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                <text>The office of A. M. Thackara, Consul General in Paris from 1913 to 1924, is filled with chairs, a desk, and several bookcases.</text>
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            <description>The topic of the resource</description>
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            <description>A name given to the resource</description>
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                <text>The interior of the American Consular Services in Paris on Rue des Italiens features office space with long counters.</text>
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            <description>The topic of the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Several chairs and tables line a hallway in the American Consular Services in Paris on Rue des Italiens.</text>
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            <description>The topic of the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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              <description>A name given to the resource</description>
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                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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                    <text>&lt;p&gt;Lincolnian
&lt;/p&gt;&lt;p&gt;We are coming Father Abra'am
&lt;/p&gt;&lt;p&gt;300.000 more
&lt;/p&gt;&lt;p&gt;Poetry by 
&lt;/p&gt;&lt;p&gt;Wm. Cullen Bryant,
&lt;/p&gt;&lt;p&gt;Music by
&lt;/p&gt;&lt;p&gt;L.O. Emerson.
&lt;/p&gt;&lt;p&gt;Boston
&lt;/p&gt;&lt;p&gt;Published by Oliver Ditsau &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co. 
&lt;/p&gt;&lt;p&gt;J. Church Jr. Ed.
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co [illegible]
&lt;/p&gt;&lt;p&gt;J.E. Gould
&lt;/p&gt;&lt;p&gt;Philad
&lt;/p&gt;&lt;p&gt;[illegible] &amp;amp; Co. Boston
&lt;/p&gt;&lt;p&gt;[illegible]
&lt;/p&gt;&lt;p&gt;1862
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;WE ARE COMING FATHER ABRA'AM.
&lt;/p&gt;&lt;p&gt;L.O. Emerson.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abra'am, three hundred thousand more, From 
&lt;/p&gt;&lt;p&gt;2. If you look a cross the hill tops that meet the northern sky, Long
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, Where the growing harvests shine, You may
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, to
&lt;/p&gt;&lt;p&gt;Mississippi's winding stream and from New England's shore; We leave our plows and 
&lt;/p&gt;&lt;p&gt;moving lines of rising dust your vision may descry; And now the wind, an
&lt;/p&gt;&lt;p&gt;see our sturdy farmer boys fast forming into line; And tchildren from their
&lt;/p&gt;&lt;p&gt;lay us down for freedom's sake, our brothers' bones beside; Or from foul treason's
&lt;/p&gt;&lt;p&gt;21655
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;workshops our wives and children dear, With hearts too full for utterance, with 
&lt;/p&gt;&lt;p&gt;instant, tears the cloudy veil aside, And floats aloft our spangled flag in
&lt;/p&gt;&lt;p&gt;mother's knees are pulling at the weeds, And learning how to reap and sow, 
&lt;/p&gt;&lt;p&gt;savage group, to wrench the murderous blade, And in the face of foreign foes Its
&lt;/p&gt;&lt;p&gt;but a silent tear; We dare not look behind us, but steadfastly before_ 
&lt;/p&gt;&lt;p&gt;glory and in pride; And bayonets in the sunlight gleam, and bands brave music pour_
&lt;/p&gt;&lt;p&gt;against their country's needs; And a farewell group stands weeping at every cottage door_
&lt;/p&gt;&lt;p&gt;fragments to parade; Six hundred thousand loyal men and true have gone before_ We are coming, Father Abra'am - three hundred thousand more!
&lt;/p&gt;&lt;p&gt;21555
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;Soprano.  We are coming, we are coming, Our Union to restore; We are coming, Father
&lt;/p&gt;&lt;p&gt;Alto.
&lt;/p&gt;&lt;p&gt;Tenor.  We are coming, we are coming, Our Union to restore; We are coming, Father
&lt;/p&gt;&lt;p&gt;Bass.
&lt;/p&gt;&lt;p&gt;Abra'am with three hundred thousand more, We are coming Father Abra'am With three hundred thousand more.
&lt;/p&gt;&lt;p&gt;Abra'am with three hundred thousand more, We are coming Father Abra'am With three hundred thousand more.
&lt;/p&gt;&lt;p&gt;21554
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
We are coming, Father Abra-am _ three hundred thousand more!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>We Are Coming Father Abra'am 300, 000 More</text>
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                <text>Often attributed to a poem by William Cullen Bryant, the song honors Abraham Lincoln in support of his call for more Union soldiers. The poem was originally published in the &lt;em&gt;New York Evening Post&lt;/em&gt; on July, 16, 1862 by James Sloan Gibbons.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                    <text>&lt;p&gt;Lincoln Assassination
&lt;/p&gt;&lt;p&gt;talked with A Johnson
&lt;/p&gt;&lt;p&gt;Quartermaster General's Office, Washington, D.C. April 24th 1864.
&lt;/p&gt;&lt;p&gt;My dear Docter.  
&lt;/p&gt;&lt;p&gt;Will you do me the favor to give me a note or letter to your old friend Seward, that will secure me a personal interview sometime should he recover, as all the indications are now that he will?
&lt;/p&gt;&lt;p&gt;I have thought for the past three years that whenever the war closed, I would like to go out of the country either as Consul or connected with some one of our Foreign Legations.  You will understand what I want and what kind of letter would facilitate my object.
