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                <text>Portrait of John Wallace Hutchinson, brother of Asa and Judson Hutchinson. The Hutchinson Family Singers were a popular American singing group that toured the United States and Great Britain in the 1840s.</text>
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                    <text>&lt;p&gt;Published also as March and Two-Step.
&lt;/p&gt;&lt;p&gt;Give Us Just Another Lincoln
&lt;/p&gt;&lt;p&gt;[artwork and lithographs of Lincoln, Washington,&amp;#160;??, Jackson, Grant]
&lt;/p&gt;&lt;p&gt;Words &amp;amp; Music by Paul Dresser   5
&lt;/p&gt;&lt;p&gt;Arranged for Band, Orchestra, Mandolin, Banjo, and Guitar. Composer of "The Blue and the Gray." "The Green Above the Red." "On the Banks of the Wabash." And Many Other Successes
&lt;/p&gt;&lt;p&gt;Howley, Haviland &amp;amp; Co. 1260-1266 Broadway New York Masonic Temple. Chicago. Chas. Jerard &amp;amp; Co. [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CALLING TO HER BOY JUST ONCE AGAIN. This is the name of PAUL DRESSER'S New Ballad, the phenomenal hit of W.H. West's Minstrels, as sung by the great tenor, R.J. Jose. Mrs. Dresser's past successes have been eclipsed by this song, which for beauty of melody and peerless words will make it the greatest success this popular author has ever conceived. 'Tis a song similar to the famous "Wabash" in the style of its music, and the chorus given here will convey just an idea as to its beauty.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;I'd go back to the days of want and sorrow, Contented now and then with just a smile, I'd give up all that I could steal or borrow To nestle at her knee a little while, I'd give up all the future hope of Heaven, Eternally to live in endless pain, To see my mother at the east end window Calling to her boy just once again.
&lt;/p&gt;&lt;p&gt;Ask your dealer to obtain it for you. You will be more than charmed with it. 'Tis a typical Dresser home song, pure sweet and altogether beautiful.
&lt;/p&gt;&lt;p&gt;CHARLES KENT, Leading Baritone of Primrose &amp;amp; Dockstader's Minstrels has scored a pronounced and unprecedented success with I'd Still Believe You True by Paul Dresser.
&lt;/p&gt;&lt;p&gt;A song that echoes the words springing from the hearts of the millions, whose love for those dear to them is priceless, the words of him who holds in his keeping the love of a good and true woman are given below.
&lt;/p&gt;&lt;p&gt;'Twas on a summer's evening, my sweetheart Kate and I Were strolling down a shaded country lane, In anger there I told her she was a faithless and untrue, We parted vowing ne'er to meet again. In tears my sweetheart left me, I felt that I was wrong, I knew that it meant misery to part, I sought her out and begged her to forgive my cruel words, And thus I spoke to her from out my heart:
&lt;/p&gt;&lt;p&gt;The years are slowly drifting, my sweetheart Kate and I, Are strolling down the narrow lane of life, To me she's been an angel, a sort of guiding star, Ever since the day I made her wife. But bless her heart I love her when winter evenings come, We sit down by the fire side by side, I tell her of the quarrel that near made us strangers once, And then these words I sing to her with pride:
&lt;/p&gt;&lt;p&gt;Chorus. If the whole world came and said unkind things of you, If they all deserted Kate and friends were mighty few, If the very angels should turn away from you, I'd take you in my arms and still believe you true.
&lt;/p&gt;&lt;p&gt;The music is beautiful, simple and pathetic. Ask for Dresser's new one. Wherever music is sold. Our guarantee that it is one of Dresser's best songs goes with it. --The Publisher.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;To Mrs. Arthur Brisbane, with my compliments.--Paul Dresser.
&lt;/p&gt;&lt;p&gt;Give Us Just Another Lincoln. By Paul Dresser.
&lt;/p&gt;&lt;p&gt;With war on ev'ry side of us our nation great and grand, To guide the Ship of State aright will
&lt;/p&gt;&lt;p&gt;The mother in her humble home thinks of her boy in blue, Who fights in some far distant land, to his
&lt;/p&gt;&lt;p&gt;Copyright, MCM, by Howley, Haviland &amp;amp; Co. English Copyright Secured.
&lt;/p&gt;&lt;p&gt;The Latest Popular Song. There's Where My Heart is To-Night. Another gem by Paul Dresser, author of "On the Banks of the Wabash, Far Away."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;need a master hand, The cry goes up in this great land of freedom "dearly won," Bring forth some one to bear the flag, a man to lead us on!
&lt;/p&gt;&lt;p&gt;country ever true, She loves the flag, also her boy, from whom she had to part, But war broke up her little home, and also broke her heart!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;Give us just another Lincoln or a Thomas Jefferson, Give to us a Grant or Jackson, whose
&lt;/p&gt;&lt;p&gt;Paul Dresser's New One. "I Wonder Where She Is To-Night." Equally as good as "On the Banks of the Wabash, Far Away," by the same author--thought by many to be better. A song for the home, the heart, and the hearth. For sale everywhere. Price, 50 cents.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;fame lives on and on, One who's loyal to his country, One whose work when done, Shall be beloved by all the nation, As they loved George Washington.
&lt;/p&gt;&lt;p&gt;A New Sentimental Hit. "In the Shadow of the Rockies." By Gene Jefferson &amp;amp; Bob Irving. Entirely different from the rest in thought, verses and melody. By a new team of writers, it savors of true genius. Sold everywhere. Price, 50 cents.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Greatest March and Two-Step Ever Written, THE BLUE AND THE GRAY
&lt;/p&gt;&lt;p&gt;You have heard the Song, and now you will want the March, splendidly arranged, introducing the "Sousa Girl" By Ben. M. Jerome.
&lt;/p&gt;&lt;p&gt;Two capital songs which, when arranged together as they are in this instance, make the greatest, most effective and most thrilling two-step ever composed.
&lt;/p&gt;&lt;p&gt;This is arranged for all instruments, as follows:
&lt;/p&gt;&lt;p&gt;Piano Solo......$.50
&lt;/p&gt;&lt;p&gt;Piano Duett......  .60
&lt;/p&gt;&lt;p&gt;March for Band.....  .50
&lt;/p&gt;&lt;p&gt;Medley March for Orchestra, 10 parts and Piano.....   .75
&lt;/p&gt;&lt;p&gt;"        "                "            " 14 "      "            " .....   .95
&lt;/p&gt;&lt;p&gt;"Overture for Band.....  1.50
&lt;/p&gt;&lt;p&gt;Mandolin and Piano.....    .40
&lt;/p&gt;&lt;p&gt;"               " Guitar.....   .40
&lt;/p&gt;&lt;p&gt;"                    Solo.....   .30
&lt;/p&gt;&lt;p&gt;Two Mandolins and Piano.....   .50
&lt;/p&gt;&lt;p&gt;"         " Guitar and Piano.....   .60
&lt;/p&gt;&lt;p&gt;Mandolin, Guitar and Piano.....    .50
&lt;/p&gt;&lt;p&gt;Two Mandolins.....   .40
&lt;/p&gt;&lt;p&gt;Song for Guitar.....   .50
&lt;/p&gt;&lt;p&gt;Published by Howley, Haviland &amp;amp; Co., "The House of Broadway"
&lt;/p&gt;&lt;p&gt;Masonic Temple, Chicago.  1260-66 Broadway, New York.
&lt;/p&gt;&lt;p&gt;FOR SALE AT ALL MUSIC STORES.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>6</text>
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                <text>Give Us Just Another Lincoln</text>
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                <text>Song depicts desire for a Lincoln-like president. Arrangement for band, orchestra, or mandolin, banjo, and guitar. Cover has likenesses of Lincoln, George Washington, Thomas Jefferson, Ulysses Grant, and Andrew Jackson surrounded by laurels, three figures on each side and a bald eagle holding flags above images. A dedication above the song title reads, "To Mr. Arthur Brisbane, with my compliments. - Paul Dresser."</text>
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              <elementText elementTextId="164936">
                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Dresser, Paul</text>
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                <text>Howley, Haviland &amp;amp; Co.</text>
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                <text>New York</text>
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                <text>1900</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>200</text>
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                    <text>&lt;p&gt;Union War Galop
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
composed by
William Dressler
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
[illegible - possibly related to publisher?]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Cleveland
Published by S. Brainard &amp;amp; Co. 203 Superior Str.
Entered according to act of Congress in the year 1861 by S. Brainard &amp;amp; Co. in the Clerks office of the District Court of the Northern District of Ohio
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;UNION WAR GALOP
&lt;/p&gt;&lt;p&gt;INTRODUCING THE LIBERTY DUETT FROM I PURITANI
&lt;/p&gt;&lt;p&gt;Wm. DRESSLER. Op. 91
&lt;/p&gt;&lt;p&gt;ALLO VIVACE
&lt;/p&gt;&lt;p&gt;INTRODUCTION
&lt;/p&gt;&lt;p&gt;GALOP
&lt;/p&gt;&lt;p&gt;Enteried according to act of Congress AD1861, by S. Brainard &amp;amp; Co. in the Clerks Office of the Dis Ct. of the Northern District of O.
622-6
&lt;/p&gt;&lt;p&gt;180479 [accession number?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[Sheet music follows on pages 3 - 6, with 622-6 appearing at the bottom of each page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CODA
&lt;/p&gt;&lt;p&gt;622-6
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;Union War Galop
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
composed by
William Dressler
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
[illegible - possibly related to publisher?]
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Cleveland
Published by S. Brainard &amp;amp; Co. 203 Superior Str.
Entered according to act of Congress in the year 1861 by S. Brainard &amp;amp; Co. in the Clerks office of the District Court of the Northern District of Ohio
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;UNION WAR GALOP
&lt;/p&gt;&lt;p&gt;INTRODUCING THE LIBERTY DUETT FROM I PURITANI
&lt;/p&gt;&lt;p&gt;Wm. DRESSLER. Op. 91
&lt;/p&gt;&lt;p&gt;ALLO VIVACE
&lt;/p&gt;&lt;p&gt;INTRODUCTION
&lt;/p&gt;&lt;p&gt;GALOP
&lt;/p&gt;&lt;p&gt;Enteried according to act of Congress AD1861, by S. Brainard &amp;amp; Co. in the Clerks Office of the Dis Ct. of the Northern District of O.
622-6
&lt;/p&gt;&lt;p&gt;180479 [accession number?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[Sheet music follows on pages 3 - 6, with 622-6 appearing at the bottom of each page]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CODA
&lt;/p&gt;&lt;p&gt;622-6
&lt;/p&gt;
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                    <text>&lt;p&gt;Washington. D.C.
&lt;/p&gt;&lt;p&gt;April 16th/65
&lt;/p&gt;&lt;p&gt;My dear Mother
&lt;/p&gt;&lt;p&gt;Beck has not come from the Office yet and I have not received your letter but as I have a good deal to write I will begin now - I suppose by tomorrow the mail will go out from Washin No train left yesterday - What I have to write is with reference to the great Tragedy which has caused a nation to mourn - I had the misfortune to be at Ford's Theatre on Friday evening &amp;amp; to hear the shot which deprived us of a President.
