcheth where Thy people be. May the morn in heaven awake us, Clad in light and deathless bloom HALCYON. S. M. 1. How gentle God's commands! How kind His precepts are! 2. Beneath His watchful eye His saints securely dwell; 3. Why should this anxious load Press down your weary mind? 4.His goodness stands approved, Unchanged from day to day; Come, cast your burden on the Lord, And trust His constant care. That hand which bears all nature up, Shall guard His children well. Haste to your heavenly Father's throne, And sweet refreshment find. I"ll drop my burden at His feet, and Bear a song away. ---- FOR CONGREGATIONAL SINGING. 7 MYRTLE WILL. S. M. 1. While my Redeemer's near, My shepherd and my guide, 2. To ever fragrant meads, Where rich abundance grows, 3. Dear Shepherd, if I stray, My wandering feet restore: I bid farewell to anxious fear; My wants are all supplied. His gracious hand indulgent leads, And guards my sweet respose. To Thy fair pastures guide my way, And let me rove no more. LAUREL WOOD. C. M. 1. Our Father, God, who are in heaven, All hallowed be Thy name! 2. Give us this day, our daily bread, And as we those forgive 3. Into temptation lead us not; From evil set us free; Thy kingdom come; Thy will be done, In earth and heaven the same! Who sin against us, so may we Forgiving grace receive. And thine the kingdom, thine the power And glory, ever be. We have here a higher sound, and in the representation will use another line. ODA. C. M. 1. Oh, that the Lord would guide my ways, To keep His statues still! 2.Oh, send Thy Spirit down, to write Thy law upon my heart; 3. Order my footsteps by Thy word, And make my heart sincere; 4. Make me to walk in Thy commands, 'T is a delightful road; Oh that my God would give me grace To know and do His will. Nor let my tongue indulge deceit, Nor act the liar's part. Let sin have no dominion, Lord, But keep my conscience clear, Nor let my head, nor heart, nor hands, Offend against my God. Where two words are sung to one note, they are uttered quicker. ORVIS. L. M. 1. Sweet is the work, my God, my King, To praise Thy name, give thanks and sing, 2. Sweet is the day of sacred rest; No mortal cares shall seize my breast; To show Thy love by morning light, And talk of all Thy truth at night. Oh, may my heart in tune be found, Like David's harp of solemn sound. LEAVITT. S. M. 1. The Lord my Shepherd is; I shall be well supplied; 2. He leads me to the place Where heavenly pasture grows; 3. If e'er I go astray, He doth my soul reclaim; 4. While He affords His aid, I cannot yield to fear; Since He is mine and I am His, What can I want beside. Where living waters gently pass, And full salvation flows. And guides me in His own right way, For His most holy name. Tho' I should walk thro' death's dark shade, My Shepherd's with me there. PALMTREE. S. M. 1. We life our hearts to Thee, Thou Day star from on high; 2. Oh, let Thy rising beams Dispel the shades of night; 3. How beauteous nature now! How dark and sad before! 4. May we this life improve, To mourn errors past; The sun itself is but Thy shade, Yet cheers both earth and sky. And let the glories of Thy love, Come like the morning light! With joy we view the pleasing change, And nature's God adore. And live this short, revolving day As if it were our last. ---- 8 INTRODUCTORY COURSE Rowena. L. M. 1. Soon may the last glad song arise, Thro' all the millions of the skies. 2. Let thrones and powers and kingdoms be Obedient, mighty God, to Thee! 3. Oh, let that glorious anthem swell, Let host to host the triumph tell, That song of triumph which records That all the earth is now the Lord's! And over land and stream and main, Wave Thou the scepter of Thy reign! That not one rebel heart remains, But over all the Savior reigns! SABERTON. 7s. 1. Songs of praise the angels sang, Heaven with hallelujahs rang, 2. Songs of praise awoke the morn, When the Prince of Peace was born: 3. Heaven and earth shall pass away; Songs of praise shall crown the day: 4. Saints below, with heart and voice, Still in songs of praise rejoice; When Jehovah's work begun, When He spake, and it was done. Songs of praise arose when He Captive led captivity. God will make new heavens and earth; Songs of praise shall hail their birth. Learning here by faith and love, Songs of praise to sing above. PINE GROVE. C.M. 1. How sweet, how heavenly is the sight, When those who love the Lord 2. When each can feel his brother's sign, And with him bear apart! 3. When, free from envy, scorn and pride, Our wishes all above, In one another's peace delight, And so fulfill His word! When sorrow flows from eye to eye, And joy from heart to heart. Each can his brother's failings hide, And show a brother's love. EVERHART. 7s. 1. Sons of Zion, raise your songs! Praise to Zion's King belongs; 2. Sore the strife, but rich the prize, Precious in the Victor's eyes; 3. Sing we then the Victor's praise; Go ye forth and strew the ways; 4. Place the crown upon His brow; Every knee to Him shall bow; His the Victor's crown and fame: Glory to the Savior's name! Glorious is the work achieved, Satan vanquished man relieved! Bid Him welcome to His throne; He is worthy, He alone! Him the brightest seraph sings; Heaven proclaims Him "King of kings!" TRUCE. C.M. 1. O God, my heart is fully bent To magnify Thy name; 2. To all the listening tribes, O Lord, Thy wonders I will tell; 3. Because Thy mercy's boundless height The highest heaven transcends. 4. Be thou, O God, exalted high Above the starry frame; My tongue, with cheerful songs of praise, Shall celebrate Thy fame. And to those nations sing Thy praise That round about us dwell. And far beyond th' aspiring clouds Thy faithful truth extends. And let the world with one consent, Confess Thy glorious name. GUEST. C. M. 1. O happy land! O happy land! Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh, hear us when we pray! We long to join that glorious band, And all their anthems dwell. No lips untaught can join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. ---- FOR CONGREGATIONALL SINGING 9 When two syllables are printed under one note, they are to be sung quicker. They are to take as much time only as one syllable in the other places. BERRINGTON. 11s & 10s. 1. Brightest and best of the sons of the morning! 2. Cold on his cradle the dewdrops are shining, 3. Say, shall we yield him, in costly devotion, 4. Vainly we offer each ample oblation, 5. Brightest and best of the sons of the morning! Down on our darkness and lend us thine aid; Low lies his Head with the boasts of the stall; Odors of Edom and offerings divine? Vainly with gold would His favors secure; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Angels adore Him in slumber reclining, Gems of the mountain, and pearls of the ocean Richer, by far, is the heart's adoration, Star of the East, the horizon adorning. Guide where our infant Redeemer is laid. Maker, and Monarch, and Savior of all! Dearer to God are the prayers of the poor. Guide where our infant Redeemer is laid. OLOFF. S. M. 1.Is this the kind return? Are these the thanks we owe? 2. To what a stubborn frame Hath sin reduced our mind? 3. Turn, turn us, mighty God, And mold our souls afresh; 4. Let past ingratitude, Provoke our weeping eyes, Thus to abuse eternal Love, Whence all our blessings flow! What strange, rebellious wretches we! And God as strangely kind; Break Sovereign Grace! hearts of stone, And give us hearts of flesh. And hourly, as new mercies fall, Let hourly thanks arise. CAPULET. 8s & 7s, Double. 1. Glorious things of thee are spoken, Zion, city of our God; 2. On the Rock of Ages founded, What can shake her own repose? He whose word can ne'er be broken, Chose thee for his own abode. With salvation's wall surrounded, She can smile at all her foes. Lord, Thy church is still Thy dwelling, Still is precious in Thy sight; Glorious things of Thee are spoken, Zion, city of our God; Judah's temple far excelling, Beaming with the gospel's light. He whose word can ne'er be broken, Choose thee for His own abode. TELFORD. 