27 25 22278 https://chroniclingillinois.org/files/original/82790aaa5d59bc4b290be6ebfed7843b.pdf 20482aed43a237d225d36b69848df53b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 2 p. 38 x 53.5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-210 Creator An entity primarily responsible for making the resource Citizens of Lincoln Title A name given to the resource Resolutions of the Citizens of Lincoln Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-20 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 251-52. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 330. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 52.2333, -0.5333 Lincoln England United Kingdom Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. city of lincoln. At a meeting of the citizens of Lincoln, convened by public notice, and held in the Guildhall, in the said city, on Saturday, the 20th day of May, 1865, at which meeting the mayor, Richard Sutton Harvey, esq., presided, the following resolutions were proposed and unanimously carried: Proposed by Mr. Coroner Hitchins, and seconded by the Rev. A. F. Macdonald: Resolved, That the citizens of Lincoln deeply regret the melancholy termination, by assassination, of the life of President Lincoln, and more especially at a time when the continuance of his career of usefulness was in the greatest need. Resolved, That they deplore the irretrievable loss which Mrs. Lincoln has sustained, and fervently sympathize with her in her sorrow and bereavement. Resolved, That the citizens of Lincoln sincerely hope the pleasing recollection of the many virtues of her departed husband may in a measure tend to alleviate the sorrows of Mrs. Lincoln. Resolved, That they rejoice that the deadly intentions of the cowardly assassin upon the valuable life of Mr. Seward and his sons were thwarted, and they cheerfully congratulate him upon his providential deliverance. [seal.] RICHARD SUTTON HARVEY,  Mayor. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/936be198c0688e8284ed162158b74c1d.pdf b41ad38f9ffd75c9c26ddcd98ae66f0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p. 28 x 43.25 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-250 Creator An entity primarily responsible for making the resource Citizens of London, Canada West Title A name given to the resource Resolutions of the Inhabitants of London Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-19 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 284-85. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 373. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 42.9667, -81.2500 London, Ontario Canada Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Resolutions adopted at a large public meeting, held in the city of London, Canada West, on Wednesday, the 19th of April, in the year of our Lord 1865. First. That we, the citizens of London, Canada West, in public meeting assembled, at the hour when the solemn obsequies of Abraham Lincoln are being performed at Washington, are moved by our common feelings of humanity and our regard for the American people to express our profound sorrow at the sudden and mournful death of the late excellent and humane President of the neighboring and friendly republic; and we hereby record our heartfelt sympathy with the nation that has been visited by such an appalling calamity, with the widow and other relatives of the deceased President, who are plunged into grief by his assassination, and with the Hon. W. H. Seward and his family in the barbarous cruelty inflicted on his person. Second. That we regard the assassination of President Lincoln and the attempted assassination of the Hon. W. H. Seward, whoever were the agents and whatever were their motives, as most cowardly, bloody, and diabolical crimes, a daring and lawless outrage on humanity, and a lasting disgrace to the civilization of the nineteenth century. Third. That a copy of these resolutions, signed, in name of this meeting, by the chairman and secretary, be forwarded through the proper channel to Andrew Johnson, President of the United States, to Mrs. Lincoln, widow of the late lamented President, and the Hon. W. H. Seward, Secretary of State. DAVID GLASS, Mayor. Warren Rock, Secretary. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/8546d984bf31729f96f0493ebe8396f6.pdf 67864dc4052ff0fa0af71b5b6adc57bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-266 Creator An entity primarily responsible for making the resource Citizens of Manchester Title A name given to the resource Resolutions of the Citizens of Manchester Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-04 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 290. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 380. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 53.5000, -2.2167 Manchester England United Kingdom Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Resolutions passed at a meeting held by the citizens of Manchester. assassination of president lincoln. At a public meeting of the citizens of this city, convened by the mayor, and held in the Town Hall, King street, on Thursday, the 4th day of May, 1865— J. M. Bennett, esq., mayor, in the chair—it was Unanimously resolved, That the citizens of Manchester, now assembled, desire to express their horror and detestation of the deplorable crime which has resulted in the violent death of the Chief Magistrate of the American republic, Abraham Lincoln, and of the attempt to murder Mr. Seward and some members of his family, and they desire most earnestly and respectfully to convey to the authorities of the United States their deep sympathy with the American people in the heavy loss they have sustained. Resolved unanimously, That this meeting desires most respectfully to present to Mrs. Lincoln its sincere sympathy and condolence on the melancholy loss she has sustained in the death of her husband. Resolved, That the mayor be requested to transmit the resolutions this day adopted to his excellency the Hon. Mr. Adams, the American minister to the court of St. James, London. J. M. BENNETT, Mayor. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/71379d7d562607ac50dfb5a978921890.pdf a7e2ddf880388fe681fb40764e6169bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p. 25.5 x 38 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-289 Creator An entity primarily responsible for making the resource Citizens of Norwich Title A name given to the resource Resolution of the Citizens of Norwhich Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-02 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 305. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 400. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 52.6333, 1.3000 Norwich England United Kingdom Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. At a meeting of the citizens of Norwich, in Common Hall assembled, on Tuesday, the 2d day of May, 1865, pursuant to a requisition to the mayor, numerously and influentially signed, for the purpose of expressing the sympathy of the city of Norwich to the American government and people for the great loss they have sustained by the atrocious murder of their President, the following resolution was unanimously passed, and the mayor was requested to sign and affix the corporate seal thereto, and forward it to the American minister in London: Resolved, That this meeting desires to express the greatest regret at the calamity brought upon the people of the United States of America by the assassination of President Lincoln. That this meeting regards with horror and detestation the crime by which the President’s life was sacrificed, and that in the name of the citizens of Norwich, this meeting begs to offer to the government and people of the United States the most sincere and earnest sympathy under the loss which has so suddenly befallen them. [seal] S. E. TUCK, Mayor. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/32306b864a3da4977a669d402de60e1d.pdf c72a162ce90505f86114f9a8a97f69de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 3 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-345 Creator An entity primarily responsible for making the resource Citizens of Sherbrooke Title A name given to the resource Resolutions of the Citizens of Sherbrooke Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-19 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 335-36. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 440-41. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 45.4000, -71.9000 Sherbrooke, Quebec Canada Scripto Manages transcriptions of items and files Weight A 6-digit number used to sort items quickly. 20 Transcription A written representation of a document or a page. Resolutions passed at a public meeting of the citizens of the town of Sherbrooke, province of Canada, on Wednesday, the 19th day of April, 1865. Sherbrooke, Canada East, April 19, 1865. Resolved, That this meeting is shocked at the fearful tragedy which took place at Washington, the capital of the United States, on Friday night last, in the fiendish and dastardly murder of the honorable Abraham Lincoln, Presidentof the United States, and filled with the most painful emotions that a man holding so high a position, upon whose life so many hopes were resting, and whose character was such as to give promise of so much good, should fall by the hands of a brutal assassin, in the presence of a peaceful audience. Resolved, That we sincerely sympathize with the widow and family of the late President in the sudden and unexpected death of one so near and dear to them; who amidst the unceasing cares and responsibilities devolving on him as the ruler of a great nation, at the same time retained those social and domestic qualities which so endeared him to his family, and to all those privileged with meeting him in the social circle. Resolved, That we deeply feel for and deplore the loss our friends and neighbors in the adjoining republic have sustained in the removal of their Chief Magistrate---a man eminently qualified for his high position, and combining in his person those characteristics which, at the present critical juncture of their national affairs, rendered him, under Almighty God, the instrument of great good to their country. Resolved, That we trust the mysterious dispensation of Almighty God, in permitting at this juncture of affairs in the United States the removal of Abraham Lincoln by the hand of death, willb~e so ordered and overruled as not to prove detrimental to the best interests of the republic, and that although the leading instrument in the conduct of affairs during their present unhappy struggle to an issue giving promise of peace has been removed from his high position, the progress of true freedom will be onward, and the principles of liberty perpetuated throughout the length and breadth of the land. Resolved, That as Canadian citizens connected with the British empire, we but express, we believe, the opinion of all our fellow subjects in deploring the removal of Abraham Lincoln at this present important epoch in the world's history, believing him to be desirous of maintaining friendly relations with other nations; and that, in connection with the honorable Mr. Seward, he was prepared to promote and advance the best interests of the world, by endeavoring to perpetuate the good feeling and friendly intercourse which have so long existed between the United States and European powers. Resolved, That we feel grateful for the kind interposition of Almighty God in preventing the cowardly assassination of the honorable Mr. Seward and his son, on the evening of Friday last, and trust that their lives will be spared to prove a blessing to their country in carrying forward to completion those plans inaugurated by their late President for the restoration of peace, and the re-establishment of liberty on a firm basis. Resolved, That the mayor of this town, as chairman of this meeting, be requested to forward a copy of these resolutions to Washington on behalf of the citizens of Sherbrooke. J. G. Robertson, Mayor. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 https://chroniclingillinois.org/files/original/c35584e2210fa5b93e59d1dbfb754756.pdf 176e677d7855816f93f4c4d7843eaf7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 2 p. 30 x 44.75 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-293 Title A name given to the resource Citizens of the Swiss Republic in New South Wales to President Andrew Johnson and the Congress of the United States Creator An entity primarily responsible for making the resource Citizens of the Swiss Republic in New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1865-XX-XX Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Ethnic groups Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 307. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 402-3. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant -33.9167, 151.1667 Sydney, New South Wales Australia Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. [Translation.] the citizens of the swiss republic in new south wales. To the honorable the President, the Senate, and the House of Representatives of the United States of America: We, the citizens of the Swiss republic, resident at New South Wales, have been requested by Signor John Baptist Modini, one of our countrymen, to assemble in order, as sons of another free republic, to condole with you, the Congress of America, on the very sad calamity that has befallen your nation, and to express our heartfelt sorrow and sympathetic grief for the immense loss you have sustained by the atrocious murder of your great devoted champion of liberty, President Abraham Lincoln. We, by birth sons of another free republic, cannot refrain from giving expression of sympathy for your great loss, being ourselves brought up under free principles, and owe it to ourselves and to the republic of which we are citizens to declare our abhorrence of the crime which has deprived humanity of one of its greatest ornaments. To Mrs. Lincoln and family we offer the respectful condolence of our sympathy with the sufferings which it is some consolation to know are in a degree shared by the world at large, but which are assuaged by the consideration that Mr. Lincoln’s work and best efforts had already gained the approval and admiration of every free and enlightened people. J. B. MODINI. AUGUSTO ANDREOLL. ORIOLA AFIRO. LORENZO BERTA. GOVANNI GAYLIARDI. FRANCESCO GALLI. And forty other names. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/6a08c94f4b4ab772d752b1f57e8fc1d5.pdf b047d135f04c2886addfe7df6e4b2d52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 9 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-407 Creator An entity primarily responsible for making the resource Citizens of the United States Resident in Florence Title A name given to the resource Resolutions of the Citizens of the United States Resident in Florence Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-02 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 446-48. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 586-87. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 43.7667, 11.2500 Florence Italy Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Florence, Italy, May 2, 1865. American meeting in Florence on account of the death of Abraham Lincoln. Pursuant to a call of the consul general, the citizens of the United States resident or temporarily staying at Florence met at the consulate on Tuesday, May 2, to take such measures consequent on the death of President Lincoln as might seem appropriate. The meeting, numbering nearly one hundred American gentlemen, was called to order by Hiram Powers, esq, and, on his motion, Col. Lawrence, the consul general, was appointed chairman, and Dr. B. B. Appleton, of Boston, chosen secretary. Col. Lawrence, on taking the chair, addressed the meeting as follows: Fellow-countrymen: We have met here to-day, united as mourners and companions in a common sorrow, to take counsel together in a national calamity, in an unspeakable and overwhelming grief, which bows our heads and fills our hearts. One of the best of Presidents, one of the purest of statesmen, one of the truest of men is no more, and the lamentation which arises from every part of our land finds a responsive echo in our own bosoms. The appalling tragedy which has removed our Chief Magistrate is absolutely without parallel or precedent in history. Cæsar found a Brutus because he had trampled upon the liberties of his country; Henri Quatre fell by the hand of an insane fanatic; but it has remained for the nineteenth century, for a period when civilization and Christianity are supposed to exert greater influence than ever before, to produce a cold-blooded and cowardly assassin to strike down a President acknowledged, even by his enemies, to be possessor of the highest virtues, and to have been actuated throughout his public career solely by a single-hearted and unselfish patriotism. It is not my belief that this fearful deed is either indorsed or approved by the people of the south; I believe at home and abroad that they are sincere in ignoring the infamous crime. But the broad fact nevertheless exists, that with the institution of slavery the pistol and bowie-knife have gone hand in hand, and that under its dominion personal revenge has avowedly been permitted to take precedence of established law. As a result of slavery, therefore, we owe this awful deed, and let us thank the Almighty that, as an institution, it has perished forever. Gentlemen, it is unnecessary for me to pronounce a eulogy upon President Lincoln—he needs none; there is his record—the world knows it by heart. His memory will gain new lustre as time rolls on, and history will accord him a niche in the temple of fame second only to that occupied by our immortal Washington. At the conclusion of Colonel Lawrence’s remarks the following resolutions were draughted by a committee appointed for the purpose and adopted unanimously: The American residents and visitors in Florence, desiring to give expression to their profound horror and grief on account of the atrocious crime by which our beloved country has been deprived of its honored and revered Chief Magistrate, hereby resolve— That while we see in the assassination of President Lincoln an act of barbarity unparalleled in the annals of crime, yet we are constrained to regard and denounce it as naturally and logically related to the grand conspiracy which has aimed at the overthrow of our republican institutions. That while we recognize the hand of Providence in this great calamity which has plunged the nation into mourning, we yet feel that the Divine power and goodness will so overrule it as to give stability and prosperity to our people, and to render lastingly triumphant the cause of freedom. That while we appreciate the great and patriotic work accomplished by our late President, which will secure for him an undying place in history, we believe that his violent death will but lend additional lustre to the noble and manly virtues of this worthy successor of Washington. That, in common with all loyal Americans at home and abroad, we hereby express our heartfelt sympathy with the bereaved family of the President in this hour of desolating affliction. That in token of our respect and sorrow we will wear a badge of mourning for thirty days. It was voted that a copy of these resolutions be transmitted to his Excellency the President of the United States. The chairman stated that deputations from various public associations existing in Florence had waited upon him to express their sympathy in the dire calamity which had befallen the United States, and that addresses to the same effect had been received by him from other cities of Italy. After a vote of thanks to the chairman for his opening remarks, and for his acceptable manner of presiding, the meeting was dissolved. T. BIGELOW LAWRENCE, Chairman, B. B. APPLETON, Secretary. