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                  <text>The Carter Family Collection contains photographs donated by Lois M. Johnston of William Price Carter and Martha Mayes Carter and their children. Joesph Newton Carter, their fourth child, served in the Illinois House of Representatives from 1878 unti 1882. He won election to the Illinois Supreme Court in 1894 making him the youngest member elected to the court. Carter servd as the Chief Justice from 1898-1899.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of William and Martha Carter and their children Joesph, Price, and Malinda.</text>
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                <text>Joseph N. Carter poses for a portrait wearing a suit and tie.</text>
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                  <text>&lt;p&gt;The Orendorff Family Collection follows the descendents of pre-Revolutionary war German immigrant, Christian Orendorff.&amp;nbsp;&amp;nbsp;Christian Orendorff, a German immigrant, fought in the Revolutionary War as a Captain in the First Regiment, Maryland Continental Line.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Alfred (1845-1909), the son of Joseph and Elizabeth Orendorff, married Julia Williams (1850-1908) in June 1870 and had three children: John born 1871, Alice born 1872, and Lydia Edna born 1885. Alfred was an associate with Herndon and Zane and later a partner in Herndon and Orendorff.&amp;nbsp;&amp;nbsp;He won election to the Illinois General Assembly in 1873.&amp;nbsp;&amp;nbsp;He served as Chairman of the State Central Committee of the Democratic Party and was a frequent delegate to the national convention.&amp;nbsp;&amp;nbsp;He was president of the Sterling Life Insurance Company of Springfield, president of the International Bank and Trust Co. of Vinita, Indian Territory; president of the Sangamon County Bar Association and the Illinois State Bar Association; and a director of the Illinois State Historical Society.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Alfred's son John married Maebelle Culver in 1903, and was the secretary of the Bank and Trust Company of Tishomingo, Chickasaw Nation, Indian Territory, and worked at the Tishomingo Electric Light and Power Company.&amp;nbsp;&amp;nbsp;Alice never married but was involved with the Orendorff Place Improvements Association and secretary for the Women&amp;rsquo;s Auxiliary of the First Presbyterian Church.&amp;nbsp;&amp;nbsp;Edna worked at the Illinois State Historical Library as an assistant doing genealogical research. &amp;nbsp;She married John Francis Macpherson in 1911 and they had two children, Julia born in 1913 and John Francis born in 1916. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;W. J. Orendorff (1829-1897) was the son of John and Margaret Sayle Orendorff who came to Illinois in 1818 and settled near what is now Canton.&amp;nbsp;&amp;nbsp;In 1850 W. J. went into partnership with his sister Caroline&amp;rsquo;s husband, William Parlin, manufacturing and selling plows. &amp;nbsp;In 1856 W. J. married Mary Rohrer and they had four children.&amp;nbsp;&amp;nbsp;He represented his district, as a Republican, in the General Assembly from 1884 to 1886. &amp;nbsp;W.J. wrote a book of family history and attempted to get it published.&amp;nbsp;&amp;nbsp;W. J. died in 1897 as a result of an accident with a team of runaway horses.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Ulysses Grant Orendorff (1865-1943), his son, became the Secretary Treasurer of Parlin &amp;amp; Orendorff and remained with the company until it was bought by International Harvester in 1918. He bought the local newspaper in 1911 and named it the Canton Ledger.&amp;nbsp;&amp;nbsp;He was President of the First State Bank &amp;amp; Trust of Canton and the president of the Board of the Canton Park District.&amp;nbsp;&amp;nbsp;He married Daisie Baughman in 1896. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;The finding aid for the Orendorff Family Papers, 1868-1947 at the Abraham Lincoln Presidential Library and Museum may be found at&amp;nbsp;&lt;a title="Orendorff Family Papers, 1868-1947" href="http://alplm-cdi.com/chroniclingillinois/items/show/483" target="_blank"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/483&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of John W. Orendorff, William J. Orendorff, and several family photographs.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The Orendorff Family Collection follows the descendents of pre-Revolutionary war German immigrant, Christian Orendorff.&amp;nbsp;&amp;nbsp;Christian Orendorff, a German immigrant, fought in the Revolutionary War as a Captain in the First Regiment, Maryland Continental Line.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Alfred (1845-1909), the son of Joseph and Elizabeth Orendorff, married Julia Williams (1850-1908) in June 1870 and had three children: John born 1871, Alice born 1872, and Lydia Edna born 1885. Alfred was an associate with Herndon and Zane and later a partner in Herndon and Orendorff.&amp;nbsp;&amp;nbsp;He won election to the Illinois General Assembly in 1873.&amp;nbsp;&amp;nbsp;He served as Chairman of the State Central Committee of the Democratic Party and was a frequent delegate to the national convention.&amp;nbsp;&amp;nbsp;He was president of the Sterling Life Insurance Company of Springfield, president of the International Bank and Trust Co. of Vinita, Indian Territory; president of the Sangamon County Bar Association and the Illinois State Bar Association; and a director of the Illinois State Historical Society.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Alfred's son John married Maebelle Culver in 1903, and was the secretary of the Bank and Trust Company of Tishomingo, Chickasaw Nation, Indian Territory, and worked at the Tishomingo Electric Light and Power Company.&amp;nbsp;&amp;nbsp;Alice never married but was involved with the Orendorff Place Improvements Association and secretary for the Women&amp;rsquo;s Auxiliary of the First Presbyterian Church.&amp;nbsp;&amp;nbsp;Edna worked at the Illinois State Historical Library as an assistant doing genealogical research. &amp;nbsp;She married John Francis Macpherson in 1911 and they had two children, Julia born in 1913 and John Francis born in 1916. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;W. J. Orendorff (1829-1897) was the son of John and Margaret Sayle Orendorff who came to Illinois in 1818 and settled near what is now Canton.&amp;nbsp;&amp;nbsp;In 1850 W. J. went into partnership with his sister Caroline&amp;rsquo;s husband, William Parlin, manufacturing and selling plows. &amp;nbsp;In 1856 W. J. married Mary Rohrer and they had four children.&amp;nbsp;&amp;nbsp;He represented his district, as a Republican, in the General Assembly from 1884 to 1886. &amp;nbsp;W.J. wrote a book of family history and attempted to get it published.&amp;nbsp;&amp;nbsp;W. J. died in 1897 as a result of an accident with a team of runaway horses.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Ulysses Grant Orendorff (1865-1943), his son, became the Secretary Treasurer of Parlin &amp;amp; Orendorff and remained with the company until it was bought by International Harvester in 1918. He bought the local newspaper in 1911 and named it the Canton Ledger.&amp;nbsp;&amp;nbsp;He was President of the First State Bank &amp;amp; Trust of Canton and the president of the Board of the Canton Park District.&amp;nbsp;&amp;nbsp;He married Daisie Baughman in 1896. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;The finding aid for the Orendorff Family Papers, 1868-1947 at the Abraham Lincoln Presidential Library and Museum may be found at&amp;nbsp;&lt;a title="Orendorff Family Papers, 1868-1947" href="http://alplm-cdi.com/chroniclingillinois/items/show/483" target="_blank"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/483&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of John W. Orendorff, William J. Orendorff, and several family photographs.&lt;/p&gt;</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;TO THE IMMORTAL MEMORY OF THE PEOPLE'S PRESIDENT, ABRAHAM LINCOLN. Is Mournfully Inscribed This Song by a Soldier of the Republic.
&lt;/p&gt;&lt;p&gt;ENJOLRAS THE SONG OF THE PATRIOT.  
