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                  <text>Carl Sandburg was a Pulitzer Prize-winning author and poet from Illinois. Born in Galesburg, Sandburg attended school until the age of 13 when he left to work several jobs to help his family. In his late teens Sandburg served in the United States Army during the Spanish-American War. After leaving the military Sandburg enrolled at Lombard College however he left the school before finishing his degree.&lt;br /&gt;&lt;br /&gt;Sandburg worked as a newspaper writer in Milwaukee and Chicago. He began publishing his poetry in&lt;em&gt; Poetry: A Magazine of Verse&lt;/em&gt; before publishing his first book of poetry, &lt;em&gt;Chicago Poems&lt;/em&gt;, in 1916. Sandburg received his first Pulitzer Prize for &lt;em&gt;Cornhuskers&lt;/em&gt; in 1918. During the 1920s Sandburg began writing a six volume biography of Abraham Lincoln, receiving his second Pulitzer Prize in 1939 for the second part of the work. He received his third, and final, Pulitzer Prize in 1950 for &lt;em&gt;Complete Poems&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Carl Sandburg Birthplace as well as candid pictures of Sandburg attending or participating in several events.</text>
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                <text>Carl Sandburg in Lincoln Room</text>
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                <text>Photo caption: "Sandburg, Carl. In Lincoln Room where Horner Lincoln collection is housed. Dedication February 12, 1941."</text>
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                <text>Sandburg, Carl, 1878-1967</text>
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                <text>Witman, Arthur</text>
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                <text>1941-02-12</text>
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                <text>Main Street, Anna</text>
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            <description>An account of the resource</description>
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                <text>Downtown Anna with a number of parked Model T Fords and other 1920s era automobiles. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Starved Rock State Park, Lodge</text>
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                <text>Designated a state park when it was acquired by the State of Illinois in 1911, the park includes many canyons and more than 2,600 acres of land near Oglesby.</text>
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            <description>A language of the resource</description>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;Abraham Lincolns Funeral March in memory of a Country's Martyred Father. Composed for the Piano Forte by William Wolsieffer Op. 7
&lt;/p&gt;&lt;p&gt;Philadelphia LOUIS MEYER 1323 Chestnut St.
&lt;/p&gt;&lt;p&gt;Cleveland Brainard &amp;amp; Co.  New York Pond &amp;amp; Co. St. Louis Endres &amp;amp; Compton
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN'S FUNERAL MARCH.  William Wolsieffer. Op: 7.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by L. Meyer, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>4</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Abraham Lincoln's Funeral March</text>
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            <description>An account of the resource</description>
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                <text> Funeral march in honor of Abraham Lincoln. "In Memory of a Country's Martyred Father" on cover. Op.7</text>
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            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Wolsieffer, William</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="170556">
                <text> Funeral music</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Wolsieffer, William</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Meyer, Louis </text>
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            <name>Coverage</name>
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                <text>Philadelphia </text>
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                <text>1865</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>A written representation of a document or a page.</description>
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                <text>&lt;p&gt;Abraham Lincolns Funeral March in memory of a Country's Martyred Father. Composed for the Piano Forte by William Wolsieffer Op. 7
&lt;/p&gt;&lt;p&gt;Philadelphia LOUIS MEYER 1323 Chestnut St.
&lt;/p&gt;&lt;p&gt;Cleveland Brainard &amp;amp; Co.  New York Pond &amp;amp; Co. St. Louis Endres &amp;amp; Compton
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;ABRAHAM LINCOLN'S FUNERAL MARCH.  William Wolsieffer. Op: 7.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by L. Meyer, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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            <description>A 6-digit number used to sort items quickly.</description>
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  <item itemId="8020" public="1" featured="0">
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;zrjzg
&lt;/p&gt;&lt;p&gt;Office Clerk Hart Circuit &amp;amp; County Courts
&lt;/p&gt;&lt;p&gt;Munfordville Ky Aug 7, '1861
&lt;/p&gt;&lt;p&gt;To His Excellency
Abraham Lincoln
President of the United States.
&lt;/p&gt;&lt;p&gt;Sir
&lt;/p&gt;&lt;p&gt;Presuming that the bill passed by the House of Representatives to reorganize the District Court of Kentucky, will become a law, we beg leave to recommend to your Excellency, Hon. Asher W. Graham of Bowling Green Ky, as eminitly worthy of the position of Judge of the Western District.
