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                    <text>&lt;p&gt;THE NATION IN TEARS IN MEMORIAN
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. MAY BE SUNG AS A SOLO, TRIO, DUETT OR FULL CHORUS. ARRANGED FOR THE PIANO OR ORGAN
&lt;/p&gt;&lt;p&gt;WORDS BY R.C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE NATION IN TEARS! A DIRGE, IN MEMORY OF THE NATION'S CHIEF.
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. WORDS BY R. C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1. Toll! toll! toll! on every hand, on every hand, Ye bells, ye bells thro'out the land, Ye
&lt;/p&gt;&lt;p&gt;2. Weep! weep! weep! on every hand, on every hand, Ye heroes, heroes of the land, Ye
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;3. Mourn! mourn! mourn! on every hand, on every hand Ye patriots, patriots of the land, Ye
&lt;/p&gt;&lt;p&gt;1. Ye bells throughout, throughout
&lt;/p&gt;&lt;p&gt;bells thro'out the land; Our noble leader, noble leader in his glory lies; The damp of death, the
&lt;/p&gt;&lt;p&gt;heroes of the land; Our chieftain's dead, chieftain's dead, Great God, and can it be! Alas, how brief, Alas
&lt;/p&gt;&lt;p&gt;patriots of the land; No more, no more his honest face will greet the sun, His day, his day, his
&lt;/p&gt;&lt;p&gt;out the land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;damp of death upon his sealed eyes, A martyr true, a martyr true to liberty he dies. Toll! toll!
&lt;/p&gt;&lt;p&gt;how brief is our mortality! Our Father, help, O help, and bless to us this agony. Weep!  weep!
&lt;/p&gt;&lt;p&gt;day is finished, and his labor done, A crown of glory, crown of glory rests his brow upon. Mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
toll! on every hand, on every hand, Ye bells thro'out  thro'out the land. Toll! toll! toll!
&lt;/p&gt;&lt;p&gt;weep! on every hand, on every hand, Ye heroes, heroes in the land. Weep! weep! weep!
&lt;/p&gt;&lt;p&gt;mourn! on every hand, on every hand, Ye patriots, patriots in the land. Mourn! mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the year 1863, by W. Jennison Demordent, in the Clerk's Office of the District Court of the U.S.  for the Southern District of N.Y.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>The Nation In Tears</text>
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                <text>"In memorian Abraham Lincoln. Maybe sung as a solo, trio , duett or full chorus." Demorest's Illustrated Monthly, June, 1865 - Handwritten on side of cover. Cover depicts a picture of Abraham Lincoln. Back cover depicts picture of Lincoln funeral procession.</text>
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                <text>&lt;p&gt;THE NATION IN TEARS IN MEMORIAN
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. MAY BE SUNG AS A SOLO, TRIO, DUETT OR FULL CHORUS. ARRANGED FOR THE PIANO OR ORGAN
&lt;/p&gt;&lt;p&gt;WORDS BY R.C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE NATION IN TEARS! A DIRGE, IN MEMORY OF THE NATION'S CHIEF.
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN. WORDS BY R. C.  MUSIC BY KONRAD TREUER.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1. Toll! toll! toll! on every hand, on every hand, Ye bells, ye bells thro'out the land, Ye
&lt;/p&gt;&lt;p&gt;2. Weep! weep! weep! on every hand, on every hand, Ye heroes, heroes of the land, Ye
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;3. Mourn! mourn! mourn! on every hand, on every hand Ye patriots, patriots of the land, Ye
&lt;/p&gt;&lt;p&gt;1. Ye bells throughout, throughout
&lt;/p&gt;&lt;p&gt;bells thro'out the land; Our noble leader, noble leader in his glory lies; The damp of death, the
&lt;/p&gt;&lt;p&gt;heroes of the land; Our chieftain's dead, chieftain's dead, Great God, and can it be! Alas, how brief, Alas
&lt;/p&gt;&lt;p&gt;patriots of the land; No more, no more his honest face will greet the sun, His day, his day, his
&lt;/p&gt;&lt;p&gt;out the land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;damp of death upon his sealed eyes, A martyr true, a martyr true to liberty he dies. Toll! toll!
&lt;/p&gt;&lt;p&gt;how brief is our mortality! Our Father, help, O help, and bless to us this agony. Weep!  weep!
&lt;/p&gt;&lt;p&gt;day is finished, and his labor done, A crown of glory, crown of glory rests his brow upon. Mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
toll! on every hand, on every hand, Ye bells thro'out  thro'out the land. Toll! toll! toll!
&lt;/p&gt;&lt;p&gt;weep! on every hand, on every hand, Ye heroes, heroes in the land. Weep! weep! weep!
&lt;/p&gt;&lt;p&gt;mourn! on every hand, on every hand, Ye patriots, patriots in the land. Mourn! mourn! mourn!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Entered according to Act of Congress in the year 1863, by W. Jennison Demordent, in the Clerk's Office of the District Court of the U.S.  for the Southern District of N.Y.
&lt;/p&gt;
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                <text>Meyer Adelman with Lester Collins and Paul P. Glaser</text>
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                <text>Meyer Adelman, a native of Poland, was a well known labor leader in the Midwest during the 1930s. &lt;br /&gt;&lt;br /&gt;On verso: "Waukegan, Ill., June 9--thirty-nine CIO unionists were jailed and fined on contempt of court charges in connection with the Fansteel Metallurgical Corporation sitdown evacuation order of last winter. Meyer Adelman, 350-pound CIO organizer, is shown in the center speaking at the inquiry at which he drew the heaviest penalty, 240 days in jail and a $1,000 fine. With him are attorneys Lester Collins, left, and Paul P. Glaser.</text>
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                <text>Meyer Adelman, a native of Poland, was a well known labor leader in the Midwest during the 1930s. Oakley Mills, Adelman's assistant, was a former coal miner from Virginia. &lt;br /&gt;&lt;br /&gt;On verso: Waukegan, Ill., Mar. 9--Sit-Down Strikers Pay---Meyer Adelman and Oakley Mills, officials of steel workers organizing a committee, C.I.O., played cards as they started serving 240 and 180 day jail sentences, respectively, here today for ignoring an injunction forbidding a sit-down strike against the Fansteel Corp., in 1937. Eleven others also started their jail sentences on similar convictions."</text>
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                  <text>The Independent Order of Odd Fellows is a fraternal organization devoted to promoting personal and social development. The organization&amp;nbsp;focuses on services for children and the elderly through a variety of projects including scholarships, grant programs, and running orphanages and senior homes in countries throughout the world.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The Independent Order of Odd Fellows, founded in 1819 in Baltimore, Maryland, initially operated as part of the British Order of Odd Fellows. In 1842 the American lodges broke away from the British lodges to form their own governance system. As a result American lodges formed in cities throughout the country. African American lodges began in 1842, however these lodges remained under the British governance system. The women's branch, known as the Daughters of Rebekah, began in 1851 under the encouragement of future Vice President Schuyler Colfax. The organization experienced a sizeable drop in membership and resources during the Civil War, but rebounded in the years after the war.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Independent Order of Odd Fellows Administration Building and West Cottage in Lincoln, Illinois, graduating students, and construction on the organization's lodge in Rochelle, Illinois.</text>
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                <text>Hall of Hickory Grove Lodge I.O.O.F., No. 230</text>
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                <text>A man stands next to a construction project on the foundation of the north side of the Independent Order of Odd Fellows Lodge in Rochelle, Illinois.</text>
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                    <text>&lt;p&gt;Alton, Ill. July 19/60.
&lt;/p&gt;&lt;p&gt;Dear Governor,
&lt;/p&gt;&lt;p&gt;Are you not ashamed of yourself to insist on my making a speech at Burlington, when I am nearly [worn?] out of my boots in going round this State?  So far from going into Iowa where Republicanism needs no assistance, I shall expect you to meet me at Galesburg &amp;amp; Monmouth &amp;amp; make speeches at both places – We are having a close fight in 
&lt;/p&gt;
&lt;hr /&gt; Ill.  The Democrats are spending money like water &amp;amp; [makeing?]  a desperate effort to retain possession of the Legislature--  
&lt;p&gt;Of course I would come to Burlington, if Iowa was in doubt &amp;amp; it was supposed I could do any good; but of course you are aware that I shall be very much worn out with the speaking which I shall be compelled to do in this State.
&lt;/p&gt;&lt;p&gt;Will you not visit me at Galesburg &amp;amp; Monmouth  It is possible that I may also go to Oquawaka.  I am somewhat hoarse now &amp;amp; do not mean to make any more appointments till I see how I can stand the [canvass?].  Write me at Springfield   
&lt;/p&gt;&lt;p&gt;Truly Yours  
&lt;/p&gt;&lt;p&gt;Lyman Trumbull
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Hon. L. Trumbull
&lt;/p&gt;&lt;p&gt;July 18 60
&lt;/p&gt;
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                <text>Lyman Trumbull to Samuel J. Kirkwood</text>
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                <text>Lyman Trumbull writes to Samuel J. Kirkwood, Governor of Iowa, regarding Republican Party politics noting that "we are having a close fight in Ill." Trumbull, who later became senator, was an anti-slavery activist.</text>
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                <text>&lt;p&gt;Alton, Ill. July 19/60.
