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                  <text>Photographs from the families of Major General Curtis James Herrick and his wife, Alice (Reasoner) Herrick. Mrs. Herrick was born Alice Reasoner to Colonel Mathew A. Reasoner (1875-1947) and his wife Mabel (Milnor) Reasoner (1877-1964) in Alton, Illinois. General Herrick was born in North Dakota and served his professional career as an officer in the United States Army from 1931 to 1967. The Herricks are both buried at Arlington National Cemetery, Washington, D.C. &lt;br /&gt;&lt;br /&gt;The collection contains photographs from Mrs. Harrick's family collection;however, most of the images are from General Herrick's military service.&lt;br /&gt;&lt;br /&gt;For further research, see the Herrick-Reasoner-Milnor-Sparks Family Papers, 1860-1967, in the manuscript holdings of the Abraham Lincoln Presidential Library:&lt;br /&gt;&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/show/281" target="_self"&gt;&lt;br /&gt;http://alplm-cdi.com/chroniclingillinois/items/show/281&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                  <text>Herrick, Curtis James (1909-1971)</text>
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                <text>Portrait of May, also Mae, Hawley.</text>
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                <text>Fox, A. J.</text>
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            <description>A language of the resource</description>
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                  <text>Monticello College first began as the Monticello Female Seminary in 1838. Founded by Captain Benjamin Godfrey to provide education for women, the school offered two years of classes for attendees based on the idea that&amp;nbsp;&lt;span&gt;“if you educate a man you educate an individual; educate a woman and you educate a whole family.”&lt;br /&gt;&lt;br /&gt;Godfrey selected Reverend Theron Baldwin to serve as the first head of the Monticello Female Seminary. In 1867 Harriet Haskell became principal, a position she held until her death in 1907.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On November 4, 1888, a fire broke out in the building and consumed the entire structure. Ms. Haskell and the school's Board of Trustees successfully fundraised for a new building and rebuilt the school in two years.&lt;br /&gt;&lt;br /&gt;The school's leadership made the decision to close the school in 1970 with the final class graduating in 1971. Lewis and Clark Community College completed the purchase of the Monticello College campus in 1972.&lt;br /&gt;&lt;br /&gt;The finding aid for the Monticello College (Godfrey, IL) Records at the Abraham Lincoln Presidential Library may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/2/resources/545" title="Monticello College (Godfrey, IL) Records"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/545&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The finding aid for the photographic Monticello College Collection at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/3/resources/4702" title="Monticello College Collection "&gt;https://illinois.as.atlas-sys.com/repositories/3/resources/4702&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                  <text>Manuscript: BC466&lt;br /&gt;Audiovisual: AV-01-08-Monticello</text>
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                  <text>1830 - 1970</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>A name given to the resource</description>
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                <text>Annie Delano</text>
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            <description>An account of the resource</description>
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                <text>Annie Delano, an alumnae of Monticello Female Seminary from Bunker Hill, Illinois, poses for a portrait in profile.</text>
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            <description>The topic of the resource</description>
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                  <text>The Cities and Towns Collection contains images of scenes from several cities throughout the state of Illinois.</text>
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                <text>A painting shows several cars parked along the street in front of a grassy area and several buildings in Winchester, Illinois.&lt;br /&gt;&lt;br /&gt;On verso: "Winchester, Ill. From Talman Son &amp;amp; Loan Bank - Chicago 1966"</text>
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                <text>Francis Chase</text>
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                    <text>&lt;p&gt;MUELLER'S CELEBRATED COPY.
&lt;/p&gt;&lt;p&gt;President Lincoln's Funeral March. Composed &amp;amp; Respectfully Dedicated to Mrs. Lincoln.  FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;Published. Cincinnati. A.C. PETERS &amp;amp; BRO: __ J.L. PETERS &amp;amp; BRO: St. Louis.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN'S FUNERAL MARCH. Composed by FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;Tenuto.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865, by A.C. Peters &amp;amp; Bros: in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>Instrumental music. "Composed and Respectfully Dedicated to Mrs. Lincoln."</text>
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                <text> Sheet music</text>
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                <text> Marches (Piano)</text>
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                <text> Songs and music</text>
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                <text> Instrumental music</text>
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                <text> Mueller, Francis</text>
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                <text> Memorial Music</text>
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          <element elementId="39">
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                <text>Francis Mueller</text>
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                <text>A. C. Peters &amp;amp; Bro.</text>
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                <text>St. Louis</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;MUELLER'S CELEBRATED COPY.
&lt;/p&gt;&lt;p&gt;President Lincoln's Funeral March. Composed &amp;amp; Respectfully Dedicated to Mrs. Lincoln.  FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;3 1/2
&lt;/p&gt;&lt;p&gt;Published. Cincinnati. A.C. PETERS &amp;amp; BRO: __ J.L. PETERS &amp;amp; BRO: St. Louis.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;PRESIDENT LINCOLN'S FUNERAL MARCH. Composed by FRANCIS MUELLER.
&lt;/p&gt;&lt;p&gt;Tenuto.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress in the year 1865, by A.C. Peters &amp;amp; Bros: in the Clerk's Office of the Southern District Court of Ohio.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
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              <description>A name given to the resource</description>
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                  <text>World War I Collection</text>
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              <description>An account of the resource</description>
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                  <text>The United States entered World War I on April 6, 1917, when President Woodrow Wilson asked Congress to declare war on Germany. Illinois contributed over 350,000 men to military service during the war, which ended in an armistice on November 11, 1918. &lt;br /&gt;&lt;br /&gt;This collection includes photographs from the Great Lakes Naval Training Station in Chicago as well as several wartime broadsides.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>The Abraham Lincoln Presidential Library and Museum holds all rights and permissions.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="107607">
              <text>broadside</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>56 x 71 cm</text>
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            <name>Identifier</name>
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                <text>400272</text>
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                <text>World War I Broadsides</text>
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                <text>3034</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>God in the Trenches</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107598">
                <text>An advertisement promoting pastor Paul Rader and his famous World War I address. Rader was an evangelist and Harvard graduate whose Chicago pastorates included, Moody Memorial Church (1915-1921), and Chicago Gospel Tabernacle (1922-1933).</text>
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            </elementTextContainer>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Rader, Paul, 1879-1938</text>
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                <text> World War (1914-1918)</text>
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              <elementText elementTextId="107601">
                <text> Advertising</text>
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              <elementText elementTextId="107602">
                <text> Moody Memorial Church (Chicago, Ill.)</text>
              </elementText>
              <elementText elementTextId="107603">
                <text> Chicago Gospel Tabernacle (Ill.)</text>
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              <elementText elementTextId="107604">
                <text> Evangelicalism</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107605">
                <text>Francis Valentine Co.</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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                <text>jpg</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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            <name>Scripto</name>
            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                    <text>&lt;p&gt;[ in pencil Lincoln $40]
&lt;/p&gt;&lt;p&gt;Phila March 4th 1861
&lt;/p&gt;&lt;p&gt;Dear Brother
&lt;/p&gt;&lt;p&gt;I received your kind letter of last week &amp;amp; was very glad hear from you &amp;amp; the rest of the family.  I had intended to have went out this evening but I got from the store rather late &amp;amp; before we finished supper Theodore came in &amp;amp; spent part of the evening so after he left I thought I would write you &amp;amp;  go out to morrow night perhaps you think where. Theodore told you came to see him &amp;amp; about you going to look at the cariages
&lt;/p&gt;&lt;p&gt;I suppose you would like to know how Mr Evans &amp;amp; me made it well we had quite a talk Saturday evening he said it was his disposition to keep me if he could but it seemed to him that he ought to have an experienced hand &amp;amp; if he did get one he could not afford to keep us both but however he wanted me to come on this week &amp;amp; he would think about it &amp;amp; would keep me if he could so decide.
&lt;/p&gt;&lt;p&gt;If he does not keep me you may look for me home sometime nexweek for if he does keep me it is high time I was looking for something to do for my money is going like water for I have spent all of that you gave me &amp;amp; want seven dollars more as soon as you can send it after you receive this letter for if I do not stay here I shall want some
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to come home on  I have got my new coat you know I told you I was going to get a short sack but when I went to get it cut out I changed my mind &amp;amp; had it cut a frocksack &amp;amp; it comes down to my knees &amp;amp; has very large sleeves I shall look like a squirt with it down there.
&lt;/p&gt;&lt;p&gt;Cousin Richard got home from Salem on Wednesday afternoon &amp;amp; left home the next morning &amp;amp; does not expect to be back any more until Saturday.
&lt;/p&gt;&lt;p&gt;The weather here for more than a week past has been delightful but when the wind blows the dust files in clouds and makes it very unpleasant.
&lt;/p&gt;&lt;p&gt;I suppose Abraham is in his big chair now his [speech?] was in this evening Bulletin but have not seen it but will to morrow morning. Today has been a great day in Washington it is said the city was crowded with visiters  to overflowing.
&lt;/p&gt;&lt;p&gt;I was at Mary Aulds to dinner yesterday They were all well &amp;amp; Mary has plenty of  work.
&lt;/p&gt;&lt;p&gt;Mariah is quite miserable she is geting almost past walking.  I received Clarys letter and it was very interesting tell him to write again &amp;amp; I will answer when I can  it is growing toards bedtime so I must soon stop writing  answer as soon as you can after you receive this &amp;amp; don't forget the dimes  give my love to all &amp;amp; to all inquiring friends.  Your loving brother 
&lt;/p&gt;&lt;p&gt;Frank
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Frank to unknown</text>
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                <text>Frank writes from Philadelphia to his brother about his prospects at work and offers his reaction to Lincoln's inauguration and subsequent celebration in Washington.</text>
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                <text>&lt;p&gt;[ in pencil Lincoln $40]
&lt;/p&gt;&lt;p&gt;Phila March 4th 1861
&lt;/p&gt;&lt;p&gt;Dear Brother
&lt;/p&gt;&lt;p&gt;I received your kind letter of last week &amp;amp; was very glad hear from you &amp;amp; the rest of the family.  I had intended to have went out this evening but I got from the store rather late &amp;amp; before we finished supper Theodore came in &amp;amp; spent part of the evening so after he left I thought I would write you &amp;amp;  go out to morrow night perhaps you think where. Theodore told you came to see him &amp;amp; about you going to look at the cariages
&lt;/p&gt;&lt;p&gt;I suppose you would like to know how Mr Evans &amp;amp; me made it well we had quite a talk Saturday evening he said it was his disposition to keep me if he could but it seemed to him that he ought to have an experienced hand &amp;amp; if he did get one he could not afford to keep us both but however he wanted me to come on this week &amp;amp; he would think about it &amp;amp; would keep me if he could so decide.
