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                    <text>&lt;p&gt;My dear G.
&lt;/p&gt;&lt;p&gt;I am sorry we cannot call this evening - 'Little B.' is as ill (e'en a'most) as [thou art?], and I'm out o' sorts too, but Mollie says she will be down to bid Mrs Graham good-bye in the morning  I have just recd one of the 'Birth-day [illegible]' by post, so I s'pose we had better cling to first principles &amp;amp; go - if I am [illegible]
&lt;/p&gt;&lt;p&gt;I also have been honored by a letter in German from our friend K., who found a photograph of 'Big B.' after we left him today - which he enclosed to me, but 'tis not a good one.
&lt;/p&gt;&lt;p&gt;Be a good boy - put your feet in hot water &amp;amp; take
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;an 'ot whisky punch, as we say in 'Munchen', and you'll be O.K. in the morning. -
&lt;/p&gt;&lt;p&gt;[Train?] made a bully speech the other night - I'll let you see it - full of pluck, and almost as funny as we  are over our Port &amp;amp;
&lt;/p&gt;&lt;p&gt;[Larboard?] wines.
&lt;/p&gt;&lt;p&gt;I may have to leave town in a few days for Liverpool - but of that anon. Pardon me for [tiring?] you so long - for well I know you are compelled to blow your nose every five seconds; but 'sich is life' with a cold in the head, so, Oh, Reservoir - as we sang at Strasbourg,
and present our compliments to the ladies.
&lt;/p&gt;&lt;p&gt;Yours in [illegible]
&lt;/p&gt;&lt;p&gt;Mynheer Van Bost
&lt;/p&gt;&lt;p&gt;vis
&lt;/p&gt;&lt;p&gt;'Big B.'
&lt;/p&gt;&lt;p&gt;Monday Evg. Feby 17. [1862]
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                <text>&lt;p&gt;My dear G.
&lt;/p&gt;&lt;p&gt;I am sorry we cannot call this evening - 'Little B.' is as ill (e'en a'most) as [thou art?], and I'm out o' sorts too, but Mollie says she will be down to bid Mrs Graham good-bye in the morning  I have just recd one of the 'Birth-day [illegible]' by post, so I s'pose we had better cling to first principles &amp;amp; go - if I am [illegible]
&lt;/p&gt;&lt;p&gt;I also have been honored by a letter in German from our friend K., who found a photograph of 'Big B.' after we left him today - which he enclosed to me, but 'tis not a good one.
&lt;/p&gt;&lt;p&gt;Be a good boy - put your feet in hot water &amp;amp; take
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;an 'ot whisky punch, as we say in 'Munchen', and you'll be O.K. in the morning. -
&lt;/p&gt;&lt;p&gt;[Train?] made a bully speech the other night - I'll let you see it - full of pluck, and almost as funny as we  are over our Port &amp;amp;
&lt;/p&gt;&lt;p&gt;[Larboard?] wines.
&lt;/p&gt;&lt;p&gt;I may have to leave town in a few days for Liverpool - but of that anon. Pardon me for [tiring?] you so long - for well I know you are compelled to blow your nose every five seconds; but 'sich is life' with a cold in the head, so, Oh, Reservoir - as we sang at Strasbourg,
and present our compliments to the ladies.
&lt;/p&gt;&lt;p&gt;Yours in [illegible]
&lt;/p&gt;&lt;p&gt;Mynheer Van Bost
&lt;/p&gt;&lt;p&gt;vis
&lt;/p&gt;&lt;p&gt;'Big B.'
&lt;/p&gt;&lt;p&gt;Monday Evg. Feby 17. [1862]
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                    <text>&lt;p&gt;[in pencil] 50-E R ANEE Edwin Booth
&lt;/p&gt;&lt;p&gt;28 Rue de la Mad 
&lt;/p&gt;&lt;p&gt;My dear Graham 
&lt;/p&gt;&lt;p&gt;Am sorry I missed the delights in store for me at your house last evening.  We came home very late.  Little B and I had to bid adieu to Miller and Hewitt.
&lt;/p&gt;&lt;p&gt;I should have called on you this evening to express in person my regrets, but we have 'arranged' to avail ourselves of your kindness by visiting the Hotel de Ville--- &lt;u&gt;which it is the day to allez thither.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Hoping soon to catch a [smile?] from thine elegant lips---believe me
&lt;/p&gt;&lt;p&gt;Ever yours &lt;u&gt;Big B.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Thursday
&lt;/p&gt;
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                <text>&lt;p&gt;[in pencil] 50-E R ANEE Edwin Booth
&lt;/p&gt;&lt;p&gt;28 Rue de la Mad 
&lt;/p&gt;&lt;p&gt;My dear Graham 
&lt;/p&gt;&lt;p&gt;Am sorry I missed the delights in store for me at your house last evening.  We came home very late.  Little B and I had to bid adieu to Miller and Hewitt.
&lt;/p&gt;&lt;p&gt;I should have called on you this evening to express in person my regrets, but we have 'arranged' to avail ourselves of your kindness by visiting the Hotel de Ville--- &lt;u&gt;which it is the day to allez thither.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Hoping soon to catch a [smile?] from thine elegant lips---believe me
&lt;/p&gt;&lt;p&gt;Ever yours &lt;u&gt;Big B.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Thursday
&lt;/p&gt;
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                    <text>&lt;p&gt;June 28th.
&lt;/p&gt;&lt;p&gt;My dear Graham
&lt;/p&gt;&lt;p&gt;The enclosed were brought to me by Henrietta.
&lt;/p&gt;&lt;p&gt;Old Mother Conlon said as she handed them to me that one was from the Police! Mollie immediately suggested the lost '[manakins?]' (dry goods ever uppermost in woman's heads, you know) I therefore took the liberty of opening the note in  hopes of finding some clue to their whereabouts that I might obtain them for you but alas! behold the vanity of Summer hopes; the ['manakins'] is gone which it is a sin &amp;amp; a shame I vow.
&lt;/p&gt;&lt;p&gt;I hope I did no wrong in opening the 'billet' - it might Have been an order for your incarceration in the Bastile, but "since it
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;is as it is" I guess you'll pardon my curiosity.
&lt;/p&gt;&lt;p&gt;I've had the pleasure of Brook's &amp;amp; Huntington's company at 'vans-wheat' (28) but once - and enjoyed it huge.
&lt;/p&gt;&lt;p&gt;I trust you are having a splendid time at - wherever you are, is it a pleasant place?  Tell me all about it.
&lt;/p&gt;&lt;p&gt;The little B. and the 'lass' send all sorts of kindly greetings, sich as  - 'Sir, I has yur eye' et cetera, in which consider
&lt;/p&gt;&lt;p&gt;Your friend
&lt;/p&gt;&lt;p&gt;Big B
&lt;/p&gt;&lt;p&gt;noways behind
&lt;/p&gt;&lt;p&gt;Kindest regards to Mr Jesse.
&lt;/p&gt;
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                <text>&lt;p&gt;June 28th.
&lt;/p&gt;&lt;p&gt;My dear Graham
&lt;/p&gt;&lt;p&gt;The enclosed were brought to me by Henrietta.
&lt;/p&gt;&lt;p&gt;Old Mother Conlon said as she handed them to me that one was from the Police! Mollie immediately suggested the lost '[manakins?]' (dry goods ever uppermost in woman's heads, you know) I therefore took the liberty of opening the note in  hopes of finding some clue to their whereabouts that I might obtain them for you but alas! behold the vanity of Summer hopes; the ['manakins'] is gone which it is a sin &amp;amp; a shame I vow.
&lt;/p&gt;&lt;p&gt;I hope I did no wrong in opening the 'billet' - it might Have been an order for your incarceration in the Bastile, but "since it
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;is as it is" I guess you'll pardon my curiosity.
&lt;/p&gt;&lt;p&gt;I've had the pleasure of Brook's &amp;amp; Huntington's company at 'vans-wheat' (28) but once - and enjoyed it huge.
&lt;/p&gt;&lt;p&gt;I trust you are having a splendid time at - wherever you are, is it a pleasant place?  Tell me all about it.
&lt;/p&gt;&lt;p&gt;The little B. and the 'lass' send all sorts of kindly greetings, sich as  - 'Sir, I has yur eye' et cetera, in which consider
&lt;/p&gt;&lt;p&gt;Your friend
&lt;/p&gt;&lt;p&gt;Big B
&lt;/p&gt;&lt;p&gt;noways behind
&lt;/p&gt;&lt;p&gt;Kindest regards to Mr Jesse.
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                    <text>&lt;p&gt;Geo. Karnes Esq
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;Mr. Stewart -- to whom I have left the management of my affairs in the Booth Theatre -- informs me that the company is all made up.  I am sorry there is no opening for you.
&lt;/p&gt;&lt;p&gt;Very truly yours --
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Written London
&lt;/p&gt;&lt;p&gt;Nov 8th./62
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                <text>&lt;p&gt;Geo. Karnes Esq
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;Mr. Stewart -- to whom I have left the management of my affairs in the Booth Theatre -- informs me that the company is all made up.  I am sorry there is no opening for you.
