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                <text>Illustrated seven verse song and chorus. "Composed and sung by Miss Anne Rush, the Philadelphia Vocalist." Lyrics depict female singer maintaining a positive attitude despite political upheaval in the United States. Color cover image depicts woman standing on stage waving and American flag in front of a mountain scene.</text>
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                <text>Magnus, Charles</text>
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                  <text>Janotta, Stella Skiff, 1867-1954</text>
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                  <text>The Janotta Family Collection contains photographs relating to conductor/composer Alfredo Jannotta, his wife, activist and author Stella Skiff Jannotta, and their family. Several photographs belonged to their son, Navy Rear Admiral A. Vernon Jannotta.&lt;br /&gt;&lt;br /&gt;Alfredo Jannotta immigrated from Italy by way of London to Boston in 1865 where he taught voice at the New England Conservatory of Music. He married his first wife, Alice Prudy and they had a son, Edward, before Alfredo moved to Cincinnati in 1868. Alfredo spent 12 years in Cincinnati teaching vocal performance as well as conducting the Cincinnati Choral Society and organizing the first Cincinnati orchestra. He moved back to Boston in 1881 but moved to St. Paul, Minnesota, in 1882 and finally to Chicago in 1888 where he established himself as a vocal teacher.&lt;br /&gt;&lt;br /&gt;While teaching in Chicago, Jannotta taught vocal lessons to Stella Skiff whom he married in 1893. Skiff was the daughter of Iowa businessman Vernon William Skiff and his wife, Mary Frances Coffin. Her brother, Frank Vernon Skiff founded the Jewel Tea Company which later grew into a national grocery store chain including Jewel, Osco, Eisner, and White Hen. &lt;br /&gt;&lt;br /&gt;Skiff continued her singing career after marrying Jannotta and briefly taught lessons. Between 1894 and 1898, she gave birth to sons A. Vernon, Francis, and Joseph. Between 1917 and 1918, Stella adopted three foster daughters, Margaret, Marion, and Betty (Elizabeth).&lt;br /&gt;&lt;br /&gt;In the early 20th century she began taking an active interest in causes including the suffrage movement and socialism.&amp;nbsp;Stella Jannotta joined the Chicago Political Equality League (predecessor to the Chicago League of Women Voters) in 1907. She wrote for the propaganda arm of the organization, including a 1916 article entitled "Public Opinion" which she revisted several times over the following decades.&lt;br /&gt;&lt;br /&gt;A. Vernon Jannotta, the oldest son on Alfredo and Stella, served in the United States Navy in both World War I and World War II. He rose through the ranks of the Navy and the Naval Reserves, eventually retiring as a Rear Admiral in 1954. Jannotta received several military honors including the Navy Cross, Silver Star, two Bronze Stars, and a Purple Heart.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Jannotta began working at the Jewel Tea Company in 1919 and held several positions at the company for the next 50 years. He also held several executive positions or held stakes in several companies including Lehman Brothers, Motor Institute of America, Tapp, Inc. and Consolidated Trading Corporation.&lt;br /&gt;&lt;br /&gt;The finding aid for the Janotta Family Papers, 1809-1972 at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a title="Janotta Family Papers, 1809-1972" href="http://alplm-cdi.com/chroniclingillinois/items/show/358" target="_blank"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/358&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Jannotta and Skiff family members as well as students of Alfredo Jannota.</text>
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                <text>A young Diane Jannotta, daughter of A. Vernon and Mary Jannotta, sits for a portrait wearing a white dress.</text>
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                <text>&lt;p&gt;Illustrated song sheet for two verse song with chorus sung to the tune of "Wait for the Wagon."&lt;/p&gt;</text>
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                <text>Patriotic music</text>
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                <text>H. De Marsan</text>
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                <text>Garbage collector Charles Brown working hard in the streets of Carbondale. On verso: "West Oak Street; Karen Russell, Rural Route #1, Buncombe, 62912."</text>
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                <text> Illinois--Carbondale</text>
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                <text> Sanitation workers</text>
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                <text> African Americans</text>
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                  <text>Monticello College first began as the Monticello Female Seminary in 1838. Founded by Captain Benjamin Godfrey to provide education for women, the school offered two years of classes for attendees based on the idea that&amp;nbsp;&lt;span&gt;“if you educate a man you educate an individual; educate a woman and you educate a whole family.”&lt;br /&gt;&lt;br /&gt;Godfrey selected Reverend Theron Baldwin to serve as the first head of the Monticello Female Seminary. In 1867 Harriet Haskell became principal, a position she held until her death in 1907.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On November 4, 1888, a fire broke out in the building and consumed the entire structure. Ms. Haskell and the school's Board of Trustees successfully fundraised for a new building and rebuilt the school in two years.&lt;br /&gt;&lt;br /&gt;The school's leadership made the decision to close the school in 1970 with the final class graduating in 1971. Lewis and Clark Community College completed the purchase of the Monticello College campus in 1972.&lt;br /&gt;&lt;br /&gt;The finding aid for the Monticello College (Godfrey, IL) Records at the Abraham Lincoln Presidential Library may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/2/resources/545" title="Monticello College (Godfrey, IL) Records"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/545&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The finding aid for the photographic Monticello College Collection at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/3/resources/4702" title="Monticello College Collection "&gt;https://illinois.as.atlas-sys.com/repositories/3/resources/4702&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>A man points to a portion of a Monticello College student's painting while her sitter poses for his portrait.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On verso: "Richard F. Gates; 927 16th St NE, Cedar Rapids, Iowa."</text>