&lt;/p&gt;&lt;p&gt;He has had a large experience upon the Bench, having been for a number of years Judge of the 4th District in Ky, and also having occupied the Appellate Bench in the State.
&lt;/p&gt;&lt;p&gt;Added to his legal attainments---which are surpassed by few, if any, in the State---he is a man of the highest moral worth,  unquestionable integrity and of &lt;u&gt;unconditional devotion to the Government.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Very Respectfully
&lt;/p&gt;&lt;p&gt;G.T. Wood Cir Clk.
&lt;/p&gt;&lt;p&gt;Jas. A. Dawson
Clk County Court
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Asher W. Graham
of Bowling Green
for Judge of one of the
Kentucky Districts.
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>paper and ink</text>
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              <text>33 x 20 cm</text>
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                <text>G.T. Wood and James A. Dawson to Abraham Lincoln</text>
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            <name>Creator</name>
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                <text>Wood, G. T.; Dawson, James A.; Nicolay, John G.</text>
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                <text>G.T. Wood and James A. Dawson understand that Congress will soon pass the house bill to reorganize the district court of Kentucky. They recommend to President Abraham Lincoln the name of Asher W. Graham of Bowling Green, Kentucky, as judge of the western district. John Nicolay writes a short file note on the reverse side of the letter.</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;zrjzg
&lt;/p&gt;&lt;p&gt;Office Clerk Hart Circuit &amp;amp; County Courts
&lt;/p&gt;&lt;p&gt;Munfordville Ky Aug 7, '1861
&lt;/p&gt;&lt;p&gt;To His Excellency
Abraham Lincoln
President of the United States.
&lt;/p&gt;&lt;p&gt;Sir
&lt;/p&gt;&lt;p&gt;Presuming that the bill passed by the House of Representatives to reorganize the District Court of Kentucky, will become a law, we beg leave to recommend to your Excellency, Hon. Asher W. Graham of Bowling Green Ky, as eminitly worthy of the position of Judge of the Western District.
&lt;/p&gt;&lt;p&gt;He has had a large experience upon the Bench, having been for a number of years Judge of the 4th District in Ky, and also having occupied the Appellate Bench in the State.
&lt;/p&gt;&lt;p&gt;Added to his legal attainments---which are surpassed by few, if any, in the State---he is a man of the highest moral worth,  unquestionable integrity and of &lt;u&gt;unconditional devotion to the Government.&lt;/u&gt;
&lt;/p&gt;&lt;p&gt;Very Respectfully
&lt;/p&gt;&lt;p&gt;G.T. Wood Cir Clk.
&lt;/p&gt;&lt;p&gt;Jas. A. Dawson
Clk County Court
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Asher W. Graham
of Bowling Green
for Judge of one of the
Kentucky Districts.
&lt;/p&gt;
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            <description>The current transcription status of a document or a page.</description>
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                <text>Complete</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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                  <text>Stevenson, Adlai E. (Adlai Ewing), 1900-1965</text>
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                  <text>Stevenson, Adlai E., III (Adlai Ewing), 1930-</text>
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                  <text>Political cartoons</text>
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                  <text>Political campaigns</text>
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                  <text>Presidential candidates</text>
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                  <text>Political candidates</text>
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                  <text>Democratic Party (U.S.)</text>
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                  <text>Adlai Stevenson III served as an at-large member of the Illinois House of Representatives from 1964-1967. He went on to become the state Treasurer from 1967-1970 before his successful campaign for United States Senator in 1970. He served in the United States Senate until 1981. He ran unsuccessfully for Illinois Governor in 1982 and 1984. Stevenson is a member of the Stevenson political family which includes his father, Adlai E. Stevenson II, the Illinois governor and two-time Democratic presidential nominee, and his great grandfather, Vice President Adlai Stevenson I.&lt;br /&gt;&lt;br /&gt;Images in this collection include several political cartoons focusing on Adlai Stevenson II's presidential campaigns and 1960 South American tour, Adlai Stevenson III's gubernatorial campaign, and Democratic party activities from the late 19th century.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>political cartoon</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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              <text>26 x 39 cm</text>
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            <name>Identifier</name>
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              <elementText elementTextId="287407">
                <text>403072</text>
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                <text>Adlai Stevenson III Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="287409">
                <text>Nov. 9, 1949: A Day in the Life of Illinois' Governor</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="287410">
                <text>Adlai Stevenson II learns what being a governor in Illinois entails.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Cartoon dedication: "To Adlai Stevenson from a grateful spectator. Harry Wood"</text>
              </elementText>
            </elementTextContainer>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Stevenson, Adlai E. (Adlai Ewing), 1900-1965</text>
              </elementText>
              <elementText elementTextId="287412">
                <text>Political corruption</text>
              </elementText>
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                <text>Donkeys</text>
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                <text>Governors</text>
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                <text>Illinois</text>