8s & 5. 1. Sing of Jesus, sing forever, Of the love that changes 2. Thro' the dessert drear He leads them, With the bread of heaven He 3. There they see the Lord who bought them, Him who came from heaven, and 4. Sing of Jesus, sing forever, Sing the love that changes never; Who or what can from Him sever, Those He makes His own? feeds them. And thro' all the way He speeds them, Him they serve and love. never: Who or what can from Him sever, Those He makes His own? ---- INTRODUCTORY COURSE 10 KINSIE, 7s & 5s. 1. Onward speed thy conquering flight, Angel, onward speed! 2. Onward speed thy conquering flight, Angel, onward fly! 3. Onward speed thy conquering flight, Angel, onward speed! Cast abroad thy radiant light, Bid the shakes recede; Long has been the reign of night, Bring the morning nigh; Morning bursts upon our sight. Lo! Let the time decreed: Tread the idols in the dust, Heathen fanes destroy; Unto thee earth's sufferers lift Their imploring wall; Now the Lord His kingdom takes, Thrones and empires fall; Spread the gospel's love and trust, Spread the gospel's joy. Bear them heaven's holy gift, Ere their courage fall. Now the joyous song awakes, "God is All in All!" FARWELL. 8s, 7s & 4. 1. Every human tie may perish; Friend to friend unfaithful 2. In the furnace God may prove thee, Thence to bring thee forth more prove; Mothers cease their own to cherish; Heaven and earth at least bright; But can never cease to love thee; Thou art precious in remove; But no changes Can avert a Father's love. His sight; God is with thee; God, thine everlasting light. RECTOR. 7s & 6s. 1. In heavenly love abiding, No change my heart shall fear, 2. Wherever He may guide me, No want shall turn me back: 3. Green pastures are before me, Which yet I have not seen; And safe is such confiding, For nothing changes here. My Shepherd is beside me, And nothing can I lack. Bright skies will soon be o'er me, Where darkest clouds have been: The storm may roar about me, My heart may low be laid, His wisdom ever waketh, His sight is never dim: My hope I cannot measure; My path to life is free; But God is round about me, And can I be dismayed? He knows the way He taketh, And I will walk with Him. My Savior has my treasure, And He will walk with me. AURANIA. C. M. 1.O happy land, O happy land, Where saints and angels dwell; 2. But every voice in yonder throng On earth has breathed a prayer; 3. Thou heavenly Friend! Thou heavenly Friend! Oh hear us when we pray! 4. Be all our fresh, our youthful days To Thy blest service given: We long to join that glorious hand, And all their anthems swell. No lips untaught may join that song, Or learn the music there. Now let Thy pardoning grace descend, And take our sins away. Then we shall meet to sing Thy praises, A ransomed band in heaven. ---- FOR CONGREGATIONAL SINGING 11 WITHINGTON. 8s & 7s, Peculiar. 1. God is our refuge ever near, Our help in tribulation; 2. The stream that flows from Zion's hill, Shall yet, serenely gliding Therefore His people shall not fear Amid a wreck'd creation; With the holy city fill, His presence there abiding; Tho' mountains from their base be hurled, And ocean shake the solid The Lord, her glory and defense, Will guard his chosen residence world. The Lord is our salvation, The Lord is our salvation. His aid providing, His timely aid providing. CLEAR LAKE. 6s & 4s. 1. God bless our native land, Firm may she ever stand, 2. For her our prayer shall rise, To God, above the skies. Thro' storm and night; When wild the tempests rave, Ruler of On Him we wait: Thou who are ever nigh, Guarding with Wind and wave, Do Thou our country save, By Thy great might. watchful eye, To Thee aloud we cry, God save the State! WINONA. 8s. & 6 s. 1. Let every heart rejoice and sing; Let choral anthems 2. He bids the sun to rise and set; In heaven His power is rise; Ye reverend men and children, bring To God your sacrifice: known. And earth subdued to Him, shall yet Bow low before For He is good, the Lord is good, and kind are His throne: For He is good, the Lord is good, and kind are all His ways: With songs and honors sounding loud, The Lord all His ways: With songs and honors sounding loud, The Lord Jehovah praise; While the rocks and the rills, While the vales Jehovah praise; While the rocks and the rills, While the vales and the hills, A glorious anthem raise, Let each prolong and the hills, A glorious anthem raise, Let each prolong the grateful song, And the God of our fathers praise. the grateful song, And the God of our fathers praise. ---- INTRODUCTORY COURSE 12 CHANT NO. 1 1. Have mercy upon me, O God, according to Thy loving kindness 2. Wash me thoroughly from my iniquity, and cleanse me from my sin. 3. Against Thee, Thee only have I sinned, and done this evil in thy sight. 4. Create in me a clean heart, O God: and renew a right spirit within me. 5. Restore unto me Thy salvation, and uphold me with Thy free Spirit. According to the multitude of Thy tender mercies, Blot out my transgressions. For I acknowledge my transgressions; and my sin is ever before me. That Though mayest be justified when Thou speakest, and be clear when Thou judgest. Cast me not away from Thy presence, and take not Thy Holy Spirit from me. Then will I teach transgressors Thy ways, and sinners shall be converted unto Thee. When two notes are printed over one syllable, it indicates that two sounds are to be sung to it. CHANT NO. 2. 1. The Lord is my shepherd, I shall not want. 2. He restoreth my soul: 3. Yes, though I walk through the valley of the shadow of death, I will fear no evil: 4. Thou prepares a table for me in the presence of mine enemies. 5. Surely goodness and mercy shall follow me all the days of my life Me maketh me to lie down in green pastures; He leadeth me beside the still waters. He leadeth me in the paths of righteousness for His name's sake. For Thou art with me; Thy rod and Thy staff they comfort me. Thou anointest my head with oil: my cup runneth over. And I will dwell in the house of the Lord forever. CHANT NO. 3. 1. God be merciful until us and bless us; 2. That Thy way may be known upon earth, 3. Let the people praise Thee, O God, 4. Oh let the nations be glad and sing for joy; 5. Let the people praise Thee, O God, 6. Then shall the earth yield her increase; 7. God shall bless us; And cause His face to shine upon us. Thy saving health among all nations. Let all the people praise Thee. For Thou shalt judge the people righteously and govern the nations upon earth. Let all the people praise Thee. And God, even our own God shall bless us. And all the ends of the earth shall fear Him. CHANT NO. 4. 1. Praise ye the Lord: O give thanks unto the Lord for He is good: 2. Who can utter the mighty acts of the Lord? 3. Blessed are they that keep judgment. 4. Remember me, O Lord: 5. O visit me with Thy salvation. 