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                <text>Russo, Joseph</text>
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            <description>A language of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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              <text>paper and ink</text>
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            <description>A name given to the resource</description>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 327.</text>
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&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Sir&lt;/span&gt;: We, the Ryde commissioners, incorporated by act of Parliament, beg to express our great sorrow and indignation at the lamentable assassination of your late respected President, whereby the American nation has lost the services of an enlightened ruler and noble minded patriot.&lt;/p&gt;&#13;
&lt;p&gt;We respectfully tender through you to his bereaved widow, and to the government and people of the United States, our heartfelt sympathy on this melancholy occasion; and we sincerely hope that the era of peace, mercy, and liberty, which your illustrious chief so happily inaugurated, may be carried by his successor to a just and satisfactory termination.&lt;/p&gt;&#13;
&lt;p&gt;Given under our common seal, this 9th day of May, 1865.&lt;/p&gt;&#13;
&lt;p align="right"&gt;[&lt;span style="font-variant: small-caps;"&gt;seal&lt;/span&gt;.]&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;THOMAS DASHWOOD,&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;em&gt;Chairman of the Ryde Commissioners&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;His Excellency Hon. &lt;span style="font-variant: small-caps;"&gt;C. F. Adams&lt;/span&gt;,&lt;br /&gt;&amp;nbsp;&lt;em&gt;Minister of the United States to the Court of St. James&lt;/em&gt;.&lt;/p&gt;</text>
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                  <text>Ada Rice was the wife of Dan Rice, a Chicago-native businessman who successfully bred and raced thoroughbred horses from the 1940s to the 1970s. In 1929, the couple purchased a several hundred acre farm in Wheaton, christened &amp;ldquo;Danada,&amp;rdquo; and thirteen years later established the Ada L. Rice Racing Stable. Ada and Dan Rice purchased an additional farm for horse breeding in Lexington, Kentucky, in 1947. Ada Rice&amp;rsquo;s thoroughbreds won at nearly every famous racetrack in the country, including in 1965, when Lucky Debonair won the Santa Anita Derby and then the 91st Kentucky Derby. Dan and Ada Rice were also major philanthropists for Chicago area museums and institutions, including the Shedd Aquarium, Chicago History Museum, and Benedictine University. &lt;br /&gt;&lt;br /&gt;Images in this collection include photographs relating to Ada Rice, her thoroughbred horses, various horse races, and awards.</text>
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              <text>commercial print</text>
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              <text>21 x 26 cm</text>
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                <text>Horse and Rider</text>
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                <text>An unidentified man rides a horse at a horse show.</text>
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                <text>Horses</text>
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            <name>Creator</name>
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                <text>Sally Schubert</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;THERE'S A MILLION HEROES IN EACH CORNER OF THE U.S.A.  Words by Sam M. Lewis and Joe Young. Music by Maurice Abrahams
&lt;/p&gt;&lt;p&gt;[two portraits and a photograph of Belle Baker]
&lt;/p&gt;&lt;p&gt;Kalmar Puck and Abrahams Consolidated Inc. Music Publishers. Strand theater Bldg. Broadway at 47th St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;There's A Million Heroes In Each Corner Of The U.S.A.
&lt;/p&gt;&lt;p&gt;Words by Sam Lewis &amp;amp; Joe Young. Music by Maurice Abrahams.
&lt;/p&gt;&lt;p&gt;Moderato. Voice Slowly.
&lt;/p&gt;&lt;p&gt;Virginia gave us Washington way back in Sev-nty-six Kentucky gave us Lincoln when our
&lt;/p&gt;&lt;p&gt;Columbus found America the home of peace and rest And Betsy Ross she found a flag to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
boys were in a fix Ohio gave us Grant and Dixie gave us Lee They
&lt;/p&gt;&lt;p&gt;stand each battle test Tho' heroes of the past have laid away the gun Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fought it out and patched it up and made our history If you asked Uncle Sammy who Could
&lt;/p&gt;&lt;p&gt;spirits live within the hearts of ev'ry native son Our flag is just as clean today as
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
take their place today He'd rub his chin and a grin he'd answer in this way.
&lt;/p&gt;&lt;p&gt;when it first was made Each stripe and star a battle scar and still I'm not afraid.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVII by Kalmar, Puck &amp;amp; Abraham Consol't'd Inc Music Co.  Copyright Canada MCMXVII by Kalmar, Puck &amp;amp; Abrahams Consol't'd Inc. Music. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;There's a million heroes in each corner of the U.S.A. In cities and farms They've taken up arms The East and West have sent their best the rest are coming from the land of cotton You can bank on ev'ry loyal Yank to fight till the end of the fray. when danger threatens they all rally 'round That's why the flag has never touched the ground  There's a million heroes in each corner of the U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Most Beautiful Combination of Words and Music Ever Written
&lt;/p&gt;&lt;p&gt;Bring me a rose by Charles Shisler
&lt;/p&gt;&lt;p&gt;Refrain. Con Espressione
&lt;/p&gt;&lt;p&gt;Bring me a rose at twilight, kissed by the sparkling dew Bring me a rose from Loveland, One that reminds me of you, dear, Each little petal tells me you're like an angel a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVI by Kalmar, Puck &amp;amp; Abrahams Consol't'd, Inc. Music Pub. International copyright Secured.