&lt;/p&gt;&lt;p&gt;Dear Governor,
&lt;/p&gt;&lt;p&gt;Are you not ashamed of yourself to insist on my making a speech at Burlington, when I am nearly [worn?] out of my boots in going round this State?  So far from going into Iowa where Republicanism needs no assistance, I shall expect you to meet me at Galesburg &amp;amp; Monmouth &amp;amp; make speeches at both places – We are having a close fight in 
&lt;/p&gt;
&lt;hr /&gt; Ill.  The Democrats are spending money like water &amp;amp; [makeing?]  a desperate effort to retain possession of the Legislature--  
&lt;p&gt;Of course I would come to Burlington, if Iowa was in doubt &amp;amp; it was supposed I could do any good; but of course you are aware that I shall be very much worn out with the speaking which I shall be compelled to do in this State.
&lt;/p&gt;&lt;p&gt;Will you not visit me at Galesburg &amp;amp; Monmouth  It is possible that I may also go to Oquawaka.  I am somewhat hoarse now &amp;amp; do not mean to make any more appointments till I see how I can stand the [canvass?].  Write me at Springfield   
&lt;/p&gt;&lt;p&gt;Truly Yours  
&lt;/p&gt;&lt;p&gt;Lyman Trumbull
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Hon. L. Trumbull
&lt;/p&gt;&lt;p&gt;July 18 60
&lt;/p&gt;
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                    <text>&lt;p&gt;United States Senate Chamber.
&lt;/p&gt;&lt;p&gt;Washington. Mar. 7- 1868
&lt;/p&gt;&lt;p&gt;Gov. A. H. Holly,  
&lt;/p&gt;&lt;p&gt;My Dear Sir,  
&lt;/p&gt;&lt;p&gt;Yours in regard to impeachment was duly recd – The question is now upon us &amp;amp; cannot be avoided; 2 Senators are sworn to do impartial justice according to the constitution and laws. That each Senator will act impartially, &amp;amp; have the moral courage to render an unbiased judgment, the people have a right to expect and justice demands.  
&lt;/p&gt;&lt;p&gt;Yours very truly
&lt;/p&gt;&lt;p&gt;Lyman Trumbull
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Lyman Trumbull 
&lt;/p&gt;&lt;p&gt;March 68.  In regard to impeachment of President.
&lt;/p&gt;
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                <text>Lyman Trumbull writes to Governor A.H. Holly regarding the impeachment of President Andrew Johnson (which Trumbull opposed). Trumbull vows that each senator will act impartially.</text>
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                <text>&lt;p&gt;United States Senate Chamber.
&lt;/p&gt;&lt;p&gt;Washington. Mar. 7- 1868
&lt;/p&gt;&lt;p&gt;Gov. A. H. Holly,  
&lt;/p&gt;&lt;p&gt;My Dear Sir,  
&lt;/p&gt;&lt;p&gt;Yours in regard to impeachment was duly recd – The question is now upon us &amp;amp; cannot be avoided; 2 Senators are sworn to do impartial justice according to the constitution and laws. That each Senator will act impartially, &amp;amp; have the moral courage to render an unbiased judgment, the people have a right to expect and justice demands.  
&lt;/p&gt;&lt;p&gt;Yours very truly
&lt;/p&gt;&lt;p&gt;Lyman Trumbull
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Lyman Trumbull 
&lt;/p&gt;&lt;p&gt;March 68.  In regard to impeachment of President.
&lt;/p&gt;
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                    <text>&lt;p&gt;Inscribed to
SORROWING HEARTS AT HOME.
&lt;/p&gt;&lt;p&gt;"Weeping, Sad and lonely"
or
"WHEN THIS CRUEL WAR IS OVER."
&lt;/p&gt;&lt;p&gt;Song, with Chorus,
&lt;/p&gt;&lt;p&gt;"Weeping, sad and lonely,
Hopes and fears, how vain,
When this cruel war is over,
Praying that we meet again."
&lt;/p&gt;&lt;p&gt;WORDS BY
CHAS. CARROLL SAWYER
&lt;/p&gt;&lt;p&gt;Music Composed and Arranged by
HENRY TUCKER.
&lt;/p&gt;&lt;p&gt;Stackpole, SC            BROOKLYN               Pr. 25 {cent] nett.
&lt;/p&gt;&lt;p&gt;Published by SAWYER &amp;amp; THOMPSON, 59 Fulton Ave.
&lt;/p&gt;&lt;p&gt;New York.                  Phila.                         Cleaveland O.
S. T. GORDON.           LEE &amp;amp; WALKER.           S. BRAINARD &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress [illegible] by Henry Tucker in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"WEEPING, SAD AND LONELY."
or
'WHEN THIS CRUEL WAR IS OVER."
&lt;/p&gt;&lt;p&gt;Words by CHAS. C. SAWYER.                              Music by HENRY TUCKER.
&lt;/p&gt;&lt;p&gt;Moderato e cantabile.
&lt;/p&gt;&lt;p&gt;Dear-est love, do you re-mem-ber When we last did meet,
How you told me that your loved me, Kneel-ing at my feet?
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;Oh! how proud you stood be-fore me, In your suit of blue,
When you vow'd to me and country, Ev-er to be true.
&lt;/p&gt;&lt;p&gt;CHORUS.
2d time pp
Air.
Weeping, sad and lone-ly, Hopes and fears, how vain.
Alto.
Weeping, sad and lone-ly, Hopes and fears, how vain.Yet praying
Tenor
Weeping, sad and lone-ly, Hopes and fears, how vain. Yet praying
Bass
2nd time pp
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;When this cruel war is ov-er, Praying! that we meet a-gain.
When this cruel war is ov-er, Praying! that we meet a-gain.
When this cruel war is ov-er, Praying! that we meet a-gain.
&lt;/p&gt;&lt;p&gt;2.
&lt;/p&gt;&lt;p&gt;When the summer breeze is sighing,
Mournfully, along!
Or when autumn leaves are falling,
Sadly breathes the song.
Oft in dreams I see thee lying
On the battle plain,
Lonely, wounded, even dying;
Calling, but in vain.
CHORUS.  Weeping, sad &amp;amp;-c.
&lt;/p&gt;&lt;p&gt;3.
If amid the din of battle, 
Nobly you should fall,
Far away from those who love you,
None to hear you call.
Who would whisper words of comfort,
Who would soothe your pain?
Ah! the many cruel fancies
Ever in my brain.
CHORUS.  Weeping, sad, &amp;amp;-c.
&lt;/p&gt;&lt;p&gt;4.
But our country called you, darling,
Angels cheer your way.
While our nation's sons are fighting,
We can only pray.
Nobly strike for God and liberty,
Let all nations see
How we love our starry banner,
Emblem of the free.
CHORUS.  Weeping, sad, &amp;amp;-c.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Or "When this Cruel War is Over," a patriotic Union song about a sweetheart fighting in the war.</text>
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                <text>Brooklyn</text>
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                <text>1863</text>
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                <text>&lt;p&gt;Inscribed to SORROWING HEARTS AT HOME.&lt;/p&gt;&#13;
&lt;p&gt;"Weeping, Sad and lonely" or "WHEN THIS CRUEL WAR IS OVER."&lt;/p&gt;&#13;
&lt;p&gt;Song, with Chorus,&lt;/p&gt;&#13;
&lt;p&gt;"Weeping, sad and lonely, Hopes and fears, how vain, When this cruel war is over, Praying that we meet again."&lt;/p&gt;&#13;
&lt;p&gt;WORDS BY CHAS. CARROLL SAWYER&lt;/p&gt;&#13;
&lt;p&gt;Music Composed and Arranged by HENRY TUCKER.&lt;/p&gt;&#13;
&lt;p&gt;Stackpole, SC BROOKLYN Pr. 25 {cent] nett.&lt;/p&gt;&#13;
&lt;p&gt;Published by SAWYER &amp;amp; THOMPSON, 59 Fulton Ave.&lt;/p&gt;&#13;
&lt;p&gt;New York. Phila. Cleaveland O. S. T. GORDON. LEE &amp;amp; WALKER. S. BRAINARD &amp;amp; Co.&lt;/p&gt;&#13;
&lt;p&gt;Entered according to Act of Congress [illegible] by Henry Tucker in the Clerk's Office of the District Court of the Southern District of New York.&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;"WEEPING, SAD AND LONELY." or 'WHEN THIS CRUEL WAR IS OVER."&lt;/p&gt;&#13;
&lt;p&gt;Words by CHAS. C. SAWYER. Music by HENRY TUCKER.&lt;/p&gt;&#13;
&lt;p&gt;Moderato e cantabile.&lt;/p&gt;&#13;
&lt;p&gt;Dear-est love, do you re-mem-ber When we last did meet, How you told me that your loved me, Kneel-ing at my feet?&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;4&lt;/p&gt;&#13;
&lt;p&gt;Oh! how proud you stood be-fore me, In your suit of blue, When you vow'd to me and country, Ev-er to be true.&lt;/p&gt;&#13;
&lt;p&gt;CHORUS. 2d time pp Air. Weeping, sad and lone-ly, Hopes and fears, how vain. Alto. Weeping, sad and lone-ly, Hopes and fears, how vain.Yet praying Tenor Weeping, sad and lone-ly, Hopes and fears, how vain. Yet praying Bass 2nd time pp&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;5&lt;/p&gt;&#13;
&lt;p&gt;When this cruel war is ov-er, Praying! that we meet a-gain. When this cruel war is ov-er, Praying! that we meet a-gain. When this cruel war is ov-er, Praying! that we meet a-gain.&lt;/p&gt;&#13;
&lt;p&gt;2.&lt;/p&gt;&#13;
&lt;p&gt;When the summer breeze is sighing, Mournfully, along! Or when autumn leaves are falling, Sadly breathes the song. Oft in dreams I see thee lying On the battle plain, Lonely, wounded, even dying; Calling, but in vain. CHORUS. Weeping, sad &amp;amp;-c.&lt;/p&gt;&#13;
&lt;p&gt;3. If amid the din of battle, Nobly you should fall, Far away from those who love you, None to hear you call. Who would whisper words of comfort, Who would soothe your pain? Ah! the many cruel fancies Ever in my brain. CHORUS. Weeping, sad, &amp;amp;-c.&lt;/p&gt;&#13;
&lt;p&gt;4. But our country called you, darling, Angels cheer your way. While our nation's sons are fighting, We can only pray. Nobly strike for God and liberty, Let all nations see How we love our starry banner, Emblem of the free. CHORUS. Weeping, sad, &amp;amp;-c.&lt;/p&gt;</text>