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                <text>Portraits</text>
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                <text>Labor unions</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="287416">
                <text>Wood, Harry</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1949-11-09</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="287422">
                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="287423">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="287425">
                <text>eng</text>
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              <description>A name given to the resource</description>
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                  <text>Civil War Song Sheets Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="244906">
              <text>1</text>
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              <text>26 cm.</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Isn't It a Wonder?</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Four verse song. "Written by Henry Wood, Esq. and sung by Wood's Minstrels, with the most enthusiastic applause." Written in stereotypical 19th century African American dialect. Lyrics depict fight between the Union and Confederacy over slavery and encouraging both sides to cease fighting with references to England and France. Decorative border with black and white figures in the corners.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Broadsides</text>
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                <text>Songs and music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>John Bull (Symbolic character)</text>
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                <text>Napoleon III, Emperor of the French, 1808-1873</text>
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            <name>Creator</name>
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                <text>Wood, Henry</text>
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            <name>Publisher</name>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>New York</text>
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                <text>ca. 1861-1865</text>
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                <text>eng</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text> De Marsan, Henry</text>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>4</text>
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                <text>200042</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>R-S</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Satisfaction Of Naturalization</text>
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                <text>A patriotic song about becoming a naturalized citizen and declaring devotion to the United States. Cover depicts people in a room, one of which is "Uncle Sam", surrounded by American Flags and portraits of George Washington and Abraham Lincoln. Back cover includes promotion for a song, "I'd Rather Be What I am To Day Than What I Used To Be."</text>
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                <text>Moline</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;'TIS FINISHED! OR SING HALLELUJAH. SONG AND CHORUS. Words and Music by HENRY C. WORK. 
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington Street.
&lt;/p&gt;&lt;p&gt;Eastern Agency--Wm. B. Bradbury, 425 Broome St., New York.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, in the year 1865, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;Congratulate you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement. L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A Very efficient church organ, brought within a small [compass?], not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;Best of their class of which we have knowledge. More than Two Hundred Expert Organists
&lt;/p&gt;&lt;p&gt;In every respect far superior to everything of the kind I have seen, whether in Europe or America. Gen. Washington Morgan.
&lt;/p&gt;&lt;p&gt;Never have seen anything of the kind which interested me as much. George F. Root.
&lt;/p&gt;&lt;p&gt;Exceeds in my estimation every other instrument of this general class. [Thomas Hasters?]
&lt;/p&gt;&lt;p&gt;[Their?] favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;Once hearing them will satisfy the most skeptical that they are just what the church has been waiting for. New York Observer.
&lt;/p&gt;&lt;p&gt;Really very effective and beautiful instruments. [Lowell Martin?]
&lt;/p&gt;&lt;p&gt;Grand accompaniment when the congregation sing. [Lancaster?]
&lt;/p&gt;&lt;p&gt;As compared with Melodeons, [Harpsichords?], &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William [Manor?]
&lt;/p&gt;&lt;p&gt;Next to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;Surpasses everything in this line I have seen, whether French or American. John [unintelligible]
&lt;/p&gt;&lt;p&gt;Made only MASON &amp;amp; HAMLIN, Boston
&lt;/p&gt;&lt;p&gt;In plain or elegant cases, with one to twelve stops. Prices $ To$
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, "  50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root &amp;amp; Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;'TIS FINISHED! or SING HALLELUJAH.  Words and music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;Moderato. Introduction
&lt;/p&gt;&lt;p&gt;1. 'Tis finished! 'tis ended! The dread and awful task is done; Tho'
&lt;/p&gt;&lt;p&gt;2. Ye joybells! ye peacebells! Oh never, never music rang, So
&lt;/p&gt;&lt;p&gt;3. Come patriots! come freemen! Come join your every heart and voice; We've
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;wounded and bleeding, 'tis ours to sing the vict'ry won, Our
&lt;/p&gt;&lt;p&gt;sweetly, so grandly, since angels in the advent sang, Your
&lt;/p&gt;&lt;p&gt;wept with the weeping--now let us with the blest rejoice, With
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
nation is ransom'd--our enemies are overthrown And
&lt;/p&gt;&lt;p&gt;message is gladness to myriads of waiting souls, As
&lt;/p&gt;&lt;p&gt;armies of victors who round about the white throne stand--With
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
now, now commences, the brightest era ever known.