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/04f409ff00f3754092df6cb4245e7f94.pdf 226e9e3deab6b052cc1d4ccca4c5ff00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 2 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-388 Creator An entity primarily responsible for making the resource Citizens of Waterford Title A name given to the resource Resolutions of the Citizens of Waterford Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-08 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 357. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 468. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 52.2500, -7.1000 Waterford Ireland Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. City of Waterford, Ireland. At a meeting of the citizens of Waterford, held at the Town Hall, on Thursday, the 4th instant, to express the sympathy and condolence with the people of America, shared in by all classes of the city of Waterford, the right worshipful John Lawler, mayor, in the chair— Resolved, una voce, That we, the citizens of Waterford, feel called upon to unite in the very general expression of indignation and horror at the cowardly and most atrocious assassination of Mr. Abraham Lincoln, President of the United States, and also the similar brutal attack on the life of Mr. Secretary Seward; and we request that our chief magistrate, John Lawler, esq., will forthwith transmit to Mr. President Johnson the expression of these our sentiments, as well as of our deep and sincere sympathy with the people of America for their sufferings under so dreadful a national calamity as this most henious act has given rise to. Resolved, una voce, That, although at the risk of intrusion on her intense grief, we cannot allow ourselves to separate without offering to Mrs. Lincoln our deep sympathy and sorrow for the very sad and sudden bereavement which she has endured in the loss of her husband, whom we have recognized to have been so good a man while holding the reins of the American government. To attempt on our part to afford consolation would, we feel, be an impossibility; but we most humbly and prayerfully commend her to the care and protection of Him who alone can dispense full and adequate comfort and consolation under the severest circumstances of affliction, whether of a national or a domestic character. By order of the mayor: GEORGE J. BRISCOE, Secretary. <div class="tei-postscript"> Town Clerk’s Office, Town Hall,  Waterford, Ireland, Monday, the 8th of May, 1865. </div> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/40306c2ad2c2e2cb1fd15cb79c294351.pdf d44eed5c32b61a0fde32c275357763ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 3 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-393 Creator An entity primarily responsible for making the resource Citizens of Woodstock Title A name given to the resource Resolutions of the Citizens of Woodstock Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-19 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Demonstrations Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 359. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 470-71. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 43.1167, -80.7667 Woodstock, Ontario Canada Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Moved by the Rev. Wm. J. McMullen, seconded by the Rev. U. S. Griffen, and Resolved, That we, the citizens of Woodstock, having heard of the assassination of Abraham Lincoln, President of the United States, do hereby record our sincere grief and inexpressible horror at the unnatural tragedy by which our neighbors of the American republic have been deprived of a President who has proved himself so well qualified to fill in such a national crisis the distinguished position to which his fellow-countrymen had a second time called him. We deplore his untimely end by a hand so worthless, not only as a great public calamity, falling at a time so critical on a friendly neighboring nation, but also as a heavy blow inflicted on the cause of humauity itself, with which the name of Abraham Lincoln must ever be associated. Moved by the Rev. D. McDermot, seconded by the Rev. J. Lacy, and Resolved, That the occurrences of Friday last, in the capital of the neighboring republic, by which the Chief Magistrate of the American people met his death at the hands of an assassin, prostrating in the gloom of bitterest despair an exalted family and bowing a nation in tears of deepest grief, evokes our heartfelt commisseration as well for the sorrowing family as the afflicted people. It is, therefore, Resolved, That the ministers of the various churches in Woodstock be requested to utilize the occasion on Sabbath next by a service special and pertinent to the terrible calamity, and indicative of the abhorrence felt by this community at the commission of an act so revolting to all Christian men, and so subversive of that obedience to constituted authority which is the keystone of individual liberty. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/57542e97c9ce489578cb52507b12eefa.pdf e0ffb5a626053d3e2b514592b2b5c85c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 3 p. 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-401 Creator An entity primarily responsible for making the resource City Council of Canzo Title A name given to the resource Resolution of the City Council of Canzo Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-12 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Municipal government Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 437. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 575. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource ita Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 45.8500, 9.2667 Canzo Italy Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. [Translation.] resolution. Participating in the sorrow of the rest of the world for the violent death of the President of the United States, the common council of Canzo, in token of sympathy for the champion of human freedom, and sorrow for his death, Resolve, That the new square fronting on National street shall be called Lincoln square. The municipal council is charged with the proper inscription. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/b6c31bb9976d7ca9a747922d9c88c734.pdf c44748c3de7642e881acc2182620fe6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 3 20.25x33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-170 Title A name given to the resource Resolution of City Council of Halifax Creator An entity primarily responsible for making the resource City Council of Halifax Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-17 Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Municipal government Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 231. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 304. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 44.6333, -65.5833 Halifax, Nova Scotia Canada Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Extract from minutes of city council, Halifax, N. S., April 17, 1865. Resolved, That this council have heard with deep regret that the President of the United States has fallen a victim to the foul assassin, and they desire to express their sincere sympathy with the bereaved family of the illustrious deceased and the great nation of which he was the head. To publicly mark their sense of regret, this body respectfully requests his worship the mayor will order the city flag to be drooped over this building on the day of the obsequies; and further, that his worship the mayor be requested to direct a copy of this resolution to be forwarded to the representative of the United States residing in this city. For and on behalf of the city council. J. Noncragg, City Clerk. City Court House, 18 April 1865. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/762e46b7e49043f0fb9469d1cca2fffe.pdf 289cfe65366ec72c407d441495ff49ff Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. City Inspector's Office. New-York, April 24 1865 PERMISSION is hereby given to Peter Rebyea to remove the remains of Abraham Lincoln Died of Pistol Shot Wound now in the City to Springfield Ill for Interment. F. J. A. Boole CITY INSPECTOR R W Bailey [for?] Clerk Status The current transcription status of a document or a page. Complete Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p 11 x 15 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300343 T1865.04.24-1-MISC Title A name given to the resource Permission to remove the remains of Abraham Lincoln Creator An entity primarily responsible for making the resource City Inspector's Office of New York; Boole, F.J.A. Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-19 Format The file format, physical medium, or dimensions of the resource pdf Description An account of the resource R.W. Bailey on behalf of the New York City Clerk, completes this partially-printed document and City Inspector F.J.A. Boole signs the authorization allowing Peter Relyea, the official undertaker for the City of New York, permission to remove the body of Abraham Lincoln, who died of a "pistol shot wound," from "the City" and transport it to "Springfield, Illinois for interment." Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. City Inspector's Office. New-York, April 24 1865 PERMISSION is hereby given to Peter Rebyea to remove the remains of Abraham Lincoln Died of Pistol Shot Wound now in the City to Springfield Ill for Interment. F. J. A. Boole CITY INSPECTOR R W Bailey [for?] Clerk Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/6f6a36e0326817b0e80210fd2f23252d.pdf 357237a4ac18fa3dd5f87be13eebc65c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The World Mourns for Abraham Lincoln (1865) Subject The topic of the resource Lincoln, Abraham, 1809-1865 <a>Presidents--Assassination</a> <a>Condolence notes</a> International relations--Social aspects Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self">Browse items in The World Mourns for Lincoln</a> These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data paper and ink 1 p. 21 x 33 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RG59E177-22 Title A name given to the resource Resolution of Government of City of Aberdeen, Scotland to Charles Francis Adams Creator An entity primarily responsible for making the resource City of Aberdeen, Scotland Format The file format, physical medium, or dimensions of the resource pdf Subject The topic of the resource Lincoln, Abraham, 1809-1865 Presidents--Assassination Condolence notes Municipal government Has Version A related resource that is a version, edition, or adaptation of the described resource. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 156. The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 206. Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 57.1333, -2.1000 Aberdeen Scotland United Kingdom Date A point or period of time associated with an event in the lifecycle of the resource 1865-05-01 Source A related resource from which the described resource is derived Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. At Aberdeen, the first day of May, in the year 1865, in presence of the lord provost, magistrates and council of the city of Aberdeen. Which day the lord provost stated that, before proceeding to the ordinary business, he would propose "that the council enter on their minutes an expresion of the sorrow and indignation which pervaded this city on receiving the intelligence that the President of the United States of America had been murdered, and the life of one of their most distinguished statesmen (Mr. Seward) endangered by the hands of assassins; and also of the earnest sympathy of the council and community with the government and people of the United States." Which proposal was unanimously agreed to; and the council directed a copy of this resolution, under the common seal of the city, to be signed by the lord provost, and transmitted to the minister in this country of the United States. [seal.] Alexander, Lord Provost of Aberdeen. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/2469fc52591bd8dab1f308d07ccbf257.jpg 83f606e6846d57388475aefe319d55e0 https://chroniclingillinois.org/files/original/ad342c5457a12c2110b0fa0ed72d8607.jpg 5cd540ee30b3bc6093bf82745853cc5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amza Lewis Fitch Collection Subject The topic of the resource Fitch, Amza Lewis, 1839-1913 Fitch, Ella Jane Veazie, 1845-1919 Morris, Ella Maude Fitch Ship captians Veterans Description An account of the resource Captain Amza Lewis Fitch served in the Civil War in the 13th New York Heavy Artillery and the Navy. Fitch and his family lived in Oak Park, Illinois, where he worked as a ship captain for boats on Lake Michigan after the war. Images in this collection include portraits of Captain Fitch, his wife Ella Jane Veazie Fitch, and his daughter, Ella Maude Fitch Morris. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data carte de visite b&w 2 Physical Dimensions The actual physical size of the original image. 10 x 6 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 403432 Amza Lewis Fitch Collection Title A name given to the resource Amza Louis Fitch Description An account of the resource Amza Lewis Fitch poses for a portrait in New York City. On verso: "Maternal grandfather of John Amza Morris." Subject The topic of the resource Fitch, Amza Lewis, 1839-1913 Young men Suits (Clothing) Creator An entity primarily responsible for making the resource Clapsadel, F. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1865 Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/8edc6cb68fde07cdea7e1758ed6fd05c.pdf e16f8d271383ca0fb451f29571d0792a Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. NEW YORK: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> 2 THE CHICAGO COPPERHEADS. Written and adapted by James G. Clark. With energy 1. There is a band of Copperhead snakes, Crawling along the northern lakes, 2. There is a snake call'd "Little Mac!" Throwing himself upon his back, 3. The snakes are fill'd with fear and woe, Up salt river they're bound to go, 4. The snakes will all be buried this Fall, Abe is bruising them with his maul, Ev'ryone has got the shakes, Oh, see 'em crawling. Ev'ry time he take a tack, Oh, see him crawling. Satan has got them all in tow, Oh, see 'em crawling. Each one into his hole will crawl, Oh, see 'em crawling. <hr /> 3 Trio. Air. Tenor. There is a band of Copperhead snakes, Crawling along the Bass. There is a band of Copperhead snakes, Crawling along the Piano. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. <hr /> Select Catalogue of Mrs. E.A. Parkhurst's Compositions. 1864. Published by Horace Waters, 481 Broadway, N.Y. 1864. NORAH DEAREST Is a charming and popular song with chorus. It is simply arranged in the key of G. "When the stars are brightly shining For above my weary head Softly steal my thoughts to Norah, Norah, sleeping with the dead." HOW SOFTLY ON THE BRUISED HEART Is an exquisite little ballad and should be found in every household in the land. It is simple and full of feeling, and easily arranged in the key of B flat. "How softly on the bruised heart A word of kindness falls, And to the dry and parched soul The [?] tear drop falls." SWEET LITTLE NELL. This is a fitting companion to "Sweet Evelina," which has been so popular, and which was one of Mrs. Parkhurst's best arrangements. It is spirited in its movement and has a charming chorus. "Oh! talk not of daisies and violets of spring, Of rose-buds and dew-drops or any such thing; For the loveliest flow'ret that grows in the dell Is the dear bonnie maiden they call Little Nell." THE ANGELS ARE HOVERING NEAR. This song is beautiful beyond description. The melody is low and sweet, while the Piano accompaniment has a smooth, gliding movement, very charming in its effect. It is arranged in A flat. "When the glow of the sonnet is fused in the sky, And the creep of the twilight at evening is nigh, When the eyelids of darkness are wet with the dew, And the stars are ablaze in the [dawn?] of the blue, The angels are hovering near." THE BEAUTIFUL ANGEL BAND. This is another ballad in A flat. The words are very beautiful and the music is finely adapted. Mrs. Parkhurst possesses a most remarkable faculty of interblending words and melody, and she was never more successful than in this song. "Mother, dear Mother, they're calling me now; Behold is the beautiful west, With a [bright crown?] decking each youthful brow, They came down the land of the blest." I CAN'T FORGET. This ballad, although simple, is very artistic in style, and is destined to be a favorite in the concert room and parlor. The melody is pure, combined with the richest harmony. Key of C. "Do not chide if found affection Lingers still when hope is past, Weeping tears of deep dejection Where the wrecks of joy are met." DOST THOU EVER THINK OF ME, LOVE? This is a song and chorus of the sentimental order, and cannot fail to be popular. It has been pronounced by good judges to be one of the prettiest ballads published. It is in the key of G. "Dost thou every think of me, love? Dost thou ever think of me? Do you still my memory cherish, Though I'm far away from thee?" ANGEL MARY. This is a sweet and simple ballad in A flat. The words and music are by Mrs. Parkhurst, and are wedded in such a manner as to give a charm to both. "You are lying low down in your grave, darling, With the mould creeping over your face, And sadly the green willows wave, darling, And sigh o'er your lone resting place. You left us when summer was throwing O'er earth her bright mantle of flowers; But we know in our hearts you were going To a land that is fairer than ours." WEEP NO MORE FOR LILY. Song and Chorus in E flat. This is a light sparkling melody in the solo, while the chorus is solemn and rich in its harmony. It contains all the elements of popularity. "Lilly of the valley, modest, sweet and mild, Ever pure and lovely was the gentle child; Sunny hair had Lilly, eyes of azure blue, Footstep soft and gentle as the falling dew. Chorus--Weep no more for Lily: Lily's gone above; Angels came and bore her to their land of love." MARY FAY. This is a popular song among the Minstrel bands, and is very fine for a serenade. The chorus is particularly good. Key of B flat. 30 cents each. "Oh! where has she gone, my Mary Fay, My love, my joy, my [pain?]" I would go to the ends of the raging sea To hear her voice again." THE UNION MEDLEY. This is an ingenious combination of all the best patriotic songs of the day, and will be popular. 