&lt;/p&gt;&lt;p&gt;We have measurably recovered here in the Capitol from the terrible shock of the murder of the President, and the nearly successful attempt upon the life of Sec, Seward: but it will be a long while before the city will present all the evidences of hilarity, and pleasure that it did 
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;previous to that sad event.  Years will not banish from the memory the vivid recollection of the night in Washington of April 14. 1865.  The entry of the Rebel Army into the Capitol and all the Public Buildings in flames would not have created half the consternation among the people that the announcement that the President and his Cabinet had been assassinated did.  The murder of the President was so public and witnessed by so many, that for several hours no one would believe, but that Seward and  the rest of the Cabinet had shared the same fate.  I venture that so many anxious hearts seldom if ever, so longed for the coming of day as the residents of this city did upon that occasion. But the darkness of the terrible deed did not disappear with the darkness of the night.  It was considered a crime without a parallel and perhaps will continue to remain so in all coming time. 
&lt;/pre&gt;
&lt;p&gt;Johnson seems to start well.  moves cautiously as though feeling his way.  Confidence 
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;in him is increasing among the public men of the government and the people generally and the cloud is gradually lifting  I think Johnson is determined to fully recover himself with the country and I believe he will succeed. I saw him and conversed with him half an hour the evening of the day upon which he was inaugurated.  I liked his spirit his humility - and above all his dependence upon God and his earnest desire that the Christian part of the country would give him the same support, that they gave Mr Lincoln.
&lt;/pre&gt;
&lt;p&gt;There is at least one point in his policy that is more than indicated. this country will be made exceedingly unhealthy for leading traitors. The crime of treason, will, under his administration, be made more odious to the people of this county than it would under Mr Lincolns policy.
&lt;/p&gt;&lt;p&gt;But I am unintentionally writing a long letter Can I serve you any way - in any capacity here? If so, intimate to me how. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I have seen two notices of your last Book in the Advocate, but the Book I have not seen.  The excitement here has been so intense and constant for a month past that nearly everything else has been overlooked
&lt;/p&gt;&lt;p&gt;What can I do in regard to it?
&lt;/p&gt;&lt;p&gt;As ever
&lt;/p&gt;&lt;p&gt;Truly Yours
&lt;/p&gt;
&lt;pre&gt;B.B. Emory
&lt;/pre&gt;
&lt;p&gt;I sent two Confederate Bonds, taken from the Treasury Dept in Richmond, the day our troops entered They are genuine and were brought direct to me by my friend Rev J. K. Vincent of Chicago Ill
&lt;/p&gt;&lt;p&gt;If any of your Copperhead friends are in a speculating mood I advise you to sell if they will give the face of the Bonds, The Coupons on one as you see was already signed
&lt;/p&gt;&lt;p&gt;Seward is much better,- quite out of danger. but his son is still in a critical condition
&lt;/p&gt;&lt;p&gt;E
&lt;/p&gt;&lt;p&gt;April 25, 65
&lt;/p&gt;&lt;p&gt;5 OClock. P.M
&lt;/p&gt;
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                <text>Emory writes to an unnamed doctor, asking for a letter of recommendation to Secretary of State William H. Seward for a consular position. In his letter, Emory discusses the assassination of Abraham Lincoln, the public mood in Washington, D.C., as well as the actions of President Andrew Johnson.</text>
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                <text>&lt;p&gt;Lincoln Assassination
&lt;/p&gt;&lt;p&gt;talked with A Johnson
&lt;/p&gt;&lt;p&gt;Quartermaster General's Office, Washington, D.C. April 24th 1864.
&lt;/p&gt;&lt;p&gt;My dear Docter.  
&lt;/p&gt;&lt;p&gt;Will you do me the favor to give me a note or letter to your old friend Seward, that will secure me a personal interview sometime should he recover, as all the indications are now that he will?
&lt;/p&gt;&lt;p&gt;I have thought for the past three years that whenever the war closed, I would like to go out of the country either as Consul or connected with some one of our Foreign Legations.  You will understand what I want and what kind of letter would facilitate my object.
&lt;/p&gt;&lt;p&gt;We have measurably recovered here in the Capitol from the terrible shock of the murder of the President, and the nearly successful attempt upon the life of Sec, Seward: but it will be a long while before the city will present all the evidences of hilarity, and pleasure that it did 
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;previous to that sad event.  Years will not banish from the memory the vivid recollection of the night in Washington of April 14. 1865.  The entry of the Rebel Army into the Capitol and all the Public Buildings in flames would not have created half the consternation among the people that the announcement that the President and his Cabinet had been assassinated did.  The murder of the President was so public and witnessed by so many, that for several hours no one would believe, but that Seward and  the rest of the Cabinet had shared the same fate.  I venture that so many anxious hearts seldom if ever, so longed for the coming of day as the residents of this city did upon that occasion. But the darkness of the terrible deed did not disappear with the darkness of the night.  It was considered a crime without a parallel and perhaps will continue to remain so in all coming time. 
&lt;/pre&gt;
&lt;p&gt;Johnson seems to start well.  moves cautiously as though feeling his way.  Confidence 
&lt;/p&gt;
&lt;hr /&gt;
&lt;pre&gt;in him is increasing among the public men of the government and the people generally and the cloud is gradually lifting  I think Johnson is determined to fully recover himself with the country and I believe he will succeed. I saw him and conversed with him half an hour the evening of the day upon which he was inaugurated.  I liked his spirit his humility - and above all his dependence upon God and his earnest desire that the Christian part of the country would give him the same support, that they gave Mr Lincoln.
