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                  <text>The World Mourns for Abraham Lincoln (1865)</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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                <text>George J. Briscoe to Andrew Johnson</text>
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                <text>Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD</text>
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                <text>&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;Town Clerk&amp;rsquo;s Office, Waterford, Ireland&lt;/span&gt;,&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;em&gt;Monday&lt;/em&gt;, &lt;em&gt;May&lt;/em&gt; 8, 1865.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Sir&lt;/span&gt;: By direction of the right worshipful the mayor of Waterford, I have the honor to transmit to your excellency a copy of a resolution unanimously adopted at a meeting of the citizens, in reference to the late melancholy event which unhapply deprived your government of its head.&lt;/p&gt;&#13;
&lt;p&gt;Permit me, sir, to offer you the assurance of my sincere sympathy and condolence, which I feel in common with all classes of my fellow-citizens.&lt;/p&gt;&#13;
&lt;p&gt;I have the honor to be your excellency&amp;rsquo;s most obedient, humble servant,&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;GEORGE J. BRISCOE, &lt;/span&gt;&lt;br /&gt;&lt;em&gt;Secretary&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;div class="tei-postscript"&gt;&#13;
&lt;p&gt;The &lt;span style="font-variant: small-caps;"&gt;President&lt;/span&gt;&amp;nbsp;&lt;em&gt;of the United States of America&lt;/em&gt;,&lt;br /&gt;&amp;nbsp;&lt;em&gt;Washington, D. C.&lt;/em&gt;&lt;/p&gt;&#13;
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                    <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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                <text>&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. SONG AND CHORUS. MUSIC BY GEO. P. GRAFF. WORDS BY JAS. E. GLASS. CHICAGO: Published by H.M. Higgins, 117 Randolph St.  3
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1865, by H.M Higgins in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;TRIBUTE TO LINCOLN. REST, MARTYR, REST. Words by Jas. E. Glass. Music by Geo. P. Graff.
&lt;/p&gt;&lt;p&gt;1. 'Tis finish'd! on Columbia's
&lt;/p&gt;&lt;p&gt;2. Four years as chieftain did he
&lt;/p&gt;&lt;p&gt;3. The nation's heart o'erflow'd with
&lt;/p&gt;&lt;p&gt;4. We should not question Providence
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
head Doth gasping treason pour Its
&lt;/p&gt;&lt;p&gt;toil To free our own fair land, And
&lt;/p&gt;&lt;p&gt;joy To see the conflict cease, And
&lt;/p&gt;&lt;p&gt;Who wisely rules o'er all, And
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
seventh vial of fiendish wrath! Her father is no
&lt;/p&gt;&lt;p&gt;traitors all around him stood To grasp it from his
&lt;/p&gt;&lt;p&gt;grim war's bursting clouds revealed The angel form of
&lt;/p&gt;&lt;p&gt;in his tender love doth mark The tiny sparrow's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;more! The foulest deeds of treason's life Which
&lt;/p&gt;&lt;p&gt;hand; And in our nation's gladdest hour The 
&lt;/p&gt;&lt;p&gt;peace. The Union safe, the slave set free, By
&lt;/p&gt;&lt;p&gt;fall; But tremble, traitors, least the wrath Your
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fill'd the land with woe; How vain beside its dying
&lt;/p&gt;&lt;p&gt;assassin's hand was near; It struck our noble Lincoln
&lt;/p&gt;&lt;p&gt;his kind heart and hand; Oh! why must he, like Moses,
&lt;/p&gt;&lt;p&gt;murd'rous act hath sown, Leave Justice free from Mercy's
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
stroke, Which lays our chieftain low.
&lt;/p&gt;&lt;p&gt;down--Columbia's hearts hold dear.
&lt;/p&gt;&lt;p&gt;die In view of Canaan's land.
&lt;/p&gt;&lt;p&gt;pray'rs, To deal with you alone.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Rest, martyr, rest, From the scenes of death and pain, Though
&lt;/p&gt;&lt;p&gt;Rest, martyr, rest, From thy weary toil and pain, The
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
murd'rous hands have still'd thy heart, Thy noble needs remain.
&lt;/p&gt;&lt;p&gt;nation mourns the loss of thee--Thy noble deeds remain.
&lt;/p&gt;&lt;p&gt;5. Though tongues inspired would tell our woe, And tears in oceans roll, Vain would they prove to paint the grief That wrings the nation's soul.
We bow in silence to the storm By which the love divine, Doth cleanse and cause Columbia's stars With tenfold light to shine.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MELODICA; The Art of Playing the Pianoforte Made Easy! The above is the title of a work CONTAINING A NEW METHOD OF INSTRUCTION FOR THE PIANOFORTE OR MELODEON. Written by the Celebrated Author and Teacher, ADOLPH BAUMBACH, who, for more than a quarter of a century, HAS BEEN ENGAGED IN IMPARTING INSTRUCTION on the above named instruments.
&lt;/p&gt;&lt;p&gt;There is probably no teacher better fitted to classify and arrange the rudiments of the science of music--one who fully understands the wants of the pupil, knowing how to explain, arrange and simplify the lessons for practice, than Mr. Baumbach.  His extensive experience as a teacher and composer, has thoroughly fitted him for this work. The explanations, rules and exercises, are made so simple and plain, that almost any person can make a good player by the aid of the "MELODICA," Without the assistance of a Teacher. 
&lt;/p&gt;&lt;p&gt;The pupil will find, on the 3d page, an exact representation of the KEYBOARD OF A SEVEN OCTAVE PINAOFORTE, The white keys being lettered and divided into octaves, are represented on the musical staff, both by letters and characters. A glance at the key-board will enable any one to name the keys by the first seven letters of the alphabet, giving the number of octaves.
&lt;/p&gt;&lt;p&gt;On page 4 is a full and complete DICTIONARY OF MUSICAL TERMS. On pages 13, 14, 15, and 16, will be found Correct Rules for Fingering the Appoggiatura, Turns, Trills, Shakes an Dotted Notes, with examples for practice, which is fully explained, WITH THE PROPER USE OF THE PEDALS. The exercises commencing on page 17, are all of the AMERICAN FINGERING, and extend to page 34. On pages 34, 35, and 36, will be found the MAJOR SCALES, carefully marked and fingered, in all the different keys. On page 37, 38, 39, and 40, will be found be MINOR SCALES, marked and fingered in like manner. The rest of the book is made up of the CHOICEST SELECTIONS OF MUSIC, consisting of the most simple airs and melodies, together with the more difficult.
&lt;/p&gt;&lt;p&gt;Teachers of music will find this work of invaluable benefit, by aiding them in giving instructions to their pupils.  Sample copies will be sent by mail to any teacher of music, upon the receipt of 50 cents. Retail Price--75 cents. Sent post paid to any address on receipt of marked price. A liberal discount made to the trade, when ordered in quantities.
&lt;/p&gt;&lt;p&gt;Address the Publisher, H.M. Higgins, 117 Randolph St., Chicago.
&lt;/p&gt;
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                    <text>&lt;p&gt;TO PRESIDENT ABRAHAM.  300,000 MORE BY GEORGE R. POULTON.
&lt;/p&gt;&lt;p&gt;ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett.
&lt;/p&gt;&lt;p&gt;New York: Firth, Pond &amp;amp; Co.  Boston: Oliver Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THREE HUNDRED THOUSAND MORE!
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. 1. We dare not look behind us, but steadfastly before
&lt;/p&gt;&lt;p&gt;Soprano.  2. And bay'nets in the sunlight gleams, and bands brave music
&lt;/p&gt;&lt;p&gt;Bass. 3. And a farewell group stands weeping, at every cottage,
&lt;/p&gt;&lt;p&gt;4. Six hundred thousand loyal men and true have gone before
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;We are coming, Father Abram, three hundred thousand more!
&lt;/p&gt;&lt;p&gt;pour; We are &amp;amp;c.
&lt;/p&gt;&lt;p&gt;door; We are coming, Father Abram, three hundred thousand and more!
&lt;/p&gt;&lt;p&gt;We are, &amp;amp; c.
&lt;/p&gt;&lt;p&gt;2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride.  Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade.  Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail.
&lt;/p&gt;&lt;p&gt;Warerooms, 110 State Street, Rochester, N.Y.
&lt;/p&gt;&lt;p&gt;Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25
&lt;/p&gt;&lt;p&gt;Ah! Forget Thee, Le Conde. 25
&lt;/p&gt;&lt;p&gt;A Lake and Fairy Boat, Wood. 25
&lt;/p&gt;&lt;p&gt;Annie Laurie, (Scotch Ballad, new edition,) 25
&lt;/p&gt;&lt;p&gt;Arkansas Traveller, Case. 25
&lt;/p&gt;&lt;p&gt;Annie o'the Banks o'Dee, Glover, 25
&lt;/p&gt;&lt;p&gt;Bird of Beauty, Scott. 25
&lt;/p&gt;&lt;p&gt;Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Blanch Alpen, Glover. 25
&lt;/p&gt;&lt;p&gt;Beautiful Venice, Knight. 25
&lt;/p&gt;&lt;p&gt;Bonnie Bell, Lloyd. 25
&lt;/p&gt;&lt;p&gt;Bird and Streamlet, Cutler. 25
&lt;/p&gt;&lt;p&gt;Coming through the Rye, Scotch. 25
&lt;/p&gt;&lt;p&gt;Child of the Regiment, Donnizetti. 25
&lt;/p&gt;&lt;p&gt;Charity, Glover. 25
&lt;/p&gt;&lt;p&gt;Do they Think of me at Home? Wrighton. 25
&lt;/p&gt;&lt;p&gt;[Dermoastore?], Crouch. 25
&lt;/p&gt;&lt;p&gt;Dearest Spot to me on Earth is Home, Wrighton. 25
&lt;/p&gt;&lt;p&gt;Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words.
&lt;/p&gt;&lt;p&gt;Ever of Thee, (arranged as a Quartette,), Whaples. 25
&lt;/p&gt;&lt;p&gt;Gently sighs the Breeze, Glover. 25
&lt;/p&gt;&lt;p&gt;Home of My Heart, Harvey. 25
&lt;/p&gt;&lt;p&gt;Home, Sweet Home, Bishop. 25
&lt;/p&gt;&lt;p&gt;I love the Merry Sunshine, Glover. 25
&lt;/p&gt;&lt;p&gt;I met a Lily in the Vale, Wood. 25 A very pretty and effective song.
&lt;/p&gt;&lt;p&gt;In Happy Moments, (new edition,). Wallace. 25
&lt;/p&gt;&lt;p&gt;I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25
&lt;/p&gt;&lt;p&gt;I have no Mother now, Miller. 25
&lt;/p&gt;&lt;p&gt;Juanita, Mrs. Norton. 25
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen, Crouch. 25
&lt;/p&gt;&lt;p&gt;Long Ago, (a Dream of Beauty,) Whaples. 25  The music of this song is uncommonly graceful and full of good sentiment.
&lt;/p&gt;&lt;p&gt;Long Weary Day, German. 25
&lt;/p&gt;&lt;p&gt;March to the Field, (a song for Volunteers, King. 25
&lt;/p&gt;&lt;p&gt;Magic of a Smile, Williams. 25
&lt;/p&gt;&lt;p&gt;Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music.
&lt;/p&gt;&lt;p&gt;Maids of Merry England, Perring. 25
&lt;/p&gt;&lt;p&gt;My Maggie, or What is that to you? Whaples. 25  Very spirited and harmonious. A song that takes.
&lt;/p&gt;&lt;p&gt;My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart.
&lt;/p&gt;&lt;p&gt;My Heavenly Home is bright and fair, T. Wood. 25
&lt;/p&gt;&lt;p&gt;Nearer my God to Thee, (Song and Quartette,) " 25
&lt;/p&gt;&lt;p&gt;Napolitaine I'm Dreaming of Thee, Lee. 25
&lt;/p&gt;&lt;p&gt;Over There, Cluett. 25
&lt;/p&gt;&lt;p&gt;Once More Upon the Sea, Buckley. 25
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, Stimpson. 25
&lt;/p&gt;&lt;p&gt;Sweet Love, Good Night to thee, Hatton. 25  One of the finest songs ever written, for the tenor voice, and immensely popular.