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                  <text>The Adin Baber Collection includes photographs of the Adin and Mary Ellen Hanks Baber family. Adin Baber (1834-1902) married Mary Ellen Hanks, the paternal grand-niece of Abraham Lincoln's mother, Nancy Hanks. Adin and Mary Ellen Hanks had four children: Ora, Caroline, Dexter, and Margaret. Dexter had two children: Adin and Tedford. Adin Baber (1892-1974) wrote several books on Nancy Hanks and the Hanks family geneaology.&lt;br /&gt;&lt;br /&gt;The finding aid for the Adin Baber (Hanks Genealogical Collection) at the Abraham Lincoln Presidential Library and Museum may be found at&amp;nbsp;&lt;a title="Adin Baber (Hanks Genealogical Collection)" href="https://illinois.as.atlas-sys.com/repositories/2/resources/19" target="_blank" rel="noopener"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/19&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The finding aid for the Adin and Dexter Baber Papers (1840-1949) at the Abraham Lincoln Presidential Library and Museum may be found at&amp;nbsp;&lt;a title="Adin and Dexter Baber Papers (1840-1949)" href="https://illinois.as.atlas-sys.com/repositories/2/resources/171" target="_blank" rel="noopener"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/171&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include family portraits of several generations of the Baber Family. The resource record for the photographic material may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/3/resources/4692" title="Adin Baber Collection"&gt;https://illinois.as.atlas-sys.com/repositories/3/resources/4692&lt;/a&gt;</text>
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Audiovisual: AV-01-05-Baber</text>
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                    <text>&lt;p&gt;Head Quarters 19th Regiment Ills vols, Elizabethtown Ky November 1 1861
&lt;/p&gt;&lt;p&gt;Sir
&lt;/p&gt;&lt;p&gt;At the request of the Citizens of this place I enclose you papers regarding Negro "Isaac" charged &amp;amp; guilty of of an Atrocious Murder  He was arrested by my Picket while Attempting to pass, and held untill the next morning when charges were preferred against him and I delivered him to the Civil Authorities.  I refused to allow the citizens to take him from Jail and at their request refer the matter to you.  I have placed a company in town to keep order and prevent any misconduct on part of my soldiers  The citizens wish me to withdraw that Company untill they can take the Negro from Jail.  I await your orders
&lt;/p&gt;&lt;p&gt;Respy, Your Obt servt, T. B. Turchin Col Comdg
&lt;/p&gt;&lt;p&gt;To Genl WT Sherman, Comdg Cumberland, Louisville Ky
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Elizabethtown Ky, Nov 1, 1861
&lt;/p&gt;&lt;p&gt;Col Turchin To Genl Sherman
&lt;/p&gt;&lt;p&gt;In regard to case of negro man imprisoned by him for murder
&lt;/p&gt;
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                <text>Colonel J.B. Turchin seeks the advice of General W.T. Sherman regarding a negro charged with murder who the local citizens of Elizabethtown, Kentucky, wish to remove from jail and, presumably, lynch.</text>
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                <text>&lt;p&gt;Head Quarters 19th Regiment Ills vols, Elizabethtown Ky November 1 1861
&lt;/p&gt;&lt;p&gt;Sir
&lt;/p&gt;&lt;p&gt;At the request of the Citizens of this place I enclose you papers regarding Negro "Isaac" charged &amp;amp; guilty of of an Atrocious Murder  He was arrested by my Picket while Attempting to pass, and held untill the next morning when charges were preferred against him and I delivered him to the Civil Authorities.  I refused to allow the citizens to take him from Jail and at their request refer the matter to you.  I have placed a company in town to keep order and prevent any misconduct on part of my soldiers  The citizens wish me to withdraw that Company untill they can take the Negro from Jail.  I await your orders
&lt;/p&gt;&lt;p&gt;Respy, Your Obt servt, T. B. Turchin Col Comdg
&lt;/p&gt;&lt;p&gt;To Genl WT Sherman, Comdg Cumberland, Louisville Ky
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Elizabethtown Ky, Nov 1, 1861
&lt;/p&gt;&lt;p&gt;Col Turchin To Genl Sherman
&lt;/p&gt;&lt;p&gt;In regard to case of negro man imprisoned by him for murder
&lt;/p&gt;
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              <text>pen and ink</text>
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            <name>Identifier</name>
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                <text>Nadine Turchin Diary</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>American Civil War (1861-1865)</text>
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                <text>Turchin, John B. (John Basil), 1822-1901</text>
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                <text>Diaries</text>
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                <text>Nadine Turchin was a Russian immigrant and the wife of Civil War General John Basil Turchin. The Turchins came to the United States in 1856 and would eventually settle in Mattoon, Illinois. Nadine traveled with her husband during his Civil War service with the XV Corps. Her year-long diary describes her observations and experiences during this time, including the battles at Chickamauga, Georgia and Chattanooga, Tennessee. After the war, the Turchins lived in Radom, Illinois.</text>
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                <text>Turchin, Nadine</text>
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                <text>1863-1864</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20000</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
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            <description>Manages transcriptions of items and files</description>
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              <element elementId="138">
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                    <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="171624">
              <text>4</text>
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              <text>34 cm</text>
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            <name>Identifier</name>
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                <text>301090</text>
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                <text>A Nation Weeps</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A "Dirge on the death of Abraham Lincoln." Also known as "The Death of President Lincoln."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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              <elementText elementTextId="171617">
                <text>Turner, J. (Joseph) W.</text>
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                <text>Sheet music</text>
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                <text>Funeral music</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="171620">
                <text>Turner, J. (Joseph) W.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>1865</text>
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                <text>&lt;p&gt;A NATION WEEPS
&lt;/p&gt;&lt;p&gt;DIRGE
&lt;/p&gt;&lt;p&gt;on the death of
&lt;/p&gt;&lt;p&gt;Abraham Lincoln,
&lt;/p&gt;&lt;p&gt;by
&lt;/p&gt;&lt;p&gt;J.W. TURNER
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn
&lt;/p&gt;&lt;p&gt;J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago
&lt;/p&gt;&lt;p&gt;Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;J.C. Maynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil.
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;[intelligible]
&lt;/p&gt;&lt;p&gt;A NATION WEEPS:
&lt;/p&gt;&lt;p&gt;or
&lt;/p&gt;&lt;p&gt;The Death of President Lincoln.
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner
&lt;/p&gt;&lt;p&gt;1. Mournful! O, tearful! Columbia today!
&lt;/p&gt;&lt;p&gt;Sorrow and sadness obscuring the way,
&lt;/p&gt;&lt;p&gt;Millions of Freemen all tremulous tell  The
&lt;/p&gt;&lt;p&gt;tidings that have our loved country befel.
&lt;/p&gt;&lt;p&gt;2. Thus has a patriot, the good and the great,  The
&lt;/p&gt;&lt;p&gt;head of the nation our dear Magistrate&amp;#160;:
&lt;/p&gt;&lt;p&gt;Struck down in life by a murderous hand,  The
&lt;/p&gt;&lt;p&gt;true martyrd Chief of our great Union band.
&lt;/p&gt;&lt;p&gt;3. Weep&amp;#160;: O, Columbia; your tears long will lave  The
&lt;/p&gt;&lt;p&gt;grave of the fallen, the "honest" and brave.  His
&lt;/p&gt;&lt;p&gt;mem'ry will live 'till time is no more, And
&lt;/p&gt;&lt;p&gt;nations of earth his loss will deplore.
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today; The
&lt;/p&gt;&lt;p&gt;Mournful!  O, tearful!  Columbia today;  The
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;&lt;p&gt;Chief of our nation has faded away.
&lt;/p&gt;
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                    <text>&lt;p&gt;Abraham's Draft
&lt;/p&gt;&lt;p&gt;600.000 MORE
&lt;/p&gt;&lt;p&gt;Song AND Chorus,
&lt;/p&gt;&lt;p&gt;Written &amp;amp; arranged by 
&lt;/p&gt;&lt;p&gt;J. W. TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;J. Church Jr. Cin.      Firth Pond &amp;amp; Co. N. York.        J. e. Gould. Philada. 
&lt;/p&gt;&lt;p&gt;J.C. Haynes &amp;amp; Co.  C. C. Clapp &amp;amp; Co.  Boston.
&lt;/p&gt;&lt;p&gt;Entered according to  act of Congress AD 1862 by O. Ditson &amp;amp; Company in the Clerks Office of the District of Washington.
&lt;/p&gt;&lt;p&gt;ABRAHM'S DRAFT.
&lt;/p&gt;&lt;p&gt;Written and Arranged by J. W. Turner
&lt;/p&gt;&lt;p&gt;Con Animato.