&lt;/pre&gt;
&lt;p&gt;There is at least one point in his policy that is more than indicated. this country will be made exceedingly unhealthy for leading traitors. The crime of treason, will, under his administration, be made more odious to the people of this county than it would under Mr Lincolns policy.
&lt;/p&gt;&lt;p&gt;But I am unintentionally writing a long letter Can I serve you any way - in any capacity here? If so, intimate to me how. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I have seen two notices of your last Book in the Advocate, but the Book I have not seen.  The excitement here has been so intense and constant for a month past that nearly everything else has been overlooked
&lt;/p&gt;&lt;p&gt;What can I do in regard to it?
&lt;/p&gt;&lt;p&gt;As ever
&lt;/p&gt;&lt;p&gt;Truly Yours
&lt;/p&gt;
&lt;pre&gt;B.B. Emory
&lt;/pre&gt;
&lt;p&gt;I sent two Confederate Bonds, taken from the Treasury Dept in Richmond, the day our troops entered They are genuine and were brought direct to me by my friend Rev J. K. Vincent of Chicago Ill
&lt;/p&gt;&lt;p&gt;If any of your Copperhead friends are in a speculating mood I advise you to sell if they will give the face of the Bonds, The Coupons on one as you see was already signed
&lt;/p&gt;&lt;p&gt;Seward is much better,- quite out of danger. but his son is still in a critical condition
&lt;/p&gt;&lt;p&gt;E
&lt;/p&gt;&lt;p&gt;April 25, 65
&lt;/p&gt;&lt;p&gt;5 OClock. P.M
&lt;/p&gt;
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              <elementText elementTextId="249186">
                <text>Herrick, Reasoner Families Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Curtis J. Herrick</text>
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            <description>An account of the resource</description>
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                <text>Major General Curtis J. Herrick, Commanding General, Military District of Washington, lays the Presidential Wreath at the grave of President John F. Kennedy during the Memorial Day ceremony at Arlington National Cemetery.</text>
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            <description>The topic of the resource</description>
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                <text>Herrick, Curtis J.</text>
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                <text>Kennedy, John F. (John Fitzgerald), 1917-1963</text>
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                <text>Arlington National Cemetery (Arlington, Va.)</text>
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                <text>Memorial Day</text>
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                <text>Wreaths</text>
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                <text>Armed Forces--Officers</text>
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            <name>Creator</name>
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                <text>Ervey, Baker W.</text>
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                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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              <text>broadside</text>
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              <text>64 x 50 cm</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Red Cross Appeal for Help</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An advertisement from the American Red Cross pleads to Americans to join and help the Allied forces "fighting our fight" during World War I.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>American Red Cross</text>
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                <text> World War (1914-1918)</text>
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                <text> Allied Forces</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Erwin &amp;amp</text>
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                <text> Wasey Company</text>
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                <text>n.d.</text>
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            <description>A language of the resource</description>
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                    <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

</text>
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                <description>The current transcription status of a document or a page.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>5</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>200109</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>CD</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dinna Fret</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lyrics describe worry for loved one</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Songs with piano</text>
              </elementText>
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                <text>Sheet music</text>
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              <elementText elementTextId="413959">
                <text>Love song</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="413961">
                <text>Estabrook, G.</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>The Chicago Music Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="413963">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1835</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="413967">
                <text>pdf</text>
              </elementText>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
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                <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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                <text>Clifton H. Moore (center) poses for a portrait with his four brothers. Clifton was the first resident lawyer in Clinton. Clifton formed a profitable land speculating partnership with Bloomington Judge David Davis in 1848. Clifton became friends with Abraham Lincoln while Lincoln rode the Eighth Judicial Circuit.</text>
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                <text>Performers in an "Old Maids" convention, an event meant to raise money by putting on a play or musical performance, pose for a group photo. The photograph verso includes the program listing details about the event and the participants.</text>
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                <text>Evans</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                    <text>&lt;p&gt;TOLL THE BELL MOURNFULLY.
&lt;/p&gt;&lt;p&gt;Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, toll the bell low, The Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace then place in his hand. Toll the bell mournfully, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN, BY C. EVEREST.
&lt;/p&gt;&lt;p&gt;PHILADELPHIA: Published by Lee &amp;amp; Walker, 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;TOLL THE BELL MOURNFULLY. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN. BY C. EVEREST.
&lt;/p&gt;&lt;p&gt;Andante.
&lt;/p&gt;&lt;p&gt;voice. piano.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. "  4. " 
&lt;/p&gt;&lt;p&gt;Chief of the land is taken away, The Nation in grief is mourning today.
&lt;/p&gt;&lt;p&gt;Mantle his form with the Flag of the land, The symbol of peace Then
&lt;/p&gt;&lt;p&gt;Place on his breast a wreath of sweet flowers, Gather'd with care
&lt;/p&gt;&lt;p&gt;Take him with care away to his rest, Where naught shall disturb the
&lt;/p&gt;&lt;p&gt;High on his tomb the Banner unfold, Sculpture his name in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. "  3. "  4. "
&lt;/p&gt;&lt;p&gt;Chief of the land is taken away, The Nation in grief is mourning today.
&lt;/p&gt;&lt;p&gt;Mantle his form with the Flag of the land, The symbol of peace Then
&lt;/p&gt;&lt;p&gt;Place on his breast a wreath of sweet flowers, Gather'd with care
&lt;/p&gt;&lt;p&gt;Take him with care away to his rest, Where naught shall disturb the
&lt;/p&gt;&lt;p&gt;High on his tomb the Banner unfold, Sculpture his name in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher.