&lt;/p&gt;&lt;p&gt;If he does not keep me you may look for me home sometime nexweek for if he does keep me it is high time I was looking for something to do for my money is going like water for I have spent all of that you gave me &amp;amp; want seven dollars more as soon as you can send it after you receive this letter for if I do not stay here I shall want some
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;to come home on  I have got my new coat you know I told you I was going to get a short sack but when I went to get it cut out I changed my mind &amp;amp; had it cut a frocksack &amp;amp; it comes down to my knees &amp;amp; has very large sleeves I shall look like a squirt with it down there.
&lt;/p&gt;&lt;p&gt;Cousin Richard got home from Salem on Wednesday afternoon &amp;amp; left home the next morning &amp;amp; does not expect to be back any more until Saturday.
&lt;/p&gt;&lt;p&gt;The weather here for more than a week past has been delightful but when the wind blows the dust files in clouds and makes it very unpleasant.
&lt;/p&gt;&lt;p&gt;I suppose Abraham is in his big chair now his [speech?] was in this evening Bulletin but have not seen it but will to morrow morning. Today has been a great day in Washington it is said the city was crowded with visiters  to overflowing.
&lt;/p&gt;&lt;p&gt;I was at Mary Aulds to dinner yesterday They were all well &amp;amp; Mary has plenty of  work.
&lt;/p&gt;&lt;p&gt;Mariah is quite miserable she is geting almost past walking.  I received Clarys letter and it was very interesting tell him to write again &amp;amp; I will answer when I can  it is growing toards bedtime so I must soon stop writing  answer as soon as you can after you receive this &amp;amp; don't forget the dimes  give my love to all &amp;amp; to all inquiring friends.  Your loving brother 
&lt;/p&gt;&lt;p&gt;Frank
&lt;/p&gt;
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                  <text>Known as the "Great Agnostic," Robert Green Ingersoll was one of the most popular and controversial public speakers of the late nineteenth century. He denounced organized religion and spoke in favor of equal rights for all all Americans, including women and African Americans. Although born in Massachusetts in 1833, Ingersoll eventually settled in Illinois, where he raised and led a cavalry regiment during the Civil War. Ingersoll was a successful attorney and a leader in the Republican Party. Robert Ingersoll died in 1899.&lt;br /&gt;&lt;br /&gt;The Robert Ingersoll Collection mostly consists of family photographs.</text>
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                <text>Robert Ingersoll, "The Great Agnostic," colonel during the American Civil War, politician, attorney, and orator, poses for a picture with his granddaughter, Eva Ingersoll Wakefield.</text>
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                  <text>The Rachel Richardson Collection features the family and colleagues of Illinois Speaker of the House William Granville Cochran. Cochran served as Speaker of the House from July 1890 through early January 1891 and again from July 1895 through early January 1897. Cochran and his son, Oscar F. Cochran, served as judges in Illinois. William Granville Cochran was an Illinois Circuit Court Judge based in Sullivan Illinois, while Oscar F. Cochran served on the County Court of Moultrie County.&lt;br /&gt;&lt;br /&gt;Photographs from this collection include images of William Granville Cochran, members of the Illinois General Assembly, and Cochran family members including William Granville Cochran's children Arthur, Cochran, Archibald Blaine Cochran, Laura O. Cochran Thompson, and Grace M. Cochran Richardson.</text>
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                <text>Judge William Granville Cochran of Sullivan sits for a portrait.</text>
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                <text>Franzlau Bros.</text>
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                    <text>&lt;p&gt;To Hon. Gideon Welles. Secretary of the Navy. The American Ram Composed by R.S. Frary.
&lt;/p&gt;&lt;p&gt;"Thus we ramble along thro' the cycles of time, Find History's rampage is rather sublime, But the Ram of All Rams is the Ram of our day, Which is shaking the world with a rampant dismay! Iron-harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!"
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Henry Talman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1863 by H. Talman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;The American Ram. R.S. Frary
&lt;/p&gt;&lt;p&gt;Allegro scherzando. Piano
&lt;/p&gt;&lt;p&gt;1. Who indeed would have thought, that it ever should chance That dogmatical England, and
&lt;/p&gt;&lt;p&gt;2. There have always been rams! Father Adam we know Found some rams in his garden a
&lt;/p&gt;&lt;p&gt;3. Then it seems there were rams that were tied up in stalls Driven out to do battle, by
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;complaisant France, Who have always known everything under the sun; Who have
&lt;/p&gt;&lt;p&gt;long time ago. In the raising of rams, Abel took much delight And a
&lt;/p&gt;&lt;p&gt;battling down walls. Alexander, Marcellus, and Scylla we find, Had a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
always thought first whatever we've done; Who have scarce deigned our eagle the
&lt;/p&gt;&lt;p&gt;Ram was concerned in the very first fight And the first Ram afloat we may
&lt;/p&gt;&lt;p&gt;great many Rams of this desperate kind, And when Titus encamped 'mid Jerusalem's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
slightest salaam, Should fall flat to adore an American Ram?
&lt;/p&gt;&lt;p&gt;further remark, Was the Ram which old Noah took into the Ark!
&lt;/p&gt;&lt;p&gt;palms, It is said that the Hebrews saw nothing but Rams!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;4. After these there came rams not inclining to fights, Rams resembling good Joshua's
&lt;/p&gt;&lt;p&gt;5. Thus, we ramble along through the cycles of time, Find history's rampage is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Gideonites, Which were "drawers of water" Hydraulic Rams Quite domestic
&lt;/p&gt;&lt;p&gt;rather sublime! But the Ram of all Rams is the Ram of our day, Which is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
commonly found with their dams! May such Rams still continue to
&lt;/p&gt;&lt;p&gt;shaking the world with a rampant dismay! Iron harness'd steam driven it
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
thrive and increase With the limitless Ramifications of peace.
&lt;/p&gt;&lt;p&gt;sweeps o'er the sea Our American Rampart, the shield for the free!
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>4</text>
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                <text>300959</text>
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                <text>17151888</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>The American Ram</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="170625">
                <text>In 1862, the U.S. Navy established a flotilla of steam powered rams to operate against Confederate vessels on the Mississippi River. Rams were designed with a heavily reinforced hull to ram enemy ships. &lt;br /&gt;&lt;br /&gt;This song was written in honor of U.S. Secretary of the Navy Gideon Welles. Cover depicts man (Uncle Sam?) riding an ironclad ram on the Mississippi River and includes the following lines: &lt;br /&gt;&lt;br /&gt;"Thus we ramble along thro' cycles of time, &lt;br /&gt;Find History's rampage is rather sublime, &lt;br /&gt;But the Ram of all Rams is the Ram of our day, &lt;br /&gt;Which is shaking the world with a rampart dismay! &lt;br /&gt;Iron harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!"</text>
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            <description>The topic of the resource</description>
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                <text>Welles, Gideon, 1802-1878</text>
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              <elementText elementTextId="170627">
                <text>Frary, R. S.</text>
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              <elementText elementTextId="170628">
                <text>Sheet music</text>
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              <elementText elementTextId="176603">
                <text>Armored vessels</text>
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              <elementText elementTextId="176604">
                <text>American Civil War (1861-1865)</text>
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              <elementText elementTextId="176605">
                <text>Mississippi River</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="170629">
                <text>Frary, R. S.</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170630">
                <text>Henry Tolman &amp;amp; Company</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="170631">
                <text>Boston</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1863</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170635">
                <text>pdf</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="170636">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170638">
                <text>en</text>
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        <description>Manages transcriptions of items and files</description>
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                <text>&lt;p&gt;To Hon. Gideon Welles. Secretary of the Navy. The American Ram Composed by R.S. Frary.
&lt;/p&gt;&lt;p&gt;"Thus we ramble along thro' the cycles of time, Find History's rampage is rather sublime, But the Ram of All Rams is the Ram of our day, Which is shaking the world with a rampant dismay! Iron-harnessed, steam driven, it sweeps o'er the sea, Our American Rampart, the shield of the free!"
&lt;/p&gt;&lt;p&gt;BOSTON. Published by Henry Talman &amp;amp; Co. 291 Washington St.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1863 by H. Talman &amp;amp; Co. in the Clerk's Office of the Dis' Court of Mass.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;The American Ram. R.S. Frary
&lt;/p&gt;&lt;p&gt;Allegro scherzando. Piano
&lt;/p&gt;&lt;p&gt;1. Who indeed would have thought, that it ever should chance That dogmatical England, and
&lt;/p&gt;&lt;p&gt;2. There have always been rams! Father Adam we know Found some rams in his garden a
&lt;/p&gt;&lt;p&gt;3. Then it seems there were rams that were tied up in stalls Driven out to do battle, by
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;complaisant France, Who have always known everything under the sun; Who have
&lt;/p&gt;&lt;p&gt;long time ago. In the raising of rams, Abel took much delight And a
&lt;/p&gt;&lt;p&gt;battling down walls. Alexander, Marcellus, and Scylla we find, Had a
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
always thought first whatever we've done; Who have scarce deigned our eagle the
&lt;/p&gt;&lt;p&gt;Ram was concerned in the very first fight And the first Ram afloat we may
&lt;/p&gt;&lt;p&gt;great many Rams of this desperate kind, And when Titus encamped 'mid Jerusalem's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
slightest salaam, Should fall flat to adore an American Ram?
&lt;/p&gt;&lt;p&gt;further remark, Was the Ram which old Noah took into the Ark!
&lt;/p&gt;&lt;p&gt;palms, It is said that the Hebrews saw nothing but Rams!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;4. After these there came rams not inclining to fights, Rams resembling good Joshua's
&lt;/p&gt;&lt;p&gt;5. Thus, we ramble along through the cycles of time, Find history's rampage is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Gideonites, Which were "drawers of water" Hydraulic Rams Quite domestic
&lt;/p&gt;&lt;p&gt;rather sublime! But the Ram of all Rams is the Ram of our day, Which is
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
commonly found with their dams! May such Rams still continue to
&lt;/p&gt;&lt;p&gt;shaking the world with a rampant dismay! Iron harness'd steam driven it
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
thrive and increase With the limitless Ramifications of peace.
&lt;/p&gt;&lt;p&gt;sweeps o'er the sea Our American Rampart, the shield for the free!