&lt;/p&gt;&lt;p&gt;Very truly yours --
&lt;/p&gt;&lt;p&gt;Edwin Booth
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                    <text>&lt;p&gt;49-A ANEE R Booth (Notations at top left of page top right of page)
&lt;/p&gt;&lt;p&gt;Dear G. (Jas. L; raham - penciled-in notations next to Mr. Booth's salutation)
&lt;/p&gt;&lt;p&gt;The little 'B' will not be able to go out this morning, and indeed my knee is in such a painful state that I doubt if I can leave the house.
&lt;/p&gt;&lt;p&gt;I promised to see [illegible] today &amp;amp; I ought to go to the bank -- therefore I may be obliged to go to town -- so if we have not prevented you from going to the 'House' -- stop round to the studio after you get through sight-seeing,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;but if you conclude not to visit that institution today call up soon &amp;amp; take a smoke.
&lt;/p&gt;&lt;p&gt;I am [trying&amp;#160;?] the ['Acmite&amp;#160;?] &amp;amp; chloroform', it is a severe application &amp;amp; wonder we 'pray' for an hour at the stretch.
&lt;/p&gt;&lt;p&gt;Yours --
&lt;/p&gt;&lt;p&gt;Big B
&lt;/p&gt;&lt;p&gt;Saturday morning
&lt;/p&gt;
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                <text>&lt;p&gt;49-A ANEE R Booth (Notations at top left of page top right of page)
&lt;/p&gt;&lt;p&gt;Dear G. (Jas. L; raham - penciled-in notations next to Mr. Booth's salutation)
&lt;/p&gt;&lt;p&gt;The little 'B' will not be able to go out this morning, and indeed my knee is in such a painful state that I doubt if I can leave the house.
&lt;/p&gt;&lt;p&gt;I promised to see [illegible] today &amp;amp; I ought to go to the bank -- therefore I may be obliged to go to town -- so if we have not prevented you from going to the 'House' -- stop round to the studio after you get through sight-seeing,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;but if you conclude not to visit that institution today call up soon &amp;amp; take a smoke.
&lt;/p&gt;&lt;p&gt;I am [trying&amp;#160;?] the ['Acmite&amp;#160;?] &amp;amp; chloroform', it is a severe application &amp;amp; wonder we 'pray' for an hour at the stretch.
&lt;/p&gt;&lt;p&gt;Yours --
&lt;/p&gt;&lt;p&gt;Big B
&lt;/p&gt;&lt;p&gt;Saturday morning
&lt;/p&gt;
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                    <text>&lt;p&gt;Dorchester March 23d
&lt;/p&gt;&lt;p&gt;1863
&lt;/p&gt;&lt;p&gt;My dear Mrs Cushman -
&lt;/p&gt;&lt;p&gt;It is so very difficult for me to think calmly upon my great loss that I have allowed your most generous letter to remain unanswered longer than courtesy or gratitude permits, but you will, I am sure, overlook my fault and believe that it arose from a lack of [firmness?] to tell you how I appreciate your sympathy in this most bitter trial. 
&lt;/p&gt;&lt;p&gt;God's wisdom and goodness is in this I know - as in all he does, but there are so many unhappy circumstances connected with it, and my
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;rebellious nature is so hard to curb that I must complain - it is impossible for me to choke down the bitter cry of despair and submit in silence to the will of Him who doeth all things well. 
&lt;/p&gt;&lt;p&gt;Learning from Lucy that you were ill I feared the shock would be too great for you - knowing your love for Mary - and it was with a feeling of great relief, apart from the comfort your letter gave me, that I received this assurance of your sympathy.
&lt;/p&gt;&lt;p&gt;My poor little motherless one is in excellent health and well cared for by my Mother and the nurse
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;she is very devoted to the child &amp;amp; I shall keep her as long as possible as Mary wished although I have great difficulty with her at times. It will
indeed be heart rending when the innocent eyes look up to me and the baby tongue asks me 'where is mother?' But I must dismiss these thoughts for I feel my manhood giving way, nor are you [prepared?] to be troubled with the sorrows of another.
&lt;/p&gt;&lt;p&gt;I send you a copy of the last picture taken of Mary - 'tis all I have at present but will in a day or two have one of an ambrotype taken at
age of sixteen - when I first
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;knew her - which I will give to Lucy for you.
&lt;/p&gt;&lt;p&gt;Accept, my dear Mrs Cushman, my warmest thanks for your kind remembrance of me in my hardship; and with sincere prayers  for your restoration to health, and regards to Mr Cushman
&lt;/p&gt;&lt;p&gt;believe me
&lt;/p&gt;&lt;p&gt;[resptfully?] your sevt
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;
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                <text>&lt;p&gt;Dorchester March 23d
&lt;/p&gt;&lt;p&gt;1863
&lt;/p&gt;&lt;p&gt;My dear Mrs Cushman -
&lt;/p&gt;&lt;p&gt;It is so very difficult for me to think calmly upon my great loss that I have allowed your most generous letter to remain unanswered longer than courtesy or gratitude permits, but you will, I am sure, overlook my fault and believe that it arose from a lack of [firmness?] to tell you how I appreciate your sympathy in this most bitter trial. 
&lt;/p&gt;&lt;p&gt;God's wisdom and goodness is in this I know - as in all he does, but there are so many unhappy circumstances connected with it, and my
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;rebellious nature is so hard to curb that I must complain - it is impossible for me to choke down the bitter cry of despair and submit in silence to the will of Him who doeth all things well. 
&lt;/p&gt;&lt;p&gt;Learning from Lucy that you were ill I feared the shock would be too great for you - knowing your love for Mary - and it was with a feeling of great relief, apart from the comfort your letter gave me, that I received this assurance of your sympathy.
&lt;/p&gt;&lt;p&gt;My poor little motherless one is in excellent health and well cared for by my Mother and the nurse
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;she is very devoted to the child &amp;amp; I shall keep her as long as possible as Mary wished although I have great difficulty with her at times. It will
indeed be heart rending when the innocent eyes look up to me and the baby tongue asks me 'where is mother?' But I must dismiss these thoughts for I feel my manhood giving way, nor are you [prepared?] to be troubled with the sorrows of another.
&lt;/p&gt;&lt;p&gt;I send you a copy of the last picture taken of Mary - 'tis all I have at present but will in a day or two have one of an ambrotype taken at
age of sixteen - when I first
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;knew her - which I will give to Lucy for you.
&lt;/p&gt;&lt;p&gt;Accept, my dear Mrs Cushman, my warmest thanks for your kind remembrance of me in my hardship; and with sincere prayers  for your restoration to health, and regards to Mr Cushman
&lt;/p&gt;&lt;p&gt;believe me
&lt;/p&gt;&lt;p&gt;[resptfully?] your sevt
&lt;/p&gt;&lt;p&gt;Edwin Booth
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                    <text>&lt;p&gt;(Upper left-hand corner; 53)
&lt;/p&gt;&lt;p&gt;Dorchester
&lt;/p&gt;&lt;p&gt;March 24th. 1863
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;Will you accept this bouquet as a slight acknowledgement of your kindnefs?  Trifling as it may seem it has in my eyes a pricelefs value, for it is fraught with sad sweet memories of our who was too good for earth.
&lt;/p&gt;&lt;p&gt;I trust you will receive it as a slight token of my gratitude, and should it ever call to mind him whose life she made a blifsful drama let it draw from you a prayer for his relief who suffers so keenly.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;That I shall be with her again is my sincere belief -- that it may please our Father some to reunite us is my most fervent prayer.
&lt;/p&gt;&lt;p&gt;Deeply regretting my absence on the day you called, and with my warmest wishes for your welfare,
&lt;/p&gt;&lt;p&gt;believe me
&lt;/p&gt;&lt;p&gt;sincerely and gratefully
&lt;/p&gt;&lt;p&gt;Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Rev. Mr. Huntington
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;
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                <text>Edwin Booth to Reverend Huntington</text>
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                <text>Edwin Booth writes about the loss of his wife to Reverend Huntington who performed her funeral service.</text>
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                <text>&lt;p&gt;(Upper left-hand corner; 53)
&lt;/p&gt;&lt;p&gt;Dorchester
&lt;/p&gt;&lt;p&gt;March 24th. 1863
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;Will you accept this bouquet as a slight acknowledgement of your kindnefs?  Trifling as it may seem it has in my eyes a pricelefs value, for it is fraught with sad sweet memories of our who was too good for earth.
&lt;/p&gt;&lt;p&gt;I trust you will receive it as a slight token of my gratitude, and should it ever call to mind him whose life she made a blifsful drama let it draw from you a prayer for his relief who suffers so keenly.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;That I shall be with her again is my sincere belief -- that it may please our Father some to reunite us is my most fervent prayer.