&lt;/p&gt;&lt;p&gt;"Kiss my little brother and my sisters, and tell them that I died for my country." Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!"
&lt;/p&gt;&lt;p&gt;Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"No one to love! none to caress! None to respond to this heart's tenderness! Sad is my heart, joy is unknown; For in my sorrow I'm weeping alone."
&lt;/p&gt;&lt;p&gt;The popularity of this song is almost beyond belief: it has reached one hundredth thousand, and the demand is in no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys, -- viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child will 'rock thee to sleep.' "
&lt;/p&gt;&lt;p&gt;A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. Everest. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Never despond! Joys are for thee; Time will reveal them, though hidden they be: Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way."
&lt;/p&gt;&lt;p&gt;Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHT GEMS OF THE EARTH! Song with chorus. Words and Music composed by J. S. C. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again."
&lt;/p&gt;&lt;p&gt;The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music by B. Frank Walters. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"
&lt;/p&gt;&lt;p&gt;"Oh, would there were some kind one Who, on the Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one To grasp us by the hand And whisper words of comfort As we leave this earthly strand!"
&lt;/p&gt;&lt;p&gt;The songs by Mr. Walters are very popular; and this one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Tread lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."
&lt;/p&gt;&lt;p&gt;A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN! Song and chorus. Written and composed by C. Everest. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Ever since form me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high.  Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing, Shall we meet again?"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business special attention is given.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Toll The Bell Mournfully</text>
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                <text>Cover depicts a picture of Abraham Lincoln, with words of the song printed on front. Description under title, "Written and Composed on the death of President Abraham Lincoln."</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Everest, C.</text>
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                <text>Sheet music</text>
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                <text>Death--Songs and music</text>
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                <text>Everest, C.</text>
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                <text>Lee &amp;amp; Walker</text>
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                <text>Philadelphia</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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                <text>&lt;p&gt;TOLL THE BELL MOURNFULLY.
&lt;/p&gt;&lt;p&gt;Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, toll the bell low, The Chief of the land is taken away, The Nation in grief is mourning today. Mantle his form with the Flag of the land, The symbol of peace then place in his hand. Toll the bell mournfully, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN, BY C. EVEREST.
&lt;/p&gt;&lt;p&gt;PHILADELPHIA: Published by Lee &amp;amp; Walker, 722 Chestnut St.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;TOLL THE BELL MOURNFULLY. WRITTEN AND COMPOSED ON THE DEATH OF PRESIDENT ABRAHAM LINCOLN. BY C. EVEREST.
&lt;/p&gt;&lt;p&gt;Andante.
&lt;/p&gt;&lt;p&gt;voice. piano.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest, in the Clerk's office of the District Court of the Eastern district of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. " 3. "  4. " 
&lt;/p&gt;&lt;p&gt;Chief of the land is taken away, The Nation in grief is mourning today.
&lt;/p&gt;&lt;p&gt;Mantle his form with the Flag of the land, The symbol of peace Then
&lt;/p&gt;&lt;p&gt;Place on his breast a wreath of sweet flowers, Gather'd with care
&lt;/p&gt;&lt;p&gt;Take him with care away to his rest, Where naught shall disturb the
&lt;/p&gt;&lt;p&gt;High on his tomb the Banner unfold, Sculpture his name in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Toll the bell mournfully, toll the bell slow, Toll the bell solemnly, Toll the bell low; The 2. "  3. "  4. "
&lt;/p&gt;&lt;p&gt;Chief of the land is taken away, The Nation in grief is mourning today.
&lt;/p&gt;&lt;p&gt;Mantle his form with the Flag of the land, The symbol of peace Then
&lt;/p&gt;&lt;p&gt;Place on his breast a wreath of sweet flowers, Gather'd with care
&lt;/p&gt;&lt;p&gt;Take him with care away to his rest, Where naught shall disturb the
&lt;/p&gt;&lt;p&gt;High on his tomb the Banner unfold, Sculpture his name in
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher.
&lt;/p&gt;&lt;p&gt;"Kiss my little brother and my sisters, and tell them that I died for my country." Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!"
&lt;/p&gt;&lt;p&gt;Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"No one to love! none to caress! None to respond to this heart's tenderness! Sad is my heart, joy is unknown; For in my sorrow I'm weeping alone."
&lt;/p&gt;&lt;p&gt;The popularity of this song is almost beyond belief: it has reached one hundredth thousand, and the demand is in no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys, -- viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child will 'rock thee to sleep.' "
&lt;/p&gt;&lt;p&gt;A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. Everest. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Never despond! Joys are for thee; Time will reveal them, though hidden they be: Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way."
&lt;/p&gt;&lt;p&gt;Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHT GEMS OF THE EARTH! Song with chorus. Words and Music composed by J. S. C. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again."
&lt;/p&gt;&lt;p&gt;The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music by B. Frank Walters. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"
&lt;/p&gt;&lt;p&gt;"Oh, would there were some kind one Who, on the Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one To grasp us by the hand And whisper words of comfort As we leave this earthly strand!"
&lt;/p&gt;&lt;p&gt;The songs by Mr. Walters are very popular; and this one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Tread lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."
&lt;/p&gt;&lt;p&gt;A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN! Song and chorus. Written and composed by C. Everest. Price, 30 cents.
&lt;/p&gt;&lt;p&gt;"Ever since form me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high.  Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing, Shall we meet again?"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business special attention is given.