&lt;/p&gt;&lt;p&gt;It  was given out during the day that Mrs Lincoln had engaged a "Box" for the President &amp;amp; Genl Grant and having a desire not only to see them but to see the "American Cousin" performed, 
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;we determined to go - Before we went Beck knew that the Genl would not be there as he was to leave for his home in the evening - We went a few moments before the time &amp;amp; waited some time for the President to arrive &amp;amp; as he did not come until late the performances commenced &amp;amp; we thought we were to be disappointed in not seeing him - In the midst of the 2nd scene there was a great applause &amp;amp; cheering and our attention was directed from the stage to the Dress Circle - close to the wall walked Miss Harris -Mrs Lincoln - Major Rathburn - a gentleman the President &amp;amp; another gentleman behind him These two gentlemen were watchmen in citizens dress who have always accompanied the President since the war commenced We followed him with our eyes until he entered the Box little 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;thinking we were looking for the last time at him.  He sat looking on the stage his back to us and out of our sight behind the flags except occasionally when he would lean forward - Mrs Lincoln was in front of him and we only saw her occasionally. We saw her smile &amp;amp; turn towards him several times - It was while every one's attention was fastened upon the stage that a pistol shot was heard causing every one to jump (as an unexpected shot will) &amp;amp; look up at the President's Box merely because that was the direction of the sound and supposing it to be part of the performance we all looked again on the stage when a man suddenly vaulted over the railing of the box - turned back &amp;amp; then leaped to the stage - striking on his heels &amp;amp; falling backward 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;but recovered himself in an instant and started across the stage to behind the scenes flourishing a knife - the blade of which appeared in the reflection  of the bright lights to be half as long as a man's arm - and making use of the expressions you have seen in the Papers - He had nearly disappeared before we could understand what it was or what had happened - We first thought it was a crazy man - when he jumped on to the stage we all jumped to our feet &amp;amp; stood spell bound - as he crossed the stage some few started toward the stage crying  - our President! our President is shot! catch him - hang him! Miss Harris was seen to lean over the railing for water &amp;amp; that was all that broke the stillness in that box - If those watch had called out as soon 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;as the man jumped to give us an idea of what had happened he could have been caught as he stopped to recover himself after the fall - There was not a soul to be seen in the Box and perfect stillness there which all added to our bewilderment- one man got up on a chair on hearing that the man was caught &amp;amp; said "take out the ladies &amp;amp; hang him here on the spot" Beck fearing a mob hurried me out - leaving the audience still standing  awed &amp;amp; speechless. We waited outside until a young man came out &amp;amp; said "He is dead - no doubt about it!"
&lt;/p&gt;&lt;p&gt;Before we got out of the door some one said "It was J. Wilkes Booth" and before I got out, the idea that our Chief was gone - almost our sole dependence - overcame me &amp;amp; I could not control myself &amp;amp; sobbed aloud 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We met several outside the door first coming in asking "For God's sake tell me is it true? as if they had heard already rumors of the great tragedy - The reason that we could not suddenly realize what has occurred was because we could not anticipate that an assassin could be in the Box with the President - His only danger seemed to be from a shot fired by one of the audience 
&lt;/p&gt;&lt;p&gt;Booth entered the front door and asked some one there if Genl Grant was there that night - Then went along to the door of the Box - just where we had seen the President enter - knocked at the door &amp;amp; to the watch who opened it, said he wished to speak to the President, that he had a communication for him showing an Official envelope &amp;amp; giving him a card with the name of a Senator written on it - The 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;watch stepped aside &amp;amp; the assassin entered &amp;amp; fired immediately while Mr Lincoln was looking at the stage
&lt;/p&gt;&lt;p&gt;The excitement that night was intense &amp;amp; a mob of about 2000 went to the Old Capitol Prison to burn it &amp;amp; they called upon the people to come out &amp;amp; see the rebels burn - The Police &amp;amp; troops were out &amp;amp; put a stop to it or it would have been done - The assassin at Sewards first stabbed the nurse through the lungs &amp;amp; killed him I believe - knocked in the skull of Fred Seward with a butt of a pistol &amp;amp; stabbed another son - all had opposed his entrance and the old man hearing the scuffle at the door &amp;amp; thinking it was some one after him. rolled out of bed on to the floor and the assassin had to lean over the bed to stab him so he only 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;had two cuts - on his neck &amp;amp; face - which will not prove serious if he has strength after his former sickness - There is no doubt that it was Booth who killed the President - Laura Keene says she can testify that it was him
&lt;/p&gt;&lt;p&gt;The secessionists here have all draped their houses in crape - and acknowledged that it was the worst thing for the South that ever happened - their best friend is gone &amp;amp; Andy J - will be more severe than ever Lincoln was - Andy Johnson joined the Temperance Society after the Inaugaration and every one who saw him at his own Inaugaration were much pleased with his manner as he seemed impressed with the responsibility before him -
&lt;/p&gt;&lt;p&gt;There are rumored changes to be made in the Cabinet already
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;9. There was a strange coincidence at the Theatre Friday evening - In the play the American Cousin won the prize at Archery and on receiving the medal was congratulated - He said he "had'nt done nothing -  all it required was a steady hand a clear eye to pull the trigger &amp;amp; the mark was hit" as he said it he looked right up at the President
&lt;/p&gt;&lt;p&gt;That was in the play &amp;amp; he looked there merely because he was the principal person present but afterwards it struck everyone as a strange coincidence 
&lt;/p&gt;&lt;p&gt;On Friday Beck received a letter from Duane who is a prisoner at Point Lookout begging him to forget the Past &amp;amp; to find out for him if he would be allowed to take the oath of allegiance to the U.S. that he
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;was sick enough of the Confederacy and very sorry he had ever had any thing to do with it - That afternoon Beck went to the Comd Genl of prisoners but he was out and of course after the awful tragedy Beck did not feel like interceeding for a rebel I do not know what he will do now - he may go to Genl Grant if Hoffman won't do anything  - Don't say anything about it -
&lt;/p&gt;&lt;p&gt;I suppose you have read all I have told you, in the Papers but being there myself I supposed you would like to hear it over just as I saw it - The authorities think that there is no chance for the assassin to escape but I think it is like hunting for a needle in a haystack - Your letter did not come today and when 
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;ever it does not come by Sunday it is because you have left it to tell  the latest news of adile and when you wrote last she was a little troubled with her throat - I had a letter from Maggie today
&lt;/p&gt;&lt;p&gt;I will send this letter today before getting your's - If you send me word how much cloth it takes for adile's sacque  I can buy it here &amp;amp; make it if I had the pattern - I have forgotten how wide the material was that Mrs Foster bought - but if I know the length of her sacque &amp;amp; the width of the half at the bottom I can tell how much it would take when I see Mrs Foster about the width of the material - We are well &amp;amp; send love - with kisses to adile -
&lt;/p&gt;&lt;p&gt;Your aff Daughter
&lt;/p&gt;&lt;p&gt;Helen DuB.
&lt;/p&gt;
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                <text>Helen Augusta Bratt DuBarry to Ann A. Lamoureaux Bratt</text>
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                <text>&lt;p&gt;Washington. D.C.
&lt;/p&gt;&lt;p&gt;April 16th/65
&lt;/p&gt;&lt;p&gt;My dear Mother
&lt;/p&gt;&lt;p&gt;Beck has not come from the Office yet and I have not received your letter but as I have a good deal to write I will begin now - I suppose by tomorrow the mail will go out from Washin No train left yesterday - What I have to write is with reference to the great Tragedy which has caused a nation to mourn - I had the misfortune to be at Ford's Theatre on Friday evening &amp;amp; to hear the shot which deprived us of a President.
&lt;/p&gt;&lt;p&gt;It  was given out during the day that Mrs Lincoln had engaged a "Box" for the President &amp;amp; Genl Grant and having a desire not only to see them but to see the "American Cousin" performed, 
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;we determined to go - Before we went Beck knew that the Genl would not be there as he was to leave for his home in the evening - We went a few moments before the time &amp;amp; waited some time for the President to arrive &amp;amp; as he did not come until late the performances commenced &amp;amp; we thought we were to be disappointed in not seeing him - In the midst of the 2nd scene there was a great applause &amp;amp; cheering and our attention was directed from the stage to the Dress Circle - close to the wall walked Miss Harris -Mrs Lincoln - Major Rathburn - a gentleman the President &amp;amp; another gentleman behind him These two gentlemen were watchmen in citizens dress who have always accompanied the President since the war commenced We followed him with our eyes until he entered the Box little 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;thinking we were looking for the last time at him.  He sat looking on the stage his back to us and out of our sight behind the flags except occasionally when he would lean forward - Mrs Lincoln was in front of him and we only saw her occasionally. We saw her smile &amp;amp; turn towards him several times - It was while every one's attention was fastened upon the stage that a pistol shot was heard causing every one to jump (as an unexpected shot will) &amp;amp; look up at the President's Box merely because that was the direction of the sound and supposing it to be part of the performance we all looked again on the stage when a man suddenly vaulted over the railing of the box - turned back &amp;amp; then leaped to the stage - striking on his heels &amp;amp; falling backward 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;but recovered himself in an instant and started across the stage to behind the scenes flourishing a knife - the blade of which appeared in the reflection  of the bright lights to be half as long as a man's arm - and making use of the expressions you have seen in the Papers - He had nearly disappeared before we could understand what it was or what had happened - We first thought it was a crazy man - when he jumped on to the stage we all jumped to our feet &amp;amp; stood spell bound - as he crossed the stage some few started toward the stage crying  - our President! our President is shot! catch him - hang him! Miss Harris was seen to lean over the railing for water &amp;amp; that was all that broke the stillness in that box - If those watch had called out as soon 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;as the man jumped to give us an idea of what had happened he could have been caught as he stopped to recover himself after the fall - There was not a soul to be seen in the Box and perfect stillness there which all added to our bewilderment- one man got up on a chair on hearing that the man was caught &amp;amp; said "take out the ladies &amp;amp; hang him here on the spot" Beck fearing a mob hurried me out - leaving the audience still standing  awed &amp;amp; speechless. We waited outside until a young man came out &amp;amp; said "He is dead - no doubt about it!"