60 cents. THE TEAR OF LOVE. This is one of Mrs. Parkhurst's happiest efforts, and when sung by a sympathizing voice cannot fail to draw the tears from every eye. It is arranged in A flat, and ranges from E to F above. "Think not thou e'er hast won a heart, And that heart holds these dear, 'Till it shreds for thee, and thee alone, A pure and heartfelt tear; For a smile of love or a spoken word Ne'er yet affection provided: But when we mark the starting tear, Oh! than we are beloved." KATY DID, KATY DIDN'T. This is, as its name indicates, a comic song. It is designed more especially for children, and has elicited shouts of applause wherever it has been sung. It is in the key of D. "Katy did, Katy didn't, Katy did, Katy didn't, Katy did, Katy didn't, Katy didn't She didn't, I know. Katy had an ardent lover, " &c. THIS HAND NEVER STRUCK ME, MOTHER. This song is founded on a very beautiful incident, and cannot fail to be popular throughout the land. It is very simple and touching. Key of C. "Chorus.--Would that every loving sister Could say of her darling brother, Whether he were dead or living, This hand never struck me, mother." THEY DYING DRUMMER. This is a very touching song and chorus and will be a favorite in every household, particularly those made desolate by death upon the battlefield. It is arranged in the key of D. 30 cents each. "Chorus.--Have you come to see your darling Die upon the battlefield, Far from home, so sad and lonely? Have you come your boy to shield?" The following is a list of Mrs. Parkhurst's instrumental compositions:-- "Yankee Doodle," with variations, is not difficult, but very brilliant, and has been played by Mrs. Parkhurst with great applause at over one hundred concerts. "Morning Dreams," a collection of popular and [?] varied, and especially designed for teaching purposes, viz: "Away with Melancholy," rather difficult, and a most favorite among good players. "Blue Bells of Scotland," very showy, but not difficult. "Sweet Evelina," another great favorite, and exceedingly brilliant. "They Worked Me All the Day," showy and excellent practice for pupils somewhat advanced. The above pieces are 60 cents each. "Spirit Polka." This is one of the best and most popular polkas ever published. It is excellent for dancing and possesses the charm of never growing old. It is full of melody and easily arranged in A flat. "Summer House of Roses." A Galop very spirited and beautifully arranged. Key of C. "Airy Castles," a Romance. This is one of those charming, silvery pieces, that once heard cannot be forgotten, and will always be a favorite with the young ladies. "The Cloud with a Silver Lining." Another Romance of the same character as the above. "General Scott's Farewell March." As easy march and a fine arrangement for young pupils. 25 cents. "The Sanitary Fair Polka." Composed for the Sanitary Fair, and dedicated to the patrons. This is one of Mrs. Parkhurst's most successful efforts. It is simple, full of melody and exquisite harmony, and fine for dancing. 25 c. The Brooklyn Eagle says:-- "The music is bright, sparkling, attractive and "easily whistled," in other words. It has all the elements of popularity, and will undoubtedly extend the reputation of its accomplished author." "The Tender Glance Schottisch." Fine for dancing, quite easy and very beautiful. 30 cents each. New Music at Mrs. Parkhurst.--We cheerfully call attention to Mrs. Parkhurst's advertisement of new music, which appears in our columns to-day. There are some ten or fifteen compositions in all, many of which are exceedingly meritorious while all are above the average of such works. Mrs. Parkhurst is one of our most prolific native composers, many of her songs being familiar as household words. The fair author has a happy faculty of interblending word and melody, which results in most pleasing and memorable harmony, the benefits in most pleasing and memorable harmony, the benefits of which our readers may share by purchasing the music and studying the composition.--Brooklyn Eagle. VOCAL. THE NEW EMANCIPATION SONG. This is a stirring Song and Chorus, written for the Hutchinsons and sung by them throughout the land. It is well adapted to the times. "If you wish to be commended, Let not Slavery be extended, But its reign quickly ended, In these United States.' THE SOLDIER'S DYING FAREWELL. This is another of Mrs. Parkhurst's latest productions. It has a charming melody, with a chorus beautifully harmonized, and is having a large sale. Chorus--Don't you hear them singing, Mother, Listen to the music's swell, Now I leave thee, loving Mother. God be with you, fare you well. NO SLAVE BENEATH THAT STARRY FLAG. This is one of the best songs of the kind ever written. The words are by the Rev. George Lansing Taylor. It has a fine chorus, and when well sung is calculated to infuse patriotism into the heart of every listener. "No Slave beneath that starry flag, The emblem of the free. No fettered hand, shall wield the brand, That smites for Liberty." DEY SAID WE WOULDN'T FIGHT. A very amusing negro melody, with a fine chorus; It is well adapted to the times. Chorus.--"Hi! hi! boys, we's a gwine home, Hi! ho! now for de fray. LITTLE JOE THE CONTRABAND. Another mirth-provoking negro melody. THERE'S REST FOR ALL IN HEAVEN A very beautiful song and chorus, in the key of E flat. "We still have this sweet solace left, There's rest for all in heaven." COME RALLY, FREEMEN, RALLY. A campaign song and chorus, very finely arranged. One of Mrs. Parkhurst's best "Hurrah, boys, hurrah, we'll work with all our might. THEY TELL ME I'LL FORGET THEE. This is an exquisite ballad, plaintive and touching, and one of the sweetest melodies Mrs. Parkhurst has ever written. It is arranged in A flat. "They tell me I'll forget thee, when 'Mid other scenes I stray, That thoughts of thee will vanish as The dew as break of day." ONLY YOU AND I. A charming little song, lively and very amusing. More especially designed for people in love. "When'er we walk together, love, And no one else is nigh, It seems as if the world was made, For only you and I." I'M WILLING TO WAIT. Or, The Old Maid's Song Another comic song, arranged with a beautiful accompaniment, very amusing. "Twas not such a very long time ago, At least, so it seems to me, Since I was a maiden, just in my teens, As pretty as I could be. But now they call me a poor old maid, And I'll own I'm thirty four, But I'm willing to wait, I'm willing to wait, With patience a year or two more." MY JAMIE'S IN THE BATTLE FIELD. A Scotch ballad, very pretty and taking. "My Jamie's on the battle field, And Oh, I miss my laddie so, My puir lane heart so fu of pain, I wish I had no let him go." OUR DEAR NEW ENGLAND BOYS. A very sweet and touching melody, with beautiful words and an excellent chorus. Key of E flat. Chorus.--Let them rest their work is finished Nothing now their sleep annoys, Angels guard the unbroken slumbers Of our dear New England Boys. The above pieces are 30 cents each, mailed. WERE I BUT HIS OWN WIFE. One of Tom Moore's beautiful songs, set to sweet and appropriate music. A song that will be a favorite. "Were I but his own wife to guide and to guard him, 'Tis little sorrow should fall on my dear. For every kind glance my whole life would reward him, In sickness I'd soothe, and in sadness I'd cheer." THERE ARE VOICES, SPIRIT VOICES. This is one of the best pieces Mrs. Parkhurst has ever written. It is classical in style, yet simply arranged. It has a most beautiful chorus, with an accompaniment in imitation of voices. Chorus.--Spirit voices, hear the echo, They are calling us away, Where the roses never wither, Where the crystal fountains play." A HOME ON THE MOUNTAIN. A dashing spirited song in the key of G. Very brilliant and beautiful. "Let others sigh for a valley home, Where the brook runs murmuring by. I'll build my cot on the mountain's dome, Where it leans to the deep blue sky." DO THEY LOVE ME STILL AS EVER. Song and Chorus in the key of B flat. Very beautiful and becoming very popular. "Do they love me still as ever. In the old familiar way. Do they ne'er forget me, never, Though afar from home I stray." OH, SEND ME ONE FLOWER FROM HIS GRAVE. A very touching and beautiful song, with chorus finely harmonized. It is arranged in the key of A flat. "While the merry birds sing in the low branches near, And above him the green willows wave. Still warm with the sunshine and wet with the dew. Oh, send me one flower from his grave." WAIT, MY LITTLE ONE, WAIT. This is a pathetic little ballad, that touches the heart of every mother who has a little one in heaven. It is simply arranged it the key of A flat. "Wait, my little one, wait. When you get to that beautiful land. Tarry a little my darling one, Ere you join that heavenly land." The above pieces are 30 cents each, mailed. INSTRUMENTAL. The Sigh in the Heart--Waltz sentimental. This is a charming piece of seven pages; brilliant and at the same time very sweet and not too difficult for ordinary players. Price, 40 cents. Starlight Waltz.--A simple waltz, very pretty and designed more especially for players not very far advanced. Good time for dancing. On to Richmond Galop.--A brilliant, spirited gallop, not very difficulty, and one that cannot fail to be popular. Price, 30 cents each, mailed.-- THE SUNNYSIDE SET. A set of easy pieces arranged from popular airs, especially for young beginners:--"Three Rogueish Chaps," (Polka); "My Country," (March); "Sunny Side Rondo"; "Little Bird Waltz"; "Brave McClellan," (March); "What they do at the Springs," (Waltz); "They worked me all the day," (Polka); "There's no such girl as mine," (Gallop); "Was my brother in the battle," (March); "Shall we know each other there," (Rondo); "Little Ella's an Angel," (Quickstep); "Leave me with my mother," (M'rch); "Weep no more for Lilly," (March); "Why have my loved ones gone," (Schottische); "The Volunteer Polka"; "Cannon Gallop"; "Morning Dew," (Schottische); "Little Jenny Dow," (Polka); "Sweet Evelina," (Waltz); "When this dreadful war is ended," (Polka); "Merry little birds are we, (Polka); "There are plenty of fish in the sea," (Quickstep); "Norah Dearest," (March); "The Evacuation," (Dance); "Farmer Stubbs," (Dance); "Sweet little Nell," (Waltz). The above pieces are all fingered. Price, 20 cents each, mailed free. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300967 839678268 Title A name given to the resource The Chicago Copperhead Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. NEW YORK: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> 2 THE CHICAGO COPPERHEADS. Written and adapted by James G. Clark. With energy 1. There is a band of Copperhead snakes, Crawling along the northern lakes, 2. There is a snake call'd "Little Mac!" Throwing himself upon his back, 3. The snakes are fill'd with fear and woe, Up salt river they're bound to go, 4. The snakes will all be buried this Fall, Abe is bruising them with his maul, Ev'ryone has got the shakes, Oh, see 'em crawling. Ev'ry time he take a tack, Oh, see him crawling. Satan has got them all in tow, Oh, see 'em crawling. Each one into his hole will crawl, Oh, see 'em crawling. <hr /> 3 Trio. Air. Tenor. There is a band of Copperhead snakes, Crawling along the Bass. There is a band of Copperhead snakes, Crawling along the Piano. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. northern lakes, Ev'ry one has got the shakes, Oh, see em crawling. <hr /> Select Catalogue of Mrs. E.A. Parkhurst's Compositions. 1864. Published by Horace Waters, 481 Broadway, N.Y. 1864. NORAH DEAREST Is a charming and popular song with chorus. It is simply arranged in the key of G. "When the stars are brightly shining For above my weary head Softly steal my thoughts to Norah, Norah, sleeping with the dead." HOW SOFTLY ON THE BRUISED HEART Is an exquisite little ballad and should be found in every household in the land. It is simple and full of feeling, and easily arranged in the key of B flat. "How softly on the bruised heart A word of kindness falls, And to the dry and parched soul The [?] tear drop falls." SWEET LITTLE NELL. This is a fitting companion to "Sweet Evelina," which has been so popular, and which was one of Mrs. Parkhurst's best arrangements. It is spirited in its movement and has a charming chorus. "Oh! talk not of daisies and violets of spring, Of rose-buds and dew-drops or any such thing; For the loveliest flow'ret that grows in the dell Is the dear bonnie maiden they call Little Nell." THE ANGELS ARE HOVERING NEAR. This song is beautiful beyond description. The melody is low and sweet, while the Piano accompaniment has a smooth, gliding movement, very charming in its effect. It is arranged in A flat. "When the glow of the sonnet is fused in the sky, And the creep of the twilight at evening is nigh, When the eyelids of darkness are wet with the dew, And the stars are ablaze in the [dawn?] of the blue, The angels are hovering near." THE BEAUTIFUL ANGEL BAND. This is another ballad in A flat. The words are very beautiful and the music is finely adapted. Mrs. Parkhurst possesses a most remarkable faculty of interblending words and melody, and she was never more successful than in this song. "Mother, dear Mother, they're calling me now; Behold is the beautiful west, With a [bright crown?] decking each youthful brow, They came down the land of the blest." I CAN'T FORGET. This ballad, although simple, is very artistic in style, and is destined to be a favorite in the concert room and parlor. The melody is pure, combined with the richest harmony. Key of C. "Do not chide if found affection Lingers still when hope is past, Weeping tears of deep dejection Where the wrecks of joy are met." DOST THOU EVER THINK OF ME, LOVE? This is a song and chorus of the sentimental order, and cannot fail to be popular. It has been pronounced by good judges to be one of the prettiest ballads published. It is in the key of G. "Dost thou every think of me, love? Dost thou ever think of me? Do you still my memory cherish, Though I'm far away from thee?" ANGEL MARY. This is a sweet and simple ballad in A flat. The words and music are by Mrs. Parkhurst, and are wedded in such a manner as to give a charm to both. "You are lying low down in your grave, darling, With the mould creeping over your face, And sadly the green willows wave, darling, And sigh o'er your lone resting place. You left us when summer was throwing O'er earth her bright mantle of flowers; But we know in our hearts you were going To a land that is fairer than ours." WEEP NO MORE FOR LILY. Song and Chorus in E flat. This is a light sparkling melody in the solo, while the chorus is solemn and rich in its harmony. It contains all the elements of popularity. "Lilly of the valley, modest, sweet and mild, Ever pure and lovely was the gentle child; Sunny hair had Lilly, eyes of azure blue, Footstep soft and gentle as the falling dew. Chorus--Weep no more for Lily: Lily's gone above; Angels came and bore her to their land of love." MARY FAY. This is a popular song among the Minstrel bands, and is very fine for a serenade. The chorus is particularly good. Key of B flat. 30 cents each. "Oh! where has she gone, my Mary Fay, My love, my joy, my [pain?]" I would go to the ends of the raging sea To hear her voice again." THE UNION MEDLEY. This is an ingenious combination of all the best patriotic songs of the day, and will be popular. 60 cents. THE TEAR OF LOVE. This is one of Mrs. Parkhurst's happiest efforts, and when sung by a sympathizing voice cannot fail to draw the tears from every eye. It is arranged in A flat, and ranges from E to F above. "Think not thou e'er hast won a heart, And that heart holds these dear, 'Till it shreds for thee, and thee alone, A pure and heartfelt tear; For a smile of love or a spoken word Ne'er yet affection provided: But when we mark the starting tear, Oh! than we are beloved." KATY DID, KATY DIDN'T. This is, as its name indicates, a comic song. It is designed more especially for children, and has elicited shouts of applause wherever it has been sung. It is in the key of D. "Katy did, Katy didn't, Katy did, Katy didn't, Katy did, Katy didn't, Katy didn't She didn't, I know. Katy had an ardent lover, " &c. THIS HAND NEVER STRUCK ME, MOTHER. This song is founded on a very beautiful incident, and cannot fail to be popular throughout the land. It is very simple and touching. Key of C. "Chorus.--Would that every loving sister Could say of her darling brother, Whether he were dead or living, This hand never struck me, mother." THEY DYING DRUMMER. This is a very touching song and chorus and will be a favorite in every household, particularly those made desolate by death upon the battlefield. It is arranged in the key of D. 30 cents each. "Chorus.