&lt;/p&gt;&lt;p&gt;"Before everything but THE REPUBLIC he chastely dropped his eyes" "He was the marble lover of Liberty" Les Miserables
&lt;/p&gt;&lt;p&gt;WRITTEN &amp;amp; COMPOSED BY EDMUNDUS SCOTUS, R.Q.S.
&lt;/p&gt;&lt;p&gt;ARRANGED FOR THE PIANO BY GEORGE ZOELLER,  4
&lt;/p&gt;&lt;p&gt;Published by D.P. Faulds, 223 Main Street, Louisville, Kentucky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;ENJOLRAS, THE SONG OF THE PATRIOT.  Words &amp;amp; Melody by Edmundus Scotus. Accompaniment by Geo. Zoller.
&lt;/p&gt;&lt;p&gt;Voices. Andante Legato e con anim.
&lt;/p&gt;&lt;p&gt;Who sing to me the sweetest song, They sing thy name to me, Patria, dearest! is it wrong That thou so dear should'st be? All other
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by D.P. Faulds, in the Clerks Office of the District Court of KY.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;love my heart denies; Thine lifts me nearer to the skies; Thy beauty is my tireless theme; Thou art my hope, thou art my dream; I sigh, I burn, for thee, "For thee and only thee," My Native Land, For thee and only thee, For
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;thee, and only thee, My Native Land, I sigh, I burn, for thee.
&lt;/p&gt;&lt;p&gt;2. Thy loved name is the beacon fire That onward
&lt;/p&gt;&lt;p&gt;3. If it must be that patriot pride Shall fail of
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
lighteth me Patria! let my soul aspire, Worthy of
&lt;/p&gt;&lt;p&gt;victory Joyous as groom unto his bride, I come, O
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;thee to be. No other's cry so makes me start; No
&lt;/p&gt;&lt;p&gt;Death, to thee. Welcome to me thy fateful face; Welcome
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
other's pain so makes me smart: -- Accurst the wretch whose daring
&lt;/p&gt;&lt;p&gt;shall be thy close embrace; Thy burning breath, thy lava
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
hand Profanes thy skirts, my Native Land, My battle
&lt;/p&gt;&lt;p&gt;kiss, Shall bring to me unwanted bliss. My battle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
cry shall be, "For thee, and only thee," My
&lt;/p&gt;&lt;p&gt;cry shall be, "For God and Liberty," Thrice
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;thee to be. No other's cry so makes me start; No
&lt;/p&gt;&lt;p&gt;Death, to thee. Welcome to me thy fateful face; Welcome
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
other's pain so makes me smart: Accurst the wretch whose daring
&lt;/p&gt;&lt;p&gt;shall be thy close embrace; Thy burning breath, thy lava
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
hand, Profanes thy skirts, my Native Land, My battle
&lt;/p&gt;&lt;p&gt;kiss, Shall bring to me unwanted bliss. My battle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
cry shall be, "For thee, and only thee," My
&lt;/p&gt;&lt;p&gt;cry shall be, "For God and Liberty," Thrice
&lt;/p&gt;
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              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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              <text>35 cm</text>
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                <text>Enjolras: The Song of the Patriot</text>
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                <text>On cover: "To the Immortal Memory of the People's President, Abraham Lincoln. Is mournfilly inscribed this song by a soldier of the Republic". &lt;br /&gt;&lt;br /&gt;"Before everything but the republic he chastely dropped his eyes" "He was the marble lover of liberty" - &lt;em&gt;Les Miserables.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Enjolras is a fictional charector in Victor Hugo's&lt;em&gt; Les Miserables&lt;/em&gt;. He is a revolutionary an defender of republican ideals.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Scotus, Edmundus and Zoeller, George</text>
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                <text>D. P. Faulds</text>
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                <text>Louisville</text>
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                <text>1865</text>
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                <text>en</text>
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                <text>&lt;p&gt;TO THE IMMORTAL MEMORY OF THE PEOPLE'S PRESIDENT, ABRAHAM LINCOLN. Is Mournfully Inscribed This Song by a Soldier of the Republic.
&lt;/p&gt;&lt;p&gt;ENJOLRAS THE SONG OF THE PATRIOT.  
&lt;/p&gt;&lt;p&gt;"Before everything but THE REPUBLIC he chastely dropped his eyes" "He was the marble lover of Liberty" Les Miserables
&lt;/p&gt;&lt;p&gt;WRITTEN &amp;amp; COMPOSED BY EDMUNDUS SCOTUS, R.Q.S.
&lt;/p&gt;&lt;p&gt;ARRANGED FOR THE PIANO BY GEORGE ZOELLER,  4
&lt;/p&gt;&lt;p&gt;Published by D.P. Faulds, 223 Main Street, Louisville, Kentucky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;ENJOLRAS, THE SONG OF THE PATRIOT.  Words &amp;amp; Melody by Edmundus Scotus. Accompaniment by Geo. Zoller.
&lt;/p&gt;&lt;p&gt;Voices. Andante Legato e con anim.
&lt;/p&gt;&lt;p&gt;Who sing to me the sweetest song, They sing thy name to me, Patria, dearest! is it wrong That thou so dear should'st be? All other
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by D.P. Faulds, in the Clerks Office of the District Court of KY.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;love my heart denies; Thine lifts me nearer to the skies; Thy beauty is my tireless theme; Thou art my hope, thou art my dream; I sigh, I burn, for thee, "For thee and only thee," My Native Land, For thee and only thee, For
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;thee, and only thee, My Native Land, I sigh, I burn, for thee.
&lt;/p&gt;&lt;p&gt;2. Thy loved name is the beacon fire That onward
&lt;/p&gt;&lt;p&gt;3. If it must be that patriot pride Shall fail of
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
lighteth me Patria! let my soul aspire, Worthy of
&lt;/p&gt;&lt;p&gt;victory Joyous as groom unto his bride, I come, O
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;thee to be. No other's cry so makes me start; No
&lt;/p&gt;&lt;p&gt;Death, to thee. Welcome to me thy fateful face; Welcome
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
other's pain so makes me smart: -- Accurst the wretch whose daring
&lt;/p&gt;&lt;p&gt;shall be thy close embrace; Thy burning breath, thy lava
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
hand Profanes thy skirts, my Native Land, My battle
&lt;/p&gt;&lt;p&gt;kiss, Shall bring to me unwanted bliss. My battle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
cry shall be, "For thee, and only thee," My
&lt;/p&gt;&lt;p&gt;cry shall be, "For God and Liberty," Thrice
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;thee to be. No other's cry so makes me start; No
&lt;/p&gt;&lt;p&gt;Death, to thee. Welcome to me thy fateful face; Welcome
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
other's pain so makes me smart: Accurst the wretch whose daring
&lt;/p&gt;&lt;p&gt;shall be thy close embrace; Thy burning breath, thy lava
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
hand, Profanes thy skirts, my Native Land, My battle
&lt;/p&gt;&lt;p&gt;kiss, Shall bring to me unwanted bliss. My battle
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
cry shall be, "For thee, and only thee," My
&lt;/p&gt;&lt;p&gt;cry shall be, "For God and Liberty," Thrice
&lt;/p&gt;
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                  <text>Stuart-Hall Family Collection</text>
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                  <text>Stuart, John Todd, 1807-1885</text>
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                  <text>The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart&amp;rsquo;s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice.&lt;br /&gt;&lt;br /&gt;John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart.&lt;br /&gt;&lt;br /&gt;The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/616.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart.</text>
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              <text>carte de visite</text>
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                <text>Clara Fay sits for a portrait at a table wearing a red dress.&lt;br /&gt;&lt;br /&gt; On verso: "Nee Clara Fay. Mrs. Lefferts afterwards."</text>
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                <text>Two unidentified boys wearing dark clothing pose for a portrait.&lt;br /&gt;&lt;br /&gt;On verso: "Unidentified-related to Banks or Farrell families at Fulton Co Ill. (See N. B. Banks book 1984)[.]"</text>
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                  <text>The Banks-Mercer Family Collection features portraits of members of the Banks and Mercer families of Fulton County, Illinois. Nathaniel Butler Banks married Ann Barbara Artman and had five sons: Joshua (1831-1911), Bilsey (1837), William Smith (1838-1863), John Milton (1838-1862), and Thomas King (1843-?) and four daughters: Margaret Ruth Banks Black (1829-1884), Sarah Jane Banks Spencer (1834-1903), Mary Ann Banks Johnson (1849-1921), and Elizabeth Ann Banks Morgan (1853-?). Sisters Sarah Margaret and Ann Elizabeth Mercer were born in Lewiston, Illinois, and later moved to Kansas.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of Nathaniel Butler Banks, Sarah Margaret Mercer, Anne Elizabeth Mercer, and several children.</text>
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                <text>Two young girls in dark dresses sit for a portrait.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On verso: "Unidentified - Banks or Farrell see N. B. Banks book."</text>
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. OH, WHY SHOULD THE SPIRIT OF MORTALS BE PROUD.