&lt;/p&gt;&lt;p&gt;Deeply regretting my absence on the day you called, and with my warmest wishes for your welfare,
&lt;/p&gt;&lt;p&gt;believe me
&lt;/p&gt;&lt;p&gt;sincerely and gratefully
&lt;/p&gt;&lt;p&gt;Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Rev. Mr. Huntington
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;
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                    <text>&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;Doors Open at 1-4 before 7 o'clock.  Performance will Commence at 1-4 past 7.
&lt;/p&gt;&lt;p&gt;Private Boxes, -- $6.00  Family Circle, -- 25 cts.
&lt;/p&gt;&lt;p&gt;Parquette, Balcony, and First Tier of Boxes, 50 cts.  Amphitheatre, 15 cts.
&lt;/p&gt;&lt;p&gt;This, Thursday Evening, -- September 24, 1857,
&lt;/p&gt;&lt;p&gt;Will be performed Shakespeare's Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD III
&lt;/p&gt;&lt;p&gt;WITH SUPERB SCENIC ILLUSTRATIONS, GORGEOUS DECORATIONS,
&lt;/p&gt;&lt;p&gt;ANCIENT ARMOR, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;DUKE OF GLOSTER, by -- Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;LAST NIGHT BUT TWO OF HIS RE-ENGAGEMENT.
&lt;/p&gt;&lt;p&gt;KING HENRY 6TH. Mr. W.A. DONALDSON  LIEUT. OF TOWER, by ... Mr. DAVENPORT
&lt;/p&gt;&lt;p&gt;EARL OF RICHMOND, by. Mr. CHAS. POPE  LORD MAYOR, by... Mr. S.D. JOHNSON
&lt;/p&gt;&lt;p&gt;DUKE OF BUCKINGHAM.. Mr. J.B. HOWE  TYRREL, by... Mr. ROSE
&lt;/p&gt;&lt;p&gt;LORD STANLEY, by... Mr. W. H. CURTIS  OXFORD, by... Mr. DAYMOND
&lt;/p&gt;&lt;p&gt;TRESSEL, by... Mr. COWELL  BLUNT, by... Mr. VERNEY
&lt;/p&gt;&lt;p&gt;CATESBY, by... Mr. SELWIN  OFFICER, by... Mr. FINN
&lt;/p&gt;&lt;p&gt;RATCLIFFE, by... Mr. G. JOHNSON  PRINCE OF WALES, by. Miss IDA VERNON
&lt;/p&gt;&lt;p&gt;DUKE OF NORFOLK, by... Mr. PRICE  DUKE OF YORK, by... Miss MARSHALL
&lt;/p&gt;&lt;p&gt;Cardinals, Bishops, Priests, Judges, Lords, Knights, Aldermen, Bannermen, Guards, Pages, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;QUEEN ELIZABETH, by... Mrs. ABBOTT
&lt;/p&gt;&lt;p&gt;LADY ANNE, by... Miss LIZZIE EMMONS
&lt;/p&gt;&lt;p&gt;DUCHESS OF YORK, by... Mrs. JOHN GILBERT
&lt;/p&gt;&lt;p&gt;FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;In Scenic Illustrations, Costumes, Armor, and Decorations!
&lt;/p&gt;&lt;p&gt;SECOND TIME IN BOSTON OF A
&lt;/p&gt;&lt;p&gt;CONJUGAL LESSON!
&lt;/p&gt;&lt;p&gt;RECEIVED WITH SHOUTS OF LAUGHTER.
&lt;/p&gt;&lt;p&gt;MRS. L. WESTON DAVENPORT,
&lt;/p&gt;&lt;p&gt;MRS. ABBOTT,
&lt;/p&gt;&lt;p&gt;MRS. JOHN GILBERT,
&lt;/p&gt;&lt;p&gt;MISS LIZZIE EMMONS,
&lt;/p&gt;&lt;p&gt;MR. CHAS. POPE,
&lt;/p&gt;&lt;p&gt;MR. J. B. HOWE,
&lt;/p&gt;&lt;p&gt;MR. W. DAVIDGE,
&lt;/p&gt;&lt;p&gt;MR. W. A. DONALDSON,
&lt;/p&gt;&lt;p&gt;MR. W. H. CURTIS,
&lt;/p&gt;&lt;p&gt;MR. S. D. JOHNSON,
&lt;/p&gt;&lt;p&gt;And other PROMINENT ARTISTS of this TALENTED COMPANY will appear To-night.
&lt;/p&gt;&lt;p&gt;NOTICE. - A Box in the Second Tier has been assigned for the use of Colored Persons,
who can only be admitted to that part of the Theatre.
&lt;/p&gt;&lt;p&gt;Tickets of Admission can be secured Three Days in advance.
&lt;/p&gt;&lt;p&gt;QUEEN ELIZABETH, by... Mrs.ABBOTT
&lt;/p&gt;&lt;p&gt;LADY ANNE, by... Miss LIZZIE EMMONS
&lt;/p&gt;&lt;p&gt;DUCHESS OF YORK, by... Mrs. JOHN GILBERT
&lt;/p&gt;&lt;p&gt;FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;Doors Open at 1-4 before 7 o'clock.  Performance will Commence at 1-4 past 7.
&lt;/p&gt;&lt;p&gt;Private Boxes, -- $6.00  Family Circle, -- 25 cts.
&lt;/p&gt;&lt;p&gt;Parquette, Balcony, and First Tier of Boxes, 50 cts.  Amphitheatre, 15 cts.
&lt;/p&gt;&lt;p&gt;This, Thursday Evening, -- September 24, 1857,
&lt;/p&gt;&lt;p&gt;Will be performed Shakespeare's Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD III
&lt;/p&gt;&lt;p&gt;PICTORIAL ILLUSTRATIONS.
&lt;/p&gt;&lt;p&gt;The Traitors Gate and Bridge.  View of Tower of London.
&lt;/p&gt;&lt;p&gt;Both painted from authentic sketches.
&lt;/p&gt;&lt;p&gt;Cloisters of St. Paul.  FUNERAL OF THE KING.
&lt;/p&gt;&lt;p&gt;Coronation of Richard 3d.  Gates of the City.
&lt;/p&gt;&lt;p&gt;MARCH OF RICHARD'S ARMY.
&lt;/p&gt;&lt;p&gt;View of Tamworth Castle.  Tent of Richard
&lt;/p&gt;&lt;p&gt;BY MOONLIGHT - THE VISION AND SPECTERS.
&lt;/p&gt;&lt;p&gt;The Old Mill.  Bosworth Battle Field.
&lt;/p&gt;&lt;p&gt;THE FIGHT, AND DEATH OF RICHARD.
&lt;/p&gt;&lt;p&gt;To conclude with, 2nd time in Boston, a Comedy in One Act, by H. Danvers, entitled A
&lt;/p&gt;&lt;p&gt;CONJUGAL LESSON!
&lt;/p&gt;&lt;p&gt;As lately produced in London, and now playing nightly in New York, with Brilliant Success.
&lt;/p&gt;&lt;p&gt;Mr. SIMON LULLABY, by... Mr. W. DAVIDGE
&lt;/p&gt;&lt;p&gt;Mrs. LETITIA LULLABY, by... Mrs. LIZZIE WESTON DAVENPORT
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
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                <text>Autograph, carte-de-visite, and playbill of Edwin Booth</text>
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                <text>Mounted on posterboard, is a September 24, 1857, Playbill:  By public request, Mr. Edwin Booth, the young American tragedian, in Richard III at the Boston Theatre; a CDV of Edwin Booth with his signature; and Booth's autograph on a small card inscribed and dated by Booth.</text>
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                <text>&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;Doors Open at 1-4 before 7 o'clock.  Performance will Commence at 1-4 past 7.
&lt;/p&gt;&lt;p&gt;Private Boxes, -- $6.00  Family Circle, -- 25 cts.
&lt;/p&gt;&lt;p&gt;Parquette, Balcony, and First Tier of Boxes, 50 cts.  Amphitheatre, 15 cts.
&lt;/p&gt;&lt;p&gt;This, Thursday Evening, -- September 24, 1857,
&lt;/p&gt;&lt;p&gt;Will be performed Shakespeare's Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD III
&lt;/p&gt;&lt;p&gt;WITH SUPERB SCENIC ILLUSTRATIONS, GORGEOUS DECORATIONS,
&lt;/p&gt;&lt;p&gt;ANCIENT ARMOR, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;DUKE OF GLOSTER, by -- Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;LAST NIGHT BUT TWO OF HIS RE-ENGAGEMENT.