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170502">
              <text>4</text>
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              <text>35 cm</text>
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            <name>Identifier</name>
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                <text>301076</text>
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                <text>180917480</text>
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                <text>There's a Million Heroes in Each Corner of the U.S.A.</text>
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                <text>Lyrics depict locations of United States leaders from the 18th and 19th centuries while stating current heroes are citizens around the United States. Cover depicts images of Abraham Lincoln and George Washington surrounding portrait of Belle Baker. Back page has music for "Bring Me a Rose."&lt;br /&gt;&lt;br /&gt;The song may have been written to encourage patriotism as the United States entered World War I. Belle Baker was one of the most popular singers and actresses of her day.</text>
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            <name>Subject</name>
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                <text>Lincoln, Abraham 1809-1865</text>
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                <text>George Washington, 1732-1799</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="170494">
                <text>Lewis, Sam. M., 1885-1959</text>
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              <elementText elementTextId="170495">
                <text>Young, Joe, 1889-1939</text>
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              <elementText elementTextId="170496">
                <text>Abrahams, Maurice, 1883-1931</text>
              </elementText>
              <elementText elementTextId="170497">
                <text>Patriotic music</text>
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              <elementText elementTextId="176611">
                <text>Baker, Belle</text>
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            <name>Creator</name>
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              <elementText elementTextId="170498">
                <text>Sam M. Lewis, Joe Young, and Maurice Abrahams</text>
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            <name>Contributor</name>
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                <text>Kalmar, Puck, &amp;amp; Abrahams</text>
              </elementText>
            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="170500">
                <text>New York</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170501">
                <text>1917</text>
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            <name>Format</name>
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              <elementText elementTextId="170504">
                <text>pdf</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="170505">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170507">
                <text>en</text>
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                <text>&lt;p&gt;THERE'S A MILLION HEROES IN EACH CORNER OF THE U.S.A.  Words by Sam M. Lewis and Joe Young. Music by Maurice Abrahams
&lt;/p&gt;&lt;p&gt;[two portraits and a photograph of Belle Baker]
&lt;/p&gt;&lt;p&gt;Kalmar Puck and Abrahams Consolidated Inc. Music Publishers. Strand theater Bldg. Broadway at 47th St. New York
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;There's A Million Heroes In Each Corner Of The U.S.A.
&lt;/p&gt;&lt;p&gt;Words by Sam Lewis &amp;amp; Joe Young. Music by Maurice Abrahams.
&lt;/p&gt;&lt;p&gt;Moderato. Voice Slowly.
&lt;/p&gt;&lt;p&gt;Virginia gave us Washington way back in Sev-nty-six Kentucky gave us Lincoln when our
&lt;/p&gt;&lt;p&gt;Columbus found America the home of peace and rest And Betsy Ross she found a flag to
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
boys were in a fix Ohio gave us Grant and Dixie gave us Lee They
&lt;/p&gt;&lt;p&gt;stand each battle test Tho' heroes of the past have laid away the gun Their
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fought it out and patched it up and made our history If you asked Uncle Sammy who Could
&lt;/p&gt;&lt;p&gt;spirits live within the hearts of ev'ry native son Our flag is just as clean today as
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
take their place today He'd rub his chin and a grin he'd answer in this way.
&lt;/p&gt;&lt;p&gt;when it first was made Each stripe and star a battle scar and still I'm not afraid.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVII by Kalmar, Puck &amp;amp; Abraham Consol't'd Inc Music Co.  Copyright Canada MCMXVII by Kalmar, Puck &amp;amp; Abrahams Consol't'd Inc. Music. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;There's a million heroes in each corner of the U.S.A. In cities and farms They've taken up arms The East and West have sent their best the rest are coming from the land of cotton You can bank on ev'ry loyal Yank to fight till the end of the fray. when danger threatens they all rally 'round That's why the flag has never touched the ground  There's a million heroes in each corner of the U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Most Beautiful Combination of Words and Music Ever Written
&lt;/p&gt;&lt;p&gt;Bring me a rose by Charles Shisler
&lt;/p&gt;&lt;p&gt;Refrain. Con Espressione
&lt;/p&gt;&lt;p&gt;Bring me a rose at twilight, kissed by the sparkling dew Bring me a rose from Loveland, One that reminds me of you, dear, Each little petal tells me you're like an angel a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright MCMXVI by Kalmar, Puck &amp;amp; Abrahams Consol't'd, Inc. Music Pub. International copyright Secured.
&lt;/p&gt;
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                    <text>&lt;p&gt;Year of Jubilee
or
Kingdom has come
by
"Sambo"
&lt;/p&gt;&lt;p&gt;Chicago
Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Year of Jubilee
or
KINGDOM HAS COME!
&lt;/p&gt;&lt;p&gt;by "SAMBO"
&lt;/p&gt;&lt;p&gt;1.  I come up Norf, on a little bender, Left Missus at home wid no one to tend her, Ole Massa's gone, I dunno whar to; Sambo pretty sure he don't much care to.
2.  Met Genral Bloaregard on my way here, He told me dat I had better stay dere; He said, up Norf, dey would skin and eat me, Dat was a yarn dat a little beat me.
3.  He said he had just whipp'd Genral Buel, Grant and Wallace, all three in a duel, I axed him den, why he was running away? Sambo, says he, dat question aint fair play.
&lt;/p&gt;&lt;p&gt;CHORUS
Den sound de horn, beat de drum, Sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
&lt;/p&gt;&lt;p&gt;4.  Oh, times down South am getting quite rotten,
Ile's so berry scarce, they have to burn cotton,
I left dat land ob oppression and gas,
And roam de free Norf without nary pass.
Chorus
&lt;/p&gt;&lt;p&gt;5.  Molasses Junction was a big scarecrow,
Nigh its wooden guns nobody didn't dare go,
But when McClellan got a good ready,
De Southern Gentry seemed quite unsteady.
Chorus
&lt;/p&gt;&lt;p&gt;6.  Abraham Lincoln and Emancipation,
De two tallest tings in dis tall nation,
Hurrah den boys, let us still be merry,
Kingdom has come, boys, we've good times berry.
Chorus
&lt;/p&gt;&lt;p&gt;Year of Jubilee
Pearson
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="172623">
              <text>4</text>
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              <text>34 cm</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Year of Jubilee</text>
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                <text>Or "Kingdom has come" by 'Sambo'." The song celebrates a former slave's newly found freedom under the Union. &lt;br /&gt;&lt;br /&gt;Sambo was a commonly used English langauage term for a person of mixed African and European descent. By the early twentieth century, however, the word became a degoratory term for male African Americans.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sambo (Fictitious character)</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="172616">
                <text>Minstrel music</text>
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              <elementText elementTextId="172617">
                <text>Slaves--Emancipation</text>
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                <text>American Civil War ( 1861-1865)</text>
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                <text>Sambo (Fictitious character)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>H. M. Higgins</text>
              </elementText>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Chicago</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1862</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="172625">
                <text>pdf</text>
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            <elementTextContainer>
              <elementText elementTextId="172626">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;Year of Jubilee
or
Kingdom has come
by
"Sambo"
&lt;/p&gt;&lt;p&gt;Chicago
Published by H.M. Higgins 117 Randolph St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Year of Jubilee
or
KINGDOM HAS COME!