6. That I may rejoice in the gladness of Thy nation: For His mercy is forever. Who can show forth all His praise? And He that doeth righteousness at all times. With the favor that Thou bearest unto Thy people. That I may see the good of Thy chosen. That I may glory with Thine inheritance. ---- AND TEACHER'S MANUAL 17 https://chroniclingillinois.org/files/original/87786e857ef4d606c10c9e4694175351.pdf 297ae3fc4c0f7db5b657124c80f2b0e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200005 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle Cry of Freedom Description An account of the resource A "Rallying Song." Meant to support Union soldiers. Cover depicts five vignettes labeled clockwise from the top center: "The Vacant chair, Silent lute, Who'll save the left, Battll (i.e. battle) cry of freedom, Within sound of the enemy's guns." Subject The topic of the resource Sheet music Patriotic music Soldiers--Songs and music War songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root and Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/af3ffb4d9169f59d51c7f3346eb8d07d.pdf 0e4861ca433d13191a01e5e07ba3cd52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200006 Illinois Sheet Music Collection A-B Title A name given to the resource The Battle Cry of Freedom Description An account of the resource A "Rallying Song." Meant to support Union soldiers. Cover depicts five vignettes labeled clockwise from the top center: "The Vacant chair, Silent lute, Who'll save the left, Battll (i.e. battle) cry of freedom, Within sound of the enemy's guns." Subject The topic of the resource Sheet music Patriotic music Soldiers--Songs and music War songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. Contributor An entity responsible for making contributions to the resource Root and Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/20ed02b79451a288a05715237d0d86b5.pdf 35bb5a22b3a79c46ad7a010c9d597794 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Sung at the funeral ceremonies of PRESIDENT LINCOLN. Buried at Springfield, Ill., May 4, 1865. FAREWELL FATHER, FRIEND AND GUARDIAN. SONG AND CHORUS. WORDS BY L.M. DAWN. MUSIC BY GEO. F. ROOT. 3 CLEVELAND: Published by S. Brainard's Sons, 203 Superior St. Entered according to Act of Congress, A.D. 1865, by Root & Cody, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> FAREWELL FATHER, FRIEND AND GUARDIAN. Words by L.M. Dawn. Music by Geo. F. Root. Slowly and tenderly. Introduction. 1. All our land is draped in mourning, Hearts are bowed and strong men 2. Thro' our night of bloody struggle, Ever dauntless, firm and 3. When from mountain, hill and valley, To their homes our brave boys 4. Honor'd leader, long and fondly Shall thy mem'ry cherished <hr /> 4 weep; For our loved, our noble leader, Sleeps his last, his dreamless true, Bravely, gently forth he lead us, Till the morn burst on our come, When with welcome notes we greet them, Song and cheer, and pealing be; Hearts shall bless thee for other freedom, Hearts unborn shall sign for sleep, Gone forever, gone forever, Fallen by a traitor's view-- Till he saw the day of triumph, Saw the field our heroes drum; When we miss our lov'd ones fallen, When to weep we turn thee; He who gave thee might and wisdom, Gave thy spirit sweet hand; Tho' preserv'd his dearest treasure, Our redeem'd, beloved land. won; Then his honor'd life was ended, Then his glorious work was done. Aside; Then for him our tears shall mingle--He has suffer'd--he had died. Release; Farewell, father, friend and guardian, Rest forever, rest in peace. <hr /> 5 CHORUS. Farewell father, friend and guardian, Thou has joined the martyr Farewell father, friend and guardian, Thou hast joined the martyr Farewell father, father and guardian, Thou has joined the martyr band, But thy glorious work remaineth, Our redeemed beloved land. band, But thy glorious work remaineth, Our redeemed beloved land. band, But thy glorious work remaineth, Our redeemed beloved land. <hr /> S. BRAINARD'S SONS' MUSIC PUBLISHING HOUSE. New Musical Publications. Vocal. I've kissed her lips in dreams.--Beautiful song and chorus, words by Samuel L. Mitchell, music by J. Tannenbaum. This is one of the prettiest songs published this year, the melody is taking, and the chorus very effective. Price, 30 cents. A Mother's Lullaby.--Cradle song, by Lizzie T. Berber arranged by F.H. Pease. A sweet and plaintive little song which will find many admirers. Price, 30 cents. The night is fine, (La Notte E. Bella) by Gugliellmo. An elegant new edition of this favorite song. English and Italian words. Price, 30 cents. Who's Dreaming of Me.--Beautiful ballad by Wm. T. Rogers, author of "Beacon Light," "Cantilena," and many other universal favorites. This charming new song will find many admirers. Price, 30 cents. Teach Me Thy Ways, Oh Lord.--Anthem by Alfred Arthur, arranged as duet for soprano and alto. A beautiful composition, and not difficult. Price, 35 cents. Moet and Chandon. -- Sequel to "Champagne Charlie," a lively comic song and very popular. Price, 30 cents. Daisy Lee.--Song and Chorus, by J.M. Kieffer. A beautiful new song with very pleasing and effective chorus. We predict a great popularity for this charming song. The title page is elegantly illustrated. Price, 35 cents. Mamma, why don't Baby cry?--Song and Chorus by James W. Long. This touching little song and chorus will certainly become a great favorite. The title page is handsomely illustrated. Price, 40 cents. How the Gates came ajar.--Beautiful song and Chorus by Eastburn. This is at present the most popular song in the country, nearly one hundred thousand copies having already been sold. It is one of the most beautiful songs ever published. An elegant new edition with illustrated title, is now issued. Price, 40 cents. Plain title 35 cents. When you were Seventeen, Maggie.--Song and Chorus by H.C. Camp. A charming new song, written is an easy and popular style. Price, 30 cents. Mother, come home to me.--Song and Chorus, by S.W. Straub. A beautiful melody well arranged. Price, 30 cents. God bless our Home.--Duet and Chorus, by A.T. Gorham. This is a fine composition and not difficult. it will please all wishing a good duet with an effective chorus. Price 35 cents. Dorabel my Darling.--Song and Chorus, by A.T. Gorham. A neat little parlor song; easy and pretty. Price, 30 cents. Simply to thy Cross I Cling.--Beautiful sacred song by Wm. West. Fine illustrated title. Price, 40 cents. Take me Back Home Again.--Ballad by Harrison Millard. One of the best efforts of this distinguished song writer. Price 30 cents. INSTRUMENTAL. Claret Waltz.--By Theodore Presser. A simple little piece for beginners. Price, 30 cents. Maderia Polka.--By Theodore Presser. Easy and pretty for young players. Price, 30 cents. Champagne Mazurka.--By Theodore Presser. Another quite simple little piece. Price, 30 cents. The above three compositions are excellent teaching pieces, and form part of a new set now being published under the general title of "The Wine Table." They are of the same grade as Kinkel's "Golden Leaves," &c. Nocturne.--F. Chopin, Opus 32 No. 1. New edition of this beautiful composition. Price 35 cents. Third Ballade, (in A Flat.) F. Chopin. Opus 47. New and correct edition of this favorite composition. Price $1.00. Trois Sonatas.--F. Kuhlau, Opus 50. Three brilliant Sonatas, of moderate difficulty. No. 1 in A, price 75 cents; No. 2 in F, price 85 cents; No. 3 in C, price 85 cents. These Sonatas are extensively used by many of our best teachers. Toccata.--Exercises for piano, by Charles Czerny, Opus 92. These admirable exercises are used by the Cleveland Conservatory of Music, and other large schools, and will be found very useful. Price 75 cents. Six Sonatinas.--Easy and progressively by F. Kuhlau, opus 33. We commend these beautiful Sonatinas to teachers as exceedingly valuable. In six numbers. Price of Nos. 1 to 5, 35 cents each. No. 6, 40 cents. Pearly Shower--Polka brilliante, by Horace E. Kimball. A very showy and pleasing parlor piece, of moderate difficulty. Price, 40 cents. Liverpool Schottische Brilliante--By W. L. Thompson. A lively and very pretty composition. Not difficult. Price, 35 cents. Thousand and One Night Waltzes.--By Johann Strauss. The popular waltzes of the season, as played by Theodore Thomas' Orchestra with great success. Price, 75 cents. Allegresse--Allegro Scherzando, by Eugene Ketterer. Op. 263. A brilliant and fascinating composition of moderate difficulty. Price 50 cents. Carlisle Barracks Parade March.