&lt;/p&gt;&lt;p&gt;KING HENRY 6TH. Mr. W.A. DONALDSON  LIEUT. OF TOWER, by ... Mr. DAVENPORT
&lt;/p&gt;&lt;p&gt;EARL OF RICHMOND, by. Mr. CHAS. POPE  LORD MAYOR, by... Mr. S.D. JOHNSON
&lt;/p&gt;&lt;p&gt;DUKE OF BUCKINGHAM.. Mr. J.B. HOWE  TYRREL, by... Mr. ROSE
&lt;/p&gt;&lt;p&gt;LORD STANLEY, by... Mr. W. H. CURTIS  OXFORD, by... Mr. DAYMOND
&lt;/p&gt;&lt;p&gt;TRESSEL, by... Mr. COWELL  BLUNT, by... Mr. VERNEY
&lt;/p&gt;&lt;p&gt;CATESBY, by... Mr. SELWIN  OFFICER, by... Mr. FINN
&lt;/p&gt;&lt;p&gt;RATCLIFFE, by... Mr. G. JOHNSON  PRINCE OF WALES, by. Miss IDA VERNON
&lt;/p&gt;&lt;p&gt;DUKE OF NORFOLK, by... Mr. PRICE  DUKE OF YORK, by... Miss MARSHALL
&lt;/p&gt;&lt;p&gt;Cardinals, Bishops, Priests, Judges, Lords, Knights, Aldermen, Bannermen, Guards, Pages, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;QUEEN ELIZABETH, by... Mrs. ABBOTT
&lt;/p&gt;&lt;p&gt;LADY ANNE, by... Miss LIZZIE EMMONS
&lt;/p&gt;&lt;p&gt;DUCHESS OF YORK, by... Mrs. JOHN GILBERT
&lt;/p&gt;&lt;p&gt;FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;In Scenic Illustrations, Costumes, Armor, and Decorations!
&lt;/p&gt;&lt;p&gt;SECOND TIME IN BOSTON OF A
&lt;/p&gt;&lt;p&gt;CONJUGAL LESSON!
&lt;/p&gt;&lt;p&gt;RECEIVED WITH SHOUTS OF LAUGHTER.
&lt;/p&gt;&lt;p&gt;MRS. L. WESTON DAVENPORT,
&lt;/p&gt;&lt;p&gt;MRS. ABBOTT,
&lt;/p&gt;&lt;p&gt;MRS. JOHN GILBERT,
&lt;/p&gt;&lt;p&gt;MISS LIZZIE EMMONS,
&lt;/p&gt;&lt;p&gt;MR. CHAS. POPE,
&lt;/p&gt;&lt;p&gt;MR. J. B. HOWE,
&lt;/p&gt;&lt;p&gt;MR. W. DAVIDGE,
&lt;/p&gt;&lt;p&gt;MR. W. A. DONALDSON,
&lt;/p&gt;&lt;p&gt;MR. W. H. CURTIS,
&lt;/p&gt;&lt;p&gt;MR. S. D. JOHNSON,
&lt;/p&gt;&lt;p&gt;And other PROMINENT ARTISTS of this TALENTED COMPANY will appear To-night.
&lt;/p&gt;&lt;p&gt;NOTICE. - A Box in the Second Tier has been assigned for the use of Colored Persons,
who can only be admitted to that part of the Theatre.
&lt;/p&gt;&lt;p&gt;Tickets of Admission can be secured Three Days in advance.
&lt;/p&gt;&lt;p&gt;QUEEN ELIZABETH, by... Mrs.ABBOTT
&lt;/p&gt;&lt;p&gt;LADY ANNE, by... Miss LIZZIE EMMONS
&lt;/p&gt;&lt;p&gt;DUCHESS OF YORK, by... Mrs. JOHN GILBERT
&lt;/p&gt;&lt;p&gt;FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;BOSTON THEATRE.
&lt;/p&gt;&lt;p&gt;THOMAS BARRY, -- LESSEE AND MANAGER  J.B. WRIGHT, --- ASSISTANT MANAGER
&lt;/p&gt;&lt;p&gt;BUSINESS MANAGER, --- MR. H. ASHLEY  TREASURER, --- MR. W. ELLISON
&lt;/p&gt;&lt;p&gt;BY PUBLIC REQUEST
&lt;/p&gt;&lt;p&gt;Mr. EDWIN BOOTH
&lt;/p&gt;&lt;p&gt;THE YOUNG AMERICAN TRAGEDIAN,
&lt;/p&gt;&lt;p&gt;In the Great Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD THE THIRD!
&lt;/p&gt;&lt;p&gt;PRODUCED WITH GREAT MAGNIFICENCE
&lt;/p&gt;&lt;p&gt;Doors Open at 1-4 before 7 o'clock.  Performance will Commence at 1-4 past 7.
&lt;/p&gt;&lt;p&gt;Private Boxes, -- $6.00  Family Circle, -- 25 cts.
&lt;/p&gt;&lt;p&gt;Parquette, Balcony, and First Tier of Boxes, 50 cts.  Amphitheatre, 15 cts.
&lt;/p&gt;&lt;p&gt;This, Thursday Evening, -- September 24, 1857,
&lt;/p&gt;&lt;p&gt;Will be performed Shakespeare's Historical Tragedy of
&lt;/p&gt;&lt;p&gt;RICHARD III
&lt;/p&gt;&lt;p&gt;PICTORIAL ILLUSTRATIONS.
&lt;/p&gt;&lt;p&gt;The Traitors Gate and Bridge.  View of Tower of London.
&lt;/p&gt;&lt;p&gt;Both painted from authentic sketches.
&lt;/p&gt;&lt;p&gt;Cloisters of St. Paul.  FUNERAL OF THE KING.
&lt;/p&gt;&lt;p&gt;Coronation of Richard 3d.  Gates of the City.
&lt;/p&gt;&lt;p&gt;MARCH OF RICHARD'S ARMY.
&lt;/p&gt;&lt;p&gt;View of Tamworth Castle.  Tent of Richard
&lt;/p&gt;&lt;p&gt;BY MOONLIGHT - THE VISION AND SPECTERS.
&lt;/p&gt;&lt;p&gt;The Old Mill.  Bosworth Battle Field.
&lt;/p&gt;&lt;p&gt;THE FIGHT, AND DEATH OF RICHARD.
&lt;/p&gt;&lt;p&gt;To conclude with, 2nd time in Boston, a Comedy in One Act, by H. Danvers, entitled A
&lt;/p&gt;&lt;p&gt;CONJUGAL LESSON!
&lt;/p&gt;&lt;p&gt;As lately produced in London, and now playing nightly in New York, with Brilliant Success.
&lt;/p&gt;&lt;p&gt;Mr. SIMON LULLABY, by... Mr. W. DAVIDGE
&lt;/p&gt;&lt;p&gt;Mrs. LETITIA LULLABY, by... Mrs. LIZZIE WESTON DAVENPORT
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
FRIDAY - Mr. EDWIN BOOTH'S BENEFIT, BRUTUS!! and KATHERINE AND
&lt;/p&gt;&lt;p&gt;PETRUCHIO! in both of which he will appear.
&lt;/p&gt;&lt;p&gt;SATURDAY - Close of Mr. BOOTH'S Re-engagement.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;Dec. 6th
&lt;/p&gt;&lt;p&gt;1865
&lt;/p&gt;
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                    <text>&lt;p&gt;Philadelphia
&lt;/p&gt;&lt;p&gt;Oct. 21st
&lt;/p&gt;&lt;p&gt;1866
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;I am sorry I was obliged to quit Boston without even a chance to say 'goodbye' to you, or to receive the '[pears?] and spelling book' which (the book) I am daily expecting - my friend Mr Tompkins having promised to send it to me.
&lt;/p&gt;&lt;p&gt;This is the first opportunity I've had - since I left Boston - to acknowledge yr last kind letter, and even now I write in little less than agony; being somewhat crippled by a severe pain in my kidneys - an affliction which has troubled me many years, and which is aggravated by every little cold I take or any great exertion.
&lt;/p&gt;&lt;p&gt;I cannot tell you, sir, how dearly I prize such
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;tokens of encouragement as those I have received from you and a few others, whose judgment I value above all the fulsome laudations so lavishly bestowed by the unthinking many upon a favorite.
&lt;/p&gt;&lt;p&gt;Although unseen by other eyes, I draw from them renewed energy [&amp;amp;?] I sometimes turn to them for that encouragement, which all the
newspaper "puffings" and applauding audiences fail to [provide?].
&lt;/p&gt;&lt;p&gt;I think sometimes I must be a little dead inside - then I feel [sated?] and weary of my good fortune, and believe myself to be the most ungrateful of animals. It is only when I turn to these few cherished letters that I feel myself
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to be of some little use; and then I hope again to be one day of service to my kind.
&lt;/p&gt;&lt;p&gt;Not seeing you in the seat I selected for you I feared you were prevented from attending - I wish I had known the reason, I cd easily have procured you another. I am glad you were  not disappointed with the 2d performance you witnessed - it only proves how little one can judge of his own work; I was terribly dissatisfied that evening.
&lt;/p&gt;&lt;p&gt;I will certainly bring my darling to see Mrs Sargent - in the Spring, if life and health are granted us. I was obliged to leave her in New York, the journey hither - without
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;rest - would have been too great for her, and besides, my mother needed the "sunshine" a little -but I miss her dreadfully.