&lt;/p&gt;&lt;p&gt;MUSIC Composed and Inscribed to the American Nation, by A. Sedgwick.  3 1/2
&lt;/p&gt;&lt;p&gt;F.B. Carpenter, Esq., the celebrated painter of the "Emancipation Proclamation before the Cabinet," related an interesting anecdote of the President in reference to this poem, much admired by Mr. Lincoln. He says:
&lt;/p&gt;&lt;p&gt;"I have been urged by several friends to send you the inclosed poem, written down by myself from Mr. Lincoln's lips; and although it may not be new to all of your readers, the events of the last week give it now a peculiar interest:
&lt;/p&gt;&lt;p&gt;"The circumstances under which this copy was written are these: I was with the President alone one evening in his room, during the time I was painting my large picture at the White House last year.  He presently threw aside his pen and papers, and began to talk to me of Shakespeare. He sent little 'Tad,' his son, to the library to bring a copy of the plays, and then read to me several of his favorite passages, showing genuine appreciation of the great poet. Relapsing into a sadder strain, he laid the book aside, and leaning back in his chair, said: 
&lt;/p&gt;&lt;p&gt;"There is a poem which has been a great favorite with me for years, which was first shown to me when a young man by a friend, and which I afterwards saw and cut from a newspaper and learned by heart. I would, he continued, 'give a great deal to know who wrote it, but I have never been able to ascertain.'
&lt;/p&gt;&lt;p&gt;"Then, half closing his eyes, he repeated to me the lines which I enclose to you. Greatly pleased and interested, I told him I would like, if ever an opportunity occurred, to write them down from his lips. He said he would some time try to give them to me. A few days afterwards he asked me to accompany him to the temporary studio of Mr. Swayne the Sculptor, who was making a bust of him at the Treasury Department. While he was sitting for the bust, I was suddenly reminded of the poem, and said to him that then would be a good time to dictate it to me. He complied, and sitting upon some books at his feet, as nearly as I can remember, I wrote the lines down one by one, from his lips."
&lt;/p&gt;&lt;p&gt;New York: Published by Wm. A. Pond &amp;amp; Co., No. 547 Broadway.  Boston: O. Ditson &amp;amp; Co. Chicago: Root &amp;amp; Cady. Milwaukee: H.N. Hempstead. Cincinnati: C.Y. Fonda.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by A. Sedgwick, in the Clerk's Office of the District of the United States for the Eastern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?  A. SEDGWICK.
&lt;/p&gt;&lt;p&gt;Andante cantabile.
&lt;/p&gt;&lt;p&gt;Oh! why should the spirit of mortal be proud? Like a swift fleeting meteor, a fast flying cloud, A flash of the lightning, a break of the wave, He
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;passeth from life to his rest in the grave! The leaves of the oak, and the willow shall fade, Be scatter'd around and together be laid; And the young and the old, and the low and the high, Shall moulder to dust, together shall lie. The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;infant and mother attended and lov'd, The mother and infant's affection who prov'd, The husband that mother and infant who bless'd, Each, all, are away to their dwellings of rest!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;2. The hand of the king, that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage, and the heart of the brave, Are hidden and lost in the depths of the grave. The peasant, whose lot was to sow and to reap, The herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread Have faded away like the grass that we tread. So the multitude goes, like the flow'r or the weed That withers away to let others succeed; So the multitude comes, even those we behold, To repeat ev'ry tale that has often been told!
&lt;/p&gt;&lt;p&gt;3. For we are the same, our father's have been; We see the same sights our father's have seen; We drink the same stream and view the same sun, And run the same course our father's have run. The thoughts we are thinking our father's would think; From the death we are shrinking our fathers would shrink; To the life we are clinging, they also would cling, But it speeds for us all--like a bird on the wing! They loved! but the story we cannot unfold; They scorned! but the heart of the haughty is cold; They grieved! but no wail from their slumber will come; They joyed! but the tongue of their gladness is dumb!
&lt;/p&gt;&lt;p&gt;4. They died!--aye! they died; we things that are now, That walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met, on their pilgrimage road. Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear--the song and the dirge, Still follow each other like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossom of health to the paleness of death; From the gilded saloon, to the bier and the shroud! Oh! why should the spirit of mortal be proud?
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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              <elementText elementTextId="171724">
                <text>Oh! Why Should The Spirit of Mortal Be Proud?</text>
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                <text>Song based on William Knox's poem "Mortality," which became better known by its first line: "Oh! Why should the spirit of mortal be proud?" According to artist Francis Bicknell Carpenter, Lincoln, who Carpenter often interacted with while painting the picture "First Reading of the Emancipation Proclamation," referred to Knox's poem as his favoite and proceeded to recite all six stanzas to the awed artist.&lt;br /&gt;&lt;br /&gt;The poem was set to music following Lincoln's death.</text>
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                <text>Lincoln, Abraham,1809-1865</text>
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                <text>Sedgwick, A.</text>
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                <text>Knox, William, 1789-1825</text>
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                <text>Carpenter, Francis, Bicknell, 1830-1900</text>
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                <text>Sheet music</text>
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                <text>Sedgwick, A. and Knox William</text>
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                <text>Wm. A. Pond &amp;amp; Company</text>
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                <text>New York</text>
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                <text>1865</text>
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          <element elementId="45">
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            <elementTextContainer>
              <elementText elementTextId="171738">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <elementTextContainer>
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                <text>en</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. OH, WHY SHOULD THE SPIRIT OF MORTALS BE PROUD.