&lt;/p&gt;
</text>
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            <description>The current transcription status of a document or a page.</description>
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                <text>Complete</text>
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/251133fbef2baaaa9633307c035d4470.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richard Yates, Sr. Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Yates, Richard, 1815-1873</text>
                </elementText>
                <elementText elementTextId="374155">
                  <text>Illinois. Office of the Governor</text>
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                  <text>Governors</text>
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                  <text>United States. Congress. Senate</text>
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                  <text>Illinois</text>
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              <description>An account of the resource</description>
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                  <text>Richard Yates, Sr., served as Illinois' thirteenth governor from 1861 through 1865. Prior to serving as governor, Yates was a member of the United States House of Representatives from 1851-1855. &amp;nbsp;During his time as governor, Yates, who was anti-slavery, was active in recruiting troops for the Union Army. After finishing his term as governor in 1865, Yates won election to the United States Senate where he served one term, leaving office in 1871. After leaving office, President Ulysses S. Grant appointed Yates to serve as a United States commissioner inspecting a land subsidy railroad in St. Louis. His son, Richard Yates, Jr., also served as Illinois governor from 1901-1905 and&amp;nbsp;in the United States House of Representatives from 1919-1933.&lt;br /&gt;&lt;br /&gt;Images in this collection include several portrait of Richard Yates, Sr., taken at different points in his life, a collage of famous Illinois College alumni, and a newspaper image showing the outcome of a bet made on the outcome of the 1860 Illinois gubernatorial election.&lt;br /&gt;&lt;br /&gt;Digitized versions of Richard Yates Sr.,'s gubernatorial correspondence are available on Chronicling Illinois in the Yates Family Papers and the Wabash Yates Collections.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="372695">
              <text>carte de visite</text>
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              <text>b&amp;amp;w</text>
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              <text>1</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="372698">
              <text>11 x 6 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="372686">
                <text>405144</text>
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              <elementText elementTextId="372687">
                <text>Richard Yates I Collection</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Richard Yates, Sr.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372689">
                <text>Richard Yates, Sr., sits for a portrait wearing a suit and bow tie.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372690">
                <text>Yates, Richard, 1815-1874</text>
              </elementText>
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                <text>Clothing and dress</text>
              </elementText>
              <elementText elementTextId="372692">
                <text>Bow ties</text>
              </elementText>
              <elementText elementTextId="374162">
                <text>Politicians</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372693">
                <text>Fredrick's &amp;amp; Co.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372694">
                <text>n.d.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372699">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="372700">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372702">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="29262" public="1" featured="0">
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        <src>https://chroniclingillinois.org/files/original/ca1120fda89f33b7985b0801d7a517a0.pdf</src>
        <authentication>d33eed1fdf39b3f46a8b960805159d7e</authentication>
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            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
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                    <text>&lt;p&gt;WHERE THE CORNFIELDS WAVE IN SUNNY ILLINOIS
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY CHARLES W. FREEMAN
&lt;/p&gt;&lt;p&gt;Published by F. T. Phillips, Decatur, Ill.
&lt;/p&gt;&lt;p&gt;HARRY J. LINCOLN MUSIC CO. WILLIAMSPORT, PA----
&lt;/p&gt;&lt;p&gt;Where The Corn Fields Wave In Sunny Illinois.
&lt;/p&gt;&lt;p&gt;Words and Music by CHAS. W. FREEMAN.
&lt;/p&gt;&lt;p&gt;Andante
&lt;/p&gt;&lt;p&gt;1.There is a cottage far away, a place I long to be, Where the cornfields wave in sunny Illinois.  And ev'ry night when I lie down, my thoughts will carry me, Where the cornfields wave in sunny Illinois. 
&lt;/p&gt;
&lt;pre&gt;I see the eagle soaring high, above the woodland breeze, I see the cattle in the pasture resting 'neath the trees.  I fancy I can hear my mother praying for her boy, Where the cornfields wave in sunny Illinois.
&lt;/pre&gt;
&lt;p&gt;2. I never shall forget the day, when I stood at the gate, And fondly kiss'd my mother dear, goodbye; And as I hurried down the lane, she stood there watching me, With her apron wiped a teardrop form her eye.  
&lt;/p&gt;&lt;p&gt;I often think of those kind words my father spoke to me, "My boy this world is full of trouble, someday you will see.  But should the road be rugged, lad, you're welcome home, my boy, Where the cornfields wave in sunny Illinois.
&lt;/p&gt;&lt;p&gt;REFRAIN
&lt;/p&gt;&lt;p&gt;Down where the clover blossoms, There's where I spent life's happy hours; Tho' I'm living far away, Yet I'm going back some day, Where the cornfields wave in sunny Illinois.----
&lt;/p&gt;&lt;p&gt;Dedicated to Miss Marian Rickard.
&lt;/p&gt;&lt;p&gt;TINGLEY TWO STEP.
&lt;/p&gt;&lt;p&gt;By ZELLA SANDERS ELWELL
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
</text>
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    <collection collectionId="324">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249726">
                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
                </elementText>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="416011">
              <text>6</text>
            </elementText>
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              <text>35 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="415997">
                <text>200199</text>
              </elementText>
              <elementText elementTextId="415998">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="415999">
                <text>T-Z</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Where the Cornfields Wave In Sunny Illinois</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416001">
                <text>Lyrics depict nostalgia for and pride in growing up in Illinois. Cover image depicts "Illinois" in title written with cornstalks. Back page is the first page of the "Tingley Two Step"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416002">
                <text>Songs and music</text>
              </elementText>
              <elementText elementTextId="416003">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="416004">
                <text>Illinois</text>
              </elementText>
              <elementText elementTextId="416005">
                <text>Nostalgia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416007">
                <text>Freeman, Charles W.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416008">
                <text>&amp;nbsp;Phillips, F. T.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="416009">
                <text>Decatur, IL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416010">
                <text>1899</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>&lt;p&gt;WHERE THE CORNFIELDS WAVE IN SUNNY ILLINOIS
&lt;/p&gt;&lt;p&gt;WORDS AND MUSIC BY CHARLES W. FREEMAN
&lt;/p&gt;&lt;p&gt;Published by F. T. Phillips, Decatur, Ill.
&lt;/p&gt;&lt;p&gt;HARRY J. LINCOLN MUSIC CO. WILLIAMSPORT, PA----
&lt;/p&gt;&lt;p&gt;Where The Corn Fields Wave In Sunny Illinois.
&lt;/p&gt;&lt;p&gt;Words and Music by CHAS. W. FREEMAN.
&lt;/p&gt;&lt;p&gt;Andante
&lt;/p&gt;&lt;p&gt;1.There is a cottage far away, a place I long to be, Where the cornfields wave in sunny Illinois.  And ev'ry night when I lie down, my thoughts will carry me, Where the cornfields wave in sunny Illinois. 
&lt;/p&gt;
&lt;pre&gt;I see the eagle soaring high, above the woodland breeze, I see the cattle in the pasture resting 'neath the trees.  I fancy I can hear my mother praying for her boy, Where the cornfields wave in sunny Illinois.
&lt;/pre&gt;
&lt;p&gt;2. I never shall forget the day, when I stood at the gate, And fondly kiss'd my mother dear, goodbye; And as I hurried down the lane, she stood there watching me, With her apron wiped a teardrop form her eye.  
&lt;/p&gt;&lt;p&gt;I often think of those kind words my father spoke to me, "My boy this world is full of trouble, someday you will see.  But should the road be rugged, lad, you're welcome home, my boy, Where the cornfields wave in sunny Illinois.
&lt;/p&gt;&lt;p&gt;REFRAIN
&lt;/p&gt;&lt;p&gt;Down where the clover blossoms, There's where I spent life's happy hours; Tho' I'm living far away, Yet I'm going back some day, Where the cornfields wave in sunny Illinois.----
&lt;/p&gt;&lt;p&gt;Dedicated to Miss Marian Rickard.
&lt;/p&gt;&lt;p&gt;TINGLEY TWO STEP.
&lt;/p&gt;&lt;p&gt;By ZELLA SANDERS ELWELL
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
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                  <text>The Cities and Towns Collection contains images of scenes from several cities throughout the state of Illinois.</text>
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              <text>photographic print</text>
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                <text>National Accelerator Laboratory in Batavia</text>
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            <description>An account of the resource</description>
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                <text>Photo caption: "Aerial view of main accelerator at National Accelerator Laboratory. The main accelerator is four miles in circumference; 1.24 miles in diameter."</text>
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                <text>Frelo, Tony</text>
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                <text>National Accelerator Laboratory</text>
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                  <text>Scott W. Lucas Collection</text>
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                  <text>Scott Wike Lucas was an Illinois attorney and politician. Born in Cass County, Illinois, on February 19, 1892, Lucas attended public schools and Illinois Wesleyan University, where he played baseball and other college sports. While in college, during his summers, he played baseball in the Three-I League, a semiprofessional baseball league organized in Illinois, Indiana, and Iowa. After college, Lucas attended law school and was admitted to the bar in 1915. &lt;br /&gt;&lt;br /&gt;Lucas served in the United States Army during World War I, rising to the rank of lieutenant. He would later continue his military association by serving as commander of the Illinois Department of the American Legion. &lt;br /&gt;&lt;br /&gt;After serving as state's attorney for Mason County in the 1920s, Lucas ran in the 1932 Democratic primary as a candidate for the United States Senate from Illinois; however, he lost his primary bid to William H. Dieterich. Governor Henry Horner then appointed Lucas chairman of the State Tax Commission, which Lucas directed from 1933 to 1935. In 1934, Lucas won election to the United States House of Representatives from Illinois. Four years later, he won election to the U.S. Senate and was reelected in 1944. &lt;br /&gt;&lt;br /&gt;Following President Harry S. Truman's reelection in 1948, Lucas became Senate Majority Leader. He served in that capacity only two years, losing the 1950 general election in Illinois to Republican Everett Dirksen. Lucas died on February 22, 1968. &lt;br /&gt;&lt;br /&gt;The Scott W. Lucas Collection consists of 38 photographs from Lucas' early life and political career. In addition to images of such influential American politicians as John F. Kennedy and Lyndon Johnson, the collection contains several political cartoons satirizing Lucas and other politicians.</text>
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              <text>1934-05-XX</text>
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                <text>Chairman of the Illinois State Tax Commission Scott W. Lucas golfs with state auditors Edward J. Barrett, Ray Bergen, and John Stelle in French Lick, Indiana.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                    <text>&lt;p&gt;250  B.B.F.'s handwriting
&lt;/p&gt;&lt;p&gt;Death of Lincoln  
&lt;/p&gt;&lt;p&gt;My account published in the Republican
&lt;/p&gt;&lt;p&gt;A NARRATIVE OF THE PRESIDENT'S MURDER.
&lt;/p&gt;&lt;p&gt;Commissioner FRENCH, who was in attendance upon the President and his household during the trying scenes of the great national calamity, has kindly furnished us with the following connected narrative of the terrible event:
&lt;/p&gt;&lt;p&gt;WASHINGTON, April 23, 1865.