&lt;/p&gt;&lt;p&gt;Sing me the Songs my Mother Sang, S. Grieg. 25  A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices.
&lt;/p&gt;&lt;p&gt;Shells of Ocean, Cherry. 25
&lt;/p&gt;&lt;p&gt;Simon, the Cellarer, Hatton. 40
&lt;/p&gt;&lt;p&gt;Scenes that are Brightest, Wallace. 25
&lt;/p&gt;&lt;p&gt;Still in my Dreams thou art near me, Hall. 25
&lt;/p&gt;&lt;p&gt;The Curfew, T.F. Seword. 25  A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry.
&lt;/p&gt;&lt;p&gt;Thou art gone from my gaze, Linley. 25
&lt;/p&gt;&lt;p&gt;There is a Flower that bloometh, Wallace. 25
&lt;/p&gt;&lt;p&gt;Voice form the Waves, Glover. 25
&lt;/p&gt;&lt;p&gt;Wake Dearest, Wake, Miller. 25
&lt;/p&gt;&lt;p&gt;Wanderer, Schubert. 25
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward fly, Abt. 25
&lt;/p&gt;&lt;p&gt;What I live for, Grannis. 25
&lt;/p&gt;&lt;p&gt;Woodbine Valley, Boon. 30
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Alpha Sigma Polka, Lloyd. 40
&lt;/p&gt;&lt;p&gt;Ball Bouquet Polka, Simonis. 25
&lt;/p&gt;&lt;p&gt;Charming Polka, Maeller. 25
&lt;/p&gt;&lt;p&gt;Clipper America Polka, Barnhart. 25
&lt;/p&gt;&lt;p&gt;F.S. Polka, Woolner. 25
&lt;/p&gt;&lt;p&gt;Glen Wood Polka, Poole. 25
&lt;/p&gt;&lt;p&gt;Grand Military Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Hexeconta Polka, Aere. 25
&lt;/p&gt;&lt;p&gt;Kiss Polka, Poulton. 25
&lt;/p&gt;&lt;p&gt;Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it.
&lt;/p&gt;&lt;p&gt;May Flower Polka, De Salon, Calixa Lavalla. 35
&lt;/p&gt;&lt;p&gt;Pastime Polka, G. Doelker. 25
&lt;/p&gt;&lt;p&gt;Prince of Como Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Rivulet Polka, Moes. 25
&lt;/p&gt;&lt;p&gt;Willoughby Polka, Laurence. 25
&lt;/p&gt;&lt;p&gt;Young America Polka, Johnson. 25
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Forest Rose Schottische, Jones. 25
&lt;/p&gt;&lt;p&gt;Friendship Schottische, Kalbfleisch. 30  One of the author's best efforts.
&lt;/p&gt;&lt;p&gt;Strawberry Schottische, Kalbfleisch. 25  A seasonable thing that everybody likes.
&lt;/p&gt;&lt;p&gt;May Schottische, Ellis. 25  Easy and remarkably pretty.
&lt;/p&gt;&lt;p&gt;Ontario Schottische, Ellis, 25 Not difficult, but very pleasing.
&lt;/p&gt;&lt;p&gt;Good-natured Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;Les Bords Du St. Lawrence Schottische, Ellis. 25
&lt;/p&gt;&lt;p&gt;St. Ody Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;WALTZES AND MAZURKAS.
&lt;/p&gt;&lt;p&gt;A Flower for Thee--Mazurka Styrienne, S.B. Mills.  60  This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult.
&lt;/p&gt;&lt;p&gt;Grand Valse--Morceau du Salon, Richards. 30
&lt;/p&gt;&lt;p&gt;Souvenir de Amitie, Oscar. 30  A very charming movement in Waltz time; well repaying the study it requires to play it.
&lt;/p&gt;&lt;p&gt;Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50
&lt;/p&gt;&lt;p&gt;Etude Mazurka, Talexy. 35
&lt;/p&gt;&lt;p&gt;Frances Waltz, Kalbfleisch. 25  Very graceful and pretty; a great favorite.
&lt;/p&gt;&lt;p&gt;Gertrude's Dream Waltz, Beethoven. 10
&lt;/p&gt;&lt;p&gt;Mazurka of the Wave, Ellis. 25
&lt;/p&gt;&lt;p&gt;Mazurka Des Traineaux, Ascher. 35
&lt;/p&gt;&lt;p&gt;Flower Mazourka, Kalbfleisch. 25  A good and instructive piece, intended for teaching.
&lt;/p&gt;&lt;p&gt;VARIATIONS AND TRANSCRIPTIONS.
&lt;/p&gt;&lt;p&gt;Alpine Bells, Oesten. 30
&lt;/p&gt;&lt;p&gt;Floating on the Wind, B. Richards. 30  In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty.
&lt;/p&gt;&lt;p&gt;Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song.
&lt;/p&gt;&lt;p&gt;Warblings at Eve, Richards. 30  "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance.
&lt;/p&gt;&lt;p&gt;Twilight Hour Nocturne, Kalbfleisch. 25
&lt;/p&gt;&lt;p&gt;La Cenerentola, Leduc. 35
&lt;/p&gt;&lt;p&gt;La Cavalcade, Duvernay. 25
&lt;/p&gt;&lt;p&gt;Maiden's Prayer, Badarzewska. 25
&lt;/p&gt;&lt;p&gt;Norma--Fantaisie, A. Leduc. 35
&lt;/p&gt;&lt;p&gt;Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song.
&lt;/p&gt;&lt;p&gt;Star Spangled Banner, Theo Oesten. 25
&lt;/p&gt;&lt;p&gt;GUITAR MUSIC.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, arranged by G.F. Newland. 25
&lt;/p&gt;&lt;p&gt;Maggie May, " " " 15
&lt;/p&gt;&lt;p&gt;My Maggie, (Scotch Song, " " " 25
&lt;/p&gt;&lt;p&gt;May Schottisch, " " " 25  One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player.
&lt;/p&gt;&lt;p&gt;Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25  A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious.
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Elixir of Love, Grimmer. 30
&lt;/p&gt;&lt;p&gt;Lancers, (new edition,) " 30
&lt;/p&gt;&lt;p&gt;Republican, Guy. 30
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICK-STEPS.
&lt;/p&gt;&lt;p&gt;Writing March, Kalbfleisch. 25  A good, easy march with the time well marked.
&lt;/p&gt;&lt;p&gt;Gov. Morgan's Parade March, Underner. 40  A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan.
&lt;/p&gt;&lt;p&gt;Milwaukie Light Guard Quick-Step, Hempsted. 50  Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular.
&lt;/p&gt;&lt;p&gt;The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville.
&lt;/p&gt;&lt;p&gt;1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch.  21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans.  Each No. 15 cents.
&lt;/p&gt;&lt;p&gt;Sole Agent in the City, for the sale of Steinway &amp;amp; Son's Gold Medal Grand &amp;amp; Square Pianos. Warranted 5 years.
&lt;/p&gt;&lt;p&gt;MUSICAL WORKS.
&lt;/p&gt;&lt;p&gt;Beyer's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Bertini's Method for the Piano, $2.50 
&lt;/p&gt;&lt;p&gt;"  "  "  " abridged, $2.00
&lt;/p&gt;&lt;p&gt;Burgmuller's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Richardson's New Method for Piano. With American fingering, $3.00
&lt;/p&gt;&lt;p&gt;Winner's Piano without a Master, .50
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, $4.00
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, Abridged, $2.50
&lt;/p&gt;&lt;p&gt;Burrowes' Piano Primer, .30
&lt;/p&gt;&lt;p&gt;Dictionary of 5000 Musical Terms,  .50
&lt;/p&gt;&lt;p&gt;Zundel's Melodeon Instructor, $2.00
&lt;/p&gt;&lt;p&gt;Melodeon Without a Master, .50
&lt;/p&gt;&lt;p&gt;Schneider's Organ School, $2.50
&lt;/p&gt;&lt;p&gt;Carcassi's School for Guitar, $2.50
&lt;/p&gt;&lt;p&gt;" " abridged School for Guitar, $1.50
&lt;/p&gt;&lt;p&gt;Golden Wreath--A school song book, .30
&lt;/p&gt;&lt;p&gt;Zundel's Modern School for Organ, $3.00
&lt;/p&gt;&lt;p&gt;Buckley's New Method for the Banjo, $1.00
&lt;/p&gt;&lt;p&gt;American Violinist, $1.00
&lt;/p&gt;&lt;p&gt;GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. 
&lt;/p&gt;&lt;p&gt;Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars.  MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS.
&lt;/p&gt;
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                  <text>Lincoln Sheet Music Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170525">
              <text>5</text>
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              <text>35 cm</text>
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                <text>301077</text>
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                <text>14070985</text>
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                <text>Three Hundred Thousand More!</text>
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                <text>Lyrics depict influx of 300,000 new troop for the United States army. "To Father Abraham"</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text> Sheet music</text>
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              <elementText elementTextId="170514">
                <text> Songs and music</text>
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              <elementText elementTextId="170515">
                <text> Gibbons, J. S. (James Sloan), 1810-1892</text>
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                <text> Poulton, George R., 1828-1867</text>
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                <text> Morris, Robert, 1810-1892</text>
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                <text> American Civil War (1861-1865)</text>
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                <text> Recruitment and enlistment</text>
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                <text> Bryant, William Cullen, 1794-1878</text>
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            <name>Creator</name>
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                <text>George R. Poulton, William Cullen Bryant, Robert Morris</text>
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                <text>Joseph P. Shaw</text>
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              <elementText elementTextId="170523">
                <text>Rochester, NY</text>
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                <text>1862</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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              <elementText elementTextId="170530">
                <text>en</text>
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              <elementText elementTextId="624718">
                <text>&lt;p&gt;TO PRESIDENT ABRAHAM.  300,000 MORE BY GEORGE R. POULTON.
&lt;/p&gt;&lt;p&gt;ROCHESTER: PUBLISHED BY JOSEPH P. SHAW, 110 STATE STREET. 25 Cents Nett.
&lt;/p&gt;&lt;p&gt;New York: Firth, Pond &amp;amp; Co.  Boston: Oliver Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1862, by Joseph P. Shaw, in the Clerk's Office of the District Court of the Northern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THREE HUNDRED THOUSAND MORE!
&lt;/p&gt;&lt;p&gt;WORDS BY WILLIAM CULLEN BRYANT. MUSIC BY G. R. POULTON.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. We are coming, Father Abram, three hundred thousand more, From Mississippi's winding stream, and from New England's
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;shore; We leave our plows and workshops, our wives and children dear, With hearts too full for utterance, with but a silent tear.
&lt;/p&gt;&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Tenor. Alto. 1. We dare not look behind us, but steadfastly before
&lt;/p&gt;&lt;p&gt;Soprano.  2. And bay'nets in the sunlight gleams, and bands brave music
&lt;/p&gt;&lt;p&gt;Bass. 3. And a farewell group stands weeping, at every cottage,
&lt;/p&gt;&lt;p&gt;4. Six hundred thousand loyal men and true have gone before
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;We are coming, Father Abram, three hundred thousand more!
&lt;/p&gt;&lt;p&gt;pour; We are &amp;amp;c.
&lt;/p&gt;&lt;p&gt;door; We are coming, Father Abram, three hundred thousand and more!
&lt;/p&gt;&lt;p&gt;We are, &amp;amp; c.
&lt;/p&gt;&lt;p&gt;2. If you look across the hill-tops that meet the northern sky, Long moving lines of rising dust your vision may descry; And now the wind, an instant, tears the cloudy veil aside, And floats aloft our spangled flag in glory and in pride.  Chorus--And bay'nets in the sunlight gleam, and bands brave music pour--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;3. If you look all up our valleys, where the growing harvests shine, You may see our sturdy farmer-boys fast forming into line; And children from their mothers' knees are pulling at the weeds, And learning how to reap and sow, against their country's needs; Chorus--And a farewell group stands weeping at every cottage door--We are coming, Father Abram--three hundred thousand more!