&lt;/p&gt;&lt;p&gt;Before we got out of the door some one said "It was J. Wilkes Booth" and before I got out, the idea that our Chief was gone - almost our sole dependence - overcame me &amp;amp; I could not control myself &amp;amp; sobbed aloud 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;We met several outside the door first coming in asking "For God's sake tell me is it true? as if they had heard already rumors of the great tragedy - The reason that we could not suddenly realize what has occurred was because we could not anticipate that an assassin could be in the Box with the President - His only danger seemed to be from a shot fired by one of the audience 
&lt;/p&gt;&lt;p&gt;Booth entered the front door and asked some one there if Genl Grant was there that night - Then went along to the door of the Box - just where we had seen the President enter - knocked at the door &amp;amp; to the watch who opened it, said he wished to speak to the President, that he had a communication for him showing an Official envelope &amp;amp; giving him a card with the name of a Senator written on it - The 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;watch stepped aside &amp;amp; the assassin entered &amp;amp; fired immediately while Mr Lincoln was looking at the stage
&lt;/p&gt;&lt;p&gt;The excitement that night was intense &amp;amp; a mob of about 2000 went to the Old Capitol Prison to burn it &amp;amp; they called upon the people to come out &amp;amp; see the rebels burn - The Police &amp;amp; troops were out &amp;amp; put a stop to it or it would have been done - The assassin at Sewards first stabbed the nurse through the lungs &amp;amp; killed him I believe - knocked in the skull of Fred Seward with a butt of a pistol &amp;amp; stabbed another son - all had opposed his entrance and the old man hearing the scuffle at the door &amp;amp; thinking it was some one after him. rolled out of bed on to the floor and the assassin had to lean over the bed to stab him so he only 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;had two cuts - on his neck &amp;amp; face - which will not prove serious if he has strength after his former sickness - There is no doubt that it was Booth who killed the President - Laura Keene says she can testify that it was him
&lt;/p&gt;&lt;p&gt;The secessionists here have all draped their houses in crape - and acknowledged that it was the worst thing for the South that ever happened - their best friend is gone &amp;amp; Andy J - will be more severe than ever Lincoln was - Andy Johnson joined the Temperance Society after the Inaugaration and every one who saw him at his own Inaugaration were much pleased with his manner as he seemed impressed with the responsibility before him -
&lt;/p&gt;&lt;p&gt;There are rumored changes to be made in the Cabinet already
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;9. There was a strange coincidence at the Theatre Friday evening - In the play the American Cousin won the prize at Archery and on receiving the medal was congratulated - He said he "had'nt done nothing -  all it required was a steady hand a clear eye to pull the trigger &amp;amp; the mark was hit" as he said it he looked right up at the President
&lt;/p&gt;&lt;p&gt;That was in the play &amp;amp; he looked there merely because he was the principal person present but afterwards it struck everyone as a strange coincidence 
&lt;/p&gt;&lt;p&gt;On Friday Beck received a letter from Duane who is a prisoner at Point Lookout begging him to forget the Past &amp;amp; to find out for him if he would be allowed to take the oath of allegiance to the U.S. that he
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;was sick enough of the Confederacy and very sorry he had ever had any thing to do with it - That afternoon Beck went to the Comd Genl of prisoners but he was out and of course after the awful tragedy Beck did not feel like interceeding for a rebel I do not know what he will do now - he may go to Genl Grant if Hoffman won't do anything  - Don't say anything about it -
&lt;/p&gt;&lt;p&gt;I suppose you have read all I have told you, in the Papers but being there myself I supposed you would like to hear it over just as I saw it - The authorities think that there is no chance for the assassin to escape but I think it is like hunting for a needle in a haystack - Your letter did not come today and when 
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;ever it does not come by Sunday it is because you have left it to tell  the latest news of adile and when you wrote last she was a little troubled with her throat - I had a letter from Maggie today
&lt;/p&gt;&lt;p&gt;I will send this letter today before getting your's - If you send me word how much cloth it takes for adile's sacque  I can buy it here &amp;amp; make it if I had the pattern - I have forgotten how wide the material was that Mrs Foster bought - but if I know the length of her sacque &amp;amp; the width of the half at the bottom I can tell how much it would take when I see Mrs Foster about the width of the material - We are well &amp;amp; send love - with kisses to adile -
&lt;/p&gt;&lt;p&gt;Your aff Daughter
&lt;/p&gt;&lt;p&gt;Helen DuB.
&lt;/p&gt;
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                    <text>&lt;p&gt;Tuesday, Washington, D.C., April 25th/65
&lt;/p&gt;&lt;p&gt;My dear Mother
&lt;/p&gt;&lt;p&gt;Your letter did not arrive until this morning and I began to think you were waiting for me to answer your last as I wrote before receiving it. Joe paid us a short visit last Wednesday. He came to make arrangements for the President's remains to be carried over his road. We found him here on our return from witnessing the procession.
&lt;/p&gt;&lt;p&gt;I went with Mrs Foster &amp;amp; the family she is boarding with who had engaged a room with three windows in the fourth Story of a house on the Avenue.  Beck &amp;amp; the Col. had to take part in the procession.  We had a splendid view of it and
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;it was the largest one I had ever seen.  It was two hours passing us.  I suppose N. Y. will do better than that today.  Did Father go to the city?  You might go over to Garrison's as the train passes.  The car which carries the remains was just finished &amp;amp; intended for his use-living.  
I did not go to the White House to see him.  Beck did not want to go &amp;amp; I would not go in such a crowd alone.  I am very sorry I did not go.  perhaps it is for the best as I have been as nervous since that awful night that I feel almost prostrated in health and any more excitement of the kind would not benefit me much.  They say the scene in the house that day were &lt;u&gt;terribly&lt;/u&gt; solemn.  The house so dark with black.  The stillness of death---and the four Generals as sentinels by the corpse looking
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;solemn &amp;amp; sad---all made the people realize more forcibly what a dreadful thing had happened.  Poor Mrs Lincoln has not left her bed since he died &amp;amp; they had to close the doors a half hour before the appointed time as the steady tramp tramp of the people was making her wild so that she did not recognize her own son.  To think that his wife's presence did not stay the murderers hand.  It is thought by a few who pretend to know that Booth is surely caught and the Authority don't wish it known.  There is a great deal known that is not allowed to be published.  There is a family of &lt;u&gt;Greenes&lt;/u&gt; under arrest for having kept him all night on &lt;u&gt;Friday&lt;/u&gt;.  They are a good family here &amp;amp; live by the Potomac.
&lt;/p&gt;&lt;p&gt;Joe staid all night with us and left early the next morning.  I have not heard from Carrie in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;some time.  There is an advertised letter for me in the P. O---which they say they are not ready to deliver yet.  It is very funny.  They must be examining letters.  Has Mrs De Janon got to W. P. yet?  I see &lt;u&gt;Lou&lt;/u&gt; florishing about here with Officers.  I saw her with one at church Sunday.  We think of going next Sunday to Alexandria to attend the church that Genl Washington attended.  It will be an interesting trip.  Col Foster gave up two bonds of the Confederate loan which he brought up from Charleston.  I have finished my green dress and it looks good as new.  I am on the pink plaid pineapple---putting a lining in the skirt &amp;amp; flouncing it.  I am rather glad the trunk holds off as there is enough work here to keep me busy.  You need not send the claret silk as I shall not need it before Fall.  If you write as soon as you get this it will bring the letters all right again.  I had a letter from 
&lt;/p&gt;&lt;p&gt;[on first page written vertically]
&lt;/p&gt;&lt;p&gt;Maggie last week.  I suppose she is home.  I have not heard a word from Emma since that letter he wrote.  I wonder how they got along.  If Maggie goes down perhaps she would go to see her to enquire.  tell her to go &amp;amp; see the baby. give them all much love &amp;amp; kisses to Adile from papa &amp;amp; Mama.  
&lt;/p&gt;&lt;p&gt;Yours Aff, Helen
&lt;/p&gt;
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                <text>&lt;p&gt;Tuesday, Washington, D.C., April 25th/65
&lt;/p&gt;&lt;p&gt;My dear Mother
&lt;/p&gt;&lt;p&gt;Your letter did not arrive until this morning and I began to think you were waiting for me to answer your last as I wrote before receiving it. Joe paid us a short visit last Wednesday. He came to make arrangements for the President's remains to be carried over his road. We found him here on our return from witnessing the procession.
&lt;/p&gt;&lt;p&gt;I went with Mrs Foster &amp;amp; the family she is boarding with who had engaged a room with three windows in the fourth Story of a house on the Avenue.  Beck &amp;amp; the Col. had to take part in the procession.  We had a splendid view of it and
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;it was the largest one I had ever seen.  It was two hours passing us.  I suppose N. Y. will do better than that today.  Did Father go to the city?  You might go over to Garrison's as the train passes.  The car which carries the remains was just finished &amp;amp; intended for his use-living.  
I did not go to the White House to see him.  Beck did not want to go &amp;amp; I would not go in such a crowd alone.  I am very sorry I did not go.  perhaps it is for the best as I have been as nervous since that awful night that I feel almost prostrated in health and any more excitement of the kind would not benefit me much.  They say the scene in the house that day were &lt;u&gt;terribly&lt;/u&gt; solemn.  The house so dark with black.  The stillness of death---and the four Generals as sentinels by the corpse looking
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;solemn &amp;amp; sad---all made the people realize more forcibly what a dreadful thing had happened.  Poor Mrs Lincoln has not left her bed since he died &amp;amp; they had to close the doors a half hour before the appointed time as the steady tramp tramp of the people was making her wild so that she did not recognize her own son.  To think that his wife's presence did not stay the murderers hand.  It is thought by a few who pretend to know that Booth is surely caught and the Authority don't wish it known.  There is a great deal known that is not allowed to be published.  There is a family of &lt;u&gt;Greenes&lt;/u&gt; under arrest for having kept him all night on &lt;u&gt;Friday&lt;/u&gt;.  They are a good family here &amp;amp; live by the Potomac.
&lt;/p&gt;&lt;p&gt;Joe staid all night with us and left early the next morning.  I have not heard from Carrie in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;some time.  There is an advertised letter for me in the P. O---which they say they are not ready to deliver yet.  It is very funny.  They must be examining letters.  Has Mrs De Janon got to W. P. yet?  I see &lt;u&gt;Lou&lt;/u&gt; florishing about here with Officers.  I saw her with one at church Sunday.  We think of going next Sunday to Alexandria to attend the church that Genl Washington attended.  It will be an interesting trip.  Col Foster gave up two bonds of the Confederate loan which he brought up from Charleston.  I have finished my green dress and it looks good as new.  I am on the pink plaid pineapple---putting a lining in the skirt &amp;amp; flouncing it.  I am rather glad the trunk holds off as there is enough work here to keep me busy.  You need not send the claret silk as I shall not need it before Fall.  If you write as soon as you get this it will bring the letters all right again.  I had a letter from 
&lt;/p&gt;&lt;p&gt;[on first page written vertically]
&lt;/p&gt;&lt;p&gt;Maggie last week.  I suppose she is home.  I have not heard a word from Emma since that letter he wrote.  I wonder how they got along.  If Maggie goes down perhaps she would go to see her to enquire.  tell her to go &amp;amp; see the baby. give them all much love &amp;amp; kisses to Adile from papa &amp;amp; Mama.  
&lt;/p&gt;&lt;p&gt;Yours Aff, Helen
&lt;/p&gt;
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                    <text>&lt;p&gt;Due Jeremiah Cox one dollar &amp;amp; twenty five cents for value recd this 25th day February [1822?].  William Duff
25 Oct   $1.25
Interest      71 1/2
&lt;/p&gt;
&lt;pre&gt;           ________
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&lt;/pre&gt;
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25 Oct   $1.25
Interest      71 1/2
&lt;/p&gt;
&lt;pre&gt;           ________
           $1.96 1/2
&lt;/pre&gt;
&lt;hr /&gt;
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                    <text>&lt;p&gt;received of James B. Lincoln the amount in full of
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recd this 26th day of February 1836   Wm. Duff [Cont?]