&lt;/p&gt;&lt;p&gt;1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall!  Then surely boys you'll onward march  To meet the re - bel band-  Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;2. Come forth ye brave and gallant men! And ne-ver backward be!  Fill up the ranks, and meet the foes  Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band-  Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Abraham's Draft</text>
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                <text>After June 1862, in respose to the failure of the Union campaign to take Richmond, President Lincoln called on the states to provide a total of 600,000 volunteers to fill the Union ranks. &lt;br /&gt;&lt;br /&gt;The song calls on the people of the North to fulfill Lincoln's call for volunteers.</text>
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            <name>Subject</name>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Tuner, J.W.</text>
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                <text>Sheet music</text>
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                <text>War song</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Turner, J. W. (Joseph W.</text>
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                <text>Oliver Ditson</text>
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                <text>Boston</text>
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                <text>1862</text>
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                <text>&lt;p&gt;Abraham's Draft
&lt;/p&gt;&lt;p&gt;600.000 MORE
&lt;/p&gt;&lt;p&gt;Song AND Chorus,
&lt;/p&gt;&lt;p&gt;Written &amp;amp; arranged by 
&lt;/p&gt;&lt;p&gt;J. W. TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;Boston.
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;J. Church Jr. Cin.      Firth Pond &amp;amp; Co. N. York.        J. e. Gould. Philada. 
&lt;/p&gt;&lt;p&gt;J.C. Haynes &amp;amp; Co.  C. C. Clapp &amp;amp; Co.  Boston.
&lt;/p&gt;&lt;p&gt;Entered according to  act of Congress AD 1862 by O. Ditson &amp;amp; Company in the Clerks Office of the District of Washington.
&lt;/p&gt;&lt;p&gt;ABRAHM'S DRAFT.
&lt;/p&gt;&lt;p&gt;Written and Arranged by J. W. Turner
&lt;/p&gt;&lt;p&gt;Con Animato.
&lt;/p&gt;&lt;p&gt;1. Six Hundred Thousand is the cry, Come ral - ly to the call; For Abra'am says he must have them, Or else the Union'll fall!  Then surely boys you'll onward march  To meet the re - bel band-  Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;Chorus.
&lt;/p&gt;&lt;p&gt;Six Hundred Thousand is the cry Throughout our na - tive land, Six Hundred Thousand is the cry Throughout our na - tive land.
&lt;/p&gt;&lt;p&gt;2. Come forth ye brave and gallant men! And ne-ver backward be!  Fill up the ranks, and meet the foes  Of Peace and Lib - er - ty. Then sure-ly boys you'll onward march To meet thr re - bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;3. Come from the work-shop and the plough, Co-lum-bia's no-ble sons! And buc-kle on your ar-mour boys, And bring a-long your guns. Then sure-ly boys you'll onward march To meet the re-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;4. Then down to Dix-ie we will march To strike the fi-nal blow! And there with firm and stea-dy aim We'll lay the traitors low. Then sure-ly boys you'll onward march To meet the re=-bel band- Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;&lt;p&gt;5. We'll swear to plant our glo-rious flag On Richmond's soil a-gain! Or ev-ery one a-mong our ranks Shall num-ber with the slain! Then sure-ly boys you'll onward march To meet the re-bel band-  Six Hundred Thousand is the cry Throughout our native land.
&lt;/p&gt;
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                    <text>&lt;p&gt;"Live but one moment."
&lt;/p&gt;&lt;p&gt;"Live? exclaimed the wife or our lamented President as she stood bending o'er his dying form.  Live but for one moment, to speak to me once more, to speak to our children."
&lt;/p&gt;&lt;p&gt;BALLAD
&lt;/p&gt;&lt;p&gt;Poetry &amp;amp; Musc by
&lt;/p&gt;&lt;p&gt;J.W TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Publlished by HENRY TOLMAN &amp;amp; CO. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, N. York.  H.l. Story_Burlington Vt  Root &amp;amp; Gady.  Chicago
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;&lt;p&gt;H. F. Greene. Eng.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26545
&lt;/p&gt;&lt;p&gt;"LIVE BUT ONE MOMENT!"
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner.
&lt;/p&gt;&lt;p&gt;Con agitazione.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;1."Live but one moment!"  Speak but once more!
&lt;/p&gt;&lt;p&gt;Speak to the child_dren, One word I im_plore!  O
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe but one acc_cent  To cheer this sad heart
&lt;/p&gt;&lt;p&gt;"Live but one mo_ _ _ment"  E'er we must part!
&lt;/p&gt;&lt;p&gt;"Live but one moment"  E'er we must part!
&lt;/p&gt;&lt;p&gt;2."Live but one moment!"  Dear _ _ est and best,
&lt;/p&gt;&lt;p&gt;Ten _ _ _ der compan _ ion  In sad _ _ _  ness oppressed!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Let me but hear again  That voice so................dear.
&lt;/p&gt;&lt;p&gt;"Live but one moment"  This heart to cheer!
&lt;/p&gt;&lt;p&gt;3.  "Live but one moment!"  O.  'twas too late!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Death _ _ like and si _ _ lent  The lips of the great.  A
&lt;/p&gt;&lt;p&gt;fond wife stood weeping  In an _ _ _ guise and pain.  For
&lt;/p&gt;&lt;p&gt;one love _ ing ac _ _ _  cent to bless for a _ gain!  For
&lt;/p&gt;&lt;p&gt;One lov _ ing accent  to bless her a _ gain!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>Live But One moment</text>
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                <text>&lt;p&gt;"Live but one moment."
&lt;/p&gt;&lt;p&gt;"Live? exclaimed the wife or our lamented President as she stood bending o'er his dying form.  Live but for one moment, to speak to me once more, to speak to our children."
&lt;/p&gt;&lt;p&gt;BALLAD
&lt;/p&gt;&lt;p&gt;Poetry &amp;amp; Musc by
&lt;/p&gt;&lt;p&gt;J.W TURNER.
&lt;/p&gt;&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;BOSTON
&lt;/p&gt;&lt;p&gt;Publlished by HENRY TOLMAN &amp;amp; CO. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Wm. Hall &amp;amp; Son, N. York.  H.l. Story_Burlington Vt  Root &amp;amp; Gady.  Chicago
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;&lt;p&gt;H. F. Greene. Eng.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26545
&lt;/p&gt;&lt;p&gt;"LIVE BUT ONE MOMENT!"
&lt;/p&gt;&lt;p&gt;Words and Music by J. W. Turner.
&lt;/p&gt;&lt;p&gt;Con agitazione.
&lt;/p&gt;&lt;p&gt;Piano
&lt;/p&gt;&lt;p&gt;1."Live but one moment!"  Speak but once more!
&lt;/p&gt;&lt;p&gt;Speak to the child_dren, One word I im_plore!  O
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe but one acc_cent  To cheer this sad heart
&lt;/p&gt;&lt;p&gt;"Live but one mo_ _ _ment"  E'er we must part!
&lt;/p&gt;&lt;p&gt;"Live but one moment"  E'er we must part!
&lt;/p&gt;&lt;p&gt;2."Live but one moment!"  Dear _ _ est and best,
&lt;/p&gt;&lt;p&gt;Ten _ _ _ der compan _ ion  In sad _ _ _  ness oppressed!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Let me but hear again  That voice so................dear.
&lt;/p&gt;&lt;p&gt;"Live but one moment"  This heart to cheer!
&lt;/p&gt;&lt;p&gt;3.  "Live but one moment!"  O.  'twas too late!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Death _ _ like and si _ _ lent  The lips of the great.  A
&lt;/p&gt;&lt;p&gt;fond wife stood weeping  In an _ _ _ guise and pain.  For
&lt;/p&gt;&lt;p&gt;one love _ ing ac _ _ _  cent to bless for a _ gain!  For
&lt;/p&gt;&lt;p&gt;One lov _ ing accent  to bless her a _ gain!
&lt;/p&gt;
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                    <text>&lt;p&gt;LITTLE TAD
&lt;/p&gt;&lt;p&gt;BALLAD WORDS &amp;amp; MUSIC BY J. W. TURNER.
&lt;/p&gt;&lt;p&gt;"TAD" the pet name of President Lincoln's youngest son__He was a great favorite with his father, as may be inferred from the fact that Mrs. Lincoln while at the bedside of her dying husband, exclaimed 'O! bring our "TAD" here! for he loves "TAD" so well that I know he will speak to him!'
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York. W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston J.C. Haynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil. C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LITTLE TAD.
&lt;/p&gt;&lt;p&gt;Words and Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Andante affettuoso.
&lt;/p&gt;&lt;p&gt;1. God bless the little orphan boy! A father's darling pride, May heaven guard his youth form, And be his hope and guide; May
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;that pure love and honest worth Which filld his parents' heart, Be his inheritance in life The good and gen'rous part.
&lt;/p&gt;&lt;p&gt;2. Bereft of a fond father's love, And his paternal care; With
&lt;/p&gt;&lt;p&gt;3. But yet there's left a mother's love To watch his youthful years, For
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;out his sacred teachings, or His warm devoted prayer. O,
&lt;/p&gt;&lt;p&gt;them a nation's sympathy, For them a nation's tears, Columbia
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
earth must seem so dreary now To that dear orphan child How
&lt;/p&gt;&lt;p&gt;never can forget The kindred of her Friend, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
he will miss the loving one, That so oft on him smiled.
&lt;/p&gt;&lt;p&gt;for the little orphan boy E'er will her love extend.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Ballad. "Tad the pet name of President Lincoln's youngest son __He was a great favorite with his father, as may be inferred from the fact that Mrs. Lincoln while at the bedside of her dying husband, exclaimed, 'O bring our 'TAD' here for he loves 'TAD' so well that I know he will speak to him!"&lt;br /&gt;&lt;br /&gt;Thomas "Tad" Lincoln was the fourth and youngest son of Abraham and Mary Lincoln. Following his brother Willie's death in 1862, Tad became especailly close to his parents. Tad died at age 18 on July 15, 1871. He is buried with his parents and brothers Eddie and Willie at Oak Ridge Cemetery in Springfield, Illinois.</text>
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                <text>&lt;p&gt;LITTLE TAD
&lt;/p&gt;&lt;p&gt;BALLAD WORDS &amp;amp; MUSIC BY J. W. TURNER.