&lt;/p&gt;&lt;p&gt;by "SAMBO"
&lt;/p&gt;&lt;p&gt;1.  I come up Norf, on a little bender, Left Missus at home wid no one to tend her, Ole Massa's gone, I dunno whar to; Sambo pretty sure he don't much care to.
2.  Met Genral Bloaregard on my way here, He told me dat I had better stay dere; He said, up Norf, dey would skin and eat me, Dat was a yarn dat a little beat me.
3.  He said he had just whipp'd Genral Buel, Grant and Wallace, all three in a duel, I axed him den, why he was running away? Sambo, says he, dat question aint fair play.
&lt;/p&gt;&lt;p&gt;CHORUS
Den sound de horn, beat de drum, Sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
Sound de horn, beat de drum, sound de horn and beat de drum, De year ob jubilee am come. Sound de horn and beat de drum, De year ob jubilee am come.
&lt;/p&gt;&lt;p&gt;4.  Oh, times down South am getting quite rotten,
Ile's so berry scarce, they have to burn cotton,
I left dat land ob oppression and gas,
And roam de free Norf without nary pass.
Chorus
&lt;/p&gt;&lt;p&gt;5.  Molasses Junction was a big scarecrow,
Nigh its wooden guns nobody didn't dare go,
But when McClellan got a good ready,
De Southern Gentry seemed quite unsteady.
Chorus
&lt;/p&gt;&lt;p&gt;6.  Abraham Lincoln and Emancipation,
De two tallest tings in dis tall nation,
Hurrah den boys, let us still be merry,
Kingdom has come, boys, we've good times berry.
Chorus
&lt;/p&gt;&lt;p&gt;Year of Jubilee
Pearson
&lt;/p&gt;
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                <text>100</text>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/01dc070e6c1eac24c149fb12ebfbe2a7.pdf</src>
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                    <text>&lt;p&gt;At an Election held at, Jacksonville in the county Morgan, and State of Illinois, on the second day of November, in the year of our Lord one thousand eight hundred and forty, the following named persons received the number of votes annexed to their respective names, for the following described offices, to wit:
&lt;/p&gt;&lt;p&gt;Adam W. Snyder had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;Isaac P. Walker had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;John W. Eldredge had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;James H. Ralston had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;John A. McClernand had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;Buckner S. Morris had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Samuel D. Marshall had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Edwin B. Webb had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Cyrus Walker had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Abram Lincoln had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;William Lewis had One votes for Elector
&lt;/p&gt;&lt;p&gt;Eli Wilson had One votes for Elector
&lt;/p&gt;&lt;p&gt;R. E. W. Adams had One votes for Elector
&lt;/p&gt;&lt;p&gt;Wm. Holyoke had One votes for Elector
&lt;/p&gt;&lt;p&gt;Erastus Benton had One votes for Elector
&lt;/p&gt;&lt;p&gt;Certified by us
&lt;/p&gt;&lt;p&gt;John Sample
&lt;/p&gt;&lt;p&gt;Montgomery [Potner?]
&lt;/p&gt;&lt;p&gt;[Herman Peck?]
&lt;/p&gt;&lt;p&gt;JUDGES OF THE ELECTION.
&lt;/p&gt;&lt;p&gt;Attest,
&lt;/p&gt;&lt;p&gt;A. A. Austin
&lt;/p&gt;&lt;p&gt;W. H. Compton
&lt;/p&gt;&lt;p&gt;CLERKS OF THE ELECTION.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Jacksonville Poll Book No. 3 for President 
&lt;/p&gt;&lt;p&gt;Nov Election AD. 1840
&lt;/p&gt;
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>paper and ink</text>
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              <text>2 p</text>
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            <name>Identifier</name>
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                <text>300216</text>
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                <text>T1840.11-MISC</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jacksonville Poll Book No. 3</text>
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                <text>Sample, John</text>
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                <text>1840-11</text>
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                <text>Three election judges certify the November 2, 1840, election results from Jacksonville in which Lincoln received 155 votes for presidential elector.</text>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;At an Election held at, Jacksonville in the county Morgan, and State of Illinois, on the second day of November, in the year of our Lord one thousand eight hundred and forty, the following named persons received the number of votes annexed to their respective names, for the following described offices, to wit:
&lt;/p&gt;&lt;p&gt;Adam W. Snyder had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;Isaac P. Walker had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;John W. Eldredge had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;James H. Ralston had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;John A. McClernand had One Hundred and fifty votes for Elector.
&lt;/p&gt;&lt;p&gt;Buckner S. Morris had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Samuel D. Marshall had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Edwin B. Webb had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Cyrus Walker had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;Abram Lincoln had One Hundred and fifty five votes for Elector.
&lt;/p&gt;&lt;p&gt;William Lewis had One votes for Elector
&lt;/p&gt;&lt;p&gt;Eli Wilson had One votes for Elector
&lt;/p&gt;&lt;p&gt;R. E. W. Adams had One votes for Elector
&lt;/p&gt;&lt;p&gt;Wm. Holyoke had One votes for Elector
&lt;/p&gt;&lt;p&gt;Erastus Benton had One votes for Elector
&lt;/p&gt;&lt;p&gt;Certified by us
&lt;/p&gt;&lt;p&gt;John Sample
&lt;/p&gt;&lt;p&gt;Montgomery [Potner?]
&lt;/p&gt;&lt;p&gt;[Herman Peck?]
&lt;/p&gt;&lt;p&gt;JUDGES OF THE ELECTION.