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                <text>De Marsan, H.</text>
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                  <text>David Virgil Felts, a Decatur, Illinois, journalist, was born on January 31, 1900, in Marion, Illinois. Following high school graduation, Felts entered the University of Illinois at Champaign. In college Felts became the &amp;ldquo;Campus Scout,&amp;rdquo; the author of a humorous column about college happenings. This position at the university was also held by Gene Shalit, Allen Sherman, and others who later pursed careers in broadcasting and journalism. &lt;br /&gt;&lt;br /&gt;After receiving an A.B. from the University of Illinois in 1923, Felts became a reporter for the Louisville (Kentucky) Courier Journal. From 1923 until 1926, he worked as a sports editor for the Illinois State Register in Springfield, Illinois, and then served briefly as a United Press reporter. Following a year of post-graduate study at Harvard University, Felts returned to Springfield in 1928 and became an editorial writer and columnist. &lt;br /&gt;&lt;br /&gt;In December 1935, Felts joined the Lindsay-Schaub chain of newspapers as an editorial writer and moved to Decatur, Illinois. He became editorial page editor for the Decatur Herald and Review in 1958 and two years later, he was editorial page editor for the entire Lindsay-Schaub chain. Felts also wrote his own column, called &amp;ldquo;Second Thoughts.&amp;rdquo; The column contained folksy reminiscences about past events and observations on current affairs. &lt;br /&gt;&lt;br /&gt;Felts officially retired in 1967, but he continued to write his column three times a week for the Lindsay-Schaub newspapers. The column ran until Felts&amp;rsquo; real retirement at the age of seventy-five. In 1975, Felts moved to Ft. Pierce, Florida, with his wife. Felts died in March of 1985. &lt;br /&gt;&lt;br /&gt;Felts, who was interested in local and state history, was a long time member of the Illinois State Historical Society. He served as Society director from 1980 to 1983 and was elected vice-president in 1983. In July 1958, Felts was appointed by Governor William G. Stratton to the Illinois Lincoln Sesquicentennial Commission. Felts was also active in the Friends of the Decatur Public Library, serving as a trustee for the Library from 1951 to 1960 and as president of the board of directors from 1953 until 1955.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The finding aid for the David V. Felts Papers, 1908-1978 at the Abraham Lincoln Presidential Library and Museum may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/215.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include several images of David Felts at his desk and with newspaper colleagues, group photos of Decatur civic organizations Felts was a member of, and aerial photographs of Springfield, Illinois.</text>
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                <text>Illinois Fighting Illini Football Team</text>
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            <description>An account of the resource</description>
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                <text>The 1927 NCAA championship football team from the University of Illinois poses for a portrait. Lead by head coach Robert C. Zuppke, players include Lloyd Burdick, Russell J. Crane, Arthur L. D'Ambrosio, Keston J. Deimling, A. Blair French, Louis J. Gordon, Leonard M. Grable, Garland A. Grange, Fred H. Humbert, Walter Jolley, Lester M. Marriner, William E. McClure, Douglas R. Mills, Merwin Mitterwallner, Louis W. Muegge, Evert F. Nelson, Albert J. Nowack, Cecil Perkins, Robert Reitsch, Harry Richman, Ernest W. Schultz, Wm. E. Short, James R. Bud Stewart, Dwight T. Stuessy, Judson A. Timm, Frank H. Walker, L. J. Wietz, Arnold E. Wolgast</text>
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                <text>Marriner, Lester M.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                    <text>&lt;p&gt;Mrs. Frances Lincoln you can settle with Atr F.L. [Barris?] as you and him can agree on your charge for taken up and keeping his cow.  She was taken up the 26 day of Nov 1838.  James T. Duncan J. P. of Lincoln County
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&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Order of Justice of the Peace James T. Duncan</text>
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                <text>&lt;p&gt;Mrs. Frances Lincoln you can settle with Atr F.L. [Barris?] as you and him can agree on your charge for taken up and keeping his cow.  She was taken up the 26 day of Nov 1838.  James T. Duncan J. P. of Lincoln County
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            <description>A 6-digit number used to sort items quickly.</description>
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                  <text>Photographs from the families of Major General Curtis James Herrick and his wife, Alice (Reasoner) Herrick. Mrs. Herrick was born Alice Reasoner to Colonel Mathew A. Reasoner (1875-1947) and his wife Mabel (Milnor) Reasoner (1877-1964) in Alton, Illinois. General Herrick was born in North Dakota and served his professional career as an officer in the United States Army from 1931 to 1967. The Herricks are both buried at Arlington National Cemetery, Washington, D.C. &lt;br /&gt;&lt;br /&gt;The collection contains photographs from Mrs. Harrick's family collection;however, most of the images are from General Herrick's military service.&lt;br /&gt;&lt;br /&gt;For further research, see the Herrick-Reasoner-Milnor-Sparks Family Papers, 1860-1967, in the manuscript holdings of the Abraham Lincoln Presidential Library:&lt;br /&gt;&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/show/281" target="_self"&gt;&lt;br /&gt;http://alplm-cdi.com/chroniclingillinois/items/show/281&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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            <description>An account of the resource</description>
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                <text>A H-21 helicopter of the 25th Aviation Company at East Range Area, Schofield Barracks, transports a vehicle for visiting General Sir Richard Hull of the British Forces in Singapore.</text>
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                <text>Hawaii--Schofield Barracks</text>
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                <text>Great Britain. Army</text>
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            <name>Creator</name>
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                <text>Dung, James K. F.</text>
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            <description>A language of the resource</description>
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                  <text>Jannotta Family Collection</text>
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                  <text>Janotta, Stella Skiff, 1867-1954</text>
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                  <text>The Janotta Family Collection contains photographs relating to conductor/composer Alfredo Jannotta, his wife, activist and author Stella Skiff Jannotta, and their family. Several photographs belonged to their son, Navy Rear Admiral A. Vernon Jannotta.&lt;br /&gt;&lt;br /&gt;Alfredo Jannotta immigrated from Italy by way of London to Boston in 1865 where he taught voice at the New England Conservatory of Music. He married his first wife, Alice Prudy and they had a son, Edward, before Alfredo moved to Cincinnati in 1868. Alfredo spent 12 years in Cincinnati teaching vocal performance as well as conducting the Cincinnati Choral Society and organizing the first Cincinnati orchestra. He moved back to Boston in 1881 but moved to St. Paul, Minnesota, in 1882 and finally to Chicago in 1888 where he established himself as a vocal teacher.&lt;br /&gt;&lt;br /&gt;While teaching in Chicago, Jannotta taught vocal lessons to Stella Skiff whom he married in 1893. Skiff was the daughter of Iowa businessman Vernon William Skiff and his wife, Mary Frances Coffin. Her brother, Frank Vernon Skiff founded the Jewel Tea Company which later grew into a national grocery store chain including Jewel, Osco, Eisner, and White Hen. &lt;br /&gt;&lt;br /&gt;Skiff continued her singing career after marrying Jannotta and briefly taught lessons. Between 1894 and 1898, she gave birth to sons A. Vernon, Francis, and Joseph. Between 1917 and 1918, Stella adopted three foster daughters, Margaret, Marion, and Betty (Elizabeth).&lt;br /&gt;&lt;br /&gt;In the early 20th century she began taking an active interest in causes including the suffrage movement and socialism.&amp;nbsp;Stella Jannotta joined the Chicago Political Equality League (predecessor to the Chicago League of Women Voters) in 1907. She wrote for the propaganda arm of the organization, including a 1916 article entitled "Public Opinion" which she revisted several times over the following decades.&lt;br /&gt;&lt;br /&gt;A. Vernon Jannotta, the oldest son on Alfredo and Stella, served in the United States Navy in both World War I and World War II. He rose through the ranks of the Navy and the Naval Reserves, eventually retiring as a Rear Admiral in 1954. Jannotta received several military honors including the Navy Cross, Silver Star, two Bronze Stars, and a Purple Heart.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Jannotta began working at the Jewel Tea Company in 1919 and held several positions at the company for the next 50 years. He also held several executive positions or held stakes in several companies including Lehman Brothers, Motor Institute of America, Tapp, Inc. and Consolidated Trading Corporation.&lt;br /&gt;&lt;br /&gt;The finding aid for the Janotta Family Papers, 1809-1972 at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a title="Janotta Family Papers, 1809-1972" href="http://alplm-cdi.com/chroniclingillinois/items/show/358" target="_blank"&gt;http://alplm-cdi.com/chroniclingillinois/items/show/358&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of Jannotta and Skiff family members as well as students of Alfredo Jannota.</text>
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      <name>Still Image</name>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Eugene Ysaye</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Belgian violinist, conductor, and composer&amp;nbsp;Eugene Ysaye poses for a portrait holding his violin while standing in front of a chair draped with the American flag.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Image signature: "Confraternal souvenir au vieux maitre, Signor Jannotta. E. Ysaye"</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ysaye, Eugene, 1858-1931</text>
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                <text>Musicians</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="216713">
                <text>DuPont, Aime</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1905-05-26</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="216719">
                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="216722">
                <text>eng</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The World Mourns for Abraham Lincoln (1865)</text>
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              <description>The topic of the resource</description>
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                  <text>Lincoln, Abraham, 1809-1865</text>
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                  <text>&lt;a&gt;Presidents--Assassination&lt;/a&gt;</text>
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                  <text>&lt;a&gt;Condolence notes&lt;/a&gt;</text>
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                  <text>International relations--Social aspects</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="152114">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>paper and ink</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="174060">
                <text>RG59E177-119</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Resolutions of Durham Rifle Volunteers</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Durham Rifle Volunteers</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1865-05-12</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pdf</text>
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            <description>The topic of the resource</description>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Presidents--Assassination</text>
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                <text>Condolence notes</text>
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                <text>Military service. Voluntary</text>
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            <description>A related resource that is a version, edition, or adaptation of the described resource.</description>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 204.</text>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 268.</text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>54.5333, -1.5667</text>
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                <text>&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;Darlington&lt;/span&gt;, &lt;em&gt;May&lt;/em&gt; 12, 1865.&lt;/p&gt;&#13;
&lt;p&gt;The following resolutions were passed at a meeting of 15th Durham rifle volunteers on the above date:&lt;/p&gt;&#13;
&lt;p&gt;At a special parade of the 15th Durham rifle volunteers (Darlington) it was unanimously resolved&amp;mdash;&lt;/p&gt;&#13;
&lt;p&gt;1st. That the officers and members have heard with horror and regret of the foul murder which has been perpetrated on Mr. Lincoln, the President of the United States, and they beg leave to tender their sympathies to Mrs. Lincoln and the people of the United States.&lt;/p&gt;&#13;
&lt;p&gt;2d. That Lieutenant Colonel Scurfield be requested to forward this expression of the feelings of the 15th Durham rifle volunteers to Mr. Adams, the representative of the United States of America in London.&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;GEORGE JOHN SCURFIELD,&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;em&gt;Lieut. Colonel commanding&lt;/em&gt; 4&lt;em&gt;th Art. Batt. D R. V., and Captain commading&lt;/em&gt; 15&lt;em&gt;th Durham R. V&lt;/em&gt;.&lt;/p&gt;</text>
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            <description>A 6-digit number used to sort items quickly.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <description>A name given to the resource</description>
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                <text>My Old Home of Long Ago</text>
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            <description>An account of the resource</description>
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                <text>Lyrics depict singer's happy memories of home at a younger age. Cover image depicts children picking flowers in front of two homes and a portrait of the lyricist/publisher in the lower left corner.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Durkin, Clara D.</text>
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                <text>Alford, Harry L.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Durkin, Clara D.</text>
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                <text>1924</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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              <name>Title</name>
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                  <text>Adin Baber Collection</text>
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              <description>The topic of the resource</description>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>McWilliams Girls</text>
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            <description>An account of the resource</description>
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                <text>Two McWilliams children of Dundas, Illinois, pose for a portrait.</text>
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            <description>The topic of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Durnett &amp;amp; Son</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <description>An account of the resource</description>
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                  <text>A selection of photographs from a wide range of collections. Images in the Miscellaneous Collection include broadsides, oversized photographs, cased photographs, and images of persons from individual files in the Audio Visual Collection.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>carte de visite</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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            <description>A language of the resource</description>
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            <description>An account of the resource</description>
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                <text>John A. Logan poses for a portrait.</text>
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              <description>An account of the resource</description>
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                    <text>&lt;p&gt;IN MEMORIAM QUARTETTE, ON THE DEATH OF ABRAHAM LINCOLN THE SIXTEENTH PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;WORDS BY Mrs. E.J. Bugbee Music by H.T. Merrill.  3 1/2
&lt;/p&gt;&lt;p&gt;CHICAGO Published by Merrill &amp;amp; Brennan 91 Washington St.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1865 by Merrill &amp;amp; Brennan in the Clerk's Off. of Dist. Court for Nrthn. Dt. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;IN MEMORIAM. WORDS BY MRS. E.J. BUGBEE. MUSIC BY H.T. MERRILL.