&lt;/p&gt;&lt;p&gt;"TAD" the pet name of President Lincoln's youngest son__He was a great favorite with his father, as may be inferred from the fact that Mrs. Lincoln while at the bedside of her dying husband, exclaimed 'O! bring our "TAD" here! for he loves "TAD" so well that I know he will speak to him!'
&lt;/p&gt;&lt;p&gt;Boston. Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.
&lt;/p&gt;&lt;p&gt;N. York. W.A. Pond &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Chicago Lyon &amp;amp; Healy
&lt;/p&gt;&lt;p&gt;Boston J.C. Haynes &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Phil. C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by O. Ditson &amp;amp; Co. in the Clerk's Office of the Dist Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;LITTLE TAD.
&lt;/p&gt;&lt;p&gt;Words and Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Andante affettuoso.
&lt;/p&gt;&lt;p&gt;1. God bless the little orphan boy! A father's darling pride, May heaven guard his youth form, And be his hope and guide; May
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;that pure love and honest worth Which filld his parents' heart, Be his inheritance in life The good and gen'rous part.
&lt;/p&gt;&lt;p&gt;2. Bereft of a fond father's love, And his paternal care; With
&lt;/p&gt;&lt;p&gt;3. But yet there's left a mother's love To watch his youthful years, For
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;out his sacred teachings, or His warm devoted prayer. O,
&lt;/p&gt;&lt;p&gt;them a nation's sympathy, For them a nation's tears, Columbia
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
earth must seem so dreary now To that dear orphan child How
&lt;/p&gt;&lt;p&gt;never can forget The kindred of her Friend, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
he will miss the loving one, That so oft on him smiled.
&lt;/p&gt;&lt;p&gt;for the little orphan boy E'er will her love extend.
&lt;/p&gt;
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                    <text>&lt;p&gt;The Assassin's Vision Ballad Words &amp;amp; music by J.W. TURNER. 
&lt;/p&gt;&lt;p&gt;(NOTE.) This Ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees &amp;amp; around him.
&lt;/p&gt;&lt;p&gt;BOSTON Published by Henry Tolman &amp;amp; Co. 291 Washington St.   3
&lt;/p&gt;&lt;p&gt;N. York. W.A. Pond &amp;amp; Co.  Chicago. Root &amp;amp; Cady.    Prov. R.I. E.W. Billings.   Burlington VT. H.L. Story
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman Co. in the Clerk's Office of the Dist Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"THE ASSASSIN'S VISION."
&lt;/p&gt;&lt;p&gt;Words and Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Andante con moto. PIANO.
&lt;/p&gt;&lt;p&gt;The Assassin rode on his fiery steed, His murd'rous work was done--In the dark some night with fleeting speed, Through
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;woods his courser run! As he hurried away from the scene of death, On his brow were looks of despair; Before him! around him! The evenings breath Told him God's vengeance was there!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2nd verse.
&lt;/p&gt;&lt;p&gt;The pale moon beamed as onward he fled, The stars looked down from on high, The hills and valleys were crimson red As blood to the murd'rer's
eye! He shuddered! he trembled! And oft looked around, And dreary seemed each passing breeze, And lo! the assassin at ev'ry bound Saw a vision appear in the trees.
&lt;/p&gt;&lt;p&gt;3d verse.
&lt;/p&gt;&lt;p&gt;Heaven had witnessed! he could not escape! The assassin's fate was sealed--"Vengeance is mine!" saith God in his might, As the vision that night revealed. The assassin rode on with trembling and fear, And mournfully murmur'd the breeze; Before him! around him! all vivid and drear, The vision appeared in the trees.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>The Assassin's Vision</text>
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                <text>Ballad depicting John Wilkes Booth being haunted by visions of Lincoln. On Cover: "( Note) This ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees &amp;amp; around him."</text>
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                <text>Booth, John Wilkes, 1838-1865</text>
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                <text>Turner, J.W. (Josepeh W.)</text>
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                <text>Henry Tolman &amp;amp; Company</text>
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                <text>Boston</text>
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                <text>&lt;p&gt;The Assassin's Vision Ballad Words &amp;amp; music by J.W. TURNER. 
&lt;/p&gt;&lt;p&gt;(NOTE.) This Ballad was suggested on seeing the representation of the assassin BOOTH wildly fleeing through the forest on his horse, startled by the apparition of his victim appearing in the trees &amp;amp; around him.
&lt;/p&gt;&lt;p&gt;BOSTON Published by Henry Tolman &amp;amp; Co. 291 Washington St.   3
&lt;/p&gt;&lt;p&gt;N. York. W.A. Pond &amp;amp; Co.  Chicago. Root &amp;amp; Cady.    Prov. R.I. E.W. Billings.   Burlington VT. H.L. Story
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1865 by H. Tolman Co. in the Clerk's Office of the Dist Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;"THE ASSASSIN'S VISION."
&lt;/p&gt;&lt;p&gt;Words and Music by J.W. Turner.
&lt;/p&gt;&lt;p&gt;Andante con moto. PIANO.
&lt;/p&gt;&lt;p&gt;The Assassin rode on his fiery steed, His murd'rous work was done--In the dark some night with fleeting speed, Through
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;woods his courser run! As he hurried away from the scene of death, On his brow were looks of despair; Before him! around him! The evenings breath Told him God's vengeance was there!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;2nd verse.
&lt;/p&gt;&lt;p&gt;The pale moon beamed as onward he fled, The stars looked down from on high, The hills and valleys were crimson red As blood to the murd'rer's
eye! He shuddered! he trembled! And oft looked around, And dreary seemed each passing breeze, And lo! the assassin at ev'ry bound Saw a vision appear in the trees.
&lt;/p&gt;&lt;p&gt;3d verse.
&lt;/p&gt;&lt;p&gt;Heaven had witnessed! he could not escape! The assassin's fate was sealed--"Vengeance is mine!" saith God in his might, As the vision that night revealed. The assassin rode on with trembling and fear, And mournfully murmur'd the breeze; Before him! around him! all vivid and drear, The vision appeared in the trees.
&lt;/p&gt;
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                  <text>David Felts Collection</text>
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                  <text>Felts, David V. (David Virgil), 1900-1984</text>
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                  <text>David Virgil Felts, a Decatur, Illinois, journalist, was born on January 31, 1900, in Marion, Illinois. Following high school graduation, Felts entered the University of Illinois at Champaign. In college Felts became the &amp;ldquo;Campus Scout,&amp;rdquo; the author of a humorous column about college happenings. This position at the university was also held by Gene Shalit, Allen Sherman, and others who later pursed careers in broadcasting and journalism. &lt;br /&gt;&lt;br /&gt;After receiving an A.B. from the University of Illinois in 1923, Felts became a reporter for the Louisville (Kentucky) Courier Journal. From 1923 until 1926, he worked as a sports editor for the Illinois State Register in Springfield, Illinois, and then served briefly as a United Press reporter. Following a year of post-graduate study at Harvard University, Felts returned to Springfield in 1928 and became an editorial writer and columnist. &lt;br /&gt;&lt;br /&gt;In December 1935, Felts joined the Lindsay-Schaub chain of newspapers as an editorial writer and moved to Decatur, Illinois. He became editorial page editor for the Decatur Herald and Review in 1958 and two years later, he was editorial page editor for the entire Lindsay-Schaub chain. Felts also wrote his own column, called &amp;ldquo;Second Thoughts.&amp;rdquo; The column contained folksy reminiscences about past events and observations on current affairs. &lt;br /&gt;&lt;br /&gt;Felts officially retired in 1967, but he continued to write his column three times a week for the Lindsay-Schaub newspapers. The column ran until Felts&amp;rsquo; real retirement at the age of seventy-five. In 1975, Felts moved to Ft. Pierce, Florida, with his wife. Felts died in March of 1985. &lt;br /&gt;&lt;br /&gt;Felts, who was interested in local and state history, was a long time member of the Illinois State Historical Society. He served as Society director from 1980 to 1983 and was elected vice-president in 1983. In July 1958, Felts was appointed by Governor William G. Stratton to the Illinois Lincoln Sesquicentennial Commission. Felts was also active in the Friends of the Decatur Public Library, serving as a trustee for the Library from 1951 to 1960 and as president of the board of directors from 1953 until 1955.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The finding aid for the David V. Felts Papers, 1908-1978 at the Abraham Lincoln Presidential Library and Museum may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/215.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include several images of David Felts at his desk and with newspaper colleagues, group photos of Decatur civic organizations Felts was a member of, and aerial photographs of Springfield, Illinois.</text>
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              <text>21 x 26 cm</text>
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                <text>David V. Felts reads &lt;em&gt;The Des Moines Register&lt;/em&gt; at his desk during his time as editorial page editor for all publications of Lindsay-Schaub Newspapers.</text>
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                <text>Felts, David V. (David Virgil), 1900-1985</text>
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                <text>Newspapers</text>
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            <name>Creator</name>
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              <elementText elementTextId="355872">
                <text>Turner, Roger</text>
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            <name>Date</name>
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                <text>1960-XX-XX</text>
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            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
            <elementTextContainer>
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                    <text>&lt;p&gt;Good Night, but Not Good Bye. R. W. Blake, General Manager of the Sterling Company. MANUFACTURING Sterling Pianos and Organs. Derby, Conn, U.S.A.