&lt;/p&gt;&lt;p&gt;Again thanking you for your kindly thoughts of me, and wishing you many, many years of health and happiness
&lt;/p&gt;&lt;p&gt;I am very
&lt;/p&gt;&lt;p&gt;Sincerely yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
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                <text>&lt;p&gt;Philadelphia
&lt;/p&gt;&lt;p&gt;Oct. 21st
&lt;/p&gt;&lt;p&gt;1866
&lt;/p&gt;&lt;p&gt;My dear Sir -
&lt;/p&gt;&lt;p&gt;I am sorry I was obliged to quit Boston without even a chance to say 'goodbye' to you, or to receive the '[pears?] and spelling book' which (the book) I am daily expecting - my friend Mr Tompkins having promised to send it to me.
&lt;/p&gt;&lt;p&gt;This is the first opportunity I've had - since I left Boston - to acknowledge yr last kind letter, and even now I write in little less than agony; being somewhat crippled by a severe pain in my kidneys - an affliction which has troubled me many years, and which is aggravated by every little cold I take or any great exertion.
&lt;/p&gt;&lt;p&gt;I cannot tell you, sir, how dearly I prize such
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;tokens of encouragement as those I have received from you and a few others, whose judgment I value above all the fulsome laudations so lavishly bestowed by the unthinking many upon a favorite.
&lt;/p&gt;&lt;p&gt;Although unseen by other eyes, I draw from them renewed energy [&amp;amp;?] I sometimes turn to them for that encouragement, which all the
newspaper "puffings" and applauding audiences fail to [provide?].
&lt;/p&gt;&lt;p&gt;I think sometimes I must be a little dead inside - then I feel [sated?] and weary of my good fortune, and believe myself to be the most ungrateful of animals. It is only when I turn to these few cherished letters that I feel myself
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to be of some little use; and then I hope again to be one day of service to my kind.
&lt;/p&gt;&lt;p&gt;Not seeing you in the seat I selected for you I feared you were prevented from attending - I wish I had known the reason, I cd easily have procured you another. I am glad you were  not disappointed with the 2d performance you witnessed - it only proves how little one can judge of his own work; I was terribly dissatisfied that evening.
&lt;/p&gt;&lt;p&gt;I will certainly bring my darling to see Mrs Sargent - in the Spring, if life and health are granted us. I was obliged to leave her in New York, the journey hither - without
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;rest - would have been too great for her, and besides, my mother needed the "sunshine" a little -but I miss her dreadfully.
&lt;/p&gt;&lt;p&gt;Again thanking you for your kindly thoughts of me, and wishing you many, many years of health and happiness
&lt;/p&gt;&lt;p&gt;I am very
&lt;/p&gt;&lt;p&gt;Sincerely yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;
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                    <text>&lt;p&gt;53 A [A?]
&lt;/p&gt;&lt;p&gt;229 North 18th
&lt;/p&gt;&lt;p&gt;Octr 28th &lt;u&gt;1866&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Dear Sir
&lt;/p&gt;&lt;p&gt;Excuse my delay in acknowledging yr favor of 19th inst: Long rehearsals and ill health have prevented an earlier response.  I remember yr play very well, and remember too how well I liked it, but I am afraid there will be little---if any opportunity to produce it at the [Belmont?].  Managers of theatres arrange their season’s programme months in advance---and [Mr Clark?] [who?] attends to all the [housewife?] affairs of the theatre, has---I presume---filled all the weeks for his next season---as the present one was planned and disposed of months ere it began.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;He may, possibly, have a week or two [unprovided?] for---in which case he can produce anything that he approves of---of this, however, I know nothing.  He is at present absent from the city---when he arrives I will consult him on the subject &amp;amp; see what can be done.  Do I make myself understood?
&lt;/p&gt;&lt;p&gt;The only liesure time I have is between 4 and 6 o’clk---during which I shall be happy to see you any day.
&lt;/p&gt;&lt;p&gt;To avoid disappointment---should you call---do not ask for me, but merely send in your card---as I am [obliged?] to keep myself ‘under lock and key’, as it were, for every
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;'Tom, Dick and Harry' that make [unimportant?] calls upon me, and my servants are [excessively?] stupid.
&lt;/p&gt;&lt;p&gt;I am sorry I cannot call on you &amp;amp; save you the trouble.
&lt;/p&gt;&lt;p&gt;In haste –
&lt;/p&gt;&lt;p&gt;Very truly
Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Letter 
to W.A. Stephens
1120 [illegible] [Phila?]
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                <text>&lt;p&gt;53 A [A?]
&lt;/p&gt;&lt;p&gt;229 North 18th
&lt;/p&gt;&lt;p&gt;Octr 28th &lt;u&gt;1866&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Dear Sir
&lt;/p&gt;&lt;p&gt;Excuse my delay in acknowledging yr favor of 19th inst: Long rehearsals and ill health have prevented an earlier response.  I remember yr play very well, and remember too how well I liked it, but I am afraid there will be little---if any opportunity to produce it at the [Belmont?].  Managers of theatres arrange their season’s programme months in advance---and [Mr Clark?] [who?] attends to all the [housewife?] affairs of the theatre, has---I presume---filled all the weeks for his next season---as the present one was planned and disposed of months ere it began.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;He may, possibly, have a week or two [unprovided?] for---in which case he can produce anything that he approves of---of this, however, I know nothing.  He is at present absent from the city---when he arrives I will consult him on the subject &amp;amp; see what can be done.  Do I make myself understood?
&lt;/p&gt;&lt;p&gt;The only liesure time I have is between 4 and 6 o’clk---during which I shall be happy to see you any day.
&lt;/p&gt;&lt;p&gt;To avoid disappointment---should you call---do not ask for me, but merely send in your card---as I am [obliged?] to keep myself ‘under lock and key’, as it were, for every
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;'Tom, Dick and Harry' that make [unimportant?] calls upon me, and my servants are [excessively?] stupid.
&lt;/p&gt;&lt;p&gt;I am sorry I cannot call on you &amp;amp; save you the trouble.
&lt;/p&gt;&lt;p&gt;In haste –
&lt;/p&gt;&lt;p&gt;Very truly
Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Letter 
to W.A. Stephens
1120 [illegible] [Phila?]
&lt;/p&gt;
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                    <text>&lt;p&gt;June 16th 1867
&lt;/p&gt;&lt;p&gt;My dear Sir:
&lt;/p&gt;&lt;p&gt;Mr. Barrett is in England.  I have not seen him since we conversed together, and I doubt if he ever recd a letter I directed to New Orleans- relative to his purchasing [yr.?] play.
&lt;/p&gt;&lt;p&gt;[1 or 2 sentences sliced out]
&lt;/p&gt;&lt;p&gt;Being obliged now to travel far &amp;amp; work hard &amp;amp; make up the losses of one little day, which – “at one fell swoop” – deprived me of a theatre &amp;amp; the result of long &amp;amp; painful labor.
&lt;/p&gt;&lt;p&gt;I wish I could advise you in regard to the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;“Artist” – but know not what to say.  Edwin Adams &amp;amp; Chas Barren are the only two young men who are likely to need new plays.  Barrett now being engaged with [Boucicault?] to perform such characters as he shall write for him &amp;amp; I daresay (like myself) he has his hands full.
&lt;/p&gt;&lt;p&gt;Sincerely hoping for a change to brighter days – I am
&lt;/p&gt;&lt;p&gt;Very truly 
&lt;/p&gt;&lt;p&gt;yours
&lt;/p&gt;&lt;p&gt;E. Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;June 6/67
&lt;/p&gt;
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                <text>Edwin Booth addresses a letter to "My Dear Sirs" regretting that he is "obliged now to travel and work hard to make up the losses on one little day."  A sentence or two has been sliced out of the first page.</text>
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                <text>&lt;p&gt;June 16th 1867
&lt;/p&gt;&lt;p&gt;My dear Sir:
&lt;/p&gt;&lt;p&gt;Mr. Barrett is in England.  I have not seen him since we conversed together, and I doubt if he ever recd a letter I directed to New Orleans- relative to his purchasing [yr.?] play.
&lt;/p&gt;&lt;p&gt;[1 or 2 sentences sliced out]
&lt;/p&gt;&lt;p&gt;Being obliged now to travel far &amp;amp; work hard &amp;amp; make up the losses of one little day, which – “at one fell swoop” – deprived me of a theatre &amp;amp; the result of long &amp;amp; painful labor.
&lt;/p&gt;&lt;p&gt;I wish I could advise you in regard to the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;“Artist” – but know not what to say.  Edwin Adams &amp;amp; Chas Barren are the only two young men who are likely to need new plays.  Barrett now being engaged with [Boucicault?] to perform such characters as he shall write for him &amp;amp; I daresay (like myself) he has his hands full.