--By P. Th. Held. A good effective march. Very pleasing and not difficult. Price 40 cents. La Truite--Caprice brilliant, by Stephen Heller, on an air from Fr. Schubert. A fine composition for advanced players. Price, 60 cents. Nom E' Ver ('Tis not True)--Beautiful transcriptions by Fritz Spiedler, of moderate difficulty. Price 60 cents. Water Drop Schottisch--By Carl F. Kolbe. One of the prettiest and most attractive little pieces we have ever heard; it is easy, yet sparkling and showy, and most become immensely popular. We advise all our young pianists to secure this piece. Price 30 cents. Le Jeu des Flots, (The Play of the Waves) Morceaux de Salon.--By Lizzie M. Hervey. The thousands who have played and admired "The Feast of Roses," by this composer, will welcome this piece; it is very graceful and pleasing, and of moderate difficulty. Price 75 cents. Silver Spring Polka.--By P.Th. Held. Lively, pretty and easy. Price 30 cents. Jolly Polka.--By Carl F. Kolbe. A good easy piece for young players. Lively and brilliant. Price, 30 cents. L'Adieu Valse.--By Frank D. Abbott. A brilliant, showy and original Waltz, forming an attractive parlor piece, and not difficult. Price 40 cents. Golden Star Schottisch.--By Carl F. Kolbe. Another little gem for young players which will please. Price 30 cents. Magnolia Mazurka.--By Karl Merz. The latest of this popular author's sparkling compositions. Not difficult, and a very showy parlor piece. Price 40 cents. College March.--By Carl F. Kolbe. A good effective march; easy, yet showy and brilliant. Price 30 cents. Fantasia Marsiale.--By George Forbes: This will be found a very pleasing and useful composition, full of life, and not difficult. Price, 60 cents. NEW GUITAR MUSIC. VOCAL. How the Gates Came Ajar.--Eastburn's popular song, finely arranged for Guitar, by Justin Holland. Price 30 cents. Safe Within Thy Little Bed.--Answer to "Put me in my little bed," arranged for Guitar, by Justin Holland. Price 30 cents. INSTRUMENTAL. Shady Dell Polka.--By Chas. Harris. Lively and brilliant. Price 25 cents. The Three Friends.--Three favorite Guitar pieces. "Hyde Park Waltz," "West Side Gallop" and "Irish Gig," by Charles Harris. Price 25 cents. Beethoven's Funeral March.--Arranged for Guitar, by W. Bryant Headley; price 25 cents. Belle of the Day Mazurka.--By Charles Harris. A charming Guitar pieces, not difficult; price 25 cents. Sound's from the Plantation.--By Chas. Harris. A pleasing arrangement for Guitar, introducing "Cotton-wood Gallop," "Gum Tree Jig" and "Palmetto Schottisch"; price 25 cents. Japonica Waltz.--Composed and arranged, for Guitar, by Chas. Harris. Very pretty; price [?] cents. Princess Amelia March.--By Chas. Harris. A good march composed expressly for Guitar; price 25 cents. A complete catalogue of Guitar Music, vocal, and instrumental, will be sent on application. MUSIC FOR PIANO AND VIOLIN. Slumber song.--(Schummerlied,) Robert Schumann, arranged by Fred. Behr. A beautiful composition of moderate difficulty: price 75 cents. Rakoczy March.--By G. Scheller. A very effective composition, well arranged, moderately difficult; price 50 cents. Fest March.--By Carl Faust. This popular author's arrangements for Violin and Piano, are all good. This piece is a favorite: price 50 cents. Le Velocipede Gallop.--By Carl Faust. An easy and pleasing arrangement; price 40 cents. Wiener Bon-Bon's Waltzes.--By Johann Strauss. These beautiful waltzes are finely arranged for violin and piano. Not difficult; price $1.00 We publish a large amount of choice music, arranged for violin and piano, catalogue of which will be mailed to any address. NEW BOOK FOR SINGING SCHOOLS. The Crystal--A new single book, by F. H. [Penn?] containing Glees, Quartettes, Choruses, Chants, Hymns, Tunes, Anthems, &c.: also, a complete elementary department. The Crystal is especially valuable to the Singing School, Day School, to teachers and to the home circle; to the Singing School because it contains copious exercises, examples, and explanations, thus saving the time and trouble of writing on the black board; also, contains the major, minor and chromatic scales, treated in a full and comprehensive manner. It is well known to the experienced that Glees and Part Songs are much better for classes than church music. The Crystal has one other excellence which no musician can fail to notice, viz: The Harmonic treatment. We can confidently say that the Harmony is not only correct (which is more than can be said of two-thirds of the music now being issued) but that it is strong, avoiding the more common-lace, not pedantic, but instructive and beautiful, and evinces, at every step, the careful study of the author. As in literature, the books which a man reads will have an unmistakable influence upon his character, his conversation and his thoughts, so in music, the harmonic treatment will have a remarkable, perhaps undefinable, but nevertheless decided effect upon the singer. In this respect, therefore, we feel that The Crystal will be a teacher in itself. The author, Mr. F.H. Pease, is well known as one of the most successful teachers in the West. His former works, the "Musical Lyra" and "Western Bell," have had a large sale, and "The Crystal" will certainly become a great favorite, 35 cents printed from new, clear type, and substantially bound. Price, $1.50, or $13.50 per dozen. Music can be sent safely to any part of the country by mail. We are daily sending hundreds of packages in this way. Any of the above will be mailed post-paid, to any address, on receipt of the marked price. Our large, complete catalogue of music and music Books, will be sent free on application. Address all orders to S. BRAINARD'S SONS Publishers, Cleveland, O Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 36 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300981 416527012 Title A name given to the resource Farewell Father, Friend and Guardian Description An account of the resource "Sung at the funeral ceremonies of President Lincoln Buried at Springfield, ILL, May 4, 1865". Song and chorus. Subject The topic of the resource Lincoln, Abraham, 1809-1865 Root, George, Frederic, 1820-1895 Dawn, L. M. Sheet music Funeral music Creator An entity primarily responsible for making the resource Root, George F. And Dawn, L. M. Contributor An entity responsible for making contributions to the resource Brainard's Sons Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cleveland Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Sung at the funeral ceremonies of PRESIDENT LINCOLN. Buried at Springfield, Ill., May 4, 1865. FAREWELL FATHER, FRIEND AND GUARDIAN. SONG AND CHORUS. WORDS BY L.M. DAWN. MUSIC BY GEO. F. ROOT. 3 CLEVELAND: Published by S. Brainard's Sons, 203 Superior St. Entered according to Act of Congress, A.D. 1865, by Root & Cody, in the Clerk's Office of the District Court for the Northern District of Illinois. <hr /> FAREWELL FATHER, FRIEND AND GUARDIAN. Words by L.M. Dawn. Music by Geo. F. Root. Slowly and tenderly. Introduction. 1. All our land is draped in mourning, Hearts are bowed and strong men 2. Thro' our night of bloody struggle, Ever dauntless, firm and 3. When from mountain, hill and valley, To their homes our brave boys 4. Honor'd leader, long and fondly Shall thy mem'ry cherished <hr /> 4 weep; For our loved, our noble leader, Sleeps his last, his dreamless true, Bravely, gently forth he lead us, Till the morn burst on our come, When with welcome notes we greet them, Song and cheer, and pealing be; Hearts shall bless thee for other freedom, Hearts unborn shall sign for sleep, Gone forever, gone forever, Fallen by a traitor's view-- Till he saw the day of triumph, Saw the field our heroes drum; When we miss our lov'd ones fallen, When to weep we turn thee; He who gave thee might and wisdom, Gave thy spirit sweet hand; Tho' preserv'd his dearest treasure, Our redeem'd, beloved land. won; Then his honor'd life was ended, Then his glorious work was done. Aside; Then for him our tears shall mingle--He has suffer'd--he had died. Release; Farewell, father, friend and guardian, Rest forever, rest in peace. <hr /> 5 CHORUS. Farewell father, friend and guardian, Thou has joined the martyr Farewell father, friend and guardian, Thou hast joined the martyr Farewell father, father and guardian, Thou has joined the martyr band, But thy glorious work remaineth, Our redeemed beloved land. band, But thy glorious work remaineth, Our redeemed beloved land. band, But thy glorious work remaineth, Our redeemed beloved land. <hr /> S. BRAINARD'S SONS' MUSIC PUBLISHING HOUSE. New Musical Publications. Vocal. I've kissed her lips in dreams.