&lt;/p&gt;&lt;p&gt;Copyrighted and Published by THE STERLING CO.  Tindale, Brown &amp;amp; Co., Jacksonville, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Sterling Piano.
&lt;/p&gt;&lt;p&gt;The Sterling Co.: Birmingham, Conn. Gents:--I am the possessor of one of your Style G Pianos, which I am happy to say is in every sense an excellent instrument. My professional duties call me in direct contact with all classes of makes and makers, and it is gratifying to find there is combined in  the Sterling Piano all the qualities requisite to produce that which, in an artistic sense, can be truly termed an excellent instrument.  The action is regulated to a nicety, the tone is rich, pure and refined in quality.  Your piano can justly claim a prominent place in the ranks of the first-class pianos of our country.  Yours respectfully, Prof. E. L. Sanford.
&lt;/p&gt;&lt;p&gt;Rutland, Vt., November 17, 1888. Gentlemen: -- After an experience of thirteen years as a practical tuner of pianos, a portion of which time I have tuned a number of Sterling instruments, I take great pleasure in stating that for standing in tune, quality of tone, thoroughness of construction, together with other desirable qualities, the Sterling has no superior. Very respectfully yours, W. J. Danforth.
&lt;/p&gt;&lt;p&gt;"Mr. Wood T. Ogden. Middletown, one of the largest dealers in New York State, in a recent letter writes.--"These pianos fully meet the wants of my trade, and will be the leading instruments of this country."
&lt;/p&gt;&lt;p&gt;Mr. John M. Schuler, formerly manufacturer of pianos, but now one of the leading dealers of Buffalo, N.Y., says: "I am surprised at the perfection obtained in your instruments, and desire every protection for the sale of the Sterling pianos in this section."
&lt;/p&gt;&lt;p&gt;Leavenworth, Kan., Jan. 7, 1889. The Sterling Co., Derby, Con.:-- Gentlemen: We have handled the Sterling Piano for some time and consider it the best medium-priced piano in the market, and in every way a very desirable and satisfactory instrument.  Very truly, Carl Hoffman.
&lt;/p&gt;&lt;p&gt;The Sterling Piano! Mr. Adam Leininger, one of the first and best known musicians of our town, says: -- "I am in love with the tone of your Pianos, and the marked improvements you have made, and cheerfully recommend them to all wanting a superior instrument."
&lt;/p&gt;&lt;p&gt;The New York World in commenting upon the piano exhibits at the late American Institute Fair in this city, was full of praise for the Sterling Pianos, and stated that "the company has exhausted art in the magnificent finish put upon these instruments." Mr. George W. Morgan, the eminent musician, who was chairman of the committee of awards at this fair, awarded the first prize over all competition to the Sterling piano.
&lt;/p&gt;&lt;p&gt;Birmingham, Conn., November 30, 1889. The Sterling Co.: Gents: -- I had the pleasure this evening of playing for the first time on a Sterling Grand.  While I have played on numbers of well-known manufacturers of Grands, I have never yet seen a piano possessing all the attributes to make a really magnificent instrument as the Sterling. The scale is perfect. The tone and brilliance cannot be excelled, and I should consider myself very fortunate could I always have a Sterling Grand on all occasions.  I consider the Sterling Grand the finest piano manufactured in this country and I shall endeavor to secure one for my own use. Yours respectfully, Henriette Markstein.
&lt;/p&gt;&lt;p&gt;DERBY, CONNECTICUT, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"Good-night, but not Good-bye." Words and Music by S. TURNEY.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. The golden sun in splendor  2. The past is like a sweet day
&lt;/p&gt;&lt;p&gt;bright, Fades from the western sky, And I must say to thee Good-night, Good
&lt;/p&gt;&lt;p&gt;dream, That time can ne'er efface, The present has a hidden gleam That
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night, but not Good-bye; With fond regrets the heart grows sad, Yet
&lt;/p&gt;&lt;p&gt;love can always trace; And if when I come back again, You
&lt;/p&gt;&lt;p&gt;Copyright 1885, by Sterling Organ Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;loves to ponder long, But hope's bright star soon makes it glad, And sadness turns to
&lt;/p&gt;&lt;p&gt;'neath the turf should lie, We'll meet where ne'er is heard the strain Good-night, nor yet good-
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
song; But hope's bright star soon makes it glad, And sadness turns to song.
&lt;/p&gt;&lt;p&gt;bye; We'll meet where ne'er is heard the strain, Good-night, nor yet Good-bye.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS.
&lt;/p&gt;&lt;p&gt;Soprano. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Alto. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Tenor.  Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Bass. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;heart can only say Good-night; Good-night but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not-Good bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heart can only say Good-night, Good-night but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE WORLD RENOWNED STERLING PIANOS
&lt;/p&gt;&lt;p&gt;MANUFACTURED BY THE STERLING COMPANY, DERBY, CONN., U. S. A.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>6</text>
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                <text>Good Night, but Not Good Bye</text>
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                <text>"Manufacturing Sterling Pianos and Organs" Lyrics depict singer singing farewell while noting the parting is not permanent. Front cover depicts portrait of R. W. Blake, General Manager of the Sterling Company with a decorative border. P. 2 depicts drawing of upright piano with advertising information surrounding it. Back cover depicts drawing of grand piano.</text>
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            <name>Subject</name>
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                <text>Sheet music</text>
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                <text>Farewells</text>
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              <elementText elementTextId="414347">
                <text>Turney, S.</text>
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            <name>Contributor</name>
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                <text>The Sterling Company</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="414349">
                <text>Derby, CT</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
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              <elementText elementTextId="414350">
                <text>ca. 1885</text>
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            </elementTextContainer>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;Good Night, but Not Good Bye. R. W. Blake, General Manager of the Sterling Company. MANUFACTURING Sterling Pianos and Organs. Derby, Conn, U.S.A.
&lt;/p&gt;&lt;p&gt;Copyrighted and Published by THE STERLING CO.  Tindale, Brown &amp;amp; Co., Jacksonville, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Sterling Piano.
&lt;/p&gt;&lt;p&gt;The Sterling Co.: Birmingham, Conn. Gents:--I am the possessor of one of your Style G Pianos, which I am happy to say is in every sense an excellent instrument. My professional duties call me in direct contact with all classes of makes and makers, and it is gratifying to find there is combined in  the Sterling Piano all the qualities requisite to produce that which, in an artistic sense, can be truly termed an excellent instrument.  The action is regulated to a nicety, the tone is rich, pure and refined in quality.  Your piano can justly claim a prominent place in the ranks of the first-class pianos of our country.  Yours respectfully, Prof. E. L. Sanford.
&lt;/p&gt;&lt;p&gt;Rutland, Vt., November 17, 1888. Gentlemen: -- After an experience of thirteen years as a practical tuner of pianos, a portion of which time I have tuned a number of Sterling instruments, I take great pleasure in stating that for standing in tune, quality of tone, thoroughness of construction, together with other desirable qualities, the Sterling has no superior. Very respectfully yours, W. J. Danforth.
&lt;/p&gt;&lt;p&gt;"Mr. Wood T. Ogden. Middletown, one of the largest dealers in New York State, in a recent letter writes.--"These pianos fully meet the wants of my trade, and will be the leading instruments of this country."
&lt;/p&gt;&lt;p&gt;Mr. John M. Schuler, formerly manufacturer of pianos, but now one of the leading dealers of Buffalo, N.Y., says: "I am surprised at the perfection obtained in your instruments, and desire every protection for the sale of the Sterling pianos in this section."
&lt;/p&gt;&lt;p&gt;Leavenworth, Kan., Jan. 7, 1889. The Sterling Co., Derby, Con.:-- Gentlemen: We have handled the Sterling Piano for some time and consider it the best medium-priced piano in the market, and in every way a very desirable and satisfactory instrument.  Very truly, Carl Hoffman.
&lt;/p&gt;&lt;p&gt;The Sterling Piano! Mr. Adam Leininger, one of the first and best known musicians of our town, says: -- "I am in love with the tone of your Pianos, and the marked improvements you have made, and cheerfully recommend them to all wanting a superior instrument."
&lt;/p&gt;&lt;p&gt;The New York World in commenting upon the piano exhibits at the late American Institute Fair in this city, was full of praise for the Sterling Pianos, and stated that "the company has exhausted art in the magnificent finish put upon these instruments." Mr. George W. Morgan, the eminent musician, who was chairman of the committee of awards at this fair, awarded the first prize over all competition to the Sterling piano.
&lt;/p&gt;&lt;p&gt;Birmingham, Conn., November 30, 1889. The Sterling Co.: Gents: -- I had the pleasure this evening of playing for the first time on a Sterling Grand.  While I have played on numbers of well-known manufacturers of Grands, I have never yet seen a piano possessing all the attributes to make a really magnificent instrument as the Sterling. The scale is perfect. The tone and brilliance cannot be excelled, and I should consider myself very fortunate could I always have a Sterling Grand on all occasions.  I consider the Sterling Grand the finest piano manufactured in this country and I shall endeavor to secure one for my own use. Yours respectfully, Henriette Markstein.