&lt;/p&gt;&lt;p&gt;4. You have called us, and we're coming, by Richmond's bloody tide, To lay us down for Freedom's sake, and brother's bones beside; Or from foul Treason's savage grasp to wrench the murderous blade, And in the face of foreign foes its fragments to parade.  Chorus--Six hundred thousand loyal men and true have gone before--We are coming, Father Abram--three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;SELECT CATALOGUE OF NEW AND FASHIONABLE MUSIC, PUBLISHED AND FOR SALE BY JOSEPH P. SHAW, DEALER IN PIANO FORTES, MELODEONS, GUITARS, MUSIC BOOKS. VIOLIN STRINGS AND Musical Merchandise of every description, Wholesale and Retail.
&lt;/p&gt;&lt;p&gt;Warerooms, 110 State Street, Rochester, N.Y.
&lt;/p&gt;&lt;p&gt;Agent for the sale of DUNHAM'S CELEBRATED OVER STRUNG GRAND AND SQUARE PIANOS, Warranted 5 yrs.
&lt;/p&gt;&lt;p&gt;SONGS.
&lt;/p&gt;&lt;p&gt;Allie Gray, (Scotch Ballad,) by R.F.C. Ellis. 25
&lt;/p&gt;&lt;p&gt;Ah! Forget Thee, Le Conde. 25
&lt;/p&gt;&lt;p&gt;A Lake and Fairy Boat, Wood. 25
&lt;/p&gt;&lt;p&gt;Annie Laurie, (Scotch Ballad, new edition,) 25
&lt;/p&gt;&lt;p&gt;Arkansas Traveller, Case. 25
&lt;/p&gt;&lt;p&gt;Annie o'the Banks o'Dee, Glover, 25
&lt;/p&gt;&lt;p&gt;Bird of Beauty, Scott. 25
&lt;/p&gt;&lt;p&gt;Blessed Banner of Freedom, T.F. Seward. 25. A Patriotic Song, with Chorus: companion to Red, White and Blue.
&lt;/p&gt;&lt;p&gt;Blanch Alpen, Glover. 25
&lt;/p&gt;&lt;p&gt;Beautiful Venice, Knight. 25
&lt;/p&gt;&lt;p&gt;Bonnie Bell, Lloyd. 25
&lt;/p&gt;&lt;p&gt;Bird and Streamlet, Cutler. 25
&lt;/p&gt;&lt;p&gt;Coming through the Rye, Scotch. 25
&lt;/p&gt;&lt;p&gt;Child of the Regiment, Donnizetti. 25
&lt;/p&gt;&lt;p&gt;Charity, Glover. 25
&lt;/p&gt;&lt;p&gt;Do they Think of me at Home? Wrighton. 25
&lt;/p&gt;&lt;p&gt;[Dermoastore?], Crouch. 25
&lt;/p&gt;&lt;p&gt;Dearest Spot to me on Earth is Home, Wrighton. 25
&lt;/p&gt;&lt;p&gt;Ever of Thee, (I'm fondly Dreaming,), Hall. 25 A fine flowing melody with excellent words.
&lt;/p&gt;&lt;p&gt;Ever of Thee, (arranged as a Quartette,), Whaples. 25
&lt;/p&gt;&lt;p&gt;Gently sighs the Breeze, Glover. 25
&lt;/p&gt;&lt;p&gt;Home of My Heart, Harvey. 25
&lt;/p&gt;&lt;p&gt;Home, Sweet Home, Bishop. 25
&lt;/p&gt;&lt;p&gt;I love the Merry Sunshine, Glover. 25
&lt;/p&gt;&lt;p&gt;I met a Lily in the Vale, Wood. 25 A very pretty and effective song.
&lt;/p&gt;&lt;p&gt;In Happy Moments, (new edition,). Wallace. 25
&lt;/p&gt;&lt;p&gt;I never had a Beau, (dedicated to all Old Maids,), Gershwend. 25
&lt;/p&gt;&lt;p&gt;I have no Mother now, Miller. 25
&lt;/p&gt;&lt;p&gt;Juanita, Mrs. Norton. 25
&lt;/p&gt;&lt;p&gt;Kathleen Mavourneen, Crouch. 25
&lt;/p&gt;&lt;p&gt;Long Ago, (a Dream of Beauty,) Whaples. 25  The music of this song is uncommonly graceful and full of good sentiment.
&lt;/p&gt;&lt;p&gt;Long Weary Day, German. 25
&lt;/p&gt;&lt;p&gt;March to the Field, (a song for Volunteers, King. 25
&lt;/p&gt;&lt;p&gt;Magic of a Smile, Williams. 25
&lt;/p&gt;&lt;p&gt;Maggie May, (Song and Chorus,) Sherman Greig. 25 We predict for this song an immense popularity on account of the exceeding beauty and fine sentiment of both words and music.
&lt;/p&gt;&lt;p&gt;Maids of Merry England, Perring. 25
&lt;/p&gt;&lt;p&gt;My Maggie, or What is that to you? Whaples. 25  Very spirited and harmonious. A song that takes.
&lt;/p&gt;&lt;p&gt;My Mother's Voice, T.F. Seward. 25 One of that beautiful class of Songs which cannot help being popular, because it appeals to the purest and best feelings of every heart.
&lt;/p&gt;&lt;p&gt;My Heavenly Home is bright and fair, T. Wood. 25
&lt;/p&gt;&lt;p&gt;Nearer my God to Thee, (Song and Quartette,) " 25
&lt;/p&gt;&lt;p&gt;Napolitaine I'm Dreaming of Thee, Lee. 25
&lt;/p&gt;&lt;p&gt;Over There, Cluett. 25
&lt;/p&gt;&lt;p&gt;Once More Upon the Sea, Buckley. 25
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, Stimpson. 25
&lt;/p&gt;&lt;p&gt;Sweet Love, Good Night to thee, Hatton. 25  One of the finest songs ever written, for the tenor voice, and immensely popular.
&lt;/p&gt;&lt;p&gt;Sing me the Songs my Mother Sang, S. Grieg. 25  A song affording full scope to the vocalist in point of expression while at the same time there is nothing introduced beyond the ordinary range of voices.
&lt;/p&gt;&lt;p&gt;Shells of Ocean, Cherry. 25
&lt;/p&gt;&lt;p&gt;Simon, the Cellarer, Hatton. 40
&lt;/p&gt;&lt;p&gt;Scenes that are Brightest, Wallace. 25
&lt;/p&gt;&lt;p&gt;Still in my Dreams thou art near me, Hall. 25
&lt;/p&gt;&lt;p&gt;The Curfew, T.F. Seword. 25  A song in the Minor key, beautifully adapted to one of Longfellow's most exquisite gems of poetry.
&lt;/p&gt;&lt;p&gt;Thou art gone from my gaze, Linley. 25
&lt;/p&gt;&lt;p&gt;There is a Flower that bloometh, Wallace. 25
&lt;/p&gt;&lt;p&gt;Voice form the Waves, Glover. 25
&lt;/p&gt;&lt;p&gt;Wake Dearest, Wake, Miller. 25
&lt;/p&gt;&lt;p&gt;Wanderer, Schubert. 25
&lt;/p&gt;&lt;p&gt;When the Swallows Homeward fly, Abt. 25
&lt;/p&gt;&lt;p&gt;What I live for, Grannis. 25
&lt;/p&gt;&lt;p&gt;Woodbine Valley, Boon. 30
&lt;/p&gt;&lt;p&gt;POLKAS.
&lt;/p&gt;&lt;p&gt;Alpha Sigma Polka, Lloyd. 40
&lt;/p&gt;&lt;p&gt;Ball Bouquet Polka, Simonis. 25
&lt;/p&gt;&lt;p&gt;Charming Polka, Maeller. 25
&lt;/p&gt;&lt;p&gt;Clipper America Polka, Barnhart. 25
&lt;/p&gt;&lt;p&gt;F.S. Polka, Woolner. 25
&lt;/p&gt;&lt;p&gt;Glen Wood Polka, Poole. 25
&lt;/p&gt;&lt;p&gt;Grand Military Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Hexeconta Polka, Aere. 25
&lt;/p&gt;&lt;p&gt;Kiss Polka, Poulton. 25
&lt;/p&gt;&lt;p&gt;Live Oak Polka, Kalbfleisch. 50 Dedicated to the Live Oak B.B. Club, Rochester. The title is illuminated with a splendid lithograph of the Club at play, and the Polka is one of the most brilliant and showy ever published. We heartily recommend it.
&lt;/p&gt;&lt;p&gt;May Flower Polka, De Salon, Calixa Lavalla. 35
&lt;/p&gt;&lt;p&gt;Pastime Polka, G. Doelker. 25
&lt;/p&gt;&lt;p&gt;Prince of Como Polka, Underner. 25
&lt;/p&gt;&lt;p&gt;Rivulet Polka, Moes. 25
&lt;/p&gt;&lt;p&gt;Willoughby Polka, Laurence. 25
&lt;/p&gt;&lt;p&gt;Young America Polka, Johnson. 25
&lt;/p&gt;&lt;p&gt;SCHOTTISCHES.
&lt;/p&gt;&lt;p&gt;Forest Rose Schottische, Jones. 25
&lt;/p&gt;&lt;p&gt;Friendship Schottische, Kalbfleisch. 30  One of the author's best efforts.
&lt;/p&gt;&lt;p&gt;Strawberry Schottische, Kalbfleisch. 25  A seasonable thing that everybody likes.
&lt;/p&gt;&lt;p&gt;May Schottische, Ellis. 25  Easy and remarkably pretty.
&lt;/p&gt;&lt;p&gt;Ontario Schottische, Ellis, 25 Not difficult, but very pleasing.
&lt;/p&gt;&lt;p&gt;Good-natured Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;Les Bords Du St. Lawrence Schottische, Ellis. 25
&lt;/p&gt;&lt;p&gt;St. Ody Schottische, Degenhard. 25
&lt;/p&gt;&lt;p&gt;WALTZES AND MAZURKAS.
&lt;/p&gt;&lt;p&gt;A Flower for Thee--Mazurka Styrienne, S.B. Mills.  60  This piece is certainly one of the most beautiful and brilliant compositions of its kind ever written. Not difficult.
&lt;/p&gt;&lt;p&gt;Grand Valse--Morceau du Salon, Richards. 30
&lt;/p&gt;&lt;p&gt;Souvenir de Amitie, Oscar. 30  A very charming movement in Waltz time; well repaying the study it requires to play it.
&lt;/p&gt;&lt;p&gt;Les Bords du Hudson--Grand Valse Brilliante, F. Davis. 50
&lt;/p&gt;&lt;p&gt;Etude Mazurka, Talexy. 35
&lt;/p&gt;&lt;p&gt;Frances Waltz, Kalbfleisch. 25  Very graceful and pretty; a great favorite.
&lt;/p&gt;&lt;p&gt;Gertrude's Dream Waltz, Beethoven. 10
&lt;/p&gt;&lt;p&gt;Mazurka of the Wave, Ellis. 25
&lt;/p&gt;&lt;p&gt;Mazurka Des Traineaux, Ascher. 35
&lt;/p&gt;&lt;p&gt;Flower Mazourka, Kalbfleisch. 25  A good and instructive piece, intended for teaching.
&lt;/p&gt;&lt;p&gt;VARIATIONS AND TRANSCRIPTIONS.
&lt;/p&gt;&lt;p&gt;Alpine Bells, Oesten. 30
&lt;/p&gt;&lt;p&gt;Floating on the Wind, B. Richards. 30  In looking at the transcription of this beautiful song we feel somewhat like a philanthropist who would do good for his country, we are so strongly reminded of the great numbers of beautiful songs almost unknown to the public in general, that we would if it were possible float their music out upon the winds, that all might hear, feel and know their beauty.
&lt;/p&gt;&lt;p&gt;Thou Art so Near and yet so Far, B. Richards. 50 A very brilliant and showy transcription of this famous song.
&lt;/p&gt;&lt;p&gt;Warblings at Eve, Richards. 30  "O! Nightingale that from the blooming spray, Warblest at eve, when all the woods are still." A beautiful romance.