&lt;/p&gt;&lt;p&gt;MUSIC Composed and Inscribed to the American Nation, by A. Sedgwick.  3 1/2
&lt;/p&gt;&lt;p&gt;F.B. Carpenter, Esq., the celebrated painter of the "Emancipation Proclamation before the Cabinet," related an interesting anecdote of the President in reference to this poem, much admired by Mr. Lincoln. He says:
&lt;/p&gt;&lt;p&gt;"I have been urged by several friends to send you the inclosed poem, written down by myself from Mr. Lincoln's lips; and although it may not be new to all of your readers, the events of the last week give it now a peculiar interest:
&lt;/p&gt;&lt;p&gt;"The circumstances under which this copy was written are these: I was with the President alone one evening in his room, during the time I was painting my large picture at the White House last year.  He presently threw aside his pen and papers, and began to talk to me of Shakespeare. He sent little 'Tad,' his son, to the library to bring a copy of the plays, and then read to me several of his favorite passages, showing genuine appreciation of the great poet. Relapsing into a sadder strain, he laid the book aside, and leaning back in his chair, said: 
&lt;/p&gt;&lt;p&gt;"There is a poem which has been a great favorite with me for years, which was first shown to me when a young man by a friend, and which I afterwards saw and cut from a newspaper and learned by heart. I would, he continued, 'give a great deal to know who wrote it, but I have never been able to ascertain.'
&lt;/p&gt;&lt;p&gt;"Then, half closing his eyes, he repeated to me the lines which I enclose to you. Greatly pleased and interested, I told him I would like, if ever an opportunity occurred, to write them down from his lips. He said he would some time try to give them to me. A few days afterwards he asked me to accompany him to the temporary studio of Mr. Swayne the Sculptor, who was making a bust of him at the Treasury Department. While he was sitting for the bust, I was suddenly reminded of the poem, and said to him that then would be a good time to dictate it to me. He complied, and sitting upon some books at his feet, as nearly as I can remember, I wrote the lines down one by one, from his lips."
&lt;/p&gt;&lt;p&gt;New York: Published by Wm. A. Pond &amp;amp; Co., No. 547 Broadway.  Boston: O. Ditson &amp;amp; Co. Chicago: Root &amp;amp; Cady. Milwaukee: H.N. Hempstead. Cincinnati: C.Y. Fonda.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by A. Sedgwick, in the Clerk's Office of the District of the United States for the Eastern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?  A. SEDGWICK.
&lt;/p&gt;&lt;p&gt;Andante cantabile.
&lt;/p&gt;&lt;p&gt;Oh! why should the spirit of mortal be proud? Like a swift fleeting meteor, a fast flying cloud, A flash of the lightning, a break of the wave, He
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;passeth from life to his rest in the grave! The leaves of the oak, and the willow shall fade, Be scatter'd around and together be laid; And the young and the old, and the low and the high, Shall moulder to dust, together shall lie. The
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;infant and mother attended and lov'd, The mother and infant's affection who prov'd, The husband that mother and infant who bless'd, Each, all, are away to their dwellings of rest!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;2. The hand of the king, that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage, and the heart of the brave, Are hidden and lost in the depths of the grave. The peasant, whose lot was to sow and to reap, The herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread Have faded away like the grass that we tread. So the multitude goes, like the flow'r or the weed That withers away to let others succeed; So the multitude comes, even those we behold, To repeat ev'ry tale that has often been told!
&lt;/p&gt;&lt;p&gt;3. For we are the same, our father's have been; We see the same sights our father's have seen; We drink the same stream and view the same sun, And run the same course our father's have run. The thoughts we are thinking our father's would think; From the death we are shrinking our fathers would shrink; To the life we are clinging, they also would cling, But it speeds for us all--like a bird on the wing! They loved! but the story we cannot unfold; They scorned! but the heart of the haughty is cold; They grieved! but no wail from their slumber will come; They joyed! but the tongue of their gladness is dumb!
&lt;/p&gt;&lt;p&gt;4. They died!--aye! they died; we things that are now, That walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met, on their pilgrimage road. Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear--the song and the dirge, Still follow each other like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossom of health to the paleness of death; From the gilded saloon, to the bier and the shroud! Oh! why should the spirit of mortal be proud?
&lt;/p&gt;
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                  <text>Federal Writers' Project Collection</text>
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                  <text>The Federal Writers' Project began in 1935 as part of the United States Work Progress Administration created under President Franklin Delano Roosevelt's New Deal program. The Federal Writers' Project provided employment opportunities for historians, teachers, writers, librarians, and other white-collar workers. Initially the project produced guidebooks entitled American Guide on several regions of the country with an emphasis on the the country's scenic, historical, cultural, and economic resources. The Illinois Writers' Project, the state office for the Federal Writers' Project, produced state-wide guidebooks as well as regional publications which included work by Richard Wright, Saul Bellow, Margaret Walker, and Louis "Studs" Terkel.&lt;br /&gt;&lt;br /&gt;The photographs contained in this collection include images of farm life in southern Illinois, Chicago architecture, Greek-American life in Chicago's Greektown, and historic buildings and architecture throughout the state. Photographer Nick John Matsoukas' images are featured in this collection and appear with their original photo captions.</text>
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              <text>commercial print</text>
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                <text>Federal Writers Project</text>
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                <text>Jane Addams Settlement House</text>
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                <text>Children sit outside the Jane Addams settlement house on Elburn St., Chicago, which provided education and recreation to the surrounding community.</text>
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                <text>Addams, Jane, 1860-1935</text>
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                <text>Sekaer, Peter I. (Peter Ingemann), 1901-1950</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;Respectfully Dedicated to E.F. Dixey, Esq.
&lt;/p&gt;&lt;p&gt;HE'S GONE TO THE ARMS OF ABRAHAM.  COMIC WAR BALLAD.
&lt;/p&gt;&lt;p&gt;My true love is a soldier, Upon the battle ground, And if he ever should be lost, I hope he may be found.
&lt;/p&gt;&lt;p&gt;The draft it was that took him, And it was a heavy blow, It took him for a Conscript, But he didn't want to go.
&lt;/p&gt;&lt;p&gt;Chorus: He's gone--he's gone--As meek as any lamb, They took him, yes, they took him To the Arms of Abraham.
&lt;/p&gt;&lt;p&gt;by Sep. Winner.  30 cents.
&lt;/p&gt;&lt;p&gt;Published by Sep. Winner, 933 Spring Garden Street.
&lt;/p&gt;&lt;p&gt;Cincinnati, J. Church, Jr. New York, Wm. A. Pond &amp;amp; Co. Boston, J.C. Haynes &amp;amp; Co. Philadelphia, J.E. Gould.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;HE'S GONE TO THE ARMS OF ABRAHAM. COMIC BALLAD. BY SEP. WINNER.
&lt;/p&gt;&lt;p&gt;1. My true love is a soldier In the army now today, It was the cruel war that made him Have to go away; The "draft" it was that took him, And it was a "heavy blow," It took him for a Conscript, But he didn't want to go.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1863, by Sep. Winner, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;He's gone--he's gone--As meek as any lamb, They took him, yes, they took him, to the Arms of Abraham. He's gone--he's gone--As meek as ny lamb, They took him, yes, they took him, to the Arms of Abraham.
&lt;/p&gt;&lt;p&gt;2. He's gone to be a soldier, With a knapsack on his back, A fightin' for the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Union, And a livin' on "hard tack." Oh, how he look'd like Christian, In the Pilgrim's Progress shown, With a bundle on his shoulders, But with nothin' of his own.  Chorus.
&lt;/p&gt;&lt;p&gt;3. Oh, should he meet a rebel, A pointin' with his gun, I hope he may have courage To "take care of number one." If I were him, I'd offer The fellow but a dram; For what's the use of dying Just for Jeff or Abraham? Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;4. Indeed to be a soldier, It is so very hard, For when a fellow has his fun They poke him on the guard: One day he shot a rooster, The captain thought it wrong; And so to punish him they made Him picket all night long. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;5. I haven't got a lover now, I haven't got a beau; They took him as a raw recruit, But mustered him, I know: He's nothing but a private, And not for war inclined, Although a hard old nut to crack A colonel you might find. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;6. My true love is a soldier, Upon the battle-ground, And if he ever should be lost I hope he may be found; If he should fall a fightin' Upon the battle-plain, I hope some other chap may come And pick him up again. Chorus.--He's gone, &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Something New.