&lt;/p&gt;&lt;p&gt;onward and worldward the happy, happy echo rolls.
&lt;/p&gt;&lt;p&gt;Lincoln, the Martyr and Liberator of his land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;&lt;p&gt;high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;&lt;p&gt;high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A NEW METHOD FOR THE PIANO-FORTE. THE MUSICAL CURRICULUM BY GEO. R. ROOT.
&lt;/p&gt;&lt;p&gt;This is emphatically a new book in a new field. It provides instruction and music, not only for the Piano-Forte, but also for the things that should be studied with it, viz: the Voice and Harmony--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms.  It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapting the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progressive order.
&lt;/p&gt;&lt;p&gt;The whole book may be divided into two kinds of lessons--the one for musical culture and the other for muscular culture.  Not that there is no practice for the muscles in the former, nor exercise for the musical taste in the latter, but each is devoted mainly to its own object.  Those lessons which are designed to awaken, develop, and strengthen a love for music, and which are imparted a knowledge of time, [tone?], and expression. (Rhythmics, Melodies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, [pieces?], [songs?] etudes and solfeggios, etc., while those which are simply for the development and strengthening of the muscles of the fingers, hands, and vocal organs, do not pretend to be pleasant or tuneful, but depend upon the benefits they confer in the way of flexibility and execution, for their popularity.  These lessons are called Technics, and embrace five finger exercises, scales, arpeggios, and miscellaneous exercises of many kinds and forms.
&lt;/p&gt;&lt;p&gt;The contents of the book may be summed up as follows:
&lt;/p&gt;&lt;p&gt;Instrumental exercises for reading [unintelligible], the acquirement of musical knowledge and the cultivation of the taste; numbered but bearing no other names than the topics they illustrate and teach. 224
Vocal exercises and solfeggios for similar purposes 48
Technics 419
Divided as follows--Five Finger Exercises 78
Scales, Major and Minor 115
Arpeggios, Major and Minor 146
Vocal 45
Miscellaneous 35
Piano [unintelligible] that may be played as duets and trios 44
Chromatic exercises 21
Songs 39
Exercises in Thorough Base 21
Pieces for the Piano 43
Of the foregoing numbers, are used for the study of transposition 120
These when played according to directions, increase the lessons in the book to 1485
&lt;/p&gt;&lt;p&gt;Price $4.50. Sent, postpaid, on receipt of the marked price.
&lt;/p&gt;&lt;p&gt;To those who would like to have an opportunity of examining this book before purchasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents.
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>Also entitled, "Sing Hallelujah," the song celebrates Union victory over the South and proclaims the martyrdom of Abraham Lincoln.</text>
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                <text>Chicago</text>
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                <text>&lt;p&gt;'TIS FINISHED! OR SING HALLELUJAH. SONG AND CHORUS. Words and Music by HENRY C. WORK. 
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington Street.
&lt;/p&gt;&lt;p&gt;Eastern Agency--Wm. B. Bradbury, 425 Broome St., New York.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, in the year 1865, by Root &amp;amp; Cady, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;Congratulate you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement. L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A Very efficient church organ, brought within a small [compass?], not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;Best of their class of which we have knowledge. More than Two Hundred Expert Organists
&lt;/p&gt;&lt;p&gt;In every respect far superior to everything of the kind I have seen, whether in Europe or America. Gen. Washington Morgan.
&lt;/p&gt;&lt;p&gt;Never have seen anything of the kind which interested me as much. George F. Root.
&lt;/p&gt;&lt;p&gt;Exceeds in my estimation every other instrument of this general class. [Thomas Hasters?]
&lt;/p&gt;&lt;p&gt;[Their?] favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;Once hearing them will satisfy the most skeptical that they are just what the church has been waiting for. New York Observer.
&lt;/p&gt;&lt;p&gt;Really very effective and beautiful instruments. [Lowell Martin?]