--Have you come to see your darling Die upon the battlefield, Far from home, so sad and lonely? Have you come your boy to shield?" The following is a list of Mrs. Parkhurst's instrumental compositions:-- "Yankee Doodle," with variations, is not difficult, but very brilliant, and has been played by Mrs. Parkhurst with great applause at over one hundred concerts. "Morning Dreams," a collection of popular and [?] varied, and especially designed for teaching purposes, viz: "Away with Melancholy," rather difficult, and a most favorite among good players. "Blue Bells of Scotland," very showy, but not difficult. "Sweet Evelina," another great favorite, and exceedingly brilliant. "They Worked Me All the Day," showy and excellent practice for pupils somewhat advanced. The above pieces are 60 cents each. "Spirit Polka." This is one of the best and most popular polkas ever published. It is excellent for dancing and possesses the charm of never growing old. It is full of melody and easily arranged in A flat. "Summer House of Roses." A Galop very spirited and beautifully arranged. Key of C. "Airy Castles," a Romance. This is one of those charming, silvery pieces, that once heard cannot be forgotten, and will always be a favorite with the young ladies. "The Cloud with a Silver Lining." Another Romance of the same character as the above. "General Scott's Farewell March." As easy march and a fine arrangement for young pupils. 25 cents. "The Sanitary Fair Polka." Composed for the Sanitary Fair, and dedicated to the patrons. This is one of Mrs. Parkhurst's most successful efforts. It is simple, full of melody and exquisite harmony, and fine for dancing. 25 c. The Brooklyn Eagle says:-- "The music is bright, sparkling, attractive and "easily whistled," in other words. It has all the elements of popularity, and will undoubtedly extend the reputation of its accomplished author." "The Tender Glance Schottisch." Fine for dancing, quite easy and very beautiful. 30 cents each. New Music at Mrs. Parkhurst.--We cheerfully call attention to Mrs. Parkhurst's advertisement of new music, which appears in our columns to-day. There are some ten or fifteen compositions in all, many of which are exceedingly meritorious while all are above the average of such works. Mrs. Parkhurst is one of our most prolific native composers, many of her songs being familiar as household words. The fair author has a happy faculty of interblending word and melody, which results in most pleasing and memorable harmony, the benefits in most pleasing and memorable harmony, the benefits of which our readers may share by purchasing the music and studying the composition.--Brooklyn Eagle. VOCAL. THE NEW EMANCIPATION SONG. This is a stirring Song and Chorus, written for the Hutchinsons and sung by them throughout the land. It is well adapted to the times. "If you wish to be commended, Let not Slavery be extended, But its reign quickly ended, In these United States.' THE SOLDIER'S DYING FAREWELL. This is another of Mrs. Parkhurst's latest productions. It has a charming melody, with a chorus beautifully harmonized, and is having a large sale. Chorus--Don't you hear them singing, Mother, Listen to the music's swell, Now I leave thee, loving Mother. God be with you, fare you well. NO SLAVE BENEATH THAT STARRY FLAG. This is one of the best songs of the kind ever written. The words are by the Rev. George Lansing Taylor. It has a fine chorus, and when well sung is calculated to infuse patriotism into the heart of every listener. "No Slave beneath that starry flag, The emblem of the free. No fettered hand, shall wield the brand, That smites for Liberty." DEY SAID WE WOULDN'T FIGHT. A very amusing negro melody, with a fine chorus; It is well adapted to the times. Chorus.--"Hi! hi! boys, we's a gwine home, Hi! ho! now for de fray. LITTLE JOE THE CONTRABAND. Another mirth-provoking negro melody. THERE'S REST FOR ALL IN HEAVEN A very beautiful song and chorus, in the key of E flat. "We still have this sweet solace left, There's rest for all in heaven." COME RALLY, FREEMEN, RALLY. A campaign song and chorus, very finely arranged. One of Mrs. Parkhurst's best "Hurrah, boys, hurrah, we'll work with all our might. THEY TELL ME I'LL FORGET THEE. This is an exquisite ballad, plaintive and touching, and one of the sweetest melodies Mrs. Parkhurst has ever written. It is arranged in A flat. "They tell me I'll forget thee, when 'Mid other scenes I stray, That thoughts of thee will vanish as The dew as break of day." ONLY YOU AND I. A charming little song, lively and very amusing. More especially designed for people in love. "When'er we walk together, love, And no one else is nigh, It seems as if the world was made, For only you and I." I'M WILLING TO WAIT. Or, The Old Maid's Song Another comic song, arranged with a beautiful accompaniment, very amusing. "Twas not such a very long time ago, At least, so it seems to me, Since I was a maiden, just in my teens, As pretty as I could be. But now they call me a poor old maid, And I'll own I'm thirty four, But I'm willing to wait, I'm willing to wait, With patience a year or two more." MY JAMIE'S IN THE BATTLE FIELD. A Scotch ballad, very pretty and taking. "My Jamie's on the battle field, And Oh, I miss my laddie so, My puir lane heart so fu of pain, I wish I had no let him go." OUR DEAR NEW ENGLAND BOYS. A very sweet and touching melody, with beautiful words and an excellent chorus. Key of E flat. Chorus.--Let them rest their work is finished Nothing now their sleep annoys, Angels guard the unbroken slumbers Of our dear New England Boys. The above pieces are 30 cents each, mailed. WERE I BUT HIS OWN WIFE. One of Tom Moore's beautiful songs, set to sweet and appropriate music. A song that will be a favorite. "Were I but his own wife to guide and to guard him, 'Tis little sorrow should fall on my dear. For every kind glance my whole life would reward him, In sickness I'd soothe, and in sadness I'd cheer." THERE ARE VOICES, SPIRIT VOICES. This is one of the best pieces Mrs. Parkhurst has ever written. It is classical in style, yet simply arranged. It has a most beautiful chorus, with an accompaniment in imitation of voices. Chorus.--Spirit voices, hear the echo, They are calling us away, Where the roses never wither, Where the crystal fountains play." A HOME ON THE MOUNTAIN. A dashing spirited song in the key of G. Very brilliant and beautiful. "Let others sigh for a valley home, Where the brook runs murmuring by. I'll build my cot on the mountain's dome, Where it leans to the deep blue sky." DO THEY LOVE ME STILL AS EVER. Song and Chorus in the key of B flat. Very beautiful and becoming very popular. "Do they love me still as ever. In the old familiar way. Do they ne'er forget me, never, Though afar from home I stray." OH, SEND ME ONE FLOWER FROM HIS GRAVE. A very touching and beautiful song, with chorus finely harmonized. It is arranged in the key of A flat. "While the merry birds sing in the low branches near, And above him the green willows wave. Still warm with the sunshine and wet with the dew. Oh, send me one flower from his grave." WAIT, MY LITTLE ONE, WAIT. This is a pathetic little ballad, that touches the heart of every mother who has a little one in heaven. It is simply arranged it the key of A flat. "Wait, my little one, wait. When you get to that beautiful land. Tarry a little my darling one, Ere you join that heavenly land." The above pieces are 30 cents each, mailed. INSTRUMENTAL. The Sigh in the Heart--Waltz sentimental. This is a charming piece of seven pages; brilliant and at the same time very sweet and not too difficult for ordinary players. Price, 40 cents. Starlight Waltz.--A simple waltz, very pretty and designed more especially for players not very far advanced. Good time for dancing. On to Richmond Galop.--A brilliant, spirited gallop, not very difficulty, and one that cannot fail to be popular. Price, 30 cents each, mailed.-- THE SUNNYSIDE SET. A set of easy pieces arranged from popular airs, especially for young beginners:--"Three Rogueish Chaps," (Polka); "My Country," (March); "Sunny Side Rondo"; "Little Bird Waltz"; "Brave McClellan," (March); "What they do at the Springs," (Waltz); "They worked me all the day," (Polka); "There's no such girl as mine," (Gallop); "Was my brother in the battle," (March); "Shall we know each other there," (Rondo); "Little Ella's an Angel," (Quickstep); "Leave me with my mother," (M'rch); "Weep no more for Lilly," (March); "Why have my loved ones gone," (Schottische); "The Volunteer Polka"; "Cannon Gallop"; "Morning Dew," (Schottische); "Little Jenny Dow," (Polka); "Sweet Evelina," (Waltz); "When this dreadful war is ended," (Polka); "Merry little birds are we, (Polka); "There are plenty of fish in the sea," (Quickstep); "Norah Dearest," (March); "The Evacuation," (Dance); "Farmer Stubbs," (Dance); "Sweet little Nell," (Waltz). The above pieces are all fingered. Price, 20 cents each, mailed free. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/2dadcb28843cf2a45c217c5bca181fba.pdf bac59a443c5e7b10440305e7ffbf8297 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864, The Chicago Copperhead, and The Copperhead of 1865. By James G. Clark. New York: Published by Horace Waters, 481 Broadway Entered according to act of Congress in A. D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York <hr /> The Copperhead of 1864. Words by John Holland. Music by James G. Clark. 1. Ther is a snake that haunts the grass, Des-pised by all men, white and red, Trod 'neath the hoofs of ox and ass- The glist-'ning, ven-omous copper-head. Through out three sea-sons of the year, The rat-tle-snake him-self hath fled; But when the ex-tra month ap-pear, His sut-ler is the copper-head- 2. 'Tis said that ev-ery creep-ing thing Has got some use-ful task a-head; But yet the bards have fail'd to sing One vir-tue in the copper-head, The an-cient snake in E-den's bowers From flow-'ry paths our pa-rents led; Ex - pe-rience in this age of ours Comes down up-on the copper-head- 3. But, glo-ry be to Is-rael's God! The Un-ion bird its wings has spread, Whose beak and claws shall rid the sod Of ev-'ry crawl-ing copper-head, The rat-tle-snake and cop-per-head Shall ne'er coil up fair Free-dom's bed; The Un-ion pole pokes ev-'ry hole That can co-tain a copper-head Chorus Air Oh!.................. The twist-ing, wrigg-ling cop-perhead; The glist-'ning ven-omous copperhead; The man of sense can fix the tense In which to kill the cop-per-head. Alto Oh!.................. The wal-lowing, spong-ing cop-perhead; The hiss-ing, spitt-ing copperhead From Un-ion hands it eats its bread, And bites for thanks the cop-per-head Tenor Oh!.................. A-las, a-las, the cop-erhead! The Un-ion stone has smashed its Head! We'll stuff its skin for men to grin At what was once a cop-per-head! Bass <hr /> Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 5 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300969 839678669 Title A name given to the resource The Copperhead of 1864 Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. The Copperhead of 1864, The Chicago Copperhead, and The Copperhead of 1865. By James G. Clark. New York: Published by Horace Waters, 481 Broadway Entered according to act of Congress in A. D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York <hr /> The Copperhead of 1864. Words by John Holland. Music by James G. Clark. 1. Ther is a snake that haunts the grass, Des-pised by all men, white and red, Trod 'neath the hoofs of ox and ass- The glist-'ning, ven-omous copper-head. Through out three sea-sons of the year, The rat-tle-snake him-self hath fled; But when the ex-tra month ap-pear, His sut-ler is the copper-head- 2. 'Tis said that ev-ery creep-ing thing Has got some use-ful task a-head; But yet the bards have fail'd to sing One vir-tue in the copper-head, The an-cient snake in E-den's bowers From flow-'ry paths our pa-rents led; Ex - pe-rience in this age of ours Comes down up-on the copper-head- 3. But, glo-ry be to Is-rael's God! The Un-ion bird its wings has spread, Whose beak and claws shall rid the sod Of ev-'ry crawl-ing copper-head, The rat-tle-snake and cop-per-head Shall ne'er coil up fair Free-dom's bed; The Un-ion pole pokes ev-'ry hole That can co-tain a copper-head Chorus Air Oh!.................. The twist-ing, wrigg-ling cop-perhead; The glist-'ning ven-omous copperhead; The man of sense can fix the tense In which to kill the cop-per-head. Alto Oh!.................. The wal-lowing, spong-ing cop-perhead; The hiss-ing, spitt-ing copperhead From Un-ion hands it eats its bread, And bites for thanks the cop-per-head Tenor Oh!.................. A-las, a-las, the cop-erhead! The Un-ion stone has smashed its Head! We'll stuff its skin for men to grin At what was once a cop-per-head! Bass <hr /> Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/8e3f09de388fc2fcecd7bfebb630a662.pdf c7ac1568b587daedcfedcc788feac843 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE COPPERHEAD OF 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. New York: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> THE COPPERHEAD OF 1865. Words by Futurity. Music by James G. Clark. 1. No part nor lot in the glorious work; No part nor lot had I: But I 2. No part nor lot in the glorious work; No part nor lot had I: But I 3. No part nor lot in the glorious work; No part nor lot had I: But I sat like a frog on an old hollow log, And croaked to the passers by, aimed my gun to the new-risen sun, And fired at his Godlike eye, trod the long grass where the patriots would pass, And sneered at their rallying cry, 4. No part nor lot in the glorious work; No part nor lot had I; 'Twas little I cared how the bondmen fared, Though his chains clanked under my eye. Clank--clank--clank--No matter how heavy the pain, No matter how cutting the steely lash That fell o'er the negro's brain. 5. No part nor lot in the glorious work; No part nor lot had I; And when the air swells with the music of bells I only look down with a sigh. Bells--bells--bells--They tell us the nation is free, And the noble achievers, co-workers with God--But Copperheads, what are we? Entered according to Act of Congress, A.D. 1864 by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York. <hr /> 3 Croak--Croak--Croak--There were many paused to hear, And Fire--fire--fire--We thought we were many and strong, And could Sneer--sneer--sneer--'Tis a word with a double edge, And before many more slackened their pace, And soon turned back in fear. humbug the nation with volleys of words to thinking right was wrong. it many a runner has turned To the homestead side of his hedge. <hr /> Some of the Last Songs of the Late Stephen C. Foster, Who died January 13th, 1864. HORACE WATERS PUBLISHER, 481 BROADWAY, NEW YORK. WHY HAVE MY LOVED ONES GONE? SONG AND CHORUS. This is a simple and touching melody, easily arranged, in the key of B flat. "Why have my loved ones gone? gone to return no more: Calmly gliding o'er a summer sea, Whilst I'm left plodding on the shore!" A PENNY FOR YOUR THOUGHTS. A charming ballad, in the key of C, simple and humorous. "A penny for your thoughts, For I know that you are dreaming; Love's little fickle darts are sporting with your brain. A penny for your thoughts: Thro' those eyes your heart is gleaming, Longing to welcome back the starry night again." JENNY'S COMING O'ER THE GREEN. A companion to the above. Key of E. flat. "Jenny's coming o'er the green; Fairer form was never seen; Winning is her gentle mein. Why do I love her so?" A DREAM OF MY MOTHER This is one of Foster's best compositions, very sweet and touching. It is arranged in the key of D. "My mother and my home, Ah! what pleasant words to me! They light up my drooping heart, Wherever I may be." MERRY LITTLE BIRDS ARE WE. A beautiful little song for children, and very easy. Arranged in the key of D. "The summer's coming on, And we warble in the tree, The wint'ry blasts have gone. Oh! what merry birds are we!" SLUMBER, MY DARLING. A sweet little cradle song, very pretty. Arranged in E flat. "Slumber, my darling; your mother is near, Guarding thy dreams from all terror and fear. sunlight has past and the twilight has gone, Slumber, my darling, the night's coming on." OH! THERE'S NO SUCH GIRL AS MINE! This is one of Foster's best comic songs, and is becoming popular. It is in the key of C. "Oh! there's no such girl as mine In all this wide world round, With her hair of gold so fine, And her voice of silver sound. Her eyes are as black as the sloe, Her lips in a small combine, Her breath is as pure as the snow. There no such girl as mine." WHEN THIS DREADFUL WAR IS ENDED. A patriotic ballad, and one that is deservedly popular. In the key of D. "When this dreadful war is ended, I will come again to thee. Tell me, dearest, ere we sever, Tell me, tell me you'll be true." WILT THOU BE TRUE? Another in the same style as the above, and a fitting companion for it. This is in B flat, and ranges from F to F. "Wilt thou be true, dearest, to me, Though I may wander far off from thee? Over my heart no gloom will come If thou art faithful wherever I roam." I WILL BE TRUE TO THEE. This is a very sweet and charming ballad, arranged in E flat, artistic, yet simple. "I will be true to thee, Though I share in thy worst despair. I will be true to thee, Though my own heart be bowed with care." MR. AND MRS. BROWN. A comic duet in the key of C. This is one of Foster's best compositions of the kind. "Mrs. Brown--so, Mr. Brown, You've come at last; I'm sure it's after two. Mr. Brown--Dear Mistress Brown, your clock is fast, I know as well as you." MY WIFE IS THE MOST KNOWING WOMAN. A humorous ballad, in E flat. "My wife is a most knowing woman; She always is finding me out; She never will hear explanations, But instantly puts me to rout." LITTLE JENNY DOW. An exquisite little ballad, in the key of A. "Little Jenny Dow lives beyond the mill, Her merry voice is heard all around, Her happy smiles are seen on the green-clad hill, Where'er the budding flowers are found." LIZZIE DIES TO-NIGHT. This is one of the most popular of Foster's ballads. It is a pure, sweet melody, and being founded upon an interesting incident, has a double charm. It is arranged easily in the key of D. "'Twas hard, our parting, Mother dear, It gave you untold pain; But hope was strong within our hearts, That we should meet again." BETTER TIMES ARE COMING. This is a stirring song and chorus, and well calculated to rouse the patriotic fire in every heart. It is in the key of C, and ranges from E to E. "There are voices of hope that are borne on the air, And our land will be freed from its clouds of despair For brave men and true men to battle are gone, And good times, good times are now coming on." WAS MY BROTHER IN THE BATTLE? Another of Foster's good patriotic ballads, simple but pleasing. Key of F, and ranges from F to F. "Tell me, tell me, weary soldier, From the rude and stirring wars, Was my brother in the battle Where you gained those noble scars?" THE LOVE I BEAR TO THEE. Both the words and music of this song are far superior to most ballads of the kind. It is artistic in style, but easy of execution. Key of B flat. "At midnight hour, when all alone, I often sit and think of thee, And wish that like a star I shone With brightness in thy memory." THERE ARE PLENTY OF FISH IN THE SEA. This is, as its title indicates, a humorous ballad, and fast becoming popular. Arranged in C, and has a gliding and easy movement. "A lady tossed her curls At all who came to woo; She laughed to scorn the vows From hearts though false or true." OH! WHY AM I SO HAPPY? Foster has a peculiar faculty of adapting music to words, and he never succeeded better than in this song. It is in [?], and is truly beautiful. "Oh! why am I so happy? Why these feelings of delight? And why does gladness cheer me? Why everything so bright!" IF YOU'VE ONLY GOT A MOUSTACHE. This is a comic song, in every sense of the word. Key of D, and prettily arranged. "Oh! all of you poor single men, Don't ever give up in despair; For there's always a chance while there's life, To capture the hearts of the fair." BURY ME IN THE MORNING MOTHER. A sweet and touching ballad, in the key of F, very easy. "Bury me in the morning, And mourn not at my loss; For I'll join the beautiful army That carries the Saviour's Cross." LEAVE ME WITH MY MOTHER. A charming little song, equal in beauty to the above. "Leave me with my mother, for I love her more, Far more, far more than you know." WHEN OLD FRIENDS WERE HERE. This is the last but one of Mr. Foster's compositions, written a few weeks before his death. It is very beautiful and touching. It is in B flat. "When old friends were here, In days that are flown, How fond were the hands Which oft clasped my own. The pathways of life Were pleasure's sunny hue, And voices were near, With tones warm and true." SHE WAS ALL THE WORLD TO ME. This is the last song ever written by this popular composer, and is doubly valuable on this account. It is arranged in E flat. "In the sad and mournful autumn, With the falling of the leaf, Death, the reaper, claimed our loved one, As the husbandman the sheaf. Cold and dark the day we laid her 'Neath the sighing cypress tree; For tho' nothing to another, She was all the world to me." The above Songs are 30 cents each, mailed free. The ATHENAEUM COLLECTION OF HYMNS AND TUNES FOR CHOIR, CHURCH AND SUNDAY-SCHOOL, IS NOW READY.