&lt;/p&gt;&lt;p&gt;Sincerely hoping for a change to brighter days – I am
&lt;/p&gt;&lt;p&gt;Very truly 
&lt;/p&gt;&lt;p&gt;yours
&lt;/p&gt;&lt;p&gt;E. Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;June 6/67
&lt;/p&gt;
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                    <text>&lt;p&gt;Walnut St Theatre
&lt;/p&gt;&lt;p&gt;Apr 3d 186.8
&lt;/p&gt;&lt;p&gt;My dear friend:
&lt;/p&gt;&lt;p&gt;I have scribbled off (in great haste and with no regard to poetic justice) a few quotations that bubbled up in my brain as I finished your letter.
&lt;/p&gt;&lt;p&gt;I hope they will serve - othre I shod really be ashamed of them - but no matter, I daresay a few silly ones will be satisfied with them.
&lt;/p&gt;&lt;p&gt;Forgive my scrawls &amp;amp; give my love to Prof. &amp;amp; Mrs [name] &amp;amp; to the travellers when you
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;write to them.
&lt;/p&gt;&lt;p&gt;My baby is with me &amp;amp; is well &amp;amp; happy - speaks often of dear little Georgie.
&lt;/p&gt;&lt;p&gt;Believe me
&lt;/p&gt;&lt;p&gt;Yr friend ever
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;To Miss Mary Felton of Cambridge Mass - speaking of Mrs Thos G Carey's family
&lt;/p&gt;
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                <text>&lt;p&gt;Walnut St Theatre
&lt;/p&gt;&lt;p&gt;Apr 3d 186.8
&lt;/p&gt;&lt;p&gt;My dear friend:
&lt;/p&gt;&lt;p&gt;I have scribbled off (in great haste and with no regard to poetic justice) a few quotations that bubbled up in my brain as I finished your letter.
&lt;/p&gt;&lt;p&gt;I hope they will serve - othre I shod really be ashamed of them - but no matter, I daresay a few silly ones will be satisfied with them.
&lt;/p&gt;&lt;p&gt;Forgive my scrawls &amp;amp; give my love to Prof. &amp;amp; Mrs [name] &amp;amp; to the travellers when you
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;write to them.
&lt;/p&gt;&lt;p&gt;My baby is with me &amp;amp; is well &amp;amp; happy - speaks often of dear little Georgie.
&lt;/p&gt;&lt;p&gt;Believe me
&lt;/p&gt;&lt;p&gt;Yr friend ever
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;To Miss Mary Felton of Cambridge Mass - speaking of Mrs Thos G Carey's family
&lt;/p&gt;
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                    <text>&lt;p&gt;54-AA
&lt;/p&gt;&lt;p&gt;April 19th 1868?
&lt;/p&gt;&lt;p&gt;Dear Mr. Sargent:
&lt;/p&gt;&lt;p&gt;I thought I should  have seen you ere this-but I have had long rehearsals every day, and on Sundays have been compelled to act on to business connected with my New York theaters. Having now no wardrobe the few leisure moments I usually have between rehearsal and the play are employed in looking up the many little articles useful to my costumes, and so I have been kept on  'tenter-hooks' all this while. In a few days I hope to have the pleasure of driving out to see you.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I enclose tickets for my next performance of 'Hamlet'-I think after a change I act with more spirit and feeling than when wearied by routine, acting the same character successively for several nights is apt to make me dull and heavy and therefore I wished you to see me after having broken the monotony by acting other parts. I hope you will be able to visit the theater next Tuesday evening, and that I may not disappoint you. 
&lt;/p&gt;&lt;p&gt;With many kind wishes for yourself and family, believe me, most respectly and sincerely yours, Edwin Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;P.S.-I do not hesitate to send these tickets, believing that you will grant me the privilege to do so when I tell you it affords me great pleasure.
&lt;/p&gt;&lt;p&gt;From Edwin Booth, the actor
&lt;/p&gt;
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                <text>&lt;p&gt;54-AA
&lt;/p&gt;&lt;p&gt;April 19th 1868?
&lt;/p&gt;&lt;p&gt;Dear Mr. Sargent:
&lt;/p&gt;&lt;p&gt;I thought I should  have seen you ere this-but I have had long rehearsals every day, and on Sundays have been compelled to act on to business connected with my New York theaters. Having now no wardrobe the few leisure moments I usually have between rehearsal and the play are employed in looking up the many little articles useful to my costumes, and so I have been kept on  'tenter-hooks' all this while. In a few days I hope to have the pleasure of driving out to see you.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I enclose tickets for my next performance of 'Hamlet'-I think after a change I act with more spirit and feeling than when wearied by routine, acting the same character successively for several nights is apt to make me dull and heavy and therefore I wished you to see me after having broken the monotony by acting other parts. I hope you will be able to visit the theater next Tuesday evening, and that I may not disappoint you. 
&lt;/p&gt;&lt;p&gt;With many kind wishes for yourself and family, believe me, most respectly and sincerely yours, Edwin Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;P.S.-I do not hesitate to send these tickets, believing that you will grant me the privilege to do so when I tell you it affords me great pleasure.
&lt;/p&gt;&lt;p&gt;From Edwin Booth, the actor
&lt;/p&gt;
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                    <text>&lt;p&gt;BOOTH’S THEATRE,
&lt;/p&gt;&lt;p&gt;23d Street, between 5th and 6th Avenues,
&lt;/p&gt;&lt;p&gt;New York, June 2d 1869
&lt;/p&gt;&lt;p&gt;Mr. H.W. Bryant
&lt;/p&gt;&lt;p&gt;Dear Sir,
&lt;/p&gt;&lt;p&gt;Pray forgive my delay in acknowledging yr very kind letter.  I have barely time to attend to the many business communications I receive.  The two portraits you speak are already in my possession – that of my Father hangs in my green-room among a host of others.  Never-
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;the-less – I thank you, and hope when you visit New York you will call at my theatre.  By sending yr card, with a word to remind me of the “subject now under discussion”, I will be pleased to show you the green-room with its collection of Dramatic Worthies.
&lt;/p&gt;&lt;p&gt;Very Truly 
Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
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                <text>&lt;p&gt;BOOTH’S THEATRE,
&lt;/p&gt;&lt;p&gt;23d Street, between 5th and 6th Avenues,
&lt;/p&gt;&lt;p&gt;New York, June 2d 1869
&lt;/p&gt;&lt;p&gt;Mr. H.W. Bryant
&lt;/p&gt;&lt;p&gt;Dear Sir,
&lt;/p&gt;&lt;p&gt;Pray forgive my delay in acknowledging yr very kind letter.  I have barely time to attend to the many business communications I receive.  The two portraits you speak are already in my possession – that of my Father hangs in my green-room among a host of others.  Never-
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;the-less – I thank you, and hope when you visit New York you will call at my theatre.  By sending yr card, with a word to remind me of the “subject now under discussion”, I will be pleased to show you the green-room with its collection of Dramatic Worthies.
&lt;/p&gt;&lt;p&gt;Very Truly 
Yours
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;
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                    <text>&lt;p&gt;(in pencil) N.Y. 1869
May 18th 1869
&lt;/p&gt;&lt;p&gt;Postmarked New York
Aug 23
&lt;/p&gt;&lt;p&gt;Jno  E. Russell
Leicester 
Mass
&lt;/p&gt;
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May 18th 1869
&lt;/p&gt;&lt;p&gt;Postmarked New York
Aug 23
&lt;/p&gt;&lt;p&gt;Jno  E. Russell
Leicester 
Mass
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                    <text>&lt;p&gt;58
&lt;/p&gt;&lt;p&gt;BOOTH’S THEATRE,
&lt;/p&gt;&lt;p&gt;23RD Street, between 5th and 6th Avenues
&lt;/p&gt;&lt;p&gt;New York, Sept 1st 1869
&lt;/p&gt;&lt;p&gt;My dear Ward, [JQA in pencil]
&lt;/p&gt;&lt;p&gt;You must forgive my neglect---overrun with business I’ve only just redeemed yr last letter of &lt;u&gt;2&lt;/u&gt; months ago. 
&lt;/p&gt;&lt;p&gt;If you will call at the above address---send yr card to my rooms in [illegible] part of the building facing 6th Ave---I will be pleased
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to see you any day twixt Eleven &amp;amp; 1 o’clk---or after 3 [1/2&amp;#160;?]  &lt;u&gt;P.M.&lt;/u&gt;  You can have anything from my wardrobe you desire.
&lt;/p&gt;&lt;p&gt;Sometime ago &lt;u&gt;Rogers&lt;/u&gt; wrote me &amp;amp; I (travilling at the time) mislaid his letter &amp;amp; failed to answer it--- forgot it, in fact, until this moment in which
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;writing to you he has popped into my head.  Now, if you see him tell him I am at his service for anything he requires of me in the [matter?] he spoke of---or let me know his address.