&lt;/p&gt;&lt;p&gt;On Friday morning last, at 7 o'clock, all that was mortal of Abraham Lincoln, the sixteenth President of these United States, was borne from the Capitol, taking their departure for his home in Illinois, where they are to rest until the final resurrection.
&lt;/p&gt;&lt;p&gt;The past week has been a sad one to the whole nation.  It has been particularly sad for Washington; for here the unparalleled atrocity that deprived a people of a President whom they dearly loved and almost worshipped, and came near snatching from them a Secretary of State, particularly eminent for a head and a heart that gave him an exalted place in the affections of all who knew him, was committed; and as the awful news spread abroad on the wings of the lightning it carried with it sadness to every heart that beat responsive to the great principles of humanity which were so strongly implanted in the bosom of our beloved Chief Magistrate.
&lt;/p&gt;&lt;p&gt;At half-past ten o'clock on Friday evening, the 14th instant, the bullet of the assassin sped through the brain of his illustrious victim, and from that instant he was as if he were dead, although he continued to breathe until the next morning at 22 minutes past 7.  
&lt;/p&gt;&lt;p&gt;That Friday night was an awful one for Washington.  The theatre, where the horrid event occurred, was filled with people, and the appalling news spread, as it were, in a moment to all parts of the city, There was no sleep that night.  The [rest of line illegible]
&lt;/p&gt;&lt;p&gt;startling call to all military men, and to all civilians who understand it __ was beat in the various camps within and about the city, and the troops were speedily under arms.
&lt;/p&gt;&lt;p&gt;"Ah! then and there was hurrying to and fro, 
&lt;/p&gt;&lt;p&gt;And gathering tears, and tremblings of distress, 
&lt;/p&gt;&lt;p&gt;And cheeks all pale, which, but an hour ago 
&lt;/p&gt;&lt;p&gt;Blushed at the praise of their own loveliness. 
&lt;/p&gt;&lt;p&gt;"And there was mounting in hot haste; the steed, 
&lt;/p&gt;&lt;p&gt;The mastering squadron, and the clattering car 
&lt;/p&gt;&lt;p&gt;Went pouring forward with impetuous speed, 
&lt;/p&gt;&lt;p&gt;And swiftly forming in the ranks of war."
&lt;/p&gt;&lt;p&gt;Many knew not, for a time, what it all meant, but every one knew that some terrible calamity was upon us; and ere long the dread reality that our President had been assassinated, and our Secretary of State stricken down by the dagger of some fiend in human shape, came to be known and a cordon of troops was soon posted all around the city to prevent, if possible, any egress from it, and be prepared for any emergency that an extended conspiracy might render necessary.
&lt;/p&gt;&lt;p&gt;There was a general rush of our citizens to Tenth streeth, where in a dwelling opposite the theatre, lay the dying form of Abraham Lincoln, surrounded by his almost distracted wife, his weeping son, his Cabinet Ministers, generals, eminent physicians, and many others, whose positions gained them ready admittance to the side of the dying President.
&lt;/p&gt;&lt;p&gt;I stood at his bedside in the early hours of the morning, and there witnessed such a scene of solemnity and grief as I never saw before, and hope never to see again.
&lt;/p&gt;&lt;p&gt;"There was silence deep as death, 
&lt;/p&gt;&lt;p&gt;And the boldest held his breath."
&lt;/p&gt;&lt;p&gt;as if it were almost sacrilege to interrupt the solemn stillness about that dying couch. 
&lt;/p&gt;&lt;p&gt;The stern Secretary of War sat with his head bowed down in grief; the good and kind Secretary of the Navy stood as if transfixed with sorrow; the ever mild and sunny countenances of the Secretary of the Treasury, the Secretary of the Interior, the Postmaster General and Attorney General were now overspread with the clouds of distress and mourning; Major General Halleck, who had naturally assumed the direction of affairs, was quietly moving about, fixing his large and most expressive eyes on everything that seemed to require attention, and directing, in whispered tones of sadness, what should be done.  The noble form of Sumner, seated near the head of the bed, was bowed low, and tears were flowing from many, many eyes unused to weep.
&lt;/p&gt;&lt;p&gt;Not long after sunrise, I should think, (time could not well be counted, and the heavens were weeping in a gentle rain,) at the request of some of the personal friends of Mrs. Lincoln, I went, in the President's carriage, after Mrs. Secretary Welles, and ere I could return the noble martyr had ceased breathing.  I witnessed the bearing of the remains to the Presidential Mansion; saw them removed from the temporary coffin in which they were borne there, and from that time, until they were placed in the car a the railroad depot, for transportation to Illinois, I was much of the time with them.  My official duties made me almost one of the President's household, and, on all public occasions I stood at his side or near him and I felt as if, even had duty not demanded my presence, I could not leave the inanimate form of him whom I had seen so much, and who I loved so well in life.
&lt;/p&gt;&lt;p&gt;The days of preparation passed by; the lying in state in the East Room, where thousands stood at the side of their beloved and martyred chief and paid to his memory the tribute of respect, with streaming eyes; the funeral services, attended by the noble assemblage of all who aided the Executive in the performance of his arduous duties in Washington __ hundreds of the most noble civilians of the country; the full Diplomatic corps, whose rich dresses were in marked contrast to their sad, sad countenances, for they all loved Abraham Lincoln __ the mourners, not only of the family, but from his native and adopted States; the reverend clergy in full numbers.  I witnessed it all.
&lt;/p&gt;&lt;p&gt;I listened with a most melancholy but proud satisfaction to the religious services, full of submissive piety, but also full of exalted patriotism.  I saw the immense concourse of people, civil and military, who crowded Pennsylvania avenue from Georgetown to the Capitol, as the funeral cortege passed along, marking by their bowed forms, and their sighs and tears, their deep grief at the loss of one whom they had looked upon as their father.  I saw the sacred remains deposited on the catafalque, in the centre of the rotunda of the Capitol, with the semblages of grief all around it, and heard the pious and eloquent divine who had been
&lt;/p&gt;&lt;p&gt;from the first at the side of the departed and his mourning family, (Dr. Gurley,) repeat with great impressiveness, earnestness, and devotion so much of the burial service as was appropriate, ending with a prayer.
&lt;/p&gt;&lt;p&gt;The crowd then departed.  The guard of honor, which had been ever present since the sad catastrophe, consisting of at least one major general and his staff, and often of two, were left in charge of the body.
&lt;/p&gt;&lt;p&gt;At eight o'clock on Thursday morning the coffin was opened and the crowd admitted, and between that time and ten o'clock in the evening, nearly forty thousand people looked, in sorrow and in tears, upon that beloved face.
&lt;/p&gt;&lt;p&gt;At six o'clock a.m., on Friday, there were assembled in the rotunda all the Cabinet ministers, the Committee who were to accompany the remains, the Rev. Dr. Gurley, Lieut. General Grant and many other high officers of the army, the Police of the Capitol, and a few prominent citizens.  Dr. Gurley addressed, with deep fervor and great impressiveness, the Throne of Grace, and his prayer found a solemn response, I doubt not, in every bosom.
&lt;/p&gt;&lt;p&gt;The coffin was then closed, and was borne by twelve sergeants to the hearse, and being escorted by a battalion of the Veteran Reserve Corps, was followed by Lieut, Gen. Grant and Brig. Gen. Hardee, arm in arm, and many other officers of the army; the Commissioner of Public Buildings and Captain of the Capitol Police, all on foot; and by the President and heads of the Departments, and the committee, in carriages, to the Baltimore depot, where it was placed in a car deeply and most appropriately draped in mourning and prepared for the occasion, where the reverend clergyman again offered up a prayer to the Father of us all; and at eight o'clock the train moved off, and he whom we all loved so well and for whom we would have willingly given our own lives, was borne in solemnity and gloom toward his final resting place in the bosom of the State who gave him to us.
&lt;/p&gt;&lt;p&gt;"Unveil they bosom, sacred tomb, 
&lt;/p&gt;&lt;p&gt;Take this new treasure to they trust, 
&lt;/p&gt;&lt;p&gt;And give these sacred relics room 
&lt;/p&gt;&lt;p&gt;To slumber in the silent dust."
&lt;/p&gt;&lt;p&gt;Abraham Lincoln's funeral is the sixth that I have attended in the East Room of the Presidential Mansion, and I pray it may be the last:
&lt;/p&gt;&lt;p&gt;1st. That of President William Henry Harrison. 
&lt;/p&gt;&lt;p&gt;2d That of Mrs. John Tyler. 
&lt;/p&gt;&lt;p&gt;3d. That of Secretaries Abel P. Upshur, Thomas W. Gilmer, Attorney General Virgil Maxey, and Col. Gardner. 
&lt;/p&gt;&lt;p&gt;4th. That of President Zachary Taylor. 
&lt;/p&gt;&lt;p&gt;5th. That of Willie Lincoln.  
&lt;/p&gt;&lt;p&gt;6th. That of President Abraham Lincoln.
&lt;/p&gt;&lt;p&gt;All the ceremonies of these funerals were most imposing and well conducted, especially that of those so suddenly borne into eternity by the bursting of the large gun on board the Princeton.  The ceremonies of the last surpassed any other in solemnity, and the arrangements within the East Room were perfect, and for that perfection Hon. George Harrington, Assistant Secretary of the Treasury, is entitled to all the credit.
&lt;/p&gt;&lt;p&gt;Respectfully yours, 
&lt;/p&gt;&lt;p&gt;B. B. FRENCH, 
&lt;/p&gt;&lt;p&gt;Commissioner of Public Buildings. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;249
&lt;/p&gt;&lt;p&gt;[Picture of house]
&lt;/p&gt;&lt;p&gt;B. B. French's house 37 East Capitol St. Washington, D. C. 
&lt;/p&gt;&lt;p&gt;bought by U. S. in 1880 as Site for 
&lt;/p&gt;&lt;p&gt;Congressional Library.  Built by him in 1842.
&lt;/p&gt;&lt;p&gt;Chas. S. Cudlip, Publisher, 159 Penna. Ave., Washington, D. C.
&lt;/p&gt;
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                <text>A narrative of the president's murder</text>
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                <text>Commissioner of Public Buildings B.B. French wrote an account of Abraham Lincoln's death soon after the event. His account later appears in The Republican as "A narrative of the president's murder."  On page 249 of his scrapbook French pastes a photograph of his residence at 37 E. Capitol Street in Washington, D.C., followed on page 250 by three columns of the newspaper article. In a purple square in upper left corner of page 250 French writes: "Death of Lincoln my account published in the Republican."</text>
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                <text>&lt;p&gt;250  B.B.F.'s handwriting
&lt;/p&gt;&lt;p&gt;Death of Lincoln  
&lt;/p&gt;&lt;p&gt;My account published in the Republican
&lt;/p&gt;&lt;p&gt;A NARRATIVE OF THE PRESIDENT'S MURDER.