&lt;/p&gt;&lt;p&gt;Twilight Hour Nocturne, Kalbfleisch. 25
&lt;/p&gt;&lt;p&gt;La Cenerentola, Leduc. 35
&lt;/p&gt;&lt;p&gt;La Cavalcade, Duvernay. 25
&lt;/p&gt;&lt;p&gt;Maiden's Prayer, Badarzewska. 25
&lt;/p&gt;&lt;p&gt;Norma--Fantaisie, A. Leduc. 35
&lt;/p&gt;&lt;p&gt;Santa Lucia--Italian melody, Transcribed by C. Voss. 30 A very effective arrangement of a popular Neapolitan song.
&lt;/p&gt;&lt;p&gt;Star Spangled Banner, Theo Oesten. 25
&lt;/p&gt;&lt;p&gt;GUITAR MUSIC.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep, Mother, arranged by G.F. Newland. 25
&lt;/p&gt;&lt;p&gt;Maggie May, " " " 15
&lt;/p&gt;&lt;p&gt;My Maggie, (Scotch Song, " " " 25
&lt;/p&gt;&lt;p&gt;May Schottisch, " " " 25  One of the most effective Guitar Solos ever published, and should be found in the repertoire of every player.
&lt;/p&gt;&lt;p&gt;Pensees Nocturnes, (Valse Sentimentale,) F. Buckley. 25  A dashing and showy piece; requiring a good average player; principal phrases are remarkably elegant and melodious.
&lt;/p&gt;&lt;p&gt;QUADRILLES.
&lt;/p&gt;&lt;p&gt;Elixir of Love, Grimmer. 30
&lt;/p&gt;&lt;p&gt;Lancers, (new edition,) " 30
&lt;/p&gt;&lt;p&gt;Republican, Guy. 30
&lt;/p&gt;&lt;p&gt;MARCHES AND QUICK-STEPS.
&lt;/p&gt;&lt;p&gt;Writing March, Kalbfleisch. 25  A good, easy march with the time well marked.
&lt;/p&gt;&lt;p&gt;Gov. Morgan's Parade March, Underner. 40  A beautiful transposition with a splendid Lithograph likeness of Gov. Morgan.
&lt;/p&gt;&lt;p&gt;Milwaukie Light Guard Quick-Step, Hempsted. 50  Embellished with a splendid Lithograph of the Light Guards in uniform. A fine composition and sure to be popular.
&lt;/p&gt;&lt;p&gt;The Little Minstrel, an excellent collection of thirty easy and popular pieces, for teaching purposes, arranged by L.P. Gerville.
&lt;/p&gt;&lt;p&gt;1. First Love--Redowa. 2. Valse de Strauss. 3. Aurora Waltz--Labitsky. 4. German Air. 5. Nel cor plu. 6. Polka. 7. Tyrolean Air. 8. Weber's Last Waltz. 9. Magic Flute. 10. Polka Mazourka. 11. Cinderella. 12. Lady of the Lake. 13. Norma. 14. Barber of Seville. 15. Somnambula. 16. Carnival of Venice. 17. Spanish Dance. 18. Queen of Prussia's Waltz. 19 Alpine Horn. 20. Mignon Schottisch.  21. The Chase. 22. Jaleo de Jeres. 23. The Huntress. 24. The Elixir of Love. 25. Dream, (Somnambula.) 26. Souvenir de Bellini. 27. My Heart Sighs. 28. Storm Gallop and Marche. 29. Robin of the Woods. 30. The Puritans.  Each No. 15 cents.
&lt;/p&gt;&lt;p&gt;Sole Agent in the City, for the sale of Steinway &amp;amp; Son's Gold Medal Grand &amp;amp; Square Pianos. Warranted 5 years.
&lt;/p&gt;&lt;p&gt;MUSICAL WORKS.
&lt;/p&gt;&lt;p&gt;Beyer's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Bertini's Method for the Piano, $2.50 
&lt;/p&gt;&lt;p&gt;"  "  "  " abridged, $2.00
&lt;/p&gt;&lt;p&gt;Burgmuller's Method for the Piano, $2.00
&lt;/p&gt;&lt;p&gt;Richardson's New Method for Piano. With American fingering, $3.00
&lt;/p&gt;&lt;p&gt;Winner's Piano without a Master, .50
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, $4.00
&lt;/p&gt;&lt;p&gt;Bassini's Vocal Method, Abridged, $2.50
&lt;/p&gt;&lt;p&gt;Burrowes' Piano Primer, .30
&lt;/p&gt;&lt;p&gt;Dictionary of 5000 Musical Terms,  .50
&lt;/p&gt;&lt;p&gt;Zundel's Melodeon Instructor, $2.00
&lt;/p&gt;&lt;p&gt;Melodeon Without a Master, .50
&lt;/p&gt;&lt;p&gt;Schneider's Organ School, $2.50
&lt;/p&gt;&lt;p&gt;Carcassi's School for Guitar, $2.50
&lt;/p&gt;&lt;p&gt;" " abridged School for Guitar, $1.50
&lt;/p&gt;&lt;p&gt;Golden Wreath--A school song book, .30
&lt;/p&gt;&lt;p&gt;Zundel's Modern School for Organ, $3.00
&lt;/p&gt;&lt;p&gt;Buckley's New Method for the Banjo, $1.00
&lt;/p&gt;&lt;p&gt;American Violinist, $1.00
&lt;/p&gt;&lt;p&gt;GUITARS. I keep constantly on hand C.F. Martin's and other celebrated Guitars, of American make, all of which are warranted in every respect, and sold at the manufacturers' lowest cash prices. GUITAR STRINGS.--In order to meet the demand of Guitar Players and the trade for Good Strings, I have been induced to contract for American Strings, would on the best American silk, which is stronger than the imported and more correct and better tone. 
&lt;/p&gt;&lt;p&gt;Also, the very best of ITALIAN GUT STRINGS for Violins and Guitars.  MUSIC SENT BY MAIL, POSTAGE PAID, ON RECEIPT OF THE MARKED PRICE, IN MONEY OR STAMPS.
&lt;/p&gt;
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                    <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
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                <text>&lt;p&gt;Siemonn's Presidential March
&lt;/p&gt;&lt;p&gt;Composed by George Siemonn  Dedicated to The Hon. Wm. Jennings Bryan
&lt;/p&gt;&lt;p&gt;Piano 50.
&lt;/p&gt;&lt;p&gt;Orchestra 1.00
&lt;/p&gt;&lt;p&gt;Military Band 50.
&lt;/p&gt;&lt;p&gt;Mandolin &amp;amp; Guitar 50.
&lt;/p&gt;&lt;p&gt;Banjo Duet 50.
&lt;/p&gt;&lt;p&gt;Capitol Publishing Company. Washington, D.C.  Sold by all Dealers at 50 cts. per copy.
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&lt;hr /&gt;
&lt;p&gt;2
&lt;/p&gt;&lt;p&gt;SIEMONN'S PRESIDENTIAL MARCH.
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;&lt;p&gt;Copyright MDCCCC by Grafflin Cook. International Copyright Secured.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;[sheet music]
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                <text>&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;Kingston, Jamaica&lt;/span&gt;,&amp;nbsp;&lt;em&gt;June&lt;/em&gt; 5, 1865.&lt;/p&gt;&#13;
&lt;p class="flushleft"&gt;His Excellency &lt;span style="font-variant: small-caps;"&gt;Andrew Johnson&lt;/span&gt;,&lt;br /&gt;&amp;nbsp;&lt;em&gt;President of the United States of America:&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;May it please your excellency: By desire of a numerous meeting of the inhabitants of this city, held at the Tabernacle on the 1st instant, in condolence on the assassination of your late beloved President, I have the honor to hand herewith a copy of resolutions and address which were unanimously adopted, and also to state that the sympathies of the people of Jamaica have ever been with your government. I have further to ask the condescension of your excellency towards the meeting, by placing the enclosed letters in possession of Mrs. Lincoln and the honorable W. H. Seward, giving expression to our sincere and respectful wishes.&lt;/p&gt;&#13;
&lt;p&gt;I have the honor to be, with the highest respect, your excellency&amp;rsquo;s most obedient servant,&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span class="signed"&gt;GEORGE W. GORDON,&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;em&gt;Chairman&lt;/em&gt;.&lt;/p&gt;</text>
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                  <text>The World Mourns for Abraham Lincoln (1865)</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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                <text>George W. Gordon</text>
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                <text>Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD</text>
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                <text>&lt;p align="right"&gt;Kingston Jamaica&lt;br /&gt; 5th June 1865&lt;/p&gt;&#13;
&lt;p&gt;Honorable W. H. Seward &amp;amp;c. &amp;amp;c. &amp;amp;c.&lt;/p&gt;&#13;
&lt;p&gt;Sir: By desire of a Meeting of the inhabitants of thei city held on the 1st Inst, I have the honor to hand you enclosed copy of Resolutions, which were unanimously adopted-and I am to assure you of heartfeld destination of your labors! Commending you to the mercy of "Him" who loveth righteousness. I have the great honor to be Sir&lt;/p&gt;&#13;
&lt;p&gt;Your most obedient and obliged servant&lt;/p&gt;&#13;
&lt;p align="right"&gt;Geo. W. Gordon&lt;br /&gt; Chairman of the Meeting&lt;br /&gt; Member of the House of Assembly &amp;amp;c. &amp;amp;c. &amp;amp;c.&lt;/p&gt;</text>
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                    <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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            <elementText elementTextId="170140">
              <text>8</text>
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                <text>Requiem</text>
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                <text>Instrumental music. Brown cover sheet reads "REQUIEM WARREN" on front and has advertisements on back. Engraved title page; logo incorporating laurel wreath and the initials "A. L." above title.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Funeral music</text>
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                <text>Instrumental music</text>
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                <text>Warren, George William</text>
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                <text>Piano music</text>
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                <text>Requiems</text>
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                <text>George William Warren</text>
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                <text>William A. Pond &amp;amp; Company</text>
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                <text>New York</text>
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              <elementText elementTextId="170139">
                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>en</text>
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              <elementText elementTextId="624512">
                <text>&lt;p&gt;REQUIEM WARREN
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM BY George William Warren
&lt;/p&gt;&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;NEW YORK Published by Wm. A. Pond &amp;amp; Co. 547 Broadway.
&lt;/p&gt;&lt;p&gt;Boston. O. Ditson &amp;amp; Co.  Buffalo J.R. Blodgett  Chicago. Root &amp;amp; Cady  Milwaukee. H.N. Hempsted.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress AD 1865 by Wm. A. Pond in the Clerk's Office of the District Court of the Southern District of New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;REQUIEM. 
&lt;/p&gt;&lt;p&gt;George Wm. Warren.  1865
&lt;/p&gt;&lt;p&gt;Largo, con dolore
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;con molto espressione le melodia ben sostenuto
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;6
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;7
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1865. [3] A SELECTION OF THE LATEST AND MOST BEAUTIFUL VOCAL AND INSTRUMENTAL MUSIC OF THE DAY, Wm. A. Pond &amp;amp; Co., 547 Broadway, N.Y.
&lt;/p&gt;&lt;p&gt;Music Published daily. All the New Music Published in the United States Received as soon as Issued. Music sent by Mail, Postage Paid, on Receipt of the Marked Price. Please notice that such as are marked thus * have elegantly illustrated title-pages.
&lt;/p&gt;&lt;p&gt;VOCAL.