&lt;/p&gt;&lt;p&gt;DERBY, CONNECTICUT, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"Good-night, but not Good-bye." Words and Music by S. TURNEY.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. The golden sun in splendor  2. The past is like a sweet day
&lt;/p&gt;&lt;p&gt;bright, Fades from the western sky, And I must say to thee Good-night, Good
&lt;/p&gt;&lt;p&gt;dream, That time can ne'er efface, The present has a hidden gleam That
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night, but not Good-bye; With fond regrets the heart grows sad, Yet
&lt;/p&gt;&lt;p&gt;love can always trace; And if when I come back again, You
&lt;/p&gt;&lt;p&gt;Copyright 1885, by Sterling Organ Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;loves to ponder long, But hope's bright star soon makes it glad, And sadness turns to
&lt;/p&gt;&lt;p&gt;'neath the turf should lie, We'll meet where ne'er is heard the strain Good-night, nor yet good-
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
song; But hope's bright star soon makes it glad, And sadness turns to song.
&lt;/p&gt;&lt;p&gt;bye; We'll meet where ne'er is heard the strain, Good-night, nor yet Good-bye.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS.
&lt;/p&gt;&lt;p&gt;Soprano. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Alto. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Tenor.  Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Bass. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;heart can only say Good-night; Good-night but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not-Good bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heart can only say Good-night, Good-night but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE WORLD RENOWNED STERLING PIANOS
&lt;/p&gt;&lt;p&gt;MANUFACTURED BY THE STERLING COMPANY, DERBY, CONN., U. S. A.
&lt;/p&gt;
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                  <text>Herrick-Reasoner Family Collection</text>
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                  <text>Photographs from the families of Major General Curtis James Herrick and his wife, Alice (Reasoner) Herrick. Mrs. Herrick was born Alice Reasoner to Colonel Mathew A. Reasoner (1875-1947) and his wife Mabel (Milnor) Reasoner (1877-1964) in Alton, Illinois. General Herrick was born in North Dakota and served his professional career as an officer in the United States Army from 1931 to 1967. The Herricks are both buried at Arlington National Cemetery, Washington, D.C. &lt;br /&gt;&lt;br /&gt;The collection contains photographs from Mrs. Harrick's family collection;however, most of the images are from General Herrick's military service.&lt;br /&gt;&lt;br /&gt;For further research, see the Herrick-Reasoner-Milnor-Sparks Family Papers, 1860-1967, in the manuscript holdings of the Abraham Lincoln Presidential Library:&lt;br /&gt;&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/show/281" target="_self"&gt;&lt;br /&gt;http://alplm-cdi.com/chroniclingillinois/items/show/281&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                  <text>Herrick, Curtis James (1909-1971)</text>
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                <text>Members of 187th Airborne Regimental Combat Team</text>
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                <text>Colonel Mark Bailey of 1102 Alalancos, Oakland, California; Sergeant Robert R. Enriquez of 1710 Grant Street, Berkeley, California; and Specialist 3rd Class Jack Cuddy of 1215 Naples, San Francisco, California, arrive at Travis Air Force Base, California from Japan as part of "Operation Gyroscope", after being relieved by the 508th Regiment. These soldiers are on their way to Fort Bragg, North Carolina.</text>
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                <text>Bailey, Mark</text>
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                <text>Enriquez, Robert R.</text>
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                <text>Cuddy, Jack</text>
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                <text>California--Travis Air Force Base</text>
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                <text>United States. Army</text>
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                <text>Armed Forces--Officers</text>
              </elementText>
              <elementText elementTextId="249067">
                <text>Soldiers</text>
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              <elementText elementTextId="249068">
                <text>Military uniforms</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="249069">
                <text>Tycenski, E.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="249070">
                <text>1955-07-13</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="249075">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="249076">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="249078">
                <text>eng</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="21128" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="184796">
                  <text>Jannotta Family Collection</text>
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              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Janotta, Stella Skiff, 1867-1954</text>
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                  <text>Janotta, Alfredo A. (Alfredo Antonio), 1843-1913</text>
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                  <text>Janotta, A. Vernon, 1894-1972</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="407953">
                  <text>The Janotta Family Collection contains photographs relating to conductor/composer Alfredo Jannotta, his wife, activist and author Stella Skiff Jannotta, and their family. Several photographs belonged to their son, Navy Rear Admiral A. Vernon Jannotta.&lt;br /&gt;&lt;br /&gt;Alfredo Jannotta immigrated from Italy by way of London to Boston in 1865 where he taught voice at the New England Conservatory of Music. He married his first wife, Alice Prudy and they had a son, Edward, before Alfredo moved to Cincinnati in 1868. Alfredo spent 12 years in Cincinnati teaching vocal performance as well as conducting the Cincinnati Choral Society and organizing the first Cincinnati orchestra. He moved back to Boston in 1881 but moved to St. Paul, Minnesota, in 1882 and finally to Chicago in 1888 where he established himself as a vocal teacher.&lt;br /&gt;&lt;br /&gt;While teaching in Chicago, Jannotta taught vocal lessons to Stella Skiff whom he married in 1893. Skiff was the daughter of Iowa businessman Vernon William Skiff and his wife, Mary Frances Coffin. Her brother, Frank Vernon Skiff founded the Jewel Tea Company which later grew into a national grocery store chain including Jewel, Osco, Eisner, and White Hen. &lt;br /&gt;&lt;br /&gt;Skiff continued her singing career after marrying Jannotta and briefly taught lessons. Between 1894 and 1898, she gave birth to sons A. Vernon, Francis, and Joseph. Between 1917 and 1918, Stella adopted three foster daughters, Margaret, Marion, and Betty (Elizabeth).&lt;br /&gt;&lt;br /&gt;In the early 20th century she began taking an active interest in causes including the suffrage movement and socialism.&amp;nbsp;Stella Jannotta joined the Chicago Political Equality League (predecessor to the Chicago League of Women Voters) in 1907. She wrote for the propaganda arm of the organization, including a 1916 article entitled "Public Opinion" which she revisted several times over the following decades.&lt;br /&gt;&lt;br /&gt;A. Vernon Jannotta, the oldest son on Alfredo and Stella, served in the United States Navy in both World War I and World War II. He rose through the ranks of the Navy and the Naval Reserves, eventually retiring as a Rear Admiral in 1954. Jannotta received several military honors including the Navy Cross, Silver Star, two Bronze Stars, and a Purple Heart.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Jannotta began working at the Jewel Tea Company in 1919 and held several positions at the company for the next 50 years. He also held several executive positions or held stakes in several companies including Lehman Brothers, Motor Institute of America, Tapp, Inc. and Consolidated Trading Corporation.&lt;br /&gt;&lt;br /&gt;The finding aid for the Janotta Family Papers, 1809-1972 at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a title="Janotta Family Papers, 1809-1972" href="http://alplm-cdi.com/chroniclingillinois/items/show/358" target="_blank"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/358&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Jannotta and Skiff family members as well as students of Alfredo Jannota.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>color print</text>
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              <text>color</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>36 x 81 cm</text>
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        </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>401353</text>
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                <text>Jannotta Family Collection</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="185212">
                <text>Mary Frances Coffin Skiff Hospital</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="185213">
                <text>After Mary Frances Coffin Skiff's death in 1918, her husband, Vernon William Skiff, founder of the Jewel Tea Company, donated $100,000 for the contstruction of a hospital in Newton, Iowa. The building was dedicated and named her memory in 1921. The hospital is now the Skiff Medical Center.</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Skiff, Mary Frances Coffin, 1842-1918</text>
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                <text>Skiff, Vernon William, 1841-1926</text>
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                <text>Iowa--Newton</text>
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                <text>Hospitals</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="185222">
                <text>Tyler, Lyle</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="185223">
                <text>n.d.</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="185228">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="185229">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="185231">
                <text>eng</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="268679">
                  <text>Claudia Durham Collection</text>
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              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="282516">
                  <text>Durham, Claudia, 1908-1995</text>
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                  <text>Nurses</text>
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                <elementText elementTextId="282588">
                  <text>African American nurses</text>
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                <elementText elementTextId="282589">
                  <text>Medical care</text>
                </elementText>
                <elementText elementTextId="282590">
                  <text>Hospitals</text>
                </elementText>
                <elementText elementTextId="282591">
                  <text>Provident Hospital (Chicago, Ill.)</text>
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                <elementText elementTextId="282592">
                  <text>Provident Hospital (Chicago, Ill.). School of Nursing</text>
                </elementText>
                <elementText elementTextId="283294">
                  <text>African Americans</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="282517">
                  <text>&lt;span&gt;Claudia Durham was born in rural Mississippi on October 26, 1908. She attended elementary school in Mississippi (1916-1922) and high school and junior college in Chicago after her family moved to Illinois in 1923. She received her diploma from Provident Hospital School of Nursing in 1933 and degrees in Public Health Nursing from Loyola University (B.S. 1942) and in Administration and Supervision from the University of Chicago (M.S., 1954). Ms. Durham attended Tuskegee Nurse-Midwifery School in Alabama and did graduate coursework at Illinois Teachers College (1958-1965) and Roosevelt University (1965). &lt;br /&gt;&lt;br /&gt;Her forty-five year professional career included positions as staff and public health nurse, nursing school teacher/supervisor, consultant in maternal and child health and in personal and public service occupations, elementary/adult education teacher and librarian. She worked at such private and public organizations as nurse midwifery schools, Chicago Department of Health, U.S. Children&amp;rsquo;s Bureau, National League for Nursing, Illinois State Board of Vocational Education and Rehabilitation and the East Central Curriculum Management Center. Ms. Durham retired from the Illinois Office of Education in June 1978. She worked briefly on an educational research project at Eastern Illinois University, July 1978-June 1979. She was active in several community and religious organizations including: Senior Learners Program, Sangamon State University, American Nurses Association, NAACP, Springfield Urban League, Gray Panthers, Land of Lincoln Legal Assistance Foundation, and Project Area Agency on Aging. Divorced with no children, Durham died March 22, 1995.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of African American nurses at work, family photographs, and portraits.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>commercial print</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="269027">
              <text>21 x 26 cm</text>
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          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="269012">
                <text>401588</text>
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              <elementText elementTextId="269013">
                <text>Claudia Durham Collection</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269015">
                <text>Nursery</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269016">
                <text>Two nurses examine infants in a nursery. &lt;br /&gt;&lt;br /&gt;On verso: "Persons not serving in the nursery may look at the babies only through closed glass doors. The heated crib in the corner is the type in which the baby's head is not covered. The requisite space between the cribs is not shown in this picture. Picture was received by Children's Bureau about August 1940. A demonstration area, and the services are provided under the Social Security Act. Picture was furnished by the Slossfield Health Center."</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269017">
                <text>African Americans</text>
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              <elementText elementTextId="269018">
                <text>African American nurses</text>
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              <elementText elementTextId="269019">
                <text>Nurses</text>
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                <text>Infants</text>
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              <elementText elementTextId="269021">
                <text>Nurseries</text>
              </elementText>
              <elementText elementTextId="282525">
                <text>Nursing</text>
              </elementText>
              <elementText elementTextId="282526">
                <text>Medical care</text>
              </elementText>
              <elementText elementTextId="282527">
                <text>Pediatric nursing</text>
              </elementText>
              <elementText elementTextId="282528">
                <text>Children--hospital</text>
              </elementText>
              <elementText elementTextId="282529">
                <text>Infants--Care</text>
              </elementText>
              <elementText elementTextId="282530">
                <text>Newborn infants</text>
              </elementText>
              <elementText elementTextId="282536">
                <text>Hospitals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269022">
                <text>U. S. Children's Bureau Photo</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269023">
                <text>n.d.</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269028">
                <text>jpg</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="269029">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="269031">
                <text>eng</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104720">
                  <text>World War I Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104722">
                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="104723">
                  <text>Abraham Lincoln Presidential Library and Museum</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104724">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="107567">
              <text>broadside</text>
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            <elementText elementTextId="107568">
              <text>color</text>
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            <elementText elementTextId="107569">
              <text>1</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="107570">
              <text>61 x 40 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="107557">
                <text>400270</text>
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              <elementText elementTextId="107558">
                <text>World War I Broadsides</text>
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              <elementText elementTextId="107559">
                <text>3862</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107560">
                <text>Help Feed Yourself</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107561">
                <text>An advertisement from the U.S. Department of Agriculture asks people to do their share and help feed themselves during World War I.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107562">
                <text>World War (1914-1918)</text>
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            <description>A name given to the resource</description>
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                <text> Advertising</text>
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                <text> United States. Department of Agriculture</text>
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            <description>A language of the resource</description>
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            <description>The topic of the resource</description>
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                    <text>&lt;p&gt;By the President of the United States of America.