&lt;/p&gt;&lt;p&gt;Commissioner FRENCH, who was in attendance upon the President and his household during the trying scenes of the great national calamity, has kindly furnished us with the following connected narrative of the terrible event:
&lt;/p&gt;&lt;p&gt;WASHINGTON, April 23, 1865.
&lt;/p&gt;&lt;p&gt;On Friday morning last, at 7 o'clock, all that was mortal of Abraham Lincoln, the sixteenth President of these United States, was borne from the Capitol, taking their departure for his home in Illinois, where they are to rest until the final resurrection.
&lt;/p&gt;&lt;p&gt;The past week has been a sad one to the whole nation.  It has been particularly sad for Washington; for here the unparalleled atrocity that deprived a people of a President whom they dearly loved and almost worshipped, and came near snatching from them a Secretary of State, particularly eminent for a head and a heart that gave him an exalted place in the affections of all who knew him, was committed; and as the awful news spread abroad on the wings of the lightning it carried with it sadness to every heart that beat responsive to the great principles of humanity which were so strongly implanted in the bosom of our beloved Chief Magistrate.
&lt;/p&gt;&lt;p&gt;At half-past ten o'clock on Friday evening, the 14th instant, the bullet of the assassin sped through the brain of his illustrious victim, and from that instant he was as if he were dead, although he continued to breathe until the next morning at 22 minutes past 7.  
&lt;/p&gt;&lt;p&gt;That Friday night was an awful one for Washington.  The theatre, where the horrid event occurred, was filled with people, and the appalling news spread, as it were, in a moment to all parts of the city, There was no sleep that night.  The [rest of line illegible]
&lt;/p&gt;&lt;p&gt;startling call to all military men, and to all civilians who understand it __ was beat in the various camps within and about the city, and the troops were speedily under arms.
&lt;/p&gt;&lt;p&gt;"Ah! then and there was hurrying to and fro, 
&lt;/p&gt;&lt;p&gt;And gathering tears, and tremblings of distress, 
&lt;/p&gt;&lt;p&gt;And cheeks all pale, which, but an hour ago 
&lt;/p&gt;&lt;p&gt;Blushed at the praise of their own loveliness. 
&lt;/p&gt;&lt;p&gt;"And there was mounting in hot haste; the steed, 
&lt;/p&gt;&lt;p&gt;The mastering squadron, and the clattering car 
&lt;/p&gt;&lt;p&gt;Went pouring forward with impetuous speed, 
&lt;/p&gt;&lt;p&gt;And swiftly forming in the ranks of war."
&lt;/p&gt;&lt;p&gt;Many knew not, for a time, what it all meant, but every one knew that some terrible calamity was upon us; and ere long the dread reality that our President had been assassinated, and our Secretary of State stricken down by the dagger of some fiend in human shape, came to be known and a cordon of troops was soon posted all around the city to prevent, if possible, any egress from it, and be prepared for any emergency that an extended conspiracy might render necessary.
&lt;/p&gt;&lt;p&gt;There was a general rush of our citizens to Tenth streeth, where in a dwelling opposite the theatre, lay the dying form of Abraham Lincoln, surrounded by his almost distracted wife, his weeping son, his Cabinet Ministers, generals, eminent physicians, and many others, whose positions gained them ready admittance to the side of the dying President.
&lt;/p&gt;&lt;p&gt;I stood at his bedside in the early hours of the morning, and there witnessed such a scene of solemnity and grief as I never saw before, and hope never to see again.
&lt;/p&gt;&lt;p&gt;"There was silence deep as death, 
&lt;/p&gt;&lt;p&gt;And the boldest held his breath."
&lt;/p&gt;&lt;p&gt;as if it were almost sacrilege to interrupt the solemn stillness about that dying couch. 
&lt;/p&gt;&lt;p&gt;The stern Secretary of War sat with his head bowed down in grief; the good and kind Secretary of the Navy stood as if transfixed with sorrow; the ever mild and sunny countenances of the Secretary of the Treasury, the Secretary of the Interior, the Postmaster General and Attorney General were now overspread with the clouds of distress and mourning; Major General Halleck, who had naturally assumed the direction of affairs, was quietly moving about, fixing his large and most expressive eyes on everything that seemed to require attention, and directing, in whispered tones of sadness, what should be done.  The noble form of Sumner, seated near the head of the bed, was bowed low, and tears were flowing from many, many eyes unused to weep.
&lt;/p&gt;&lt;p&gt;Not long after sunrise, I should think, (time could not well be counted, and the heavens were weeping in a gentle rain,) at the request of some of the personal friends of Mrs. Lincoln, I went, in the President's carriage, after Mrs. Secretary Welles, and ere I could return the noble martyr had ceased breathing.  I witnessed the bearing of the remains to the Presidential Mansion; saw them removed from the temporary coffin in which they were borne there, and from that time, until they were placed in the car a the railroad depot, for transportation to Illinois, I was much of the time with them.  My official duties made me almost one of the President's household, and, on all public occasions I stood at his side or near him and I felt as if, even had duty not demanded my presence, I could not leave the inanimate form of him whom I had seen so much, and who I loved so well in life.
&lt;/p&gt;&lt;p&gt;The days of preparation passed by; the lying in state in the East Room, where thousands stood at the side of their beloved and martyred chief and paid to his memory the tribute of respect, with streaming eyes; the funeral services, attended by the noble assemblage of all who aided the Executive in the performance of his arduous duties in Washington __ hundreds of the most noble civilians of the country; the full Diplomatic corps, whose rich dresses were in marked contrast to their sad, sad countenances, for they all loved Abraham Lincoln __ the mourners, not only of the family, but from his native and adopted States; the reverend clergy in full numbers.  I witnessed it all.
&lt;/p&gt;&lt;p&gt;I listened with a most melancholy but proud satisfaction to the religious services, full of submissive piety, but also full of exalted patriotism.  I saw the immense concourse of people, civil and military, who crowded Pennsylvania avenue from Georgetown to the Capitol, as the funeral cortege passed along, marking by their bowed forms, and their sighs and tears, their deep grief at the loss of one whom they had looked upon as their father.  I saw the sacred remains deposited on the catafalque, in the centre of the rotunda of the Capitol, with the semblages of grief all around it, and heard the pious and eloquent divine who had been
&lt;/p&gt;&lt;p&gt;from the first at the side of the departed and his mourning family, (Dr. Gurley,) repeat with great impressiveness, earnestness, and devotion so much of the burial service as was appropriate, ending with a prayer.
&lt;/p&gt;&lt;p&gt;The crowd then departed.  The guard of honor, which had been ever present since the sad catastrophe, consisting of at least one major general and his staff, and often of two, were left in charge of the body.
&lt;/p&gt;&lt;p&gt;At eight o'clock on Thursday morning the coffin was opened and the crowd admitted, and between that time and ten o'clock in the evening, nearly forty thousand people looked, in sorrow and in tears, upon that beloved face.
&lt;/p&gt;&lt;p&gt;At six o'clock a.m., on Friday, there were assembled in the rotunda all the Cabinet ministers, the Committee who were to accompany the remains, the Rev. Dr. Gurley, Lieut. General Grant and many other high officers of the army, the Police of the Capitol, and a few prominent citizens.  Dr. Gurley addressed, with deep fervor and great impressiveness, the Throne of Grace, and his prayer found a solemn response, I doubt not, in every bosom.
&lt;/p&gt;&lt;p&gt;The coffin was then closed, and was borne by twelve sergeants to the hearse, and being escorted by a battalion of the Veteran Reserve Corps, was followed by Lieut, Gen. Grant and Brig. Gen. Hardee, arm in arm, and many other officers of the army; the Commissioner of Public Buildings and Captain of the Capitol Police, all on foot; and by the President and heads of the Departments, and the committee, in carriages, to the Baltimore depot, where it was placed in a car deeply and most appropriately draped in mourning and prepared for the occasion, where the reverend clergyman again offered up a prayer to the Father of us all; and at eight o'clock the train moved off, and he whom we all loved so well and for whom we would have willingly given our own lives, was borne in solemnity and gloom toward his final resting place in the bosom of the State who gave him to us.
&lt;/p&gt;&lt;p&gt;"Unveil they bosom, sacred tomb, 
&lt;/p&gt;&lt;p&gt;Take this new treasure to they trust, 
&lt;/p&gt;&lt;p&gt;And give these sacred relics room 
&lt;/p&gt;&lt;p&gt;To slumber in the silent dust."
&lt;/p&gt;&lt;p&gt;Abraham Lincoln's funeral is the sixth that I have attended in the East Room of the Presidential Mansion, and I pray it may be the last:
&lt;/p&gt;&lt;p&gt;1st. That of President William Henry Harrison. 
&lt;/p&gt;&lt;p&gt;2d That of Mrs. John Tyler. 
&lt;/p&gt;&lt;p&gt;3d. That of Secretaries Abel P. Upshur, Thomas W. Gilmer, Attorney General Virgil Maxey, and Col. Gardner. 
&lt;/p&gt;&lt;p&gt;4th. That of President Zachary Taylor. 
&lt;/p&gt;&lt;p&gt;5th. That of Willie Lincoln.  
&lt;/p&gt;&lt;p&gt;6th. That of President Abraham Lincoln.
&lt;/p&gt;&lt;p&gt;All the ceremonies of these funerals were most imposing and well conducted, especially that of those so suddenly borne into eternity by the bursting of the large gun on board the Princeton.  The ceremonies of the last surpassed any other in solemnity, and the arrangements within the East Room were perfect, and for that perfection Hon. George Harrington, Assistant Secretary of the Treasury, is entitled to all the credit.
&lt;/p&gt;&lt;p&gt;Respectfully yours, 
&lt;/p&gt;&lt;p&gt;B. B. FRENCH, 
&lt;/p&gt;&lt;p&gt;Commissioner of Public Buildings. 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;249
&lt;/p&gt;&lt;p&gt;[Picture of house]
&lt;/p&gt;&lt;p&gt;B. B. French's house 37 East Capitol St. Washington, D. C. 
&lt;/p&gt;&lt;p&gt;bought by U. S. in 1880 as Site for 
&lt;/p&gt;&lt;p&gt;Congressional Library.  Built by him in 1842.
&lt;/p&gt;&lt;p&gt;Chas. S. Cudlip, Publisher, 159 Penna. Ave., Washington, D. C.