&lt;/p&gt;&lt;p&gt;Attest,
&lt;/p&gt;&lt;p&gt;A. A. Austin
&lt;/p&gt;&lt;p&gt;W. H. Compton
&lt;/p&gt;&lt;p&gt;CLERKS OF THE ELECTION.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Jacksonville Poll Book No. 3 for President 
&lt;/p&gt;&lt;p&gt;Nov Election AD. 1840
&lt;/p&gt;
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  <item itemId="19460" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/6361b1f98669681557d96b1422365bc3.pdf</src>
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                <elementTextContainer>
                  <elementText elementTextId="628402">
                    <text>&lt;p&gt;PARKS' HIGH SCHOOL SONGS FOR FEMALE VOICES
&lt;/p&gt;&lt;p&gt;Price 60 cents
&lt;/p&gt;&lt;p&gt;The J.A. Parks Company YORK, NEBRASKA, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CONTENTS
&lt;/p&gt;&lt;p&gt;BOOSTING THE OLD HIGH SCHOOL...Engledinger   Page 50
&lt;/p&gt;&lt;p&gt;FESTAL MORN, THE ... Smieton  83
&lt;/p&gt;&lt;p&gt;GLAD SUMMER SUN...Leslie  22
&lt;/p&gt;&lt;p&gt;GOOD-NIGHT...Reinecke-Parks   16
&lt;/p&gt;&lt;p&gt;GOOD SAINT PATRICK'S DAY...Parks  41
&lt;/p&gt;&lt;p&gt;GOOD-BYE...Parks  14
&lt;/p&gt;&lt;p&gt;HERE IN THESE HALLS...Pinsuti  74
&lt;/p&gt;&lt;p&gt;IF HOPE WERE BUT A FAIRY...Foster-Parks   47
&lt;/p&gt;&lt;p&gt;LIGHTLY WE GLIDE...Smieton-Parks  68
&lt;/p&gt;&lt;p&gt;LINCOLN...Parks   58
&lt;/p&gt;&lt;p&gt;LIVE WE SINGING...Hauptman   38
&lt;/p&gt;&lt;p&gt;OH SPRING...Warm  6
&lt;/p&gt;&lt;p&gt;PEACE...Hiller  63
&lt;/p&gt;&lt;p&gt;PEACE OF EVENING...Abt   19
&lt;/p&gt;&lt;p&gt;PASSING DAYS, THE...Parks  3
&lt;/p&gt;&lt;p&gt;SCHOOL DAYS....Lohr   28
&lt;/p&gt;&lt;p&gt;SCHOOL UNITED, THE...Parks   54
&lt;/p&gt;&lt;p&gt;SONG...Foster   80
&lt;/p&gt;&lt;p&gt;THE WORLD REPOSES.....Hol-Parks   77
&lt;/p&gt;&lt;p&gt;TO STAY AT HOME IS BEST...Tours  22
&lt;/p&gt;&lt;p&gt;Washington....Bellini-Parks   44
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;58
&lt;/p&gt;&lt;p&gt;LINCOLN FOUR-PART CHORUS FOR FEMALE VOICES
&lt;/p&gt;&lt;p&gt;Words by S.E. Kiser  Music by J.A. Parks.
&lt;/p&gt;&lt;p&gt;1st Soprano, 2d Soprano Our love increases with the years,
&lt;/p&gt;&lt;p&gt;1st Alto  Andante moderato [hum]
&lt;/p&gt;&lt;p&gt;2nd Alto Andante   moderato [hum]
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; We catch brief glimpses thro' our tears, 
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; [hum]
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; [hum]
&lt;/p&gt;&lt;p&gt;Copyrighted 1916 by The J. A. Parks Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;59
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;More clearly
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;60
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;as the years, the years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;How that he could not owe to chance His
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;61
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;No future centuries shall dim His fame, or make his merit less,
&lt;/p&gt;&lt;p&gt;[hum] His fame, or make his merit less, 
&lt;/p&gt;&lt;p&gt;[hum] His fame, or make his merit less,
&lt;/p&gt;&lt;p&gt;Nor may the world deny to him, The glory the divine possess; His
&lt;/p&gt;&lt;p&gt;[hum] The glory the divine possess; His
&lt;/p&gt;&lt;p&gt;[hum] The glory the divine possess; His
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;62
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness, His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness, His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness. His
&lt;/p&gt;&lt;p&gt;His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;KILGORE MEMORIAL LIBRARY 520 Nebraska Avenue York, NE 68467
&lt;/p&gt;&lt;p&gt;Jill Blessman
Abraham Lincoln Presidential Library &amp;amp; Museum
112 North Sixth Street
Springfield, IL 62701
&lt;/p&gt;&lt;p&gt;Hello Ms. Blessman,
&lt;/p&gt;&lt;p&gt;Out little town was home to a one-man music publishing company from the the mid 1890s through early 1940s. One piece was "Lincoln"--words by S.E. Kiser/Music by J.A. Parks. We finally got a copy of the female voice version (we're hoping to get copies of the male and mixed voice versions from Brown University sometime before the 1st of the year on microfilm.)
&lt;/p&gt;&lt;p&gt;On the off chance your collection does not have this piece, I'm sending you a photocopy to your attention.
&lt;/p&gt;&lt;p&gt;If you already have the sheet music version the copy will be redundant.