&lt;/p&gt;&lt;p&gt;Excuse haste
&lt;/p&gt;&lt;p&gt;Yours ever
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;1869
&lt;/p&gt;
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                <text>&lt;p&gt;58
&lt;/p&gt;&lt;p&gt;BOOTH’S THEATRE,
&lt;/p&gt;&lt;p&gt;23RD Street, between 5th and 6th Avenues
&lt;/p&gt;&lt;p&gt;New York, Sept 1st 1869
&lt;/p&gt;&lt;p&gt;My dear Ward, [JQA in pencil]
&lt;/p&gt;&lt;p&gt;You must forgive my neglect---overrun with business I’ve only just redeemed yr last letter of &lt;u&gt;2&lt;/u&gt; months ago. 
&lt;/p&gt;&lt;p&gt;If you will call at the above address---send yr card to my rooms in [illegible] part of the building facing 6th Ave---I will be pleased
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to see you any day twixt Eleven &amp;amp; 1 o’clk---or after 3 [1/2&amp;#160;?]  &lt;u&gt;P.M.&lt;/u&gt;  You can have anything from my wardrobe you desire.
&lt;/p&gt;&lt;p&gt;Sometime ago &lt;u&gt;Rogers&lt;/u&gt; wrote me &amp;amp; I (travilling at the time) mislaid his letter &amp;amp; failed to answer it--- forgot it, in fact, until this moment in which
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;writing to you he has popped into my head.  Now, if you see him tell him I am at his service for anything he requires of me in the [matter?] he spoke of---or let me know his address.
&lt;/p&gt;&lt;p&gt;Excuse haste
&lt;/p&gt;&lt;p&gt;Yours ever
&lt;/p&gt;&lt;p&gt;Edwin Booth
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Edwin Booth
&lt;/p&gt;&lt;p&gt;1869
&lt;/p&gt;
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                    <text>&lt;p&gt;Booth's Theatre,
23d Street, between 5th and 6th Avenues
&lt;/p&gt;&lt;p&gt;Edwin Booth, Proprietor and Manager
&lt;/p&gt;&lt;p&gt;Manager's Office.   New York, Jan 21st 1873
&lt;/p&gt;&lt;p&gt;J. Hutchinson Esq
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;I am sorry I have nothing of my Father's that I can part with - [or you?] should have it. The burning of "Winter Garden" some years ago robbed me of almost everything in the way of relics, and there is nothing now left to the family but a few trifles that we cling to as precious heirlooms. Pardon my delay in replying &amp;amp; believe me
Truly yours, 
Edwin Booth
&lt;/p&gt;
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                <text>Edwin Booth states to J. Hutchinson that he cannot supply anything that belonged to his father due to the fire at the Winter Garden several years ago.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Booth's Theatre,
23d Street, between 5th and 6th Avenues
&lt;/p&gt;&lt;p&gt;Edwin Booth, Proprietor and Manager
&lt;/p&gt;&lt;p&gt;Manager's Office.   New York, Jan 21st 1873
&lt;/p&gt;&lt;p&gt;J. Hutchinson Esq
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;I am sorry I have nothing of my Father's that I can part with - [or you?] should have it. The burning of "Winter Garden" some years ago robbed me of almost everything in the way of relics, and there is nothing now left to the family but a few trifles that we cling to as precious heirlooms. Pardon my delay in replying &amp;amp; believe me
Truly yours, 
Edwin Booth
&lt;/p&gt;
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                    <text>&lt;p&gt;60  Burnet House
&lt;/p&gt;&lt;p&gt;April 27th 1874
&lt;/p&gt;&lt;p&gt;L. J. Cist Esq
&lt;/p&gt;&lt;p&gt;My dear Sir: 
&lt;/p&gt;&lt;p&gt;It will give me great pleasure if you can afford me an opportunity to see your wonderful collection tomorrow (Tuesday) at 4-12 P.M. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Mr Jefferson spent a part of yesterday with me &amp;amp; was most enthusiastic in his description of your treasures - urging me by all means to accept the favor you so kindly offer. 
&lt;/p&gt;&lt;p&gt;Your beautiful "Ode on Art" will find a place in a little "casket of gems" 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;which I am preparing as a surprise for my little girl at school; many thanks for it - and for the rare treat you have in store for me. 
&lt;/p&gt;&lt;p&gt;Truly yours
&lt;/p&gt;&lt;p&gt;Edwin Booth.
&lt;/p&gt;
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                <text>Edwin Booth thanks poet L.J. Cist for an "ode on art" and accepts an invitation to see Cist's "wonderful collection."</text>
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                <text>&lt;p&gt;60  Burnet House
&lt;/p&gt;&lt;p&gt;April 27th 1874
&lt;/p&gt;&lt;p&gt;L. J. Cist Esq
&lt;/p&gt;&lt;p&gt;My dear Sir: 
&lt;/p&gt;&lt;p&gt;It will give me great pleasure if you can afford me an opportunity to see your wonderful collection tomorrow (Tuesday) at 4-12 P.M. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Mr Jefferson spent a part of yesterday with me &amp;amp; was most enthusiastic in his description of your treasures - urging me by all means to accept the favor you so kindly offer. 
&lt;/p&gt;&lt;p&gt;Your beautiful "Ode on Art" will find a place in a little "casket of gems" 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;which I am preparing as a surprise for my little girl at school; many thanks for it - and for the rare treat you have in store for me. 
&lt;/p&gt;&lt;p&gt;Truly yours
&lt;/p&gt;&lt;p&gt;Edwin Booth.
&lt;/p&gt;
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                    <text>&lt;p&gt;2 
&lt;/p&gt;&lt;p&gt;ca. June 1878
&lt;/p&gt;&lt;p&gt;68 Madison Ave
&lt;/p&gt;&lt;p&gt;Dear Jervy
&lt;/p&gt;&lt;p&gt;What a terrible calamity! I can appreciate your feelings under such trying circumstances. This is certainly the most serious check of the many we have had to our sittings. Its too frightful to dwell upon. 
&lt;/p&gt;&lt;p&gt;I hope you will soon return, and that we will be uninterrupted again before the last touch is given to No 12. Henry took the copies of &lt;u&gt;Lear&lt;/u&gt; &amp;amp; &lt;u&gt;Brutus&lt;/u&gt; and I think &lt;u&gt;Macbeth&lt;/u&gt;, to your studio---where they await our coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Everything you sent came safely and promptly. I am over head and ears obliged to you Jervy, and am just as deeply sorry for the arrogance and labor my infernal old traps have caused you. I'll repay your goodness some of these days---in some way or other. The boxes were models of artistic carpentry &amp;amp; the packing was superlatively &lt;u&gt;[done?]&lt;/u&gt;; the former are now demoralized and empty. I, like yourself, have been up to my eyes in dust and dirt, toting and storing books &amp;amp;c, and am set but 1/3 perfect in my arrangements; the library begins to look &lt;u&gt;homey&lt;/u&gt;, and 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;altogether things are beginning to wear a comfortable air.  Let me have the address of the picture-framer---he may be bothered by your absence and my non-appearance; besides I have an engraving I wish framed. 
&lt;/p&gt;&lt;p&gt;I have just sent to Mr. Richards for my academy tickets---I think you told me to send to &lt;u&gt;him&lt;/u&gt;, have I done right? 
&lt;/p&gt;&lt;p&gt;God bless you, my boy. Give our loves to Gertrude &amp;amp; Jervy---tell em both I have faith and to be chirpy in spite of "Fate, the sisters three, and each odd sayings" (I think that's the quote, not sure). Adieu! 
&lt;/p&gt;&lt;p&gt;Ever and ever yours 
&lt;/p&gt;&lt;p&gt;Edwin
&lt;/p&gt;
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                <text>Edwin Booth assures Jervis McEntee that everything he sent Booth came safely and promptly.  Booth speaks of some sort of "calamity" and hopes to return soon.</text>
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                <text>&lt;p&gt;2 
&lt;/p&gt;&lt;p&gt;ca. June 1878
&lt;/p&gt;&lt;p&gt;68 Madison Ave
&lt;/p&gt;&lt;p&gt;Dear Jervy
&lt;/p&gt;&lt;p&gt;What a terrible calamity! I can appreciate your feelings under such trying circumstances. This is certainly the most serious check of the many we have had to our sittings. Its too frightful to dwell upon. 
&lt;/p&gt;&lt;p&gt;I hope you will soon return, and that we will be uninterrupted again before the last touch is given to No 12. Henry took the copies of &lt;u&gt;Lear&lt;/u&gt; &amp;amp; &lt;u&gt;Brutus&lt;/u&gt; and I think &lt;u&gt;Macbeth&lt;/u&gt;, to your studio---where they await our coming.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Everything you sent came safely and promptly. I am over head and ears obliged to you Jervy, and am just as deeply sorry for the arrogance and labor my infernal old traps have caused you. I'll repay your goodness some of these days---in some way or other. The boxes were models of artistic carpentry &amp;amp; the packing was superlatively &lt;u&gt;[done?]&lt;/u&gt;; the former are now demoralized and empty. I, like yourself, have been up to my eyes in dust and dirt, toting and storing books &amp;amp;c, and am set but 1/3 perfect in my arrangements; the library begins to look &lt;u&gt;homey&lt;/u&gt;, and 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;altogether things are beginning to wear a comfortable air.  Let me have the address of the picture-framer---he may be bothered by your absence and my non-appearance; besides I have an engraving I wish framed. 