--It contains 512 pages, and nearly 700 Hymns and Tunes, such as "Rest for the Weary," "Shining Shore," "Eden Above," "Shall we know each other there?" &c. Among the new and beautiful pieces we would name, "Dare to be Right," "Faint not, Weary Pilgrim," "Come to me," "Lion of Judah," "Shall we meet beyond the River?" "Lord, give us Faith," "There is a Land of Love," "Oh! 'tis Glorious," "We'll wait till Jesus comes," "A few more years shall [Roll?]," "Sabbath Bells Chime on," "Over the River," "Shall we meet no more to Part?" "The Vacant Chair," "Forever with the Lord," "Oh! say shall we meet you all there?" &c. Price, bound, 85 cents; $10 per dozen $80 per 100. Cloth bound, embossed gilt, $1.00. $11 per dozen; $90 per 100. Postage, 15 cents each. HORACE WATERS, No. 481 Broadway, New York. THE LATE STEPHEN C. FOSTER. HIS MUSICAL CAREER--THE FUNERAL CEREMONIES. On the tomb of Donizetti, in the cathedral at Bergamo, is a modest inscription, saying that the dead composer was "a finder of many melodies." The simple record--too unpretending for the merits of the Italian composer--will be peculiarly applicable to the late STEPHEN C. FOSTER, the song-writer, who died, on the 13th instant, in this city. Mr. Foster was born in Pittsburg, July 4, 1826, the same day on which Thomas Jefferson and John Adams died. His father was a well-to-do farmer, and laid out on his property a town, which he intended to call Fosterville, "Soon afterwards," says Mr. Charles McKnight, of the Pittsburg Evening Chronicle, in his interesting biographical notice of the late song-writer, "the gallant Captain Lawrence was killed, fighting his ship, the Chesapeake, and Mr. Foster patriotically changed the name of his town to Lawrenceville, adopting as the motto on the corporation seal the dying words of Lawrence, "Don't give up the ship." When seven years old, young Stephen Foster showed enough musical precocity to learn, unaided, the flagcolet; and later, he played other instruments, though, like most composers, he was never eminent as a performer. Like Moore, he was fond of singing his own songs, and when he accompanied himself on the piano or guitar, there was a charming and plaintive sadness in his voice which touched the hearts of his listeners. His melodies are so sweet, so simple, so unpretending, that new people supposed that he had studied music scientifically, and was familiar with the more classical works of Mozart, Beethoven and Weber. He, also, was a man of considerable versatility in other branches. He understood French and German, painted in water colors, was a good accountant, and wrote most of the words as well as the music of his songs. These words were in style almost identical with his melodies--sweet, simple, and no worse in rhyme or rhythm than the majority of popular lyrics. George Willig, the Baltimore music publisher, published his first song in 1812. It was called "Open thy lattice, love," and was followed by "Old Uncle Ned" and "Oh! Susanna," which were issued by Peters of Cincinnati. Then appeared "Louisiana Belle," "Nelly was a Lady," "Camptown Races," "My Old Kentucky Home," "Massa's in the Cold, Cold Ground, "Nelly Bly," "Oh, Boys, carry me 'long," "Old Folks at Home," and others. With these Foster established his reputation as a writer of negro minstrelsy, and at the same time made considerable money, his New York publishers, Firth, Pond & Co., paying him over $15,000 on "Old Folks at Home" alone--the most profitable piece of music ever published in this city. E.P. Christy paid Foster five hundred dollars for the privilege of having his name printed on one edition of this song. During the past ten years Foster's compositions were of a more sentimental and refined character. He dropped the burlesque negro words and wrote and composed such songs as "Willie, we have missed you," "Ellen Bayne," "Maggie by my Side," "Come where my love lies dreaming," "Little Ella," "Jennie with the light brown Hair," "Willie my brave," "Farewell, my little dear," "Oh, comrades, fill no glass for me," "Old Dog Tray," "Mollie, do you love me?" "Summer Breath," "Ah, may the red rose live always," "Come with thy sweet voice again," "I see her still in my dreams, etc. The following, all published by HORACE WATERS, are among his latest productions: "Why have my Loved ones Gone, I will be true to thee, Was my Brother in the Battle, Wilt thou be True, The Love I bear to Thee, A Dream of my Mother, Merry little Birds are we, Oh! there's no such Girl as mine, Oh! why am I so Happy, Slumber, my Darling, 'Lizzie dies to-night, Better Times are Coming, A Penny for your Thoughts, When this Dreadful War is ended, When Old Friends were here, and She was all the World to me, which is his last composition. The ANTHENAEUM COLLECTION, a new book for Church and Sunday School, published by Horace Waters, also contains all the following pieces, written expressly for this work by Mr. Foster. <pre>"While we work for the Lord, The Beautiful Shore, There is a Land of Love, Oh! 'tis Glorious, Tears brings Thoughts of Heaven, Willie's gone to Heaven, Suffer Little Children to come unto me, Bury me in the morning, Mother, Leave me with my Mother, He Leadeth me beside still Waters, Give us this day our daily Bread, Seek and ye shall find, We'll all meet our Saviour, We'll still keep marching on, The Angels are singing unto me, The Pure, the Bright, the Beautiful, Tell me of the Angels, Mother, What shall the Harvest be, Don't be Idle, Happy little ones are we, Music everywhere, that's why I love it so, Stand up for the Truth, Over the River, The Bright Hills of Glory," etc. </pre> His later works exhibit greater grace and tenderness than his earlier ones; and had he lived, and taken proper care of his health, he might have obtained the most enviable eminence as a musician. As it is, he had the blessed, heaven-sent gift of melody, and his compositions, if not his name, are known all over the world. Russians, Italians, Germans, French, and even Egyptian and Chinese, have heard and admired those sweet strains which made Stephen C. Foster pre-eminently the ballad writer of America. We hope his publishers will make a collection--if not of all--of his best songs and choruses, and publish them in some enduring form; for their popularity will not die with the man whose genial imagination gave them birth. Mr. Foster--who for the past three years had lived in this city--was buried at Pittsburg. The Evening Chronicle of that city says of his farewell: "His death took place on the 13th instant, in New York city. With praiseworthy state-pride, the President of the Pennsylvania Railroad Company gave orders that his remains and the party in charge of them, should be passed over the road free of charge. The Adams Express Company also declined to take any pay for conveying his remains from New York to Harrisburg. "As stated in the previous notice given of the deceased, he married a daughter of the late Dr. McDowell, who, with an interesting daughter of twelve years survives him. Some of his friends here, and other lovers of music, who acknowledge his numerous and valuable contributions to musical science and literature, have united in having impressive and appropriate ceremonies at his funeral. At Trinity Church the exercises were vocal, led by Mr. Kleber; at the grave they were instrumental, some of Mr. Foster's most popular airs having been introduced. Mr. Foster has won a fame which is undying. His influence extends over every land where there are voices to hymn forth sweet notes and bearers to be moved by them." N.Y. Evening Post. Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 4 35 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 300971 469812132 Title A name given to the resource The Copperhead of 1865 Description An account of the resource Although this item only contains one song, the publication originally contained three satirical anti-Copperhead campaign songs: "The Copperhead of 1864, The Chicago Copperhead and The Copperhead of 1865." Comparing them to the venomous snake, Republicans coined the word "Copperhead" in denunciation of those Northern Democrats who opposed the war and favored peace with the South. Subject The topic of the resource Copperhead movement Clark, James Growdy 1830-1897 Sheet music Creator An entity primarily responsible for making the resource Clark, James G. Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1864 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. THE COPPERHEAD OF 1864. The Chicago Copperhead, and The Copperhead of 1865. BY JAMES G. CLARK. New York: Published by HORACE WATERS, 481 Broadway. Entered according to act of Congress in A.D. 1864 by Horace Waters, in the Clerk's office of the U.S. District Court for the Southern District of New York. <hr /> THE COPPERHEAD OF 1865. Words by Futurity. Music by James G. Clark. 1. No part nor lot in the glorious work; No part nor lot had I: But I 2. No part nor lot in the glorious work; No part nor lot had I: But I 3. No part nor lot in the glorious work; No part nor lot had I: But I sat like a frog on an old hollow log, And croaked to the passers by, aimed my gun to the new-risen sun, And fired at his Godlike eye, trod the long grass where the patriots would pass, And sneered at their rallying cry, 4. No part nor lot in the glorious work; No part nor lot had I; 'Twas little I cared how the bondmen fared, Though his chains clanked under my eye. Clank--clank--clank--No matter how heavy the pain, No matter how cutting the steely lash That fell o'er the negro's brain. 5. No part nor lot in the glorious work; No part nor lot had I; And when the air swells with the music of bells I only look down with a sigh. Bells--bells--bells--They tell us the nation is free, And the noble achievers, co-workers with God--But Copperheads, what are we? Entered according to Act of Congress, A.D. 1864 by Horace Waters in the Clerk's office of the U.S. Dist. Court for the Southern District of New York. <hr /> 3 Croak--Croak--Croak--There were many paused to hear, And Fire--fire--fire--We thought we were many and strong, And could Sneer--sneer--sneer--'Tis a word with a double edge, And before many more slackened their pace, And soon turned back in fear. humbug the nation with volleys of words to thinking right was wrong. it many a runner has turned To the homestead side of his hedge. <hr /> Some of the Last Songs of the Late Stephen C. Foster, Who died January 13th, 1864. HORACE WATERS PUBLISHER, 481 BROADWAY, NEW YORK. WHY HAVE MY LOVED ONES GONE? SONG AND CHORUS. This is a simple and touching melody, easily arranged, in the key of B flat. "Why have my loved ones gone? gone to return no more: Calmly gliding o'er a summer sea, Whilst I'm left plodding on the shore!" A PENNY FOR YOUR THOUGHTS. A charming ballad, in the key of C, simple and humorous. "A penny for your thoughts, For I know that you are dreaming; Love's little fickle darts are sporting with your brain. A penny for your thoughts: Thro' those eyes your heart is gleaming, Longing to welcome back the starry night again." JENNY'S COMING O'ER THE GREEN. A companion to the above. Key of E. flat. "Jenny's coming o'er the green; Fairer form was never seen; Winning is her gentle mein. Why do I love her so?" A DREAM OF MY MOTHER This is one of Foster's best compositions, very sweet and touching. It is arranged in the key of D. "My mother and my home, Ah! what pleasant words to me! They light up my drooping heart, Wherever I may be." MERRY LITTLE BIRDS ARE WE. A beautiful little song for children, and very easy. Arranged in the key of D. "The summer's coming on, And we warble in the tree, The wint'ry blasts have gone. Oh! what merry birds are we!" SLUMBER, MY DARLING. A sweet little cradle song, very pretty. Arranged in E flat. "Slumber, my darling; your mother is near, Guarding thy dreams from all terror and fear. sunlight has past and the twilight has gone, Slumber, my darling, the night's coming on." OH! THERE'S NO SUCH GIRL AS MINE! This is one of Foster's best comic songs, and is becoming popular. It is in the key of C. "Oh! there's no such girl as mine In all this wide world round, With her hair of gold so fine, And her voice of silver sound. Her eyes are as black as the sloe, Her lips in a small combine, Her breath is as pure as the snow. There no such girl as mine." WHEN THIS DREADFUL WAR IS ENDED. A patriotic ballad, and one that is deservedly popular. In the key of D. "When this dreadful war is ended, I will come again to thee. Tell me, dearest, ere we sever, Tell me, tell me you'll be true." WILT THOU BE TRUE? Another in the same style as the above, and a fitting companion for it. This is in B flat, and ranges from F to F. "Wilt thou be true, dearest, to me, Though I may wander far off from thee? Over my heart no gloom will come If thou art faithful wherever I roam." I WILL BE TRUE TO THEE. This is a very sweet and charming ballad, arranged in E flat, artistic, yet simple. "I will be true to thee, Though I share in thy worst despair. I will be true to thee, Though my own heart be bowed with care." MR. AND MRS. BROWN. A comic duet in the key of C. This is one of Foster's best compositions of the kind. "Mrs. Brown--so, Mr. Brown, You've come at last; I'm sure it's after two. Mr. Brown--Dear Mistress Brown, your clock is fast, I know as well as you." MY WIFE IS THE MOST KNOWING WOMAN. A humorous ballad, in E flat. "My wife is a most knowing woman; She always is finding me out; She never will hear explanations, But instantly puts me to rout." LITTLE JENNY DOW. An exquisite little ballad, in the key of A. "Little Jenny Dow lives beyond the mill, Her merry voice is heard all around, Her happy smiles are seen on the green-clad hill, Where'er the budding flowers are found." LIZZIE DIES TO-NIGHT. This is one of the most popular of Foster's ballads. It is a pure, sweet melody, and being founded upon an interesting incident, has a double charm. It is arranged easily in the key of D. "'Twas hard, our parting, Mother dear, It gave you untold pain; But hope was strong within our hearts, That we should meet again." BETTER TIMES ARE COMING. This is a stirring song and chorus, and well calculated to rouse the patriotic fire in every heart. It is in the key of C, and ranges from E to E. "There are voices of hope that are borne on the air, And our land will be freed from its clouds of despair For brave men and true men to battle are gone, And good times, good times are now coming on." WAS MY BROTHER IN THE BATTLE? Another of Foster's good patriotic ballads, simple but pleasing. Key of F, and ranges from F to F. "Tell me, tell me, weary soldier, From the rude and stirring wars, Was my brother in the battle Where you gained those noble scars?" THE LOVE I BEAR TO THEE. Both the words and music of this song are far superior to most ballads of the kind. It is artistic in style, but easy of execution. Key of B flat. "At midnight hour, when all alone, I often sit and think of thee, And wish that like a star I shone With brightness in thy memory." THERE ARE PLENTY OF FISH IN THE SEA. This is, as its title indicates, a humorous ballad, and fast becoming popular. Arranged in C, and has a gliding and easy movement. "A lady tossed her curls At all who came to woo; She laughed to scorn the vows From hearts though false or true." OH! WHY AM I SO HAPPY? Foster has a peculiar faculty of adapting music to words, and he never succeeded better than in this song. It is in [?], and is truly beautiful. "Oh! why am I so happy? Why these feelings of delight? And why does gladness cheer me? Why everything so bright!" IF YOU'VE ONLY GOT A MOUSTACHE. This is a comic song, in every sense of the word. Key of D, and prettily arranged. "Oh! all of you poor single men, Don't ever give up in despair; For there's always a chance while there's life, To capture the hearts of the fair." BURY ME IN THE MORNING MOTHER. A sweet and touching ballad, in the key of F, very easy. "Bury me in the morning, And mourn not at my loss; For I'll join the beautiful army That carries the Saviour's Cross." LEAVE ME WITH MY MOTHER. A charming little song, equal in beauty to the above. "Leave me with my mother, for I love her more, Far more, far more than you know." WHEN OLD FRIENDS WERE HERE. This is the last but one of Mr. Foster's compositions, written a few weeks before his death. It is very beautiful and touching. It is in B flat. "When old friends were here, In days that are flown, How fond were the hands Which oft clasped my own. The pathways of life Were pleasure's sunny hue, And voices were near, With tones warm and true." SHE WAS ALL THE WORLD TO ME. This is the last song ever written by this popular composer, and is doubly valuable on this account. It is arranged in E flat. "In the sad and mournful autumn, With the falling of the leaf, Death, the reaper, claimed our loved one, As the husbandman the sheaf. Cold and dark the day we laid her 'Neath the sighing cypress tree; For tho' nothing to another, She was all the world to me." The above Songs are 30 cents each, mailed free. The ATHENAEUM COLLECTION OF HYMNS AND TUNES FOR CHOIR, CHURCH AND SUNDAY-SCHOOL, IS NOW READY.