&lt;/p&gt;&lt;p&gt;Regards,
&lt;/p&gt;&lt;p&gt;Stan Schulz, Library Director, Kilgore Memorial Library, York Nebraska
&lt;/p&gt;&lt;p&gt;(our J.A. Parks page is at www.yorklib.org/japarks/japarks.html)
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="165583">
              <text>8</text>
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              <text>28 cm.</text>
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                <text>301030</text>
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          <element elementId="50">
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                <text>Lincoln</text>
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                <text>Song depicts memory of Abraham Lincoln over time. Four-part chorus for female voices. Photocopies from Parks' High School songs.</text>
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          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="165571">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
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                <text> Songs and music</text>
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                <text> Sheet Music</text>
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              <elementText elementTextId="165574">
                <text> Choral Music</text>
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              <elementText elementTextId="165575">
                <text> Kiser, Samuel E. (Samuel Ellsworth), 1862-1842</text>
              </elementText>
              <elementText elementTextId="165576">
                <text> Parks, J. A. (James Asher), 1863-</text>
              </elementText>
              <elementText elementTextId="165577">
                <text> Vocal Music</text>
              </elementText>
              <elementText elementTextId="165578">
                <text> Memorial song</text>
              </elementText>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="165579">
                <text>Samuel  E. Kiser and James A. Parks</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="165580">
                <text>The J. A. Parks Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="165581">
                <text>York, Nebraska</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="165582">
                <text>1916</text>
              </elementText>
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                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="165586">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165588">
                <text>en</text>
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                <text>&lt;p&gt;PARKS' HIGH SCHOOL SONGS FOR FEMALE VOICES
&lt;/p&gt;&lt;p&gt;Price 60 cents
&lt;/p&gt;&lt;p&gt;The J.A. Parks Company YORK, NEBRASKA, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CONTENTS
&lt;/p&gt;&lt;p&gt;BOOSTING THE OLD HIGH SCHOOL...Engledinger   Page 50
&lt;/p&gt;&lt;p&gt;FESTAL MORN, THE ... Smieton  83
&lt;/p&gt;&lt;p&gt;GLAD SUMMER SUN...Leslie  22
&lt;/p&gt;&lt;p&gt;GOOD-NIGHT...Reinecke-Parks   16
&lt;/p&gt;&lt;p&gt;GOOD SAINT PATRICK'S DAY...Parks  41
&lt;/p&gt;&lt;p&gt;GOOD-BYE...Parks  14
&lt;/p&gt;&lt;p&gt;HERE IN THESE HALLS...Pinsuti  74
&lt;/p&gt;&lt;p&gt;IF HOPE WERE BUT A FAIRY...Foster-Parks   47
&lt;/p&gt;&lt;p&gt;LIGHTLY WE GLIDE...Smieton-Parks  68
&lt;/p&gt;&lt;p&gt;LINCOLN...Parks   58
&lt;/p&gt;&lt;p&gt;LIVE WE SINGING...Hauptman   38
&lt;/p&gt;&lt;p&gt;OH SPRING...Warm  6
&lt;/p&gt;&lt;p&gt;PEACE...Hiller  63
&lt;/p&gt;&lt;p&gt;PEACE OF EVENING...Abt   19
&lt;/p&gt;&lt;p&gt;PASSING DAYS, THE...Parks  3
&lt;/p&gt;&lt;p&gt;SCHOOL DAYS....Lohr   28
&lt;/p&gt;&lt;p&gt;SCHOOL UNITED, THE...Parks   54
&lt;/p&gt;&lt;p&gt;SONG...Foster   80
&lt;/p&gt;&lt;p&gt;THE WORLD REPOSES.....Hol-Parks   77
&lt;/p&gt;&lt;p&gt;TO STAY AT HOME IS BEST...Tours  22
&lt;/p&gt;&lt;p&gt;Washington....Bellini-Parks   44
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;58
&lt;/p&gt;&lt;p&gt;LINCOLN FOUR-PART CHORUS FOR FEMALE VOICES
&lt;/p&gt;&lt;p&gt;Words by S.E. Kiser  Music by J.A. Parks.
&lt;/p&gt;&lt;p&gt;1st Soprano, 2d Soprano Our love increases with the years,
&lt;/p&gt;&lt;p&gt;1st Alto  Andante moderato [hum]
&lt;/p&gt;&lt;p&gt;2nd Alto Andante   moderato [hum]
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; We catch brief glimpses thro' our tears, 
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; [hum]
&lt;/p&gt;&lt;p&gt;And with the years our wonder grows; [hum]
&lt;/p&gt;&lt;p&gt;Copyrighted 1916 by The J. A. Parks Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;59
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;Of that great height to which he rose; More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country gave him glows, More brightly as each dawn appears, The
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;crown his country game him glows.  More clearly as the
&lt;/p&gt;&lt;p&gt;More clearly
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;60
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;as the years, the years advance, We come to know how well he
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew; How in each trying circumstance, His faith was firm, His vision
&lt;/p&gt;&lt;p&gt;knew
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;true; How that he could not owe to chance His
&lt;/p&gt;&lt;p&gt;How that he could not owe to chance His
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;61
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;place among the splendid few.
&lt;/p&gt;&lt;p&gt;No future centuries shall dim His fame, or make his merit less,
&lt;/p&gt;&lt;p&gt;[hum] His fame, or make his merit less, 
&lt;/p&gt;&lt;p&gt;[hum] His fame, or make his merit less,
&lt;/p&gt;&lt;p&gt;Nor may the world deny to him, The glory the divine possess; His
&lt;/p&gt;&lt;p&gt;[hum] The glory the divine possess; His
&lt;/p&gt;&lt;p&gt;[hum] The glory the divine possess; His
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;62
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness, His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness, His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithfulness. His
&lt;/p&gt;&lt;p&gt;His
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;name shall be a synonym For courage, love, and faithful
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;&lt;p&gt;ness, For courage, love, and faithfulness.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;KILGORE MEMORIAL LIBRARY 520 Nebraska Avenue York, NE 68467
&lt;/p&gt;&lt;p&gt;Jill Blessman
Abraham Lincoln Presidential Library &amp;amp; Museum
112 North Sixth Street
Springfield, IL 62701
&lt;/p&gt;&lt;p&gt;Hello Ms. Blessman,
&lt;/p&gt;&lt;p&gt;Out little town was home to a one-man music publishing company from the the mid 1890s through early 1940s. One piece was "Lincoln"--words by S.E. Kiser/Music by J.A. Parks. We finally got a copy of the female voice version (we're hoping to get copies of the male and mixed voice versions from Brown University sometime before the 1st of the year on microfilm.)
&lt;/p&gt;&lt;p&gt;On the off chance your collection does not have this piece, I'm sending you a photocopy to your attention.