&lt;/p&gt;&lt;p&gt;Winner's patent self-instructing key-board scale, for the piano or Melodeon; Price one Dollar, (sent by mail for $1.25.) This valuable invention consists of selections which are set upon the white keys, showing the names of the keys and the note upon the staff which each key makes when being struck. It is highly recommended by all Professors of high standing. It enables the Learner at once to strike the notes required, without the assistance of any Book, or explanation from a Teacher. They are made to fit any Instrument, and can be set upon the keys in one minute.
&lt;/p&gt;&lt;p&gt;CATALOGUE OF THE LATEST PUBLICATIONS.
&lt;/p&gt;&lt;p&gt;Yes! I would the War were Over.  25 cts. Song and Chorus, by Alice Hawthorne. The immense sale of this answer to the popular song "When this Cruel War is Over" is enough to recommend it without further notice. It has been sung nightly at the Eureka Theatre, in San Francisco, by the popular vocalist Sig. Abecco, amid unbounded applause. The sentiment is good, and the melody beautiful. Chorus.--Yes! I would the war were over, Would the cruel work were done, With our country reunited, And the many States in one.
&lt;/p&gt;&lt;p&gt;Maryland, my Maryland. 25 [cts] With Union words. Arranged in an easy and effective manner by Sep. Winner. The sixtieth thousand of this pleasing song just issued. This edition is by far the best published, being arranged in a very showy style, and not difficult. Ten hundred thousand, brave and free, Maryland, my Maryland, Are ready now to strike with thee, Maryland, my Maryland. A million more still yet agree To help thee hold thy liberty; For thou shalt ever, ever be Maryland, our Maryland.
&lt;/p&gt;&lt;p&gt;Isabel, Lost Isabel! 30 [cts] Or, the new "Remember Me." Sentimental Ballad, by Sep. Winner. The subject of this charming song is from the world-renowned story of East Lynne. The melody is very sweet and musical, of a classic order, intended for a good singer. My thoughts still follow after thee, And wander here and there, Like thistle-down in autumn days Upon the chilly air. Since thou art gone, fair Isabel, Whate'er thy dreams may be, Are there not hours in which again Thou must remember me, Isabel, lost Isabel?
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts me still. 25 [cts] New edition; one sharp; easy arrangement. By Sep. Winner. This beautiful song in the original key of Ab (four flats) being rather high in pitch for an ordinary voice, and quite difficult to execute, finds a much more extensive sale in the present form.
&lt;/p&gt;&lt;p&gt;He's gone to the Arms of Abraham. 25 [cts] Comic war ballad, with chorus, by Sep. Winner. A pretty tune, with machine poetry. The melody is stolen from "Secesh," being a version of the "Bonnie Blue Flag." My true love is a soldier Upon the battle-ground, And if he ever should be lost, I hope he may be found. The draft it was that took him, and it was a heavy blow; It took him for a Conscript, But he didn't want to go. Chorus.--He's gone--he's gone--As meek as any lamb; They took him, yes, they took him To the arms of Abraham.
&lt;/p&gt;&lt;p&gt;Parting Whispers. (vocal Duett.)  30 [cts] This beautiful song is by Alice Hawthorne. The melody is very sweet and pathetic, and has a touching effect when sung by well-blending voices. Farewell, farewell, farewell, farewell! 'Tis sad, 'tis sad to sever: My parting whisper is to thee, My heart is with thee ever.
&lt;/p&gt;&lt;p&gt;Battle of Gettysburg. 50 [cts] By J.C. Beckel. A descriptive production of the best class, introducing many new and original effects; moderately difficult. The advance of the armies, followed by the tremendous firing of the rebels, answered by the Union forces, is faithfully portrayed; and the grand combined attack of the whole army under General Meade is very effective; the whole concluding with the cry of "Victory!" mingled with the strains of the ever-glorious Star-Spangled Banner, producing a brilliant and happy termination.
&lt;/p&gt;&lt;p&gt;Our Sweethearts at Home. 30 [cts] Song and chorus, by Sep. Winner. A pleasing and cheerful ballad, in the popular vein. A song for the family circle. The melody is lively, and arranged in an easy and flowing style. Chorus. Our sweethearts at home, be we ever so far, Live still in our hearts, wherever we are; Away, far away, though wildly we roam, We dream, ever dream, of our sweethearts at home.
&lt;/p&gt;&lt;p&gt;Banner March. 25 [cts] This March, by Sep. Winner, introduces the popular melody of "The Captain with his Whiskers:" it is very pretty, quite easy, and immensely popular.
&lt;/p&gt;&lt;p&gt;Danish Dance. 25 [cts] By Sep. Winner. New arrangement of this renowned polka-waltz, as used by the Philadelphia and New York bands.
&lt;/p&gt;&lt;p&gt;Bluebird Echo Polka. 30 [cts] By Mrs. Mary Morrison. A sprightly and cheerful piece, amusing as well as instructive; altogether, a good parlor pastime.
&lt;/p&gt;&lt;p&gt;Picnic Waltz. 15 [cts] By Jos. H. Porter. Easy teaching piece, suitable for a pupil in second quarter: pretty melody, in three-four time.
&lt;/p&gt;&lt;p&gt;Surrender of Vicksburg March. 25 [cts] By Mrs. Mary Morrison. A brilliant and effective composition, of the popular cast, with a beautiful cross-hand movement and very attractive melody.
&lt;/p&gt;&lt;p&gt;Nettle Schottische. 25 [cts] By Prof. J.E. Kochersperger. A good and graceful melody, in a sound and correct style, with an easy bass. Recommended for ordinary performers.
&lt;/p&gt;&lt;p&gt;Comet Waltz. 30 [cts] A first-class composition, by Sep. Winner, in the composer's own familiar style,--one of those peculiar melodies that make a permanent impression upon the mind and which we sing at times unconsciously.
&lt;/p&gt;&lt;p&gt;Flash Schottische. 30 [cts] By Sep. Winner. A brilliant composition, light and showy, not very difficult, but excellent for practice, to attain a fearless and graceful execution.
&lt;/p&gt;&lt;p&gt;Home Polacca Quadrilles. 30 [cts] By Wm. Coleman. A pretty collection of melodies, introducing "Sweet Home" as the grand finale. Each figure of 
this celebrated dance is given in full with the music.
&lt;/p&gt;&lt;p&gt;Copies of the above pieces sent by mail (postpaid). Address Sep. Winner, Music Publisher, 933 Spring Garden Street, Philadelphia.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>A "Comic War Ballad," Song depicting a soldier's life in the army as told by his loved one. Cover includes lyrics and chorus. "Respectfully dedicated to E. F. Dixey, Esq."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Septimus Winner</text>
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                <text>1863</text>
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                    <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>"Raw Recruits" lyrics depict Union Army recruits volunteering to fight. "Abraham's Daughter" depicts possible English role in supporting the Confederate States of America. "As sung with great applause by Bryant's Minstrels of New York," Cover depicts five stereotypical depictions of African Americans in military dress standing in front of tents. Two songs included in sheet music:&amp;nbsp; "Raw Recruits" and "Abraham's Daughter."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>England</text>
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                <text>Recruiting and Enlistment</text>
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                <text>Winner, Septimus, 1827-1902</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;RAW RECRUITS. OF ABRAHAM'S DAUGHTER, As sung with great applause by Bryants Minstrels of New York.