&lt;/p&gt;&lt;p&gt;Tenderly.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1st. Verse. There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;2nd. Verse. A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falsehood or wrong, But
&lt;/p&gt;&lt;p&gt;bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falshood or wrong, But
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;&lt;p&gt;tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3rd. Verse. Away on the mountain, our Leader must die, The
&lt;/p&gt;&lt;p&gt;4th Verse. The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;Away on the mountain our Leader must die, The
&lt;/p&gt;&lt;p&gt;The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;&lt;p&gt;what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;&lt;p&gt;brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;
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                    <text>Complete</text>
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    <collection collectionId="255">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="164930">
                  <text>Lincoln Sheet Music Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="165295">
              <text>5</text>
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            <elementText elementTextId="165296">
              <text>36 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="165277">
                <text>301017</text>
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              <elementText elementTextId="165278">
                <text>180912627</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="165279">
                <text>In Memoriam: Quartette on the Death of Abraham Lincoln, the Sixteenth President of the United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="165280">
                <text>Memorial song expressing grief over the death of Abraham Lincoln. Four part harmony for mixed group.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165281">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
              <elementText elementTextId="165282">
                <text> Songs and Music</text>
              </elementText>
              <elementText elementTextId="165283">
                <text> Vocal quartets</text>
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              <elementText elementTextId="165284">
                <text> Scores</text>
              </elementText>
              <elementText elementTextId="165285">
                <text> Sheet Music</text>
              </elementText>
              <elementText elementTextId="165286">
                <text> Songs and music</text>
              </elementText>
              <elementText elementTextId="165287">
                <text> Merrill, H. T.</text>
              </elementText>
              <elementText elementTextId="165288">
                <text> Bugbee, E. J.</text>
              </elementText>
              <elementText elementTextId="165289">
                <text> Memorial music</text>
              </elementText>
              <elementText elementTextId="165290">
                <text> Choral music</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165291">
                <text>E. J. Bugbee and H. T. Merrill</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165292">
                <text>Merrill &amp;amp; Brennan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="165293">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165294">
                <text>1865</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165297">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="165298">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165300">
                <text>en</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="633437">
                <text>&lt;p&gt;IN MEMORIAM QUARTETTE, ON THE DEATH OF ABRAHAM LINCOLN THE SIXTEENTH PRESIDENT OF THE UNITED STATES.
&lt;/p&gt;&lt;p&gt;WORDS BY Mrs. E.J. Bugbee Music by H.T. Merrill.  3 1/2
&lt;/p&gt;&lt;p&gt;CHICAGO Published by Merrill &amp;amp; Brennan 91 Washington St.
&lt;/p&gt;&lt;p&gt;Ent. according to Act of Congress AD 1865 by Merrill &amp;amp; Brennan in the Clerk's Off. of Dist. Court for Nrthn. Dt. of Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;IN MEMORIAM. WORDS BY MRS. E.J. BUGBEE. MUSIC BY H.T. MERRILL.
&lt;/p&gt;&lt;p&gt;Tenderly.
&lt;/p&gt;&lt;p&gt;Soprano. Alto.
&lt;/p&gt;&lt;p&gt;1st. Verse. There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;2nd. Verse. A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;Tenor. Bass.
&lt;/p&gt;&lt;p&gt;There's a burden of grief on the breezes of spring, A song of regret from the
&lt;/p&gt;&lt;p&gt;A heart that we knew had been true to our weal, A hand that was steadily
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falsehood or wrong, But
&lt;/p&gt;&lt;p&gt;bird on its wing; A pall on the sunshine and over the flow'rs, And a
&lt;/p&gt;&lt;p&gt;guiding the wheel; A name never tarnished by falshood or wrong, But
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;shadow of graves on these spirits of ours; For a star hath gone out from the
&lt;/p&gt;&lt;p&gt;dwelt in our hearts like a soul-stirring song; Ah! that pure, noble spirit has
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;night of our sky, On whose brightness we gazed as the war-cloud rolled by; So
&lt;/p&gt;&lt;p&gt;gone to its rest, And the true hand lies nerveless and cold on the breast; His
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;&lt;p&gt;tranquil and steady and clear were its beams, They fell like a vision of peace on our dreams.
&lt;/p&gt;&lt;p&gt;name and his mem'ry these never will die, But brighter they'll grow as the ages pass by.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;3rd. Verse. Away on the mountain, our Leader must die, The
&lt;/p&gt;&lt;p&gt;4th Verse. The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;Away on the mountain our Leader must die, The
&lt;/p&gt;&lt;p&gt;The songs of the ransomed enraptured his ear, He
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;fair land of promise spread out to his eye; His work is accomplished and
&lt;/p&gt;&lt;p&gt;heeds not the dirges that roll for him here; In the calm of his spirit, so
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;&lt;p&gt;what he has done Will stand as a monument under the sun; His
&lt;/p&gt;&lt;p&gt;strange and sublime, He's lifted far over the discord of time; Then
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;name reaching down thro' the ages of time, Will still thro' the years of
&lt;/p&gt;&lt;p&gt;bear him home gently, great son of the West Mid her fair blooming prairies lay
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;eternity shine, Like a star sailing on thro' the depths of the blue On whose
&lt;/p&gt;&lt;p&gt;Lincoln to rest; The nation who loved him she takes to her trust And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;&lt;p&gt;brightness we gaze ev'ry evening anew.
&lt;/p&gt;&lt;p&gt;tenderly garners the consecrate dust.
&lt;/p&gt;
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                <text>Complete</text>
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
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                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <elementText elementTextId="633441">
                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/d36fa6748c36eb31855cd18c0717adcc.jpg</src>
        <authentication>8d29280f5d76490c867ff7e060782a82</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104712">
                  <text>Miscellaneous Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104713">
                  <text>A selection of photographs from a wide range of collections. Images in the Miscellaneous Collection include broadsides, oversized photographs, cased photographs, and images of persons from individual files in the Audio Visual Collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
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              <elementTextContainer>
                <elementText elementTextId="104714">
                  <text>Abraham Lincoln Presidential Library and Museum</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="104715">
                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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              </elementTextContainer>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
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      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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              <text>commercial print</text>
            </elementText>
            <elementText elementTextId="311287">
              <text>b&amp;amp;w</text>
            </elementText>
            <elementText elementTextId="311288">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="311289">
              <text>18 x 11 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
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    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="311277">
                <text>405136</text>
              </elementText>
              <elementText elementTextId="311278">
                <text>Miscellaneous Collection</text>
              </elementText>
              <elementText elementTextId="311279">
                <text>Individuals Verticle File</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311280">
                <text>Alvin G. Fields</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311281">
                <text>Alvin G. Fields, mayor of East St. Louis, poses for a portrait.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311282">
                <text>Fields, Alvin G., 1902-1975</text>
              </elementText>
              <elementText elementTextId="311283">
                <text>Mayors</text>
              </elementText>
              <elementText elementTextId="328023">
                <text>Illinois--East Saint Louis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311284">
                <text>E. St. Louis Journal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311285">
                <text>ca. 1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311290">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="311291">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;LINCOLN CENTENNIAL GRAND MARCH.  1809  1909 by E.T. Paull
&lt;/p&gt;&lt;p&gt;Published by E.T. Paull Music Co. 46 West 28th St. PHILADELPHIA, PA. M.D. SWISHER.  SPRINGFIELD, MASS. A.H. GOETTING. NEW YORK NEW YORK MUSIC SUPPLY CO. PHILADELPHIA, PA. JOS. MORRIS. NEW YORK NEW YORK CROWN MUSIC. NEW YORK ENTERPRISE MUSIC CO. LONDON, ENG. W. PAXTON &amp;amp; CO. CHICAGO, ILL. F.J.A. FORSTER CO. TORONTO, CAN. CANADIAN-AMERICAN MUSIC CO., LTD. BOSTON, MASS. COUPON MUSIC CO. J.A. ALBERT &amp;amp; SON, SYDNEY, AUSTRALIA. Copyright for all countries.
&lt;/p&gt;&lt;p&gt;6 Piano Solo.  10 Four Hand.  Copyright MCMIX by E.T. Paull.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Lincoln Centennial.  GRAND MARCH. By E.T. Paull. Author of Ben Hur Chariot Race, Burning of Rome, Paul Revere's Ride, Silver Sleigh Bells etc.