--It contains 512 pages, and nearly 700 Hymns and Tunes, such as "Rest for the Weary," "Shining Shore," "Eden Above," "Shall we know each other there?" &c. Among the new and beautiful pieces we would name, "Dare to be Right," "Faint not, Weary Pilgrim," "Come to me," "Lion of Judah," "Shall we meet beyond the River?" "Lord, give us Faith," "There is a Land of Love," "Oh! 'tis Glorious," "We'll wait till Jesus comes," "A few more years shall [Roll?]," "Sabbath Bells Chime on," "Over the River," "Shall we meet no more to Part?" "The Vacant Chair," "Forever with the Lord," "Oh! say shall we meet you all there?" &c. Price, bound, 85 cents; $10 per dozen $80 per 100. Cloth bound, embossed gilt, $1.00. $11 per dozen; $90 per 100. Postage, 15 cents each. HORACE WATERS, No. 481 Broadway, New York. THE LATE STEPHEN C. FOSTER. HIS MUSICAL CAREER--THE FUNERAL CEREMONIES. On the tomb of Donizetti, in the cathedral at Bergamo, is a modest inscription, saying that the dead composer was "a finder of many melodies." The simple record--too unpretending for the merits of the Italian composer--will be peculiarly applicable to the late STEPHEN C. FOSTER, the song-writer, who died, on the 13th instant, in this city. Mr. Foster was born in Pittsburg, July 4, 1826, the same day on which Thomas Jefferson and John Adams died. His father was a well-to-do farmer, and laid out on his property a town, which he intended to call Fosterville, "Soon afterwards," says Mr. Charles McKnight, of the Pittsburg Evening Chronicle, in his interesting biographical notice of the late song-writer, "the gallant Captain Lawrence was killed, fighting his ship, the Chesapeake, and Mr. Foster patriotically changed the name of his town to Lawrenceville, adopting as the motto on the corporation seal the dying words of Lawrence, "Don't give up the ship." When seven years old, young Stephen Foster showed enough musical precocity to learn, unaided, the flagcolet; and later, he played other instruments, though, like most composers, he was never eminent as a performer. Like Moore, he was fond of singing his own songs, and when he accompanied himself on the piano or guitar, there was a charming and plaintive sadness in his voice which touched the hearts of his listeners. His melodies are so sweet, so simple, so unpretending, that new people supposed that he had studied music scientifically, and was familiar with the more classical works of Mozart, Beethoven and Weber. He, also, was a man of considerable versatility in other branches. He understood French and German, painted in water colors, was a good accountant, and wrote most of the words as well as the music of his songs. These words were in style almost identical with his melodies--sweet, simple, and no worse in rhyme or rhythm than the majority of popular lyrics. George Willig, the Baltimore music publisher, published his first song in 1812. It was called "Open thy lattice, love," and was followed by "Old Uncle Ned" and "Oh! Susanna," which were issued by Peters of Cincinnati. Then appeared "Louisiana Belle," "Nelly was a Lady," "Camptown Races," "My Old Kentucky Home," "Massa's in the Cold, Cold Ground, "Nelly Bly," "Oh, Boys, carry me 'long," "Old Folks at Home," and others. With these Foster established his reputation as a writer of negro minstrelsy, and at the same time made considerable money, his New York publishers, Firth, Pond & Co., paying him over $15,000 on "Old Folks at Home" alone--the most profitable piece of music ever published in this city. E.P. Christy paid Foster five hundred dollars for the privilege of having his name printed on one edition of this song. During the past ten years Foster's compositions were of a more sentimental and refined character. He dropped the burlesque negro words and wrote and composed such songs as "Willie, we have missed you," "Ellen Bayne," "Maggie by my Side," "Come where my love lies dreaming," "Little Ella," "Jennie with the light brown Hair," "Willie my brave," "Farewell, my little dear," "Oh, comrades, fill no glass for me," "Old Dog Tray," "Mollie, do you love me?" "Summer Breath," "Ah, may the red rose live always," "Come with thy sweet voice again," "I see her still in my dreams, etc. The following, all published by HORACE WATERS, are among his latest productions: "Why have my Loved ones Gone, I will be true to thee, Was my Brother in the Battle, Wilt thou be True, The Love I bear to Thee, A Dream of my Mother, Merry little Birds are we, Oh! there's no such Girl as mine, Oh! why am I so Happy, Slumber, my Darling, 'Lizzie dies to-night, Better Times are Coming, A Penny for your Thoughts, When this Dreadful War is ended, When Old Friends were here, and She was all the World to me, which is his last composition. The ANTHENAEUM COLLECTION, a new book for Church and Sunday School, published by Horace Waters, also contains all the following pieces, written expressly for this work by Mr. Foster. <pre>"While we work for the Lord, The Beautiful Shore, There is a Land of Love, Oh! 'tis Glorious, Tears brings Thoughts of Heaven, Willie's gone to Heaven, Suffer Little Children to come unto me, Bury me in the morning, Mother, Leave me with my Mother, He Leadeth me beside still Waters, Give us this day our daily Bread, Seek and ye shall find, We'll all meet our Saviour, We'll still keep marching on, The Angels are singing unto me, The Pure, the Bright, the Beautiful, Tell me of the Angels, Mother, What shall the Harvest be, Don't be Idle, Happy little ones are we, Music everywhere, that's why I love it so, Stand up for the Truth, Over the River, The Bright Hills of Glory," etc. </pre> His later works exhibit greater grace and tenderness than his earlier ones; and had he lived, and taken proper care of his health, he might have obtained the most enviable eminence as a musician. As it is, he had the blessed, heaven-sent gift of melody, and his compositions, if not his name, are known all over the world. Russians, Italians, Germans, French, and even Egyptian and Chinese, have heard and admired those sweet strains which made Stephen C. Foster pre-eminently the ballad writer of America. We hope his publishers will make a collection--if not of all--of his best songs and choruses, and publish them in some enduring form; for their popularity will not die with the man whose genial imagination gave them birth. Mr. Foster--who for the past three years had lived in this city--was buried at Pittsburg. The Evening Chronicle of that city says of his farewell: "His death took place on the 13th instant, in New York city. With praiseworthy state-pride, the President of the Pennsylvania Railroad Company gave orders that his remains and the party in charge of them, should be passed over the road free of charge. The Adams Express Company also declined to take any pay for conveying his remains from New York to Harrisburg. "As stated in the previous notice given of the deceased, he married a daughter of the late Dr. McDowell, who, with an interesting daughter of twelve years survives him. Some of his friends here, and other lovers of music, who acknowledge his numerous and valuable contributions to musical science and literature, have united in having impressive and appropriate ceremonies at his funeral. At Trinity Church the exercises were vocal, led by Mr. Kleber; at the grave they were instrumental, some of Mr. Foster's most popular airs having been introduced. Mr. Foster has won a fame which is undying. His influence extends over every land where there are voices to hymn forth sweet notes and bearers to be moved by them." N.Y. Evening Post. Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/9c6942cd24ebca5ec53a71cf54a6bac5.pdf 0f0afcfc7bac3cdc5d48dcd3b9a2faa5 Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Dedicated to Mrs. Lincoln. THE MARTYR OF LIBERTY IN MEMORY OF PRESIDENT LINCOLN, POETRY AND MUSIC BY JAMES G. CLARK. Author of "Voice of the Army." "Let me die with my face to the foe." "Moonlight and Starlight." "Beautfiul Annie." &c., &c. 30 cts. each. 3 NEW YORK: Published by HORACE WATERS, NO. 481 Broadway. Boston: O. Ditson & Co., Philadelphia: LEE & WALKER. Chicago: ROOT & CADY. Cincinnati: J. CHURCH, JR. Entered according to act of Congress, A.D. 1865 by HORACE WATERS, in the Clerk's Office of the Dist. Court of the United States for the Eastern Dist. New York. <hr /> THE MARTYR OF LIBERTY, IN MEMORY OF PRESIDENT LINCOLN. Poetry and Music by James G. Clark. 1. He's gone from the strife to the home of the weary; They've borne him away 2. He sleeps in the vale of his dear native river; His deep voice is to his own western bowers, Where the bird and the bee and the rose of the hushed on its beautiful shore; But the bloom of his glory will dwell there Entered according to Act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the U.S. Dist. Court for the Eastern District of New York. <hr /> 3 prairie May remember his grave in the bright summer hours; He had forever, When kings and their crowns are remembered no more; In the lived for a world, and a race bowed in sorrow; And a wail for the ages to come will his memory linger, And the light of his dead filled the halls of the free, But the voice of a world gathered councils grow brighter with time; And his fame be rekindled by might on this morrow, And arose like the sound of the mercy's white finger, When the world is unstained by a <hr /> 4 sea. Come forth from the dark vale of Edom crime Columbia, come forth from the dark vale of Edom All red with the gore of the brave,--Come forth, with thy All red with the gore of the brave,--Columbia, come forth with thy <hr /> 5 deep song of Freedom, Unmar'd by the moan of a slave. . deep song of Freedom, Unmar'd by the moan of a slave. <hr /> No. 1 SELECT CATALOGUE OF NEW MUSIC, No. 1 PUBLISHED BY HORACE WATERS, 481 BROADWAY, N.Y. 1865 Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865 And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand. Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Music mailed free. SONGS. A Dream of my Mother and my Home. S.C. Foster, 30 A Home on the Mountain. Mrs. Parkhurst, 30 Angel Mary. Mrs. Parkhurst, 30 A penny for your thoughts. S.C. Foster, 30 Atlanta's ours and fairly won. A.K. Virgil, 30 Bear this gently to my mother, Russell, 30 Beautiful Annie, J.G. Clark, 30 Better times are coming. S.C. Foster, 30 Bread and Cheese and Kisses (Comic) J.J. Daly, 30 Bury me in the morning, Mother. S.C. Foster, 30 By the lone river side. Sullivan, 30 Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30 Come into the Garden, Maud. Balfe, 50 Come sing with me. Solo and Trio. Hyatt, 30 Come, rally Freemen, rally. Mrs. Parkhurst, 30 Chicago Copperhead. J.G. Clark, 20 Copperhead of 1864 " " 30 Copperhead of 1865 " " 20 Dear One, I think of thee. Laurence, 30 They said we wouldn't fight. Mrs. Parkhurst, 30 Did you mean what you said? J.S. Cox, 35 Dost Thou ever think of Me, Love? Mrs. Parkhurst, 30 Do they remember me? W.O. Fiske, 30 Do they love me still as ever? Mrs. Parkhurst, 30 Dreams of happier days. Hobson, 30 Dying Soldier Boy. W. Virgil Wallace, 30 Evacuation. Father Reed, 30 Evening Blessing. Solo or Quartette, Keller. 30 Fighting for the Flag, Day and Night. S.C. Foster, 30 Flirtation. H. Tucker, 30 Flora Lyle. Keller, 30 Friends of the Union. Adapted to "Pirate's Chorus," by Smith, 30 Forget if you can, but forgive. J.R. Thomas, 30 Give this to Mother (Lith.) S.C. Foster, 35 God save our noble Union. Martin, 30 Golden Dreams and Fairy Castles. S.C. Foster, 30 Home is Home. J.R. Thomas, 30 How goes the Money? (Humorous). Hutchinson, 30 How softly on the bruised heart. Parkhurst, 30 I can't forget. Mrs. Parkhurst, 30 If you've only got a Moustache (Comic). S.C. Foster, 30 I'd dream forever more. T.B. Bishop, 30 I hear sweet voices singing. J.R. Thomas, 30 I'll wait at the Gate for Thee. Ho der, 30 I'm returning to thee Annie. Barker, 30 I'm willing to wait (Old Maid's Song). Mrs. Parkhurst, 30 In Childhood's calm and sinless bloom. Mrs. Benedict, 30 Irene, the little Queen. Keller, 30 I will be true to thee, S.C. Foster, 30 I will be true to the Stripes and the Stars, S. J. Vall, 35 Jennie's coming o'er the green, S.C. Foster, 30 Johnny is my Darling (Lith.) Adapted by Father Reed, 40 Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30 Kindly Words and Smiling Faces. J.R. Thomas, 30 Leave me with my Mother. S.C. Foster, 30 Let me Die with my Face to the Foe. Clark, 30 Little Jenny Dow. S.C. Foster, 30 Little Joe, the Contraband. Mrs. Parkhurst, 30 Lizzie Dies to-night. S.C. Foster, 30 Lizzie Lee. Keller, 30 Lord's Prayer. Anthem. S.K. Whiting, 60 Mary Fay. Mrs. Parkhurst, 30 Maryland's Free! M.A. Fortune, 30 Merry little Birds are we (Lively) S.C. Foster, 30 Mee too. Coffin. 30 Moonlight and Starlight. J.G. Clark, 30 Mother is the Battle over? Roess,, 30 Mother's Love is True. Keller, 30 My Country dear, I die for thee (Lith.) Ballard, 40 My Jamie is a Soldier Brave. Wallace, 30 My Jamie's on the Battle Field. Mrs. Parkhurst, 30 My Little Angel. Hutchinson, 30 My Village Home. J.W. Cherry, 30 My Wife is a most Knowing Woman. S.C. Foster, 30 New Emancipation Song. Mrs. Parkhurst, 30 Norah Dearest. Mrs. Parkhurst, 30 No Slave beneath the Starry Flag. " Oh! why am I so happy? S.C. Foster, 30 Oh! could I but recall the hours. Swain, 30 Oh! take me to thy heart again. Balfe, 30 Oh! send me one flower from his grave, Mrs. Parkhurst, 30 Oh! there's no such Girl and Mine. S.C. Foster, 30 O, meet me, dear Mother. Mrs. Parkhurst, 30 Only You and I " " 30 Our Dear New England Boys " " 30 One by one the Stars of Evening. Laurence, 30 One single Kiss. Keller, 30 Patrick MaCushia. Barker, 30 Picking Berries, or Jenny Davis and I. Perkins, 30 Pleasant words for all. Roberts, 30 Prayer. Selie, 30 Rock me to sleep, Mother. Hyatt, 30 " " " O'Donnell, 30 Robert, Idol of my heart. Meyerbeer, 40 Rose of Clifton Dale. Laurence, 30 Sabbath Bells, chime on. Lowry, 30 Shall we know each other there? Lowry, 30 Shall we meet beyond the river? Bates, 30 She was all the world to me. The last Song of the late S.C. Foster, 30 Slumber my Darling, (Cradle Song) S.C. Foster, 30 Song of the Mountain Girl. Perkins, 30 Song of the Sailor Boy. C.H. Rodwell, 30 Song of the 25th Reg. N.Y. Vols., by a member (Lith.), 50 Stand up for the Flag. Mrs. Parkhurst, 30 Sweet Evelina. Arr'd by Mrs. Parkhurst, 30 Sweet little Nell (Lively). Mrs. Parkhurst, 30 Sweet Love, Forget me Not. Keller, 30 The Angels are hovering near. Mrs. Parkhurst, 30 The Beautiful Angel Band. Mrs. Parkhurst, 30 The Blind Girl's Lament. C. Kalisch, 30 The Flowers bloom in Linden Vale. S. Laurence, 30 The Girls are not so green. A. Cull, 30 The Haunted Stream. Barker, 30 The Little Ballad Girl. S.C. Foster, 30 The Love I bear to thee. S.C. Foster, 30 The Morning is Dawning. H.S. Leland, 30 The Pure, the Bright, the Beautiful. S.C. Foster, 30 The Soldier's Dying Farewell. Mrs. Parkhurst, 30 The Sweetest Flower. M. Keller, 30 The Tear of Love. Mrs. Parkhurst, 30 The Union Medley. Mrs. Parkhurst, 60 The Violet. S. Laurence, 30 The Voice of the Army. J.G. Clark, 30 The Young Volunteer. J.R. Osgood, 30 There are plenty of fish in the Sea (Comic). S.C. Foster, 30 There are Voices, Spirit Voices. Mrs. Parkhurst, 30 There's a Path by the River. Loder, 35 There's no such Girl as Mine. (Comic). Foster, 30 There's rest for all in Heaven. Mrs. Parkhurst, 30 They tell me I'll forget thee. " " 30 They worked me all the day. " " 30 This hand never struck me, Mother. " 30 Thou art so near and yet so far. Reichardt, 35 Tim Green, or I've a Guinea I can spend. Chamberlin, 30 'Tis hard to give the hand where the heart can never be. Glover, 30 Valley of Chamouni. Glover, 30 Walt, my Little One, wait. Mrs. Parkhurst, 30 Was my Brother in the Battle? S.C. Foster, 30 Weep no more for Lilly. Mrs. Parkhurst, 30 We'll al go home again. Whitlock, 30 We parted with a cheerful smile. Keller, 30 Were I but his own Wife. Mrs. Parkhurst, 30 What is home without the Children? Keller, 30 When Dear Friends are gone. S.C. Foster, 30 When Old Friends were here. One of the last two Songs of the late S.C. Foster. 30 When this dreadful war is ended. S.C. Foster, 30 Why am I so happy? " " 30 Why have my loved ones gone? " " 30 Wilt thou be true? " " 30 Your Fortune is too small for me. Maurice, 30 PATRIOTIC SONGS. All quiet along the Potomac. J. Dayton, 30 Atlanta's ours and fairly won! A. K. Virgil, 30 Bear this gently to my Mother. Russell, 30 Better times are coming. S.C. Foster, 30 Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40 Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30 Come rally, Freemen, rally. Mrs. Parkhurst, 30 Chicago Copperhead. J.G. Clark, 20 Copperhead of 1864 " " 30 " " 1865 " " 20 Dey said we wouldn't fight. Mrs. Parkhurst, 30 Dying Soldier Boy. W. Virgil Wallace, 30 Fighting for the Flag, day and night. Foster, 30 Flag of our Union. Arr'd by A. Cull, 30 For the dear old Flag I die. S.C. Foster, 30 Freedom, Truth and Right. C. Heineman, 35 Freeman's Gathering. Arr'd by A. Cull. Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30 Give this to Mother (Lith.) S.C. Foster, 40 God save our Land. Arr'd by A. Cull, 30 God save our noble Union. Martin, 30 <pre>Hail Columbia. 30 </pre> Hark! the Signal. Bomherdt, 30 I will be True to the Stripes and the stars. S.J. Vail, 35. Land of the Brave and Free. G.S. Plumley, 30 Let me Die with my Face to the Foe. Clark, 30 Let me Die with my Face to the Foe, Quartette. J.G. Clark, 35 Little Joe the Contraband. Mrs. Parkhurst, 30 Madmen! spare that Flag. A. Cull, 30 March on. German Air. 30 Maryland's Free! M.A. Fortune, 30 Mother is the Battle over? Roess, 30 My Country dear, I die for thee (Lith.). Ballard, 40 My Jamie is a Soldier Brave. W. Virgil Wallace, 30 My Jamie's on the Battle Field. Parkhurst, 30 My Country 'tis of thee. Arr'd by A. Cull. New Emancipation Song. Mrs. Parkhurst, 30 No Slave beneath that Starry Flag. " 30 Oh! send me one Flower from his Grave. 