&lt;/p&gt;&lt;p&gt;Grand accompaniment when the congregation sing. [Lancaster?]
&lt;/p&gt;&lt;p&gt;As compared with Melodeons, [Harpsichords?], &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William [Manor?]
&lt;/p&gt;&lt;p&gt;Next to a church organ, and that a good sized one, the best instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;Surpasses everything in this line I have seen, whether French or American. John [unintelligible]
&lt;/p&gt;&lt;p&gt;Made only MASON &amp;amp; HAMLIN, Boston
&lt;/p&gt;&lt;p&gt;In plain or elegant cases, with one to twelve stops. Prices $ To$
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, "  50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root &amp;amp; Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;'TIS FINISHED! or SING HALLELUJAH.  Words and music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;Moderato. Introduction
&lt;/p&gt;&lt;p&gt;1. 'Tis finished! 'tis ended! The dread and awful task is done; Tho'
&lt;/p&gt;&lt;p&gt;2. Ye joybells! ye peacebells! Oh never, never music rang, So
&lt;/p&gt;&lt;p&gt;3. Come patriots! come freemen! Come join your every heart and voice; We've
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;wounded and bleeding, 'tis ours to sing the vict'ry won, Our
&lt;/p&gt;&lt;p&gt;sweetly, so grandly, since angels in the advent sang, Your
&lt;/p&gt;&lt;p&gt;wept with the weeping--now let us with the blest rejoice, With
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
nation is ransom'd--our enemies are overthrown And
&lt;/p&gt;&lt;p&gt;message is gladness to myriads of waiting souls, As
&lt;/p&gt;&lt;p&gt;armies of victors who round about the white throne stand--With
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
now, now commences, the brightest era ever known.
&lt;/p&gt;&lt;p&gt;onward and worldward the happy, happy echo rolls.
&lt;/p&gt;&lt;p&gt;Lincoln, the Martyr and Liberator of his land.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;Then sing hallelujah! sing hallelujah! Glory be to God on
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;&lt;p&gt;high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;&lt;p&gt;high! For the old flag with the white flag is hanging in the azure sky.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A NEW METHOD FOR THE PIANO-FORTE. THE MUSICAL CURRICULUM BY GEO. R. ROOT.
&lt;/p&gt;&lt;p&gt;This is emphatically a new book in a new field. It provides instruction and music, not only for the Piano-Forte, but also for the things that should be studied with it, viz: the Voice and Harmony--not harmony through the eye, but harmony through the ear; not dry calculations, but living and beautiful forms.  It goes on the plan that the pupil should know as well the chords and harmonies he is in while playing and singing, as he does the key or kind of time; and moreover it proves that these things can be done by preparing well for each subject, and then by adapting the instruction, and the music to the state of the pupil, and making the steps succeed each other in true progressive order.
&lt;/p&gt;&lt;p&gt;The whole book may be divided into two kinds of lessons--the one for musical culture and the other for muscular culture.  Not that there is no practice for the muscles in the former, nor exercise for the musical taste in the latter, but each is devoted mainly to its own object.  Those lessons which are designed to awaken, develop, and strengthen a love for music, and which are imparted a knowledge of time, [tone?], and expression. (Rhythmics, Melodies, and Dynamics,) are written in many pleasant and tuneful forms, and are called exercises, [pieces?], [songs?] etudes and solfeggios, etc., while those which are simply for the development and strengthening of the muscles of the fingers, hands, and vocal organs, do not pretend to be pleasant or tuneful, but depend upon the benefits they confer in the way of flexibility and execution, for their popularity.  These lessons are called Technics, and embrace five finger exercises, scales, arpeggios, and miscellaneous exercises of many kinds and forms.
&lt;/p&gt;&lt;p&gt;The contents of the book may be summed up as follows:
&lt;/p&gt;&lt;p&gt;Instrumental exercises for reading [unintelligible], the acquirement of musical knowledge and the cultivation of the taste; numbered but bearing no other names than the topics they illustrate and teach. 224
Vocal exercises and solfeggios for similar purposes 48
Technics 419
Divided as follows--Five Finger Exercises 78
Scales, Major and Minor 115
Arpeggios, Major and Minor 146
Vocal 45
Miscellaneous 35
Piano [unintelligible] that may be played as duets and trios 44
Chromatic exercises 21
Songs 39
Exercises in Thorough Base 21
Pieces for the Piano 43
Of the foregoing numbers, are used for the study of transposition 120
These when played according to directions, increase the lessons in the book to 1485
&lt;/p&gt;&lt;p&gt;Price $4.50. Sent, postpaid, on receipt of the marked price.