&lt;/p&gt;&lt;p&gt;Copyright MCMIX by E.T. Paull. British Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;Of Special Interest to Teachers and Musicians
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that is absolutely correct in every respect, BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that is superior in every respect to all other editions, BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that will increase the interest of your pupils, and make the study of Piano Playing a pleasing task for the very beginning, instead of a dry and monotonous routine, then BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition of the World's Most Famous Musical Compositions, specially selected, arranged, graded and published in the
Handsomest Manner possible, and Edited and Revised by the World Best Authorities in Music, as WILLIAM H. SHERWOOD, CONSTANTIN VON STERNBERG, EMIL LIEBLING, HOMER N. BARTLETT, WILSON G. SMITH, W.S.B. MATTHEWS, J.H. ROGERS, GUSTAV L. BECKER, FRANK LYNES, WALTER SPRY, JOHN KOHLER, ALBERTO HIMAN, WM. M. SEMNACHER, and D.M. LEVETT, be sure TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;WM. M. SEMNACHER. First Grade
&lt;/p&gt;&lt;p&gt;In the Month of May, Francois Behr. op. 575, No. 2  .80
&lt;/p&gt;&lt;p&gt;Child's Play, Francois Behr. op 575, No. 8    .80
&lt;/p&gt;&lt;p&gt;Sounds from the North, Cornelius Gurlitt. op. 101, No. 4   .80
&lt;/p&gt;&lt;p&gt;Golden Star, The Valse, L. Streabbog  .80
&lt;/p&gt;&lt;p&gt;Joyful Morning, Cornelius Gurlitt. op. 101, No. 3   .80
&lt;/p&gt;&lt;p&gt;Birds of Paradise, Valse Mignonne, L. Streabbog. op. 78  .80
&lt;/p&gt;&lt;p&gt;Arioso, H. Lichner. op. 84, No. 11   .80
&lt;/p&gt;&lt;p&gt;Second Grade
&lt;/p&gt;&lt;p&gt;Little Wanderer, C. Gurlitt. op. 101, No. 12   .80
&lt;/p&gt;&lt;p&gt;ALBERTO HIMAN  First Grade
&lt;/p&gt;&lt;p&gt;Contemplation, H. Lichner. op. 24, No. 2   .80
&lt;/p&gt;&lt;p&gt;Morning Devotion, H. Lichner. op. 84, No. 1  .80
&lt;/p&gt;&lt;p&gt;Under the Linden Tree, G. Lange. op. 249, No. 3   .40
&lt;/p&gt;&lt;p&gt;Little Dance in the Nursery, Louis Kohler .80
&lt;/p&gt;&lt;p&gt;Trumpeter's Serenade, F. Spindler. op. 249, No. 20  .80
&lt;/p&gt;&lt;p&gt;Stepping Stone, The Fr. Baumfelder. op. 215, No. 1  .80
&lt;/p&gt;&lt;p&gt;Silent Wishes, H. Lichner. op. 84, No. 6   .80
&lt;/p&gt;&lt;p&gt;After School, H. Lichner. op. 24, No. 4  .80
&lt;/p&gt;&lt;p&gt;FRANK LYNES Second Grade
&lt;/p&gt;&lt;p&gt;Cradle Song, N.V. Wilm. op. 81, No. 18  .80
&lt;/p&gt;&lt;p&gt;Little Rogue, Heinrich Hoffmann. op. 77, No. 1   .80
&lt;/p&gt;&lt;p&gt;Rondo in C Major, J.N. Hummel   .50
&lt;/p&gt;&lt;p&gt;Feodora Polonaise, Fr. Spindler. op. 98, No. 1  .80
&lt;/p&gt;&lt;p&gt;Sonatina and Rondo in G Major, J.L. Dussek. op. 20, No. 1  .50
&lt;/p&gt;&lt;p&gt;Sonatina in F Major, No. 38, L. Von Beethoven   .40
&lt;/p&gt;&lt;p&gt;Cheerfulness, Jos. Low.  op. 142, No. 9   .80
&lt;/p&gt;&lt;p&gt;JOHN KOHLER. Second Grade
&lt;/p&gt;&lt;p&gt;Bluette Valse, J.B. Duvernoy. op. 272, No. 1   .40
&lt;/p&gt;&lt;p&gt;Fair, The (Kirmesse), C. Gurlitt   .40
&lt;/p&gt;&lt;p&gt;Hand Organ Man Plays, Th. Oesten. op. 65, No. 1  .40
&lt;/p&gt;&lt;p&gt;Melodie, R. Schumann. op. 68, No. 1   .40
&lt;/p&gt;&lt;p&gt;Of Olden Times Romance, Carl Reinecke. op. 77   .40
&lt;/p&gt;&lt;p&gt;Tarantelle, C. Mayer. op. 121, No. 2  .40
&lt;/p&gt;&lt;p&gt;William Tell, D. Krug. op. 114, No. 34  .40
&lt;/p&gt;&lt;p&gt;D. M. LEVETT. Third Grade
&lt;/p&gt;&lt;p&gt;Holiday in the Village Scherzo, Carl Heins. op. 28, No. 2  .40
&lt;/p&gt;&lt;p&gt;Album Leaf in Ab Major, Ed. Grieg. op. 28  .40
&lt;/p&gt;&lt;p&gt;Dance on the Green, Carl Bohm. op. 185, No. 3   .50
&lt;/p&gt;&lt;p&gt;Curious Story, St. Heller. op. 118, No. 9   .40
&lt;/p&gt;&lt;p&gt;Il Penseroso in Bb Major, St. Heller. op. 45, No. 16  .40
&lt;/p&gt;&lt;p&gt;Turtle Dove Polka, Franz Behr. op. 303  .50
&lt;/p&gt;&lt;p&gt;Frolics, N.V. Wilm. op. 1, No. 5   .40
&lt;/p&gt;&lt;p&gt;WALTER SPRY.  Third Grade
&lt;/p&gt;&lt;p&gt;Gavotte, Mignon Goldner   .50
&lt;/p&gt;&lt;p&gt;La Blondine, J. Egghard. op. 297  .50
&lt;/p&gt;&lt;p&gt;La Fontaine, G. Reynald. op. 6, No. 1   .50
&lt;/p&gt;&lt;p&gt;Petit Tarantelle, St. Heller  .50
&lt;/p&gt;&lt;p&gt;Pomponnette (Air a Danser), Aug. Durand  .50
&lt;/p&gt;&lt;p&gt;Sonata in G Minor, L. Von Beethoven  .50
&lt;/p&gt;&lt;p&gt;Song Without Words, A Minor, P. Tschaikowsky. op. 40, No. 6  .50
&lt;/p&gt;&lt;p&gt;Will-o'-the-Wisp (Capriccietto). Alb. Jungmann  .50
&lt;/p&gt;&lt;p&gt;W.S.B. MATTHEWS. Fourth Grade
&lt;/p&gt;&lt;p&gt;Dance of the Flowers (Grand Valse), Leo Delibes  .60
&lt;/p&gt;&lt;p&gt;Death of Aase (Funeral March). Edv. Grieg. op. 46  .40
&lt;/p&gt;&lt;p&gt;Intermezzo, E.A. McDowell. op. 10, No. 4a   .50
&lt;/p&gt;&lt;p&gt;Polonaise Brilliante, G. Merkel. op. 28  .50
&lt;/p&gt;&lt;p&gt;Spark, The (Mazurka), L.M. Gottschalk. op. 21  .50
&lt;/p&gt;&lt;p&gt;Spinning Song (Song Without Words. No. 34). Fr. Mendolssohn  .50
&lt;/p&gt;&lt;p&gt;Valse Impromptu, N.V. Wilm. op. 20  .60
&lt;/p&gt;&lt;p&gt;J.H. ROGERS. Fourth Grade
&lt;/p&gt;&lt;p&gt;Celebrated Prelude in C, S. Bach  .40
&lt;/p&gt;&lt;p&gt;Callirhoe (Air de Ballet No. 4), C. Chaminade   .50
&lt;/p&gt;&lt;p&gt;Fabliau (Fable), J. Raff. op. 75, No. 2  .50
&lt;/p&gt;&lt;p&gt;Nocturne in Eb, Fr. Chopin. op. 9, No. 2  .50
&lt;/p&gt;&lt;p&gt;Polacca Brilliante in Ab, Carl Bohm  .75
&lt;/p&gt;&lt;p&gt;Sonata in C, J. Haydn  .50
&lt;/p&gt;&lt;p&gt;Swallows (Les Hirondelles), J. Bacmann  .50
&lt;/p&gt;&lt;p&gt;Valse in Db, Fr. Chopin. op. 64, No. 1  .50
&lt;/p&gt;&lt;p&gt;CONSTANTIN VON STERNBERG Fifth Grade
&lt;/p&gt;&lt;p&gt;By Moonlight, Fr. Bendel. op. 189, No. 3  .75
&lt;/p&gt;&lt;p&gt;Gavotte, E. Silas. op. 79, No. 1  .50
&lt;/p&gt;&lt;p&gt;Gay Butterflies (Caprice), Louis Gregh, op. 8  .50
&lt;/p&gt;&lt;p&gt;Grand Valse Brilliante, Fr. Chopin. op. 18  .75
&lt;/p&gt;&lt;p&gt;Harmonious Blacksmith (Air and Variations), G.F. Handel  .50
&lt;/p&gt;&lt;p&gt;Petite Mazurka, W. Sapelnikoff. op. 2  .50
&lt;/p&gt;&lt;p&gt;Salterello on a Theme from Mendelssohn's Italian Symphony, St. Heller. op. 77  .75
&lt;/p&gt;&lt;p&gt;Siegmund's Love Song (Fantasy, From Wagner's "Die Walkure"), G. Lange. op. 143  .60
&lt;/p&gt;&lt;p&gt;WILLIAM H. SHERWOOD Fifth Grade
&lt;/p&gt;&lt;p&gt;Butterfly (Papillon), Ed. Grieg. op. 43, No. 1  .50
&lt;/p&gt;&lt;p&gt;Elsa's Bridal Procession (Trans. R. Wagner), Fr. Liszt  .50
&lt;/p&gt;&lt;p&gt;Maiden's Wish, Fr. Chopin-Liszt  .50
&lt;/p&gt;&lt;p&gt;Scherzo, Edv. Grieg. op. 54, No. 5  .50
&lt;/p&gt;&lt;p&gt;Etude in F, H.A. Wollenhaupt. op. 22, No. 2   .50
&lt;/p&gt;&lt;p&gt;Etude in E, H.A. Wollenhaupt. op. 22, No. 4   .50
&lt;/p&gt;&lt;p&gt;Valse Lente, V. Dolmetsch  .60
&lt;/p&gt;&lt;p&gt;WILSON G. SMITH Sixth Grade
&lt;/p&gt;&lt;p&gt;Aufschwang, R. Schuman. op. 12, No. 2  .50
&lt;/p&gt;&lt;p&gt;La Cascade (Morceau de Concert), E. Paner. op. 37  .75
&lt;/p&gt;&lt;p&gt;Military March, Schubert-Taussig  1.00
&lt;/p&gt;&lt;p&gt;Nocturne in G, A. Rubenstein. op. 75, No. 8  .50
&lt;/p&gt;&lt;p&gt;Poeme d'Amour, A. Henselt. op. 3  .75
&lt;/p&gt;&lt;p&gt;Polacca Brilliante in E, C.M. Von Weber. op. 72  .75
&lt;/p&gt;&lt;p&gt;Witches' Dance (Paganini) Trans. by W.V. Wallace  1.00
&lt;/p&gt;&lt;p&gt;GUSTAV L. BECKER. Sixth Grade
&lt;/p&gt;&lt;p&gt;If I were a Bird, A. Henselt  .50
&lt;/p&gt;&lt;p&gt;Second Ballad in F, Fr. Chopin. op. 88  .60
&lt;/p&gt;&lt;p&gt;Valse de Concert in E, Jos. Wiensiwski. op. 30  1.00
&lt;/p&gt;&lt;p&gt;Wedding March and Elfin Chorus (Paraphrase), Mendelssohn-Liszt  1.50
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Polonaise No. 2 in Eb, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;in A, Fr. Beethoven. op. 101  1.00
&lt;/p&gt;&lt;p&gt;HOMER N. BARTLETT  Sixth Grade
&lt;/p&gt;&lt;p&gt;Fantasie Impromptu C, Fr. Chopin  .75
&lt;/p&gt;&lt;p&gt;Moonlight Sonata C, L.V. Beethoven. op. 27, No. 2  .60
&lt;/p&gt;&lt;p&gt;Rondo Capricciosso in E, Fr. Mendelssohn. op. 14  .75
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Rhapsodie Hongroise No. 2 in Eb, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;Tarantelle, S. Thalberg  1.00
&lt;/p&gt;&lt;p&gt;EMIL LIEBLING Sixth Grade
&lt;/p&gt;&lt;p&gt;Etude, M. Moskowski. op. 18, No. 8  .50
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Chaconne, Bach-Brahms  1.00
&lt;/p&gt;&lt;p&gt;Campanella, La, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;Isolde's Love Death (Transcription), Fr. Liszt  .75
&lt;/p&gt;&lt;p&gt;Magic Fire Scene (Die Walkure), Wagner L. Brassin  .75
&lt;/p&gt;&lt;p&gt;Polonaise Fantasie in Ab, Fr. Chopin. op. 61  1.00
&lt;/p&gt;&lt;p&gt;Perpetual Motion (Arr. for left hand), P. Tschaikowsky  .75
&lt;/p&gt;&lt;p&gt;If for any reason, your Dealer does not carry the "EDITION PAULL" in stock, then be sure to write us for one of our Complete Thematic Catalogues of the "World's Most Famous Musical Compositions," which will be sent you Free of Charge.