20 Our Banner. Converse, 30 Our Comrade's Grave. Dayton, 30 Our Country now and ever. K. Merz, 30 Our Flag, Our Army, and Our President. Perry, 30 Rally 'round the Flag Boys. Fackrell, 30 Stand up for the Flag. S.c. Foster, 30 Star Spangled Banner. 30 The Drummer Boy of the National Greys. A. Cull, 30 The Dying Drummer. Mrs. Parkhurst, 30 The Dying Volunteer. J. Dayton, 30 The Soldier's Dying Farewell. Mrs. Parkhurst, 30 The Union Medley " " 60 Three Cheers for our Banner. Allen, 30 To Arms! To Arms! W.F. Otten, 40 War Song of the 69th Regiment. A. Cull, 30 Was my Brother in the Battle? S.C. Foster, 30 We are coming Father Abraham. A. Cull, 30 We'll all go Home again. Whitlock, 30 Yankee Doodle. 30 When this dreadful War is ended. S.C. Foster, 30 GUITAR SONGS. Bear this gently to my Mother. G.A. Russell, 30 Christ will care for Mother now " " 30 Dost thou ever think of me, Love? " " 30 I will be true to thee " " 20 Lizzie Dies to-night. Underhill, 20 Shall we know each other there? Bloomer, 30 Sweet Evelina. E.N., 30 Sweet Little Nell. G.A. Russell, 30 They tell me I'll forget thee. " " 20 When old Friends were here. " " 20 Why have my loved ones gone? " " 30 DUETS AND QUARTETTES. All quiet along the Potomac. Quartette. J. Dayton, 30 Come down by the silvery Brook, Love. Comic Duet. Cull, 30 Evening Blessing. Quartette. Keller, 30 Glowing Star of gentle Evening. Duet. S. Laurence, 35 Hymn of the Nation. Quartette. J.R. Thomas, 30 Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30 Let all the People praise thee, O! god. Quartette. J.R. Osgood, 35 Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30 Mr. and Mrs. Brown. Comic Duet. S.C. Foster, 30 Our Comrade's Grave. Quartet. J. Dayton, 30 Rose of Clifton Dale. Duet. Laurence, 30 Skating. Duet. " 30 The Lord's Prayer. Anthem. S.K. Whiting, 60 Vesperi. Duet. Laurence, 30 POLKAS, MAZURKAS & REDOWAS. Betrothed. Mazurka. Ruboti, 30 Blondette Polka. Thos. Baker, 30 Chemical Polka. Jos. Raff, 30 Columbia College Polka Redowa. J. Munck, 30 Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum. Thos. Baker, 40 Czarina Mazurka. B. Richards, 50 Fort Preble Polka. Borland, 35 Francis Polka Redowa. J. Munck, 30 Gaetana Mazurka. E. Ketterer, 60 Golden Bow Mazurka. J.D. Kerrison, 40 Golden Cross Polka. " " 30 Idylwild Polka Caprice. Keller, 30 La Czarina Mazurka. B. Richards, 50 Le Pari Polka. J.G. Barnard, 50 Little Jenny Dow. Polka. Sunny Side Set, No. 1. Bellak, 20 Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Minnie Polka. A. Cull, 30 New Sparkling Polka. Cloy, 30 Sanitary Fair Polka. Mrs. Parkhurst, 30 They worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Three Roguish Chaps. Polka. Sunny Side Set, No. 4, Bellak, 20 Volunteer Polka. R. Goldbeck, 30 Volunteer Polka. Sunny Side Set, No. 10, J. Bellak, 20 When this dreadful War is ended. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Yacht Club. Polka Redowa. J. Munck, 30 DANCES. Farmer Stubb's Visit to N.Y. City, Mrs. Parkhurst, 20 The Evacuation. " " 20 QUADRILLES. Les Lanciers. J. Munck, 35 Review. S. Glover, 50 SCHOTTISCHES. Christmas Carol. T. Baker, 35 Comet. T. Baker, 30 Humbug. Keller, 30 Lorette. Jos. Raff, 30 Morning Dew. Sunny Side Set, No. 8. Bellak, 20 My loved ones gone. Sunny Side Set, No. 2. Bellak, 20 New Katy-Did. H. Piano, 30 Tender Glance. Mrs. Parkhurst, 30 GALOPS. Cannon. Mrs. Parkhurst, 20 Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60 La Belle. T.W. Morris, 30 Laughing (un Ballo in Maschera). T. Baker, 30 Music Box. C.e. Hering, 40 On to Richmond. Mrs. Parkhurst, 30 Summer House of Roses. " " Mrs. Parkhurst, 30 There's no such Girl as mine. S.S.S. Parkhurst, 20 When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20 Whirlwind. Mac Donald, 30 WALTZES. Faust (Simple). Lanner, 20 Frederica. Barnard, 40 Heart Chimings (Sentimental). Keller, 30 Holiday. Jehl, 30 Il Bacio (The Kiss). Ketterer, 60 Il Bacio (The Kiss). Lanner, 20 King Redowa Waltz. J. Munck, 35 L'Amitie. Barnard, 40 L'Etoile de la Mer. Spencer, 35 Little Bird. Sunny Side Set, No. 7. Bellak, 20 Livingston Waltzes. J. Munck, 50 Love. T. Baker, 40 Ometepe. Apellas, 35 Right of Line. Morris, 30 Sigh in the Heart (Sentimental). Mrs. Parkh'st, 35 Starlight. " " 30 Souvenir de Owego. Jos. Raff, 50 Sweet Evelina. Sunny Side Set. Mrs. Parkh'st, 20 Sweet Little Nell. " " " " " 20 Union. La Grassa, 30 What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20 Young America. 7 Waltzes (Lith.). Weiner, 40 MARCHES AND QUICKSTEPS. British Volunteers. A. Cull, 40 Continental Guard. Powell, 30 Farewell Quickstep (Air How can I leave thee). Hancox, 30 Faust. Lanner, 30 Freedom, Truth and Right (Lith.). Heineman, 50 Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40 Gen. Grant's. (Vig. of Gen. Grant). Jos. Raff, 40 Gen. Scott's Farewell. Mrs. Parkhurst, 30 Gen. Sheridan's Quickstep. Jos. Raff, 30 Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 30 Hillside Polka-Quickstep. Powell, 30 Marching Along and Glory Hallelujah. A. Cull, 30 Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20 Marche Sacre, or Peter the Great's March. B. Richards, 40 Leave me with my Mother. March. Sunny Side Set. Mrs. Parkhurst, 20 My Country's. S. Side Set, No. 3. Bellak, 20 Norah Dearest. March. Sunny Side Set. Mrs. Parkhurst, 20 O.F. March. T. Baker, 30 Our General's Quickstep (Lith.) Grassula. 50 President Lincoln's (Vignette of Pres. L. ) Helmsmuller, 50 Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40 There's plenty of Fish in the Sea. Quickstep. Sunny Side Set. Mrs. Parkhurst, 20 Was my Brother in the Battle? " " 20 Weep no more for Lilly. S.S.S. " " 30 West Point. Barnard, 30 FOUR HAND PIECES. Faust. March. (Lanner.) Arr'd by Cramer, 30 Idylwild Polka. (Keller.) Arr'd by Mrs. P'kh't. Juanita. (B. Richards) Arr'd by Rimbault, 50 New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40 On to Richmond Galop. Mrs. Parkhurst, 40 Sanitary Fair Polka " " 40 Sigh in the heart. Waltz " " Tender Glance. Schottische. " " Vienna March. Czerny, 20 Warblings at Eve. B. Richards, 40 Wedding March. Mendelssohn, 50 RONDOS, VARIATIONS, &c. Always look on the Sunny Side. Brilliant Variations. Grobe, 50 Answer to Maiden's Prayer, Badarzewska, 35 Charity Variations. Miszner, 40 Chime Again. Beautiful Bells. B. Richards, 35 Cloud with a Silver Lining. Mrs. Parkhurst, 30 Don Sebastian (Donizetti). Muller, 75 Dream of the Wanderer. B. Richards, 35 Echoes of Killarney. " " 35 Fall of Richmond. Jos. Raff, 50 Fairy's Dream. B. Richards, 40 Fairy Whispers. Nocturne. Sydney Smith, 50 Faust. Fantasie Brilliant. Ketterer, 60 Faust. Fantasie Elegant. Leybach, 60 Faust. Transcription. Krug, 40 Faust. Potpourri. Lanner, 60 Floating on the Wind. B. Richards, 30 Florence. Nocturne. " " 50 Gazelle, La. Hoffman, 35 Grazioso (Morceau de Danse). Jos. Raff, 30 Her bright Smile haunts me still. B. Richards, 40 Home, Sweet Home. " " 50 Il Bacio (The Kiss). Transcript'n. Ketterer, 60 I'm leaving thee in sorrow, Annie B. Richards, 30 Juanita (Spanish Melody). " " 35 Kathleen Navourneen. " " 50 Last Rose of Summer. " " 50 Long, long weary Day. (Opus 130). T. Oesten, 30 Morning Prayer. For an Album. Published together. Muller, 30 Pirates Chorus. B. Richards, 40 Prayer granted. Reply to Maiden's Prayer. Badarzeweka, 35 Shadow Air (Dinorah). B. Richards, 50 Shall we know each other there? Var. Grobe, 50 Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20 Sicilian Vespers (Bolero). B. Richards, 60 Soldiers Chorus (Faust) " " 50 Soldiers Chorus (Simple) (Faust). Rimbault, 30 Star Spangled Banner. Var. A Cull, 40 St. Patrick's Day. B. Richards, 40 Sunny Side Rondo. S.S. Set, No. 5. Bellak, 20 The Last Rose of Summer. B. Richards, 40 The Voice of the Heart. O Commetant, 35 Thou art so Near and yet so Far. B. Richards, 50 Warblings at Eve. " " 35 Warblings at Morn. " " 40 We are Coming Father Abraham, Var. Grobe, 50 When the Swallows Homeward Fly. Oesten, 50 Why have my loved ones gone. Var. Grobe, 50 Status The current transcription status of a document or a page. Complete Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lincoln Sheet Music Collection Description An account of the resource <a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255">Browse items in the Lincoln Sheet Music Collection</a> Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs. Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 6 34 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 301079 24945999 Title A name given to the resource The Martyr of Liberty Description An account of the resource "Dedicated to Mrs. Lincoln." "In Memory of President Lincoln" Subject The topic of the resource Lincoln, Abraham 1809-1865 Lincoln, Mary Todd, 1818-1882 Clark, James Growdy 1830-1897 Sheet music Funeral music Creator An entity primarily responsible for making the resource Clark, James G. (Growdy) Contributor An entity responsible for making contributions to the resource Horace Waters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York Date A point or period of time associated with an event in the lifecycle of the resource 1865 Format The file format, physical medium, or dimensions of the resource pdf Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en Scripto Manages transcriptions of items and files Transcription A written representation of a document or a page. Dedicated to Mrs. Lincoln. THE MARTYR OF LIBERTY IN MEMORY OF PRESIDENT LINCOLN, POETRY AND MUSIC BY JAMES G. CLARK. Author of "Voice of the Army." "Let me die with my face to the foe." "Moonlight and Starlight." "Beautfiul Annie." &c., &c. 30 cts. each. 3 NEW YORK: Published by HORACE WATERS, NO. 481 Broadway. Boston: O. Ditson & Co., Philadelphia: LEE & WALKER. Chicago: ROOT & CADY. Cincinnati: J. CHURCH, JR. Entered according to act of Congress, A.D. 1865 by HORACE WATERS, in the Clerk's Office of the Dist. Court of the United States for the Eastern Dist. New York. <hr /> THE MARTYR OF LIBERTY, IN MEMORY OF PRESIDENT LINCOLN. Poetry and Music by James G. Clark. 1. He's gone from the strife to the home of the weary; They've borne him away 2. He sleeps in the vale of his dear native river; His deep voice is to his own western bowers, Where the bird and the bee and the rose of the hushed on its beautiful shore; But the bloom of his glory will dwell there Entered according to Act of Congress A.D. 1865, by Horace Waters, in the Clerk's Office of the U.S. Dist. Court for the Eastern District of New York. <hr /> 3 prairie May remember his grave in the bright summer hours; He had forever, When kings and their crowns are remembered no more; In the lived for a world, and a race bowed in sorrow; And a wail for the ages to come will his memory linger, And the light of his dead filled the halls of the free, But the voice of a world gathered councils grow brighter with time; And his fame be rekindled by might on this morrow, And arose like the sound of the mercy's white finger, When the world is unstained by a <hr /> 4 sea. Come forth from the dark vale of Edom crime Columbia, come forth from the dark vale of Edom All red with the gore of the brave,--Come forth, with thy All red with the gore of the brave,--Columbia, come forth with thy <hr /> 5 deep song of Freedom, Unmar'd by the moan of a slave. . deep song of Freedom, Unmar'd by the moan of a slave. <hr /> No. 1 SELECT CATALOGUE OF NEW MUSIC, No. 1 PUBLISHED BY HORACE WATERS, 481 BROADWAY, N.Y. 1865 Dealer in Pianos, Melodeons, Harmoniums, Cabinet Organs, 1865 And all kinds of Musical Instruments and Music Merchandise at wholesale and retail. New 7 oct Pianos for $275 and upwards. Second-hand. Pianos at great bargains, prices from $60 to $225. Pianos and Melodeons to let, and rent allowed if purchased; monthly payments received for the same. 5,000 sheets of Music, a little soiled, at 1 1/2 cents per page. Cash paid for second-hand Pianos. Music mailed free. SONGS. A Dream of my Mother and my Home. S.C. Foster, 30 A Home on the Mountain. Mrs. Parkhurst, 30 Angel Mary. Mrs. Parkhurst, 30 A penny for your thoughts. S.C. Foster, 30 Atlanta's ours and fairly won. A.K. Virgil, 30 Bear this gently to my mother, Russell, 30 Beautiful Annie, J.G. Clark, 30 Better times are coming. S.C. Foster, 30 Bread and Cheese and Kisses (Comic) J.J. Daly, 30 Bury me in the morning, Mother. S.C. Foster, 30 By the lone river side. Sullivan, 30 Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30 Come into the Garden, Maud. Balfe, 50 Come sing with me. Solo and Trio. Hyatt, 30 Come, rally Freemen, rally. Mrs. Parkhurst, 30 Chicago Copperhead. J.G. Clark, 20 Copperhead of 1864 " " 30 Copperhead of 1865 " " 20 Dear One, I think of thee. Laurence, 30 They said we wouldn't fight. Mrs. Parkhurst, 30 Did you mean what you said? J.S. Cox, 35 Dost Thou ever think of Me, Love? Mrs. Parkhurst, 30 Do they remember me? W.O. Fiske, 30 Do they love me still as ever? Mrs. Parkhurst, 30 Dreams of happier days. Hobson, 30 Dying Soldier Boy. W. Virgil Wallace, 30 Evacuation. Father Reed, 30 Evening Blessing. Solo or Quartette, Keller. 30 Fighting for the Flag, Day and Night. S.C. Foster, 30 Flirtation. H. Tucker, 30 Flora Lyle. Keller, 30 Friends of the Union. Adapted to "Pirate's Chorus," by Smith, 30 Forget if you can, but forgive. J.R. Thomas, 30 Give this to Mother (Lith.) S.C. Foster, 35 God save our noble Union. Martin, 30 Golden Dreams and Fairy Castles. S.C. Foster, 30 Home is Home. J.R. Thomas, 30 How goes the Money? (Humorous). Hutchinson, 30 How softly on the bruised heart. Parkhurst, 30 I can't forget. Mrs. Parkhurst, 30 If you've only got a Moustache (Comic). S.C. Foster, 30 I'd dream forever more. T.B. Bishop, 30 I hear sweet voices singing. J.R. Thomas, 30 I'll wait at the Gate for Thee. Ho der, 30 I'm returning to thee Annie. Barker, 30 I'm willing to wait (Old Maid's Song). Mrs. Parkhurst, 30 In Childhood's calm and sinless bloom. Mrs. Benedict, 30 Irene, the little Queen. Keller, 30 I will be true to thee, S.C. Foster, 30 I will be true to the Stripes and the Stars, S. J. Vall, 35 Jennie's coming o'er the green, S.C. Foster, 30 Johnny is my Darling (Lith.) Adapted by Father Reed, 40 Katy did, Katy didn't (Comic). Mrs. Parkhurst, 30 Kindly Words and Smiling Faces. J.R. Thomas, 30 Leave me with my Mother. S.C. Foster, 30 Let me Die with my Face to the Foe. Clark, 30 Little Jenny Dow. S.C. Foster, 30 Little Joe, the Contraband. Mrs. Parkhurst, 30 Lizzie Dies to-night. S.C. Foster, 30 Lizzie Lee. Keller, 30 Lord's Prayer. Anthem. S.K. Whiting, 60 Mary Fay. Mrs. Parkhurst, 30 Maryland's Free! M.A. Fortune, 30 Merry little Birds are we (Lively) S.C. Foster, 30 Mee too. Coffin. 30 Moonlight and Starlight. J.G. Clark, 30 Mother is the Battle over? Roess,, 30 Mother's Love is True. Keller, 30 My Country dear, I die for thee (Lith.) Ballard, 40 My Jamie is a Soldier Brave. Wallace, 30 My Jamie's on the Battle Field. Mrs. Parkhurst, 30 My Little Angel. Hutchinson, 30 My Village Home. J.W. Cherry, 30 My Wife is a most Knowing Woman. S.C. Foster, 30 New Emancipation Song. Mrs. Parkhurst, 30 Norah Dearest. Mrs. Parkhurst, 30 No Slave beneath the Starry Flag. " Oh! why am I so happy? S.C. Foster, 30 Oh! could I but recall the hours. Swain, 30 Oh! take me to thy heart again. Balfe, 30 Oh! send me one flower from his grave, Mrs. Parkhurst, 30 Oh! there's no such Girl and Mine. S.C. Foster, 30 O, meet me, dear Mother. Mrs. Parkhurst, 30 Only You and I " " 30 Our Dear New England Boys " " 30 One by one the Stars of Evening. Laurence, 30 One single Kiss. Keller, 30 Patrick MaCushia. Barker, 30 Picking Berries, or Jenny Davis and I. Perkins, 30 Pleasant words for all. Roberts, 30 Prayer. Selie, 30 Rock me to sleep, Mother. Hyatt, 30 " " " O'Donnell, 30 Robert, Idol of my heart. Meyerbeer, 40 Rose of Clifton Dale. Laurence, 30 Sabbath Bells, chime on. Lowry, 30 Shall we know each other there? Lowry, 30 Shall we meet beyond the river? Bates, 30 She was all the world to me. The last Song of the late S.C. Foster, 30 Slumber my Darling, (Cradle Song) S.C. Foster, 30 Song of the Mountain Girl. Perkins, 30 Song of the Sailor Boy. C.H. Rodwell, 30 Song of the 25th Reg. N.Y. Vols., by a member (Lith.), 50 Stand up for the Flag. Mrs. Parkhurst, 30 Sweet Evelina. Arr'd by Mrs. Parkhurst, 30 Sweet little Nell (Lively). Mrs. Parkhurst, 30 Sweet Love, Forget me Not. Keller, 30 The Angels are hovering near. Mrs. Parkhurst, 30 The Beautiful Angel Band. Mrs. Parkhurst, 30 The Blind Girl's Lament. C. Kalisch, 30 The Flowers bloom in Linden Vale. S. Laurence, 30 The Girls are not so green. A. Cull, 30 The Haunted Stream. Barker, 30 The Little Ballad Girl. S.C. Foster, 30 The Love I bear to thee. S.C. Foster, 30 The Morning is Dawning. H.S. Leland, 30 The Pure, the Bright, the Beautiful. S.C. Foster, 30 The Soldier's Dying Farewell. Mrs. Parkhurst, 30 The Sweetest Flower. M. Keller, 30 The Tear of Love. Mrs. Parkhurst, 30 The Union Medley. Mrs. Parkhurst, 60 The Violet. S. Laurence, 30 The Voice of the Army. J.G. Clark, 30 The Young Volunteer. J.R. Osgood, 30 There are plenty of fish in the Sea (Comic). S.C. Foster, 30 There are Voices, Spirit Voices. Mrs. Parkhurst, 30 There's a Path by the River. Loder, 35 There's no such Girl as Mine. (Comic). Foster, 30 There's rest for all in Heaven. Mrs. Parkhurst, 30 They tell me I'll forget thee. " " 30 They worked me all the day. " " 30 This hand never struck me, Mother. " 30 Thou art so near and yet so far. Reichardt, 35 Tim Green, or I've a Guinea I can spend. Chamberlin, 30 'Tis hard to give the hand where the heart can never be. Glover, 30 Valley of Chamouni. Glover, 30 Walt, my Little One, wait. Mrs. Parkhurst, 30 Was my Brother in the Battle? S.C. Foster, 30 Weep no more for Lilly. Mrs. Parkhurst, 30 We'll al go home again. Whitlock, 30 We parted with a cheerful smile. Keller, 30 Were I but his own Wife. Mrs. Parkhurst, 30 What is home without the Children? Keller, 30 When Dear Friends are gone. S.C. Foster, 30 When Old Friends were here. One of the last two Songs of the late S.C. Foster. 30 When this dreadful war is ended. S.C. Foster, 30 Why am I so happy? " " 30 Why have my loved ones gone? " " 30 Wilt thou be true? " " 30 Your Fortune is too small for me. Maurice, 30 PATRIOTIC SONGS. All quiet along the Potomac. J. Dayton, 30 Atlanta's ours and fairly won! A. K. Virgil, 30 Bear this gently to my Mother. Russell, 30 Better times are coming. S.C. Foster, 30 Bonnie Old Flag (Lith.) Adap'd by Fath'r Reed, 40 Christ will care for Mother now. Who will care for Mother now? Reply to Weston, 30 Come rally, Freemen, rally. Mrs. Parkhurst, 30 Chicago Copperhead. J.G. Clark, 20 Copperhead of 1864 " " 30 " " 1865 " " 20 Dey said we wouldn't fight. Mrs. Parkhurst, 30 Dying Soldier Boy. W. Virgil Wallace, 30 Fighting for the Flag, day and night. Foster, 30 Flag of our Union. Arr'd by A. Cull, 30 For the dear old Flag I die. S.C. Foster, 30 Freedom, Truth and Right. C. Heineman, 35 Freeman's Gathering. Arr'd by A. Cull. Friends of the Union. Adapted to "Pirates Chorus," by Smith, 30 Give this to Mother (Lith.) S.C. Foster, 40 God save our Land. Arr'd by A. Cull, 30 God save our noble Union. Martin, 30 <pre>Hail Columbia. 