&lt;/p&gt;
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                    <text>&lt;p&gt;64  
&lt;/p&gt;&lt;p&gt;BBF
&lt;/p&gt;&lt;p&gt;Washington
&lt;/p&gt;&lt;p&gt;Oct. 18, 1869
&lt;/p&gt;&lt;p&gt;Andrew Boyd, Esq.
&lt;/p&gt;&lt;p&gt;My Dear Sir
&lt;/p&gt;&lt;p&gt;Yours of the 15th inst. is just recd.
&lt;/p&gt;&lt;p&gt;My address was printed and I send with this a copy.
&lt;/p&gt;&lt;p&gt;I enclose the funeral program and a card of admission. you may have them already.
&lt;/p&gt;&lt;p&gt;I have several pamphlets - addresses, sermons &amp;amp; c - touching Prest. Lincoln's death, but presume you have them.
&lt;/p&gt;&lt;p&gt;If ever I loved a man that man was Abraham Lincoln, &amp;amp; there is scarcely
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;anything I would not do to honor his memory.
&lt;/p&gt;&lt;p&gt;Truly &amp;amp; Fraternally Yours
&lt;/p&gt;&lt;p&gt;B. B. French
&lt;/p&gt;
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                <text>B.B. French sends a copy of his address, a funeral program and a card of admission to Andrew Boyd. French closes with: "If ever I loved a man that man was Abraham Lincoln, &amp;amp; there is scarcely anything I would not do to honor his memory." French uses his personal stationary imprinted with the BBF monogram at the top of the page.</text>
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                <text>&lt;p&gt;64&lt;/p&gt;&#13;
&lt;p&gt;BBF&lt;/p&gt;&#13;
&lt;p&gt;Washington&lt;/p&gt;&#13;
&lt;p&gt;Oct. 18, 1869&lt;/p&gt;&#13;
&lt;p&gt;Andrew Boyd, Esq.&lt;/p&gt;&#13;
&lt;p&gt;My Dear Sir&lt;/p&gt;&#13;
&lt;p&gt;Yours of the 15th inst. is just recd.&lt;/p&gt;&#13;
&lt;p&gt;My address was printed and I send with this a copy.&lt;/p&gt;&#13;
&lt;p&gt;I enclose the funeral program and a card of admission. you may have them already.&lt;/p&gt;&#13;
&lt;p&gt;I have several pamphlets - addresses, sermons &amp;amp; c - touching Prest. Lincoln's death, but presume you have them.&lt;/p&gt;&#13;
&lt;p&gt;If ever I loved a man that man was Abraham Lincoln, &amp;amp; there is scarcely&lt;/p&gt;&#13;
&lt;hr /&gt;&#13;
&lt;p&gt;anything I would not do to honor his memory.&lt;/p&gt;&#13;
&lt;p&gt;Truly &amp;amp; Fraternally Yours&lt;/p&gt;&#13;
&lt;p&gt;B. B. French&lt;/p&gt;</text>
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                    <text>&lt;p&gt;IN MEMORIAM. In honor of President Lincoln by Dr. F. Haase.     3
&lt;/p&gt;&lt;p&gt;BOSTON  Published by Oliver Ditson &amp;amp; Co. 277 Washington St.
&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.  N. York. W.A. Pond &amp;amp; Co.  Chicago. Lyon &amp;amp;  Healy  Boston. J.C. Haynes &amp;amp; Co.  Phil. J.E. Gould.
&lt;/p&gt;&lt;p&gt;Entered according to [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Doloroso il canto ben marcato.  F. Haase.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>In Memoriam In Honor of President Lincoln</text>
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                <text> Haase, Friedrich, 1825-1911</text>
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                <text>Friedrich Haase</text>
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            <name>Coverage</name>
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                <text>&lt;p&gt;IN MEMORIAM. In honor of President Lincoln by Dr. F. Haase.     3
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&lt;/p&gt;&lt;p&gt;Cinn. J. Church Jr.  N. York. W.A. Pond &amp;amp; Co.  Chicago. Lyon &amp;amp;  Healy  Boston. J.C. Haynes &amp;amp; Co.  Phil. J.E. Gould.
&lt;/p&gt;&lt;p&gt;Entered according to [illegible]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Doloroso il canto ben marcato.  F. Haase.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
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&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
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                    <text>&lt;p&gt;Town of Fountain Green Hancock County Illinois.  June 14th 1850
&lt;/p&gt;&lt;p&gt;I hereby certify that I have Assessed the Property of Mr. Thomas Lincoln
&lt;/p&gt;&lt;p&gt;for the year A.D. 1850 as follows, [Admit.?] Real Property valued at $508.77
&lt;/p&gt;&lt;p&gt;Personal Property valued at $260,
&lt;/p&gt;&lt;p&gt;I M Ferris      Assessor
&lt;/p&gt;
</text>
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                <text>Property assessment for Thomas Lincoln</text>
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                <text>Friend, J.M.</text>
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                <text>I.M. Ferris assesses the property of Mr. Thomas Lincoln of Fountain Green, Illinois. In 1850, Lincoln owned real property valued at $508.77 and personal property at $260.</text>
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                <text>&lt;p&gt;Town of Fountain Green Hancock County Illinois.  June 14th 1850
&lt;/p&gt;&lt;p&gt;I hereby certify that I have Assessed the Property of Mr. Thomas Lincoln
&lt;/p&gt;&lt;p&gt;for the year A.D. 1850 as follows, [Admit.?] Real Property valued at $508.77
&lt;/p&gt;&lt;p&gt;Personal Property valued at $260,
&lt;/p&gt;&lt;p&gt;I M Ferris      Assessor
&lt;/p&gt;
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                  <text>The Wilson and Gross Collection contains several family photographs including group and individual portraits of members of both the Wilson and Gross Families. Members of this family include Charles Wilson who served as the Garrett Township (Illinois) Supervisor.</text>
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            <description>A name given to the resource</description>
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&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Very Dear Brethren&lt;/span&gt;: All friends of humanity shuddered with horror when they heard of the death of the illustrious Lincoln; and the world sympathizes with the great nation that trusted him with their destinies.&lt;/p&gt;&#13;
&lt;p&gt;Our lodge takes part in your affliction, and that of the family of the lamented President.&lt;/p&gt;&#13;
&lt;p&gt;We ask you, brothers, to be the interpreters of our regrets to the inconsolable widow, by transmitting to her the enclosed pieces to her husband&amp;rsquo;s memory.&lt;/p&gt;&#13;
&lt;p&gt;Accept our fraternal salutations.&lt;/p&gt;&#13;
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&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;Perpignan&lt;/span&gt;,&amp;nbsp;&lt;em&gt;May&lt;/em&gt; 31, 1865.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Sir&lt;/span&gt;: At its session on the 12th instant the Friends of Perfect Union Lodge fired a triple battery of mourning to the memory of Abraham Lincoln, the late illustrious President of the United States.&lt;/p&gt;&#13;
&lt;p&gt;We have the honor of sending you, with this, an extract of the minutes of the session on the 12th, and a cantata composed for the occasion by two members of the lodge.&lt;/p&gt;&#13;
&lt;p&gt;We respectfully request you to have the kindness to transmit these documents to Mrs. Lincoln through the Grand Lodge of New York.&lt;/p&gt;&#13;
&lt;p&gt;With great respect, your very humble and obedient servants,&lt;/p&gt;&#13;
&lt;p class="salute"&gt;Officers of the lodge:&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;BOURGUET, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Venerable&lt;/em&gt;,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;RAYNAL, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Senior Warden&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;ROLL AND, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Junior Warden&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;HERNCOE, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Orator&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;MERIE, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;G. de Seals&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;C. THOUBERT, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Secretary&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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                <text>&lt;p&gt;[Translation.]&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Madam&lt;/span&gt;: Some misfortunes are irreparable, and for which there is no consolation; these have fallen to your lot, and the world deplores it.&lt;/p&gt;&#13;
&lt;p&gt;These are not then vain efforts of comfort we extend to you, but simply the humble tribute of the profound regrets that weigh down our hearts. If the pure and holy life of your great husband made him the favorite of a great nation, his death has rendered him immortal.&lt;/p&gt;&#13;
&lt;p&gt;The liberator of slaves had to be a martyr! Was not the Nazarene crucified?&lt;/p&gt;&#13;
&lt;p&gt;Lincoln is now surrounded by a halo of glory that ages can never efface; his name will be forever blessed.&lt;/p&gt;&#13;
&lt;p&gt;Be resigned, madam, to the inscrutable decrees of Providence, who needed a great soul to accomplish its designs, and fixed upon the man most suited to its purpose.&lt;/p&gt;&#13;
&lt;p&gt;We remain, madam, with the most profound respect, your very devoted servants.&lt;/p&gt;&#13;
&lt;p&gt;The officers of the lodge:&lt;/p&gt;&#13;
&lt;p align="right"&gt;BOURGUET, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;the Venerable&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p align="right"&gt;D. RAYNAL, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;1st Warden&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p align="right"&gt;A. ROLLAND, &lt;br /&gt;2&lt;em style="font-weight: inherit;"&gt;d Warden&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p align="right"&gt;A. THERODEE, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Orator&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p align="right"&gt;C. THOUBERT, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Secretary&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p align="right"&gt;J. MERIE, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Keeper of the Seals&lt;/em&gt;.&lt;/p&gt;</text>
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                <text>&lt;p align="center"&gt;&lt;em&gt;Extract from the working book of the lodge of the Friends of Perfect Union. Session of the 12th of May, 1865&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;[Translation.]&lt;/p&gt;&#13;