&lt;/p&gt;&lt;p&gt;Alone, Alone. Geo. Boweryem, 25
&lt;/p&gt;&lt;p&gt;L'Amore. (Love.) Waltz Brilliante for the Voice, M. Navaro, 75
&lt;/p&gt;&lt;p&gt;At Night, Quartette, C.F. Ives, 35
&lt;/p&gt;&lt;p&gt;Art thou thinking of me in my Absence, Love? Mrs. Parkhurst, 30
&lt;/p&gt;&lt;p&gt;Angel Child. W.H. Burn, 35
&lt;/p&gt;&lt;p&gt;Beautiful Cloud. L. Aradie, 30
&lt;/p&gt;&lt;p&gt;Butterfly, (La Farfaletta,) Mazurka for the Voice. L. Arditi,  60
&lt;/p&gt;&lt;p&gt;Bury me in the Sunshine. H. Millard, 30
&lt;/p&gt;&lt;p&gt;Brooklet, give thy Rushing o'er. P. Schubert, 30
&lt;/p&gt;&lt;p&gt;Be thou forever mine, H. Millard, 35
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer, (for Guitar,) S. [Winner?], 25
&lt;/p&gt;&lt;p&gt;Beautiful Isle of the Sea. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Beware. J.E. Perring, 50
&lt;/p&gt;&lt;p&gt;Blow, Bugle, blow. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Blue-Eyed Kitty May. P.B. Isaacs, 50
&lt;/p&gt;&lt;p&gt;Cadaverous Jones, Comic. Geo. Boweryem, 30
&lt;/p&gt;&lt;p&gt;Comrades, I am dying. Geo. A. Russell, 30
&lt;/p&gt;&lt;p&gt;Cracksman's Chant. (Luddy Fuddy,) Song in "Rosedale" by Lester Wallace, D. Graham, 50
&lt;/p&gt;&lt;p&gt;Cradle song. "Sweet and low." Words by Tennyson. J.E. Perring, 40
&lt;/p&gt;&lt;p&gt;Dream Baby, dream. V. Gabriel, 30
&lt;/p&gt;&lt;p&gt;Dying Drummer-Boy. E.C. Howe, 30
&lt;/p&gt;&lt;p&gt;Dark-Eyed [Nucian?]. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Forget thee, no! G. [Sconcia?], 30
&lt;/p&gt;&lt;p&gt;Forever and ever. Sacred song. Words by Grace [...Verite?] J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Finigan's Wake. Conde. C. Glover, 30
&lt;/p&gt;&lt;p&gt;Good Night and happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;Go, forget me. F. Schlotter, 30
&lt;/p&gt;&lt;p&gt;Good Night, good Night, Beloved. W.H.J. Graham, 50
&lt;/p&gt;&lt;p&gt;He brought me Gold to tempt my Heart.  W.H. [Burn?], 35
&lt;/p&gt;&lt;p&gt;I'm lonely since he left me. M. Keller, 40
&lt;/p&gt;&lt;p&gt;Ile, or, Vay down in Boonnsylvany. New comic Song. Hans Schmidt, 30
&lt;/p&gt;&lt;p&gt;I believed her true to me. H. Millard, 40
&lt;/p&gt;&lt;p&gt;I have so much to tell. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;I ne'er could leave thee. Canzonetta. Rossini, 35
&lt;/p&gt;&lt;p&gt;It's all up in Dixie. Sung for the Times. Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;In the Valley of Cauteretz. Song for Baritone or Bass. A. H. [Prane?], 30
&lt;/p&gt;&lt;p&gt;Imperishable. W.H. [Henn?], 35
&lt;/p&gt;&lt;p&gt;I cannot call her, Mother. Chamberlain, 30
&lt;/p&gt;&lt;p&gt;Jennie lives but for thee, J. [Maros?], 30
&lt;/p&gt;&lt;p&gt;Kissing on the sly. J.G. Marder, 30
&lt;/p&gt;&lt;p&gt;Kiss me, Father, ere I die. Walker, 30
&lt;/p&gt;&lt;p&gt;Language of Love. (Parlato d'amore.) "Faust." Gounod, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let him rest. A Tribute to the late Stephen C. Foster, and embellished with his likeness. Henry Tucker, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Limerick is beautiful. Words by [Boccidault?], Comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Lost Star of my Home. The last Song and Chorus by Henry Tucker, 30
&lt;/p&gt;&lt;p&gt;Little House under the Hill. E.C. Phelps, 30
&lt;/p&gt;&lt;p&gt;Leave me not in dark Despair. A. H. Wood, 35
&lt;/p&gt;&lt;p&gt;Mind you that. J.H. McNaughton, 25
&lt;/p&gt;&lt;p&gt;Moonlight with thee. R. Meyer, 35
&lt;/p&gt;&lt;p&gt;My beautiful Lizzie. J. Mahon, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;My Polly Ann. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mother's Blessing. F.[W?] 35
&lt;/p&gt;&lt;p&gt;Maggie Moore. P. B. [Isaac?], 30
&lt;/p&gt;&lt;p&gt;My Angel Boy. S.C. Foster, 50
&lt;/p&gt;&lt;p&gt;Music on the Waves. Duet. C.W. Glover, 60
&lt;/p&gt;&lt;p&gt;Never deem my Love can change. J.R. Thomas, 25
&lt;/p&gt;&lt;p&gt;Not from thee. W. K. Hartford, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Nancy Fat. Comic. Dave Reed, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Only Son is going now, Mrs. J.S. Reed, 50
&lt;/p&gt;&lt;p&gt;Orphan of the Alps, (L'Orfanella.) L. Arditi, 50
&lt;/p&gt;&lt;p&gt;One more Kiss and then Good-by. E.C. Phelps, 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Pat Malloy. comic. Dan Bryant, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Red Robin. A beautiful Song by the author of "Vive l'America" H. Millard, 35
&lt;/p&gt;&lt;p&gt;Remembrance. W.H.J. Graham, 35
&lt;/p&gt;&lt;p&gt;Striking Ile. Song by Dan Bryant. D.D. Emmett, 30
&lt;/p&gt;&lt;p&gt;Soldier's Battle Prayer. R. Whaples, 35
&lt;/p&gt;&lt;p&gt;Sweet Birding singing ever, (Campanira di Lombardia,). L. Arditi, 40
&lt;/p&gt;&lt;p&gt;Song of the Sea-Shell. Charles [Converse?], 30
&lt;/p&gt;&lt;p&gt;Saw ye not my own true Love? F.C. Phelps, 35
&lt;/p&gt;&lt;p&gt;Serenade. F. Schlotter, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Skater's Song. L.B. Powell, 40
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Song of Love and Death. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Sleep well, thou sweet Angel, F. [Art?], 30
&lt;/p&gt;&lt;p&gt;Tell me, little twinkling Star. G.W.H. Griffin, 80
&lt;/p&gt;&lt;p&gt;There's none to say Good-night to me, J. H. McNaughton, 30
&lt;/p&gt;&lt;p&gt;Trust me all in all, or not at all. Words by Tennyson. W.R. Dempster, 50
&lt;/p&gt;&lt;p&gt;Too late, too late. Words by Tennyson.  " " 50
&lt;/p&gt;&lt;p&gt;Turn, Fortune, turn thy Wheel. " " 50
&lt;/p&gt;&lt;p&gt;Thou art the Star. Sung by M'lle Vestvali in "Bel Demondo."  35
&lt;/p&gt;&lt;p&gt;U.S.G.: or, the Song in honor of General Grant. D.D. Emmett, 35
&lt;/p&gt;&lt;p&gt;Unknown Solder. W.G. Horner, 30
&lt;/p&gt;&lt;p&gt;Violet. By the late H.A. Wollenhaupt, 25
&lt;/p&gt;&lt;p&gt;Voices that are gone. S.C. Foster, 35
&lt;/p&gt;&lt;p&gt;Where we have twined the Flowers. W.R. Johnston, 30
&lt;/p&gt;&lt;p&gt;When I can read my Title clear. Sacred. " " 35
&lt;/p&gt;&lt;p&gt;What will they tell our Children? Mrs. Jennie [S??Frodham?], 35
&lt;/p&gt;&lt;p&gt;When other Friends are round thee. F. Schotter, 35
&lt;/p&gt;&lt;p&gt;Whoever can he be? J.G. Marder, 35
&lt;/p&gt;&lt;p&gt;Wake from thy happy Dreams. J.R. Thomas, 35
&lt;/p&gt;&lt;p&gt;When the War is over, Mary. " " 35
&lt;/p&gt;&lt;p&gt;Why did you die? " " 25
&lt;/p&gt;&lt;p&gt;Will I be ever true to thee? W. K. Bassford, 25
&lt;/p&gt;&lt;p&gt;INSTRUMENTAL. New Waltzes.
&lt;/p&gt;&lt;p&gt;L'Ardita. L. Arditi, 60
&lt;/p&gt;&lt;p&gt;Belles of Brooklyn. Geo. Wm. Warren, 60
&lt;/p&gt;&lt;p&gt;Dalila Grand Valse. Esq. Kettener, 80
&lt;/p&gt;&lt;p&gt;Faust. Th. Oesten, 20
&lt;/p&gt;&lt;p&gt;Flowing Streamlet. Ch. Wels, 75
&lt;/p&gt;&lt;p&gt;Faust. Geo. Wm. Warren, 75
&lt;/p&gt;&lt;p&gt;Harvest Home. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Heart's-Ease. Wm. B. Allen, 30
&lt;/p&gt;&lt;p&gt;Ida. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Kiss. L. Arditi, 40
&lt;/p&gt;&lt;p&gt;" Brilliantly arranged by E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Olympic. Mary Duff, 35
&lt;/p&gt;&lt;p&gt;Reine des Fleurs. (Queen of the Flowers.) E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Tendre Fleur. (Sensitive Plant.) Geo. Wm. Warren, 50
&lt;/p&gt;&lt;p&gt;Une Perle de Nuit. H. A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Valse d'Amour. J.W. Long, 40
&lt;/p&gt;&lt;p&gt;"   Briliante. Ch. Deloux, 60
&lt;/p&gt;&lt;p&gt;" Caprice. Wm Mason, 75
&lt;/p&gt;&lt;p&gt;Marches and Quicksteps.
&lt;/p&gt;&lt;p&gt;Funeral March from Don Sebastian. Ch. Fradel, 50
&lt;/p&gt;&lt;p&gt;Grand March of the Andes. Geo. Wm. Warren, 1.25
&lt;/p&gt;&lt;p&gt;March Hongroise. W.A. Wollenhaupt, 60
&lt;/p&gt;&lt;p&gt;March Triomphale, Dr. [Peramkau?], 30
&lt;/p&gt;&lt;p&gt;March Montenegrine. H. Mayer, 40
&lt;/p&gt;&lt;p&gt;Variations.
&lt;/p&gt;&lt;p&gt;Beautiful Dreamer. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Call me not back from the echoless Shore. " 50
&lt;/p&gt;&lt;p&gt;Dear Mother, I've come Home to die. " 60
&lt;/p&gt;&lt;p&gt;"  "  " "  "  "   "  C. Grobe, 60
&lt;/p&gt;&lt;p&gt;Lanigan's Ball. A. Baumbach, 60
&lt;/p&gt;&lt;p&gt;Musical Photographs.  D. Angelo
&lt;/p&gt;&lt;p&gt;The following is a Collection of the latest, best, and most popular Pieces, very finely and carefully arranged as easy Teaching-Pieces, each No. 30
&lt;/p&gt;&lt;p&gt;Note.--The even numbers of this series are a little more difficult than the odd numbers.
&lt;/p&gt;&lt;p&gt;1. Waltz, from Faust.  2. How can I leave thee?  3. Annie of the Vale.  4. Chant du Berger. 5. Il Bacio--(Arditi.) 6. Warblings at eve.  7. Call me not back, etc. 8. Do they think of me at home? 9. Come where my love, etc. 10. Un Bailo in Maschera.  11. Dream on the Ocean Waltz.  12. Helmweh--(Jengmann)  13. Rock of Ages.  14. L'Argentine Mazurka--(Ketterer)  15. Good Night Galop.  16. Viva l'America  17. Danish Dance. 18. Chapel in the Forest. 19. Fishes in the Sea.  20. Sweetheart.  21. Shadow Song, (Dinorah.)  22. Dearest Spot on Earth, etc. 23. Mother, oh! sing me to rest. 24. Ever be happy. 25. Brightest eyes.  26. La Harpe Eolienne--(Kruger.) 27. Ella Leene. 28. La Charite--(Rossini)  29. La Melancolie--(Prume.)  30. Thou art so near, and yet so far.  31. Vaillance Polka Militaire. 32. The Sybil.  33. Juanita.  34. Come into the Garden, Maud.  35. Ricci Waltz. 36. The long and weary Day.  37. Hark! I hear an Angel sing. 38. Maryland, my Maryland.  39. Come, Holy Spirit.  40 High from the Roof-Stone. 41. Glory Hallelujah  42. Marching Along.  43. Premier Amour Redowa.  44. Mollie's Dream Waltz.  45. Santa Lucia. 46. Traviata Waltz. 47. Memory Bells.  48. Beautiful Dreamer.  49. Eidn Waltz.  50. Tam O'Shanter.  51. Lady of the Lake March. 52. I am lonely to-night.  53. Indiana Waltz.  54. Concert March--(Wollenhaupt).  55. Who will care for Mother?  56. Nun's Prayer.   57. La Tendresse--(Cramer.)  58. Tuscan Melody.  59. Her bright Smile, etc.  60. Idylle--(Spindler.)  61. Empress Henrietta's Waltz. 62. Soldier's Chorus, (Faust.)