30 </pre> Hark! the Signal. Bomherdt, 30 I will be True to the Stripes and the stars. S.J. Vail, 35. Land of the Brave and Free. G.S. Plumley, 30 Let me Die with my Face to the Foe. Clark, 30 Let me Die with my Face to the Foe, Quartette. J.G. Clark, 35 Little Joe the Contraband. Mrs. Parkhurst, 30 Madmen! spare that Flag. A. Cull, 30 March on. German Air. 30 Maryland's Free! M.A. Fortune, 30 Mother is the Battle over? Roess, 30 My Country dear, I die for thee (Lith.). Ballard, 40 My Jamie is a Soldier Brave. W. Virgil Wallace, 30 My Jamie's on the Battle Field. Parkhurst, 30 My Country 'tis of thee. Arr'd by A. Cull. New Emancipation Song. Mrs. Parkhurst, 30 No Slave beneath that Starry Flag. " 30 Oh! send me one Flower from his Grave. 20 Our Banner. Converse, 30 Our Comrade's Grave. Dayton, 30 Our Country now and ever. K. Merz, 30 Our Flag, Our Army, and Our President. Perry, 30 Rally 'round the Flag Boys. Fackrell, 30 Stand up for the Flag. S.c. Foster, 30 Star Spangled Banner. 30 The Drummer Boy of the National Greys. A. Cull, 30 The Dying Drummer. Mrs. Parkhurst, 30 The Dying Volunteer. J. Dayton, 30 The Soldier's Dying Farewell. Mrs. Parkhurst, 30 The Union Medley " " 60 Three Cheers for our Banner. Allen, 30 To Arms! To Arms! W.F. Otten, 40 War Song of the 69th Regiment. A. Cull, 30 Was my Brother in the Battle? S.C. Foster, 30 We are coming Father Abraham. A. Cull, 30 We'll all go Home again. Whitlock, 30 Yankee Doodle. 30 When this dreadful War is ended. S.C. Foster, 30 GUITAR SONGS. Bear this gently to my Mother. G.A. Russell, 30 Christ will care for Mother now " " 30 Dost thou ever think of me, Love? " " 30 I will be true to thee " " 20 Lizzie Dies to-night. Underhill, 20 Shall we know each other there? Bloomer, 30 Sweet Evelina. E.N., 30 Sweet Little Nell. G.A. Russell, 30 They tell me I'll forget thee. " " 20 When old Friends were here. " " 20 Why have my loved ones gone? " " 30 DUETS AND QUARTETTES. All quiet along the Potomac. Quartette. J. Dayton, 30 Come down by the silvery Brook, Love. Comic Duet. Cull, 30 Evening Blessing. Quartette. Keller, 30 Glowing Star of gentle Evening. Duet. S. Laurence, 35 Hymn of the Nation. Quartette. J.R. Thomas, 30 Meet me Dearest, Gentle Annie. Duet. S. Laurence, 30 Let all the People praise thee, O! god. Quartette. J.R. Osgood, 35 Moonlight and Starlight. Duet with Chorus. J.G. Clark, 30 Mr. and Mrs. Brown. Comic Duet. S.C. Foster, 30 Our Comrade's Grave. Quartet. J. Dayton, 30 Rose of Clifton Dale. Duet. Laurence, 30 Skating. Duet. " 30 The Lord's Prayer. Anthem. S.K. Whiting, 60 Vesperi. Duet. Laurence, 30 POLKAS, MAZURKAS & REDOWAS. Betrothed. Mazurka. Ruboti, 30 Blondette Polka. Thos. Baker, 30 Chemical Polka. Jos. Raff, 30 Columbia College Polka Redowa. J. Munck, 30 Commodore Nutt Polka. Vignette of Commodore Nutt and P.T. Barnum. Thos. Baker, 40 Czarina Mazurka. B. Richards, 50 Fort Preble Polka. Borland, 35 Francis Polka Redowa. J. Munck, 30 Gaetana Mazurka. E. Ketterer, 60 Golden Bow Mazurka. J.D. Kerrison, 40 Golden Cross Polka. " " 30 Idylwild Polka Caprice. Keller, 30 La Czarina Mazurka. B. Richards, 50 Le Pari Polka. J.G. Barnard, 50 Little Jenny Dow. Polka. Sunny Side Set, No. 1. Bellak, 20 Merry Little Birds are we. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Minnie Polka. A. Cull, 30 New Sparkling Polka. Cloy, 30 Sanitary Fair Polka. Mrs. Parkhurst, 30 They worked me all the Day. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Three Roguish Chaps. Polka. Sunny Side Set, No. 4, Bellak, 20 Volunteer Polka. R. Goldbeck, 30 Volunteer Polka. Sunny Side Set, No. 10, J. Bellak, 20 When this dreadful War is ended. Polka. Sunny Side Set. Mrs. Parkhurst, 20 Yacht Club. Polka Redowa. J. Munck, 30 DANCES. Farmer Stubb's Visit to N.Y. City, Mrs. Parkhurst, 20 The Evacuation. " " 20 QUADRILLES. Les Lanciers. J. Munck, 35 Review. S. Glover, 50 SCHOTTISCHES. Christmas Carol. T. Baker, 35 Comet. T. Baker, 30 Humbug. Keller, 30 Lorette. Jos. Raff, 30 Morning Dew. Sunny Side Set, No. 8. Bellak, 20 My loved ones gone. Sunny Side Set, No. 2. Bellak, 20 New Katy-Did. H. Piano, 30 Tender Glance. Mrs. Parkhurst, 30 GALOPS. Cannon. Mrs. Parkhurst, 20 Danse Odalisques. Polka-Galop. Don Sebastian. Chas. Fradel, 60 La Belle. T.W. Morris, 30 Laughing (un Ballo in Maschera). T. Baker, 30 Music Box. C.e. Hering, 40 On to Richmond. Mrs. Parkhurst, 30 Summer House of Roses. " " Mrs. Parkhurst, 30 There's no such Girl as mine. S.S.S. Parkhurst, 20 When this War is ended. Sunny Side Set. Mrs. Parkhurst, 20 Whirlwind. Mac Donald, 30 WALTZES. Faust (Simple). Lanner, 20 Frederica. Barnard, 40 Heart Chimings (Sentimental). Keller, 30 Holiday. Jehl, 30 Il Bacio (The Kiss). Ketterer, 60 Il Bacio (The Kiss). Lanner, 20 King Redowa Waltz. J. Munck, 35 L'Amitie. Barnard, 40 L'Etoile de la Mer. Spencer, 35 Little Bird. Sunny Side Set, No. 7. Bellak, 20 Livingston Waltzes. J. Munck, 50 Love. T. Baker, 40 Ometepe. Apellas, 35 Right of Line. Morris, 30 Sigh in the Heart (Sentimental). Mrs. Parkh'st, 35 Starlight. " " 30 Souvenir de Owego. Jos. Raff, 50 Sweet Evelina. Sunny Side Set. Mrs. Parkh'st, 20 Sweet Little Nell. " " " " " 20 Union. La Grassa, 30 What they do at the Springs. Sunny Side Set. Mrs. Parkhurst, 20 Young America. 7 Waltzes (Lith.). Weiner, 40 MARCHES AND QUICKSTEPS. British Volunteers. A. Cull, 40 Continental Guard. Powell, 30 Farewell Quickstep (Air How can I leave thee). Hancox, 30 Faust. Lanner, 30 Freedom, Truth and Right (Lith.). Heineman, 50 Gen. Gillmore's (Vig. of Gen. G.). Von Kameke, 40 Gen. Grant's. (Vig. of Gen. Grant). Jos. Raff, 40 Gen. Scott's Farewell. Mrs. Parkhurst, 30 Gen. Sheridan's Quickstep. Jos. Raff, 30 Glory Hallelujah. Sunny Side Set, No. 9. Bellak, 30 Hillside Polka-Quickstep. Powell, 30 Marching Along and Glory Hallelujah. A. Cull, 30 Little Ella's Quickstep. Sunny Side Set. Mrs. Parkhurst, 20 Marche Sacre, or Peter the Great's March. B. Richards, 40 Leave me with my Mother. March. Sunny Side Set. Mrs. Parkhurst, 20 My Country's. S. Side Set, No. 3. Bellak, 20 Norah Dearest. March. Sunny Side Set. Mrs. Parkhurst, 20 O.F. March. T. Baker, 30 Our General's Quickstep (Lith.) Grassula. 50 President Lincoln's (Vignette of Pres. L. ) Helmsmuller, 50 Second Fall of Fort Sumpter (Vignette of Gen. Gillmore.) Jos. Raff, 40 There's plenty of Fish in the Sea. Quickstep. Sunny Side Set. Mrs. Parkhurst, 20 Was my Brother in the Battle? " " 20 Weep no more for Lilly. S.S.S. " " 30 West Point. Barnard, 30 FOUR HAND PIECES. Faust. March. (Lanner.) Arr'd by Cramer, 30 Idylwild Polka. (Keller.) Arr'd by Mrs. P'kh't. Juanita. (B. Richards) Arr'd by Rimbault, 50 New Sparkling Polka. (Cloy.) Arr'd by Mrs. Parkhurst, 40 On to Richmond Galop. Mrs. Parkhurst, 40 Sanitary Fair Polka " " 40 Sigh in the heart. Waltz " " Tender Glance. Schottische. " " Vienna March. Czerny, 20 Warblings at Eve. B. Richards, 40 Wedding March. Mendelssohn, 50 RONDOS, VARIATIONS, &c. Always look on the Sunny Side. Brilliant Variations. Grobe, 50 Answer to Maiden's Prayer, Badarzewska, 35 Charity Variations. Miszner, 40 Chime Again. Beautiful Bells. B. Richards, 35 Cloud with a Silver Lining. Mrs. Parkhurst, 30 Don Sebastian (Donizetti). Muller, 75 Dream of the Wanderer. B. Richards, 35 Echoes of Killarney. " " 35 Fall of Richmond. Jos. Raff, 50 Fairy's Dream. B. Richards, 40 Fairy Whispers. Nocturne. Sydney Smith, 50 Faust. Fantasie Brilliant. Ketterer, 60 Faust. Fantasie Elegant. Leybach, 60 Faust. Transcription. Krug, 40 Faust. Potpourri. Lanner, 60 Floating on the Wind. B. Richards, 30 Florence. Nocturne. " " 50 Gazelle, La. Hoffman, 35 Grazioso (Morceau de Danse). Jos. Raff, 30 Her bright Smile haunts me still. B. Richards, 40 Home, Sweet Home. " " 50 Il Bacio (The Kiss). Transcript'n. Ketterer, 60 I'm leaving thee in sorrow, Annie B. Richards, 30 Juanita (Spanish Melody). " " 35 Kathleen Navourneen. " " 50 Last Rose of Summer. " " 50 Long, long weary Day. (Opus 130). T. Oesten, 30 Morning Prayer. For an Album. Published together. Muller, 30 Pirates Chorus. B. Richards, 40 Prayer granted. Reply to Maiden's Prayer. Badarzeweka, 35 Shadow Air (Dinorah). B. Richards, 50 Shall we know each other there? Var. Grobe, 50 Shall we know each other there? Sunny Side Set. Mrs. Parkhurst, 20 Sicilian Vespers (Bolero). B. Richards, 60 Soldiers Chorus (Faust) " " 50 Soldiers Chorus (Simple) (Faust). Rimbault, 30 Star Spangled Banner. Var. A Cull, 40 St. Patrick's Day. B. Richards, 40 Sunny Side Rondo. S.S. Set, No. 5. Bellak, 20 The Last Rose of Summer. B. Richards, 40 The Voice of the Heart. O Commetant, 35 Thou art so Near and yet so Far. B. Richards, 50 Warblings at Eve. " " 35 Warblings at Morn. " " 40 We are Coming Father Abraham, Var. Grobe, 50 When the Swallows Homeward Fly. Oesten, 50 Why have my loved ones gone. Var. Grobe, 50 Status The current transcription status of a document or a page. Complete Percent Completed The percentage of pages with Completed status. 100 Weight A 6-digit number used to sort items quickly. 20 https://chroniclingillinois.org/files/original/b0053033e88083f40fd6f09ba5abfc03.jpg 7336d28dacbd40c286d3bc4f678d2ba7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Huffaker Collection Subject The topic of the resource Men Women Description An account of the resource The photographs in this collection include portraits of Guss Morley, James Manson, and several unidentified men and women. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 17 x 11 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 404727 Huffaker Collection Title A name given to the resource Man Wearing Tie Pin Description An account of the resource An unidentified man wears a round tie pin at his collar during a portrait session. Subject The topic of the resource Men Fashion Creator An entity primarily responsible for making the resource Clark's Photographic Studio Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/d5f434621f87cc69b98361ed7ef056e3.jpg c227fc8ba02e9070c1cc8bd45edccc5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Huffaker Collection Subject The topic of the resource Men Women Description An account of the resource The photographs in this collection include portraits of Guss Morley, James Manson, and several unidentified men and women. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 21 x 10 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 404729 Huffaker Collection Title A name given to the resource Man with Musical Instrument Description An account of the resource An unidentified man leans against the keyboard of a musical instrument during a portrait session. Subject The topic of the resource Men Suits (Clothing) Musical instruments Creator An entity primarily responsible for making the resource Clark's Photographic Studio Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/1ede540dbadb46e48295ae159a396046.jpg 7005d3aa9cedcc8f47bc3e0b6bd5e550 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lukins-Eckard Collection Description An account of the resource Portraits from the family of James Eckard and his wife, Hettie Lukins Eckard. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 17 x 11 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 401033 Lukins-Eckard Collection Title A name given to the resource Richard Eckard Description An account of the resource Portrait of Richard Eckard, wearing his Topeka Cornet Band uniform, with cymbals and drum in hand. Richard was the son of Hettie Lukins Eckard and James P. Eckard of Quiver in Mason County. Subject The topic of the resource Eckard, Richard Eckard, Hettie Lukins Eckard, James P. Illinois--Mason County Illinois--Quiver Drum set Cymbals Creator An entity primarily responsible for making the resource Clauser Brothers Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en https://chroniclingillinois.org/files/original/c08c8362d13f238cd5ba4e724ee784d0.jpg fca866773eb1664bf1c075110337e4d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cameron Family Collection Subject The topic of the resource Families--portraits Cameron, John, 1799-1866 Cameron, Elizabeth L. (Elizabeth Lee), 1799-1873 Geoghegan, Nancy Ann, 1842-1929 Tolman, Lee C. (Lee Cameron), 1834-1916 Cameron, Andrew J., 1838- Robinson, Kizia, 1827-1911 Cameron, Elisha, 1829-1901 Owen, Fidelia Francis, 1829-1919 Printy, Margaret, 1831-1908 Paxton, Jemima, 1839-1929 Paxton, John C. (John Cowdon) Description An account of the resource The Cameron Family collection contains images of John and Elizabeth Cameron from Hancock County, Illinois. The family moved to Hancock Township, Illinois in 1832 from White County, Tennessee. Photographs in this collection include images of John and Elizabeth Cameron and portraits of several of their children and their family members. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 17 x 11 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 403678 Cameron Family Collection Title A name given to the resource John C. Paxton Description An account of the resource John Cowdon Paxton poses for a portrait. On verso: "John Cowdon Paxton was a school teacher in Hancock Co. during the "fifties". He married Miss Levina Cameron, daughter of John and Elizabeth, nee Lee, Cameron. He died at Sawtelle, Calif. and is buried at Richfield, Nebraska." Subject The topic of the resource Paxton, John Cowdon Men Beards Creator An entity primarily responsible for making the resource Clements Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/ff9e4addeee7c00a21191da3b23693f3.jpg 18d807ecd920111f21bd26005637cd11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cameron Family Collection Subject The topic of the resource Families--portraits Cameron, John, 1799-1866 Cameron, Elizabeth L. (Elizabeth Lee), 1799-1873 Geoghegan, Nancy Ann, 1842-1929 Tolman, Lee C. (Lee Cameron), 1834-1916 Cameron, Andrew J., 1838- Robinson, Kizia, 1827-1911 Cameron, Elisha, 1829-1901 Owen, Fidelia Francis, 1829-1919 Printy, Margaret, 1831-1908 Paxton, Jemima, 1839-1929 Paxton, John C. (John Cowdon) Description An account of the resource The Cameron Family collection contains images of John and Elizabeth Cameron from Hancock County, Illinois. The family moved to Hancock Township, Illinois in 1832 from White County, Tennessee. Photographs in this collection include images of John and Elizabeth Cameron and portraits of several of their children and their family members. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data cabinet card b&w 1 Physical Dimensions The actual physical size of the original image. 17 x 11 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 403679 Cameron Family Collection Title A name given to the resource Jemima Paxton Description An account of the resource Jemima Paxton poses for a portrait wearing a dress with stripes on the front. On verso: "Mrs. Jemima Paxton wife of John C. Paxton and daughter of John and Elizabeth, nee Lee, Cameron. She was born in Hancock Co. Ills. 9/9-1839. She married John C. Paxton 8/15-1861. She died at Fruitland, Idaho, 10/27-1929 and was buried at Richfield, Nebr." Subject The topic of the resource Paxton, Jemima, 1839-1929 Women Fashion Creator An entity primarily responsible for making the resource Clements Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/44e71eac668e9bf0fa1f8aa035066ca6.jpg 454d47c4368096f83dffe97bdef8e052 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource King Family Collection Subject The topic of the resource Illinois--Jacksonville Raynor, Elizabeth, 1846- Children Cameron, Doris Cameron, Donald Sawyer, Charles B. Description An account of the resource The photographs in this collection include images of churches in Jacksonville and Chicago, Illinois; individual portraits; and postcards from tourist locations in Florida, Tennessee, Oregon, and Colorado. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data postcard b&w 1 Physical Dimensions The actual physical size of the original image. 9 x 14 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 402365 King Family Collection Title A name given to the resource Norris Lake Regatta Description An account of the resource The Norris Lake Dam in Tennessee provides viewing space for spectators of the Norris Lake Regatta. The Judge's Barge is visible in the upper center portion of the image. The construction of the Norris Dam was the first major project commissioned by the Tennessee Valley Authority in 1933. Subject The topic of the resource Tennessee--Norris Lake Tennessee--Anderson County Tennessee--Campbell County Regattas Boats and boating Dams Creator An entity primarily responsible for making the resource Clements, Rell Date A point or period of time associated with an event in the lifecycle of the resource 1937-XX-XX Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource eng https://chroniclingillinois.org/files/original/fb194a1b7f311009123f4d4f6e1d78ce.jpg cd4e39e054a03afe4dacc91b5faab34c https://chroniclingillinois.org/files/original/d21f4ea959dce67bc9d3297698abc403.jpg 4f16a8f45fb83ddf67b22248958dad8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jacob Strawn Collection Description An account of the resource Jacob Strawn was an early settler of Morgan County, moving from Ohio in 1831, and becoming a successful farmer in the Jacksonville area. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data carte de visite b&w 2 Physical Dimensions The actual physical size of the original image. 10 x 7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 401060 Jacob Strawn Collection Title A name given to the resource Julius Gates Strawn Description An account of the resource Portrait of Julius E. Strawn, son of Jacob Strawn, an early settler of Morgan County. Like his father, Julius was a successful farmer in the Jacksonville area. Subject The topic of the resource Strawn, Julius E. Strawn, Jacob Illinois--Jacksonville Illinois--Morgan County Farmers Creator An entity primarily responsible for making the resource Clendenan & Nichols Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource jpg Publisher An entity responsible for making the resource available Abraham Lincoln Presidential Library and Museum Language A language of the resource en