&lt;/p&gt;
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        <src>https://chroniclingillinois.org/files/original/cc05c4b57cf3cca5774249375c92a541.pdf</src>
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                    <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. COPIED BY F.B. CARPENTER, ESQ., WHILE OUR LAMENTED CHIEF WAS RECITING IT.
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?
&lt;/p&gt;&lt;p&gt;1, Oh! why should the spirit of mortal be proud? Like a swift, fleeting meteor, a fast-flying cloud, A flash of the lightning, a break of the wave, He passeth from life to his rest in the grave. The leaves of the oak and willow shall fade, Be scattered around and together be laid, And the young and the old, and the low and the high, Shall moulder to dust, and together shall lie.
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The mother that infant's affection who proved; The husband that mother and infant who blessed, Each, all, are away to their dwellings of rest. The hand of the king that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage and the heart of the brave, Are hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; the herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread, Have faded away like the grass that we tread. So the multitude goes, like the flower of the weed, That withers away to let others succeed; So the multitude comes, even those we behold, To repeat every tale that has often been told.
&lt;/p&gt;&lt;p&gt;4. For we are the same our fathers have been; We see the same sights our fathers have seen; We drink the same stream and view the same sun And run the same course our fathers have run. The thoughts we are thinking our fathers would think; From the death we are shrinking our fathers would shrink; To the life we are clinging they also would cling: But it speeds from us all, like a bird on the wing.
&lt;/p&gt;&lt;p&gt;5. They loved, but the story we cannot unfold; They scorned, but the heart of the haughty is cold; They grieved, but no wail from their slumber will come; They joyed, but the tongue of their gladness is dumb. They died: ay! they died; we things that are now, that walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met on their pilgrimage road.
&lt;/p&gt;&lt;p&gt;6.Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear, the song and the dirge, Still follow each other, like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossoms of health to the paleness of death; From the gilded saloon to the bier and the shroud. Oh! why should the spirit of mortal be proud?
&lt;/p&gt;&lt;p&gt;Adapted to Music expressly composed by C. EVEREST.  3
&lt;/p&gt;&lt;p&gt;Philadelphia: LEE &amp;amp; WALKER, 722 Chestnut St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year [1865] by C. EVEREST in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OR MORTAL BE PROUD? President Lincoln's Favorite Poem. Music by C. Everest.
&lt;/p&gt;&lt;p&gt;VOICE. Moderato. PIANO
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest in the Clerk's Office of the District Court for the Eastern District of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Oh! why should the spit [spirit] of mortal be proud? Like a
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
swift fleeting meteor, a fast flying cloud, A flash of the lightning, a
&lt;/p&gt;&lt;p&gt;mother that infant's affection who proved. The husband that mother and
&lt;/p&gt;&lt;p&gt;herdsman, who climed with his goats up the steep; the beggar, who wandered in
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
break of the wave, He passeth from life to his rest in the grave. The
&lt;/p&gt;&lt;p&gt;infant who bless'd, Each, all, are away to their dwellings of rest. The
&lt;/p&gt;&lt;p&gt;search of his bread, Have faded away like the grass that we tread. So the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;leaves of the oak and willow shall fade, Be scatter'd around and together
&lt;/p&gt;&lt;p&gt;hand of the king that the sceptre hath borne; The brow of the priest that the
&lt;/p&gt;&lt;p&gt;multitude goes, like the flow'r of the week, That withers away to let
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
be laid; And the young and the old, and the low and the high, Shall
&lt;/p&gt;&lt;p&gt;mitre hath worn; The eye of the sage and the heart of the brave, Are
&lt;/p&gt;&lt;p&gt;others succeed; So the multitude comes, even those we behold, To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
moulder to dust and together shall lie.
&lt;/p&gt;&lt;p&gt;hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;repeat ev'ry tale that has often been told.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I did for my country."  Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad in my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief; it has reached the one hundredth thousand, and the demand is no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys,--viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY. To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child, will 'rock thee to sleep'."  A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. EVEREST. Price, 30 cents. "Never despond! joys are for thee; Time will reveal them, though hidden they be; Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHTS GEMS OF THE EARTH! Song with chorus. Words and Music composed by J.S.C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music of B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"  "Oh, would there were some kind one Who, on this Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one to grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this is one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents. "Trend lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."  A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN!  Song and chorus. Written and composed by C. Everest. Price 30 cents.  "Ever since from me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing Shall we meet again!"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Oh! Why Should The Spirit of Mortal Be Proud?</text>
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                <text>Song based on William Knox's poem "Mortality," which became better known by its first line: "Oh! Why should the spirit of mortal be proud?" According to artist Francis Bicknell Carpenter, Lincoln, who Carpenter often interacted with while painting the picture "First Reading of the Emancipation Proclamation," referred to Knox's poem as his favoite and proceeded to recite all six stanzas to an awed artist.&lt;br /&gt;&lt;br /&gt;The poem was set to music following Lincoln's death</text>
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                <text>1864</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;PRESIDENT LINCOLN'S FAVORITE POEM. COPIED BY F.B. CARPENTER, ESQ., WHILE OUR LAMENTED CHIEF WAS RECITING IT.
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?
&lt;/p&gt;&lt;p&gt;1, Oh! why should the spirit of mortal be proud? Like a swift, fleeting meteor, a fast-flying cloud, A flash of the lightning, a break of the wave, He passeth from life to his rest in the grave. The leaves of the oak and willow shall fade, Be scattered around and together be laid, And the young and the old, and the low and the high, Shall moulder to dust, and together shall lie.