--Beautiful song and chorus, words by Samuel L. Mitchell, music by J. Tannenbaum. This is one of the prettiest songs published this year, the melody is taking, and the chorus very effective. Price, 30 cents. A Mother's Lullaby.--Cradle song, by Lizzie T. Berber arranged by F.H. Pease. A sweet and plaintive little song which will find many admirers. Price, 30 cents. The night is fine, (La Notte E. Bella) by Gugliellmo. An elegant new edition of this favorite song. English and Italian words. Price, 30 cents. Who's Dreaming of Me.--Beautiful ballad by Wm. T. Rogers, author of "Beacon Light," "Cantilena," and many other universal favorites. This charming new song will find many admirers. Price, 30 cents. Teach Me Thy Ways, Oh Lord.--Anthem by Alfred Arthur, arranged as duet for soprano and alto. A beautiful composition, and not difficult. Price, 35 cents. Moet and Chandon. -- Sequel to "Champagne Charlie," a lively comic song and very popular. Price, 30 cents. Daisy Lee.--Song and Chorus, by J.M. Kieffer. A beautiful new song with very pleasing and effective chorus. We predict a great popularity for this charming song. The title page is elegantly illustrated. Price, 35 cents. Mamma, why don't Baby cry?--Song and Chorus by James W. Long. This touching little song and chorus will certainly become a great favorite. The title page is handsomely illustrated. Price, 40 cents. How the Gates came ajar.--Beautiful song and Chorus by Eastburn. This is at present the most popular song in the country, nearly one hundred thousand copies having already been sold. It is one of the most beautiful songs ever published. An elegant new edition with illustrated title, is now issued. Price, 40 cents. Plain title 35 cents. When you were Seventeen, Maggie.--Song and Chorus by H.C. Camp. A charming new song, written is an easy and popular style. Price, 30 cents. Mother, come home to me.--Song and Chorus, by S.W. Straub. A beautiful melody well arranged. Price, 30 cents. God bless our Home.--Duet and Chorus, by A.T. Gorham. This is a fine composition and not difficult. it will please all wishing a good duet with an effective chorus. Price 35 cents. Dorabel my Darling.--Song and Chorus, by A.T. Gorham. A neat little parlor song; easy and pretty. Price, 30 cents. Simply to thy Cross I Cling.--Beautiful sacred song by Wm. West. Fine illustrated title. Price, 40 cents. Take me Back Home Again.--Ballad by Harrison Millard. One of the best efforts of this distinguished song writer. Price 30 cents. INSTRUMENTAL. Claret Waltz.--By Theodore Presser. A simple little piece for beginners. Price, 30 cents. Maderia Polka.--By Theodore Presser. Easy and pretty for young players. Price, 30 cents. Champagne Mazurka.--By Theodore Presser. Another quite simple little piece. Price, 30 cents. The above three compositions are excellent teaching pieces, and form part of a new set now being published under the general title of "The Wine Table." They are of the same grade as Kinkel's "Golden Leaves," &c. Nocturne.--F. Chopin, Opus 32 No. 1. New edition of this beautiful composition. Price 35 cents. Third Ballade, (in A Flat.) F. Chopin. Opus 47. New and correct edition of this favorite composition. Price $1.00. Trois Sonatas.--F. Kuhlau, Opus 50. Three brilliant Sonatas, of moderate difficulty. No. 1 in A, price 75 cents; No. 2 in F, price 85 cents; No. 3 in C, price 85 cents. These Sonatas are extensively used by many of our best teachers. Toccata.--Exercises for piano, by Charles Czerny, Opus 92. These admirable exercises are used by the Cleveland Conservatory of Music, and other large schools, and will be found very useful. Price 75 cents. Six Sonatinas.--Easy and progressively by F. Kuhlau, opus 33. We commend these beautiful Sonatinas to teachers as exceedingly valuable. In six numbers. Price of Nos. 1 to 5, 35 cents each. No. 6, 40 cents. Pearly Shower--Polka brilliante, by Horace E. Kimball. A very showy and pleasing parlor piece, of moderate difficulty. Price, 40 cents. Liverpool Schottische Brilliante--By W. L. Thompson. A lively and very pretty composition. Not difficult. Price, 35 cents. Thousand and One Night Waltzes.--By Johann Strauss. The popular waltzes of the season, as played by Theodore Thomas' Orchestra with great success. Price, 75 cents. Allegresse--Allegro Scherzando, by Eugene Ketterer. Op. 263. A brilliant and fascinating composition of moderate difficulty. Price 50 cents. Carlisle Barracks Parade March.--By P. Th. Held. A good effective march. Very pleasing and not difficult. Price 40 cents. La Truite--Caprice brilliant, by Stephen Heller, on an air from Fr. Schubert. A fine composition for advanced players. Price, 60 cents. Nom E' Ver ('Tis not True)--Beautiful transcriptions by Fritz Spiedler, of moderate difficulty. Price 60 cents. Water Drop Schottisch--By Carl F. Kolbe. One of the prettiest and most attractive little pieces we have ever heard; it is easy, yet sparkling and showy, and most become immensely popular. We advise all our young pianists to secure this piece. Price 30 cents. Le Jeu des Flots, (The Play of the Waves) Morceaux de Salon.--By Lizzie M. Hervey. The thousands who have played and admired "The Feast of Roses," by this composer, will welcome this piece; it is very graceful and pleasing, and of moderate difficulty. Price 75 cents. Silver Spring Polka.--By P.Th. Held. Lively, pretty and easy. Price 30 cents. Jolly Polka.--By Carl F. Kolbe. A good easy piece for young players. Lively and brilliant. Price, 30 cents. L'Adieu Valse.--By Frank D. Abbott. A brilliant, showy and original Waltz, forming an attractive parlor piece, and not difficult. Price 40 cents. Golden Star Schottisch.--By Carl F. Kolbe. Another little gem for young players which will please. Price 30 cents. Magnolia Mazurka.--By Karl Merz. The latest of this popular author's sparkling compositions. Not difficult, and a very showy parlor piece. Price 40 cents. College March.--By Carl F. Kolbe. A good effective march; easy, yet showy and brilliant. Price 30 cents. Fantasia Marsiale.--By George Forbes: This will be found a very pleasing and useful composition, full of life, and not difficult. Price, 60 cents. NEW GUITAR MUSIC. VOCAL. How the Gates Came Ajar.--Eastburn's popular song, finely arranged for Guitar, by Justin Holland. Price 30 cents. Safe Within Thy Little Bed.--Answer to "Put me in my little bed," arranged for Guitar, by Justin Holland. Price 30 cents. INSTRUMENTAL. Shady Dell Polka.--By Chas. Harris. Lively and brilliant. Price 25 cents. The Three Friends.--Three favorite Guitar pieces. "Hyde Park Waltz," "West Side Gallop" and "Irish Gig," by Charles Harris. Price 25 cents. Beethoven's Funeral March.--Arranged for Guitar, by W. Bryant Headley; price 25 cents. Belle of the Day Mazurka.--By Charles Harris. A charming Guitar pieces, not difficult; price 25 cents. Sound's from the Plantation.--By Chas. Harris. A pleasing arrangement for Guitar, introducing "Cotton-wood Gallop," "Gum Tree Jig" and "Palmetto Schottisch"; price 25 cents. Japonica Waltz.--Composed and arranged, for Guitar, by Chas. Harris. Very pretty; price [?] cents. Princess Amelia March.--By Chas. Harris. A good march composed expressly for Guitar; price 25 cents. A complete catalogue of Guitar Music, vocal, and instrumental, will be sent on application. MUSIC FOR PIANO AND VIOLIN. Slumber song.--(Schummerlied,) Robert Schumann, arranged by Fred. Behr. A beautiful composition of moderate difficulty: price 75 cents. Rakoczy March.