&lt;/p&gt;&lt;p&gt;I have just sent to Mr. Richards for my academy tickets---I think you told me to send to &lt;u&gt;him&lt;/u&gt;, have I done right? 
&lt;/p&gt;&lt;p&gt;God bless you, my boy. Give our loves to Gertrude &amp;amp; Jervy---tell em both I have faith and to be chirpy in spite of "Fate, the sisters three, and each odd sayings" (I think that's the quote, not sure). Adieu! 
&lt;/p&gt;&lt;p&gt;Ever and ever yours 
&lt;/p&gt;&lt;p&gt;Edwin
&lt;/p&gt;
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                    <text>&lt;p&gt;St. George Hotel
&lt;/p&gt;&lt;p&gt;Phila&amp;#160;: Octr 17th 1878
&lt;/p&gt;&lt;p&gt;[illegible monogram, BC&amp;#160;?]
&lt;/p&gt;&lt;p&gt;My dear, dear Jervy -
&lt;/p&gt;&lt;p&gt;Since the receipt of your last letter I have vainly tried to write to you - a dreadful presentiment held pofsefsion of me and daily I deferred saying what my heart yearned to speak.  Yesterday I resolved that tomorrow should not pafs without a word of encouragement for you: alas!  I did not dream that my fears were so near their terrible realization.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;My dear friend, what can I say or do for you?  The best of words afford but sorry consolation to a heart bereft of all that made its life of value.  How uselefs then, how like a mockery must my feeble efforts seem when you most need the wisest counsel and that strength which only God can give!
&lt;/p&gt;&lt;p&gt;You know my heart, Jervy; you know that it contains more than my lips can utter, and that it shall, 'till its last throb, retain sacred memories of that beauti
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ful spirit that hallowed the artist's home and strengthened the husband's sometimes failing heart.  Dear Jervy, let such memories still support you; let your soul, after its shock subsides, rise refreshed by the blefsed knowledge that her absence is but seeming  -- that she is and will ever be more truly with your real self than when she wore the "vesture of decay".  God comfort and strengthen you, my dear Jervy!  and He will surely do so if you but bear in mind that 'tis not
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;only for those here who love and suffer with you, but for her, who -- elsewhere, but very near -- is hoping and praying anxiously for her dear husband, that you must be strong.
&lt;/p&gt;&lt;p&gt;God blefs you all! is the earnest prayer of our hearts.  Mary &amp;amp; Edwina write with me in the tenderest sympathy for you and your dear ones.  Mrs. Vaux's note did not reach us until this morning.
&lt;/p&gt;&lt;p&gt;Over more -- God blefs you!
&lt;/p&gt;&lt;p&gt;Edwin
&lt;/p&gt;
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                <text>&lt;p&gt;St. George Hotel
&lt;/p&gt;&lt;p&gt;Phila&amp;#160;: Octr 17th 1878
&lt;/p&gt;&lt;p&gt;[illegible monogram, BC&amp;#160;?]
&lt;/p&gt;&lt;p&gt;My dear, dear Jervy -
&lt;/p&gt;&lt;p&gt;Since the receipt of your last letter I have vainly tried to write to you - a dreadful presentiment held pofsefsion of me and daily I deferred saying what my heart yearned to speak.  Yesterday I resolved that tomorrow should not pafs without a word of encouragement for you: alas!  I did not dream that my fears were so near their terrible realization.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;My dear friend, what can I say or do for you?  The best of words afford but sorry consolation to a heart bereft of all that made its life of value.  How uselefs then, how like a mockery must my feeble efforts seem when you most need the wisest counsel and that strength which only God can give!
&lt;/p&gt;&lt;p&gt;You know my heart, Jervy; you know that it contains more than my lips can utter, and that it shall, 'till its last throb, retain sacred memories of that beauti
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ful spirit that hallowed the artist's home and strengthened the husband's sometimes failing heart.  Dear Jervy, let such memories still support you; let your soul, after its shock subsides, rise refreshed by the blefsed knowledge that her absence is but seeming  -- that she is and will ever be more truly with your real self than when she wore the "vesture of decay".  God comfort and strengthen you, my dear Jervy!  and He will surely do so if you but bear in mind that 'tis not
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;only for those here who love and suffer with you, but for her, who -- elsewhere, but very near -- is hoping and praying anxiously for her dear husband, that you must be strong.
&lt;/p&gt;&lt;p&gt;God blefs you all! is the earnest prayer of our hearts.  Mary &amp;amp; Edwina write with me in the tenderest sympathy for you and your dear ones.  Mrs. Vaux's note did not reach us until this morning.
&lt;/p&gt;&lt;p&gt;Over more -- God blefs you!
&lt;/p&gt;&lt;p&gt;Edwin
&lt;/p&gt;
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                    <text>&lt;p&gt;[4]
&lt;/p&gt;&lt;p&gt;Phila
Octr: 23rd 1878
&lt;/p&gt;&lt;p&gt;My dear Jervy –
&lt;/p&gt;&lt;p&gt;Don’t bother about writing to me – unless it would relieve you to do so, in which case write fully all you feel like giving vent to; it will find a sacredly [secret?] receptacle in my breast.  I have nothing to write about – my wits are barren, but by way of a ‘hand-shake,’ &amp;amp; “God bless you, Jervy” – I send this to you.
&lt;/p&gt;&lt;p&gt;Mary wrote a few lines to Mr. Vaux the other day, &amp;amp; sent them to [Rondout?] – not knowing where else to address the letter.  
&lt;/p&gt;&lt;p&gt;Every day I
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;feel like writing a few words to you, &amp;amp; then I ask – “what possible good can my words do?  I can but repeat the same lame efforts at consolation – and say no more than Jervy's own good sense and manly heart tells him." 
&lt;/p&gt;&lt;p&gt;I long to see you, and yet-what could I do?  A grasp of the hand, a deep look into each others’ eyes tell all that can be spoken.
&lt;/p&gt;&lt;p&gt;My hope is, Jervy, that you will get to work as soon as possible.  It seems heartless – but really
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;it is not so; a giving way to one's grief without thought to the anxious fears of those who love us, &amp;amp; who may be perhaps dependent on us in many more respects than we wot of – is selfish.  Remember that and go to your work at once.  There’s not a selfish fibre in your entire composition, and you must not let even a semblance of that quality alloy your pure metal.  I’ll write occassionally – if my letters disturb you don’t read them – sometimes what is meant in kindness
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;gives most offence.  I shall be here this &amp;amp; next week – then I return to New York to begin my engt at the Fifth Ave: - a letter from some of you folks to let us know how you are would be of comfort to us both.
&lt;/p&gt;&lt;p&gt;God bless you!
&lt;/p&gt;&lt;p&gt;Ever yours
&lt;/p&gt;&lt;p&gt;Edwin
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                <text>&lt;p&gt;[4]
&lt;/p&gt;&lt;p&gt;Phila
Octr: 23rd 1878
&lt;/p&gt;&lt;p&gt;My dear Jervy –
&lt;/p&gt;&lt;p&gt;Don’t bother about writing to me – unless it would relieve you to do so, in which case write fully all you feel like giving vent to; it will find a sacredly [secret?] receptacle in my breast.  I have nothing to write about – my wits are barren, but by way of a ‘hand-shake,’ &amp;amp; “God bless you, Jervy” – I send this to you.
&lt;/p&gt;&lt;p&gt;Mary wrote a few lines to Mr. Vaux the other day, &amp;amp; sent them to [Rondout?] – not knowing where else to address the letter.  
&lt;/p&gt;&lt;p&gt;Every day I
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;feel like writing a few words to you, &amp;amp; then I ask – “what possible good can my words do?  I can but repeat the same lame efforts at consolation – and say no more than Jervy's own good sense and manly heart tells him." 
&lt;/p&gt;&lt;p&gt;I long to see you, and yet-what could I do?  A grasp of the hand, a deep look into each others’ eyes tell all that can be spoken.
&lt;/p&gt;&lt;p&gt;My hope is, Jervy, that you will get to work as soon as possible.  It seems heartless – but really
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;it is not so; a giving way to one's grief without thought to the anxious fears of those who love us, &amp;amp; who may be perhaps dependent on us in many more respects than we wot of – is selfish.  Remember that and go to your work at once.  There’s not a selfish fibre in your entire composition, and you must not let even a semblance of that quality alloy your pure metal.  I’ll write occassionally – if my letters disturb you don’t read them – sometimes what is meant in kindness
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;gives most offence.  I shall be here this &amp;amp; next week – then I return to New York to begin my engt at the Fifth Ave: - a letter from some of you folks to let us know how you are would be of comfort to us both.
&lt;/p&gt;&lt;p&gt;God bless you!
&lt;/p&gt;&lt;p&gt;Ever yours
&lt;/p&gt;&lt;p&gt;Edwin
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