&lt;p&gt;The members being called to order, the master speaks:&lt;/p&gt;&#13;
&lt;blockquote&gt;&#13;
&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;&amp;ldquo;Dear Brothers&lt;/span&gt;: An illustrious mason, a great citizen, the very dear brother Abraham Lincoln, President of the United States, fell by the pistol of an assassin on the 14th of April last.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;A keeper of flocks, a laborer, a woodman, a lawyer, Brother Lincoln grew up to work, a self-made man.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;He abolished slavery. Honor to the memory of that good man who has been of such signal service to the cause of humanity.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;Let us give, then, a triple battery of mourning to the memory of our very illustrious brother, Abraham Lincoln.&amp;rdquo;&lt;/p&gt;&#13;
&lt;/blockquote&gt;&#13;
&lt;p&gt;Brother Vallarino then sang an anthem, composed by Brother Mercadier, and set to music by Brother Coll, a member of the lodge&lt;/p&gt;&#13;
&lt;p&gt;Brother Mercadier then speaks:&lt;/p&gt;&#13;
&lt;blockquote&gt;&#13;
&lt;p&gt;&amp;ldquo;May the song you have just heard bear beyond the ocean the expression of our profound regrets. May our affliction, mingled with that of the world, temper the sorrow of the widow and children of the great citizen who has given his life for liberty.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;In destroying the last vestiges of slavery, he finished the task begun more than eighteen hundred years ago, by the Just Man, who was crucified for wishing to free the human race.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;Lincoln&amp;rsquo;s was a great mission upon this earth, and he has most nobly fulfilled it. May he live forever in all hearts! May his noble figure beam in the future and serve as a beacon to all friends of humanity.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ldquo;Let us then, my brethren, give a triple salute of joy, in honor of the great, firm, glorious, and immortal Abraham Lincoln!&amp;rdquo;&lt;/p&gt;&#13;
&lt;/blockquote&gt;&#13;
&lt;p&gt;It was unanimously decided that the banner of the lodge should be veiled in a mourning of crape for seven days: and that an extract of the minutes of this session should be sent to the Grand Lodge of the State of New York, with the request to have it sent to the widow of the very illustrious brother, Abraham Lincoln.&lt;/p&gt;&#13;
&lt;p align="right"&gt;BOURGUET, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;the Venerable&lt;/em&gt;.&lt;br /&gt;D. RAYNAL.&lt;br /&gt;J. MERIE.&lt;br /&gt;A. ROLLAND.&lt;br /&gt;C. THOUBERT, &lt;em style="font-weight: inherit;"&gt;&lt;br /&gt;Secretary&lt;/em&gt;.&lt;/p&gt;</text>
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                    <text>&lt;p&gt;Bury the Brave where they Fall
&lt;/p&gt;&lt;p&gt;Oh bury the brave on the field where they fall. Let them sleep beneath
&lt;/p&gt;&lt;p&gt;Thoug nameless the graves where their ashes repose. all unhallowed 
&lt;/p&gt;&lt;p&gt;The sunlight and rain will awken the flowers that in beauty Oer 
&lt;/p&gt;&lt;p&gt;The Sod;... That drank up their blood in the dedly affray, When Their 
&lt;/p&gt;&lt;p&gt;by Tears, Their Laurels are fade less , They never can die, While we 
&lt;/p&gt;&lt;p&gt;them wave, The soft whispering breezes a re quiem sad, Murmering 
&lt;/p&gt;&lt;p&gt;spirits went home to God: Let their resting place be where their 
&lt;/p&gt;&lt;p&gt;measure the fleeting years; Though no marble may rise O'er their 
&lt;/p&gt;&lt;p&gt;Over their lonely graves But we mourn for them not as all 
&lt;/p&gt;&lt;p&gt;brave deeds were done; With the banner The banner for Their shroud; And its 
&lt;/p&gt;&lt;p&gt;low lonely beds, there to point out the sacred sacred spot,...Yet tho 
&lt;/p&gt;&lt;p&gt;camly they sleep, Far away from the loving household band, For the 
&lt;/p&gt;&lt;p&gt;stars shall keep watch as they peacefully sleep, Far away from the gathering crowd 
&lt;/p&gt;&lt;p&gt;harts of the nation will their memory keep, Its dead heroes never forgot 
&lt;/p&gt;&lt;p&gt;brave and the noble die Never in vain where they die for their native land 
&lt;/p&gt;&lt;p&gt;Then sleep on and soft be thy repose, And greener the Turf
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;on thy breast...The glorious stars Shall watch, shall watch O'er the graves 
&lt;/p&gt;&lt;p&gt;where the heroes rest
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st The loud winds dwindled to a whisper low
&lt;/p&gt;&lt;p&gt;And sighed for Pity as it answered No! No! 
&lt;/p&gt;&lt;p&gt;2nd The loud waves rolling in perpetual flow
&lt;/p&gt;&lt;p&gt;Stoped for a while and sighed to answer No! No!
&lt;/p&gt;&lt;p&gt;Be hind a cloud the moon with drew in two
&lt;/p&gt;&lt;p&gt;And a voice sweet but sad responded No! No!
&lt;/p&gt;&lt;p&gt;4th Faith, hope, and love, best boons to mortals given
&lt;/p&gt;&lt;p&gt;[Wai?] their bright wings and whispered, "Yes in heav'n" 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Where can the soul find rest
&lt;/p&gt;&lt;p&gt;Tell us ye wing-ed winds that round my path way roar,
&lt;/p&gt;&lt;p&gt;Tell me thou mighty deep, whose billows round me play,
&lt;/p&gt;&lt;p&gt;And thou, serenest moon, that with such holy face,
&lt;/p&gt;&lt;p&gt;Tell me my secret soul, Oh! tell me hope and faith,
&lt;/p&gt;&lt;p&gt;Do ye not know some spot, where mortals weep no more
&lt;/p&gt;&lt;p&gt;Know thou some favored spot, some Island far away
&lt;/p&gt;&lt;p&gt;Dost look upon the earth, asleep in night's embrace;
&lt;/p&gt;&lt;p&gt;Is there no resting place from sorrow sin and death;
&lt;/p&gt;&lt;p&gt;some lone and pleasant dell, some valley in the west
&lt;/p&gt;&lt;p&gt;where weary man may find the bliss for which he sighs; 
&lt;/p&gt;&lt;p&gt;Tell me in all thy round, hast there not found some spot,
&lt;/p&gt;&lt;p&gt;Is there no happy spot  where mortals may be blest
&lt;/p&gt;&lt;p&gt;Where free from toil and pain, the weary soul may rest.
&lt;/p&gt;&lt;p&gt;Where sorrow never lives, and friendship never dies!
&lt;/p&gt;&lt;p&gt;Where we poor wretched men may find a happier lot!
&lt;/p&gt;&lt;p&gt;Where grief may find a balm, and wearyness a rest!
&lt;/p&gt;&lt;p&gt;The loud winds dwindled to a whisper low
&lt;/p&gt;&lt;p&gt;And sighed for pity as it answered No! No!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Spred away
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Sung at Funeral train in 1865---as the train bearing Lincoln's body. 
&lt;/p&gt;&lt;p&gt;by Ellen Arrington, alto 
&lt;/p&gt;&lt;p&gt;Frank Hoblit Bass  
&lt;/p&gt;&lt;p&gt;Tenor  
&lt;/p&gt;&lt;p&gt;May Downey [air?]
&lt;/p&gt;&lt;p&gt;Purchased 2/27/56---Mrs. Frank W. Ryan, Lincoln, Ill
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Bury The Brave Where They Fall and Where The Soul Can Find Rest</text>
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                <text>Funeral Journey of Abraham Lincoln to Springfield</text>
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                <text>Frisbie, Henrie L.</text>
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                <text>Frisbie, Henrie L.</text>
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                <text>&lt;p&gt;Bury the Brave where they Fall
&lt;/p&gt;&lt;p&gt;Oh bury the brave on the field where they fall. Let them sleep beneath
&lt;/p&gt;&lt;p&gt;Thoug nameless the graves where their ashes repose. all unhallowed 
&lt;/p&gt;&lt;p&gt;The sunlight and rain will awken the flowers that in beauty Oer 
&lt;/p&gt;&lt;p&gt;The Sod;... That drank up their blood in the dedly affray, When Their 
&lt;/p&gt;&lt;p&gt;by Tears, Their Laurels are fade less , They never can die, While we 
&lt;/p&gt;&lt;p&gt;them wave, The soft whispering breezes a re quiem sad, Murmering 
&lt;/p&gt;&lt;p&gt;spirits went home to God: Let their resting place be where their 
&lt;/p&gt;&lt;p&gt;measure the fleeting years; Though no marble may rise O'er their 
&lt;/p&gt;&lt;p&gt;Over their lonely graves But we mourn for them not as all 
&lt;/p&gt;&lt;p&gt;brave deeds were done; With the banner The banner for Their shroud; And its 
&lt;/p&gt;&lt;p&gt;low lonely beds, there to point out the sacred sacred spot,...Yet tho 
&lt;/p&gt;&lt;p&gt;camly they sleep, Far away from the loving household band, For the 
&lt;/p&gt;&lt;p&gt;stars shall keep watch as they peacefully sleep, Far away from the gathering crowd 
&lt;/p&gt;&lt;p&gt;harts of the nation will their memory keep, Its dead heroes never forgot 
&lt;/p&gt;&lt;p&gt;brave and the noble die Never in vain where they die for their native land 
&lt;/p&gt;&lt;p&gt;Then sleep on and soft be thy repose, And greener the Turf
&lt;/p&gt;&lt;p&gt;Chorus
&lt;/p&gt;&lt;p&gt;on thy breast...The glorious stars Shall watch, shall watch O'er the graves 
&lt;/p&gt;&lt;p&gt;where the heroes rest
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1st The loud winds dwindled to a whisper low
&lt;/p&gt;&lt;p&gt;And sighed for Pity as it answered No! No! 
&lt;/p&gt;&lt;p&gt;2nd The loud waves rolling in perpetual flow
&lt;/p&gt;&lt;p&gt;Stoped for a while and sighed to answer No! No!
&lt;/p&gt;&lt;p&gt;Be hind a cloud the moon with drew in two
&lt;/p&gt;&lt;p&gt;And a voice sweet but sad responded No! No!
&lt;/p&gt;&lt;p&gt;4th Faith, hope, and love, best boons to mortals given
&lt;/p&gt;&lt;p&gt;[Wai?] their bright wings and whispered, "Yes in heav'n" 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Where can the soul find rest
&lt;/p&gt;&lt;p&gt;Tell us ye wing-ed winds that round my path way roar,
&lt;/p&gt;&lt;p&gt;Tell me thou mighty deep, whose billows round me play,
&lt;/p&gt;&lt;p&gt;And thou, serenest moon, that with such holy face,
&lt;/p&gt;&lt;p&gt;Tell me my secret soul, Oh! tell me hope and faith,
&lt;/p&gt;&lt;p&gt;Do ye not know some spot, where mortals weep no more
&lt;/p&gt;&lt;p&gt;Know thou some favored spot, some Island far away
&lt;/p&gt;&lt;p&gt;Dost look upon the earth, asleep in night's embrace;
&lt;/p&gt;&lt;p&gt;Is there no resting place from sorrow sin and death;
&lt;/p&gt;&lt;p&gt;some lone and pleasant dell, some valley in the west
&lt;/p&gt;&lt;p&gt;where weary man may find the bliss for which he sighs; 
&lt;/p&gt;&lt;p&gt;Tell me in all thy round, hast there not found some spot,
&lt;/p&gt;&lt;p&gt;Is there no happy spot  where mortals may be blest
&lt;/p&gt;&lt;p&gt;Where free from toil and pain, the weary soul may rest.