&lt;/p&gt;&lt;p&gt;To those who would like to have an opportunity of examining this book before purchasing, we will send, postpaid, on receipt of ten cents, an elegant royal quarto pamphlet, containing fourteen specimen pages of the same, selected so as to give an idea of its general appearance, as well as some description of its plan and contents.
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
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                    <text>&lt;p&gt;ei  Lincolniana
&lt;/p&gt;&lt;p&gt;WASHINGTON AND LINCOLN 
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS:
&lt;/p&gt;&lt;p&gt;Words and Music by
&lt;/p&gt;&lt;p&gt;HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO       "[3]" "[2 1/2]"
&lt;/p&gt;&lt;p&gt;Published by ROOT and CADY, 95 Clark St
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A. D., 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;For schools, academies, and juvenile classes. Silver Lute By Geo. F. Root. Price 35 cents.
&lt;/p&gt;&lt;p&gt;Patriotic Songs Quartettes &amp;amp; C. The Bugle Call By Geo. F. Root. Price $3 per dozen
&lt;/p&gt;&lt;p&gt;(In Circle, inner, center)
Circular List of Circulating Publications
ROOT &amp;amp; CADY, Publishers. Chicago, 95 Clark Street.
&lt;/p&gt;&lt;p&gt;(Outer circle)
HOW TO GET OUR PUBLICATIONS. -- If not foundat the nearest Music Store, write directly to us -- it is no more trouble to send one thousand miles by mail, than on hundred. The postage on Sheet Music is but one cent on each piece, which, on the receipt of the marked price we are happy to pay. TEACHERS, who wish to keep up the interest of their pupils with occasional good pieces, will profit by sending to us. 
&lt;/p&gt;&lt;p&gt;(Song list and prices, inner circle)
Vacant Chair. Root .............................25cts.
The Old House far away. Merrill.............25cts.
Vesper Song for our Volunteers' Sisters...25cts.
Who'll save the Left? Root....................50cts. 
Little Major, the Drummer Boy. Work........25cts.
Song of a Thousand Years. Work............25cts.
Polka Gracieuse. Wm. Mason.................60cts.
The Days when We were Young. Work.....25cts.
Sixty-Three is the Jubilee. French..........25cts.
Stand Up for Uncle Sam. Root...............25cts.
Singular Dreams-comic. Dodge..............25cts.
Take your Gun and Go, John. Merrill........25cts.
Tread Lightly ye Comrades. Crane..........25cts.
Oh, Haste on the Battle. Root...............25cts.
Rock me to Sleep, Mother. Root.............25cts.
Marie Polka Mazurka. Wollenhaupt..........50cts.
The Dear Ones all at Home. Bradbury......25cts.
First Love Dream. Work........................25cts.
Day of Liberty's Coming. Wurzel.............25cts.
Kingdom Coming. Work.........................25cts.
Battle-Cry of Freedom. Root.................25cts.
Rock me to Sleep Transcript'n. Staub.....75cts.
President's Emancipation March.............30cts.
Gen. McClernand's Grand March.............35cts.
Battle-Cry of Freedom Var. Rein.............50cts.
Kingdom Coming Variations. Grobe..........50cts.
Mine is the Morning Heart. Foster...........25cts.
Grafted into the Army. Work..................25cts.
He's Comin' Again. Arr. by Root...............25cts.
Jenny Brown and I. Taylor......................25cts.
Johnny Schmoker. Arr. by Rix..................25cts.
O wrap the Flag around me. Taylor..........25cts.
&lt;/p&gt;&lt;p&gt;(Circle, bottom left)
A Monthly Musical Paper
The Song Messenger
Edited by Henry C. Work
Price 60cts a year
&lt;/p&gt;&lt;p&gt;(Circle, bottom right)
A New Parlor Game
Musical Celebrities
96 cards of the greatest musicians with sketches
Price $1.00
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26552
&lt;/p&gt;&lt;p&gt;WASHINGTON AND LINCOLN.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;Piano part. 
&lt;/p&gt;&lt;p&gt;1. Come, happy peo-ple! Oh come, let us tell the story of Washington and Lincoln!
2. Parents to children shall tell with de-light
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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