&lt;/p&gt;&lt;p&gt;New Galops.
&lt;/p&gt;&lt;p&gt;Bride of the Wind Galop. F.B.[HermanMuller?], 35
&lt;/p&gt;&lt;p&gt;Flick et Flock. "  "   " 30
&lt;/p&gt;&lt;p&gt;Just once more "  "  " 85
&lt;/p&gt;&lt;p&gt;Little Birdies first. "  T. H. Maston, 85
&lt;/p&gt;&lt;p&gt;Minnie "  F.B. [&amp;#160;?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt; Petroleum?  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Rosebud.  "  "  " 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Puckwudjies. "  "  " 50
&lt;/p&gt;&lt;p&gt;Tete-a-Tete.  "  " 35
&lt;/p&gt;&lt;p&gt;Sans Ceremonie. "  Wm. B. Allen, 20
&lt;/p&gt;&lt;p&gt;New Quardrilles.
&lt;/p&gt;&lt;p&gt;Como Quadrille. Ch. D'Albert, 40
&lt;/p&gt;&lt;p&gt;Elite. "  Strauss, 40
&lt;/p&gt;&lt;p&gt;Engagement Quadrille. H. Klemen, 40
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Faust Lancers. F.B. [Helmemuller?], 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Silver Wedding. "  " 40
&lt;/p&gt;&lt;p&gt;New Polkas, Schottisches, and Mazurkas.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Best Friend Polka. J.H. McNaughton, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Catawba Polka. Jean Manns, 30
&lt;/p&gt;&lt;p&gt;Chasse Ennui Polka Redowa. A. F. [Laskat?], 50
&lt;/p&gt;&lt;p&gt;Concordia Schottisch. Jean Manns, 50
&lt;/p&gt;&lt;p&gt;Delta Pai Polka. [Monadow?], 30
&lt;/p&gt;&lt;p&gt;Double Quick Polka. L.A. Belknap, 30
&lt;/p&gt;&lt;p&gt;Farfaletta Polka Mazurka. L. Arditi, 75
&lt;/p&gt;&lt;p&gt;Grizette Mazurka. A.F. [Le?] 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irving Polka. Baker, 50
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Olive Logan Polka. Ch. [Frader?], 40
&lt;/p&gt;&lt;p&gt;Relief Polka. H. Kleber, 35
&lt;/p&gt;&lt;p&gt;Sophien Polka. F.B. [ ], 30
&lt;/p&gt;&lt;p&gt;Sans Pretension Polka. F. [Brandies?], 40
&lt;/p&gt;&lt;p&gt;Teresa Carreno Mazurka. P. Morton, 35
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Trotty Horse Polka. J.H. McNaughton, 60
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Twilight Polka. H. Klemien, 35
&lt;/p&gt;&lt;p&gt;Brilliant Fantaisies, Morceaus, etc.
&lt;/p&gt;&lt;p&gt;Amours du Diable. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Alpine Horn. Transcription. [B.B. Mills?], 60
&lt;/p&gt;&lt;p&gt;Autumn Wind Mazurka. E.C. Phelps, 75
&lt;/p&gt;&lt;p&gt;Aurelia Polka. J.E. Hayes, 40
&lt;/p&gt;&lt;p&gt;Birds of Paradise. Morceau. Sidney Smith, 60
&lt;/p&gt;&lt;p&gt;Boute en Train Galop. (All aboard.) K. Ketterer, 50
&lt;/p&gt;&lt;p&gt;Bel Demonio Mazurka. J.E. [Muller?], 60
&lt;/p&gt;&lt;p&gt;Careless Elegance Polka. A.H. Wood, 60
&lt;/p&gt;&lt;p&gt;Cascade de Rubio. Morceau. Sidney Smith, 75
&lt;/p&gt;&lt;p&gt;Chanson de Chasse, E. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Christmas Chimes. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Dew Drop. Binette Musicale. K.A. [Farvascer?], 30
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Enchanted Bell. A Musical Rhapsody, K. Hoffman, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Electric Polka. Harry [Sanderson?], 50
&lt;/p&gt;&lt;p&gt;Forza del Destino. Transcription. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Faust. Concert piece. Ch. [Kument?], 1.50
&lt;/p&gt;&lt;p&gt;"  "  " A. H. [Pease?], 1.75
&lt;/p&gt;&lt;p&gt;Fairy Land. W. Kuhn, 60
&lt;/p&gt;&lt;p&gt;Flight of the Robin Polka. Ch. Wels, 50
&lt;/p&gt;&lt;p&gt;Flick et Flock Galop. K. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Happy Return. Morceau. H. Mayer, 50
&lt;/p&gt;&lt;p&gt;Ione. Fantaisie. Ch. [Ly?] 1.00
&lt;/p&gt;&lt;p&gt;Kunkel's Polka. Ch. [K?], 20
&lt;/p&gt;&lt;p&gt;Last Smile. (Derniere Sourire.) H.A. Wollenhaupt, 1.00
&lt;/p&gt;&lt;p&gt;Legor des Maine Polka. Ch. [?], 60
&lt;/p&gt;&lt;p&gt;Memory. Ballade. R. Hoffman, 60
&lt;/p&gt;&lt;p&gt;Monk's Prayer. J.E. Mueller, 75
&lt;/p&gt;&lt;p&gt;Monody. Op. 13. Wm. Mason, 60
&lt;/p&gt;&lt;p&gt;Mother kissed me in my Dream. Transcription. Ch. [Fradel?], 60
&lt;/p&gt;&lt;p&gt;Magnetic Galop. Harry [Saw?], 35
&lt;/p&gt;&lt;p&gt;Orphan's Prayer. [?], 40
&lt;/p&gt;&lt;p&gt;Pretty Blue Forget-me-not. B. Richards, 40
&lt;/p&gt;&lt;p&gt;Perle du Soir Mazurka. K. Ketterer, 60
&lt;/p&gt;&lt;p&gt;Reminiscences from Faust, in 2 numbers. A.W. Berg, 50
&lt;/p&gt;&lt;p&gt;Sans Souci Galop. J. Ascher, 40
&lt;/p&gt;&lt;p&gt;Sorrente Mazurka. E. Ketterer, 75
&lt;/p&gt;&lt;p&gt;Solitude. R. Hoffman, 75
&lt;/p&gt;&lt;p&gt;Sparkling Dew Drops. T. [Troxell?], 75
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Song of the Brook. Geo. Wm. Warren, 75
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tarantelle. S.B. Mills, 1.00
&lt;/p&gt;&lt;p&gt;Sweet Zephyr. [?] 50
&lt;/p&gt;
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                  <text>William H. Herdman, a blacksmith and early resident of Mount Vernon, Illinois, was the son of Robert and Jane Hanson Herdman. He married Mary A. Kirby, the daughter of Moses and Lydia Williamson Kirby. &lt;br /&gt;&lt;br /&gt;Herdman moved to Mount Vernon from Pennsylvania in 1850. In 1865 his brother, Thomas, a Methodist Episcopal minister, came from Ohio to head the Methodist Seminary at Mount Vernon which closed down during the Civil War. He remained there for four years and then acted as minister for several different churches in the area. In 1890 he was elected president of McKendree College. He remained at the college in various positions for approximately ten years. &lt;br /&gt;&lt;br /&gt;William Hamilton and Mary had eight daughters including Ada I. Herdman, Ina B. Herdman, Florence V. Herdman, Ellen A. Herdman Gowenlock, Henrietta "Etta" Herdman Doud, Octavia L. Herdman Huff, and Grace Herdman Harris. Henrietta "Etta" Herdman married Menzer Fairchild Doud of St. Louis, Missouri, a newspaper writer for various papers in Kansas and Missouri. Their daughter, Grace, was a school teacher and served as chairman of the Missouri State Association of Childhood Education in 1939. Their oldest daughter, Ada, was also a schoolteacher and taught in the Mount Vernon area for many years.&lt;br /&gt;&lt;br /&gt;Henrietta Doud's youngest daughter, Virginia, provided many of the photo identifications on the photographs.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include images of the Herdman family with a high number of images featuring the families of Henrietta Doud, Grace Harris, Ellen Gowenlock, and Octavia Huff.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Menzer F. Doud poses for a portrait wearing a dark suit and white tie.&lt;br /&gt;&lt;br /&gt; On verso: "M. F. Doud - direct descendent of Henry Doude who came from England in 1639 and settled in New Guilford, Conn. Menzer's father was Collins Anson Doud, my grandfather."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A language of the resource</description>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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                  <text>Richard Yates, Sr., served as Illinois' thirteenth governor from 1861 through 1865. Prior to serving as governor, Yates was a member of the United States House of Representatives from 1851-1855. &amp;nbsp;During his time as governor, Yates, who was anti-slavery, was active in recruiting troops for the Union Army. After finishing his term as governor in 1865, Yates won election to the United States Senate where he served one term, leaving office in 1871. After leaving office, President Ulysses S. Grant appointed Yates to serve as a United States commissioner inspecting a land subsidy railroad in St. Louis. His son, Richard Yates, Jr., also served as Illinois governor from 1901-1905 and&amp;nbsp;in the United States House of Representatives from 1919-1933.&lt;br /&gt;&lt;br /&gt;Images in this collection include several portrait of Richard Yates, Sr., taken at different points in his life, a collage of famous Illinois College alumni, and a newspaper image showing the outcome of a bet made on the outcome of the 1860 Illinois gubernatorial election.&lt;br /&gt;&lt;br /&gt;Digitized versions of Richard Yates Sr.,'s gubernatorial correspondence are available on Chronicling Illinois in the Yates Family Papers and the Wabash Yates Collections.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>carte de visite</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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                <text>405145</text>
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                <text>Richard Yates I Collection</text>
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            <description>A name given to the resource</description>
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                <text>Richard Yates, Sr.</text>
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            <description>An account of the resource</description>
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                <text>Richard Yates, Sr., sits next to a floral curtain while wearing a suit and bow tie during a portrait session. &lt;br /&gt;&lt;br /&gt;On verso: "Ill. Gov. 1861-65."</text>
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                <text>German, C. S.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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              <description>An account of the resource</description>
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                  <text>This collection includes family portraits of members of the Illinois-based Day family including &amp;nbsp;William and Margaret E. Keyes Day, their children, and grandchildren. Margaret E. Keyes Day is the great-great niece of Margret Keyes Reed, the wife of the sometimes-credited founder of the Donner Party, James Reed.&amp;nbsp;</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>carte de visite</text>
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          <description>The actual physical size of the original image.</description>
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            <name>Identifier</name>
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                <text>403829</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Margaret E. Keyes Day</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Margaret Day, mother of Effie Sue Day Gard, stands in a decorated room during a portrait session. Blue two cent stamp with George Washington's portrait on the back. &lt;br /&gt;&lt;br /&gt;On verso "Day, Margaret E. (Keyes), b. 17 July 1846, dau. James W. &amp;amp;amp. Lydia (Sprickard) Keyes, m. 18 May 1865 to Will Day. Maternal great grandmother."</text>
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            <description>The topic of the resource</description>
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                <text>Washington, George, 1732-1799</text>
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                <text>Postage stamps</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>German, G.S.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>eng</text>
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                  <text>Lincoln, Abraham, 1809-1865</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>paper and ink</text>
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                <text>RG59E177-245</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Germans Resident in England</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Germans Resident in England to Charles Francis Adams</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1865-04-27</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The topic of the resource</description>
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                <text>Presidents--Assassination</text>
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                <text>Condolence notes</text>
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                <text>Ethnic groups</text>
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            <name>Has Version</name>
            <description>A related resource that is a version, edition, or adaptation of the described resource.</description>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 281-82.</text>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1867), 369-70.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Coverage</name>
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                <text>51.5142, -0.0931</text>
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                <text>London</text>
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              <elementText elementTextId="247306">
                <text>England</text>
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                <text>United Kingdom</text>
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        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
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            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