&lt;/p&gt;&lt;p&gt;A Proclamation.
&lt;/p&gt;&lt;p&gt;Preamble  
&lt;/p&gt;&lt;p&gt;Whereas an insurrection against the Government of the United States has broken out in the States of South Carolina, Georgia, Alabama, Florida, Mississippi, Louisiana and Texas, and the laws of the United States for the collection of the revenue cannot be effectually executed therein conformably to that provision of the Constitution which requires duties to be uniform throughout the United States:
&lt;/p&gt;&lt;p&gt;And whereas a combination of persons, engaged in such insurrection, have threatened to grant pretended letters of marque to authorize the bearers thereof to commit assaults on the lines, vessels, and property of good citizens of the country lawfully engaged in commerce on the high seas, and in waters of the United States:
&lt;/p&gt;&lt;p&gt;And whereas an Executive Proclamation has been already issued, requiring the persons engaged in these disorderly proceedings to desist therefrom, calling out a militia force for the purpose of repressing the same, and convening Congress in extraordinary session to deliberate and determine thereon:
&lt;/p&gt;&lt;p&gt;Blockade of ports in certain States desired.
&lt;/p&gt;&lt;p&gt;Now, therefore, I, Abraham Lincoln, President of the United States, with a view to the same purposes before mentioned, and to the protection of the public peace, and the lives and property of quiet and orderly citizens pursuing their
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;lawful occupations, until Congress shall have assembled and deliberated on the said unlawful proceedings, or until the same shall have ceased, have further deemed it advisable to set on foot a blockade of the ports within the States aforesaid, in pursuance of the laws of the United States and of the law of nations in such case provided.  For this purpose a competent force will be posted so as to prevent entrance and exit of vessels from the ports aforesaid.  If, therefore, with a view to violate such blockade, a vessel shall approach, or shall attempt to leave either of the said ports, she will be duly warned by the commander of one of the blockading vessels, who will endorse on her register the fact and date of such warning, and if the same vessel shall again attempt to enter or leave the blockaded port, she will be captured and sent to the nearest convenient port, for such proceedings against her and her cargo as prize, as may be deemed advisable.
&lt;/p&gt;&lt;p&gt;And I hereby proclaim and declare that if any person, under the pretended authority of the said States, or under any other pretence, shall molest a vessel of the United States, or the persons or cargo on board of her, such person will be held amenable to the laws of the United States for the prevention and punishment of piracy.
&lt;/p&gt;&lt;p&gt;In witness whereof, I have hereunto set my hand, and caused the seal of the United States to be affixed.
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;[L.S.]  Done at the city of Washington, this nineteenth day of April, in the year of our Lord one thousand eight hundred and sixty one, and of the Independence of the United States the eighty fifth.
&lt;/p&gt;&lt;p&gt;Abraham Lincoln
&lt;/p&gt;&lt;p&gt;By the President:
&lt;/p&gt;&lt;p&gt;William H. Seward, Secretary of State.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;original copy from Pub Printers office Washington.
&lt;/p&gt;&lt;p&gt;H-481
&lt;/p&gt;
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                <text>Manuscript copy of April 19, 1861, presidential proclamation</text>
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                <text>This hand-written copy of President Lincoln's proclamation ordering the blockade of harbors in South Carolina, Georgia, Alabama, Florida, Mississippi, Louisiana and Texas opened the Civil War. On the reverse side of this manuscript is found the note "original copy from Pub. Printers Office Washington" which leads some to speculate that this manuscript is most likely the copy of Lincoln's proclamation generated by Secretary of War (Seward's) office and forwarded to the Public Printer's Office, Washington, D.C., for publication. The blockade proclamation came just a few days after the attack on Fort Sumter.  The original, signed by Lincoln, is in the National Archives.</text>
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                <text>&lt;p&gt;By the President of the United States of America.
&lt;/p&gt;&lt;p&gt;A Proclamation.
&lt;/p&gt;&lt;p&gt;Preamble  
&lt;/p&gt;&lt;p&gt;Whereas an insurrection against the Government of the United States has broken out in the States of South Carolina, Georgia, Alabama, Florida, Mississippi, Louisiana and Texas, and the laws of the United States for the collection of the revenue cannot be effectually executed therein conformably to that provision of the Constitution which requires duties to be uniform throughout the United States:
&lt;/p&gt;&lt;p&gt;And whereas a combination of persons, engaged in such insurrection, have threatened to grant pretended letters of marque to authorize the bearers thereof to commit assaults on the lines, vessels, and property of good citizens of the country lawfully engaged in commerce on the high seas, and in waters of the United States:
&lt;/p&gt;&lt;p&gt;And whereas an Executive Proclamation has been already issued, requiring the persons engaged in these disorderly proceedings to desist therefrom, calling out a militia force for the purpose of repressing the same, and convening Congress in extraordinary session to deliberate and determine thereon:
&lt;/p&gt;&lt;p&gt;Blockade of ports in certain States desired.
&lt;/p&gt;&lt;p&gt;Now, therefore, I, Abraham Lincoln, President of the United States, with a view to the same purposes before mentioned, and to the protection of the public peace, and the lives and property of quiet and orderly citizens pursuing their
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;lawful occupations, until Congress shall have assembled and deliberated on the said unlawful proceedings, or until the same shall have ceased, have further deemed it advisable to set on foot a blockade of the ports within the States aforesaid, in pursuance of the laws of the United States and of the law of nations in such case provided.  For this purpose a competent force will be posted so as to prevent entrance and exit of vessels from the ports aforesaid.  If, therefore, with a view to violate such blockade, a vessel shall approach, or shall attempt to leave either of the said ports, she will be duly warned by the commander of one of the blockading vessels, who will endorse on her register the fact and date of such warning, and if the same vessel shall again attempt to enter or leave the blockaded port, she will be captured and sent to the nearest convenient port, for such proceedings against her and her cargo as prize, as may be deemed advisable.
&lt;/p&gt;&lt;p&gt;And I hereby proclaim and declare that if any person, under the pretended authority of the said States, or under any other pretence, shall molest a vessel of the United States, or the persons or cargo on board of her, such person will be held amenable to the laws of the United States for the prevention and punishment of piracy.
&lt;/p&gt;&lt;p&gt;In witness whereof, I have hereunto set my hand, and caused the seal of the United States to be affixed.
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;[L.S.]  Done at the city of Washington, this nineteenth day of April, in the year of our Lord one thousand eight hundred and sixty one, and of the Independence of the United States the eighty fifth.
&lt;/p&gt;&lt;p&gt;Abraham Lincoln
&lt;/p&gt;&lt;p&gt;By the President:
&lt;/p&gt;&lt;p&gt;William H. Seward, Secretary of State.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;original copy from Pub Printers office Washington.
&lt;/p&gt;&lt;p&gt;H-481
&lt;/p&gt;
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