--By G. Scheller. A very effective composition, well arranged, moderately difficult; price 50 cents. Fest March.--By Carl Faust. This popular author's arrangements for Violin and Piano, are all good. This piece is a favorite: price 50 cents. Le Velocipede Gallop.--By Carl Faust. An easy and pleasing arrangement; price 40 cents. Wiener Bon-Bon's Waltzes.--By Johann Strauss. These beautiful waltzes are finely arranged for violin and piano. Not difficult; price $1.00 We publish a large amount of choice music, arranged for violin and piano, catalogue of which will be mailed to any address. NEW BOOK FOR SINGING SCHOOLS. The Crystal--A new single book, by F. H. [Penn?] containing Glees, Quartettes, Choruses, Chants, Hymns, Tunes, Anthems, &c.: also, a complete elementary department. The Crystal is especially valuable to the Singing School, Day School, to teachers and to the home circle; to the Singing School because it contains copious exercises, examples, and explanations, thus saving the time and trouble of writing on the black board; also, contains the major, minor and chromatic scales, treated in a full and comprehensive manner. It is well known to the experienced that Glees and Part Songs are much better for classes than church music. The Crystal has one other excellence which no musician can fail to notice, viz: The Harmonic treatment. We can confidently say that the Harmony is not only correct (which is more than can be said of two-thirds of the music now being issued) but that it is strong, avoiding the more common-lace, not pedantic, but instructive and beautiful, and evinces, at every step, the careful study of the author. As in literature, the books which a man reads will have an unmistakable influence upon his character, his conversation and his thoughts, so in music, the harmonic treatment will have a remarkable, perhaps undefinable, but nevertheless decided effect upon the singer. In this respect, therefore, we feel that The Crystal will be a teacher in itself. The author, Mr. F.H. Pease, is well known as one of the most successful teachers in the West. His former works, the "Musical Lyra" and "Western Bell," have had a large sale, and "The Crystal" will certainly become a great favorite, 35 cents printed from new, clear type, and substantially bound. Price, $1.50, or $13.50 per dozen. Music can be sent safely to any part of the country by mail. We are daily sending hundreds of packages in this way. Any of the above will be mailed post-paid, to any address, on receipt of the marked price. Our large, complete catalogue of music and music Books, will be sent free on application. Address all orders to S. BRAINARD'S SONS Publishers, Cleveland, O Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/146c9e157fd9a21d7061dd0b7d08f0a2.pdf e3d2eddc6e3d77509ae82454c861d3be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illinois Sheet Music and Song Books Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self">Browse items in the Illinois Sheet Music and Song Books Collection</a> This collection contains sheet music and song books published in Illinois or about Illinois topics. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 28cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 200036 Illinois Sheet Music Collection R-S Title A name given to the resource The Road To Slumberland and I Will Lay Me Down and The Old Canoe Description An account of the resource Sheet music contains three songs, (ballads) written by George Frederick Root. This is a "Supplement to the Sunday Inter Ocean, vol. 23, no. 85, Sunday June 17, 1894." On cover there is an Illustration and biographical sketch of George F. Root. Subject The topic of the resource Sheet music Root, George F. (George Frederick), 1820-1895 Ballads, English Popular music Creator An entity primarily responsible for making the resource Root, George F. , Brine, Mary D. and Grannis, S. M. Contributor An entity responsible for making contributions to the resource The Sunday Inter Ocean Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1894 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/b7aed941913ff17ce29a98bbbe9ae9d3.pdf 475d4d54c7b31779a40e289e5e59109c Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. On, on, on, the Boys came Marching! OR THE PRISONER FREE. (Sequel to "Tramp, Tramp, Tramp.") Words and Music by GEO. F .ROOT 1. O! the day it came at last, When the glo-rious tramp was heard, And the boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we ut-tered not a word, As the boom-ing of our can-non rolled a-long! 2. O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no longer-should en-dure, When the hosts of free-dom reached our pris-on cell! 3. O! the war is ov-er now, And we're safe at home a-gain, And the cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on! On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free! Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301103 37735994 Title A name given to the resource On, On, On, the Boys Came Marching! Description An account of the resource Also known as "The Prisoner Free and a sequel to "Tramp, Tramp, Tramp," the song takes the perspective of Union prisoners of war waiting in expectation for their liberation. Subject The topic of the resource Root, George Frederick, 1820-1895 Sheet music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. On, on, on, the Boys came Marching! OR THE PRISONER FREE. (Sequel to "Tramp, Tramp, Tramp.") Words and Music by GEO. F .ROOT 1. O! the day it came at last, When the glo-rious tramp was heard, And the boys came march-ing fif-ty thou-sand strong, And we grasped each oth-ers, hands, Tho' we ut-tered not a word, As the boom-ing of our can-non rolled a-long! 2. O! the fee-blest heart grew strong, And the most des-pond-ent, sure, When we heard the thrill-ing sounds we loved so well, For we knew that want and wo, We no longer-should en-dure, When the hosts of free-dom reached our pris-on cell! 3. O! the war is ov-er now, And we're safe at home a-gain, And the cause we starved and suf-fer'd for, is won, But we nev-er can for-get, 'Mid our woe and mid our pain, How the glo-rious Un-ion boys came tramp-ing on! On, On, On the boys came march-ing, Like a grand ma-jes-tic sea, And they dashed a-way the guard from the heavy I-ron door, And we stood beneath the starry banner, free! Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/79291bbb978b4e193a77621b75606647.pdf 263db9a89684a48875ab9f8d96fc47ad Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE. AS SUNG BY EDWIN KELLEY, OF ARLINGTON KELLEY & LEON'S MINSTRELS. Song and Chorus. BY GEO. F. ROOT. Published by Root & Cady, 67 Washington St. CHICAGO. Entered according to Act of Congress, A. D. 1851 by Ross & Cady, in the Clerk's Office of the District Courtfor the Northern District of Illinois <hr /> ROOT & CADY. CABINET ORGANS. CONGRATULATE you on the introduction of a new mu- sical instrument, long wanted, and sure to find its way into every household of taste and refinement. L. M. GETTINCHAIN. A very efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. NEW YORK EXAMINER. BEST of their class of which we have any knowledge. MORE THAN TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior in everything of kind I have seen, whether in Europe or America. Gen. Wa???quine Morgan. NEVER have seen anything of the kind which interested me so much. GEORGE F. ROOT. EXCEEDS in my estimation every other instrument of this general class. THOMAS HART???N. THE favorable testimony of nearly every organist or pia- nist of note in this country, together with that of cer- tain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER . REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. IRENACS. AS compared with Melodeona, Harmoniums, ?c, the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. WILLIAM MASON. NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American. JOHN ZUNDEL. Made only by MASON & HAMLIN, Boston. In Plain or elegant Cases, with one to twelve Stops. LATE INSTRUMENTAL MUSIC. SOPHIA POLKA......................Wimmerstedt. 