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                <text>&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;London&lt;/span&gt;,&amp;nbsp;&lt;em&gt;April&lt;/em&gt; 27, 1865.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-variant: small-caps;"&gt;Sir&lt;/span&gt;: We, the undersigned, speaking the feelings of a large number of Germans resident in England, express our sincere grief at the destruction of the life of the President of the United States, whose very forbearance and leniency in the hour of national triumph has not been able to stay the hands of assassins.&lt;/p&gt;&#13;
&lt;p&gt;While deeply deploring that the joy we have felt at the recent victories of the American republic should thus be marred by the untimely and violent death of its Chief Magistrate, we firmly trust that the people of the United States, who have carried on during four years a gigantic war in the cause of freedom and civilization, will only feel nerved to further exertions in rooting out the hateful institutions from which the slaveholders&amp;rsquo; rebellion, with all its attendant crimes, has sprung.&lt;/p&gt;&#13;
&lt;p&gt;We beg you, sir, to convey these sympathetic sentiments of ours to the authorities of your free and great republic, and we subscribe ourselves yours obediently,&lt;/p&gt;&#13;
&lt;p align="right"&gt;KARL BLIND.&lt;br /&gt;A. HEINTZMANN.&lt;br /&gt;P. H BEMDES.&lt;br /&gt;FERDINAND FREELIGRATH.&lt;br /&gt;ERNEST SUCH.&lt;br /&gt;E. G. RAVENSTEIN.&lt;br /&gt;NICOLAS TRUBNER.&lt;br /&gt;GOTTFRIED KINKER.&lt;/p&gt;&#13;
&lt;p&gt;His Excellency Mr. &lt;span style="font-variant: small-caps;"&gt;adams&lt;/span&gt;,&lt;br /&gt;&amp;nbsp;&lt;em&gt;United States Ambassador in London&lt;/em&gt;.&lt;/p&gt;</text>
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                  <text>The Stuart-Hall family descends from Robert and Hannah Stuart. Robert, a Presbyterian minister and professor of languages at Transylvania University, married Hannah Todd, the aunt of Mary Todd Lincoln and Elizabeth Edwards. Robert and Hannah's son, John Todd Stuart, came to Illinois in 1828 after studying the law and immediately set up practice in Springfield. He fought in the Black Hawk War as a major in the battalion in which Abraham Lincoln had commanded a company. He served in the House of Representative from 1832-1836 serving with Lincoln. When Lincoln passed the bar, he practiced with Stuart until 1841. Stuart was elected to Congress, in 1838 defeating Stephen A. Douglas. After serving two terms, he went back into practice with Benjamin Edwards, but was then elected to the U.S. Senate in 1848, serving one term from 1848-1852. After being elected to the U.S. House in 1862 and serving one term, he returned to the practice of law with Edwards. In 1858, his son-in-law, Christopher C. Brown joined the firm. John T. Stuart also served as president of the Springfield City Railway Company, president of the Springfield Watch Company, president of the Betty Stuart Board of Trustees and Chairman of the Executive Committee of the National Lincoln Monument Association.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Stuart married Mary Virginia Nash of Jacksonville, Illinois on October 25, 1837. They had seven children: Elizabeth (Bettie), John Todd, Virginia, Frank, Robert, Hannah and Edwards. Bettie married Christopher C. Brown, a lawyer. After John T. Stuart&amp;rsquo;s death on November 28, 1885, Brown continued the law firm, eventually bringing his son, Stuart, into the practice.&lt;br /&gt;&lt;br /&gt;John Todd and Mary Virginia's son, John Todd Stuart, married Emily Webster Huntington. Their daughter, Mary Virginia Stuart married George Ketchum Hall and their children included George Stuart, Henry Huntington, and Archibald Stuart.&lt;br /&gt;&lt;br /&gt;The Stuart-Hay Families Papers at the Abraham Lincoln Presidential Library contain correspondence between several members of the Stuart family. This finding aid for this collection may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/616.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include individual portraits of several members of the Stuart and Hall families including Mary Virginia Stuart Hall, George Hall, Henry Huntington, Elizabeth "Bettie" Brown, Christopher C. Brown, and Alice Stuart.</text>
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                <text>Marcus Walker and his bride, Hattie Gladstone Walker, pose for a portrait. &lt;br /&gt;&lt;br /&gt;On verso: "Emily Huntington accompanied them on their wedding trip from Boston to the White Mountains."</text>
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                    <text>&lt;p&gt;WE ARE COMING, FATHER ABRAHAM
300,000
MORE.
&lt;/p&gt;&lt;p&gt;QUICKSTEP.
&lt;/p&gt;&lt;p&gt;MUSIC ARRANGED
BY
J.A. GETZE
&lt;/p&gt;&lt;p&gt;PHILADELPHIA:
LEE &amp;amp; WALKER, 722 CHESTNUT STREET
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"THREE HUNDRED THOUSAND MORE"
QUICK STEP
"WE ARE COMING FATHER ABRAHAM."
ARRANGED BY  J.A. GETZE
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
Air.      1.  But tell the knaves we are not slaves, And slav'ry talks Are free to talk alone.
Alto.    2. Rise, tell the knaves we are not slaves, And morning call, I see the break of day!"
Tenor   3.  Then tell the knaves we are not slaves, And wrought the curse, The cure shall sweep away.
Bass.    4.  We'll teach the knaves we are not slaves, And of the West Shall be no more profaned.
&lt;/p&gt;
&lt;pre&gt;          5.  And tell the knaves, we are not slaves, And heart to heart, Forget, forgive, unite!
&lt;/pre&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>We Are Coming Father Abraham 300, 000 More</text>
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            <description>An account of the resource</description>
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                <text>"Quick Step" no words, music only. The music honors Abraham Lincoln's call for more Union soldiers.</text>
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                <text>Lincoln, Abraham, 1809-1865</text>
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                <text>Getze, J. A. (Jacob Alfred)</text>
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                <text>War--Songs and music</text>
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                <text>&lt;p&gt;WE ARE COMING, FATHER ABRAHAM
300,000
MORE.
&lt;/p&gt;&lt;p&gt;QUICKSTEP.
&lt;/p&gt;&lt;p&gt;MUSIC ARRANGED
BY
J.A. GETZE
&lt;/p&gt;&lt;p&gt;PHILADELPHIA:
LEE &amp;amp; WALKER, 722 CHESTNUT STREET
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"THREE HUNDRED THOUSAND MORE"
QUICK STEP
"WE ARE COMING FATHER ABRAHAM."
ARRANGED BY  J.A. GETZE
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
Air.      1.  But tell the knaves we are not slaves, And slav'ry talks Are free to talk alone.
Alto.    2. Rise, tell the knaves we are not slaves, And morning call, I see the break of day!"
Tenor   3.  Then tell the knaves we are not slaves, And wrought the curse, The cure shall sweep away.
Bass.    4.  We'll teach the knaves we are not slaves, And of the West Shall be no more profaned.
&lt;/p&gt;
&lt;pre&gt;          5.  And tell the knaves, we are not slaves, And heart to heart, Forget, forgive, unite!
&lt;/pre&gt;
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            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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                  <text>Civil War Song Sheets Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=296" target="_self"&gt;Browse items in the Civil War Song Sheets Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>My Love Is On The Battle Field</text>
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                <text>Illustrated three verse song and chorus about a woman whose sweetheart is fighting for the Union.</text>
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                  <text>The Rachel Richardson Collection features the family and colleagues of Illinois Speaker of the House William Granville Cochran. Cochran served as Speaker of the House from July 1890 through early January 1891 and again from July 1895 through early January 1897. Cochran and his son, Oscar F. Cochran, served as judges in Illinois. William Granville Cochran was an Illinois Circuit Court Judge based in Sullivan Illinois, while Oscar F. Cochran served on the County Court of Moultrie County.&lt;br /&gt;&lt;br /&gt;Photographs from this collection include images of William Granville Cochran, members of the Illinois General Assembly, and Cochran family members including William Granville Cochran's children Arthur, Cochran, Archibald Blaine Cochran, Laura O. Cochran Thompson, and Grace M. Cochran Richardson.</text>
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                <text>Judge George A. Sentel of Sullivan, Illinois, sits for a portrait. &lt;br /&gt;&lt;br /&gt;On verso: "Partner of Cochran for a while."</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <description>A name given to the resource</description>
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                <text>The songs The Boys Are Singing In The Camps To-Night</text>
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                <text>No Cover. Song about soldiers singing in camp, they sing to remember their loved ones. Dedicated to "Our friend Sargent Albert H. West, 1st U. S. Volunteers, Chicago, Ill."</text>
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            <description>The topic of the resource</description>
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                <text>Soldiers--Songs and music</text>
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                <text>War--Songs and music</text>
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                <text>M. Witmar &amp;amp; Sons</text>
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            <name>Coverage</name>
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            <description>A language of the resource</description>
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                  <text>David Davis, a lawyer, politician, distinguished jurist and businessman, was born in Maryland, educated at Kenyon College in Ohio, and studied law at Yale University. Davis married Sarah Woodruff Walker in 1838 and they had five children including George Perrin Davis and Sarah "Sally" Davis. &lt;br /&gt;&lt;br /&gt;In 1844, Davis won election as a Whig to the Illinois Legislature, and four years later was elected Judge of Illinois Eighth Judicial Circuit, where he served on the bench during Lincoln's remaining years as an attorney on the circuit. The two became close friends, and Davis worked diligently as Lincoln's campaign manager at the 1860 Republican nominating convention in Chicago. &lt;br /&gt;&lt;br /&gt;In 1862, President Lincoln appointed Davis to the United States Supreme Court, where Davis wrote the majority opinion in Ex parte Milligan, a landmark decision restricting the rights of military courts to try civilians. In 1877, he resigned from the court after being elected to the United States Senate by the Illinois Legislature. Davis served as Senate president pro tempore from 1881 to 1883, and was known unofficially as "Mr. Vice President." He retired from the Senate in 1883.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Davis invested in real estate with De Witt County attorney, Clifton H. Moore, and became a man of considerable wealth. He had the distinction of being the largest landowner in Illinois. At the time of his death, June 26, 1886, his estate was valued between four to five million dollars-a huge fortune in his day.&lt;/span&gt;&lt;span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;The finding aid for the David Davis Family Papers at the Abraham Lincoln Presidential Library and Museum may be found at:&amp;nbsp;http://alplm-cdi.com/chroniclingillinois/items/show/165.&lt;br /&gt;&lt;br /&gt;Photographs in this collection include portraits of several members of the David Davis and George P. Davis families. The collection also includes portraits of Judge Davis' law colleagues, images of Bloomington, Illinois, and photographs of miscellaneous buildings throughout the United States.</text>
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              <text>carte de visite</text>
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                <text>George P. Davis, the son of David Davis and Sarah Davis, poses for a portrait wearing a dark tie.</text>
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                <text>Gillett, G. C.</text>
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                <text>eng</text>
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                    <text>&lt;p&gt;We are coming Father Abraam,
THREE HUNDRED THOUSAND MORE.
SET TO MUSIC
BY
P. S. GILMORE.
Price 25 Cents.
BOSTON:
PUBLISHED BY RUSSELL &amp;amp; PATEE,
108 Tremont Street.
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's office of the Dist. Ct. of the Dict. of Mass.
WILL A BILLINGHAM, PRINTERS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26512
WE ARE COMING, FATHER ABRAAM.
THREE HUNDRED THOUSAND MORE
VOICE.
INTRODUCTION.
MODERATO.