&lt;/p&gt;&lt;p&gt;NEW YORK. Published by FIRTH, POND &amp;amp; CO. 547 Broadway
&lt;/p&gt;&lt;p&gt;Boston, O. Ditson &amp;amp; Co.  Pittsburgh. H. Kleber &amp;amp; Bro.  Cincinnati. C.Y. Fonda
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;ABRAHAM'S DAUGHTER. OR RAW RECRUITS.
&lt;/p&gt;&lt;p&gt;Voice. Piano.
&lt;/p&gt;&lt;p&gt;1st VER. Oh!
&lt;/p&gt;&lt;p&gt;2nd. Oh!
&lt;/p&gt;&lt;p&gt;kind folks listen to my song It is no idle story, It's
&lt;/p&gt;&lt;p&gt;should you ask me who she am Columbia is her name, sir, She
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the Year 1861 by SEP. WINNER in the Clerks Office of the District Court of the Eastern District of Penna.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;all about a volunteer, Who's goin' to fight for glory; Now
&lt;/p&gt;&lt;p&gt;is the child of Abraham, Or Uncle Same, the same, sir. Now
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;don't you think that I am right, For I am nothin' shorter, And
&lt;/p&gt;&lt;p&gt;if I fight, why aint I right, And don't you think I ought er, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
I belong to the Fire Zou Zous, and don't you think I ought ter, We're
&lt;/p&gt;&lt;p&gt;volunteers are a pouring in, From every loyal quarter, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
goin' down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;I'm goin' long to Washington To fight for Abraham's daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3d.
&lt;/p&gt;&lt;p&gt;They say we have no officers, But ah! they are mistaken; And soon you'll see the rebels run With all the fuss they're makin' For there is one who just sprung up, He'll show the foe no quarter, (McClellan is the man I mean) You know he hadn't ought er, For he's gone down to Washington To fight for Abraham's daughter.
&lt;/p&gt;&lt;p&gt;4th.
&lt;/p&gt;&lt;p&gt;We'll have a spree with Johnny Bull, Perhaps, some day or other, And wont he have his fingers full, If not a deal of bother; For Yankee boys are just the lads Upon the land or water, And wont we have a "bully" fight And don't you think we ought er, If he is caught at any time Insulting Abraham's daughter.
&lt;/p&gt;&lt;p&gt;5th.
&lt;/p&gt;&lt;p&gt;But let us lay all jokes aside, It is a sorry question. The man who would these States divide, Should hang for his suggestion. One Country and one Flag, I say. Who e'er the war may slaughter; So I'm goin' as a Fire Zou-a And don't you think I ought er Im going down to Washington To fight for Abrahams daughter.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;ABRAHAM DAUGHTER AS SUNG BY BRYANTS MINSTRELS.
&lt;/p&gt;&lt;p&gt;Some years ago, I suppose you know, Johnny Bull sent
&lt;/p&gt;&lt;p&gt;Now there's Napoleon right from France, Who swears he'll be revenged
&lt;/p&gt;&lt;p&gt;Now Johnny Bull has gone to grass, To fatten up his
&lt;/p&gt;&lt;p&gt;Now Johnny Bull may put on airs, But what care we for
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
missioners To the North and South of America, To
&lt;/p&gt;&lt;p&gt;oh, If Johnny Bull sends his farmyard To the
&lt;/p&gt;&lt;p&gt;calves, sir; He talks of sending a shilling a day
&lt;/p&gt;&lt;p&gt;that sire; He's been itching now for some time To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
separate the Union; But he tried it quite, with
&lt;/p&gt;&lt;p&gt;Southern ports, oh! He'll jump right in and
&lt;/p&gt;&lt;p&gt;Soldiers to the South, sir, But we licked him well in
&lt;/p&gt;&lt;p&gt;have a little spat, sir, But if he will but
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
all his might, But we will give him a warmer, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;tan his skin, Kilkenny is behind him, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;Eighteen twelve, And we can lick him weller, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;just keep cool Till we've settled our fam'ly quarrel, oh, oh, oh!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS in unison.
&lt;/p&gt;&lt;p&gt;And when he comes here to interfere, wont we give him a
&lt;/p&gt;&lt;p&gt;warmer; Then march right down to Washington To fight for Abraham's daughter.
&lt;/p&gt;
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                  <text>Franklin Roudybush Collection</text>
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                  <text>Roudybush, Franklin W., 1906-1998</text>
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                  <text>Franklin Roudybush was a member of the foreign service. He received assignments for several positions including consular attache in Strasbourg and in Rochefort-sur-Loire in France.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Roudybush School in Rochefort-sur-Loire as well as family photographs.</text>
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                <text>George Shotwell Roudebush</text>
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                <text>George Shotwell Roudebush sits for a portrait. &lt;br /&gt;&lt;br /&gt;On verso: "Rev. Dr. George Shotwell Roudebush, deceased, Madison, Mississippi - This gentleman, friend and distant relative (tho we spell our names slightly different) has been a guest in our home when we lived in Decatur Ill - over looking the university campus on W. North St. He was about 90 yrs old but very keen mentally when last we met. He had been a College President in Miss. tho a Pa. by birth and graduated from Pa. moved south on account of his health before the Civil War and remained there most of his life - He was a Presbyterian minister and also a graduate in law - but school work was his principal life's work. He had several children who were also engaged in school work - Margaret was at the head of a girls school in Miss, later teacher in State Teachers College Boulder Col. One of his son's was state agt. for Life Ins Bank &amp;amp; Trust Co. another Half is head of the Missouri Valley Bank &amp;amp;;amp Trust Co. St. Louis Mo. During his last visit in our home he Baptized our son Franklin - He was a friend worth knowing. R. F. R."</text>
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                <text>Roudebush, George Shotwell, 1828-1921</text>
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                <text>Seutter, A.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>1</text>
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                <text>We Will Vote for Old Abe Lincoln</text>
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                <text>Presidential campaign song praising the qualities of Abraham Lincoln and the strength of his supporters.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Sewall, M.</text>
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                <text>Campaign songs</text>
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            <name>Creator</name>
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                <text>Sewall, M.</text>
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                <text>Music publisher information not available.</text>
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            <name>Coverage</name>
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                <text>1860</text>
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                <text>&lt;p&gt;WE WILL VOTE FOR OLD ABE LINCOLN.
&lt;/p&gt;&lt;p&gt;SONG BY M. SEWALL.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;We are coming, we are com-ing, Freedom's battle is be-gun, And inscribed upon our banner is the name of Abe Lin-coln.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more, Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;Cho.  We will vote for old Abe Lin-coln, we will vote for old Abe Lincoln, We're for hon-est old Abe Lin-coln, and Freedom thro' the land.
&lt;/p&gt;&lt;p&gt;And our voice which swells for Lincoln, and for Free-dom ev-er-more.  Shall be hailed by land and sea-men as was nev-er heard be-fore.
&lt;/p&gt;&lt;p&gt;2  We are coming, we are coming, as a patriotic band,
To drive the Border-ruffians and Fire-eaters from the land;
And we'll put them with the Sappers and the Union-miners too,
In the charge of the Flat-boatman and Union-saving crew.