&lt;/p&gt;&lt;p&gt;This Catalogue will be Valuable to Every Teacher and Musician.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>8</text>
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                <text>Lincoln Centennial Grand March</text>
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                <text>Instrumental Music. Cover depicts portrait of Abraham Lincoln surrounded by images of Lincoln's birthplace, Lincoln's Memorial Hall, Lincoln's Tomb, and Emancipation Statue of Lincoln in Washington.</text>
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                <text>Lincoln, Abraham 1809-1865</text>
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                <text>Paull, E. T., 1858-1924</text>
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                <text>E. T. Pauil</text>
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                <text>New York</text>
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                <text>1909</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;LINCOLN CENTENNIAL GRAND MARCH.  1809  1909 by E.T. Paull
&lt;/p&gt;&lt;p&gt;Published by E.T. Paull Music Co. 46 West 28th St. PHILADELPHIA, PA. M.D. SWISHER.  SPRINGFIELD, MASS. A.H. GOETTING. NEW YORK NEW YORK MUSIC SUPPLY CO. PHILADELPHIA, PA. JOS. MORRIS. NEW YORK NEW YORK CROWN MUSIC. NEW YORK ENTERPRISE MUSIC CO. LONDON, ENG. W. PAXTON &amp;amp; CO. CHICAGO, ILL. F.J.A. FORSTER CO. TORONTO, CAN. CANADIAN-AMERICAN MUSIC CO., LTD. BOSTON, MASS. COUPON MUSIC CO. J.A. ALBERT &amp;amp; SON, SYDNEY, AUSTRALIA. Copyright for all countries.
&lt;/p&gt;&lt;p&gt;6 Piano Solo.  10 Four Hand.  Copyright MCMIX by E.T. Paull.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Lincoln Centennial.  GRAND MARCH. By E.T. Paull. Author of Ben Hur Chariot Race, Burning of Rome, Paul Revere's Ride, Silver Sleigh Bells etc.
&lt;/p&gt;&lt;p&gt;Copyright MCMIX by E.T. Paull. British Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;8
&lt;/p&gt;&lt;p&gt;Of Special Interest to Teachers and Musicians
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that is absolutely correct in every respect, BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that is superior in every respect to all other editions, BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition that will increase the interest of your pupils, and make the study of Piano Playing a pleasing task for the very beginning, instead of a dry and monotonous routine, then BE SURE TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;If you are looking for an edition of the World's Most Famous Musical Compositions, specially selected, arranged, graded and published in the
Handsomest Manner possible, and Edited and Revised by the World Best Authorities in Music, as WILLIAM H. SHERWOOD, CONSTANTIN VON STERNBERG, EMIL LIEBLING, HOMER N. BARTLETT, WILSON G. SMITH, W.S.B. MATTHEWS, J.H. ROGERS, GUSTAV L. BECKER, FRANK LYNES, WALTER SPRY, JOHN KOHLER, ALBERTO HIMAN, WM. M. SEMNACHER, and D.M. LEVETT, be sure TO GET THE "EDITION PAULL."
&lt;/p&gt;&lt;p&gt;WM. M. SEMNACHER. First Grade
&lt;/p&gt;&lt;p&gt;In the Month of May, Francois Behr. op. 575, No. 2  .80
&lt;/p&gt;&lt;p&gt;Child's Play, Francois Behr. op 575, No. 8    .80
&lt;/p&gt;&lt;p&gt;Sounds from the North, Cornelius Gurlitt. op. 101, No. 4   .80
&lt;/p&gt;&lt;p&gt;Golden Star, The Valse, L. Streabbog  .80
&lt;/p&gt;&lt;p&gt;Joyful Morning, Cornelius Gurlitt. op. 101, No. 3   .80
&lt;/p&gt;&lt;p&gt;Birds of Paradise, Valse Mignonne, L. Streabbog. op. 78  .80
&lt;/p&gt;&lt;p&gt;Arioso, H. Lichner. op. 84, No. 11   .80
&lt;/p&gt;&lt;p&gt;Second Grade
&lt;/p&gt;&lt;p&gt;Little Wanderer, C. Gurlitt. op. 101, No. 12   .80
&lt;/p&gt;&lt;p&gt;ALBERTO HIMAN  First Grade
&lt;/p&gt;&lt;p&gt;Contemplation, H. Lichner. op. 24, No. 2   .80
&lt;/p&gt;&lt;p&gt;Morning Devotion, H. Lichner. op. 84, No. 1  .80
&lt;/p&gt;&lt;p&gt;Under the Linden Tree, G. Lange. op. 249, No. 3   .40
&lt;/p&gt;&lt;p&gt;Little Dance in the Nursery, Louis Kohler .80
&lt;/p&gt;&lt;p&gt;Trumpeter's Serenade, F. Spindler. op. 249, No. 20  .80
&lt;/p&gt;&lt;p&gt;Stepping Stone, The Fr. Baumfelder. op. 215, No. 1  .80
&lt;/p&gt;&lt;p&gt;Silent Wishes, H. Lichner. op. 84, No. 6   .80
&lt;/p&gt;&lt;p&gt;After School, H. Lichner. op. 24, No. 4  .80
&lt;/p&gt;&lt;p&gt;FRANK LYNES Second Grade
&lt;/p&gt;&lt;p&gt;Cradle Song, N.V. Wilm. op. 81, No. 18  .80
&lt;/p&gt;&lt;p&gt;Little Rogue, Heinrich Hoffmann. op. 77, No. 1   .80
&lt;/p&gt;&lt;p&gt;Rondo in C Major, J.N. Hummel   .50
&lt;/p&gt;&lt;p&gt;Feodora Polonaise, Fr. Spindler. op. 98, No. 1  .80
&lt;/p&gt;&lt;p&gt;Sonatina and Rondo in G Major, J.L. Dussek. op. 20, No. 1  .50
&lt;/p&gt;&lt;p&gt;Sonatina in F Major, No. 38, L. Von Beethoven   .40
&lt;/p&gt;&lt;p&gt;Cheerfulness, Jos. Low.  op. 142, No. 9   .80
&lt;/p&gt;&lt;p&gt;JOHN KOHLER. Second Grade
&lt;/p&gt;&lt;p&gt;Bluette Valse, J.B. Duvernoy. op. 272, No. 1   .40
&lt;/p&gt;&lt;p&gt;Fair, The (Kirmesse), C. Gurlitt   .40
&lt;/p&gt;&lt;p&gt;Hand Organ Man Plays, Th. Oesten. op. 65, No. 1  .40
&lt;/p&gt;&lt;p&gt;Melodie, R. Schumann. op. 68, No. 1   .40
&lt;/p&gt;&lt;p&gt;Of Olden Times Romance, Carl Reinecke. op. 77   .40
&lt;/p&gt;&lt;p&gt;Tarantelle, C. Mayer. op. 121, No. 2  .40
&lt;/p&gt;&lt;p&gt;William Tell, D. Krug. op. 114, No. 34  .40
&lt;/p&gt;&lt;p&gt;D. M. LEVETT. Third Grade
&lt;/p&gt;&lt;p&gt;Holiday in the Village Scherzo, Carl Heins. op. 28, No. 2  .40
&lt;/p&gt;&lt;p&gt;Album Leaf in Ab Major, Ed. Grieg. op. 28  .40
&lt;/p&gt;&lt;p&gt;Dance on the Green, Carl Bohm. op. 185, No. 3   .50
&lt;/p&gt;&lt;p&gt;Curious Story, St. Heller. op. 118, No. 9   .40
&lt;/p&gt;&lt;p&gt;Il Penseroso in Bb Major, St. Heller. op. 45, No. 16  .40
&lt;/p&gt;&lt;p&gt;Turtle Dove Polka, Franz Behr. op. 303  .50
&lt;/p&gt;&lt;p&gt;Frolics, N.V. Wilm. op. 1, No. 5   .40
&lt;/p&gt;&lt;p&gt;WALTER SPRY.  Third Grade
&lt;/p&gt;&lt;p&gt;Gavotte, Mignon Goldner   .50
&lt;/p&gt;&lt;p&gt;La Blondine, J. Egghard. op. 297  .50
&lt;/p&gt;&lt;p&gt;La Fontaine, G. Reynald. op. 6, No. 1   .50
&lt;/p&gt;&lt;p&gt;Petit Tarantelle, St. Heller  .50
&lt;/p&gt;&lt;p&gt;Pomponnette (Air a Danser), Aug. Durand  .50
&lt;/p&gt;&lt;p&gt;Sonata in G Minor, L. Von Beethoven  .50
&lt;/p&gt;&lt;p&gt;Song Without Words, A Minor, P. Tschaikowsky. op. 40, No. 6  .50
&lt;/p&gt;&lt;p&gt;Will-o'-the-Wisp (Capriccietto). Alb. Jungmann  .50
&lt;/p&gt;&lt;p&gt;W.S.B. MATTHEWS. Fourth Grade
&lt;/p&gt;&lt;p&gt;Dance of the Flowers (Grand Valse), Leo Delibes  .60
&lt;/p&gt;&lt;p&gt;Death of Aase (Funeral March). Edv. Grieg. op. 46  .40
&lt;/p&gt;&lt;p&gt;Intermezzo, E.A. McDowell. op. 10, No. 4a   .50
&lt;/p&gt;&lt;p&gt;Polonaise Brilliante, G. Merkel. op. 28  .50
&lt;/p&gt;&lt;p&gt;Spark, The (Mazurka), L.M. Gottschalk. op. 21  .50
&lt;/p&gt;&lt;p&gt;Spinning Song (Song Without Words. No. 34). Fr. Mendolssohn  .50
&lt;/p&gt;&lt;p&gt;Valse Impromptu, N.V. Wilm. op. 20  .60
&lt;/p&gt;&lt;p&gt;J.H. ROGERS. Fourth Grade
&lt;/p&gt;&lt;p&gt;Celebrated Prelude in C, S. Bach  .40
&lt;/p&gt;&lt;p&gt;Callirhoe (Air de Ballet No. 4), C. Chaminade   .50
&lt;/p&gt;&lt;p&gt;Fabliau (Fable), J. Raff. op. 75, No. 2  .50
&lt;/p&gt;&lt;p&gt;Nocturne in Eb, Fr. Chopin. op. 9, No. 2  .50
&lt;/p&gt;&lt;p&gt;Polacca Brilliante in Ab, Carl Bohm  .75
&lt;/p&gt;&lt;p&gt;Sonata in C, J. Haydn  .50
&lt;/p&gt;&lt;p&gt;Swallows (Les Hirondelles), J. Bacmann  .50
&lt;/p&gt;&lt;p&gt;Valse in Db, Fr. Chopin. op. 64, No. 1  .50
&lt;/p&gt;&lt;p&gt;CONSTANTIN VON STERNBERG Fifth Grade
&lt;/p&gt;&lt;p&gt;By Moonlight, Fr. Bendel. op. 189, No. 3  .75
&lt;/p&gt;&lt;p&gt;Gavotte, E. Silas. op. 79, No. 1  .50
&lt;/p&gt;&lt;p&gt;Gay Butterflies (Caprice), Louis Gregh, op. 8  .50
&lt;/p&gt;&lt;p&gt;Grand Valse Brilliante, Fr. Chopin. op. 18  .75
&lt;/p&gt;&lt;p&gt;Harmonious Blacksmith (Air and Variations), G.F. Handel  .50
&lt;/p&gt;&lt;p&gt;Petite Mazurka, W. Sapelnikoff. op. 2  .50
&lt;/p&gt;&lt;p&gt;Salterello on a Theme from Mendelssohn's Italian Symphony, St. Heller. op. 77  .75
&lt;/p&gt;&lt;p&gt;Siegmund's Love Song (Fantasy, From Wagner's "Die Walkure"), G. Lange. op. 143  .60
&lt;/p&gt;&lt;p&gt;WILLIAM H. SHERWOOD Fifth Grade
&lt;/p&gt;&lt;p&gt;Butterfly (Papillon), Ed. Grieg. op. 43, No. 1  .50
&lt;/p&gt;&lt;p&gt;Elsa's Bridal Procession (Trans. R. Wagner), Fr. Liszt  .50
&lt;/p&gt;&lt;p&gt;Maiden's Wish, Fr. Chopin-Liszt  .50
&lt;/p&gt;&lt;p&gt;Scherzo, Edv. Grieg. op. 54, No. 5  .50
&lt;/p&gt;&lt;p&gt;Etude in F, H.A. Wollenhaupt. op. 22, No. 2   .50
&lt;/p&gt;&lt;p&gt;Etude in E, H.A. Wollenhaupt. op. 22, No. 4   .50
&lt;/p&gt;&lt;p&gt;Valse Lente, V. Dolmetsch  .60