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The mother that infant's affection who proved; The husband that mother and infant who blessed, Each, all, are away to their dwellings of rest. The hand of the king that the sceptre hath borne; The brow of the priest that the mitre hath worn; The eye of the sage and the heart of the brave, Are hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; the herdsman, who climbed with his goats up the steep; The beggar, who wandered in search of his bread, Have faded away like the grass that we tread. So the multitude goes, like the flower of the weed, That withers away to let others succeed; So the multitude comes, even those we behold, To repeat every tale that has often been told.
&lt;/p&gt;&lt;p&gt;4. For we are the same our fathers have been; We see the same sights our fathers have seen; We drink the same stream and view the same sun And run the same course our fathers have run. The thoughts we are thinking our fathers would think; From the death we are shrinking our fathers would shrink; To the life we are clinging they also would cling: But it speeds from us all, like a bird on the wing.
&lt;/p&gt;&lt;p&gt;5. They loved, but the story we cannot unfold; They scorned, but the heart of the haughty is cold; They grieved, but no wail from their slumber will come; They joyed, but the tongue of their gladness is dumb. They died: ay! they died; we things that are now, that walk on the turf that lies over their brow, And make in their dwellings a transient abode, Meet the things that they met on their pilgrimage road.
&lt;/p&gt;&lt;p&gt;6.Yea! hope and despondency, pleasure and pain, We mingle together in sunshine and rain; And the smile and the tear, the song and the dirge, Still follow each other, like surge upon surge. 'Tis the wink of an eye, 'tis the draught of a breath, From the blossoms of health to the paleness of death; From the gilded saloon to the bier and the shroud. Oh! why should the spirit of mortal be proud?
&lt;/p&gt;&lt;p&gt;Adapted to Music expressly composed by C. EVEREST.  3
&lt;/p&gt;&lt;p&gt;Philadelphia: LEE &amp;amp; WALKER, 722 Chestnut St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year [1865] by C. EVEREST in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;OH! WHY SHOULD THE SPIRIT OR MORTAL BE PROUD? President Lincoln's Favorite Poem. Music by C. Everest.
&lt;/p&gt;&lt;p&gt;VOICE. Moderato. PIANO
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1865 by C. Everest in the Clerk's Office of the District Court for the Eastern District of Penn.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;1. Oh! why should the spit [spirit] of mortal be proud? Like a
&lt;/p&gt;&lt;p&gt;2. The infant and mother attended and loved; The
&lt;/p&gt;&lt;p&gt;3. The peasant, whose lot was to sow and to reap; The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
swift fleeting meteor, a fast flying cloud, A flash of the lightning, a
&lt;/p&gt;&lt;p&gt;mother that infant's affection who proved. The husband that mother and
&lt;/p&gt;&lt;p&gt;herdsman, who climed with his goats up the steep; the beggar, who wandered in
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
break of the wave, He passeth from life to his rest in the grave. The
&lt;/p&gt;&lt;p&gt;infant who bless'd, Each, all, are away to their dwellings of rest. The
&lt;/p&gt;&lt;p&gt;search of his bread, Have faded away like the grass that we tread. So the
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;leaves of the oak and willow shall fade, Be scatter'd around and together
&lt;/p&gt;&lt;p&gt;hand of the king that the sceptre hath borne; The brow of the priest that the
&lt;/p&gt;&lt;p&gt;multitude goes, like the flow'r of the week, That withers away to let
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
be laid; And the young and the old, and the low and the high, Shall
&lt;/p&gt;&lt;p&gt;mitre hath worn; The eye of the sage and the heart of the brave, Are
&lt;/p&gt;&lt;p&gt;others succeed; So the multitude comes, even those we behold, To
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
moulder to dust and together shall lie.
&lt;/p&gt;&lt;p&gt;hidden and lost in the depths of the grave.
&lt;/p&gt;&lt;p&gt;repeat ev'ry tale that has often been told.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW AND BEAUTIFUL SONGS RECENTLY PUBLISHED BY LEE &amp;amp; WALKER.
&lt;/p&gt;&lt;p&gt;ON THE FIELD OF BATTLE, MOTHER. Poetry by Thomas MacKellar; Music by William U. Butcher. "Kiss my little brother and my sisters, and tell them that I did for my country."  Price, 30 cents. "On the field of battle, mother, All the night alone I lay, Angels watching o'er me, mother, Till the breaking of the day. I lay thinking of you, mother, And the loving ones at home, Till to our dear cottage, mother, Boy again, I seemed to come!" Those desirous of a really beautiful song, wedded to words of a tender and appealing character, will not be disappointed in this one. Arranged also for Guitar.
&lt;/p&gt;&lt;p&gt;NO ONE TO LOVE. Music arranged by William B. Harvey. Price, 30 cents. "No one to love! none to caress! None to respond to this heart's tenderness! Sad in my heart, joy is unknown; For in my sorrow I'm weeping alone." The popularity of this song is almost beyond belief; it has reached the one hundredth thousand, and the demand is no way abating. It is a beautiful melody, within the reach of all, and the words are pretty. It is arranged in three keys,--viz.: B flat, A flat, and G,--and also for Guitar.