&lt;/p&gt;&lt;p&gt;3  We are coming, we are coming, not as comes the Ruffian throng,
Armed with pistols, drunk with whiskey, with their curses loud and long,
But we have a gallant chieftan, leading onward to the fight-
A band of noble freemen, to do battle for the right.
&lt;/p&gt;&lt;p&gt;4  We are coming, we are coming, to redeem our native land,
From the evils that are springing from Buchanan's luckless wand:
To the "Father of the Faithful" we will give the chair of State,
While we see our modern Abram rise the highest o'er the great.
&lt;/p&gt;&lt;p&gt;5  We are coming, we are coming, and we have a nominee,
Who has worked his passage upward to the favor of the Free;
With the rifle, axe and compass, at the counter, raft or farm.
As a Counsellor and Statesman, he has ever borne the palm.
&lt;/p&gt;
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&lt;/p&gt;&lt;p&gt;Department of State
Washington 28th Feb ‘1865
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;I will thank 
you if possible to furnish 
me, for transmission to 
the Foreign Ministers, 
with printed copies of
the programme of 
arrangements for the 
Presidential Inauguration
The bearer will wait
for them. 
&lt;/p&gt;&lt;p&gt;Very truly yours
&lt;/p&gt;&lt;p&gt;F.W. Seward, Assistant Secretary
&lt;/p&gt;&lt;p&gt;BB French, Esqr
tc. tc. tc.
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&lt;p&gt;Department of State Washington 28th Feb &amp;lsquo;1865&lt;/p&gt;&#13;
&lt;p&gt;Dear Sir:&lt;/p&gt;&#13;
&lt;p&gt;I will thank you if possible to furnish me, for transmission to the Foreign Ministers, with printed copies of the programme of arrangements for the Presidential Inauguration The bearer will wait for them.&lt;/p&gt;&#13;
&lt;p&gt;Very truly yours&lt;/p&gt;&#13;
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                <text> A song [ with chorus ad libitum] founded on an incident of war." At top of cover, dedication: To Miss Frank Huntington of New York." Song about telling a mother that her son will not be returning home from war. </text>
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                    <text>&lt;p&gt;Washington March 16 1855
&lt;/p&gt;&lt;p&gt;My Dear Sir.
&lt;/p&gt;&lt;p&gt;In the [confusion?] of the close of the session I neglected to thank you for the kind letter you wrote to me on the 28th of Febry.  Accept my acknowledgmts now, and believe me
&lt;/p&gt;&lt;p&gt;Very respectfully
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B. B. French Esq.
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&lt;p&gt;My Dear Sir.&lt;/p&gt;&#13;
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                    <text>&lt;p&gt;Auburn Nov. 15, 1858
&lt;/p&gt;&lt;p&gt;My dear Sir,
&lt;/p&gt;&lt;p&gt;I have no lease for my new home in Washington.  One quarters rent is due to day.  I have forgotten the Christian name of Major Clark of the U. S. Army my landlord - Please pay it for me and send me his receipt - and so oblige
&lt;/p&gt;&lt;p&gt;Faithfuly yours 
&lt;/p&gt;&lt;p&gt;William H Seward
&lt;/p&gt;&lt;p&gt;B. B. French Esq.
&lt;/p&gt;&lt;p&gt;Maj M. M. Clark
&lt;/p&gt;&lt;p&gt;U.S.A.
&lt;/p&gt;&lt;p&gt;[Balt??]
&lt;/p&gt;&lt;p&gt;B. B. French Esq.
&lt;/p&gt;
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                <text>&lt;p&gt;Auburn Nov. 15, 1858&lt;/p&gt;&#13;
&lt;p&gt;My dear Sir,&lt;/p&gt;&#13;
&lt;p&gt;I have no lease for my new home in Washington. One quarters rent is due to day. I have forgotten the Christian name of Major Clark of the U. S. Army my landlord - Please pay it for me and send me his receipt - and so oblige&lt;/p&gt;&#13;
&lt;p&gt;Faithfuly yours&lt;/p&gt;&#13;
&lt;p&gt;William H Seward&lt;/p&gt;&#13;
&lt;p&gt;B. B. French Esq.&lt;/p&gt;&#13;
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&lt;p&gt;U.S.A.&lt;/p&gt;&#13;
&lt;p&gt;[Balt??]&lt;/p&gt;&#13;
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                    <text>&lt;p&gt;Department of State
&lt;/p&gt;&lt;p&gt;Washington, 9th Decr; 1862
&lt;/p&gt;&lt;p&gt;To B.B. French, Esqr.
&lt;/p&gt;&lt;p&gt;Commissioner of Public Buildings, Washington.
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;I have received your communication of the 4th instant relative to the Reverend Cyril Pearl, and will thank you to call here and see me on the Subject.
&lt;/p&gt;&lt;p&gt;Very truly yours,
&lt;/p&gt;&lt;p&gt;William H. Seward
&lt;/p&gt;
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                <text>&lt;p&gt;Department of State&lt;/p&gt;&#13;
&lt;p&gt;Washington, 9th Decr; 1862&lt;/p&gt;&#13;
&lt;p&gt;To B.B. French, Esqr.&lt;/p&gt;&#13;
&lt;p&gt;Commissioner of Public Buildings, Washington.&lt;/p&gt;&#13;
&lt;p&gt;Dear Sir:&lt;/p&gt;&#13;
&lt;p&gt;I have received your communication of the 4th instant relative to the Reverend Cyril Pearl, and will thank you to call here and see me on the Subject.&lt;/p&gt;&#13;
&lt;p&gt;Very truly yours,&lt;/p&gt;&#13;
&lt;p&gt;William H. Seward&lt;/p&gt;</text>
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                    <text>&lt;p&gt;Department of State
&lt;/p&gt;&lt;p&gt;Washington Jan'y 11" 1868.
&lt;/p&gt;&lt;p&gt;Hon. B. B. French
&lt;/p&gt;&lt;p&gt;Washington D. C.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I have to acknowledge the receipt of a letter from R. V. Whaley Esq. of the 8th inst. relative to the claim of Richard W. Inman, a British subject residing in Kananha County West Virginia, for indemnity for certain property destroyed during the late rebellion, and requesting me to communicate with you on the subject.
&lt;/p&gt;&lt;p&gt;In reply I would state that 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;claims of the nature of that of Mr. Inman are considered by the "Special Claims Commifsion", appointed by special orders No. 39 [illegible mark] of August 9th 1866, from the War Department, and that that Department could give you the information required.
&lt;/p&gt;&lt;p&gt;I am Sir,
&lt;/p&gt;&lt;p&gt;Your Obedient Servant.
&lt;/p&gt;&lt;p&gt;William H. Seward
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Inman's Claim
&lt;/p&gt;&lt;p&gt;Letter from Secy of State DC.  Jany. 11. 1868.
&lt;/p&gt;&lt;p&gt;Wrote War Dept
&lt;/p&gt;&lt;p&gt;Jany. 13. 1868.
&lt;/p&gt;&lt;p&gt;Referred to Q. M. G.
&lt;/p&gt;&lt;p&gt;for report October 17. [64&amp;#160;?]
&lt;/p&gt;&lt;p&gt;Referred by Quartermaster General to Gen.l Van Vliet U. S. Q. Master at Baltimore, Maryland, for report.  not yet received back.