&lt;/p&gt;&lt;p&gt;If you already have the sheet music version the copy will be redundant.
&lt;/p&gt;&lt;p&gt;Regards,
&lt;/p&gt;&lt;p&gt;Stan Schulz, Library Director, Kilgore Memorial Library, York Nebraska
&lt;/p&gt;&lt;p&gt;(our J.A. Parks page is at www.yorklib.org/japarks/japarks.html)
&lt;/p&gt;
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        <src>https://chroniclingillinois.org/files/original/f84580b302e89874edec2ee16919e00a.pdf</src>
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                    <text>&lt;p&gt;Write immediately as I am anxious to hear from You tell us where you was and what you Where doing when you learned the news.
&lt;/p&gt;&lt;p&gt;Washington D.C.
&lt;/p&gt;&lt;p&gt;Apl. 17th 1865
&lt;/p&gt;&lt;p&gt;Dear Friend Johnny
&lt;/p&gt;&lt;p&gt;You must excuse me for not Writing you befor but as the Old saying says better late than never." so here goes. I hardly think a letter from this city Especially at this time and from an Old Friend will be apt to be thrown to one side and forgoten. I also send You enclosed in this letter a piece of the Shirt Bosom worn By the President on the night of his Murder and remained on him until he died. I wish You to give a piece of it to Billy Denver and Tom Greene, I could sell every inch of it for $5. But prefer dividing it among my Friends and more especially You Billy and Tom for I know You will keep and appreciate it also remember the doner and while looking upon it recollect that he Never forgets his Old and True Friends, I have his Nec tie and would not take $50 for it have been offered $10 for it several times," I suppose you would like to know how I came by his clothes.  Well the morning he died, Genl Rucker came immediately to Our Shop and had a Common Pine Box made to bring
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[LETTER ENCLOSES CLOTH FRAGMENT; FIRST PAGE REPEATED WITH CLOTH MOVED TO EXPOSE DIFFERENT WORDS; TRANSCRIPTION MERGES THE TWO]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;him from 10th St to the White House in after they arrived at the House they cut his clothes off of him and threw them in the Box we made and sent the Box back to the Shop for safe keeping it was placed in My Charge in My Room the Hardware Department, and Just as soon as the coast was clear I unscrewed the lid and went through the Ward Robe for relics, I found on one of the Sleeves of his Shirt one of his sleeve Buttons Black enameled trimed with gold and the letter L on the outside with A.L underneath that I sent to the Sect of War the Bosom of his Shirt was the Next thing which met my Eye as it had considerable Blood upon it so I Just confescated the whole of it the piece I send You and another about the Same size is all I have left the Nec tie I wouldnt part with under any consideration I have taken all the Screws out of the Box which were turned down on him from 10th St to his house and have put others in their place, I will give You one when I come Home; the Box he was brought up in is within 5 ft of My Desk where I am Now Writing. dont forget to give Tom and Billy a piece of it the ("Shirt Bosom") The Murder took place Just 25 minutes to Eleven on last Friday Night at Fords Theatre on 10th St. the play
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;was Our American Cousin. I was at Grovers Theatre Next to Jim Lamberts Just 3 1/2 Blocks from Fords they were playing Aladdin or the Wonderful lamp and had Just commenced the 4th act I was at the time Sitting between 2 Detectives Friends of mine and one of them had Just asked me the time which was 20 Minutes to Eleven Miss German had Just finished a song called Sherman Marching down to the Sea and was about to repeat it when the door of the Theatre was pushed violently open and a Man rushed in exclaiming turn Out For Gods Sake the President has been Shot in his private Box at Fords Theatre he then rushed out every boddy seemed glued to the spot I for one and I think I was one of the First who attempted to moove ("it was either me or apple Jack for I was full of that") Every body followed I made straight for Fords and such another Excighted Crowed I Never before whitnessed I asked who did it and was informed Wilks Booth they were Just Bringing the President out when I arrived on the Spot I will leave the papers to tell You the rest, Business is entirely suspended and the Whole City is draped in Mourning the Excightment has pretty well
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;died out, they have embalmed the Boddy of the President and it will lay in State tomorrow and next day and the Funeral takes place on Thirsday. We had a Big time last Week in the illumination line but that is all Forgoten the Theatres Stores Every place of Business and the Gin Mills are all closed and perfectly inundated with crape it dont do for a Man to Open his Mouth unless he talks the right way." $30000 reward has been offered here for the arrest and coviction of the Murderer and upt to date they are still at large," Sewards House is Just 5 1/2 Blocks from Fords Theatre in the rear of Jackson Square and Nearly Opposite the White House on 15 and 1/2 St. he is getting allong finely but his Son is very low indeed Friday Night Was a Night long to be remembered by me I was on the Streets all Night. its impossible for me to discribe the scenes as they occured here the City was in one continual whirl of excightment crowds on every corner and 10th St was one solid Mass of excighted men flourishing knives and revolvers and yelling down with the Traitors instead of hunting for them Well Johnny I will have to bring this to a close, Give My Regards to Your Mother Tom Billy and all enquiring Friends. Write soon and dont forget to give Billy and Tom a piece of that Bosom. for as true as Heaven I swair its Just wat I have represented it to be. Receive this togather with My Best Respects and Wishes from Your True Friend Mose Sandford
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;John Beatty, Esq
&lt;/p&gt;&lt;p&gt;Exchange Broker
&lt;/p&gt;&lt;p&gt;Jersey City
&lt;/p&gt;&lt;p&gt;New Jersey
&lt;/p&gt;&lt;p&gt;(Please Forward)
&lt;/p&gt;
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                <text>Mose Sandford writes a remarkable letter to "Friend Johnny" describing the circumstances under which Lincoln's body was transported to the White House from 10th St. and describing the return of Lincoln's clothing and other possessions to Sandford at the Relyea offices. Sandford presents to his friend a portion of the shirt front (shirt bosom) worn by Lincoln the night of the assassination. In a further section of the letter he describes the excitement in Washington after the assassination and the mood of the crowds. The letter has a small rectangular fragment form the blood-stained shirt front, as described in Sandford's letter, neatly clipped to the first page of the letter. The original envelope is addressed to John [ ], Exchange Street, Jersey City.</text>
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                <text>&lt;p&gt;Write immediately as I am anxious to hear from You tell us where you was and what you Where doing when you learned the news.