&lt;/p&gt;&lt;p&gt;THE MOTHER'S REPLY. To "Rock me to Sleep." Composed by E. Mack. Price, 30 cents. "My child! my child! thou art weary tonight, Thy spirit is sad, and dim is the light; Thou wouldst call me back from the silent shore To the trials of life, to thy heart as of yore; Thou longest again for my loving care, For my kiss on thy lips, my hand on thy hair; But angels around thee their loving watch keep, And angels, my child, will 'rock thee to sleep'."  A beautiful reply to the song "Rock me to Sleep," which has attained great celebrity. The songs and compositions generally of E. Mack are justly appreciated by the musical public; and this is one of his best productions. Also arranged for Guitar.
&lt;/p&gt;&lt;p&gt;NEVER DESPOND. A reply to the popular song "No One to Love." Music and words by C. EVEREST. Price, 30 cents. "Never despond! joys are for thee; Time will reveal them, though hidden they be; Stay thy sad heart; soon will the day Dawn in its brightness and cheer thy lone way." Mr. Everest is well and favorably known as a popular composer and arranger of songs, and this, one of his last compositions, is really worthy the attention of lovers of pretty songs. It is also arranged with Guitar accompaniment.
&lt;/p&gt;&lt;p&gt;BEAUTIFUL DAISIES, BRIGHTS GEMS OF THE EARTH! Song with chorus. Words and Music composed by J.S.C. Price, 30 cents. "Beautiful daisies, bright gems of the earth! Few are your virtues and little your worth; Yet, as I wander through by-way and lane, Gladly I welcome your smiling again." The subject of this song is only an humble flower; but the composer has produced charming words and an elegant song-melody to them. We can safely and cheerfully recommend it to the lovers of song. With an arrangement for Guitar.
&lt;/p&gt;&lt;p&gt;THEY PRAY FOR US AT HOME. Song and chorus. Words by E. Rossiter; Music of B. Frank Walters. Price, 30 cents. On the Sunday after the battle of Cedar Mountain, as our wounded soldiers were lying in a church at Culpepper C.H. which had been taken for a hospital, one of the mortally-wounded whispered to a dying companion, "I wish there was some one here to pray for us!" to which his companion replied, "They are praying for us at home!"  "Oh, would there were some kind one Who, on this Sabbath-day, Would breathe one prayer to cheer us As our spirits pass away!--If there only were some loved one to grasp us by the hand And whisper words of comfort As we leave this earthly strand!" The songs by Mr. Walters are very popular; and this is one worthy of his reputation.
&lt;/p&gt;&lt;p&gt;TREAD LIGHTLY WHERE THE HERO SLEEPS.  Words and Music composed by D.W. Belisle. Price, 30 cents. "Trend lightly here! this lonely grave Is now the resting place of one Who fought his country's flag to save, And fell with Freedom's armor on."  A very easy and pretty song, with a flowing accompaniment, not difficult. It is recommended with safety as a fine parlor-song.
&lt;/p&gt;&lt;p&gt;SHALL WE MEET AGAIN!  Song and chorus. Written and composed by C. Everest. Price 30 cents.  "Ever since from me you parted for the battle-plain, I have thought, near broken-hearted, Shall we meet again? In my dreams the cannons rattle, flashes light the sky; And I see in every battle banners floating high. Chorus--Morning, noon, and evening, As I pine in vain, Ever is my spirit breathing Shall we meet again!"
&lt;/p&gt;&lt;p&gt;Our Publications can be had in all the Music-Stores in the Country. Should they not have the Pieces required, write directly to us, and we will cheerfully send the Music, post-paid, upon the receipt of the marked price. TEACHERS will find it to their advantage to send their orders to us; for in this department of our business especial attention is given.
&lt;/p&gt;
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The police set up a roadblock demonstration for the press at the National Police Driving School in Carpentersville.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Roadblocks (Police methods)</text>
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                <text>Illinois--Carpentersville</text>
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            <name>Creator</name>
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                <text>Ewen and Walthius</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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              <text>studio portrait</text>
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            <name>Identifier</name>
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                <text>Oversized Individuals Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Edwin Markham</text>
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            <description>An account of the resource</description>
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                <text>Edwin Markham, an American poet and Poet Laureate of Oregon (1923-1931), poses for a portrait. &lt;br /&gt;&lt;br /&gt;The personalized message and signature at the bottom of the photograph reads, "My dear Carl Vrooman: Here I am - yours with the secret word and the significant book! Edwin Markham."</text>
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                <text>Markham, Edwin, 1852-1940</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;AUDITOR'S OFFICE ILLINOIS, Springfield, Novr. 14 1844
&lt;/p&gt;&lt;p&gt;$ 5 00/100              No. 12224
&lt;/p&gt;&lt;p&gt;Treasurer of the STATE OF ILLINOIS, PAY
&lt;/p&gt;&lt;p&gt;A. Lincoln or order, the sum of     Five dollars and     cents, it being in part for his services as bearer of the presidential polls from Lawrence County to the seat of government.
&lt;/p&gt;&lt;p&gt;Countersigned and Registered,
M. Carpenter  Treasurer.  W L D Ewing  Auditor of Public Accounts
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A. Lincoln
&lt;/p&gt;
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Check to Abraham Lincoln from the Illinois State Auditor</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1844-11-14</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pdf</text>
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            <description>An account of the resource</description>
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                <text>Abraham Lincoln receives a check signed by Illinois State Auditor W.L.D. Ewing and endorsed by State Treasurer M. Carpenter for services "as bearer of the presidential polls from Lawrence County to the seat of government." Lincoln's signature is on the reverse side of the check. Ewing served with Lincoln in the Black Hawk War.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>&lt;p&gt;AUDITOR'S OFFICE ILLINOIS, Springfield, Novr. 14 1844
&lt;/p&gt;&lt;p&gt;$ 5 00/100              No. 12224
&lt;/p&gt;&lt;p&gt;Treasurer of the STATE OF ILLINOIS, PAY
&lt;/p&gt;&lt;p&gt;A. Lincoln or order, the sum of     Five dollars and     cents, it being in part for his services as bearer of the presidential polls from Lawrence County to the seat of government.