PIANO.}
1. We  are com - ing, Fa - ther  A - braam,  three hun - dred thou-sand more,  From Mis - sis - sip - pi's
2. If  you look a - cross the  hill - tops  that meet the north-ern sky,  Long mov - ing lines of
3. If  you look all up our val - leys,  where the grow-ing harvests shine,  You may see our  stur-
4. You  have called us, and we're com - ing,  by Rich-mond's blood - y tide,  To lay us down for
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's Office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;wind - ing stream and from New Eng-land's shore;  We leave our plows and work-shops,  our wives and chil - dren
ris - ing dust your vi - sion may de - scry;  And now the wind, an in - stant,  tears the cloud - y veil
dy farm - er - boys fast forming into line;  And children from their mother's knees  are pull - ing at the
free-dom's sake, our brother's bones be - side;  Or from foul trea-son's sav - age group  to wrench the murderous
dear,  With hearts too full for ut - ter - ance, with but a si - lent tear;  We dare not look be -
aside,  And floats a - loft our spangled flag in glo - ry and in pride;  And bayonets in the
weeds,  And learn - ing how to reap and sow,  a-gainst their coun-try's needs;  And a fare - well group
blade,  And in the face of for - eign foes its fragments to par - ade;  Six hun - dred thous-and
hind us,  but  stead-fast-ly be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
sunlight gleam, and bands grave music pour,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
stands weeping at  every cot - tage  door,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
loy - al men and  true have gone be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
SOP.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
ALTO.
TEN.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
BASS.
PIANO.}
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
Repeat Chorus nd. lib.
&lt;/p&gt;
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            <element elementId="50">
              <name>Title</name>
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                  <text>Lincoln Sheet Music Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="164931">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=255"&gt;Browse items in the Lincoln Sheet Music Collection&lt;/a&gt; &lt;br /&gt;Sheet music from the Lincoln Collection of the Abraham Lincoln Presidential Library celebrating and commemorating the life of Abraham Lincoln. The collection also includes a number of songs covering other Civil War subjects, as well as minstrel songs.&lt;br /&gt;&lt;br /&gt;Visitors should be warned that some songs contain racially offensive language and imagery. These items are examples of the stereotypical nineteeth century dipiction of African Americans and other minorities.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="172375">
              <text>4</text>
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                <text>301130</text>
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                <text>We Are Coming Father Abraham, Three Hundred Thousand More</text>
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                <text>Song honoring Abraham Lincoln's call for more Union soldiers. Poetry credit is at times given to William Cullen Bryant; however, the poem was originally published in the &lt;em&gt;New York Evening Post&lt;/em&gt; July, 16, 1862 by James Sloan Gibbons.</text>
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              <elementText elementTextId="172365">
                <text>Lincoln, Abraham, 1809-1865</text>
              </elementText>
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                <text>Gilmore P. S. (Patrick Sarsfield) 1829-1892</text>
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                <text>New York post</text>
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            <name>Creator</name>
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              <elementText elementTextId="172371">
                <text>Gilmore, P. S. and &lt;em&gt;New York Evening Post&lt;/em&gt; (Gibbons, James Sloan)</text>
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                <text>Russell &amp;amp; Patee</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="172373">
                <text>Boston</text>
              </elementText>
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            <name>Date</name>
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                <text>1862</text>
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                <text>pdf</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                <text>&lt;p&gt;We are coming Father Abraam,
THREE HUNDRED THOUSAND MORE.
SET TO MUSIC
BY
P. S. GILMORE.
Price 25 Cents.
BOSTON:
PUBLISHED BY RUSSELL &amp;amp; PATEE,
108 Tremont Street.
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's office of the Dist. Ct. of the Dict. of Mass.
WILL A BILLINGHAM, PRINTERS.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;26512
WE ARE COMING, FATHER ABRAAM.
THREE HUNDRED THOUSAND MORE
VOICE.
INTRODUCTION.
MODERATO.
PIANO.}
1. We  are com - ing, Fa - ther  A - braam,  three hun - dred thou-sand more,  From Mis - sis - sip - pi's
2. If  you look a - cross the  hill - tops  that meet the north-ern sky,  Long mov - ing lines of
3. If  you look all up our val - leys,  where the grow-ing harvests shine,  You may see our  stur-
4. You  have called us, and we're com - ing,  by Rich-mond's blood - y tide,  To lay us down for
Entered according to Act of Congress, A. D. 1862, by Russell &amp;amp; Patee, in the Clerk's Office of the District Court of Massachusetts.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;wind - ing stream and from New Eng-land's shore;  We leave our plows and work-shops,  our wives and chil - dren
ris - ing dust your vi - sion may de - scry;  And now the wind, an in - stant,  tears the cloud - y veil
dy farm - er - boys fast forming into line;  And children from their mother's knees  are pull - ing at the
free-dom's sake, our brother's bones be - side;  Or from foul trea-son's sav - age group  to wrench the murderous
dear,  With hearts too full for ut - ter - ance, with but a si - lent tear;  We dare not look be -
aside,  And floats a - loft our spangled flag in glo - ry and in pride;  And bayonets in the
weeds,  And learn - ing how to reap and sow,  a-gainst their coun-try's needs;  And a fare - well group
blade,  And in the face of for - eign foes its fragments to par - ade;  Six hun - dred thous-and
hind us,  but  stead-fast-ly be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
sunlight gleam, and bands grave music pour,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
stands weeping at  every cot - tage  door,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
loy - al men and  true have gone be - fore,  We are com-ing, Fa - ther  A - braam, three hundred thousand more.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
SOP.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
ALTO.
TEN.
We  are  com - ing,  we  are  com - ing,  our  U - nion  to  re -
BASS.
PIANO.}
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
store;  We are com - ing,   Fa - ther   A - braam,  with  three  hun - dred  thous - and   more.
Repeat Chorus nd. lib.
&lt;/p&gt;
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <description>A language of the resource</description>
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                  <text>The World Mourns for Abraham Lincoln (1865)</text>
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=219" target="_self"&gt;Browse items in The World Mourns for Lincoln&lt;/a&gt;&lt;br /&gt;These letters of condolence were sent to the United States from throughout the world in the months after the assassination of Abraham Lincoln.</text>
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              <text>paper and ink</text>
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            <name>Identifier</name>
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                <text>RG59E177-415</text>
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                <text>Giuseppe Giacomo and others</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Giuseppe Giacomo and others to Andrew Johnson</text>
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                <text>Record Group 59: General Records of the Department of State, 1763-2002, Entry 177: Foreign Messages on the Death of Abraham Lincoln, 1865, National Archives at College Park, College Park, MD</text>
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            <description>A related resource that is a version, edition, or adaptation of the described resource.</description>
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                <text>The Assassination of Abraham Lincoln, Late President of the United States of America, and the Attempted Assassination of William H. Seward, Secretary of State (Washington: Government Printing Office, 1866), 452.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>ita</text>
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                <text>41.5167, 14.1667</text>
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                <text>&lt;p&gt;[Translation.]&lt;/p&gt;&#13;
&lt;p align="right"&gt;&lt;span style="font-variant: small-caps;"&gt;Province of Molise, District of Isernia&lt;/span&gt;, &lt;br /&gt;&amp;nbsp;&lt;em&gt;Monteroduni&lt;/em&gt;,&amp;nbsp;&lt;em&gt;May&lt;/em&gt; 1, 1865.&lt;/p&gt;&#13;
&lt;p class="flushleft"&gt;To his Excellency &lt;span style="font-variant: small-caps;"&gt;Andrew Johnson&lt;/span&gt;,&lt;br /&gt;&amp;nbsp;&lt;em&gt;President of the United States of America:&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;The entire world, with different feelings, has anxiously awaited the termination of the great contest, the civil war that has lacerated the limbs of the great and happy republic. Tyranny and double-faced diplomacy attempted to rivet the chains of slavery upon the universe; democracy struggled to break the fetters and crush the head of despotism with them, and sound the hymn of victory and liberty. The hour of victory has struck for liberty; tyranny, pale with rage, gnaws its own viscera, and trembles upon its tottering throne.&lt;/p&gt;&#13;
&lt;p&gt;Long live the government of Washington! Long live the great republic of the United States! They overthrew the slaveholders of the south, who had ruled the country for three quarters of a century; but the brave republicans broke off the manacles of millions of slaves, raised them to the dignity of manhood, and now embrace them as men and brothers.&lt;/p&gt;&#13;
&lt;p&gt;But amid the victorious jubilation came the horrid rumor of Abraham Lincoln&amp;rsquo;s barbarous assassination! He was the honored parent of the new-born liberty; but you, Mr. Johnson, will be the foster-father of the new republic. Lincoln is dead; but grateful humanity will erect a splendid monument to the memory of the sublime martyr of liberty, and will appease his spirit by scattering the ashes of the cursed assassin Booth to the four winds of heaven, and destroying; tyranny and slavery that prompted him to the horrid deed.&lt;/p&gt;&#13;
&lt;table&gt;&#13;
&lt;tbody&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;GIUSEPPE GIACOMO.&lt;/td&gt;&#13;
&lt;td&gt;PASQUALE D&amp;rsquo;ELIA.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;ANTONIO GUGLIELMI.&lt;/td&gt;&#13;
&lt;td&gt;SALVATORE SCIOLI.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;SALVATORE GUGLIELMI.&lt;/td&gt;&#13;
&lt;td&gt;FRANCESCO SCIOLI.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;ICILIO D&amp;rsquo;ELIA.&lt;/td&gt;&#13;
&lt;td&gt;NICOLA TRIVISON.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;DOMINICO FORTE.&lt;/td&gt;&#13;
&lt;td&gt;SILVIO FORTE.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;tr&gt;&#13;
&lt;td&gt;CLODOMIRO DE GIAOOMO.&lt;/td&gt;&#13;
&lt;td&gt;ANDREA SCROLI.&lt;/td&gt;&#13;
&lt;/tr&gt;&#13;
&lt;/tbody&gt;&#13;
&lt;/table&gt;</text>
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                  <text>Monticello College first began as the Monticello Female Seminary in 1838. Founded by Captain Benjamin Godfrey to provide education for women, the school offered two years of classes for attendees based on the idea that&amp;nbsp;&lt;span&gt;“if you educate a man you educate an individual; educate a woman and you educate a whole family.”&lt;br /&gt;&lt;br /&gt;Godfrey selected Reverend Theron Baldwin to serve as the first head of the Monticello Female Seminary. In 1867 Harriet Haskell became principal, a position she held until her death in 1907.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;On November 4, 1888, a fire broke out in the building and consumed the entire structure. Ms. Haskell and the school's Board of Trustees successfully fundraised for a new building and rebuilt the school in two years.&lt;br /&gt;&lt;br /&gt;The school's leadership made the decision to close the school in 1970 with the final class graduating in 1971. Lewis and Clark Community College completed the purchase of the Monticello College campus in 1972.&lt;br /&gt;&lt;br /&gt;The finding aid for the Monticello College (Godfrey, IL) Records at the Abraham Lincoln Presidential Library may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/2/resources/545" title="Monticello College (Godfrey, IL) Records"&gt;https://illinois.as.atlas-sys.com/repositories/2/resources/545&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The finding aid for the photographic Monticello College Collection at the Abraham Lincoln Presidential Library and Museum may be found at &lt;a href="https://illinois.as.atlas-sys.com/repositories/3/resources/4702" title="Monticello College Collection "&gt;https://illinois.as.atlas-sys.com/repositories/3/resources/4702&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                  <text>Manuscript: BC466&lt;br /&gt;Audiovisual: AV-01-08-Monticello</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="642156">
                  <text>1830 - 1970</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="471786">
              <text>carte de visite</text>
            </elementText>
            <elementText elementTextId="471787">
              <text>b&amp;amp;w</text>
            </elementText>
            <elementText elementTextId="471788">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="471789">
              <text>9 x 7 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="471777">
                <text>402340</text>
              </elementText>
              <elementText elementTextId="471778">
                <text>Monticello College Collection</text>
              </elementText>
              <elementText elementTextId="498019">
                <text>Monticello College Collection Photo Album</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471779">
                <text>Samuel Snedeker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471780">
                <text>Samuel Snedeker, a farmer from Jerseyville, sits for a portrait. Snedeker was the father of Catherine Elizabeth Snedeker Hill, an alumnae of the Monticello Female Seminary.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471781">
                <text>Snedeker, Samuel, 1802-1877</text>
              </elementText>
              <elementText elementTextId="471782">
                <text>Farmers</text>
              </elementText>
              <elementText elementTextId="471783">
                <text>Illinois--Jerseyville</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471784">
                <text>Gledhill, R. C.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471785">
                <text>n.d.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471790">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="471791">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="471793">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