&lt;/p&gt;&lt;p&gt;Washington D.C.
&lt;/p&gt;&lt;p&gt;Apl. 17th 1865
&lt;/p&gt;&lt;p&gt;Dear Friend Johnny
&lt;/p&gt;&lt;p&gt;You must excuse me for not Writing you befor but as the Old saying says better late than never." so here goes. I hardly think a letter from this city Especially at this time and from an Old Friend will be apt to be thrown to one side and forgoten. I also send You enclosed in this letter a piece of the Shirt Bosom worn By the President on the night of his Murder and remained on him until he died. I wish You to give a piece of it to Billy Denver and Tom Greene, I could sell every inch of it for $5. But prefer dividing it among my Friends and more especially You Billy and Tom for I know You will keep and appreciate it also remember the doner and while looking upon it recollect that he Never forgets his Old and True Friends, I have his Nec tie and would not take $50 for it have been offered $10 for it several times," I suppose you would like to know how I came by his clothes.  Well the morning he died, Genl Rucker came immediately to Our Shop and had a Common Pine Box made to bring
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[LETTER ENCLOSES CLOTH FRAGMENT; FIRST PAGE REPEATED WITH CLOTH MOVED TO EXPOSE DIFFERENT WORDS; TRANSCRIPTION MERGES THE TWO]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;him from 10th St to the White House in after they arrived at the House they cut his clothes off of him and threw them in the Box we made and sent the Box back to the Shop for safe keeping it was placed in My Charge in My Room the Hardware Department, and Just as soon as the coast was clear I unscrewed the lid and went through the Ward Robe for relics, I found on one of the Sleeves of his Shirt one of his sleeve Buttons Black enameled trimed with gold and the letter L on the outside with A.L underneath that I sent to the Sect of War the Bosom of his Shirt was the Next thing which met my Eye as it had considerable Blood upon it so I Just confescated the whole of it the piece I send You and another about the Same size is all I have left the Nec tie I wouldnt part with under any consideration I have taken all the Screws out of the Box which were turned down on him from 10th St to his house and have put others in their place, I will give You one when I come Home; the Box he was brought up in is within 5 ft of My Desk where I am Now Writing. dont forget to give Tom and Billy a piece of it the ("Shirt Bosom") The Murder took place Just 25 minutes to Eleven on last Friday Night at Fords Theatre on 10th St. the play
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;was Our American Cousin. I was at Grovers Theatre Next to Jim Lamberts Just 3 1/2 Blocks from Fords they were playing Aladdin or the Wonderful lamp and had Just commenced the 4th act I was at the time Sitting between 2 Detectives Friends of mine and one of them had Just asked me the time which was 20 Minutes to Eleven Miss German had Just finished a song called Sherman Marching down to the Sea and was about to repeat it when the door of the Theatre was pushed violently open and a Man rushed in exclaiming turn Out For Gods Sake the President has been Shot in his private Box at Fords Theatre he then rushed out every boddy seemed glued to the spot I for one and I think I was one of the First who attempted to moove ("it was either me or apple Jack for I was full of that") Every body followed I made straight for Fords and such another Excighted Crowed I Never before whitnessed I asked who did it and was informed Wilks Booth they were Just Bringing the President out when I arrived on the Spot I will leave the papers to tell You the rest, Business is entirely suspended and the Whole City is draped in Mourning the Excightment has pretty well
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;died out, they have embalmed the Boddy of the President and it will lay in State tomorrow and next day and the Funeral takes place on Thirsday. We had a Big time last Week in the illumination line but that is all Forgoten the Theatres Stores Every place of Business and the Gin Mills are all closed and perfectly inundated with crape it dont do for a Man to Open his Mouth unless he talks the right way." $30000 reward has been offered here for the arrest and coviction of the Murderer and upt to date they are still at large," Sewards House is Just 5 1/2 Blocks from Fords Theatre in the rear of Jackson Square and Nearly Opposite the White House on 15 and 1/2 St. he is getting allong finely but his Son is very low indeed Friday Night Was a Night long to be remembered by me I was on the Streets all Night. its impossible for me to discribe the scenes as they occured here the City was in one continual whirl of excightment crowds on every corner and 10th St was one solid Mass of excighted men flourishing knives and revolvers and yelling down with the Traitors instead of hunting for them Well Johnny I will have to bring this to a close, Give My Regards to Your Mother Tom Billy and all enquiring Friends. Write soon and dont forget to give Billy and Tom a piece of that Bosom. for as true as Heaven I swair its Just wat I have represented it to be. Receive this togather with My Best Respects and Wishes from Your True Friend Mose Sandford
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;John Beatty, Esq
&lt;/p&gt;&lt;p&gt;Exchange Broker
&lt;/p&gt;&lt;p&gt;Jersey City
&lt;/p&gt;&lt;p&gt;New Jersey
&lt;/p&gt;&lt;p&gt;(Please Forward)
&lt;/p&gt;
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="241863">
                <text>Broadsides</text>
              </elementText>
              <elementText elementTextId="241864">
                <text>Popular music</text>
              </elementText>
              <elementText elementTextId="241865">
                <text>Soldiers--songs and music</text>
              </elementText>
              <elementText elementTextId="241866">
                <text>Love Songs</text>
              </elementText>
              <elementText elementTextId="241867">
                <text>American Civil War (1861-1865)</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="241868">
                <text>Sawyer, Charles Carroll</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="241869">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="241870">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="241871">
                <text>1861-1865</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="241874">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="241877">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313199">
                <text>Magnus, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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</itemContainer>