&lt;/p&gt;&lt;p&gt;Countersigned and Registered,
M. Carpenter  Treasurer.  W L D Ewing  Auditor of Public Accounts
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A. Lincoln
&lt;/p&gt;
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            <description>The percentage of pages with Completed status.</description>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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              <description>A name given to the resource</description>
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              <description>The topic of the resource</description>
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                  <text>Rice, Ada L., 1898-1977</text>
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                  <text>Horses</text>
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                  <text>Horse racing</text>
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                  <text>Jockeys</text>
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                  <text>Racetracks (Horse racing)</text>
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                  <text>Race horses</text>
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                  <text>Rice, Daniel F., 1896-1975</text>
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                  <text>Ada Rice was the wife of Dan Rice, a Chicago-native businessman who successfully bred and raced thoroughbred horses from the 1940s to the 1970s. In 1929, the couple purchased a several hundred acre farm in Wheaton, christened &amp;ldquo;Danada,&amp;rdquo; and thirteen years later established the Ada L. Rice Racing Stable. Ada and Dan Rice purchased an additional farm for horse breeding in Lexington, Kentucky, in 1947. Ada Rice&amp;rsquo;s thoroughbreds won at nearly every famous racetrack in the country, including in 1965, when Lucky Debonair won the Santa Anita Derby and then the 91st Kentucky Derby. Dan and Ada Rice were also major philanthropists for Chicago area museums and institutions, including the Shedd Aquarium, Chicago History Museum, and Benedictine University. &lt;br /&gt;&lt;br /&gt;Images in this collection include photographs relating to Ada Rice, her thoroughbred horses, various horse races, and awards.</text>
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              <text>commercial print</text>
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          <description>The actual physical size of the original image.</description>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Ada Rice smiles at her horse while holding its reins.</text>
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            <description>The topic of the resource</description>
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                <text>Eyre Powell Press Service</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
              </elementText>
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        <src>https://chroniclingillinois.org/files/original/77f5a29c9d9a33d84378466c1bd41a5b.pdf</src>
        <authentication>bd7c05cd76495930e9dae535f5de20c7</authentication>
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            <name>Scripto</name>
            <description>Manages transcriptions of items and files</description>
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                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="622480">
                    <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
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                    <text>Complete</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lincoln Sheet Music Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="165966">
              <text>5</text>
            </elementText>
            <elementText elementTextId="165967">
              <text>36 cm</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="165945">
                <text>301048</text>
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              <elementText elementTextId="165946">
                <text>54785664</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="165947">
                <text>President Lincoln's Grand March</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165948">
                <text>A dedication reads,  "Respectfully dedicated to the Union Army." Cover depicts color image of peace and war surrounding flag-draped portrait of Abraham Lincoln. </text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="165949">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
              <elementText elementTextId="165950">
                <text> Helmsmuller, F. B.</text>
              </elementText>
              <elementText elementTextId="165951">
                <text> Songs and music</text>
              </elementText>
              <elementText elementTextId="165952">
                <text> Piano music</text>
              </elementText>
              <elementText elementTextId="165953">
                <text> Marches (Piano)</text>
              </elementText>
              <elementText elementTextId="165954">
                <text> Patriotic music</text>
              </elementText>
              <elementText elementTextId="165955">
                <text> American Civil War (1861-1865)</text>
              </elementText>
              <elementText elementTextId="165956">
                <text> United States. Army</text>
              </elementText>
              <elementText elementTextId="165957">
                <text> Armed Forces</text>
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              <elementText elementTextId="165958">
                <text> Soldiers</text>
              </elementText>
              <elementText elementTextId="165959">
                <text> War--Sheet music</text>
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              <elementText elementTextId="165960">
                <text> War songs</text>
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              <elementText elementTextId="165961">
                <text> </text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="165962">
                <text>F. B. Helmsmuller</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Horace Waters</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="165964">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1862</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="165968">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="165969">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="165971">
                <text>en</text>
              </elementText>
            </elementTextContainer>
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        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="624517">
                <text>&lt;p&gt;PRESIDENT LINCOLN'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;RESPECTFULLY DEDICATED TO THE UNION ARMY BY F.B. HELMSMULLER.  
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the Year 1862 by E.A. Daggett in the Clerk's Office of the District Court of the U.S. for the Southn District of N.Y.
&lt;/p&gt;&lt;p&gt;Leader of 22nd Regiment Band, N.Y.S.M.
&lt;/p&gt;&lt;p&gt;Lith. of Thomas &amp;amp; Eno. 37 Park Row N.Y.
&lt;/p&gt;&lt;p&gt;New York Published by Horace Waters, 481 Broadway, &amp;amp; O. Ditson &amp;amp; Co. Boston
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;President Lincoln's Grand March. F.B. Helmsmuller. Leader of the 22nd Regt. Band.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress , AD 1862 by E.A.Daggett, in the Clerk's Office of the District Court of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
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                <text>Complete</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="624520">
                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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