&lt;/p&gt;
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                <text>&lt;p&gt;Department of State&lt;/p&gt;&#13;
&lt;p&gt;Washington Jan'y 11" 1868.&lt;/p&gt;&#13;
&lt;p&gt;Hon. B. B. French&lt;/p&gt;&#13;
&lt;p&gt;Washington D. C.&lt;/p&gt;&#13;
&lt;p&gt;Sir:&lt;/p&gt;&#13;
&lt;p&gt;I have to acknowledge the receipt of a letter from R. V. Whaley Esq. of the 8th inst. relative to the claim of Richard W. Inman, a British subject residing in Kananha County West Virginia, for indemnity for certain property destroyed during the late rebellion, and requesting me to communicate with you on the subject.&lt;/p&gt;&#13;
&lt;p&gt;In reply I would state that&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;claims of the nature of that of Mr. Inman are considered by the "Special Claims Commifsion", appointed by special orders No. 39 [illegible mark] of August 9th 1866, from the War Department, and that that Department could give you the information required.&lt;/p&gt;&#13;
&lt;p&gt;I am Sir,&lt;/p&gt;&#13;
&lt;p&gt;Your Obedient Servant.&lt;/p&gt;&#13;
&lt;p&gt;William H. Seward&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;Inman's Claim&lt;/p&gt;&#13;
&lt;p&gt;Letter from Secy of State DC. Jany. 11. 1868.&lt;/p&gt;&#13;
&lt;p&gt;Wrote War Dept&lt;/p&gt;&#13;
&lt;p&gt;Jany. 13. 1868.&lt;/p&gt;&#13;
&lt;p&gt;Referred to Q. M. G.&lt;/p&gt;&#13;
&lt;p&gt;for report October 17. [64&amp;nbsp;?]&lt;/p&gt;&#13;
&lt;p&gt;Referred by Quartermaster General to Gen.l Van Vliet U. S. Q. Master at Baltimore, Maryland, for report. not yet received back.&lt;/p&gt;</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Sharanova, Sonia, 1896-1988</text>
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                  <text>African American singers</text>
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                  <text>Sokoloff, Nicolai, 1886-1965</text>
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                  <text>Bands (Music)</text>
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                  <text>Crost, Dorothy</text>
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                  <text>Rosen, Lucie Bigelow, 1890-1968</text>
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                  <text>The Federal Music Project began in 1935 as part of President Franklin Delano Roosevelt's New Deal plan. The program, led by Russian-American violinist and orchestra conductor Nicolai Sokoloff, employed musicians, composers, and conductors throughout the United States including more than 400 people in Chicago. &lt;br /&gt;&lt;br /&gt;The program provided funding for music festivals, classes, and concerts as well as the creation of 34 orchestras. The Federal Music Project conducted research on several genres of American music with a special emphasis placed on traditional American music and folk songs including cowboy, Creole, and African American music. The Federal Music Project ended at the outbreak of World War II.&lt;br /&gt;&lt;br /&gt;Images in this collection include publicity photos of several Illinois musicians and choral groups funded by the Federal Music Project.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sonia Sharnova</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Sonia Sharnova poses for a portrait wearing several pieces of jewelry and a fur stole. Sharnova, a contralto for opera companies in Germany and Chicago, performed on stage and taught vocal lessons. Sharnova performed with the Chicago City Opera Company during the Federal Music Project, a component of President Franklin D. Roosevelt's New Deal legislation that employed musicians during the Great Depression.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Federal Music Project (U.S.)</text>
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                <text>Chicago Civic Opera (Chicago, Ill.)</text>
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                <text>Fur garments</text>
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                <text>Jewelry</text>
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                <text>Contraltos</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Seymour, Maurice</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <description>A name given to the resource</description>
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                  <text>William G. Stratton Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>William Grant Stratton (1914-2001) was the 32nd Governor of Illinois, 1953-1961. First elected in 1952, Stratton, a Republican, was part of the GOP landslide that came with the election of Dwight D. Eisenhower to the presidency that year. &lt;br /&gt;&lt;br /&gt;This collection contains family and professional photographs from Governor Stratton's two terms in office.</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Stratton, Sandra</text>
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                  <text>Illinois. Office of the State Treasurer</text>
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                  <text>Hartline, Mary, 1926-</text>
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                  <text>Politicians' spouses</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>autographed portrait</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>403542</text>
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                <text>William G. Stratton Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>George F. Barrett</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="294875">
                <text>Illinois Attorney General George F. Barrett poses for a portrait in a pinstripe suit. &lt;br /&gt;&lt;br /&gt;Image dedication: "To my good friend William G. Stratton, With sincere regards, George F. Barrett."</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="294876">
                <text>Barrett, George F. (George Francis), 1907-1980</text>
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                <text>Politicians</text>
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                <text>Illinois. Attorney General's Office</text>
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                <text>Attorneys general</text>
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            <name>Creator</name>
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                <text>Seymour, Maurice</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="294888">
                <text>eng</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A selection of photographs from a wide range of collections. Images in the Miscellaneous Collection include broadsides, oversized photographs, cased photographs, and images of persons from individual files in the Audio Visual Collection.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Abraham Lincoln Presidential Library and Museum</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="104715">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="311269">
              <text>commercial print</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>26 x 21 cm</text>
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                <text>Illinois Secretary of State Edward Barrett stands at his desk for a portrait.</text>
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                <text>Seymour, Maurice</text>
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                  <text>Governor Henry Horner (1933-1940) was elected in 1932 and reelected in 1936; however, he died in office during the third year of his second term. Horner was committed to cleaning up corruption in the Chicago-run Democratic Party machine. An expert on Abraham Lincoln, Horner was an avid collector of Lincoln artifacts and papers. His huge collection of Lincolniana became the foundation of the Illinois State Historical Library and its successor institution, the Abraham Lincoln Presidential Library. Governor Horner also holds the honor of being Illinois's first Jewish governor.&lt;br /&gt;&lt;br /&gt;Items in this collection include portraits of Governor Horner, images from President Franklin D. Roosevelt visiting Chicago, and several pictures of the 1937 Ohio River Flood.&lt;br /&gt;&lt;br /&gt;The finding aid for the Henry Horner Papers at the Abraham Lincoln Presidential Library and Museum may be found at&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/295.</text>
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      <name>Still Image</name>
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                <text>East Doorway, Old Main, Knox College</text>
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                <text>An artist-signed pen and ink sketch shows the east doorway of the Old Main building at Knox College in Galesburg. &lt;br /&gt;&lt;br /&gt;On verso: "East doorway Old Main, Knox College. From these steps Lincoln and Douglas debated October 1, 1858. 'Old Main' was designated as a National Historic Site June 1936."</text>
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                <text>Seymour, Ralph Fletcher</text>
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            <name>Language</name>
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                    <text>&lt;p&gt;"There is a tide in the affairs of men 
&lt;/p&gt;&lt;p&gt;Which taken at the flood leads on to fortune."
&lt;/p&gt;&lt;p&gt;Edwina Booth
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Identifier</name>
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                <text>Quote from Julius Caesar</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Shakespeare, William; Booth, Edwina?</text>
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                <text>188?</text>
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            <description>An account of the resource</description>
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                <text>This quote from Shakespeare's Julius Caeser is thought to have been copied by Edwina Booth. The copied passage reads:  "There is a tide in the affairs of men which taken at the flood leads on to fortune."  Since Edwina Booth became married in 1885 and this is not signed with her married name, the date is estimated as sometime before her marriage.</text>
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            <description>A language of the resource</description>
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                <text>&lt;p&gt;"There is a tide in the affairs of men 
&lt;/p&gt;&lt;p&gt;Which taken at the flood leads on to fortune."
&lt;/p&gt;&lt;p&gt;Edwina Booth
&lt;/p&gt;
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            <description>The percentage of pages with Completed status.</description>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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