23 WARBLING OF THE BIRDS,........ " 50 LONGING FOR THE SHORE,........ " 50 EVENING BELLS,..................... " 60 SHARP-SHOOTERS' MARCH,...... " 25 SHABONA SCHOTTISCH,...........Minkler. 25 DESMOINES CITY WALTZ,.........Lehman. 50 ST. PAUL WALTZ,....................Vaas. 30 GRAND MARCH,......................Faust. 30 LITTLE DRUMMER BOY'S MARCH, <pre> .................................Merz. 25 </pre> CZAAR & ZIMMERMAN,...........Baumbach 75 POT POURRI,........................Faust 75 COQUETTE POLKA,................D'Albert. 25 Published by ROOT and CADY, 95 Clark St. <pre> CHICAGO. </pre> GENERAL AGENTS FOR THE NORTH--WEST. <hr /> <pre> TRAMP! TRAMP! TRAMP! </pre> (THE PRISONER'S HOPE.) Tempo di Marcia Words and Music By GEO. F. ROOT. PIANO. (two lines of music) 1. In the pris-on cell I sit, Thinking Moth-er dear, of you, And our 2. In the bat-tle front we stood When their fierc-est charge they made, And they 3. So with-in the pris-on cell, We are wait-ing for the day That shall (music) bright and hap-py home so far a-way, And the tears they fill my eyes Spite of swept us off a hun-dred men or more, But be-fore we reach'd their lines They were come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the (music) <hr /> 4. all that I can do, Tho' I try to cheer my com-rades and be gay. beat-en back dismayed, And we heard the cry of vict-'ry o'er and o'er. poor heart almost gay, As we think of see-ing home and friends once more. (2 lines music) When the Chorus is sung, this may be omitted after the first verse. Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, (2 lines of music) When the Chorus is not sung, end here. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. (2 lines of music) <hr /> CHORUS. Air Tramp, tramp, tramp the boys are march-ing, Cheer up comrades they will come. Alto Tramp, tramp, tramp, the boys are march-ing on, O cheer up comrades they will come, And be- Tenor Tramp, tramp, tramp, the boys are marchi-ing, on, O cheer up com-rades they will come, And be- (2 lines of music) neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. (2 lines of music) <hr /> A NEW METHOD FOR THE PIANO-FORTE. 240 pp. Royal Quarto THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied wit it, viz; the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well as the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that those things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> the whole book may be divided into </pre> tow kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and with which are imparted a knowledge of time, tone and expression, (Rhythmics, Melod- ies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, peices, songs, etudes, solfeggios, etc., while those which are simply for the de- velopment nd strengthening of the mus- cles of the fingers, hands, and vocal or- gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution, for their popularity. These lessons are called TECHNICS, and embrace five fin- ger exercises, scales, arpeggios, and miscel- laneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: <pre>Instrumental exercises of reading music, the acquire- </pre> <pre> ment of musical knowledge, and the culturation of </pre> <pre> the tastes, numbered, but bearing no other names than the topics they illustrate and teach ..............224 </pre> Vocal exercises and solfeggios for similar purposes......48 TECHNICS..........................................................419 <pre> Divided as follows--Five Finger Exercises................ 78 </pre> <pre> Scales, Major and Minor.................115 </pre> <pre> Arpeggios, Major and Minor.............146 Vocal...........................................45 </pre> <pre> Miscellaneous................................35 </pre> Piano lessons that may be played as duets and trios...44 Chromatic exercises..............................................21 Songs.................................................................39 Exercises in Thorough Base.....................................24 Pieces for the Piano...............................................43 Of the foregoing numbers, are used for the study of <pre> transposition......................................................120 </pre> These, when played according to direction, increase <pre> the lessons in the book to...................................1485 </pre> PRICE $4.50. Sent, postpaid, on receipt of the marked price. <pre> To those who would like to have an oppor- </pre> tunity of examing this book before pur- chasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give n idea of its gen- eral appearance, as well as some description of its plan and contents. ROOT & CADY CHICAGO. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301116 9677643 Title A name given to the resource Tramp! Tramp! Tramp! Description An account of the resource Also known as "The Prisoner's Hope," a song from the perspective of a Union soldier in a Confederate prisoner of war camp. Cover depicts a small picture entitled "The Vacant Chair," showing a family seated around a dinner table with one empty chair. The imagery of the vacant chair was an important symbol of a soldier's absence from his family, in both the North and South. Composer George F. Root wrote music to accompany the song, "The Vacant Chair," which became one of the most popular songs of the Civil War. Subject The topic of the resource Root, George F. (George Frederick), 1820-1895 Sheet music American Civil War, 1861-1865 War--Songs and music Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Contributor An entity responsible for making contributions to the resource Root & Cady Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chicago Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. TRAMP! TRAMP! TRAMP! or the PRISONER'S HOPE. AS SUNG BY EDWIN KELLEY, OF ARLINGTON KELLEY & LEON'S MINSTRELS. Song and Chorus. BY GEO. F. ROOT. Published by Root & Cady, 67 Washington St. CHICAGO. Entered according to Act of Congress, A. D. 1851 by Ross & Cady, in the Clerk's Office of the District Courtfor the Northern District of Illinois <hr /> ROOT & CADY. CABINET ORGANS. CONGRATULATE you on the introduction of a new mu- sical instrument, long wanted, and sure to find its way into every household of taste and refinement. L. M. GETTINCHAIN. A very efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. NEW YORK EXAMINER. BEST of their class of which we have any knowledge. MORE THAN TWO HUNDRED EMINENT ORGANISTS. IN every respect far superior in everything of kind I have seen, whether in Europe or America. Gen. Wa???quine Morgan. NEVER have seen anything of the kind which interested me so much. GEORGE F. ROOT. EXCEEDS in my estimation every other instrument of this general class. THOMAS HART???N. THE favorable testimony of nearly every organist or pia- nist of note in this country, together with that of cer- tain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. NEW YORK WORLD. ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for. NEW YORK OBSERVER . REALLY very effective and beautiful instruments. LOWELL MASON. GRAND accompaniment when the congregation sing. IRENACS. AS compared with Melodeona, Harmoniums, ?c, the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. WILLIAM MASON. NEXT to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. NEW YORK MUSICAL REVIEW. SURPASSES everything in this line I have seen, whether French or American. JOHN ZUNDEL. Made only by MASON & HAMLIN, Boston. In Plain or elegant Cases, with one to twelve Stops. LATE INSTRUMENTAL MUSIC. SOPHIA POLKA......................Wimmerstedt. 23 WARBLING OF THE BIRDS,........ " 50 LONGING FOR THE SHORE,........ " 50 EVENING BELLS,..................... " 60 SHARP-SHOOTERS' MARCH,...... " 25 SHABONA SCHOTTISCH,...........Minkler. 25 DESMOINES CITY WALTZ,.........Lehman. 50 ST. PAUL WALTZ,....................Vaas. 30 GRAND MARCH,......................Faust. 30 LITTLE DRUMMER BOY'S MARCH, <pre> .................................Merz. 25 </pre> CZAAR & ZIMMERMAN,...........Baumbach 75 POT POURRI,........................Faust 75 COQUETTE POLKA,................D'Albert. 25 Published by ROOT and CADY, 95 Clark St. <pre> CHICAGO. </pre> GENERAL AGENTS FOR THE NORTH--WEST. <hr /> <pre> TRAMP! TRAMP! TRAMP! </pre> (THE PRISONER'S HOPE.) Tempo di Marcia Words and Music By GEO. F. ROOT. PIANO. (two lines of music) 1. In the pris-on cell I sit, Thinking Moth-er dear, of you, And our 2. In the bat-tle front we stood When their fierc-est charge they made, And they 3. So with-in the pris-on cell, We are wait-ing for the day That shall (music) bright and hap-py home so far a-way, And the tears they fill my eyes Spite of swept us off a hun-dred men or more, But be-fore we reach'd their lines They were come to o-pen wide the i-ron door, And the hol-low eye grows bright, And the (music) <hr /> 4. all that I can do, Tho' I try to cheer my com-rades and be gay. beat-en back dismayed, And we heard the cry of vict-'ry o'er and o'er. poor heart almost gay, As we think of see-ing home and friends once more. (2 lines music) When the Chorus is sung, this may be omitted after the first verse. Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, Tramp, tramp, tramp, the boys are march-ing. Cheer up comrades they will come, (2 lines of music) When the Chorus is not sung, end here. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the freeland in our own be-lov-ed home. (2 lines of music) <hr /> CHORUS. Air Tramp, tramp, tramp the boys are march-ing, Cheer up comrades they will come. Alto Tramp, tramp, tramp, the boys are march-ing on, O cheer up comrades they will come, And be- Tenor Tramp, tramp, tramp, the boys are marchi-ing, on, O cheer up com-rades they will come, And be- (2 lines of music) neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. neath the star-ry flag We shall breathe the air a-gain, of the free-land in our own be-lov-ed home. (2 lines of music) <hr /> A NEW METHOD FOR THE PIANO-FORTE. 240 pp. Royal Quarto THE MUSICAL CURRICULUM BY GEO. F. ROOT. This is emphatically a new book in a new field. It provides instruction and mu- sic, not only for the PIANO-FORTE, but also for the things that should be studied wit it, viz; the VOICE and HARMONY--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms. It goes on the plan that the pupil should know as well as the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that those things can be done by preparing well for each subject, and then by adapt- ing the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progres- sive order. <pre> the whole book may be divided into </pre> tow kinds of lessons--the one for musical culture and the other for muscular culture. Not that there is no practice for the mus- sical taste in the latter, but each is devoted mainly to its own object. Those lessons which are designed to awaken, develop, and strengthen a love for music, and with which are imparted a knowledge of time, tone and expression, (Rhythmics, Melod- ies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, peices, songs, etudes, solfeggios, etc., while those which are simply for the de- velopment nd strengthening of the mus- cles of the fingers, hands, and vocal or- gans, do not pretend to be pleasant or tune- ful, but depend upon the benefits they confer in the way of flexibility and exe- cution, for their popularity. These lessons are called TECHNICS, and embrace five fin- ger exercises, scales, arpeggios, and miscel- laneous exercises of many kinds and forms. <pre> The contents of the book may be summed </pre> up as follows: <pre>Instrumental exercises of reading music, the acquire- </pre> <pre> ment of musical knowledge, and the culturation of </pre> <pre> the tastes, numbered, but bearing no other names than the topics they illustrate and teach ..............224 </pre> Vocal exercises and solfeggios for similar purposes......48 TECHNICS..........................................................419 <pre> Divided as follows--Five Finger Exercises................ 78 </pre> <pre> Scales, Major and Minor.................115 </pre> <pre> Arpeggios, Major and Minor.............146 Vocal...........................................45 </pre> <pre> Miscellaneous................................35 </pre> Piano lessons that may be played as duets and trios...44 Chromatic exercises..............................................21 Songs.................................................................39 Exercises in Thorough Base.....................................24 Pieces for the Piano...............................................43 Of the foregoing numbers, are used for the study of <pre> transposition......................................................120 </pre> These, when played according to direction, increase <pre> the lessons in the book to...................................1485 </pre> PRICE $4.50. Sent, postpaid, on receipt of the marked price. <pre> To those who would like to have an oppor- </pre> tunity of examing this book before pur- chasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give n idea of its gen- eral appearance, as well as some description of its plan and contents. ROOT & CADY CHICAGO. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/e401f21beae2bc9fe2af54f3dd1e344a.pdf fbf3cd0ebd45024503ff1207e7d0ba6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301458 37540000515751 Title A name given to the resource Tramp! Tramp! Tramp! The Prisoner's Hope Description An account of the resource Illustrated three verse song and chorus about prisoners of war longing for liberation. Subject The topic of the resource Song sheet Broadsides Prisoners of war War--Songs and music Soldiers--Songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1861-1867 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magnus, Charles https://chroniclingillinois.org/files/original/e5df2e5a85ccc1ae4206df351f9cec38.pdf 3404209ef578d97e25af8400c2b06589 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301459 37540000515793 Title A name given to the resource Tramp! Tramp! Tramp! The Prisoner's Hope Description An account of the resource Illiustrated three verse song and chorus about prisoners of war longing for liberation. Subject The topic of the resource Song sheet Broadsides Prisoners of war War--Songs and music Soldiers--Songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1861-1867 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magnus, Charles https://chroniclingillinois.org/files/original/eefa433f31d10de1aa4f15f8949c9aed.pdf 19df9bf7d9789945c9f0c022a6ca6b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Song Sheets Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self">Browse items in the Civil War Song Sheets Collection</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 21 x 13 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301460 37540000515835 Title A name given to the resource Tramp! Tramp! Tramp! The Prisoner's Hope Description An account of the resource Illiustrated three verse song and chorus about prisoners of war longing for liberation. Subject The topic of the resource Song sheet Broadsides Prisoners of war War--Songs and music Soldiers--Songs and music American Civil War (1861-1865) Creator An entity primarily responsible for making the resource Root, George F. (Frederick) Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1861-1867 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Contributor An entity responsible for making contributions to the resource Magnus, Charles