&lt;/p&gt;&lt;p&gt;WILSON G. SMITH Sixth Grade
&lt;/p&gt;&lt;p&gt;Aufschwang, R. Schuman. op. 12, No. 2  .50
&lt;/p&gt;&lt;p&gt;La Cascade (Morceau de Concert), E. Paner. op. 37  .75
&lt;/p&gt;&lt;p&gt;Military March, Schubert-Taussig  1.00
&lt;/p&gt;&lt;p&gt;Nocturne in G, A. Rubenstein. op. 75, No. 8  .50
&lt;/p&gt;&lt;p&gt;Poeme d'Amour, A. Henselt. op. 3  .75
&lt;/p&gt;&lt;p&gt;Polacca Brilliante in E, C.M. Von Weber. op. 72  .75
&lt;/p&gt;&lt;p&gt;Witches' Dance (Paganini) Trans. by W.V. Wallace  1.00
&lt;/p&gt;&lt;p&gt;GUSTAV L. BECKER. Sixth Grade
&lt;/p&gt;&lt;p&gt;If I were a Bird, A. Henselt  .50
&lt;/p&gt;&lt;p&gt;Second Ballad in F, Fr. Chopin. op. 88  .60
&lt;/p&gt;&lt;p&gt;Valse de Concert in E, Jos. Wiensiwski. op. 30  1.00
&lt;/p&gt;&lt;p&gt;Wedding March and Elfin Chorus (Paraphrase), Mendelssohn-Liszt  1.50
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Polonaise No. 2 in Eb, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;in A, Fr. Beethoven. op. 101  1.00
&lt;/p&gt;&lt;p&gt;HOMER N. BARTLETT  Sixth Grade
&lt;/p&gt;&lt;p&gt;Fantasie Impromptu C, Fr. Chopin  .75
&lt;/p&gt;&lt;p&gt;Moonlight Sonata C, L.V. Beethoven. op. 27, No. 2  .60
&lt;/p&gt;&lt;p&gt;Rondo Capricciosso in E, Fr. Mendelssohn. op. 14  .75
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Rhapsodie Hongroise No. 2 in Eb, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;Tarantelle, S. Thalberg  1.00
&lt;/p&gt;&lt;p&gt;EMIL LIEBLING Sixth Grade
&lt;/p&gt;&lt;p&gt;Etude, M. Moskowski. op. 18, No. 8  .50
&lt;/p&gt;&lt;p&gt;Seventh Grade
&lt;/p&gt;&lt;p&gt;Chaconne, Bach-Brahms  1.00
&lt;/p&gt;&lt;p&gt;Campanella, La, Fr. Liszt  1.00
&lt;/p&gt;&lt;p&gt;Isolde's Love Death (Transcription), Fr. Liszt  .75
&lt;/p&gt;&lt;p&gt;Magic Fire Scene (Die Walkure), Wagner L. Brassin  .75
&lt;/p&gt;&lt;p&gt;Polonaise Fantasie in Ab, Fr. Chopin. op. 61  1.00
&lt;/p&gt;&lt;p&gt;Perpetual Motion (Arr. for left hand), P. Tschaikowsky  .75
&lt;/p&gt;&lt;p&gt;If for any reason, your Dealer does not carry the "EDITION PAULL" in stock, then be sure to write us for one of our Complete Thematic Catalogues of the "World's Most Famous Musical Compositions," which will be sent you Free of Charge.
&lt;/p&gt;&lt;p&gt;This Catalogue will be Valuable to Every Teacher and Musician.
&lt;/p&gt;
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                    <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>2</text>
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                <text>The Ship of State: Wide-Awake Song</text>
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                <text>Lyrics depict United States as a battleship damaged over previous 4 years under James Buchanan and expresses hope for the election of Abraham Lincoln.&lt;br /&gt;&lt;br /&gt;The Wide Awakes were organized, uniformed chapters of young men who campaigned and marched for a Republican victory in the presidential election of 1860.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Campaign songs</text>
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                <text>Presidents</text>
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                <text>Presidents-election</text>
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                <text>Sheet music</text>
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                <text>Songs and music</text>
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                <text>Locke, E. W., 1818-1900</text>
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                <text>Buchanan, James, 1791-1868</text>
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                <text>Presidential candidates</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="170294">
                <text>E. W. Locke</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Root &amp;amp; Cady</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="170296">
                <text>Chicago</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="170297">
                <text>1860</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="170300">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="170301">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="170303">
                <text>en</text>
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            <description>A written representation of a document or a page.</description>
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                <text>&lt;p&gt;The Ship of State.
&lt;/p&gt;&lt;p&gt;An old melody slightly altered.
&lt;/p&gt;&lt;p&gt;Wide-Awake Song By E. W. Locke.
&lt;/p&gt;&lt;p&gt;Hark! hark! a signal gun is heard, Just out beyond the Fort; The good old Ship of State, my boys, is coming into port.
&lt;/p&gt;&lt;p&gt;With shatterd sails, and anchors gone, I fear the rogues will strand her; She carries now a sorry crew, And needs a new commander
&lt;/p&gt;&lt;p&gt;Our Lincoln is the man - Our Lincoln is the man; With a sturdy mate, From the Pine Tree State - Our Lincoln is the man
&lt;/p&gt;&lt;p&gt;Four years ago she put to sea,
&lt;/p&gt;&lt;p&gt;With prospects brightly beaming, her hull was strong, her sails new bent,
&lt;/p&gt;&lt;p&gt;And every pennant streaming;
&lt;/p&gt;&lt;p&gt;She loved the gale, she plowed the waves,
&lt;/p&gt;&lt;p&gt;Nor feared the deep's commotion.
&lt;/p&gt;&lt;p&gt;Majestic, nobly on she sailed,
&lt;/p&gt;&lt;p&gt;Proud mistress of the Ocean.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan was the man,
&lt;/p&gt;&lt;p&gt;Buchanan was the man,
&lt;/p&gt;&lt;p&gt;But his four years' trip,
&lt;/p&gt;&lt;p&gt;Leaves a crippled ship,
&lt;/p&gt;&lt;p&gt;Buchanan was the man.
&lt;/p&gt;&lt;p&gt;There's mutiny aboard the ship,
&lt;/p&gt;&lt;p&gt;There's feud no force can smother,
&lt;/p&gt;&lt;p&gt;Their blood is up to fever heat,
&lt;/p&gt;&lt;p&gt;They're cutting down each other;
&lt;/p&gt;&lt;p&gt;Buchanan here, and Douglas there,
&lt;/p&gt;&lt;p&gt;Are belching forth their thunder,
&lt;/p&gt;&lt;p&gt;While cunning rogues are sly at work
&lt;/p&gt;&lt;p&gt;In pocketing the plunder.
&lt;/p&gt;&lt;p&gt;Chorus. - Buchanan is the man,
&lt;/p&gt;&lt;p&gt;Buchanan is the man,
&lt;/p&gt;&lt;p&gt;But November's sun
&lt;/p&gt;&lt;p&gt;Shall complete their fun,
&lt;/p&gt;&lt;p&gt;Buchanan is the man.
&lt;/p&gt;&lt;p&gt;Our ship is getting out of trim.
&lt;/p&gt;&lt;p&gt;'Tis time to caulk and grave her;
&lt;/p&gt;&lt;p&gt;She's foul with stench of human gore,
&lt;/p&gt;&lt;p&gt;They've turned her to a slaver;
&lt;/p&gt;&lt;p&gt;She's cruised about from coast to coast,
&lt;/p&gt;&lt;p&gt;The flying bondman hunting,
&lt;/p&gt;&lt;p&gt;Until she's strained from stem to stern,
&lt;/p&gt;&lt;p&gt;And lost her sails and bunting.
&lt;/p&gt;&lt;p&gt;Chorus. - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man,
&lt;/p&gt;&lt;p&gt;And he'll trim her sails,
&lt;/p&gt;&lt;p&gt;As he split the rails,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;We'll give her what repairs she needs,
&lt;/p&gt;&lt;p&gt;A thorough overhauling,
&lt;/p&gt;&lt;p&gt;Her sordid crew shall be dismissed
&lt;/p&gt;&lt;p&gt;To seek some honest calling;
&lt;/p&gt;&lt;p&gt;Brave Lincoln soon shall take the helm,
&lt;/p&gt;&lt;p&gt;On truth and right relying,
&lt;/p&gt;&lt;p&gt;In calm or storm, in peace or war,
&lt;/p&gt;&lt;p&gt;He'll keep her colors flying.
&lt;/p&gt;&lt;p&gt;Chorus - Old Abram is the man,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;With a sturdy mate
&lt;/p&gt;&lt;p&gt;From the Pine Tree State,
&lt;/p&gt;&lt;p&gt;Old Abram is the man.
&lt;/p&gt;&lt;p&gt;For sale, wholesale only, by Root &amp;amp; Cady, 95 Clark street, Chicago.  Twent-five copies $1. 100 copies $3 Also another Song "Strike for the
&lt;/p&gt;&lt;p&gt;Right," by the same author, sung with rapturous applause at the immense ratification meeting in Fanuel Hall.  Price same as "Ship of State."
&lt;/p&gt;&lt;p&gt;Poetry entered according to Act of Congress, in the year 1860, by E. W. Locke, in the Clerk's Office of the District Court of Maine.
&lt;/p&gt;&lt;p&gt;W. H. Tobey, &amp;amp; Co. Music Printers, No. 5 Clark St. Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
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                <text>Complete</text>
              </elementText>
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          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
              </elementText>
            </elementTextContainer>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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