&lt;/p&gt;&lt;p&gt;Where sorrow never lives, and friendship never dies!
&lt;/p&gt;&lt;p&gt;Where we poor wretched men may find a happier lot!
&lt;/p&gt;&lt;p&gt;Where grief may find a balm, and wearyness a rest!
&lt;/p&gt;&lt;p&gt;The loud winds dwindled to a whisper low
&lt;/p&gt;&lt;p&gt;And sighed for pity as it answered No! No!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Spred away
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Sung at Funeral train in 1865---as the train bearing Lincoln's body. 
&lt;/p&gt;&lt;p&gt;by Ellen Arrington, alto 
&lt;/p&gt;&lt;p&gt;Frank Hoblit Bass  
&lt;/p&gt;&lt;p&gt;Tenor  
&lt;/p&gt;&lt;p&gt;May Downey [air?]
&lt;/p&gt;&lt;p&gt;Purchased 2/27/56---Mrs. Frank W. Ryan, Lincoln, Ill
&lt;/p&gt;
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        <src>https://chroniclingillinois.org/files/original/37c4ddc2a0e250328c64514ea7166df5.pdf</src>
        <authentication>74f96b8211515fecca8266446264dc41</authentication>
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                    <text>&lt;p&gt;To the OFFICERS &amp;amp; MEN OF THE 113 Reg Ills Vols.
&lt;/p&gt;&lt;p&gt;Oh! Bury the Brave Where they Fall.  Song &amp;amp; Chorus Written &amp;amp; composed by Lieut. Henrie L. Frisbie. of the 113th Ills Infs Vols.
&lt;/p&gt;&lt;p&gt;Chicago Published by Root &amp;amp; Cady 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court in the North Dist of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;BURY THE BRAVE WHERE THEY FALL.  H.L. FRISBIE.
&lt;/p&gt;&lt;p&gt;Espressivo.
&lt;/p&gt;&lt;p&gt;1. Oh bury the brave on the
2. Though nameless the graves where their
3. The sunlight and rain will
&lt;/p&gt;&lt;p&gt;field where they fall; Let them sleep beneath the sod, That
&lt;/p&gt;&lt;p&gt;ashes repose All unhallowed by tears, Their
&lt;/p&gt;&lt;p&gt;awaken the flow'rs That in beauty o'er them wave,. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
drank up their blood in the deadly affray, When their spirits went home to
&lt;/p&gt;&lt;p&gt;laurels are fadeless, they never can die, While we measure the fleeting
&lt;/p&gt;&lt;p&gt;soft whispering breezes a requiem sad, Murm'ring over their lonely
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
God: Let their resting place be where their brave deeds were done, With the
&lt;/p&gt;&lt;p&gt;years; Though no marble may rise o'er their low lonely beds, There to
&lt;/p&gt;&lt;p&gt;grave; But we mourn for them not as all calmly they sleep, far 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;banner the banner for their shroud; And its stars shall keep watch as they
&lt;/p&gt;&lt;p&gt;point out the sacred sacred spot, Yet the hearts of the nation their
&lt;/p&gt;&lt;p&gt;Away from the loving household band, For the brave and the noble die
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
peacefully sleep, Far away from the gathering crowd.
&lt;/p&gt;&lt;p&gt;memory will keep, Its dead heroes are never forgot.
&lt;/p&gt;&lt;p&gt;never in vain, When they die for their native land.
&lt;/p&gt;&lt;p&gt;CHORUS. Repeat pp.
&lt;/p&gt;&lt;p&gt;AIR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;ALTO. Then sleep on sleep on soft be thy repose,
&lt;/p&gt;&lt;p&gt;TENOR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;BASE. PIANO
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars of our
&lt;/p&gt;&lt;p&gt;The glorious stars shall
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars shall
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
banner shall watch O'er the graves where the heroes rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch softly rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch O'er the graves where the heroes rest.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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              <text>5</text>
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                <text>Oh! Bury The Brave Where They Fall</text>
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                <text>"To the officers and men of the 113th Reg. Ill. Vols."</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="171684">
                <text>en</text>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
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              <elementText elementTextId="624215">
                <text>&lt;p&gt;To the OFFICERS &amp;amp; MEN OF THE 113 Reg Ills Vols.
&lt;/p&gt;&lt;p&gt;Oh! Bury the Brave Where they Fall.  Song &amp;amp; Chorus Written &amp;amp; composed by Lieut. Henrie L. Frisbie. of the 113th Ills Infs Vols.
&lt;/p&gt;&lt;p&gt;Chicago Published by Root &amp;amp; Cady 95 Clark St.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress AD 1863 by Root &amp;amp; Cady in the Clerk's Office of the District Court in the North Dist of Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;BURY THE BRAVE WHERE THEY FALL.  H.L. FRISBIE.
&lt;/p&gt;&lt;p&gt;Espressivo.
&lt;/p&gt;&lt;p&gt;1. Oh bury the brave on the
2. Though nameless the graves where their
3. The sunlight and rain will
&lt;/p&gt;&lt;p&gt;field where they fall; Let them sleep beneath the sod, That
&lt;/p&gt;&lt;p&gt;ashes repose All unhallowed by tears, Their
&lt;/p&gt;&lt;p&gt;awaken the flow'rs That in beauty o'er them wave,. The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
drank up their blood in the deadly affray, When their spirits went home to
&lt;/p&gt;&lt;p&gt;laurels are fadeless, they never can die, While we measure the fleeting
&lt;/p&gt;&lt;p&gt;soft whispering breezes a requiem sad, Murm'ring over their lonely
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
God: Let their resting place be where their brave deeds were done, With the
&lt;/p&gt;&lt;p&gt;years; Though no marble may rise o'er their low lonely beds, There to
&lt;/p&gt;&lt;p&gt;grave; But we mourn for them not as all calmly they sleep, far 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;banner the banner for their shroud; And its stars shall keep watch as they
&lt;/p&gt;&lt;p&gt;point out the sacred sacred spot, Yet the hearts of the nation their
&lt;/p&gt;&lt;p&gt;Away from the loving household band, For the brave and the noble die
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
peacefully sleep, Far away from the gathering crowd.
&lt;/p&gt;&lt;p&gt;memory will keep, Its dead heroes are never forgot.
&lt;/p&gt;&lt;p&gt;never in vain, When they die for their native land.
&lt;/p&gt;&lt;p&gt;CHORUS. Repeat pp.
&lt;/p&gt;&lt;p&gt;AIR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;ALTO. Then sleep on sleep on soft be thy repose,
&lt;/p&gt;&lt;p&gt;TENOR. Then sleep on and soft be thy repose, And
&lt;/p&gt;&lt;p&gt;BASE. PIANO
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars of our
&lt;/p&gt;&lt;p&gt;The glorious stars shall
&lt;/p&gt;&lt;p&gt;green be the turf on thy breast. The glorious stars shall
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
banner shall watch O'er the graves where the heroes rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch softly rest.
&lt;/p&gt;&lt;p&gt;watch, shall watch O'er the graves where the heroes rest.
&lt;/p&gt;
</text>
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                <text>Complete</text>
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
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            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://chroniclingillinois.org/files/original/c34f4109404b5b645761a032d1611624.jpg</src>
        <authentication>811b2795df13de8cfd24c9b3c87ba2b7</authentication>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Monticello College Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="499326">
                  <text>Women's colleges</text>
                </elementText>
                <elementText elementTextId="499327">
                  <text>Universities and colleges</text>
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                  <text>Monticello College</text>
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                  <text>Monticello Female Seminary</text>
                </elementText>
                <elementText elementTextId="499330">
                  <text>Haskell, Harriet, 1835-1907</text>
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                  <text>Illinois--Godfrey</text>
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                  <text>Godfrey, Benjamin, 1794-1862</text>
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              <description>An account of the resource</description>
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                  <text>Monticello College first began as the Monticello Female Seminary in 1838. Founded by Captain Benjamin Godfrey to provide education for women, the school offered two years of classes for attendees based on the idea that&amp;nbsp;&lt;span&gt;“if you educate a man you educate an individual; educate a woman and you educate a whole family.”&lt;br /&gt;&lt;br /&gt;Godfrey selected Reverend Theron Baldwin to serve as the first head of the Monticello Female Seminary. In 1867 Harriet Haskell became principal, a position she held until her death in 1907.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On November 4, 1888, a fire broke out in the building and consumed the entire structure. Ms. Haskell and the school's Board of Trustees successfully fundraised for a new building and rebuilt the school in two years.&lt;br /&gt;&lt;br /&gt;The school's leadership made the decision to close the school in 1970 with the final class graduating in 1971. Lewis and Clark Community College completed the purchase of the Monticello College campus in 1972.&lt;br /&gt;&lt;br /&gt;The finding aid for the Monticello College (Godfrey, IL) Records at the Abraham Lincoln Presidential Library may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/2/resources/545" title="Monticello College (Godfrey, IL) Records"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/545&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The finding aid for the photographic Monticello College Collection at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/3/resources/4702" title="Monticello College Collection "&gt;https://illinois.as.atlas-sys.com/repositories/3/resources/4702&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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              <name>Identifier</name>
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                  <text>Manuscript: BC466&lt;br /&gt;Audiovisual: AV-01-08-Monticello</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="642156">
                  <text>1830 - 1970</text>
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      <name>Still Image</name>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="496811">
              <text>woodcut</text>
            </elementText>
            <elementText elementTextId="496812">
              <text>b&amp;amp;w</text>
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            <elementText elementTextId="496813">
              <text>1</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="496814">
              <text>44 x 31 cm</text>
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        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="496801">
                <text>402321</text>
              </elementText>
              <elementText elementTextId="496802">
                <text>Monticello College Collection</text>
              </elementText>
              <elementText elementTextId="496803">
                <text>Monticello College Collection Photo Album</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="496804">
                <text>Reid Memorial Chapel, 1890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="496805">
                <text>A woodcut shows Reid Chapel, built in honor of William H. Reid's wife, Eleanor Irwin Reid. The Reid's donated large sums of money requested by principal Harriet Haskell to help rebuild the Monticello Female Seminary after the November 4, 1888 fire. The chapel later served as the school's library.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="496806">
                <text>Monticello Female Seminary</text>
              </elementText>
              <elementText elementTextId="496807">
                <text>Illinois--Godfrey</text>
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              <elementText elementTextId="496808">
                <text>Chapels</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="496809">
                <text>Fry, Jean</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="496810">
                <text>1937-XX-XX</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="496815">
                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="496816">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="496818">
                <text>eng</text>
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